junior fashion editor - wonderland stylist -...

Francesca Turner +44 (0)7800 793788francesca-turner.com

March 2013 - present

Ju n i o r Fa s h i o n E d i t o r - Wo n d e r l a n d S t y l i st - Fre e l a n c e

February 2012 - March 2013

A s s i st a n t t o C re a t ive D i re c t o r - Wo n d e r l a n d

Clients

R o l l a c o a st e r, F l a u n t , B u r b e r r y x B a f t a , D i d o, E l l i e G o u l d i n g ,

P ro n ov i a s B a rc e l o n a , D r. O r g a n i c , D i a n e vo n Fu r st e n b e r g ( a s s i st a n t )

Photographer

Jessie Craig

Fashion Editor

Francesca Turner

Bulgari.

Diva pink gold necklace with amethysts, rubellites, peridots and pavé

diamonds by Bulgari and sheer purple silk dress from House of Vintage.

The Diva collection, fit for prima donnas of all ages.

Diva pink gold necklace with pavé diamonds by Bulgari and pink slip and pink gown with

feather trim both from the vintage collection of Anne Dettmer at Luella’s Bridal Boudoir.

Francesca Turner Sept/Oct 13Wonderland magazine

Gucci

Photographer Felix Cooper

Fashion Editor Francesca Turner

Gucci’s Resort collection is characterised by relaxed, almost pyjama shapes and fabrics, yet still glimmering fabrics, as if one had come straight home from

Studio 54 and changed into an equally fabulous loungewear option. What could be more decadent than looking fabulous when nobody can see you?

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All clothing and accessoriesGucci Resort 2014.

Hair Kota Suizu at Caren using Bumble and Bumble. Makeup Celia

Burton at CLM Hair & Makeup using NARS Cosmetics. Photographic

Assistance Crusoe Weston. Fashion Assistance Izzy Farmiloe. Production

Seona Taylor-Bell. Production Assistance Sophie Tindall. Model Anastasia

Ivanova at Premier Model Management.Retouching GentlemansEdit.

Thanks ProLighting, Film Processing and Development by Labyrinth

Photographic and Deerhurst Road.

Francesca Turner Nov/Dec 13Wonderland magazine

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1970s haute couture YSL belt from Atelier Mayer.1970s tassel necklace from Susan Caplan Vintage Collection.

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0Francesca Turner Nov/Dec 13Wonderland magazine

Francesca Turner Sept 13Rollacoaster

Sleeveless embroidered dress by Christopher Kane, burgundy PVC skirt by Burberry Prorsum and silver Celtic necklace by PebbleEmbroidered chiffron dress by Valentino

Photographer FELIX COOPER XHOSA APACHE

Fashion FRANCESCA TURNER

Cream knit sleeveless top by Rochas, cream knit neck piece by Simone Rocha, cream long skirt by Gareth Pugh and gold brass ring and silver ring by Pebble.

Green sheer long dress by Roksanda Ilincic from Browns, cream tartan cashmere jumper by Stella McCartney from Liberty, gold Celtic necklace by Pebble and shoes by Claire Barrow.

Photographer’s assistant EWENFashion assistants GIULIA ODDI and HANNAH DOWNES Makeup JO.FROST at CLM Hair & Make Up using MAC CosmeticsModel KIERA GREENWOOD at SelectThanks to Bushy Lodge, Firle


Written by Alison KingPhotographed by Joost Vandebrug

KING KRULEMEET ME AT THE CHIPPY AND I’LL CROON YOU A TUNE

THIS PAGE: GRAFFITI PRINT SHIRT AND TROUSERS BY PAUL SMITH.

OPPOSITE: GINGHAM SHIRT BY PRADA.

Francesca Turner Nov 13Flaunt

SUIT, COTTON SHIRT WITH ’70S COLLAR, AND SKINNY TIE BY PAUL SMITH.


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OPPOSITE: GINGHAM SHIRT AND TROUSERSBY PRADA.

