MASTERCLASSFRANCESCO SAVORETTI

MEDITERRANEAN PERCUSSIONS12-14 october

MASTERCLASSPEPPE FRANA

MODAL MUSIC COURSEStyle and improvisation in "oriental music"

12-14 octoberThe masterclass is designed for those who want to deepen the study of the frame drums and the calico drums of the Mediterranean tradition ("lap style" played while seated). The meeting is aimed at both newcomers and for those who already have a certain familiarity with the practice and technique that characterize these percussions.

Through the onomatopoeic method of the main strokes we will analyze some rhythms of the oriental tradition and then go into more technical aspects related to embellishments, the different combinations of rollers ("finger rolls"), showing some techniques related to "Split Hand" and "Lap Style" style and "Freehand Style" style.

Darbuka, Tar, Mizhar- Rhythmic sampling and introduction to notation Pa, Dum, Tak, Ka- Study of the percussive technique of the 4 basic strokes P,D,T,K- Exercises to develop the mastery of the alternations between the individual shots- Study of TaKaDiMi and Pa Dum. - Vocalization of the pulsation, vocalization of the rhythmic cycle:• in 4: Ta Ka Di MI• in 8: Na Ka Ta Ri Ki Ta Ta Ka• in 3: Ta Ki TaStudy of the main rhythms of the Arab tradition:Maksoum, Baladi, Ayoub, Malfouf, MasmoudiStudy of the main rhythmic variations of the rhythms listed above- embellishments: Ras, Sound modulation- Study of traditional compound rhythms:6- Kalamantiano7- Dawr Hindi

A common feature of the major extra-European musical traditions is the presence of a complex system of ways, often characterized by intricatemelodic structures and refined micro-tonal nuances that can make the comprehension of their progress not even to musicians ofsolid training. This workshop aims to explore the common basis of these musical idioms (Turkish-Otto-man Makam, Arabic Maqam, Persian Dastgah, Hindustan raga, etc.) through a series of practical exercises that will try to lead the participants to an immediate familiarity with the concept of fashion and the creative reworking of the studied traditional materials.Targets of this laboratory are- instrumentalists and singers interested in consciou-sly and fruitfully undertaking the study of "oriental music" and broadening their languageimprovisational and compositional;- novice musicians who want to give themselves an immediate and creative approach to melody and rhythm;- teachers, interested in experimenting with an approach devoid of superstructures and mystifica-tions.

SEMINAR of percussion(Framed and Darbuka Drums)

INTRODUCTION TO THE MODAL MUSIC AND TO ORIENTAL AND EXTRA-EUROPEAN MUSIC

The characteristic that unites the major non-Euro-pean musical traditions is the presence of an articulated system of ways, often characterized by intricate melodic structures and refined microtonal nuances that can make the comprehension of their progress not immediate even to musicians with a solid Eurocolta training..

The present laboratory does not claim to provide an exhaustive overview of any of the musical systems in question (Turkish-Ottoman Makam, Arabic Maqam, Persian Dastgah, Hindustan raga etc.), rather than exploring the common basis of these musical idioms through a series of practical exercises that will try to lead the participants to an immediate familiarity with the concept of fashion and the creative reworking of the traditional materials studied.

The workshop is aimed at all the instrumentalists and singers interested in undertaking the study of "oriental music" in a conscious and fruitful way and to expand their own improvisational and composi-tional language.

The seminar will give the opportunity to learn, through the work together, theoretical and practical elements to enrich the melodic and rhythmic languagein musical improvisation, drawing inspiration from the fascinating and rich extra-European modal repertoire. We will travel through musical formulas of the most important traditions: Arab, Turkish-Ottoman, Hindustana and Central Asian; the main rhythms of the Turkish and Arabian / Maghrebian tradition will be dealt with and the main variations used during their execution on frame drums and darbuka.During the Seminar two classes will be formed, one dedicated to melodic instruments and to the voice and the other focused on the study of percussion. The two groups will work side by side to arrive during the two days, at some moments together. The proposed musical formulas will be reorganized into a neutral didactic approach, flexible and adaptable to the most diverse styles and languages, so as to make the seminar work integrable to one's ownpersonal musical path.

