kupka fugue in two colors
TRANSCRIPT
Frantisek Kupka
The Fugue of Two Colors
Combining Movement with Combining Movement with MusicMusic
• Frantisek Kupka (1871-1957) was one of the most influential Modern Czech painters
• Contributed to the development of Abstract Art Movement
• Studied in Prague, Vienna and Paris• Was puzzled with a dilemma of combining
painting, which is a static medium of delivering a message and music, which is a dynamic medium that cannot be pictured as an image.
Fugue of Two Colors
• The idea of the Fugue of Two Colors is not completely abstract
• On one side coming from – Movement of a ball of red and blue color
• On the other – Listening to Music of Wagner
• Many sketches have been made until the final masterpiece could be embedded on canvas with oil paint
Initial Draft with the Final PieceThe world of movement contrasting the world of
abstract thinking
Amorpha: Fugue in Two Colors. (1912). Gouache and ink on paper
Replica of Fugue in Two Colors: Amorpha, 1912. (1946). Gouache, ink and pencil on paper.
Initial Draft with the Final Piece
• What can be noted right away from those drafts?• What is similar to the initial draft?• What is different?• Which one is more appealing?• Do you notice the movement of the ball
transforming into music?
Development
Amorpha: Fugue in Two Colors. (1912). Gouache and ink on paper.
Second Draft of the Fugue
• What is different about it?• What makes you differentiate the two?• Why the lines are so thin in this draft?
The Costume of a Clown
Amorpha: Fugue in Two Colors. (1912). Gouache and ink on paper
Third Draft of the Fugue
• Isn’t this draft more playful? More Life-like?• Can you hear the music, when you look at it?• What is the difference between the 2nd and 3rd drafts?
UNIVERSE
Amorpha: Fugue in Two Colors. (1912). Gouache on paper
Fourth Draft of the Fugue
• Is the 4th draft deeper than the 3rd?• If so, how is it expressed?• Which one is more appealing?
Gives more freedom to the eyes? Gives more freedom to the thought?
Imagination
Amorpha: Fugue in Two Colors. (1912). Gouache and ink on paper
Returning Back & Polishing
What has changed? Any new techniques added?
Geometry of Circles and Ovals
Amorpha: Fugue in Two Colors. (1912). Gouache and ink on paper
Reshaping
Do the shapes of circles produce sounds? What are you hearing?
Initial Draft 6th Draft
Crater
Amorpha: Fugue in Two Colors. (1912). Gouache and ink on paper
Upward Water Flow
Amorpha: Fugue in Two Colors. (1912). Gouache and ink on paper
Three Players Chess Game
Amorpha: Fugue in Two Colors. (1912). Gouache and ink on paper
immortem
Replica of Fugue in Two Colors: Amorpha, 1912. (1946)
Conclusion
• Extraordinary image is hard to forget• Just like music… it is hard to hear it again,
exactly the same way as for the first time• Kupka achieved a balance between the fine arts
and performing arts – colors and movement coming to sound like a melody of his soul, in the Fugue of Two Colors: Shapeless.