lucia de val, portfolio

LUCÍA DE VAL |||| PORTFOLIO ||||||||||||| 1

L U C Í A D E V A L

A R C H I T E C T

P O R T F O L I O

2 ||||||||||||| LUCÍA DE VAL |||| PORTFOLIO

C O N T A C TWELCOME TO MY PORTFOLIO ARCHITECTURE AND CREATIVE SKILLS

SOFTWARE

LANGUAGESenglish

french

spanish

Lucía de Val +34 620 020 520

[email protected]

www.issuu.com/luciadevalhttp://be.net/luciadeval

http://vimeo.com/luciadeval

http://www.triplestudio.es/

construction management & basic projects andproject implementation & draft projects and competi-tions & interior design & furniture design & 3D modeland render & images postproduction & video edition& typography and graphic design

I am an architect with several years of experience in

praxis of the same, as in broadcast, research, etc.. I am

improve my projects and myr professional work. Also, I

design or graphic design.

my career.

-

TimelineWorking Periods

Academic Training Periods

INTERESTS

graphic design artarchitecture theory

AutoCad 3DStudio Max Rhinoceros Photoshop illustrator inDesign Premiere Pro VRay Grasshopper Processing BIM-Revit QuarkExpress Arduino

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IND

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COLLABORATIONSDEGREE AND MASTER

A collective housing building in a singular place in Madrid, and the city Hall of a small city ||| May 2012

||| page 30

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A competition in collaboration with Rafael Torrelo S.L. ||| February 2009 ||| page 32

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A competition in collaboration with Rafael Torrelo S.L. ||| February

2010 ||| page 35

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A public building in collaboration with Rafael Torrelo S.L. for the Spanish Justice Ministry ||| February 2005

||| pages 36

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A public kindergarden for Consuegra city Hall ||| February 2010

||| page 38

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Designer and copywriter for the architecture magazine Pasajes de Arquitectura y Crítica ||| February 2003

||| page 39

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CURRICULUM

page 42

Chinatown in Madrid or the machine to inmigrate to a non-place ||| July 2012 ||| page 04

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in architecture and build by using a CNC machine for the CoLab Master subject ||| January 2012 ||| page 22

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A parametric project for a wood industry in the north of Spain, design with grasshopper and the prototipe is

||| June 2012 ||| page 26


june 2011

Paula Montoya SáizSalvador Pérez Arroyo

Jaime Cervera

With honors

softwares

Autocad, 3DStudio Max, Rhinoceros, Vray, Maxwell, Scan&Solve, Illustrator, Photo-shop, Cypecad,

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fi nal project

Chinatown in Madrid or the machine to inmigrate to a non-place

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Structures-spines in the form of lattices of metallic bars which group, density, deform, change its proportions and align with a linear infrastructure as the M30 of Madrid. The program of the complex is ChinaTown Madrid. It is mainly concen-trated on ommercial and residential programs.

However we also propose spaces dedi-cated to the diff usion of Chinese culture. We look for the creation of a semi open street along the complex and the combi-nation of diff erent activities to promote

dynamism which characterize public Chinese spaces. With the grouping of 6 elements (spines, platform, logistics, storage towers, frameworks, footbridges and roofs) we propose the possibility to generate alternative urban spaces which can be endlessly repeated along any infrastructure.

Structures-spines in the form of lattices of metallic bars which group, density, deform, change its proportions and align with a linear infrastructure as the M30 of Madrid. The program of the complex is Chinatown Madrid. It is mainly con-centrated on commercial and residential programs.

However we also propose spaces dedi-cated to the diff usion of Chinese culture. We look for the creation of a semi open

street along the complex and the combi-nation of diff erent activities to promote dynamism which characterize public Chinese spaces. With the grouping of 6 elements (spines, platform, logistics, storage towers, frameworks, footbridges and roofs) we propose the possibility to generate alternative urban spaces which can be endlessly repeated along any infrastructure.

Structures-spines in the form of lattices of metallic bars which group, density, deform, change its proportions and align with a linear infrastructure as the M30 of Madrid. The program of the complex is Chinatown Madrid. It is mainly con-centrated on commercial and residential programs.

