lydia, the tattooed ladytom toms mf you here is can cap see tain ni-jin spauld -sky ing --a ex plor...
TRANSCRIPT
Arranged byJAY ALTHOUSE
Somewhat freely (q = ca. 72)
Somewhat freely (q = ca. 72)
© 1939 (Renewed 1967) EMI FEIST CATALOG INC.This Arrangement © 2007 EMI FEIST CATALOG INC.
All Rights Controlled by EMI FEIST CATALOG INC. (Publishing)and ALFRED PUBLISHING CO., INC. (Print)
To purchase a full-length performance recording of this piece, go to alfred.com/downloads
Music by HAROLD ARLENLyric by E. Y. HARBURG
for T.T.B.B. voices and piano*
LYDIA, THE TATTOOED LADY
Piccolo
Trumpet 1
Trumpet 2
Trombone
Baritone Horn
Tuba
Percussion 1(S.D./B.D.)
Percussion 2(Cym., W.Blk.,
other)
Tenor ITenor II
BaritoneBass
Piano
(Solo shout, beat 2) Madonna!
SOLO
She
mf
was
the most glo
ri- ous
- crea ture
-
un
der
- the sun.
(Solo shout, beat 4) Monroe!
She was
3
Bbm
Bbm/Ab
Ebm/Gb
Ebm6
F7
Bbm
Fm/Ab
* SoundTrax CD available (27131).
mf
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7
Light waltz
Light waltz
With a bounce (h. = ca. 63-66)
With a bounce (h. = ca. 63-66)
12
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
accel. to m. 12
mf cresc.
mf cresc.
mf
cresc.
mf cresc.
sub. mf
mf
cresc.
sub. mf
S.D.
B.D.mf
cresc.
accel. to m. 12
accel. to m. 12 Lyd
mf
i- a,
- oh,
Lyd i- a,
- say
have
you
met
all
rolled
in
to-
one.
cresc.
(end solo) mf
Ebm/Gb
Ebm6
F
F7/Eb
Dm
F7
Bb
Dm/F
Bb6
cresc.
accel. to m. 12
sub. mf
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15 20
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
mf
(slide)
SNARE (2x only)
mf
TOM TOM (1x only)
mf
Lyd i- a,
-
Lyd i- a,
- The
Tat
tooed
- La
dy.
-
She
When
hasher
eyesmus
thatcles
-
folksstart
are
dorelax
--
so,in’
-
andup
a
the
Bb/F
Bb
Bdim7
Cm7
F7
Eb
Bb/D
Cm7
F7/C
Bb
Cm7
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25
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
mf
LydLyd
ii
--
a,a,
--
ohoh
LydLyd
ii
--
a,a,
--
thatthat
enen
cycy
--
cloclo
--
pepe
--
didi
--
a,a,
--
LydLyd
ii
--
a,a,
--
thethe
queenchamp
ofof
tat
them
-
torhill
so
comes
- e
An
ven
drew
--
moreJack
so.son.
-
B‚dim7
Cm7 F&5
Bb
Dm/F
Bb6
Bb/F
Bb
Bb7
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34 36
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
mf
mf
mf
mf
too.all.
OnFor
hertwo
backbits
is
she
thewill
Batdo
tlea
- of
Ma
Wazur
- ka
-
terin
- loo.
jazz,
-
Be
with asideview
- it
of
theNi
Wreck
ag
-
of’ra
-
thethat
Hesno
perart
- us,
ist
--
Eb6
Bb&5
Eb6
Bb/D
Bb‚º/Db Cm7
F7
Bb
Bdim7
Cm7
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43 50
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
mf
sfp
mf
sfp
mf
mf
sfp
mf
mf
sfp
mf
sfp
f
mf
cresc.
CR. CYM.
mf
AndAnd
proud
on
aly- a
clear
- bove
day
you
waves
thecan
Red,see
White,
Al
andca
-
Blue.traz.
-
You
f
can learn
a
lot
from
too.has.
f
F7&5
Bb7
Eb
Cm7
Cm7b5/Gb
C9
F7
f
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52
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
2nd time to Coda
f
f
f
f
f
f
f
Lyd i- a.
-
2nd time to Coda
La
la
la,
la
la
la.
La
la
la,
la
la
la.
She
mf
can
Bb Cm7
F7
Bb
Cm7
F7
Bb
F/A
Ab13
mf
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62 70
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Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
mf
mf
mf
mf
give
you
a
view
of
the
world
in
tat
too
- if
you
step
up
and
tell her where.
