laments of the gorges phd2 - white rose university...
TRANSCRIPT
!!
Laments of the Gorges
For chamber orchestra
© Stef Conner 2009
!!"!#$!!%"&' Triple Gorge one thread of heaven over ten thousandcascading thongs of water...
Stef Conner
!(
Laments of the Gorges (2009)
For chamber orchestra:
flute/alto flute; oboe; clarinet; contrabassoon;
percussion 1: bass drum/sizzle cymbal/glockenspiel/anvil (or metal bar)/bells (suspended)/drum (non-western; unspecified)/whip;
percussion 2: tam-tam/wind chimes/whip/temple blocks/suspended cymbal/water gong/sleigh bells/congas/triangle/crotales/vibraphone/tubular bells;
harp; 6 violin 1; 4 violin 2; 4 viola; 2 violoncello; 2 contrabass.
Premiered by The University of York Chamber Orchestra (conducted by Dr. John Stringer), in the Sir JackLyons Concert Hall, January 2009.
Duration c. 11 minutes
Performance Notes
The score is notated at concert pitch.
Explanations of non-standard notations are given as they occur in the score. The following general principles are observed:
Senza Misura Senza Misura passages in this piece use approximate spacial notation and are not strictly proportional.Conductor cues are given, within which performers judge the duration of their material individually(approximate timings are sometimes indicated). Accidentals apply only to the notes they precede.When individuals play un-metered material, barlines are shown if it is necessary to continue to followthe conductor (in order to resume metered material at a particular point); barlines are hidden when it ispossible for the player to ignore the conductor for a significant period of time.
Dashed arrows indicate gradual change from one state to another. Thus, if an arrow appears betweentwo notes, performers should arrive at the new state by the second note, having transitioned gradually.
'Extender': thick lines are spacial representations of note length, or duration for which a motive ortechnique (e.g. a graphic notation) is to be repeated. In measured passages, duration is indicated bythe number of bars the extender covers, unless it is extended by a duration of less than a bar, in whichcase note values are shown above the stave. In senza misura passages, durations are spacial andapproximate.
Woodwind notes:
Crossed note-heads are frequently notated on five-line staves in the woodwind parts. Performers must be aware that this notation isan indication of fingering only - no pitch should sound at all.
Transposing woodwind instruments are notated at concert pitch, but when the above tablature notation is used (and no pitch issounded) exact fingerings are notated, rather than transpositions.
The following IPA symbols are used in the score:
Vowels and semi-vowels
IPA Symbol Example of RP Usage
[a][!][o]["][i][#][e][$][u][w]
‘%’ as in the French ‘p%tes’‘a’ as in ‘father’Not really used in RP English. 'o' as in 'bode' in American English.‘a’ as in ‘comma’‘ee’ as in ‘see’‘e’ as in ‘bed’'é' as in the French santé'oor' as in 'door'‘oo’ as in ‘soon’'w' as in 'weather'
Consonants [t][d][p][&][k][s]['][(][)][x]
[m][n][*][l][j]
[+]
‘t’ as in ‘bet’‘d’ as in ‘do’'p' as in 'person'‘ch’ as in ‘chair’‘k’ as in ‘kill’‘s’ as in ‘see’‘sh’ as in ‘share’like 's' but with tongue further retractedlike ''' but with tongue further retracted‘ch’ as in the Scottish ‘Loch’‘m’ as in ‘man’‘n’ as in in ‘no’'ng' as in 'king'‘l’ as in ‘left’‘y’ as in ‘yes’Not really used in English; like an ‘f’ but with lips pursed and teeth not touching lips.
Senza Misura
Stef Conner
Laments of the Gorges
Flute
Flute
Oboe
Clarinet in Bb
Contrabassoon
Horn in F
Trumpet in Bb
Trombone
Percussion 1
Percussion 2
!
"
!
"
!!"#
#
!
mp
I
$
Unpitched breath sounds. Breathe ad lib.Cover whole mouth piece and pronounce given phonemes.Notated pitches with crossed noteheads indicate desired fingering.
c. 3-4"
!$#% % % % !&#'!$#'!"#
#II
Alternate phonemes ad lib.
% % % %
%(Add sporadic grace notes by maintaining E fingering and occasionally touching the G# key)
&'"( #
c. 3-4"
!(#
#
f
III
(E fingering + G# key)
$$(% % % % % % % % %
c.3"
!!"#
!
mp
$
Unpitched breath sounds. Breathe ad lib.Cover whole mouth piece and pronounce given phonemes.Notated pitches with crossed noteheads indicate desired fingering.
!$#% % % % %
Alternate phonemes ad lib.
!)#*!$#*!"#% % % !(#
(E fingering + G# key)
f
$$(% % % % % % % % % % %
!
Breath sounds - ingressive/egressive ad lib., with reed removed.Notated pitches with crossed noteheads indicate desired fingering.
!Ob.
mf$
S
Add occasional 'tups' by tonguing ad lib.Vary timbre by slowly changing fingering.
$ T
!
Breath sounds (breathe ad lib.) with occasional crackle made by spit against the reed.Vary timbre by slowly changing fingering.
S!Cl.
mf
$ T
%)
Breath sounds with reed removed. Add occasional 'tups' by attacking the bocal with your tongue. Breathe ad lib. and vary timbre by slowly changing fingering.%)Cbsn. S
f
$ T
!
Hn.
Breath sounds, ingressive/egressive ad lib.Pronounce given phonemes (all de-voiced) into mouthpiece.
!(#
p
$
!
Tpt.
Breath sounds, ingressive/egressive ad lib.Pronounce given phonemes (all de-voiced) into mouthpiece.Do not completely cover; allow some leakage.
!(#
p
$
!
Tbn.
Breath sounds, ingressive/egressive ad lib.Pronounce given phonemes (all de-voiced) into mouthpiece.Do not completely cover; allow some leakage.
!(#
p
$
& &Sizzle Cymbal
!!!!
pp
Scrape the surface of the instrument with circular movements.
'"#
p
&
Scrape the surface of the instrument with circular movements.
&Bass Drum "#
!!!!
pp
'p
& &Tam-tam $#
pppp
'**************************
14 ((
((
((
((
((
((
((
((
((
((
((
((
((
((
Fl.
Fl.
Ob.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc.1
Perc. 2
Vc. 1
Vc. 2
!
"
!
"
!
"
!!)#
#
ff
IV
$$
c.1-2"
f
#V
!+#
ff
$$( Salternate ad lib.
!,#
f
$)
c.3-4"
*
*
!)#
$T
!+#
fff
$$(!)#
#
f
VI
$%
pp
breath only
mouth piece open
c.2"
$*
#
note with breathy tone
p
VII
+*
c.1-2"
#
breath only
VIII
$*+
c.2-3"
!!)#
ff
$$!+#
fff
$$%
S!,#
f
$)*
*
!)#
$T
!)#
$!"#
ff
$)
+
!
!
"
!
"
= egressive airstream= ingressive airstream= tongue advanced= tongue retracted "
+ 2nd 8ve key
f
!
$!
fff
!
$* +
!
SBreath sounds with occasional 'tups' made by tonguing ad lib.
$% T
ad lib. & f
$
fff
$ +
%)
%)
fff
$+
!
+Remove F tuning slide
!)#
f
$$+
Replace F tuning slide
!-#
ff
$
!
!)#
f
$$!-#
ff
$
%
!)#
f
$$!-#
ff
$
&% !!!! &
f +
&% !!!! &
pp f +
&pp
*************************************************************************************************************************+
!,
&#Crotales
!,
ppp
'* '*
%
SOLO
Vc. 1%
ppp
',**
-
SOLO
molto sul pont.
Vc. 2-
ppp
'*p +
2
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
A
A
q = 60
q = 60
26
Fl.
Fl.
Ob.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc.1
Perc2.
Hp.
Vln. 1(v)
Vla. (iii)
Vc. 1
Vc. 2
Cb. 1
!"
!
"
!"
!
"
!
"
-
!"
!!,)# !.#
.
mf
'') #$$
(mouth piece covered)
. /ff
Unpitched upward gliss made by lifting fingers in quick succession
/00000000000 1!-#mf
"$)2
(2nd octave E fingering with added D# trill key)
!)#%
") " "0 $ / "+3 /
!)#
f
"$3 "4 / 1!+#
fff
"$) /4 $ 3+
3 3ff!)#
"$5 " 3+
3!-#
f
")!)#%
"4 $ 6!+#
ff
$$) $
+3!)#
f
"3 5 3
!!,)# !.#
(no fingers down)
mf
'') #$$
Unpitched upward gliss made by lifting fingers in quick succession
. /ff
/00000000000 1!-#mf
"2!)#
(2nd octave E fingering with added D# trill key)
%
" " "0 $ / "+3 3
!)#
f
"$4 " 1!+#
fff
"$) /4 $ 3+
3 3ff!)#
"$5 " 3+
3!-#
f
")!)#%
"4 $ 6!+#
ff
$$) $
+6
3 3 5 3
! 7 3!
f
!
$* / "ff+ 2nd 8ve key
"!
$ /!
f
!
$* / 3 3!!
$* /!
ff
!
$* " " 3000000 //+ 2nd 8ve key (+8)
f
"!
"2 $ff(+8)
"!
$ /mf
"
! 7 6breath only
$
note with breathy tone
"+
1# $ /breath only
+3
f$ "$ "#
"*3 $ 3 3mf
$ /
Unpitched upward gliss made by lifting fingers in quick succession
" "6
000000
3ff
" $ $ /mf
"3
%) 6 3
f
" $ " (lift all fingers)2 / 6/ff
"$ $ " /mf
"4 $Unpitched upward gliss made by lifting fingers in quick succession" " 600000 7
mf
$ $
!
$ / 3+
/!,)-#
mp
(Bb)
"$# $ /
ff
" 3 6!(#
ff
$$p
$ /f
3 3!-#
mf
$ / $ 6
*
!"= egressive airstream;
= ingressive airstream
/*
!"#
/
mp
"3
$ "0
"# $!-#
mf
(Bb)/
$$3
!
$ / 3 /!,)-#
mp
"$# $ /
ff
" 3 6!(#
ff
$$p
$ /f
3 3!-#
mf
$ / $ 6 /*
!"#
mp
/
"3
$ "0
"# $!-#
mf
/
$$3
%
$ / 3+
/!,)-#
mp
"$# $ /
ff
" 3 6!(#
ff
$$p
$ /f
3 3 /!(#
fff
"$# " 3
+/!-#
f
" / 6 /*
!"#
mp
/
"3
$ "0
"# $!-#
mf
/
$$3
& 7 7 6ppp
3 'mp
'$***** 3 3 /
p
'# . /mf
***************** 3 Glockenspiel
!, 7 3 3
pp
'4 6 7 6mp
'*mf
'sim.
3
& 7 7 7 7Wind Chimes
6p
. 8******************************
. 6+
6 3ppp
' . / +3*****************
!, 7 7
pp
' 3 6 6 /p sim.'* # /3 3 7 7 7 // '* 2 3 6
(To Vibraphone)
7 !
! 7 7 7 7 7 7 6 3 // %p
'2 // '+*4 3 6 6 3mp
'+*
sim.