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Unas estructuras-espina en forma de celosía de barras metálicas quese agrupan, se densifican, se deforman, cambian sus proporciones yse alinean a lo largo de una infraestructura lineal como la M30 deMadrid. El programa que ocupa el conjunto es ChinaTown Madrid. Seconcentra sobre todo en usos de tipo comercial, y residencial. Aunquese proponen también espacios dedicados a la divulgación de la cultu-ra china. Se busca la creación de una calle semiabierta a lo largo delconjunto y la combinación de actividades de diferente índole parafavorecer el dinamismo que caracterizan a los espacios públicos deChina. Con la agrupación de 6 elementos (espinas, plataforma logís-tica, torres de almacenamiento, forjados, pasarelas y cubiertas) sepropone la posibilidad de generación de espacios urbanos alternativosque pueden repetirse sin fin a lo largo de cualquier infraestructura.

Estructures-spines in the form of lattices of metallic bars whichgroup, densify, deform, change its proportions and allign with alinear infrastructure as the M30 of Madrid. The program of thecomplex is ChinaTown Madrid. It is mainly concentrated on com-mercial and residential programs. However we also propose spacesdedicated to the diffusion of Chinese culture. We look for the cre-ation of a semiopen street along the complex and the combinationof different activities to promote dynamism which characterizepublic Chinese spaces. With the grouping of 6 elements (spines,platform, logistics, storage towers, framworks, footbridges androofs) we propose the possibility to generat alternative urban spa-ces which can be endlessly repeated along any infrastructure.

Lucía de Val Cremadessobresaliente first class (june 2011)

tutor: Paula Montoya Sáiz I Salvador Pérez Arroyo I Jaime Cervera Bravo

SECCIONES TRANSVERSALES CROSS SECTIONS

Madrid · SpainChinatown (La máquina de inmigrar a un no lugar)Chinatown (Machine to inmigrate to a nonplace)

PLANO DE SITUACIÓN SITE PLAN

PLANTA 0 FLOOR PLAN 0

+8.50 +12.50 +16.50 +19.50 +25.50 +28.50 +31.50 +34.50 +37.50 +45.00



SECCIÓN LONGITUDINAL LONGITUDINAL SECTION

expositions and publications

fi nal projectChinatown in Madrid or the machine to

inmigrate to a non-place

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+ Published in the architecture interna-tional magazine FUTURE no. 28-29.

+ Selected among the best 17 projects for PASAJES-IGUZZINI 2011 award.

+ Final Projects Exposition at Escuela Técnica Superior de Arquitectura de Ma-drid in September 2011.

+ Projetar Congress in Bel Horizonte in Minas Xeráis state Brazil in October 2011.


february 2012

Almudena RibotDiego García-Setién

Javier García-GermánIgnacio Borrego

With honors

softwares and support

Autocad, Rhinoceros, Vray, Maxwell, Grass-hopper, CNC machine, Laser Cut Machine, Photoshop, Cypecad

master project

The Constellation in Section

+++

The project objective is to design a cabinet where a student of architecture could develop all the activities needed to carry out his fi nal project. However, the challenge of this project is much bigger, because the material was defi ned in advance and it was one donated by a wood factory: a limited number of boards of 2x1 meters.

Some self-imposed limitations were imposed: on one hand, use the minimum possible amount of material, and on the other use the minimum quantity of dif-ferent materials.

This forced to a design that will maxi-mize the structural qualities of the boards, which led to a triangular struc-ture in which each of the elements work to support and also they were used in any of the activities proposed. Further-more, the joints between panels had to be designed so that no glue or nails or screws were necessary. To accomplish this piece of furniture, parametric design tools were required and the constraints of the manufacturing processes of the numerical control machine that was available for the manufacture, had to be taken into account.

Diff erent models were developed in a scale of 1:50 to check its spatial and structural qualities, until the fi nal design was reached. Only three materials were

used in the in the 1:1 model that was built: wood, staples and metal mesh and the fi nal amount of board used was 12.

The furniture consisted of two parts, the fi rst was 1 meter wide (the exact width of the given board) where activities such as drawing (could be used by three peo-ple at a time), sitting down to rest, lying down to nap, lying down to sleep, etc., were taking place. The other part was a movable piece 0.50 meters wide (exactly half of the given board) that served to close the cabinet and made it not acces-sible from the outside, and also as a seat for a third person, or a shelf to store the work items, etc.

