mannerism between the renaissance baroque periods c. 1520-1580 -- deliberate distortion:...

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Mannerism – between the Renaissance & Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic lighting, emotional

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El Greco “St. Martin and the Beggar”

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Page 1: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

Mannerism – between the Renaissance & Baroque Periods

c. 1520-1580-- Deliberate distortion: elongated, twisting forms

-- Usually religious

-- Dramatic lighting, emotional

Page 2: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

El Greco

“View of Toledo”

Page 3: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

• El Greco

• “St. Martin and the Beggar”

Page 4: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

Baroque1600-1750

• Dramatic use of light• Meant to evoke emotion• Shows movement, depth• Magnificent cathedrals to attract

worshippers back to the Catholic church…Associated with the Counter Reformation!!! – example main altar in St. Peter’s by Bernini.

• Secular architectural example - Versailles

Page 5: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

“Las Meninas”Velazquez

Page 6: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

“Conversion of St. Paul”

Caravaggio

Page 7: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

“Self Portrait” Rembrandt

Page 8: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

“The Night Watch” Rembrandt

Page 9: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

“Woman Weighing Pearls,”

Vermeer

Page 10: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

Rubens, The Arrival of Marie de'

Medici at Marseilles

Page 11: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

“Helena” Rubens

Page 12: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

Bernini

“The Ecstasy

of St. Teresa”

Page 13: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

“David”

Bernini

Page 14: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

The main altar at St. Peter’s Basilica,

Rome - Bernini

Page 15: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

Palace of Versailles – Entrance from the Avant-Court

Page 16: Mannerism  between the Renaissance  Baroque Periods c. 1520-1580 -- Deliberate distortion: elongated, twisting forms -- Usually religious -- Dramatic

Palace of Versailles Great Hall of Mirrors