335
! 7 7 7 7 &
Listen for contrabass 1's finger cymbal strokes and imagine them as events that trigger your own.Respond with variable numbers of rhythmically irregular, dynamically unstable, echo-like hits that in turn act as triggers for the f.c. player in the viola section. Respond musically to the rhythmic character and dynamic level of the contrabass f.c. hits.Allow short dialogues to develop between yourself and the f.c. player in the violas.
Finger Cymbals
- 7 7 7 7 &
Listen for violin 1(v)'s finger cymbal strokes and imagine them as events that trigger your own.Respond with variable numbers of rhythmically irregular, dynamically unstable, echo-like hits that are influenced by the rhythmiccharacter and dynamic level of the contrabass and violin 1 (v) f.c. hits.Allow short dialogues to develop between yourself and violin 1 (v).
%.9 6
+ ppp
,*'*8*
',*'*
mp
.9 +6
ppp
83** .9 //mf
3 7 7 3 /ppp
',**#
.9mp
', 3+3
pp',**
- 7 6molto sul pont.
3ppp
'+ norm.
mp
. / molto sul pont.
pp
' ' 3+
6 7 6
ppp
norm.
,*'*.*
'.
mp
,*'*
6ppp
// ',**2
.9 //mp +
6pp
.9**
% 7 7 &Finger Cymbals
7 6 //ppp
'2 3 7 7 6 1'2 //5 3 1p
sim.'2 //5 3 /
ppp
'3 3 6 3 /
mf
'#
3
35 :(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
rit.
rit.
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
a tempo (q = 60)
a tempo (q = 60)
B
B
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
Fl.
Fl.
Ob.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Hp.
Vln. 1 (i)
Vln. 1 (ii)
Vln. 1 (v)
Vln. 2(i)
Perc.
Vc. 1
Vc. 2
Cb. 1
Cb.
!
"
!
"
!"
!"
!
"
!
"
-
!
"
!Vary timbre by changing fingering
$!-# !)#
") # "3 3 3 /!-#
ff!)#
") " $!1$#
"$)3
$ /+ !,)#
f!-#
")4 "$) 0000 3!-#
$$) 000 3%
mf
'*5 '.
ff
//!2# !$# !3#
") ") "sp
0000000 "<) # 3!45#
Unpitched downward gliss made by adding fingers in quick succession
ff
$$) $*0000000000000000000000+
//!2#
f!$# !3#
") ") $%
sp
000000000000000000000000 "<)3 3 3
!!)#
Vary timbre by changing fingering
f
$ /!,)#
/!-#
'") # "$)# $ 6
!1$#
"$)3
$ /+ !,)#
f!-#
")4 "$) 0000 3!-#
$$) /!)#
" 35
0000000%
3ff
//!2# !$# !3#
") ") "sp
0000000 "<) # 3!45#
Unpitched downward gliss made by adding fingers in quick succession
ff
"$) $ "*000000000000000000+
//!2#
f!$# !3#
") ") $%
sp
000000000000000000000000 "<)3 3 3
! G= !
ff
!
(+8)
"!
"* # "3
" 3 /!
ff
!
(+8)
"!
"* " $!
[k]
"
"$*3
$3
+
!
f
!
"*"
60000000!
[k]
"
"$*35 6
!
ff
"sp
0000000 "<) # 3 tongue ram (T.R.)
fff
"$*3 6 73
! G=
f
"* # "3 / 1!(#
"$* "$
6 /!(#
ff
"$*# $ '"#
"* 6000000000!6#
"$35 7
!65#
ff
$$*Unpitched downward gliss made by adding fingers in quick succession
$ 000000000000+
//
f
!(#
"$ " $*sp
00000000000000000000000000"3
3
%)G 8 G =
fff
2
[k]
"$3
$ 6 7 3p
"ff
$$ / " +3 6 7
!
"0
"!-)#
/
"$ /!,)-#
ff
(Bb)
"# $f!)#
$!1$#
"$3
$ 3+ p
!,)-#
(Bb)
" 6/!1$#
mf
"$!75$#
"$5
" 3+ !$#
p!3#
"# " "+/3 3 6
Tongue stop
fff
$ 3 73
!
"0
"!-)#
/
$$ 3 /!-)#
f
"# $!1$#
"$3
$ 3+ p
!,)-#
" 6/!1$#mf
"$!75$#
"$5
" 3+ !$#
p!3#
"# " " /+
3 3 6Unpitched gliss with hand in bell
!65#
ff
$$0000000000000000000000000000000+/!3#
p
"# " / /0000000000003
%
"0
"!-)#
/
$$ $ 6!1$#
ff
"$3 /
!,#
"# $p
!)-#
"%
7!75$#
mf
"$5
" //+ !2#
mp!$# !3#
" " " "+/3 3 6
Unpitched gliss with hand in bell
!65#
ff
$$0000000000000000000000000000000+3
!3#
p
" / /00000000000003
!, 6
p' //
mf
'*4 3mf
' 3 3f
'3 /
p
'4 /3
mp
' 6 3 ' 3 ' 35
3 '# 3 6 3 1f
') ' '' 'mf
'''' ') # 3 75 3 5 3
& 7Sizzle Cymbal
7 "#
p
8mf
******************** 7 7 $# 7 3sfz
.$
ppp
(damp)*************** #'# /
& 7Whip6 6
f
'3
7 7 >Tam-tam
6 $# 6p
' 7*****
7 >
!Vibraphone
6p
' /mp
'*3 7 6 3f
sim.'* 6
ff
'$ '$*7 6
f
''#' ')4 1
mp
') /# 3mf'* '' ''3
35
! 645
mf
' /f
'*3 1mp f
'+* /4''* 6
6
ff
'3
6 3''**
6/45' '*
5
7 ''$))4 / 3
f
''? #' ')4 1
mp
'') ' '') /# ') ' '') ''''//' ' ' ' '
ppp
' ' /3
5
5
! 7SOLO
pp
/ ''**#
.. //mp +
6 3p''**
mf88
pp..
molto sul pont.
'' 6 6 3 sul tasto1ppp
') /# 8 +
! 7 3 //SOLO
mp
sul tasto'*5 .ppp
8 .p
.$*pp
. molto sul pont.' 6 6 3 sul tasto1ppp
') /# 8
& 6 3mf
' Ofrantic, jerky ad lib. hits with varying dynamics.' ' '$ etc. R
Continue as previously G = / 3
! 6p
.+mf
.+
6p
'+3
mf
'+3 6 7 3
mp
'+4 . / 3 7 3ppp
sul tasto
.* /3
& 6 3mf
' Ofrantic, jerky ad lib. hits with varying dynamics.' ' '$ etc. R
Continue as previously G = / 3
%83
mp +3 /
p',**#
.9mf
.9 +3
mp
'* . /mf
'$* .pp
molto sul pont.' 6 7 3pp
9.** //
-mp
.9 //+
3 7 7 6mp
.$*pp
. molto sul pont.' 6 7 3pp
.9** //
&(Finger Cymbals)
3 //p
'#//mf
'2 3 3 1mp
'2 //5
6 '3 3
mf
'# 3 6 6mp
' 3 7 /f
'# /3 3 6 3p
'2 3 65 3 5
%2 7 7 7 6/ pizz.
f
'* 7 7 3mf
'* 6
4
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
42 ((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
;@
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
A@
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
Fl.
Ob.
Cl.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Hp.
Vln. 1 (i)
Vln. 1 (ii)
Vln. 1
Vln. 1 (v)
Vln. 2
Perc.
Vla.
Vc.
Cb. 1
Cb.
!"
!
"
!
"
!"
!
"
!
"
-
!
"
!!)#
ff
unison
"4!8# !)#% !9#
" " " ")%
"<) # / /slap tongue (S.T.)
fff
7$2 3!+#
ff
") 3S.T.
$ 33
7 7tongue ram (T.R.)
ff
""$3
!8# !:#
'"#")
!)#
0000000000000000000000% %
"4 3 / /ff
S.T.
$2 3 7 3!8# !)#
'"# " " " "sp
T.R.
ff
" " "< ""$
33
3 3 3 3
!(+8)
ff
"!
"#!!
(+8)
"! !
!
" "* " "*""
"* # 3ff
"$ / !
sp
"4 ") # 3 "
ff
!"( 6!
(+8)
"!
"
f") " $ " !
sp
7 T.R.
ff
") #"$*
3 6 3(+8)
/ /!6#
"
f
! !!
"2 "* ! T.R.
ff
" "* "$*3 63 3 3 3 3
!ff
"4 """ " "
# 3ff
$ /sp
" "3
ff
"*"!6#
"f
"" $ "
sp
7!6#
ff
'"$#
"# "0000000
ff
'"#"
# " 000000000000000000000000"4 3 / /
f
"<5 3 7 3
ff
'"# " " " "
sp
" ""*3
33 3 3 3 3 3
3
!!)#
ff
(Bb)
"# "2 1!)# !-#
"2 "%
/3 / /!6)#
fff
7
"2 3!+#
ff
"!$#
"%
T.S.
$ 33
!9#
(Bb)
$ " /3 7
!6)9#
(Bb)
ff
"$ " /3
6 3 / /!6)#
mf
(Bb)
!-#
"2 "% +
7
6/ff
T.S.
$3 3 3
!!)#
ff
"# "2 1!)# !-#
"2 "%
/3 / /!6)#
f!9#
"2 $ /%
"# /% %
3!+#
ff
"!$#
"% !6-#
"$ /!)# !9#
"# $%
" /3 7
!6)9#
ff
"$ " /3
6 3 / /!6)#
mf!-#
"2 "% +
7
!65#
ff
"$ 3 3!65#
ff
"$3 3 3 3
%!)#
ff
"# "2 1!)# !-#
"2 "%
/3 / /!6)#
fff
7
"2 3!+#
ff
"!$#
"% !6-#
"$%
/!)# !9#
"# $%
" /3 7
!6)9#
ff
"$ " /3
6 3 / /!6)#
mf
!-#
"2 "% +
7
!65#
ff
"$ 3 3!65#
ff
"$3 3 3 3
!,
mf
' / '# /3 / /mp
''* # '*5 '''''3+
6 6 3 /p
7''))4 3
mp
') # ' 3 ' /4pp
'2tremolo rit./rall. ad lib.777' 777. +
3 7 6 3f
'3
& 7 7 3 . 3*********+ 7 7 7 7 7 7
>Temple Blocks
7 7 6 3f' 33 7 7
ff
7 3 / /ff
'$5 3 7f' 3 3 '
3
! 7 7 7 7 7mf
8'$4
'3 / ') ' ' '* '''' '''' 6 7 7
! 3 /f
'4 /3
3 7 6 3 /f
7 7'+4 6 /mf
'* / 7 7%ff''**
3 3 !''
!mp
norm.
.9 3p..** '' //
f
/ 6 3 /mf
'4 . 'f
')4 / / 6sul tasto
p
''* # . '6+
7mp
.* /f
'$
! ' +/mf
norm.