The course is open to all musicians and instrumentalists

Infowww.barocco-europeo.org

The continuous research of the sounds and the attention towards the executive dynamics are the most important aspectsrelevant that distinguish his style. Feels close to the definition given to him by the music chef, on the one hand the sturdiness of the drive, expertly accompanied by the "flavors" of his personal tonal research. It is thus that the good execution and familiarity with the techniques of the frame drums are enhanced by his personal journey towards an original sound research. This peculiarity often leads him to work with multiplayer sets and to explore different musical genres: World music, Contemporary, Ethno jazz, Early Music. He shares the stage with important Italian and foreign artists: Mike Rossi (South Africa)), Claus Boesser-Ferrari (Ger), Heiko Plank (Ger), Sandor Szabo (Ungh), Elizabeth Swados (USA), Cary Gant (USA), Heaater Paawue (USA), Moni Ovadia, Riccardo Tesi, Luca Ciarla, Eugenio Bennato, Nidi D'Arac, Gionni di Clemente, Giovanni Seneca, Andrea Costa, Gionata Costa.Participates in important national and international festivals and festivals: Montreal Jazz Festival, CANADA; "Java Jazz Festival" by GIAKARTA, "Banghok jazz festival" in THAILAND; "Jazz in Bayreuth" in GERMANY; "National Arts Festival" of Graham-stown, SOUTH AFRICA; Queen's Birthday jazz & Blues FestivalWallington, NEW ZEALAND; Upper Yarra Arts Center, AUSTRALIA; Melbourne Jazz Festival, AUSTRALIA; Ottawa Jazz Festival, CANADA; Rochester Jazz Festival, USA; Twin Cities jazzFestival, USA; National Center of Performing Arts, Bombey, INDIA; Hong Kong International Jazz Festival, HONG KONG; He is one of the founders of the Festival FRAME DRUMS ITALIA, a world recognized Festival for the promotion and dissemination of the study of the drums framed by the various traditions. He is artistic director, together with the guitarist Gionni Di Clemente of the Festival ACUSTIC LANDSCAPES.

He was born in Salerno on October 19, 1986. Appassiona-tos at a young age to rock overseas and beyond, soon became the nightmare of the best electric guitar teachers in the district. Twenty-year-old is struck by the interest for modal music outside Europe through the music of Ross Daly and undertakes the study of Turkish houd and other plectrum guitars during frequent trips to Greece and Turkey, where he attends some of the most renowned masters: Yurdal Tokcan, Omer Erdogdular, Murat Aydemir, Daud Khan Sadozai, Ross Daly himself. From the meeting with the members of the Ensemble Micrologus comes the interest for the music of the European Middle Ages and for the plucked lute, which soon became one of the most appreciated soloists and teachers, specializing in the Italian fourteenth repertoire.From 2013 he studied medieval lute at the Schola Cantorum Basilensis under the guidance of Crawford Young, inaugurating his first experience of academic musical study.He graduated with honors in philosophy at the "L'Orienta-le" University of Naples. He regularly holds courses and seminars in some prestigious musical institutions such as the Labyrinth Musical Workshop (Greece) and the Sibelius Academy (Finland). He regularly collaborates with many artists and musical projects in the field of musicancient, oriental and extracolta among which we remember: Ensemble Micrologus, Ensemble Calixtinus, Ensemble Exaquier, Trenca, Cantsiléna, Radiodervish, Vinicio Capossela, carrying out a flourishing concert activity in the most prestigious Italian and international festivals.

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SACILE

PALAZZO RAGAZZONI

12-14, 17-21 october 2018

SEMINARI

INTERNAZIONALI

MUSICA

BAROCCA 2018

BAROCCO EUROPEO

MASTERCLASSSARA MINGARDO

BAROQUE SINGING18-21 october

Sara Mingardo’s course provides the following repertoire of choice:

•- intensive study and preparation of the solo parts (Soprano and Tenor) and ensemble ones of Orlandini’s Intermezzo Bacocco e Serpilla.To get Bacocco e Serpilla scores, subscribe and write to:

infobarocco-europeo.orgThis repertoire will be the Final Concert program and it may be used for two production in 2019 at regional and Italian theater institutions.

•- An analogous repertoire chosen from the early 1970s Intermezzi by Albinoni, Jommelli, Orlandini.

•- Free repertoire

SARA MINGARDOOne of the rare voices of genuine contralto of the music scene today. She regularly collaborates with conductors such as Claudio Abbado, Ivor Bolton, Riccardo Chailly, Myung-Whun Chung, Colin Davis, John Eliot Gardiner, Riccardo Muti, Trevor Pinnock, Christophe Rousset, Jordi Savall, Jeffrey Tate and Rinaldo Alessandrini. Her repertoire includes works by Gluck, Monteverdi, Handel, Vivaldi, Rossini, Verdi, Cavalli, Mozart, Donizetti, Schumann and Berlioz. Particularly active in concert she has a vast repertoire ranging from Pergolesi to Respighi, through Bach, Beethoven, Brahms, Dvorak and Mahler. She was awarded the Premio Abbiati 2009.

MASTERCLASSEDWARD SMITH

HARPSICHORD17 october

The course of Edward Smith will be chosen

- on the study of the Spanish and Portuguese keyboard repertory and will be aimed at analyzing the Andalusian and Arab influences in the compositional style of the authors coming from this particular area of the European Baroque.

