lens light vol- 1

7/28/2019 Lens Light Vol- 1

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Photographic Society of Madras

News Letter Vol - 1 July ~ Sep 2010

1

Presidents Message

My dear friends,

I take this opportunity to welcome you all for

the launch of our news letterLens Light. It is

indeed a great moment for all of us as we know

that the newsletter is being re launched after aspell of over a decade. It is a dream come true.

This attempt has been made to bring us together

within us. This will serve as a window for PSM

to showcase our activities, share our thoughts

and visions along with the recent happenings in

the photographic industry. With photography

we can develop fellowship also.

At this juncture I would like to invite all our

PSM members to contribute whatever they can

for the forth coming issues of the newsletter and

make it another grand success.

It is our PSM.

Thank you

S. VIVEKANAND - PRESIDENT, PSM

The Press Photographer's Year

2010 : Winners

Photograph of The Year: David Bebber,

Sixteen prizes have been awarded, and there are

119 pictures in the final edit that the juryselected from the 7,717 submitted for The Press

Photographer's Year 2010. Our congratulations

go to all those photographers for their exemplary

work.

These photographs have been selected to

represent the extraordinary variety and standard

of the entries received, and will be showcased in

the exhibition at the National Theatre from

Saturday 10th July alongside the First Prize

winners in the Multimedia and Digital Filmcategories.

See the winners list and the photos

here:theppy.com

There was this photographer in one of the most

remote parts of the African continent on an

assignment. He came across a primitive village where

the residents were living in thatched huts and wearing

colorful primitive garments. He approached a man

who appeared to be the chief who was wearing a

large headdress made of woven hemp and colorful

feathers.

The photographer, not knowing how to speak to him,

pointed to his camera then to the chief. The chief

nodded. As the photographer was taking a meter

reading the chief said "today use f/16 at 1/125 for ISO

100 film".
http://www.theppy.com/content/results2010http://www.theppy.com/content/results2010http://www.theppy.com/content/results2010http://www.theppy.com/content/results2010


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CAMERA AND CULTURE

Nikon cameras originate from

Nikon culture

A college professor, who is a well-known

camera technology analyst, said, "This is truly a

product of Nikon culture" after he examined the

technologies blended in the Nikon F4.He pointed out that this product was only

possible from a synthesis of Nikon's philosophy,

culture, and technology.

Obviously there is a positive way to interpret

these words.

If taken negatively, it only means "there is no

other company crazy enough to make such a

product than Nikon". These words best describe

Nikon Corporation's stance.

This commitment to make the finest camera

possible at all costs is a Nikon tradition and

reflects the Nikon F-Series' underlying

development concept.

The Nikon F4 camera was made because Nikon

decided to.

However, it was once again criticized that it was

the result of a "technology-intensive project",

and this is true.

The idea of providing new technologies toenhance improvements of basic functions might

be old-fashioned.

There will be more flexible ideas adopted in new

Nikon products in the future. Yet there is also

room for a product that inherits Nikon's

traditional, "no-compromise" approach, and as

sales attest, there will always be users who will

choose such products.

The corporate philosophy of Canon is kyosei.

A concise definition of this word would be

"Living and working together for the common

good,"

but our definition is broader: "All people,

regardless of race, religion or culture,

harmoniously living and working together into

the future." Unfortunately, the presence of

imbalances in our world in such areas as trade,

income levels and the environment hinders the

achievement ofkyosei.

Addressing these imbalances is an ongoing

mission, and Canon is doing its part by activelypursuing kyosei.

Truly global companies must foster good

relations,not only with their customers and thecommunities in which they operate, but also

with nations and the environment.

They must also bear the responsibility for the

impact of their activities on society. For this

reason, Canon's goal is to contribute to global

prosperity and the well-being of mankind, which

will lead to continuing growth and bring the

world closer to achieving kyosei.

Sometimes I do get to places just when God's ready

to have somebody click the shutter. ~ Ansel Adams


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PSM MOVES TO NEW PREMISES

We have Great Pleasure in informing all our

members that we had moved to our New

Premises in the Heart of the City in AdyarKasturibai Nagar.

