midsummer nights story
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Goldrush Girl
Jeanete Winerson
When you mee someone or he rs ime, you orge i as, or
you remember i orever.
We wen o lunch.
I was an expensive resauran wih small ables angled o
give he illusion o space. A small ables shamming space i
is necessary o judge disances careully beween wine glass
and plae, ood and ork, especially when you do no know your
hos/your gues, and especially when you have ordered ood,
no ou o polieness, bu because you are hungry.
I el ha he disance beween us was immense and iny.
We didn know each oher, and your lie was quie separae
o mine. We were polie, ormal, we had our ee ucked back
under our own chairs, and we made sure ha each o us had
enough room.
Bu seeing he way you cu ino your sausages, I undersood
ha you were someone who go hungry oo.
We alked wha did we alk abou? I orge. Whaever we
said was los under he pressure o everyhing no said. You
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canno say o someone you have jus me I wan o kiss you.
Someimes i is as simple as ha.No or long. Bu someimes.
I waned o kiss you in he way ha I wan o ea cherries
rom he greengrocers sall. I don wan hem in plasic boxes
hal dead rom cold, I wan hem warm, slighly sweaing,
salky, random. I wan o ea hem while I walk round nger-
and-humbing he limes and hrowing handuls o rocke ino
brown paper bags. I wan he smell, he ase, he surprise, he
disagreeable sone.
I smiled a you. I remember ha, and ha you blushed.
We drank pink wine; I remember ha.
I I am going o ell he ruh I can say ha I was looking or
a way ou. I was married, I was elsewhere, I was solid, I was
sable, I was waiing he way people wai or spring. There
was nohing I could do abou he winer bu I was waiing or
he sun.
So when I me you, and I el wha I had no el in such a
long ime simple desire I did no wan o le i go. We walked
or a long ime aer lunch because we did no wan o le go.
Someimes lie is simple and sad. There was a sadness even
already because nohing in his lie holds he only chance is o
move wih he momen, o move wih he ow o lie, bu ha is
hard. Already I was wondering wha would happen, wha would
happen o us, and he mind moves ahead o he ow o lie, and
he hear hangs back, araid, and he rhyhm is wrong, and all
you can rus is your body. And you do.
The golden o your skin was unexpeced. I hough you would
be pale like me and insead I looked like a whie ca lying in a
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pool o sun. The spread o you, like sun on he seps, he climb-
ing o you, sep by sep. The warmh o skin and he colour oskin and he mos known hing in he world a body, becoming
like a pan o gold ha has lain all his ime on he riverbed, and
now is in my ngers.
My own body was like a mine where he sun didn reach. A
dark place, dug bu no li. Sun on me now, and he shine o i,
and he colour o i, and he gold o i, and hese riches.
Goldrush girl.
Minnie runs a bar high up in he Sierra Nevada. Her cusomers
are rough miners rying o make a orune. They are all in love
wih her, and each believes he is he avourie. Bu Minnie
doesn have a avourie; she loves all and none. When he snow
is oo deep o go ou she eaches he men o read and wrie.
Theres a bandi called Ramerrez big price on his head,
WANTED posers everywhere. Minnie keeps he gold hidden in
a barrel o waer. Hell never nd i.
One nigh a sranger shows up a he bar Johnson rom
Sacrameno. He says o Minnie,Do you remember me? And she
answers,I you remember me
I decided o ake you o he opera and Puccini seemed like a
good choice, because he is shamelessly romanic, and because
and his is srange Puccini is where opera usually begins or
beginners, bu less said is ha aer a long long journey round
Mozar and Srauss and Handel and Briten and even Wagner,
back you come o Puccini. Bu no Tosca, or Turando, orMadam
Buterfy, no, where you come back o is Fanciulla del Wes.
I am speaking personally, bu how else is here o speak?
*
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You knew a lo abou opera. I was ricky going o he opera
wih you. Laer, much laer, when we were a he end, I ook youo Trisan and Isolde. I cried all he way hrough. You said ha
you didn like he se.
Bu his is he beginning, no he end, and here is a rush o
gold o my head.