- Free program, of any Baroque author.

EDWARD SMITHWell known in the practice of basso continuo, he has participated in numerous recoveries of Baroque works in New York, Paris, Madrid and Frankfurt, in Venice and in Siena.He has held many courses and workshops in the United States, Europe and Israel. In Italy he has taught at the Accademia Chigiana, the Cini Foundation, the Scuola di Musica Antica of Venice and the Seminario 'Barocco Europeo' of Sacile. He has recorded music by Byrd, Chambonnières, d'Anglebert and Handel, Sonatas from Harpsichord (Scarlatti, Grazioli, Paradies), organ pieces by A. Gabrieli, Frescobaldi and Zipoli and lately three CDs dedicated to Bach, F. Couperin and D. Scarlatti. His keyboard music reviews include Suits of the Celebrated Lessons (Babell), Six Handwritten Sonatas (Seydelmann) and Geminiani's Complete Keyboard Works for Ut Orpheus, Bologna, and Pièces de Clavecin (Février) for l'Oiseau-Lyre, Monaco.he Concert Lesson open to the public.

SEMINARI INTERNAZIONALI MUSICA BAROCCA 2018

Aimed at the study and analysis of the Baroque repertoire, the activities of the Seminars are aimed at soloists or already established groups, who intend to deepen this particular repertoire, and will be divided into individual lessons and chamber music.With the 2018 edition opens a new in-depth section, aimed at Middle Eastern and Maghreb music, but considered in their ancient dimension, parallel to the European Baroque.The best students, selected by the teachers of the courses, will participate in the Final Concert. The listeners will be able to attend all the activities. Each student will receive a Certificate of Participation.

Enrolment deadline is30 september 2018

Terms of participation in the courses

Enrolment (obligatory for all lessons and courses) € 50

Individual CoursesSara Mingardo - singing € 220 Lorenzo Regazzo - singing € 220 Edward Smith – Hasprichord € 150 Francesco Savoretti - Percussions € 70Peppe Frana - Luthe, Arab Oud € 70

Savoretti and Frana (for students of Musical Institutes and Schools) € 30

Singers in Sara Mingardo and Lorenzo Regazzo’s course are required to include in their enrolment (by mail)- the enrolment form- receipt of payment of the enrolment fee- a Mp3 o Video and CV- and photocopies for the accompanist of pieces to be studied. They are asked to bring full scores of works that may be selected for the final concert.

Musicians in Edward Smith, Savoretti, Franas’s courses are required to include in their enrolment (by mail)- the enrolment form- receipt of payment of the enrolment fee

Enrolment fee must be received no later than one week before the beginning of the course. At the end of the courses, a certificate of attendance will be given to both active participants and auditors.

The fee for non-active participants is €50 enrolment and €50 for attendance.

The organization can decide not to activate the courses for lack of inscriptions.

The enrolment fee may be paid by bank transfer made out to

BAROCCO EUROPEO

IT 06 Y 06340 64990 07407960128LFRIULCASSA Spa - CASSA DI RISPARMIO REGIONALE -filiale di Sacile.

Infowww.barocco-europeo.org

MASTERCLASSLORENZO REGAZZOBAROQUE SINGING

18-21 october

Lorenzo Regazzo’s course provides the following repertoire of choice:

•- intensive study and preparation of the solo parts (Soprano and Tenor) and ensemble ones of Orlandini’s Intermezzo Bacocco e Serpilla.To get Bacocco e Serpilla scores, subscribe and write to:

infobarocco-europeo.orgThis repertoire will be the Final Concert program and it may be used for two production in 2019 at regional and Italian theater institutions.

•- An analogous repertoire chosen from the early 1970s Intermezzi by Albinoni, Jommelli, Orlandini.

•- Free repertoire

LORENZO REGAZZOAs a renowned interpreter of Mozart and Rossini, Lorenzo Regazzo has been a regular guest at the Salzburg Festival and at the Rossini Opera Festival in Pesaro. He collaborated with such important conductors as Simon Rattle, Riccardo Muti, Lorin Maazel, Colin Davis, Claudio Abbado, Riccardo Chailly, Daniele Gatti, Nikolaus Harnonkourt, Jesús López-Cobos and Marcello Viotti. Acclaimed in the “bel canto” and “coloratura” repertoire, he is a world class Baroque singer noted for expertise in Vivaldi and Handel, a repertoire he had performed and recorded with such Baroque music specialists as René Jacobs, Emmanuelle Haïm, Rinaldo Alessandrini, Jean-Christophe Spinosi, Fabio Biondi, Christophe Rousset, and Andrea Marcon.

Comune di Sacile

BAROCCO EUROPEO

Cenacolo Musicale

www.barocco-europeo.org