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may 2012

José Alfonso Ballesteros

With honors

softwares and support

Autocad, Rhinoceros, Vray, Maxwell, Grasshopper, Processing, Fritzing, Arduino Photoshop

master project

The Cloud Made of Points

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The genesis of the project is seeking an organic system confi gured to respond to organizational laws dependents of program, location, energy and material-ity of the project.

The dictatorship of the sun will not be the trigger for the project, but rather a tool that will be part of the decisions that will improve their ability to adapt to multiple situations that may be appear-ing.

To locate the system and make it physi-cal, a point cloud is determined and its

density, orientation, geometry, location and relationship will need to respond to the necessities and objectives to be achieved in the project.

Natural organizational systems are taken as reference in the proryect that have already been tested and whose expec-tations of adaptability accomplish the objectives.

These systems are defi ned on the one hand, by the elements that determine the borders between the built pieces and are defi ned by VORONOIS, and that the others are determined by the internal triangulations of each of the elements by the DELAUNAYS.

PROGRAM

The program is one of the modifi ers of the cloud made of points. It generates maps of densities that build diff erent spaces depending on conditions of occupancy, equipment needs, facilities, access from the perimeter and the rela-tionships between each of the programs to the rest.

ENERGY

Energy is another modifi er of the cloud made of points, creating or destroy-ing points, locating, directing, produc-ing moving and grouping points and to create maps based on the required minimum distance and relative position between them, and the properties of absorption or emission energy.

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collaboration

OFFICE BUILDING IN CASTELLANA AV. MADRIDfi rst prize

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The building poses an alternative to the air-conditioned sealed-envelope energy-certifi ed offi ce environment. First, the glass curtain-wall gives place to a facet-ed ceramic-clad envelope which, through shape, maximizes radiation summer re-fl ection and winter collection. Second, the convective air-conditioning system gives place to a water radiant system which tempers the offi ce space through high-inertia concrete slabs. Thus, struc-ture and performance are integrated by means of its envelope and its environ-mental control systems.

Credit. Years 2012-14. Location: Paseo Castel-lana, Madrid; Client: Regato SL; Offi ce Area: 3.800m2; Commercial Area: 950m2; Garage Area: 2350m2; Budget: 5.175.000€; Architects: TAAs (Javier García-Germán + Alia García-Germán) + BETA.0 (Borja Peña); Collaborators: Lucía de Val, María González, Ernesto Sierra, Regina Valle, Na-cho Espigares. Enginnering consultants: BOMA-IMPASA, XMADE, Úrculo Ingenieros; Richard Ellis.C

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collaboration

NATIONAL ENERGY MUSEUMselected

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All contemporary building must be committed to effi ciency, the technol-ogy of its time, in order to preserve our habitat for future generations. The MNE must make it explicit and exemplary.

Must demonstrate the reduction of its environmental impact, the man-agement and recycling of waste that it is producing, the use of renew-able energy and turn it into learning content. The goal is to achieve the energy effi ciency rating class “A” “ and that requires a proper architec-tural layout and the use of passive bioclimatic technologies, especially for higher consumption systems such as HVAC, supported with active renewable sources. In essence, the building has to minimize the neces-sity of energy through a bioclimatic effi cient design, and to override the

consumption of “dirty” energy usage with the implementation of renewable production sys-tems. The architectonic choice selected is not to generate a large building whose cladding will be thick and heavy, but to create a system of suc-cessive “air cushion”, to ensure that the inertia of the large volume of air inside the exhibition area is maximized. The outdoor area corresponding to motion is less demanding in terms of comfort for the itinerant condition.

The confi guration of the envelope has been raised to use greenhouse technology in so-lar gain and air movement. The solution colour supports and complements this behaviour. The contribution of radiant heat in winter will join the free air movement for renewal in the sum-mer, with minimum natural ventilation openings. In this case, the objective is an unheated build-ing without contribution of the extra equipment, only air fl ows and the control of relative humidity will ensure the contort in the interior.

LEADER OF DESIGNING TEAM AND COORDINATION BETWEEN SUSTAINABILITY CONSULTANTS.

Credit. Years 2010-09. Location: Ponferrada, León; Client: Fun-dación ciudad de la energía [CUIDEN]; Offi ce Area: 3.800m2; Expositino Area: 1.950m2; Garage Area: 2350m2; Budget: 5.175.000€; Architects: Rafael Torrel S.L.; Collaborators: Lucía de Val, Carmen Blanco, Alba Rodríguez, Miguel Beloqui. Enginnering consultants: EUROESTUDIOS. C

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COLLECTIVE HOUSINGselected

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The building resolves the needs of a high-density housing in a very small space by using an intermediary situ-ation between a shared corridor and an interior staircase.