We are happy to present Presidents Welcome

speech and a Few Photographs of this

memorable occasion

Distinguished Chief Guest of the day Mr. Ravi K

Chandran and my dear friends,

I take this opportunity to welcome you all for theinauguration of the new premises of PSM. It is indeed a

great moment for all of us as we know that this will bea launch pad for our future endeavors. It is a dream

come true. The idea of having a place for PSM was

hovering in our mind for a long time as this will pave

way for the coming together within us. We can havemore frequent meetings, discussions workshops and

exhibitions at our new premises. With photography we

can develop fellowship also.

And today we have with us one such person who has

dedicated himself to photography. Mr. Ravi K Chandranwho needs no introduction. A great cinematographer of

our times. Some of his noted films are Black, My name isKhan, Kannathil muthamital, Yuva , Kandu kondan kandu

kondan, Boys to name a few. With many prestigious

Awards to his credit, he is known for his play with light

and shadow. When we had gone to his house yesterdayfor inviting him for the inauguration he demonstrated

to us how light can create a dramatic mood by

switching on the table lamp near him and switching off

all other lights in this house. An exhibition of his genius.

We are happy to have you with us this evening Sir. Weare really thankful to you for finding time toinaugurate this premises inspite of your tight schedule.

We also have with us Mr. Ramanidharan, Professor

representing Mr. Shri Abhaya Kumar Sri Srimal,

Secretary, SSS Jain College doing yeoman service in

the field of education. Such is his interest in us that he

had offered the auditorium of his esteemed institutionfor the monthly meetings of PSM for a number of times

free of cost. We are indeed grateful to you Sir for

helping PSM during its initial stages when we weretrying to stand on our own legs. Hence it is appropriate

to have you as a guest of Honour when we are moving to

our own premises.

To talk about PSM, we are a not for profit organization

and the largest community of serious minded photoenthusiasts in Chennai. The Photographic Society of

Madras was founded in 1857 by Dr. Alexander Hunter and

the Honorable Walter Elliot and has a great heritage. It isone of the earliest photographic societies in the world.

From the British it changed hands to the Indians after

their departure. Going through ups and downs PSMwhich was non functional over a decade was revived by a

group of photo enthusiasts about 3 years ago.

The Society from the day of revival has grown from

strength to strength and has reached greater

heights. We have reached to a point where PSMcommands very good reputation, recognition and

admiration from the photographic fraternity at large .

We have been receiving commendable applauses fromall over the Country for our conduct of the National

Salon and for its transparency. We have successfully

conducted two salons and the day is not far off whenwe will be conducting International Salons.

Sir we are a group of photo enthusiasts coming fromdifferent backgrounds but have come together due

pure passion for photography. We in PSM conduct

regular monthly meetings, outdoor trips, workshops,photowalks, and competitions.

Coinciding with the inauguration some of the membersof PSM have arranged for an exhibition titled

Ranthambore explored. It is really a feast for eyes to

see our members click such wonderful pictures. Theexhibition is open till 20th June from 10 am to 7 pm.

I take this opportunity in welcoming our friends from

the press who have come over to cover this function.

I have pleasure in welcoming all our senior memberswho have been supportive to the new team.

I welcome you one and all.

It is our PSM Thank you.


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"The new premises at 33/5, 2nd Main road,

2nd Floor, Kasturibai Nagar, Adyar, Chennai

of PSM was inaugurated on 17th June 2010,

by the Ace Cinematographer Mr. Ravi K.

Chandran."

Our Activities for July 20101) This month we have Mr. Andre Fanthome as

a guest lecturer in our monthly meeting on

17th July 2010.

Mr. Fanthome is a renowned professional in hisarea of expertise. He is an expert in

photographing buildings & architecture. The

guest speaker Mr. Andre Fanthome has

specialized in architecture and industrial work

and is "Youngest" national academy award

winning photographer.(http://www.andrefanthome.com)

2) A trip to Dakshinchitra alongwith the Guest

of our monthly meeting Mr. Fanthome on

18th July 2010 to have a live demonstration on

how to improve our skills on capturing

Buildings & Architecture.