Oo,
For
mfa
dime
you
can
Db
Db6
DbM7
Db6
Db
Bb7
Ebm7
Ab7
Ebm
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7178
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
f
f
f
mf
f
f
f
f
f
wee,
oo,
Par
ee!
-
La
f
la
la,
la
la
la.
see
Kan
ka
- kee
- or
Par
ee,
- or
Wash
ing
- ton
- cross
ing
- the Del
a- ware.
-
f
Bb&5
Ebm7
Ab7
Ebm7
Ab7
Db
Ebm7
Ab7
Db
f
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81
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
D.S. al Coda Coda
La
la
la,
la
la
la.
Oh,
D.S. al Coda
la,
Coda
la
la
la.
Whistle
Cm7
F7
Bb
F7&5
Cm7
F7
Bb
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90
94
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
mf
mf
mf
mf
mf
mf
mf
mf
Come
mf
a long
- and see
Whal
(The four measure phrases between m. 93 and m. 108 may be sung as solos.)
Bufen
-
f’loun
- Bill
veil
-
within’
-
histhe
lasTry
so,lon.
--
Ojust
mf
vera
-liton
tlethe
-westclas
sic
coast
- by
we
Ebm7
Ab
Db
Db
Db6
DbM7
Db6
Db
mf
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99 102
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
mf
mf
TOM TOMS
mf
YouHere is
canCapsee
tainNi
-jin
Spauld
- sky
ing
-
-aex
plordo
- ing
in’
--
thethe
Amrum
a- zon,ba.
--
haveMen
del
Treas
-
Piure-
casIs
- so.land.
-
-
Here’s
and
Goher
diSo
- va,
cial
--
butSe
withcu
-herri
-paty-
Db6
Ebm7
Ab7
Ebm
Ab7
Ebm7
Ab7
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108 1.
1.
2.
2.
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
mf
f
f
f
f
f
f
CR. CYM.f
f
La
f
la
la,
la
la
la.
Here
mf
is Gro
ver-
La
la
la,
la
la
janum
mas- on.ba.
-
f
Db
Ebm7
Ab7
Db
Cm7
F7
f
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117 121
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
f
f
la.
Oh,
Lyd i- a,
- oh
Lyd i- a,
- say
have
you
met
Lyd i- a,
-
Lyd i- a,
- the
champ
of
them
Bb
DbM7
Cm7
Cb7b5
Bb
Dm/F
Bb6
Bb/F
Bb
Bb7
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127 129
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
f
f
ANVIL (or ketchup bottle struck with spoon)
f
WOODBLOCK
f
all.
She
once
swept
an
Ad
mi
- ral
- clear
off
his
feet.
And
The
ships
on
her
hips
made
his
heart
skip
a
beat.
Eb6
Bb&5
Eb6
Bb/D
Bb‚º/Db Cm7
F7
Bb6
Bdim7
Cm7
F7&5
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137
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
rit.
f a tempo
f
f
rit.
sfp
a tempo
f
rit.
sfp
a tempo
f
f
rit.
sfp
a tempo
f
f
rit.
sfp
a tempo
f
rit.
sfp
a tempo
f
f
rit.
sfpa tempo
f
CR. CYM.
f
f
now
the old
boy’s
in
com
mand
rit.
- of
the
fleet!
a tempo For he went
and
mar
ried
- Lyd i- a.
-
SOLO
I
said
Bb7
Eb
Cm7
Cm7b5/Gb
a tempo
C9
F7
Bb
rit.
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147
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
f
f
f
f
f
f
f
f
f
Lyd i- a!
-
DIFFERENTSOLO
He
said
Lyd i- a.
(end solos) -
Lyd i- a, -
we
said
Lyd i- a,
-
SOLOHe
said
Lyd i- a.
(end solo) -
He
said
Lyd
i- a,
-
Lyd
i- a,
-
Cm7
F
Dm7
G7
Cm7
Eb/F
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156
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
ff
ff
ff
ff
ff
ff
ff
ff
the
ffgreat
est
- of
all,
ff
F7
Bb
Db
ff
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161
Picc.
Tpt. I
Tpt. II
Tbn.
Bar. Hn.
Tba.
Perc. 1
Perc. 2
T.
B.
Pno.
of
all!
Yes,
sir!
Cm7
Cb7b5
Bb
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