In spring, in he Sierra Nevada, he blue violes push hrough
he snow. I was siting nex o you a he opera, eeling he blue
violes pushing hrough me, and he orce o new lie, and he
colour o new lie, and remembering ha in spring he sun
warms he ground, yes i does, bu as soon as ha happens he
ground warms isel oo, by he energy o growh, he move-
men o roos and shoos.
I realized ha he sun o you had warmed me o growing
emperaure again, and alhough I was sill covered in snow,
here were blue violes.
In he dark I held your hand.
Johnson akes Minnies hand. She asks him o come o supper
in her cabin in he mounains. Shes excied. She ges ou her
Monerrey shoes and shawl and dresses up. The re is brigh.
She checks her hair. The door opens and in he comes
wild,
handsome, shy, he sranger who ravels by he sun.
Do you remember me? Yes, i you remember me
They wan o alk o each oher. I remember ha. Memory
is dialogue. When we alk he brain is promped owards con-
necion. I am a soliary person and I need connecion. I have
i wih plans and animals, and all invisible hings, bu wih
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people i is harder or me. I am no sand-ofsh, or oo shy,
is jus ha I don like supercialiies. I can do small-alk. Iwould raher no alk a all.
You and I alked bes when we had made love. Then boh o
us could alk. In ac, a oher imes, you were rarely here or
me o alk o, and I was lonely. In my marriage I could alk bu
I didn wan o. Wih you, I waned o alk, bu you wouldn le
me. When you le me, you sopped alking o me alogeher. You
never reurned my calls, or my calls or help. I was a shock, bu
in a way, i was only more o he same. Silence and separaion.
In ac, you were always in love wih someone else, bu ha
was never going o work in he way ha you had hoped. Bu
your deepes sel was no wih me. You loved me, and some-
imes you longed or me, bu your deepes sel was elsewhere.
Minnie knows ha; is why she can marry rich Jack Rance
or romanic Sonora. Her deepes sel sayed wih he sranger
who rode ou o Sacrameno. She made a lie. He made a lie,
bu because o each oher, hey couldn make a lie wih any-
one else.
In he cabin i sars o snow, and Minnie ges her bedding ou
and says ha she will sleep by he re and Johnson can sleep in
her bed. She doesn wan him o leave. She doesn wan him
o sop alking. He wans o make love o her bu her gold is her
own, and he can ake i by orce.
The men are all ou searching or he bandi Ramerrez
when
When he door burss open and Johnson has only jus ime o
hide, and heres Jack Rance elling Minnie ha her precious Mr
Johnson is Ramerrez himsel, and he rail ends a her cabin
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*
The sranger is never wha he seems. Never wha we imaginehell be.
I wasn wha you hough Id be, hough I was he miracle
you needed. You weren wha I hoped or, hough you were as
glorious as May ime, and as rich and ull.
The sranger is always a rickser.
Walk home wih me, he music in our heads. Sleep wih me,
he music in our bodies. In he nigh give me courage or he
day. In my dreams, sneak ou o your body and come ino my
head. Sand here. Call ou. Find me.
In he nigh he soness and he darkness are reassuring. I
eel sae. I eel happy. I needed his whaever he cos, whaever
he price o gold I have o pay i. Someimes lie is so close o
running dry ha any price is worh paying or hawed rain, or
he sun on he waer, or he river ha runs, or he clear, cool
moisure ha was locked in he earh and nohing grew.
The buried reasure is really here, bu buried.
I didn hink i would cos so much o nd. I coss every-
hing.
Minnie is so angry. Ramerrez he bandi came o seal he gold.
Johnson he runaway lover came o seal her hear. Bu Minnie
doesn wan o be solen rom; she wans o give. I is hers o
give, no his o seal.
Ramerrez runs ou o he cabin, guily, conused. Minnie
slams he door agains his back hen she hears a sho. He alls
back inside, bleeding, wounded, and she hides him in he lo.