3) Members' monthly competition theme :

ARCHITECTURE

These will be judged by Mr. Fanthome and

winners will be declared during our monthly

meeting on 17th July 2010.

4) A Photo walk on 25th July 2010.

RAYNOX Lenses for Macro workThe DCR-5320PRO High Definition Macro

Conversion lens is particularly designed to use with

the high-end digital, film and hi-vision cameras,

resulting in an amazing resolution power of

200L/mm at center (MTF 30%) with a low

dispersion. With the Macro lens attached on the

camera's lens, it makes possible to approach the

object very close for macro shooting. The model

consists of two independent lenses, one is with 2-

diopter magnification and the other with 3-diopter. It

also makes a 5-diopter lens by coupling the both

lenses together.(Taken with with Raynox DCR-5320PRO on 105 mm Kit lens)
http://www.andrefanthome.com/http://www.andrefanthome.com/http://www.andrefanthome.com/http://www.andrefanthome.com/


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Macro Photography with Point and

Shoot Cameras

Courtesy Mr. Arunachalam of Trichy Camera

Used is Sony DSC W 70

Macro Photography Tips

Much has been written on the topic of Macro

photography for those photographers fortunate

enough to own a DSLR with macro lensesbut what

about if you own a compact point and shoot camera?

Can you get great macro shots too? While the results

achievable with a point and shoot camera in macro

mode probably wont compare with a DSLR with a

purpose built macro lens> But still you can do

wonders in Macro with your Point and shoot

Cameras.

Select Macro Mode this is a fairly obvious first

step. Macro mode is generally symbolized with a

little flower and when selected it will tell your

camera that you want to focus on a subject closer to

your lens than normal. Macro mode will also usually

tell your camera to choose a large aperture so that

your subject is in focus but the background is not.

Use a Tripodin macro photography a tripod can be

particularly useful, even if youre just shooting with a

compact camera. Keeping your camera still not only

improves your shots (getting rid of camera shake) but

it allows you to play around with different settings

without losing your composition.

Apertureonce in macro mode some cameras will

not allow you to make many other adjustments but if

you are able to play with your aperture settings it can

be well worthwhile to do so. Choose a small aperture

(big number) if you want a large depth of field with

everything in focus or a large aperture if you just

want your main subject in focus. In macro

photography youll probably want a shallow depth of

field so select the largest aperture available.

FocusingIn macro photography it is helpful to have

full control over focusingespecially when you have

shallow depth of fields where it is all the more

important to make sure the right part of your shot is

in focus. If your camera allows manual focusing

select this option and manually focus on the part ofour subject that is the main point of interest.

CompositionRemember some of the basic rules of

composition like the Rule of Thirds. Make sure your

image has a main point of interest and place that

focal point in a smart position in your image in order

to draw the eye of your viewer. Try to select a non

cluttered or simple background for your main subject

so as it doesnt compete with it visually.

Flash in many macro shots having some artificial

light is important. The challenge with compact

cameras is that most give you limited control of your

flash. As a result choosing a good time of day when

there is plenty of available light is probably your best

bet. Experiment with different methods of lighting

your subject.

Take Your Shot - once you have your shot lined up

and in focus take your shot. Make sure once youve

taken it to take a good look at it on your LCD,

zooming in to make sure that your focusing is sharp.

Try shooting at slightly different apertures, with

different compositions and focusing on different

points of your subject to see what works best.

Macro Lens Attachmentssome compact cameras

actually have accessories available to help with

macro/close up photography. These will enable you

to enlarge your subject and/or decrease your

minimum focal length. These might be worth

investing in if you intend on doing a lot of macro

work.

Technically macro photography is actually when

you produce an image where your subject is capturedon your image sensor at life size (or bigger) with a

1:1 ratio.

In the case of most (all?) compact cameras this is not

achieved and in fact close up photography would be

a better description. However as most manufacturers

call their close up mode macro mode So the term is

used for the purposes of this article.