' ') ' ' 3p
/ ' / 6 3 /mf
'4 . 'f
')4 / / 6sul tasto
/p
'* / ' 6+
7mp
.* /f
'$3
!desk 2 7 7 7 7 7
mf
''$* # ' 'mf
'*4 'B* ' 3 7 7 73
&Continue as before
+ 7
!half
pp
.* '# /+ p
.* ' /f
/all
mp
'$')
f
') .3
. molto sul pont.3 7
mf
norm.
''$* #' '
mf
'* # 'B* '* 3 7 7pizz.
mp'* 3 63
&Continue as before
+ 7
!desk 1 7
p
'* ' '* /f
/ 7 -p
. molto sul pont.3
+ vla. (iv)
3norm.
p
'*4 ' 3 6 7 7pizz.
mp
'* 3 6
% 9:unis.9.
+3
mf
/ ''$#'4 ' '4 .sf
.$ 6mf
'+3 molto sul pont..3 / norm.
p
'* 8+
7 7 3mp
''* #' '*4 ' '*4 333 3
& 7 6 1p
' /# 3 6 /f
'# 3 7 7 3mp
' 6p
' 6 7 7
%2 7 7 6 6
Sul D
f
'+3
7 /mp
'*7 7 7
mp
'* 3 6
5
51
C
C
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
Fl.
Fl.
Ob.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Hp.
Vln. 1
Vln. 2
Vla.
Vc.
!"
!"
!"
!
"
!
"
-!"
! 6 3%
mf
'* .+
6 3 /%
mp
'*4
'/
3
3 7 7
! 6 3S.T.
ff
$2 3!+#
$$)!-#
")%
")00000 "%)&sp
!+#
ff
"<) # ")3
!-#
")%
"sp
000000"<) # 3!,#
f% !)# !-#
'"$#"%)&4 $)+
75 3 3 3
!!3ff
!
"
(+8)
!
'"* # "sp
""
000000 "* # 3 3"!
$$(!!
"* "? "*sp
!
7 !!
") # $*+
Replace reed
73 33
!ff
3'"#"
sp
0000000"*# 3
!6#
'"# 7ff
"*" " " ""C
"*sp
00000000000000000000 "# 3
!(#
f
'"$#"* # $*+
73
33 3
%) 3
ff
"/
0000003
3 8;4 "* " " 13
6 " " "4 / 33
ff
" " /0000003 3 8;$4 $
+Replace reed 7
!!5#
ff
$ 6+ !+#
(Bb)
ff
$$!-#
$%
300000000000!;#
ff
"3
!-#
"%
" /3 3
!,#
f
!)-#
"# $$% +
73
!
$ 6+
3pp
.* /
!;#
ff
"!-#
"%
" /%
3 3!,#
f!)-#
"# $$% +
73
%
$ 6+ !+#
ff
$$!-#
$%
300000000000!;#
ff
"3
!-#
"%
" /%
3 3!,#
f!)-#
"# $$% +
73
& 6 3f
arco.
fff
'2 '# / 3mp
ord.
. 3*************
ff
arco.
'ffff
3 3 3mp
ord.
mf
'# '$********
. /************************
+ 75 3
> 6 3ff
'$5 3 7 7 7 75
!Tubular Bells
6 3fff
'$* 7Crotales
!, 6
f
'* #(damp)
/3
3 !Tubular Bells
6ff
' '* 3 !,
Crotales
mf
''*
f
''#
') # /'(jeté)' ' <
777')4 1 '2 1 / ')5D
3
! 6 3ff
''**===== 7 3 3''5
''#
(damp)
/3
3 7 !) 6 / '
'
') ' ')5
5
!) 7 7 7 7 ! 6
f
8'$)4 ') ' ' ')
'
'$)
'$
3
!desks 1 & 2. / '$* sul pont.
sp
. .f
' /3
mf
div.
*.'3 '* *''3
3
'' /3
3
sul pont.
3unis.
p'* # .
norm.
sfz
+ desk 3
'# '$* /mp
div.
86
sul tasto
p'*3 ' 33
! 3 arco
mf
''* # ' .*sul pont.
sp
. .f
' /3
div.
''3 *..33
'' /3
3
3 3sfz
.$*3
mp
.mp
8
-(all)
3arco
mf
'* '*4 . sul pont.
sp
. .f
' /3
!norm.
mf
div.
.*3 /3 mf
''+# ' /
3
3
3 - 6sfz
.$mp
83
%arco.
3mf
'* '*4 3p''**
mf
88 88 +6
sfz
'$*3 'sfz
'4 '$*3
8mp
3
6
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
56 ((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
D
D
q = 72
q = 72
Fl.
Fl.
Ob.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Hp.
Vln. 1
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
!"
!"
!"
!"
!
"
!
"
-!
"
! 6 6!"#
fff
"!3#
"# "%
3
!&#
"% !6+#
fff
/!$#
'") #
!:#
") ") "!)#%
7" " "" 6
f
'*ff
.* .*f
. 'ff
.$)3(E
8)+
3
! 6 6!"#
fff
"!3#
"# "%
3
!&#
"% !6+#
fff
/!$#
'") #
!:#
") ") "!)#%
7mouth piece open
" " "" 3
%
mf
.*fff
. '*f
' '<* . 'ff
.$)3 (Emp
83
! 7 7 7 7ff
. .B* '?3
. 'ff
.$)3 (E 8+
! 7 3ff
") # "*3
"* !6(#
/
fff
''* #
"* " " 7mp
" " "" . /
fff
. .B* '?3
f. ' .$
3 (E 8)3
%) 7 7 7 7
ff8* 3
fff
') ' .)3 (E 8)
!
7!"#
f
"!3#
"# "%
3 3 / 3 / 7 7f
. .B* '?3
. 'ff
.3 (E 8) %
!
7!"#
f
"!3#
"# "%
3 3 / / 3!8-)#
" / / 6 7ff
.* 'B*f
' '* . 'ff
.$)3 (E 8)
%
7!"#
f
"!3#
"# "%
3 3 / / 3!8-)#
" / / 6 7f
8*mf
. 'ff
.$*3 (E 8
& 7 6 /f
'3+3
*******
ppp
Bass Drum
8 . /mf
.ppp
' '************************************************************ 3
f
'$ 3mp
'p
'3 (E 7
> 7 &Whip6 /
f
'$# /3 3 >
Tam-tam
3pp
. / . /f
'$***************************** 3 3 3 6 3
pp
' (Emp
'****** 3 6
!, / ') # /3 3 /
ff
'$ ') '$) ') '$? ''$ ') ') 1mp
''#')' 1
5
7 7 7 7 7 (E 7 !3
!) ' /
''$))
3!
'') ' ')
'' ') ' ') ''
$3 7 7 7 7 7 (E 7
5
! % ') '' ') ') 6 7 7 7 7 3 6
fff
''))6 (E
f
.) 65
! . . /mf
. / '* /mp
8 3 3ff
.*3ffff
. 'B* ' '<* . 'fff
.$*3 (E 8)
! .* . /mf
. . 8fff
.* /ffff
8p
f
. 'fff
.$*3 (E 8)
! . . /mf
.. ./mp
'*3 ' 88fff
. /. /ffff
*88p
f
unis.
.) '
div.
fff
..$*3 (E 8
- . . /mf
8 8fff
. /. /ffff
.. *..B
p
'?3 f
unis.
. 'div.
fff
..$*3 (E 88)
% . . /mf
8 8fff
. /ffff
8* 3ffff
'$) 'div.
..$**3 (E
unis.8$)
% 7 7 7arco
f
.$* /ffff
div.
*. /. / 3'pizz.
6 3 (arco)unis.
'$) ' .$*3 (E '') ' 8'55
7
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
63 ;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
E
E
Fl.
Fl.
Ob.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Hp.
Vln. 1
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
!"
!"
!"
!"
!
"
!
"
-!
"
!ff
. '4 / ') ')3 8 '+
3 3 7 3mf
' '3
'f
' ')8
pp
!ff
. '4 / ') ')3
8 '+3 3 7 3
mf
' '3
'f
' ') 8
! 7f
8+
7 7 3 . /+ f
8
! . '# /ff
')#' ' / .* 'B / '# 'B) ' .
mf8
3mf
' '3
' ' ') 8+
3
%)
ff
. '# / .) 3 8 '+3 3
mf
8f
8f
8
% . '# /ff
.)3 8*
+7 !
p
') '# / ' ' 3' 8
pp
%f
83 3
! . '4 /ff
') ')3
.'B / '4 ') ' . ' %
w/ plunger mute
mp
')'
'# /' % '
' ' .%
8pp
'
f
83 3
% . '# /ff
.)3
8 +7 !
' %w/ plunger mute
mp
')'
'# /' % '
' ' 3 %ord.' 8
pp f
83 3
!, Glockenspiel
7 7 7 7 7ff' ''* # ' / '4 /
'5 / 33 3
&f
'' ''$# /
p
'# 'f
. +**************************
7 3 '' ' .*********
7 7 73
> 7 7pp. /*****************
7 3pp
. /mf
'************************* 3 6
!Tubular Bells
ff
. 6 7 7 6ff
'$ '$ 7 7
! 7 7 7 7 7 !)
mp
. .
%ff
''$
3 3 ')4 ' '$ / 7 7 6ff
''$
''$73
! . '4 /fff
') ')3 . +
3
harmonic glissandi ad lib. sul A
mf777,
+ + + + + +etc.
ff7779 /
+6
pp' ' '3
.mf
' ''
3ff
.+harmonic glissandi ad lib., sul E
+9+ + + + + +
! . '4 /fff
') ')3 ' +
harmonic glissandi ad lib. sul A
7779 /mf
+ + + + +etc.
accel.
ff7779 3
+ mp
8 .mf
777.ff
38'
! . '# /ff
') # ' 'F /.F
ff
.F ..div.777''
ff
unis.
mp
8
div.pp
'' '' ' . / ' '# ' ') /3
f
f
.. '. ' ' '3 3 3
-unis.
. '# /ff
') # ' 'F / .F*f
'B /ff
'4 'B) '777.
fff mp
8 8f
83
%ff
. '# /fff
.)3
. .f
. /ff mp
8f
8G
mp f
8
% . '# /fff
.) 3
'div...G** //
f
.. //ff
mp
unis.8f
8G
mp f
8
8
69 ;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
F
F
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
Fl.
Fl.
Ob.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Hp.
Vln. 1
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
!"
!"
!"
!"
!
"
!
"
-!
"
!.
mp
.p
.) .f
. 6 7p
8ff
.* /
f
'$?
+
'4 / 6
! 8p
.) .f
. 6 3pp
. 8fff
8*+
7
! 8p
8) +7 7 7
fff
.* / '*3
' +7
! 7mp
. .p
8) . / 8 fff
8+
7
%) 8
p
. .mf
. /+3 6 /
f
'$*# 8
ff8* +
7
% 8ppp
8p
8) . /+
7 !f
8 +7
! . /+3 7 7 7 7
+f
8*+
7
% 8 7p
8 . /+
7f
8*+
7
!,
' ' 6 ') 3 6 7 7 7 6 3f
'$ 7
& 7 7mf
' 3 6 7Drum
8********** Bass Drum
f
' 3 6 7
> 7 7ff
' 3 6 6 / 7'$# 3
mf' '# 3*******
3 3 7
! 7 7ff
'$ 3 6 7 7 6 /f'*3 3 7
!) '$ '$ 3 '$ '$3
ff
''$
=====
3 6 ! 7 7 7 7 !) / '
'
') ' ') 35% 7 6
fff
'' 3 6f
..===== /fff
7''$**# 6 / 6
ff
')3
3!f
''$) #
') '' ')
'
'$)
'$ '4
33
!+3 + + +
etc.
mp
.) . 6f
'B / '<# 'B ' . 8fff
.* /mf
'%?& . * Begin tremolo as fast as possible, then slow down until sustaining a single note.