Sheri Rance is a he door now, and in spie o Minnies
dissembling, Ramerrez is bleeding, and his blood is dripping
slowly rom he lo. The blood alls on Rance. He knows wha
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Minnie is up o now. Now here is anoher price o pay; she has
o sake her own lie or Ramerrez. She and Rance play pokeror him. I she loses, Rance ges her or good.
She cheas. She wins.
Bu nohing o any value is ever won ha way. A bes here is
a reprieve, and hen he rue price has o be paid.
Bu has how we end i, a he curain o Ac Two. Minnie
has won her man a cards.
You and I wen ou or an inerval drink. I was so nervous I
ae crisps. I was nervous because I knew he sakes were high,
bu I didn undersand wha I was playing or no really or
how much i was going o cos.
I had he eeling o somehing imporan and simple, blind-
ingly obvious, like a kiss or a waning o kiss. My hear was
beaing oo as. I was gambling he lo. I was going o lose my
house, my marriage, and I wouldn be winning you, because
you were no o be won. I was mysel I had o win. Tha is very
hard, and here are no cards o hide in your skir. You play you
win, you play you lose, you play.
How long have we go? you said. No meaning he inerval.
Will you say wih me? I said. No meaning he nigh.
The rhyhms are wrong he mind runs ahead owards he
ineviable end. The hear holds back ou o ear. Only he body,
only he body, only he body says rue. Poor body, aihul body,
ha so oen mus do he work o boh head and hear, like an
animal made o carry much more han i should.
Ac Three. The snow is deep. The gibbe is ready. The miners
have caugh Ramerrez and he isn Minnies anymore. Hang
him quick beore she comes.
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Hes brave. Is cold. He hinks abou love, and how or one
brie li-up momen he ound i, rue gold, unsealable, gionly. She loved him. She risked her lie or him. He slipped ou
one nigh, his wound hal-healed, o save her, o le her sar
again. He misjudged i because hes a long-haul bandi who
can calculae a raid, bu hes only jus a lover, and so he can
measure a gi. He doesn know ha he gi is so big ha here
is no measuremen.
You ake i or leave i. Love is no barer. Love is no he.
Love is no cards, hough i is a gamble. Love is a gi. Take
i
Minnie woke up, alone a dawn, once more berayed, one more
beraying man, bu love is real and no so easily cheaed. This
is no a game a all.
As hey push him up he rozen gibbe, his hands ied, he
men hear her voice o-sage, and here she is, running hrough
he snow, hrough he pas, hrough he impossibiliy o love o
make love happen. Shes sanding here, in his head, and in his
body and in he world as i is, and as she claims him, she says,
This man is mine.
Up on he gibbe, sanding beside him, she asks he men one
by one o orgive and o each man she ells a sory a sory o
he nigh she sa up wih him when he was sick, a sory o how
she augh him o wrie, a sory o a leter, a sory o a window
iced wih snow, and a re she made on her knees, a sory o
love, because his is a love sory
Is i?
My goldrush girl, we rescued each oher wih a po o gold
o he rainbow kind, and he li-up days were real. Bu you had
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a person and I had a pas and we go rapped somewhere and I
was wounded.I guess I could no judge he disances righ; we boh go oo
close, and ye sayed oo ar away. I guess you could no accep
he gi. Love is such a difcul gi o accep.
Minnie has o leave everyhing, righ here and hen; her bar,
her home, all he lie she had made. And Ramerrez he ban-
di, she ells he men, died ha nigh in her cabin. Is rue, he
did, bu no by a bulle. Loves renewal never happens wihou a
deah o some kind.
She akes his hand and heir racks disappear in he snow.
Aer you le me i el or a long ime as i he world had dark-
ened. I slowed, I was cold, I was underground again. Bu anyone
who srikes gold can keep i. And he sun-gold ha warms
he ground is aihul and ery. Whaever is ound well is ound
orever.
I didn wan you o go because in spie o everyhing ha
was wrong, you el righ o me. I have been in mourning, and
mourning is dark and shrouded. Bu he dark and shrouded
place ha is mourning is no he same as he dead place where
here is no lie.
I don know i I will see you again. And i I do wha we were
will be long gone, he racks in he snow disappeared.
Bu he sun will come again.
And here are blue violes.