Courtesy: Digital Photography school article by ByDarren Rowse
http://digital-photography-school.com/macro-photography-tips-for-compact-digital-camera-users#authorhttp://digital-photography-school.com/macro-photography-tips-for-compact-digital-camera-users#authorhttp://digital-photography-school.com/macro-photography-tips-for-compact-digital-camera-users#authorhttp://digital-photography-school.com/macro-photography-tips-for-compact-digital-camera-users#author


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MACROS of Mr. Arunachalam with

a Point and shoot Digital Camera

Funny Quotes

If you saw a man drowning and you could either save

him or photograph the event...what kind of film

would you use? -Anonymous

A definition of a professional photographer:

A "pro"NEVER shows anybody the mistakes. -

Anonymous

Quarterly Contest Results

The list of the winners for the quarter ended

May 2010 is as follows:

SECTION TITLE NAME PRIZEREFLECTION 3 ELEMENTS BALASUBRAMANIAN G.V. 1st PRIZE

LANDSCAPE BRHAMMA KAMAL RAMAN J 2nd PRIZE

FACES INNOCENT SMILE SHUDHAKAR A.M. 3rd PRIZE

LANDSCAPE PARADE S. PRABHAKARAN

1st PRIZE

(Special Prize)

FACES SWEET SMILE VIJAYAKUMAR S

SPECIAL

MENTION

LANDSCAPE DELIGHTFUL DUSK ARVIND BALARAMAN

SPECIAL

MENTION

REFLECTION THE THIRD IMAGE BALASUBRAMANIAN G.V.

SPECIAL

MENTION

LANDSCAPE PARADISE VIVEKANAND SSPECIALMENTION

LANDSCAPE

LOST IN

PARADISE(MUNNAR) SUKUMAR SUBRAMANIAM

SPECIALMENTION

LANDSCAPE

MASACOMA LAKE,

USA MANI N

SPECIAL

MENTION

Dear Members who have the following Sigma

Lenses kindly go through the following Message

from SIGMA and Kindly see the web site

Go to the preview website below to read the service

notice. Read it.

It has referred to APO 50-500mm F4.5-6.3 DG OS

HSM:

Serial Numbers between 10633051 and 0972000

http://www.dpreview.com/news/1006/10061601

sigmatelephotonotice.asp

India SHETALA AGENCIES Pvt. Ltd.

Mount View Apartments

No.: 111, Mount Road, Guindy

Chennai-600 032, India.

Tel: 9144 - 42125148/58/68

Fax: 9144 - 22351485

To speak technically photography is the art of writing withlight. But if I want to think about it more philosophically, I

can say that photography is the art of writing with time.

When you capture an image you capture not only a piece of

space, you also capture a piece of time. So you have this

piece of specific time in your square or rectangle. In that

sense I find that photography has more to do with time than

with light. -Gerardo Suter- "Black & White Magazine for

Collector of Fine Photography", February 2001, page: 118
http://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.dpreview.com/news/1006/10061601%20sigmatelephotonotice.asphttp://www.dpreview.com/news/1006/10061601%20sigmatelephotonotice.asphttp://www.dpreview.com/news/1006/10061601%20sigmatelephotonotice.asphttp://www.photoquotes.com/showquotes.aspx?id=526&name=Suter,Gerardohttp://www.photoquotes.com/showquotes.aspx?id=526&name=Suter,Gerardohttp://www.photoquotes.com/showquotes.aspx?id=526&name=Suter,Gerardohttp://www.photoquotes.com/showquotes.aspx?id=526&name=Suter,Gerardohttp://www.dpreview.com/news/1006/10061601%20sigmatelephotonotice.asphttp://www.dpreview.com/news/1006/10061601%20sigmatelephotonotice.asphttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymoushttp://www.photoquotes.com/showquotes.aspx?id=77&name=Anonymous


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Nikon Photo Contest International

2010 - 2011

Nikon Corporation (Makoto Kimura, President)

is pleased to announce that entries for theprestigious 33rd Nikon Photo Contest

International 2010-2011 will be accepted

between September 1 and November 30, 2010.

The Categories:

Entries for the 2010-2011 contest will be

accepted for two categories; The first category is

a free subject category (A) and the second

entitled "Energy (B). Photos of any subject or

theme are invited for the free subject category.