+3
*
sfz
777'$*5
5
!45
descending harmonic glissandi ad lib., sul E
3'+ + + + + + +
mp8
6f
'B / '<# 'B ' . 8 8*mp
. /
!sp
8'''''''ff
'' ''' ''$ ' ' ' ' unis.
mp
'''''''' 8 8ppp
. / 8div.88*
mp
..
*
'1sfz
777'$*
57 6
5
- . / 'mp
777'#
.) .?ff
8G
) . / 8div.8. /
sfz
'$*3
+'mp
'*
sfz
' /777'$*
sfz
777'$#
777'
777'3
% . / '4 777'3
mp
. .ff
8G .ff
' '$* 8 .*sfz
'4 '$*3 'mp
'*
sfz
' /777'$*777'
% .777.
mp
. .ff
8G . '4ff
'$*# 8 8*
mp
'*
sfz
' /777'$*777'
9
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(:(
:(:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
76 ((
((
((
((
((
((
((
((
((
((
((((
((((
((
((
((
((
((
((
((
molto rit.
molto rit.
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(:(
:(:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
((
((
((
((
((
((
((
((
((
((
((((
((((
((
((
((
((
((
((
((
((
((
((
Fl.
Fl.
Ob.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Hp.
Vln. 1
Vln. 1
Vln. 2
Vla.
Vc.
Cb.
!"
!"
!"
!
"
!
"
!
"
-!
"
! 7 3ff p
'$ ' / .+
3mf
.
+3 1
fff
'<2 / 3 3 3f
fl.
777'*
! 7 3f
. /+
3mf
' '4 /+
3 1fff
'$ /# . '+3
! 7 7 3ff pp
' ' / '4 /+
3ff
'<$*2 1 / 3 3
mf
fl.
777.*
! 7 7mf'* / /
+/
mp
'4 '+
ff
'<$*2 // 3
mf
fl.
777.* /
%) 7 6 /
sfz
'$ / /mp
fl.
777'*# 777. /
fl.
f
777.* / 777.
! 7ff p
'$* ' ' / 3 6f
'<* # / 3 /ff
'<$# 3 %
fff
'$*5 1 / 3 6/ !
! 7 3 /
!+#
mf
"# $ 7 1fff
'$ /# ' 3+
6
% 7 3 /
!+#
mf
"# $ 7mp777.* /
777.
ff
!, 7 3
ff
' 6 3ff
'$ 3 3 '*3 1
f'2 / 3 6/
& 7 7Whip
7 1f'2 / 6 6
> 6 / $#
pp
'# .f
************************************* Suspended Cymbal
6mf
.***************
7 6p
' .f
**************
! 7fff
'$* 3 6ff
'$* 3 / '$# 3
fff
'$* 6 6
!) / '
'
') ' ')!
'' ') ' ') ') ' ') ''
$
7
3 3'' 6 3
ff
'' 6 '*3
7Tremolo on low string clusterwith palm of hand.
5 5
!ff
''$) #
') ' ' ')
'
')
'$
%
'4
') ' ' ') ') 3 3 6ff
/fff
''$ // 7
6
fff
''** 3 3$
(#777
(l.v.)
3
5
! !Vln. 1 (i) 6 3 3mp
,'**3 9. // 9.
! !Vln. 1 (ii) 3mf
.
+
'4 / 7 3 / *
f
'*4 " $fff
!pp
777'4
'* / . / 8 (non div.)
2nd desk
mf
..** // *'' $$ $$ //fff
!pp
. .sfz
'4 777'$*3 (- Vln. 1 (ii))8
pp
(non div.)
3rd desk
mf
''** *.. // $$ // $$fff
! !Vln. 2 (i) 6 /f
'+4 '+ mp
.9** // .9
! !Vln. 2 (ii) 6 /f
'+4 '+ mp
'* *. $fff
! .pp
777'#
'* / .. / 'sfz
777'$2
88*pp
(non div.)
2nd desk
88*mp
*.. // $$fff
5
-+ pp
*777'#
' /777'4
' / '' '' '*4 '1sfz
777'$5
+ ff
unis.
pp
'$G* '* . '4 777'$*3
fff p
'$* ' .pp
'fff
.$*mp
*' $fff
3
%pp
777'4
'* / ' 'sfz777'$*4 777
'f pp
'$G*4 ' /sfz
'4 '$ /mp
.* *' ' $ / $fff
3
%pp
777'4
'* / ' 'sfz777'$*4 777
' .p sfz
'4 '$ /
* Apply progressively more bow pressure until producing harsh scratch tone with approximate pitch.
mp
'* *' $ $ / $fff
3
10
((
((
((
((
((
((
((
((
((
((
((
G
G
q = 45
q = 45
80
H
H
Senza Misura
Senza Misura
Fl.
Cl.
Cbsn.
Hn.
Tbn.
Perc. 1
Cym.
Vln. 1 (i)
Vln. 1 (ii)
Vln. 2(i)
!"
!
"
!
"
!
"
! 7HAlto Flute
p8H
mp
8
Increase diaphragm pressure to create accelerating accents,which become increasingly loud until pressure causes harmonics to sound. SOLO
'I' '$ '$
sim.
'$
(Conductor follows A. Fl.)
' ' ''+ ''+ ''+ ''+ ''+' '
I Microtonal ornaments made by adjusting mouthpiece angle.
mp
''( # ' ''( # '(turn in completely)
''( # ' >+I
p
'< '<mf
''( #'< '< '< '< ' '(fl.
777' '+
c.15-20"
'$+ '+ I+
! 7H 7H /'*4 '+ p
embouchure bend' '0*/ 3
3
%) 7H 7H 7
mp
$f
!!<&#mp
$H $H(breathe ad lib.)
$ $
%!<&#mp
$H $H 6 'w/ plunger mute
1 )
pp%0*&''* ' 3
!<#
ord.
mp
$ (breathe ad lib.)
&Bass Drum
pppp
8H$#
8H 8 8******************************************************************************************************************************************************************************************************************
>#(damp)
7H 7H 7
! 7HVibraphone(motor on)
arco
p
8H
8 +
!spp
38H 38H 38 ',+
! 7Hp',**/3
mp9.H 3
+7
!spp83H
83H
83 ',+
11
89
A. Fl.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Vln. 1 (i)
Vc. 1
Vc. 2
!
"
!
"
!
"
!"
!ppp'< '< '< '< '
f
#I
>+
c.2-3"
#II
mf
'ff
c.3-5"
mf
#III
I'
c.4-5"
' '$ '$ '$I
Fl. !pp'*
f
turn mouthpiece in
>+ mp'*
ff>+ p
'mf
''#' ''#' >+ 'mp+
! !Cl.
mf$ +
High pitched sqeaks made with teeth on the reed.
>> ? > ?
+
>?
p +
%)
!
!
Tpt.
!<&#
mp
$(breathe ad lib.)
%
+% '
mp
' )
f
' ) '
+
&********************************************************************************************************************************
+
>Water Gong
Dynamics ad lib:
'ppp - p
Continue to raise/lower gong ad lib. Respond to the flute solo.
*************************************************************************************************************************************
! !Vln. 1 (i)
Sul G
pp
'+
% %Vc. 1
pp
',**mp +
- !Vc. 2
ppp',* +
12
100 ((
((
((
((
((
((
((
((
((
((
((
((
J
J
q = 50
q = 50
A. Fl.
Fl.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Vln. 1
Vln. 1(ii)
Vc. 1
Vc. 2
!
"
!
"
!
"
!
"
!#IV
mf
''* # ' '$'$
c.3-4"
'$'$ If
''$* #' ''$#' ''
$* #'
#V
>
c.3"
#
mf
VI
'
c.3-4"
ff
'*p
'<
#VII
f
'%?& '*
c.4-5"
' ''* #' ''#' >7 6 3 3
mp
'* #3
!+ mf
'* 'mp
8 .f
'' / '
!'*+ p
>+
'*+
?
pp
> ?>>> >? >
+6 3 //
pp
(breathe ad lib.)
'* 2 8
%) $ $
+
! $ $
!
$ $
% '
mp
'%') '/ / %
f
ad lib.777'&
'+
7 7
&pppp
' 8p
. / 3************************************************************************
+
>+
***************************************************************************************************************************************************************************&
Sleigh Bells
7 7
! '+
! !Vln. 1 (ii) ',* + mp +,'**
pp+ +7 7
%mp
,'Sul C
pp
'+mp
8+ '+ sul tasto'*f
.
%mp
',** +6
sul tasto
/mp
'* /mf
8
13
111 :(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
A. Fl.
Fl.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Hp.
Vln. 1
Vla.
Vc. 1
Vc. 2
Cb.!"
!
"
!"
!
"
!
"
-
!"
! ' '? ' '$ '<* 16
create tremolo effect with rapid bursts ofdiaphragm pressure
/1
''< '777' '$? '* '$ '* ''< ' '? '
f
''* '<'
''$? #
'<*43
ff
'* ' '* '* '*'%?& '> +
6 7Flute
7 73 5
! 8 .+
6 7 7 7 7
! 8 8 8 +7 7 3
=
p
')/
> >??> >?
%) 7 7 3 1
f
'$* /# . ' 3+
6 7 7
! $ $+
% 3 1mf
'* /4 . 7+
7 7
! $ $ $ $ $ $+
% 7 7 6p
' @
ff
''#)'$ '* 1 3 7 7
f
' )' '3 6
& 7 7 7ff
' ' 'ppp' 7
ff
' ' 'ppp'
& 7 7 7 ' 3 6 7 ' 3 6
& 7 7 7ff
' 3 6 7ff
' 3 6
!Congas
7 7 7 *#6
f
3 '' ' '
p
' "$ ' ' ' 3 1p
' ' ' 3ff
''# '$4 1mp
'' ' 1f
'$2 3 =
pp
' ' ''+
' '' ' 33
53
7
% 7 7 3 1 6
f
''$**
//# 6 7 7 7
! 7 7 7 7 7SOLO
6ff
'J* / 'J1
mf
'J / 'B* '
5
7
- 7 7 7 7 6half
p
'*all
' 8
%p
8 8 . /+
3 6 3p
'* 8 8
%p
8 8 8 8 8ff
'p
.* /
%) 7 7 3 1
f
'$* /4 . .+
6 6p
'*3
. 8
14
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
117 ((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
K
K
Fl.
Fl.
Cl.
Cbsn.
