mannerism – between the renaissance & baroque periods c. 1520- 1600ish -- deliberate...

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Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple perspectives -- Dramatic lighting, emotional --radical asymmetry --Intense color

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Page 1: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

Mannerism – between the Renaissance & Baroque Periods

c. 1520- 1600ish

-- Deliberate distortion: elongated, twisting forms

-- Often religious

--multiple perspectives

-- Dramatic lighting, emotional

--radical asymmetry

--Intense color

Page 2: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

Last Supper Jacopo Tintoretto 1594 Basilica di San Giorgio Maggiore, Venice

Page 3: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

(As Opposed to DaVinci’s Last Supper)

Page 4: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

El Greco

“View of Toledo”

c. 1596

Page 5: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

• El Greco

• “St. Martin and the Beggar”

Page 6: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

Baroquec. 1600-1750

• Dramatic use of light; intense color multi-media

• Meant to evoke emotion

• Shows movement, depth

• Art of the Counter-Reformation: Magnificent cathedrals or re-adornment & ornamentation of interiors of old churches to attract worshippers

• Secular art & architectural examples such as Versailles show of power/wealth

• Portraiture in action

Page 7: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

“Las Meninas”

Velazquez

Page 8: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

“Conversion of St. Paul”

Caravaggio

Page 9: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

ENTRY # 39For each of the following pieces, tell whether it is an example of Mannerism or Baroque art/architecture and WHY.

A

B

C

Page 10: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

ENTRY # 39

Peter Paul Ruebens – Decent from the Cross

El Greco – Resurrection of Christ

Bernini – The Ecstasy of St. Theresa

Page 11: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

“Self Portrait” Rembrandt

Page 12: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

The Anatomy Lesson of Dr. Nicolaes Tulp (1632) Rembrandt

Page 13: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

“The Night Watch” Rembrandt

Page 14: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

Bernini

“The Ecstasy

of St. Teresa”

Page 15: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple
Page 16: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

• Michelangelo’s “David”…Compare to….

Page 17: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

“David”

Bernini

Page 18: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

Rubens, The Arrival of

Marie de' Medici at Marseilles

The Coronation

Page 19: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple
Page 20: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

“Helena” Rubens

Page 21: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

The main altar at

St. Peter’s Basilica,

Rome - Bernini

Page 22: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

Palace of Versailles – Entrance from the Avant-Court

Page 23: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

Palace of Versailles Great Hall of Mirrors

Page 24: Mannerism – between the Renaissance & Baroque Periods c. 1520- 1600ish -- Deliberate distortion: elongated, twisting forms -- Often religious --multiple

Palace of Versailles – The Queen’s Bedroom