Entries for the Energy category should bephotos that capture the energy of sights and

subjects that inspires, motivates or excites.

Entry Period:

Wednesday, September 1, 2010 through

Tuesday, November 30, 2010 Entry Method:

Fill out the application form on the Nikon Photo

Contest International 2010-2011 website

(http://www.nikon-ncpi.com/) and transmit

image data via the form.

Number of Entries:

Two photos for each category (total of four) may

be submitted.

Entry Format:

Image data captured with a digital still camera

(excluding that captured by medium-format and

larger digital cameras) and image data created

by scanning an image captured with a film

camera (35mm or APS) will be accepted.

Images that have been digitally enhanced or

edited with software will also be accepted.

File Size: 10 MB or less per file

Image Format: JPEG only

Dear Members thank you all for your encouragement

and we seek your support, cooperation and

Contribution to News Letter

PSM Editorial Committee

Ranthambore Explored

PSM organized a WILD LIFE TOUR to

RANTHAMBORE NATIONAL PARK,

Rajasthan f rom25th to 29th of April 2010. Seven

members of the Society Anand Mohan,

B.Ramana Kumar, Bhaskar Kundu, Ganesan

Pajanisamy, H.L.Ratan, Ravi Chandran,

Sukumar Subramaniam, participated for the tour .

Ranthambore, is known more particularly for the

majestic BENGAL TIGER. It is one among the

other tiger reserves of India, where a tiger

sighting is almost assured during summer.

Ranthambore also is the natural habitat of a

wide variety and species of Birds like the

Peacock, Indian Tree Pie, Oriental MagpieRobin, Indian rollers, Red headed King vulture

to name a few. The other wildlife includes

Sambar deer, Spotted Deer, Nilgai, Antelopes,

Leopard, wild boar, etc. The 400 Sqm forest

also boasts of a number of species of trees and

other flora and fauna.

An exhibition was held from 17th June to 20th

June at their new premises. Renowned

Cinematographer Sri Ravi K .Chandar

inaugurated the exhibition.


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Nikon vs Canon DSLR in a changingMarket.

(Dear Colleagues, though this article is

one year old it makes an interesting

reading. So please do enjoy this bit of

information from us.)Nikon is in a very competitive market, so that

has to do other producers a direct impact on the

direction of Nikon products. Twenty years ago,

followed, established in possession of the Nikon

professional 35mm photography, and then AF

came, thanks to digital. Canon has always been

the number 2 business. However, with

autofocus, Canon procedures performed, since

both companies updated their product lines with

new technologies. Then came digital

photography, Canon has taken the opportunity

and through innovation and Aggressive than

Nikon Marketing, took the number one. Canon


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became the camera of choice for most

professionals, the early 21st Century. Nikon

responds hard at the end of 2007 with the launch

of the D3 and D300which is precisely the

Olympic Games in Beijing, about half of the

witnesses have been shooting professional

Nikon, Canon and the rest. Four years ago in

Athens, Nikon were few and far between.

Now is the second half of 2008, and Canon is

shooting back in frame Nikon.

New Canon EOS 50D comes in a few hundred

dollars less than the Nikon D300 and D300, but

the beats in the megapixel race (15.1MP vs

12.3mp) and, therefore, called for a higher

maximum ISO (12,800 against 6,400). The

D300 on paper seems a better AF and fasterframe rates are, but someone new publications

on the market will be long and difficult the

cheaper, higher resolution, higher ISO Canon.

A few weeks later, another shot with the full-

frame Canon EOS 5D Mark II also has a price a

few hundred Dollars less than the Nikon, is

aimed atthe D700. Offers compared to 21.1

MP Nikon 12.1 MP, while the maximum

equivalent of 25,600. Once again, the D700 has

a faster pace, support, etc., but from a marketing

perspective, Canon has today a very strong

platform to go after the serious amateur

photographer / prosumer, especially if they are

not shooters.