Vln. 1
Vln. 1(ii)
Vln. 1(iii)
Vln. 1(iv)
Vln. 1(v)
Vln. 1(vi)
Vln. 2(i)
Vln. 2(ii)
Vln. 2(iii)
Vln. 2(iv)
Vla.(i)
Vla. (ii)
Vla.(iii)
Vla.(iv)
Vc.
Cb.
Cb. 2
!"
!
"
!
"
!
"
!
"
!
"
! 7 7H /mp p
''#'<* '0 1 ''( # '(C00000000000000000000000000
mf
') /4f mp mf
8'A ')'A ') 'A / ' 'Ap f
5
! 7 7Hppp mp
'( '< '(p
' ') '0 ' '(mp
'? '0 '? / '3
!=
+3 6 7H 1
pp p'<2 pp
' ' 'mf pp
' ') '<? 2 1mp ppp
'( ') '<( '<)2 13 3 33 3 3
%) 7 7H
pp' ' '* ' ''? ') '
C'' '%)&'* ' ') ') '? / ' ' '
')'? ') '.*
C35
!'
''* #
ff
'*4 ' '* ' ' '* ' ''#jeté' '< '<
pff
'< '< '< '$ ' ' ' ' ') ' ' ' ' /' '
p
'4.H
+/ 1
pp
'?C'(4 3 3
p
''0 # '?p
' '<? 1mp
'0'0 2 15
3
5 3
9
33
! 7 7Hpppp
flautando
''? #
mf
'0 '* '0 '0ppp
'* '0 '5 1 / 1ppp
''0 # '? 2 /p'0 2 / ''0 # '? 2 1 ''0 # '? 21
3
3
5
! 7 7H / Kmp
'<(L2 '(5 1
5
3mp
'? '0 '? 1 / 1p
'0C
+') # /53
! 7 7Hppp
flautando
p ppp
'(''0 #' '( '( ' '< '?4 '( '? '0 '?
p
'( '* ' '(C' ' ' '5
33
3 3
! 7 7Hflautando
/ppp mf
''( '?'( '( '?p mf
''? #'( ' 'pp
' '( '? ' '( '?p
' ' / '(5
5 3
! 7 7Hflautando
pppp
''0* # ''A #'* ' ') 'mf p
'( '* / ' / '0ppp mp
'? '0 ' '* '0 '75
7 7
! 7mf8H*
fff
flautando
pppp mp
'* ' ' ' '? 2mf pp
'( /4 ' '%(& ' '( '? ' '( '? /5
5 5
! 7mf8H*
fff
flautando
pppp
'?
C'0 # '
3
mf mp
'( '?mp
'* '0 '* '( # 'p
33
3
! 6 3mp
.* 8H
fff ppp
') '? '< Kpp
') '? '(ff
' '? // '( '* ' ' ' ' '3
! 6 /p
'* # . 8H
fffppp
'( ') '<( /3 1mp ff
'? /# '( '* ' ' ' ' '3
-mp
.* . / 8Hfff
Kppp p ff
'<* '<* '<? '<) ' '0mf
'( '? '( '? 'p f
' '0 '?p
'< '< 'B0 '0
pp
C0000000000000000000000000' '? //7
3
-mp
.* . / 8Hfff
pp
' ' '( ' '<?1pp
''( '0 ' 'mp
'? '( '? '( ' 'mp
' ' /3
-mp
.* . / 8Hfff ppp
' ' ' 1pp p ppp
''? #' ') ' '< ')') 'A /C00000000000000000000000000ff
' ' ' / ' ' ' ' '3
3 7 7
-mp
.* . / 8Hfff ppp
'' 'mp
' '<(13
pp p ppp
''? #' ') ' '< ')') 'A /C00000000000000000000000000
ff
' '%A& ' / ' ' ' ' '3 7 7
%mp
.* . / 8Hfff pppp
div.0 (unis. stagger bowing
0' ' '' ' ' 'f
4 '(3p
' '* ' ' /3
3
%)
mp
. . / 8Hfff ppp
'') 'p
''* 2 1 /pp
''#'0 '? '* ' ' '( ' ' ' '('4 'C3
%)
mp
. . / 8Hfff pppp
''0 # '0 '* '* ''#'0 '? '* ' ' '( ' ' ' '('4 'C
3
3
15
((
((
((
((
((
((((((((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
q = 60
q = 60
120 A(
A(
A(
A(
A(
A(A(A(A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
((
((
((
((
((
((((((((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
L
L
Fl.
Fl.
Ob.
Cl.
Cbsn.
Perc. 1
Perc. 2
Hp.
Vln. 1
Vln. 1(ii)
Vln. 1(iii)
Vln. 1(iv)
Vln. 1(v)
Vln. 1(vi)
Vln. 2(i)
Vln. 2(ii)
Vln. 2(iii)
Vln. 2(iv)
Vla.(i)
Vla. (ii)
Vla.(iii)
Vla.(iv)
Vc.
Cb.
!"
!"
!
"
!
"
!
"
-
!
"
!mp
.pp
.A ' 'A . /f
8mp
'mf
.A /mp
' /pp
'fff
3 . /pp
'/
3
+
! 8mp
' /mf
'4 ' /pp
'5
ff
. /45
+1 /
ppp
'' 'mf
. /ff
'f
'4 '3 .mp
'3 .
! 3 / /ppp
'*4 .+ pppp
/ '(3 '
ff +' /4 /
ppp
'(5 'mp
8+
/pppp
'*4 .f
' ' 'ppp mp
' ' ' . / '36
3
! /mf
'# . /ppp
' / '*fff
' ' '+
/ppp
'5 'mp
' '+ pp'2 .
mf
'+ ppp
'*4 .fff +
/f
'*4+ pp
'4 '0 /f
. / 3+
5 7 5 3
%)
p
. /pp
' '* . / / '* # 8 8 7mf
8)
& 7 7 7 &Anvil
ff' 3 6 7 7
&mf
' 3 6 ' 3 6 ' 3 6ff' 3 6
mf
.*************************
mf
' 3 6
& 7 7 7Sleigh Bells
fff
' 3 6 7 7& 7 7 7 7 7Congas 6 3
f
'$ /p
'''3
!) 7
Free, irregular tremolo on given note, occasionally incorporating bracketed notes.
3 1M
f777' /4
'$
+mp
<)mp
<******** M
mf
'$mp
'p
'*******= /
+ ///
pp
777'*L2 777'+
=f
'$p
<)
+p
**********
+
</pp
Mf777
'4
'$)p
' '******
p
777')4 777
'3
ff
7778
! 6 3pppp
'(5 'ppp
' sul pont.
pp
' '( 'sfz
'$4 'p
. / norm.
ppp
' //777'(
777'
sul pont.
. / '(f
' ' ' 853
3
! 6pppp
1ppp
'( ' / ' ' ' sul pont.'5 ' / norm.
++
pp
'5 +ff
. /45
+ ///
ppp
777'(5D 777
'sul pont.
.( / 'mf
' ' ' . /+3
5 5
3
! 3pppp
/ '3
ppp
' '5 '') 5 '' '' '')4 ..f
.. // '' //ppp
+ppp
777'5 777
' '')4 '' '' '4 'mf
'p
sul pont.
mf
' ' '') 8.+%6 &
3 7 3 3
3
!mp
. /pp p
' ''** 88ff
.. //pp
'' +mp
'777'*
777'
p
.* /mf
' 'f
'4 8mp
7 3
!p
8 ' /ff
'(4 .mp
. /p
'777'( /4 777
'ff
.( /mf
.fff
.mf
' ')7
!p
8 .mf
.0mp
. /p
' /4 777'07
777'
mf
.0 /f
. .mp
.+
!mp
8( ' /ff
'(4 .mp
. /mf
'4 777'$(3
mp777'
ff
.( Gffff
' '$( ' 'mf
8
!mp
8 ' /ffff
'$*# .
p
. /mf
' 777'$*777'
6
mp
777'ffff
.* /ff
'ffff mp
' ' ' 83
! 8 . . + mp
'*3
f
. /+ K
f
777'$* /777' 777' .* / . +
7
! 8 8mp
. / 'L2f
777'$* /777' 777' .* / '
ff mp
' ' ' 83
-mp
8 ' /mf
'4 . ' 'sfz
777'$5 777
.p
777'
mf
. / 'f mp
' ' ' 85
3
-p8 ' /
f
'# .mf
.sfz
777'$# 777.
pp
777'f
' .G$ .
mp8
5
- 8ff
.mf
. .sfz
'4 777'$ /
ff777'
mf
. / 'f mf
' ' ' 8 .3
3
- 8 '+ ppp
'*5 'ffff
.+ pp
'4 .mf sfz
'4 777'$ /
ff777'
ppp
'fff
'*4 ' /fff
'$G(4 'p
1+ fff
'*5 'mf
6 8+
5 5 3
%f
. /ff
' '* .f
Gf
'4 '$* / . /sfz777'$*3777'
f
777' '*
mf
.$G .ff
8$*
%)
f
. / ' '* .fff
G
ff
'4 '$* / ' /sfz
777'$*5
777.
f
777'
fff
'* .$Gf
' 'fff
'4 8)3
3
16
126 ;(
;(
;(;(
;(
;(
;(;(;(;(
;(
;(
;(
;(;(
;(
;(
;(
;(
;(
;(
;(;(
;(
;(
;(
;(
((
((
((((
((
((
((((((((
((
((
((
((((
((
((
((
((
((
((
((((
((
((
((
((
Fl.
Fl.
Ob.
Cbsn.
Hn.
Tbn.
Perc. 1
Perc. 2
Hp.
Vln. 1
Vln. 1(ii)
Vln. 1(iii)
Vln. 1(iv)
Vln. 1(v)
Vln. 1(vi)
Vln. 2(i)
Vln. 2(ii)
Vln. 2(iii)
Vln. 2(iv)
Vla.(i)
Vla. (ii)
Vla.(iii)
Vla.(iv)
Vc.
Cb.
!"
!"
!
"
!
"
!
"
!
"
-
!
"
! 7 6f
//!=#
!")5
!)#% +"$ " / 3 3
!6=#sfz
"$)4 " 3+
7 7 73
!p
. /+
65:4 6f
//!=#
!")5!)#% +
"$ " / 3 3!6=#
sfz
"$)4 " 3+
7 7 73
!.
+6 7 7 7 7 7
%) 8 8 +
3 3pp
'*4 'f
.3+
7 7 73
% 7 6 3 1mp
''* # ' /4 'f
(F harmonic series)
'<*5 13 '
f
'B* / ' '*sp
'*5 ' '*4 ' 6 7 7 !5 3
% 6w/ plunger mute
mp
' @'
f
''' @
mf
')4sp
'* / '* ' '+'
1mp
@''* # ' /4 '
f
'<*5 13
ppp
3 '* # 'f
'4 '*'4 ''$#' '$* ' . 6 7 7 !
53 3 5
& 7Suspended Cymbal6 "# //
p
'2 '2 1******* / 3 3mp
'# 6Anvil
ff' 3 6 7 7
3
& ' 3 6 ' 3 6 ' 3 6f' 3 6 Suspended Cymbal
7(with chain)3 !!!!
mf
.!!!!!!!!