In this manner, a wide variety of household types can be provided combining all of them in each fl oor plan Thus, the appearance of its facades is very dynamic and dual, responding to the lighting needs of each orientation.

LEADER OF DESIGNING TEAM AND COORDINA-TION BETWEEN SUSTAINABILITY CONSULTANTS.

ARCHITECT: Rafael Torrelo S.L. 2010. Location: Alcalá de Henares, Madrid; Client: IVIMA; Engin-nering consultants: Euroestudios S.L.C

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collaboration

CENTRO NACIONAL DE TOXI-COLOGÍA [CNT]

built

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The built architectural object should be an eff ective machine for research. Its functionality was the main goal of both the design team and the cus-tomer.

Both researchers, members of man-agement and other employees, had to be able to access their depend-encies in an easy way and without causing interference between each other.

Additionally, the building had to very restrictive respond to sustain-ability standards , so that both the materials and size or position rela-tive to the sun turned out as key de-sign elements.

Inside the building some of the ac-tivities were to take place in a high level of security so that, the accesses should be highly controlled.

Furthermore, its construction had to be executed as quickly as possi-ble. The result is a solid building of large dimensions, which does not become the protagonist of the place but thanks to the simplicity of the design lines of its facades, goes un-noticed in its environment.

LEADER OF COORDINATION TEAM BETWEEN THE DIFFERENT BUILDING USES AND URBANISTIC LAWS.ARQUITECT: Rafael Torrelo S.L. Years 2005-10. Location: Las Rozas, Madrid; Client: Ministerio de Justicia; Enginnering consultants: Euroestudios S.L. C

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KINDERGARDENunder construction

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Dynamism was the main goal of the project. It sought to create an envi-ronment in which young children could develop both physical and mental activities to develop their motor skills in the best way possi-ble. Besides the materials used were seeking a synchrony between the budget and the needs of the build-ing.

COLLABORATION IN THE SPACE DESIGN.ARQUITECT: Roberto Clemente. Years 2010 Loca-tion: Consuegra, Castilla la Mancha; Client: City Hall.


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PASAJES DE ARQUITECTURA Y CRÍTICA

magazine

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Collaboration in the architecture magazine and Criticism of Architec-ture fl ights for a year and a half per-forming tasks of design, layout and drafting. Active participation in the work of content selection.

This work supposed the beginning of a growing interest in theory and critique of architecture that still re-mains today and go on developing in the fi nal master thesis.


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NIMAGES FOR THE FINAL PRO-JECT OF CARMEN BLANCO

IMAGES FOR THE FINAL PROJECT OF IÑAKI ROMERO

IMAGES FOR THE FINAL PRO-JECT OF MARTA CARRERO


IMAGES FOR THE FINAL PROJECT OF ISABEL ENTRAMBASAGUAS

IMAGES FOR THE FINAL PRO-JECT OF ROBERTO LEBRERO

IMAGES FOR THE FINAL PROJECT OF JORGE RUANO


Lucía de Val, ARCHITECTMay 7th 1984, Zaragoza, Españac/ Francisco vitoria nº5, 7ºAC.P. 50.008 Zaragoza, España.+34 620 020 520

EDUCATION

September 2011-present ||| Master in Advanced Architectural Design [MPAA] at the School of Architecture of Madrid [ETSAM] with a scholarship from the Designing Project Department for outstanding rating 9 in the Final Project.

September 2002-June 2011 ||| Architect from the School of Architecture of Madrid Polytechnic University of Madrid, with a rating of outstanding, 9, in the fi nal project.

February 2008-June 2008 ||| Architecture at Universiteit Eindhoven Teschnische [TUE] through the granting of a scholarship Erasmus program.

1986-2002 ||| Primary and High school studies Teresianas del Pilar de Zaragoza school, with fi nal grade of 8,5.

July 2000-August 2000 ||| Awarded with the scholarship as expeditionary of Ruta Quetzal BBVA 2000, “Expediciones Carolinas a las Tierras de Ámerica del Norte”

PROFESSIONAL EXPERIENCE

September 2012-March 2013 ||| Assistant Professor in the Final Project Program of María José Aranguren in the School of Architecture of Madrid.