However, it will be better. The end of August,

the Nikon D90the first announced DSLR

camera with video capture, a complete sports

720p. The ability to use SLR lenses for video

capture and a very shallow depth of field is

significantit is not a function for everyone, but

for some it is huge, and it could save tens ofthousands of dollars available for video devices.

Less than 3 weeks after the thunder from Nikon,

Canon, again with the Canon EOS 5D Mark II, a

sport full 1080p video capture mode in

a prosumer camera (compared to the more

basic model Nikon D90). Obviously Canon

Video also takes seriously, and seems to be

higher System.

Then there are the 24.6 megapixel Sony that

shipping will begin in a few weeks.

So far Nikon has once again push the megapixel

race, trying to sound, not to slow the flow of

work and a higher megapixel camera is not

necessary. Higher megapixels also show

problems with the lens to cause problems of

diffraction and the introduction of a new set of

problems. Very few people really need more

than 12 megapixels, but the average user or a

beginner does not know. They are listening to

the market, and make the comparison of bullet

points on the websites of the cameras for their

decisions. In terms of marketing, Canon now has

the upper hand in the semifinal of serious

amateur / pro-market. Nikon has to educaterespondwith a series of new products or

with an aggressive marketing campaign for

consumers, because megapixels play does not

matter. As has been demonstrated over and over

again by numerous companies from different

sectors to meet the introduction of new products

the focus should be on cheaper, and affordable

pricing and / or more profitable to try to re-

educate the consumer.

These are exciting times in the world digital

SLR, Canon has a year to respond to the Nikon

D300 and several months to respond to the

Nikon D700. A response from Nikon will,

maybe not this year, but as it should.MARCH 29, 2010 POSTED INDSLR CAMERA ARTICLES.

Nikon D3s vs. Canon 1D Mark IV ISO
http://www.dslrcamera.pannipa.com/category/dslr-camera-articles/http://www.dslrcamera.pannipa.com/category/dslr-camera-articles/http://www.dslrcamera.pannipa.com/category/dslr-camera-articles/http://www.dslrcamera.pannipa.com/category/dslr-camera-articles/http://www.dslrcamera.pannipa.com/category/dslr-camera-articles/


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Picture Taken with Canon 1D Mark IV ISO 12800

Picture Taken with Nikon D3s ISO 12800

For the sake of reference, a set of images are

included as a representation of the scene shot at ISO12800 from each camera in order to give you an idea

of what the entire image looks like in a small print

format. Both sets of images were shot at 24mm

(using theCanon EF 24-70mm f/2.8L USMand

theNikon AF-S 24-70mm f/2.8G ED) and used the

same aperture (at f/8) and shutter speed settings for

each ISO setting.

Final Thoughts

I think these results tell us that each

manufacturer delivers superior RAW conversion

over the in-camera processing andAdobe

Lightroom 2. I am partial using Lightroom 2 in

my everyday work flow and I hope that

Lightroom 3s promising noise reduction will

level the playing field somewhat.

Still yet, the files are quite acceptable across the

board up to ISO 6400 and maybe even to ISO

12800 for some applications. Lightroom 2

seems to fall apart after that point though, whileNikons ViewNX hangs in there quite well even

up to the end of the world at ISO 102400

(relatively speaking, of course).

Ill have at least one more round of commentary

on the noise handling of these two cameras in a

later update on print quality. We can peep at the

pixels all day long, but what really matters to me

is whether the files produce solid prints at thesehigher ISO settings. Given the 100%

magnification that were looking at here, I think

well find that the prints hold up nicely even at

the higher ISO settings. I should have those

prints in hand soon and will share my thoughts

relatively soon thereafter.

Written byEric Reaganon February 10th, 2010

http://www.photographybay.com/

8 Tips for Wide angle Photography

1. GO VERTICAL

2. GO HORIZONTAL

3. EMPHASIZE THE FOREGROUND

4. SHOOT FOR THE SKY

5. PLAY WITH GEOMETRY

6. TAKE A PORTRAIT

7. TRY A DIFFERENT ANGLE

8. WATCH THAT DISTORTIONFor More detai ls Please see the s i te

http://blog.epicedits.com/2009/05/09/8-tips-for-

shooting-extremely-wide-angles/
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