& 7 7Whip3 3 '# 6
Sleigh Bells
ff
' 3 6 Whip6 3 /f
7'$23 7
& 6 3 '(jeté)
777.$' '3 ' /
+6 3 '
777.$ ' ' '3 /
+7 6 3 '$ ''$
3
!Vibraphone
/ff
'*3 6 /
fff
'$*# 6
!)
mf
777.
6+
7 7 7 % /fff
'$*4 /3
// ' ') /(#
%$3 / ''$
**# 6
B5
5
!mp
'sul tasto
'5 '$G( 5 .mf
8p
8 .+
6 6 1f
', 1sfz
777', //# 777',',%?& //
#
! /norm.
mp
.9 //',G$**#
mf
83p
83 83 .9 // ',sfz
777',**# 777.9
3
!mp
' ' norm.
',**2
.9mf
83p
83 83 .9 // ', 1sfz
777''** //# 777''
5
!'4
norm.
',G$**#
.9 //mf
83p
83 83 .9 // ',sfz
777',**# 777.9
3
!f
8 8mf
8 8 . / 'sfz
777'$)4 777
.3
! 7 7 7 6 3mp
,'* 9. // ,' 1sfz777''* //4 777
''
!mp
8 . '3 ' 3+
7norm.
/p
' /f
')4 .p
. / 'sfz777'$)4 777
.5
3
! 8 .+6 7
norm.
/p.9
5
.9 .9 // ', 1sfz
777',$//# 777',
! 7 7 7 6 1mf sp
'* / '* ' . / 'sfz
777'$*4 777
.5 3
! . / '# '3
' +3 6 7 6
p
1 ,'** //4'' 9. // ,' 1
sfz777,'** //4 777
,'
- . ' / /+
7 7 7 pizz.6 3 /6
fff
7'$57
- ' ' 6+
7 6 3mp sp
'* ' '* ' '* # ' 6 !pizz.6 3 / 6
fff
7 -'$55 3
7
-pp
' / /+
6 7 7 7 7 /fff
'G$*# .
- 7 7 3 //ppp f
'*5 ' / '777'
777. 6
+7 /
fff
'G$*# .
% 8 ' 'ffff
6 3ppp
3 '* # 'f
'?'4 '4 / 7pizz.
3 6
ff
'$5 3 // '<$)5 //7
arco/fff
'G$# .
3 35
%)
8 8f
8 8 . pizz.
+K6
fff
'$L21 / arco/
fff
'$G*4 .
17
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
M
M
132 A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
A(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
N
N
Fl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Vln. 1
Vln. 1(ii)
Vln. 1(iii)
Vln. 1(iv)
Vln. 1(v)
Vln. 1(vi)
Vln. 2(i)
Vln. 2(ii)
Vln. 2(iii)
Vln. 2(iv)
Vla.(i)
Vla. (ii)
Vla.(iii)
Vla.(iv)
Vc.
Cb.
!"
!"
!
"
!
"
!
"
!
"
!
"
!unis.
3 //f!=# !)#
")5 "% +
/ 1!=#
ff!$#
"$)5 ")%
3+
6 3%
f
'# . 7 7 73
%) 7 7 7
mp
8f
. '#'3
' . / '
!fff
'$* '* /3
'$ ' /3
mf ff
'* # ' /pp
%'#
'* /ff
'*5:4
mf
' .* 3 . /fff
') ' /3 ' '? /3 6 3 3 6 75:4
! 7pp
.mf
3 3mf
'3 . /f
SOLO' (alternate fingering)
mp
' ' M' ' ' M
!6#
' ' ' ' ' '''!1# !6#
'< '< 'ff
' '$ ''$#' ' ' ''
$# ''$#' ' ' ' ' /
mf
''$#'4 .
3 3 3 5
!fff
6
'$* '* /3
'$ ' /3
mf
'* ' /sp
# '3 % '* /
ff
'*5:4
mf
. . /fff
') ' /3 ' '? /3 6 3 3 6 7
&f
'$ ' 'ppp
' 7 7ff
'$ ' ' 'ppp
' 3 6 7
&!!!!
'!!!! 3 6 7
with chain
6 3!!!!
mf
!!!!
'# .!!!!!!!!!!!!
'!!!!
3 6 7 73
&f' 3 6 7 7
f' 3 6 7 7
! 7 7f
'sim.
3 '3 / '3 3 3 7 7 7
! 777.9p', ''
# 33 3 1p mf
.9 .9 // 83 .9 .9 ', 3SOLO
f
'B) ')',)) //#
!p.9 ', ',
# 33 1p',** //#
',mf.9 // .9
p.9 +
6 7 7
! 777.9p', ''
# 33 3p',))2
', mf.9 .9 // 83 83 75
!p.9 ', ',
# 33 1ppp',**5
''mf
.9 .9 // .9 // +3 7 7
!p
. ' '4 33 7 7 7 7 7
! 7779.
p
,' ,'4 33
3 //mp
,')) 59.
mf
9. // 38ppp
38 38
!p
. ' '4 33 Kppp
') ' / 'mf
. . / 8ppp
8 8
! 777.9p'' ''
# 33 3p',#
''mf.9 .9 // .9 .9 ',
fff
',mp
.9 83 +3
!p
. ' '4 3
3
7 6 3f
'# . 7 7 73
! 7779.
p
'' ''4 33 7 6 3f
'# . 7 7 3 //mp
') 2 .3
- 7 7arco
mf' .*3
ff
' .+
7 7 6 3mp
'
- 7 7 arco
p
. . /mf
. /ff
' +6 3
mp
') #' .f
.3
-mf
8 . . . / 7 7 3 /mp
')3 .
-mf
8 . . . / 7 7 7
%mf
8 . . . / +/
sfz
'G$# . /
f
8 +/
mp
'4 . /
%)
mf
8 . . . / /sfz
'$G4 . /f
8 8
18
138
Fl.
Fl.
Ob.
Cl.
Cbsn.
Tpt.
Vln. 1
Vln. 1(iii)
Vln. 1(iv)
Vln. 1(v)
Vln. 1(vi)
Vln. 2(i)
Vln. 2(iii)
Vln. 2(iv)
Vla.(i)
Vla. (ii)
Vla.(iii)
Vc.
Cb.
!"
!"
!
"
!
"
!
"
!"
!
"
! 7 3 3ppp
')5 .p
8 . /sfz
fl.
777'$) /5
! 7 6 1ppp
'( /4 'p
8 8
! 7 6 3ppp
'5 'p
8 85
! 7 3ppp
'(4 . /mp
8 83
%) 8 /
ppp
'3
. /p
'# / '# . / / '3
. /3
!sp
=(alternate fingering)
'''ff
'' ''''''''' ' '<# /pp
'3ff
''$#''< '< '< ' 3 1
mf
'$'< /3 /mp
'B ' /!1# !6# !1# !6#!1# !6#
f
''< '<' ' ' ' ''' ') ') '< 3 /ff
''#'3
'' ') ''''< ' ' /f
''#'5 ' ' '''' '<)3
3
5
3 66 7
5
5
!.
mp
. '$5 /
f
'') # ''#') ' '') '' ') ' ' ' ' ' ') ') '< //mf
''# '5. ' 'J) 'J) '$ ') ') ') '
ff
'' ' '<
Kmf
') ') ' ') ') ''< /''# '4
f
'') #'4') ' '%)& ' 'J%?& 'J 'J 'J5
5 7 3 5
! 7 6 3 1ppp
') 5 8 8
! 7 6 3ppp
' 8 8
! 6 /mp
norm.')4 'f
8p
8 8
!38
ff
9. 9.p
9. // 3 7
! 8f
. //mf fff
')5jeté'$ '< '< '< '<) '< '< '< '< '< //
f sfz
'5 777.$ '
Tremolo slows, then accelerates again.
3sfz777.$G)
! 3mp
. /f
8p
8 8
!f
8 8p
8 8
- . /f
' 8p
8 8
- 8 8p
8 8
-f
8 8p
8 8
%f
8 8p
8 8
%)
8 8p
8 8
19
142
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
;(
Repeat ad lib. (x 4 - 10)
Repeat ad lib. (x 4 - 10)
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
//
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
Fl.
Fl.
Ob.
Cl.
Cbsn.
Tpt.
Perc. 1
Perc. 2
Vln. 1
Vln. 1(iii)
Vln. 1(iv)
Vln. 1(v)
Vln. 2(i)
Vln. 2(ii)
Vln. 2(iii)
Vln. 2(iv)
Vla.(i)
Vla. (ii)
Vla.(iii)
Vc.
Cb.
!"
!"
!
"
!
"
!
"
!"
!
"
! 777'
p
.) /(Aggregate increase in dynamics over all repetitions - not repeating swells)
. /ff
! 8 . /ff
!8 . /
ff
! 8 . /ff
%) . /
mf
' . /ff
! /mp
''< '<') ' '< '< '< '<Improvise with given notes (n order, but possibly with occasional variation at player's discretion).Vary phrasing, timbre, dynamics and rhythm ad lib., but overall impression must convey dramatically increasing intensity.
ff
'< '< '< ') ' ') ' ' ' ' ') 'fff
3
&Bass Drum
pp
' ' '$ /mp +
*********************************************** / 6(first time only)
f
' 6
&Sizzle Cymbal
arco
mp
. /f
3 (first time only)
p
. /ff
!
!') ') ') ' ') ') ') ') ' ' Improvise with given notes (n order, but possibly with occasional variation at player's discretion).
Vary phrasing, timbre, dynamics and rhythm ad lib., but overall impression must convey dramatically increasing intensity.
(Aggregate increase in dynamics over all repetitions - not repeating swells)
fff
!8 . /
ff
!8 . /
ff
! 8 . /ff
! 7778
Play given notes in order, as fast as possible and building in intensity.
ff
' ' ') ') ') ' ' '
! 3 1sfz
Tremolo slows and accelerates ad lib.
mf777'$) /4 777
.777. /
ff
! 8 . /ff
! ' 1sfz
Tremolo slows and accelerates ad lib.
mf
777'$) /# 777. 777. /
ff
- 8 . /ff
- 8 . /ff
- 8 . /ff
% 8 . /ff
%)
8 . /ff
20
:(
:(
:(
:(
:(
:(:(
:(
:(:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
:(
O
O
144 ((
((
((
((
((
((((
((
((((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
Fl.
Fl.
Ob.
Cl.
Cbsn.
Perc. 1
Perc. 2
Hp.
Vln. 1
Vln. 1(ii)
Vln. 1(iii)
Vln. 1(iv)
Vln. 1(v)
Vln. 1(vi)
Vln. 2(i)
Vln. 2(ii)
Vln. 2(iii)
Vln. 2(iv)
Vla.(i)
Vla. (ii)
Vla.
Vc.
Cb.
!"
!"
!
"
!
"
!
"
-!