July 2009-March 2013 ||| Belonging to the group of architects triplestudio as a partner. [http://www.triplestudio.es/]

September 2011-July 2012 ||| Assistant professor design project course of Iñaki Ábalos at the School of Architecture of Madrid.

April 2012-May 2012 ||| Collaboration with ToTem Architects Associates offi ce for the realiza-tion of the competition for offi ce building in Paseo de la Castellana (Madrid). FIRST PRIZE.[http://www.totemarquitectos.com/]

January 2005-September 2011 ||| Collaboration with Rafael Torrelo S.L. offi ce. Some of the most prominent projects are:

Performing basic and execution projects of transport and infrastructure buildings:

+ New Airport Terminal Island Palma (Canary Islands) of € 78 million budget.+ Complex of bus station, shopping mall, hotel, offi ces, car parks, tunnels and Urbaniza tion of Talavera de la Reina (Toledo) of € 33.4 million budget.+ Renovation project and construction for ARPROMA offi ce building in Calle General Diaz Porlier, 35 (Madrid).+ Performing basic design, implementation and project management of the Offi ces of the Regional Employment Service in Pinto, Alcorcon, Getafey Móstoles (Madrid).+ Performing preliminary draft for a 140 housing building, shops and garages, PERI “Tellez Huerta” (Ceuta).+ Performing basic project of 12 houses in Galapagar (Madrid).+ Performing basic project, implementation and project management of 5 houses in the Navata (Madrid).

Competitions:

+ Registro Civil del Campus de la Justicia (Madrid).+ Museo de las Ciencias en Roquetas de Mar (Almería). + Juzgados de lo Penal del Campus de la Justicia (Madrid).+ Social housing building for young people competition in Parla (Madrid). + Social housing building competition (140 units), shops and garages, P.E.R.I. “Huerta Téllez” (Ceuta). + National Energy Museum in Ferrol (Galicia).+ Two social housing building in Alcalá de Henares (156 and 181 units) for IVIMA (Ma drid).

January 2004-July 2005 ||| Collaboration with Pasajes de Arquitectura y Crítica, Pasajes Con-strucción and Pasajes Castilla la Mancha international architecture magazines, writing and car-rying out tasks of layout and graphic design of covers and interior pages for numbers 55 to 69. [http://pasajesarquitectura.com/]

SOLO PUBLICATIONS, EXHIBITIONS AND COMPETITIONS

Selected for the second phase of the Business Creation Competition ActuaUPM 2013.

Chinatown in Madrid Final Project selected from the 17 best projects in the PASAJES-IGUZZINI Architecture competition 2011.

Publication of the Chinatown in Madrid Final Project the Future Arquitecture International Maga-zine no. 28-29.

Septiember 2011 ||| Exhibition of Chinatown in Madrid Final Project at the School of Architec-ture of Madrid.

October 2011 ||| Exhibition of Chinatown in Madrid Final Project in Madrid in Projetar Congress in the city of Bel Horizonte in Minas Xerais in Brazil.

ADDITIONAL COURSES

March 2013 ||| Revit Intensive Course.September 2012 ||| C PremierePro and After Eff ects intensive course.January 2011 ||| Rhinoceros y Maxwell intensive course in ETSAM.April 2010 ||| Grasshopper intensive course in Frikearq.Septiember 2009 ||| Illustrator intensive course in Casa Encendida in Madrid.Septiember 2008 ||| 3DStudio and Vray course.

SOFTWARE AND OS

Expert ||| AutoCAD, 3D Studio MAX, Rhinoceros, Photoshop, InDesgin, Illustrator y motores de render de VRay y Maxwell.Advanced ||| Revit, Quark Express, Corel Draw, Sketch Up, Microsoft Offi ce, Windows OS, Mac OS, Grasshopper, Processing, Arduino.Basic ||| Fritzing, CypeCAD, SAP.

LANGUAGES

English ||| Excelent level reading and speaking and high level in writing.French ||| Basic level in reading, speaking and writing.Español ||| Mother tongue.C

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lucia de val, portfolio

Documents

val portfolio c o n

c twelcome

la r c h i t e c tp

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portfolio architecture

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implementation draft