THIS PAGE: WOOL BOXY BLAZER AND WOOL FLAT-FRONT PANTS BY MARGARET HOWELL, COTTON SHIRT WITH ’70S COLLAR BY PAUL SMITH, AND STRIPED TIE BY EMPORIO ARMANI.

STYLIST: FRANCESCA TURNER

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Pre-fall 2013 is inspired by Francois Truffaut’s 1968 opus The Bride Wore Black.

Louis Vuitton.

Photographer Fanny Latour-LambertFashion Editor Francesca Turner


Hair Noriko Takayama at Untitled Artists London using Kiehl’s. Makeup Riona O’Sullivan using Urban Decay. Set Design

Samara Tompsett. Photographic Assistance Tom Ribot. Fashion Assistance Giulia Oddi and Itunu Oke. Hair Assistance

Suze Smethurst. Set Design Assistance Rosie Jenkins. Production Seona Taylor-Bell. Models Rebeca Marcos and Megan

both at Models1. Thanks Apiary Studios and Honeyjam.

All clothing and accessories Louis Vuitton PF13.


Miu Miu

For resort, Miu Miu envision a girl in bejeweled denim and blue roses. Imagine if you will a lonely country singer, teetering on her flowery heels and belting out a number about heartbreak, the stage lights glinting off her highly stacked bracelets as she dolefully waves her hands.

Hair Roku Roppongi at Saint Luke

using Kiehl’s. Makeup Bea Sweet using

M.A.C Cosmetics and OPI Nails. Set

Design Clementine Keith-Roach. Fashion

Assistance Camilla McGregor. Set

Design Assistance Elle Palmer Jenkins.

Retouching Allegra Pacheco. Model Irma

Spies at Iconic Management. Thanks

Frederick at Shoot Factory.

Tropical flowers by Habitat.

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All clothing and accessories Miu Miu Resort 2014.


Francesca Turner Nov/DecWonderland magazine

Left: black leather skirt by French Connection, white short-sleeved shirt and leather and woven jacket both by DSquared2 and pearl

necklaces and white and black striped perspex bag all by Chanel. Right: white leather quilted skirt by Balmain, leather and woven

jacket by Ports 1961 and sheer zebra print shirt by French Connection, round sunglasses by Sportmax X Cutler and Gross

and mini black leather bowling bag and black leather envelope bag (just seen) both by Saint Laurent by Hedi Slimane.

Leather and woven jacket by Ports 1961, sheer zebra print shirt by French Connection

and round sunglasses by Sportmax X Cutler and Gross. Binoculars by Bentley’s.

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Resort 2014


Embroidered denim jacket by Denim & Supply Ralph Lauren, denim wide-legged jeans

by Chanel, chambray shirt by Levi’s, embroidered Miss Dior Orange Riviera bag and

Lady Dior in blue and purple calfskin bag both by Dior.

Short-sleeved sweater by Whistles, pink leather jacket by Emilio Pucci, pink cropped trousers by Iceberg,

red leather shoulder bag by Saint Laurent by Hedi Slimane, tweed Miss Dior bag by Dior and gold chain

necklace by Givenchy by Riccardo Tisci.


Navy ribbed polo neck and navy lace short-sleeved jacket by Dior.

Pinstriped blazer by 3.1 Phillip Lim, sheer blouse with embellished collar by DKNY, pinstriped trousers

by River Island and perspex Chanel No.5 bottle by Chanel. Binoculars by Bentley’s.

Hair Noriko Takayama at Untitled

Artists London using TIGI Bed

Head. Makeup Riona O’Sullivan.

Using Chanel Le Weekend and

A/W2013. Nail Technician Ami

Streets at LMC Worldwide using

Chanel A/W2013 and Body

Excellence Hand Cream. Fashion

Assistance Camilla McGregor.

Hair Assistance Yuri Nakajima.

Production Seona Taylor-Bell.

Models The Bloom Twins. Thanks

Amanda Kaiser at Magnum PR.


Photographer Benedict Morgan

Set Design Jessica Dance

All accessories from the Bag Bug Collection by Fendi.