"
!pp
'( /4mf
' 'A+ pp f
' '0
pp
' '? '0
mf +'4 1
mf
'5D '(5 ' '? '(ppp
') 'A ') '( ' '< 1ppp
')5 8 .fff
')3 .3 3
3
3
5
!pp
''? #' '(mf
' ')ppp p f
' / '< ' '( '?4 K
+ mf p
''? #'0 '0ppp
'? '0 '? ' / '( ') '( 8 .f
'03 .5 5 3
!ppp
''0 '? '0p mf
'? '* '( '*
mp ppp
' '( '? ' '(1 3 3 7 7
5 3
!pp
''( '
mf
'( / ' '+ mp + p
' '( '<* ' /K
ff + p
' ' / ' 'ff p +
' ' ' K /mf +'* ' '( '? 1
7
pppp
80 .ff
'(3 .
%)
p
'* '? '* '? ' '* '?3
'*' ' / 'C000000000000000000000000000000000000000000000000000000000000
'C'* # ' '? ') ' ') '*'* '? ' '
C0000000'# . / 3 '# 83 3 3 3 5 3
& 7Bells(suspended)
ff' 3
Drum
3fff
'777.$'bounce stick
3 ' ' /
+ 6 3ff
' ' '$3
& 7Bass Drum
f' 3 6 ' 3 6
!Glockenspiel
3 1mp
===== mp
p
'''')'') ' '') 5 / ')5 3 3 &
Congas *#
fff
6 '' ' ' '
fff
"$ ' ' '$4 3 ' 3 63
! //pp mp
''#'* '' ''#'
' 1 ''#'# 1 ''#mp
'''
mf
' ' ' ' 15
'* ' ''* '//7
7.******* =
mf
'$+ pp
')pp
'**********5
! 6 3 1p' ' 1 3 % 7 7
!pppp
'pp f ppp
' '( '<
mp pppp
'( / '? '( ' '? '( ') / '( ' ' / ') ' 8 .mf
'3 .5 7
!pppp
'* 1pp mf
'') 'A ' '
ppp
' /4mf
'
+C000000000' 'B%A& '
/pppp
'' '( '? '(4 ' 8 .mf
'3 .
!pppp
'mf ppp
'A ')mp
') '(ppp
') 'Af pppp
') '( / ' ') '( ' '?5 8 .p
'3 .3 3 3
5
!ppp
' /4 '( '? '(mf pp
' '? '( / '? 'mf
' '0 /ppp
' ' / '? '0 '?+
'04 1pppp
'?5 8 .mp
'3 .3 7 7
! '+
15
mf
''0 # '0C
ppp
'*4'( '?
pp
' '( '<K //
f ff
'(5 ' /4 ')7pppp
8) .p
'3 .3
!ff
.)pp
' '( '? '(mf
' '? '( 7
ff
' /4 ')7 8 87
! 3p
'(ff
C0000000000000000'A ') ')
pp ff
' '('
') '( '2 '? '( Kpp mp
''? '0
p
'0 '?p mp
' / '( 8 .ff
'3 .3 3
!mf
'mp p mp p
'A / ') ' ' '( / ') '(mp
') '( / ') '( ')5 'p mf pp
8 .f
'3 .7 3
!pp
'' '(pp
'? / '0 '( '0 '? ' '0 '? ' / '0 ' ' '? '0mp
'? '0mp
' '? '0 '5 ' / '? '( '? 8 .mf
'3 .5 3 3
!f
' '(ff
C0000000000000000'A ') ')
p ff
' '( ' ') '( '2 '? '(p
'') #ff mp
') '( '( ' ') 'A ') 8 83 3 5
-mp f mp p
' '0 '? '0 '?mf
' '0ff
' '? '0mf ff
' ' '* '0f
' '* '0 '* '0 '*mp mf
' '? '0 8mp
85 3 3
-mp
'') '0 '(')C
''0 # ')C
mf') '( / ') '( / ' '? '( ' '? '(
C
mp
' ')mf
'( ' ') '0 ') 8 89 3 3
-stagger bowing') '( ') '( ') '( ') '0 ' ') '( ') '( ' '? '( ' '? '( '4 '0 ') 8) 8)
9 6 3
%stagger bowing' '( '? '0 '? '0 '? ' '0 '* '0 /
p ff
' / '* '0 '? '0 ' '? '0 ' '? 8 87 3 5 6
%)
stagger bowing' '0 '? ' '0 '0 '? '* #'? '0 / ' '0 ' '* '0ff
' '? 8 83
21
147
Fl.
Fl.
Cl.
Cbsn.
Perc. 1
Perc. 2
Hp.
Vln. 1
Vln. 1(ii)
Vln. 1(iii)
Vln. 1(iv)
Vln. 1(v)
Vln. 1(vi)
Vln. 2(i)
Vln. 2(ii)
Vln. 2(iii)
Vln. 2(iv)
Vla.(i)
Vla. (ii)
Vla.
Vc.
Cb.
!"
!"
!
"
!
"
!
"
-
!
"
! .mp
.) 8 ' .) / 8 . .) 8 8
!.
pp
.0 8 80 'ff
'%?& # ' '# '# '3 ' . '
3 ' ' '3
mf
'# '3
' ' '# '3
' ' '3
'# '3 '
3 3
! .ppp
.( 8 . /f
'%?& . . 'mf
. /Play 3/4 against the conductor's 4/4; begin with the same crotchet pulse,then allow your tempo to drift.
. / C // = / D//
%) 8 . / '
f
. / 777' 777. 777. 7778fff8*
mf8*
& 7 6 3 ' 33 Bells 'f
3 6 Drum6 3 ' 33
6 3'777.$'' '3 /
+6 3 ' 33
Anvil6ff
' 3
& ' 3 6 ' 3 6 ' 3 ' 3 ' 3 6 ' 3 6 ' 3 6 6ff
' 3
& 3f
''#'ff
''# '3 1p
'2f
''#''' ' 3mf
' ' "ff mf
' ' ' ""ff
'' ' ' ' ' ' ' 1''' " 3p
' ' ''$ ' / ''#''$ ' ''#' ' '' ' ' ' 'ff
'"#' ' ' ''' " ' '$ 3 6 3 / ''# '4 '''33 / ''# 7' ''3
3
35
35
3
3
3
&Sleigh Bells
7 7 7 7 7 7 6fff
' 3
!=
6+
7 7 7 7 7 7
!.
pp
. 8f mf
') '$) . / 8 8 8 8
!.
pppp
. 8 8 8 8+
7 7
!.
pppp
. 8 'f
'4 '4 '$3
. 8mf
8 8pp
83
!.
pp
. 8 8 8 8 . /+ mp
') 8
!.)
pppp
. 8pp
8) 8 8 8 8
! .mf
. 8 8 8 8 8 8
! .mp
. 8 8 8 8 8 8
! .mp
. 8pppp
8 8 8 8 8
! .mp
. 8 . .ff
'$3
8mf
8 8 8
! 8 8 8 8 8 8 . /ff
')
- 8 8 8 ' .? / 8 8 8
- 8sp
8 8 8 8 'ff
' .* 8
- 8) .) /
fff
' '$) 8)mf
.) 'ff
.$)3
.) .) .3
.) . .3
mp.) . .
3
% 8ff
8G$)
mf
8 8 8 8 ' '*fff
.*
%)
8 8 8 ' '* / . /mf
8 8 8
22
154
Fl.
Fl.
Ob.
Cl.
Cbsn.
Perc. 1
Perc. 2
Vln. 1
Vln. 1(ii)
Vln. 1(iii)
Vln. 1(iv)
Vln. 1(v)
Vln. 1(vi)
Vln. 2(i)
Vln. 2(ii)
Vln. 2(iii)
Vln. 2(iv)
Vla.(i)
Vla. (ii)
Vla.
Vc.
Cb.
!"
!"
!
"
!
"
!
"
!
"
! 8) 8ff
'Play 3/8 against the conductor's 4/4; begin with the same quaver pulse, then stop following the conductor and gradually get faster.') ' ' C //' ' ) N N
3
N N N D//
3
!Improvise on given pitches with a triplet feel, in free tempo.
mf' ' ' '
! 7 7f
8$fl.
fff
7778fl.7778
!
%) C //
Stop following the conductor; allow your tempo to drift.
f8* D//
&Drum6 3 ' 33
6 3 1 7Anvil
fff
'$''' ' ' ' ' 'ppp
' 65
& ' 3 6 ' 3 ' 3 ' 3 6ff
' 3 6 6ppp
.****************************
& 3mf
''''33 /ff p
"$ 'f
''''' '#' ' ' 'fff
''' ''$====
5 3 /'# ' ''$f
''''' ''' 3 7 3 =
p ff
' ' ' ''+
''' ' 333
3
3
7
& 7 7 7fff
' 3 6 7
! 8 8 8f mp
8 8) 8) 8)
! 7 7 6 //mp
M'5 '* ' ') ' ''Repeat given note sequence in free rhythm (beginning at roughly semiquaver speed);vary phrasing ad lib. and gradually accelerate.
f
' '* ' ') ' '* ')
! 8 8 8 ' ' '3
ff
'* '*Repeat given note sequence in free rhythm (beginning at roughly the same speed as previous quintuplet);vary phrasing ad lib. and gradually accelerate.
mf
' '? '* '* ' ' '* '* ' '? '* ' ' '? '* '*
3 5
!8 8 8 8 .
Beginning with the same semiquaver pulse, stop following the conductor and repeat the given 7/16 pattern with increasing speed and intensity.
C //ff
' ' '%)& ' ' '%)& ' '
!8 8
ff
''$* #' ' ''$# ''$# ''$#' ' ' ''$#' '/ ''$# ''$#' ' / ''$# '5f
''$* # ' ''$# ' Improvise jerky and erratic gestures using given material. Gradually become louder and faster.
3 5
! 8 8 ' 'ff
')5 ' ') '< '< ''#' ' 1 '5f
') '') # ''Improvise jerky and erratic gestures using given material,inserting grace note sporadically. Gradually become louder and faster. 5
5
! 8 8fff
8%?&f
8 8
! 8 8 8 .ff
' ') ' ')Repeat given note sequence in free rhythm (beginning at roughly the same speed as previous quintuplet);vary phrasing ad lib. and gradually accelerate.
') '? ') ' ') ' '? ') ' ' ' ' ' '? ') ' ') ' '?3 5 5
! 8 '* ' 'ff
' '5
' '* ' ' ' ' '5
mf
'* ' ' ' '5 C //
Stop following conductor and repeat ad lib., gradually getting faster.
' '* ' ' ' ' '5 D//
! ' ' ')3
' ' '3
mf
' ') '3
') ' '3
C //Stop following conductor and repeat ad lib., gradually getting faster.' ') '
3
' ' '3
D//
- 8 8 8fff
' ' / ' ' '4 / C //f
Stop following conductor and repeat ad lib., gradually getting faster.
' ' ' '4 / ' ' ' / D//' ' ' '5 5 5 5
-mf
8 8 8 8 8
- C //Stop following the conductor;allow your tempo to drift and do not coordinate.
mf
.) . .3 D//
%' .* ' ' '* . C //
Stop following the conductor;allow your tempo to drift
mf
'* ' ' ' D//
%)
8fff
8$* 8mf
8 8
23
P
P
Senza Misura
Senza Misura
((
((
((
((
((
((
((
((
((((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
((
q = 50
q = 50
Fl.
Fl.
Ob.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Perc. 2
Vln. 1
Vln. 1(ii)
Vln. 1(iii)
Vln. 1 (iv)
Vln. 1(v)
Vln. 1(vi)
Vln. 2(i)
Vln. 2 (ii)
Vln. 2 (iii)
Vln. 2(iv)
Vla. (i)
Vla. (ii)
Vla.
Vc.
Cb.
!"
!"
!
"
!
"
!
"
!
"
!
"
!
c.2-3" #I
c.3-4"
ffff
#II
')c.3"
+
#III
c1-2"
!+#
.
ff
")!-#
fff% !6)# !9#
"$) "" ") 0000
!,)#% !-#
fff
") ") "$)!6)#!9#
'"# "!+$# !:#
f
"%)& ") $) /000000!)#
0000000000000000000000000% %
"3 3
!
ffff
much slower' ' ' '+
!+#
.
ff
")!-#
fff% !6)# !9#
"$) "" ") 0000
!,)#% !-#fff
") ") "$)!6)#!9#
'"# "!+$# !:#
f
"%)& ") $) /000000!)#
0000000000000000000000000% %
"3 3
!(breathe ad lib.)777'
ffff
Remove reed"
ff
!"(fff
!!!"$* "* 1 3 3 3 1
"
ff
!Replace reed 7"%(&5
3
!
ffff ff
' + !(#
ff
"*fff
[t]"$* "*" "0000"?
2 13 3fff
'"<# " 0000!(#
7"
"*3
%)
ffff ppp.%*& / '%*& 8
%
Hn. $ff!+# !-#
fff% %
"$2 /
!6)#
f!9#
"2 " 1+ !,)#
f!-#
"2 "$% !6)# !9#
'"# " 1!+$#
ff!:#sp
"2 $ /000000!)#
0000000000000000000000000
% %
"3 3
!
Tpt. $ff!+# !-#
fff% %
"$2 /
!6)#
f!9#
"2 " 1+ !,)#
f!-#
"2 "$% !6)# !9#
'"#" 1!+$#ff
!:#sp
"2 $ /000000!)#
0000000000000000000000000
% %
"3 3
%
Tbn. $ff!+# !-#
fff% %
"$2 /
!6)#
f!9#
"2 " 1+ !,)#
f!-#
"2 "$% !6)# !9#
'"#" 1!+$#
ff!:#sp
"2 $ /000000!)#
0000000000000000000000000
% %
"3 3
&Bass Drum
f
' 'p f
**************************************************+
Sizzle Cymbal "# $
mp
***************** # 3 3 1p
#777'2 3 3 1 Bass Drum777'
26 3
pp'
mf
3 3 **********
&Tam-tam
mf
'fff
**************************************************************+
Whip//mf
'2 3 3 O 3 7
!f
') ')ffff ppp
') 8 . / ' ')
!
ffff
7 7
!
ffff
7 7
!' ' ' ' ' '
D//
ffff
7 7
!
ffff +7 6 3 /
f
''$* # '4
!
ffff
molto rall.
ppp
') 8%)& . / '') #') ' 1 '<5
! 'ffff ppp
8 8
!
ffff
molto rall. 'B) 'B 'B)ppp
'B) 8 . ' ') ' ')3
!
ffff ppp8* .
p'* ' '
5
!
ffff +7 3
pp
') ' ' '3
-
ffff ppp
' 8 .mp
'4 / ' ' / '45 5
- '%*&ffff ppp
8%*& .mp
.
-
ffff
molto rall.
ppp'* 8%*& 8
mp
.*3
%
ffff
molto rall.
ppp8* .
mp
'* '%) '
ffff ppp
8 .mp
.
24
Q
Q
Senza Misura
Senza Misura
166 ((((
((((((
((((((
((((((
((
((
((
((
((((((((((
((
((
((((
((
((
((((
Fl.
Fl.
Ob.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
B. D.
T.-t.
Vln. 1
Vln. 1(ii)
Vln. 1(iii)
Vln. 1(iv)
Vln. 1(v)
Vln. 1(vi)
Vln. 2(i)
Vln. 2(ii)
Vln. 2(iii)
Vln. 2(iv)
Vla.(i)
Vla. (ii)
Vla.(iii)
Vla.(iv)
Vc.
Cb.
Cb. 2
!"
!
"
!
"
!
"
!
"
!
"
!
"
! C //+fff
') ' ' ' ' D// c.3-4"
#I
rall.
c.1-2"
#II
mf
c.1-2"
#III
c.1-2"
#IV
c.1-2"
+ !(#
#
f
V
$)c.3"
3
!+
fff
' ' ' ' rall.
mf
.
p
'
!fff
fl.777'mf +
Remove reed "
f
!$(
! C //fff
. / D// mp
rall.
+!(#f
$*%) C //
fff
8$*D//
ffff
'mf
unpitched breath sound
$
% %ffff
Hn. 'mf
!
!ffff
Tpt. 'mp +
!(#
f
$
% %ffff
Tbn. 'mp +
& 'ff
'$************************************************************************************* **************************************************************************+
&Triangle
ff
777' ''G $'ad lib.'' ' ' ''' ' ' ' ' '' 'pp
' ' ' '' ' ' ' '
> Tam-tam
fff
'$ !
!fff
') ') rall.
mp p
')
!fast
fff
' '* ' ') ' '* ') rall.
mf + ppp
'p
!fast
fff
' ' '* '* rall.
mf +
! C //fast
fff
') ' ' ' ' ' ' ') ' ' ' 'D//
' ' rall.
mf +
!fast
fff
''$* # ' ''$#' rall.
mp +!
fast
fff
') '') # ' ' rall.
f +!
fff'
!fast
fff
') ' ') ') '? rall.
mf
') ' ') ')
! C //fast
fff
' '* ' ' ' ' '5 D// rall.
mf
'* +! C //
fast
fff
' ') '3 ' ' '3 D// rall.
mf
')p
- C //fast
fff
'4 / ' ' ' / D// rall.
mf
' ' ' '5 5
-fff
'%*&mf p
- C //fast
fff.* . .
3 D// mf
rall.
+ &Finger Cymbals
mf
'
- C //fast
fff.* . .
3 D// rall.
mf '*% C //
fast
fff
'* ' ' ' D// rall.
mf '*
%)1
fff
'%*&ffff
'$mf + &
Finger Cymbals
f
' ' '$Fast, erratic hits with sporadic accents
%)
fff
'%*&ffff
'$mf mp
25
((
((
((
((
((
((
((
((
((((((
((
((
((
((
((((
((((
((
((((((
((
((
((((
R
R
q = 50
q = 50
175
Senza Misura
Senza Misura
Fl.
Fl.
Ob.
Cl.
Cbsn.
Hn.
Tpt.
Tbn.
Perc. 1
Vib.
Hp.
Vln. 1
Vln. 1(ii)
Vln. 1(v)
Vln. 2(i)
Vln. 2 (ii)
Vln. 2 (iii)
Vln. 2(iv)
Vla.(i)
Vla. (ii)
Vla. (iii)
Vla.(iv)
Vc. 1
Vc. 2
Cb. 1
Cb. 2
!
"
!
"
!
"
!
"
!
"
!
"
-
!
"
!!+#
6ff!-#
8")4 ") "sp
"<#6
!,)#!-#
fff
'"#$$!6)# !9#
" "%)& / "sp
"<) # 3!+#
f
$)3!)# !-#
fff
'"# ")%
"!-#
f!)#
") " / "!1$#
"*!75#
ff!$#
"* 2 "*%
5
" 3fff!2$#!9#
'"%*& # " " "sp
"<* # 3/
!"#
f
"# $
c.3-4" #I
c.2" #II
c.3" #III
+
c.3"
3 3 3 3
! 8 +6
+
fff!,)#!-#
'"#$$!6)# !9#
" "%)& / "sp
"<) # 3!+#
f
$)3!)# !-#
fff
'"# ")%
"!-#
f!)#
") " / "!1$#
"* $ /+
%
"* # "+ ppp
+* $ +!"#
.
f
$ +3 3
! 7 6 "!
(+8)
!
fff
!
'"( " $$*(+8)
!6#
"!
"2 //3 6 3(+8)
fff
"!!!
'"# "* "f
"
(+8)
!
"* " / 3!6#
!"
"*"
(+8)
!!
'"#!!
"* 2 "5 3 3
fff
"
'"* #" " "
sp
"<) # 6
3
! 7 6fff
$$ !6#
"< " / "sp"<# 3 3
fff
'"#
" "f
(w/ calf)
"*" / "
!1#
)
"<"2
"5
$fff!(#
'"# "* " "sp"<# 6
33 3
%) $ +
Remove reed 7 3 3f
23 ; 2 2mp
$ $
+% 8 +
!6)# !9#%
" " /!>#%
" / " 6mp
'*3
+ !+$#
'4 /ff!9#
'"# $% !)#%
" " 3 6 3!1$#ff
" $ 6!"#mp
$ $ +3
!
$fff!+# !-#
'"#" / /!6)# !9#
" " /!>#%
" / " 6 3ff!+$# !9#
'"# $!)#%
" " " " 3+
6!75$#
ff
$ 6/mp!"#
" $ +3
%
6fff!+# !-#
'"#" / /!6)# !9#%
" " /!>#%
" / " 6 / /ff!+$#!9#
'"# $!)#%
" " " " 3+
6 6 3ff!2$#!9#
'"# " " " /3 3!"#
mp
$3
$ +3
& 7 7 7Glockenspiel
! 3mp
' 6 '* 3 6 7
&Whip
7mp' 3 6 '
3
7 6 3 ' Bass Drum6 3 "# 3f
!!!!!!!!
'2 '!!!!
. /p
!!!!!!!!!!!!!!!!!!!!
'
+5
!Vibraphone
6ff
.$) 6f
..$ 6 3mf
'* 3mp
' 6 7 7
% 6fff
..)) %..** 6 ''$
**3
7 ! 6 3f'+ 7 7
! 8%)& 8 8 8+ 7 7
! 8 8 . / 3+ 83+ +
7 7
! 7 &Finger Cymbals
Respond to Contrabass/vla. (iii) finger cymbal strokes with echo-like patterns, as previously.
+
! 8 +6
sfz
.$ ' /+
3 3 6 3mf
sul pont..
+3 7 7
!p
8 8+
7 7 7 7
! 6sfz777.$)
+6
sfz
777.$ +7 7 7 7
! .%)&sfz777'$) /
pp
'4 .+6 7 7 7 7
-p
8 8 7+ 7 7 7
- 8* 8 . . +3
3
7 7 7
- Respond to Contrabass finger cymbal strokes with echo-like patterns, as previously.become more and more sparse
+
-p
8%*& 8pp
8 +7 7 7
%p8%*&
sfz
777'$*pp
777' / ' . 8 . / 3+!
mp
83**ppp'' '' /3 6
%p8%*&
sfz
777'$*pp
777' / ' ' 3f
'G*3 ' /+3 3 6 ! 6 3
mf
'+
. 6+
7
& /f
'# 3 3 / '# //mf
'2 3 3mp
' 7 1 ' /# 3 6 6 /p'# 3
ad lib. - becoming more sparse
' ' +%) . / 3
+6 3 3
f
'G*3
' /+3 3 6 7 7 7
26