Fendi

Sittings EditorFrancesca Turner

The Return of the Bag Bugs


PhotograPher PAUL PHUNGFashion editor FRANCESCA TURNER

Roll neck £23 by AmericAn AppArel, embellished top £775 by SASS And Bide,

large insect brooch £55 from GilliAn HorSup at GrAyS

Antique mArketS and purple damask trousers £594 by peter

pilotto

Left: Roll neck £25 by AmericAn AppArel patterned shirt £380 by mArni and gold

and crystal bracelet (worn as necklace) £1,320 by cHAnel


Large agate aqua silk scarf by MO

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DER and mauve polyester top by RO

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and grey trousers with w

hite bow by J.W

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FASHION - FrANcEScA TuRNER

PHOtOGrAPHY - NICOle MAriA wINklER

PlAStix

Black and white knitted bra by JA

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, black cotton jacket by SIMO

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Francesca Turner Feb 13Rollacoaster

Francesca Turner Feb 13Rollacoaster

Young female lYricist moves to new York to start a rap career, builds rapport with

some of the biggest hip-hop producers going, seriallY jet-sets, will one daY rule

the airwaves completelY with game-changing debut lp. angel haze, right?

wrong. better.

HARD AND FAST

gita – who bowled into her Wonderland shoot with a head of fluoro pink hair (having ditched her emphatically 90s, Lauren Hill-esque braids) – rocketed into the world of acid tinged, fringe-y US brat rap late last year with “Hood Rich”, a song so back-

straightening and punchy it makes you forget just how saturated the scene has become. Her follow-up release “Lights Out” – produced by regular right-hand man DJ Two $tacks – is a charged, quivering track with a foreboding, gargantuan bass drop, which cemented the status of the Bay Area-born beat keeper as a towering new presence.

Gita, born Gabriella Pavel, was raised in Oakland, California by parents heavily involved in the area’s underground hip-hop community. Her father managed a horde of rap-packs and soloists through the 90s, and headed up a series of industry parties with cult hip-hop collective Digital Underground. “Rappers would be at my house all the time,” she says. “From The Luniz, Yukmouth to Numskull and Dru Down. Or I would go to their house and play with their kids. He would host parties, at like fat-ass hotels and shit around the Bay. Like bootylicious bitches and shit.”

As a child, Gita’s twin brother Amallio was best friends with a San Franciscan named Natassia Gail Zolot – better known nowadays as Kreayshawn. It was only in her teens (Gita is 22 now) that the pair became friends. “I see her more as a filmmaker than anything else,” says Gita, “but she’s been super-supportive of my music. She’s so sweet – the most non-confrontational person you’ll ever meet.”

Jetting between Oakland, Miami and LA to meet beat-makers and discuss collaborations grew tiring – so Gita eventually sought satisfaction in Manhattan’s boundlessly effervescent arts community, moving to Harlem in 2009. Gita’s first gig proper was at the scene-iest of Lower East Side hotspots, vinyl spinner Venus X’s monthly club night GHE20 G0TH1K, supporting the likes of rap enigma Mykki Blanco, Three 6 Mafia founder Gangsta Boo and A$AP Mob producing force, Ferg – artists she now regularly parties with.

“I didn’t know anyone in New York when I moved there, so I hit up Venus on the internet,” she says. “‘Yo, want to come attend this night

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with me to go see Pusha T and Tyler, the Creator at The Bowery?’ I asked her. She was into it. We just hit it off. She was like; ‘I throw these nights, and I saw some of the stuff you do – I like you.’ So we performed, and I had this big-ass mink coat on – I swear everyone gave me tons of kisses for wearing that.”

Releasing newest single “Let That” late last year on Fool’s Gold – a Brooklyn label said to have discovered the likes of schizo lyric spitter Danny Brown, stoner rapper Kid Cudi and house pop electro-ist Duck Sauce – was one giant confidence boost for Gita. It was only after a chance encounter with co-founder Nick Catchdubs via mutual contact Two $tacks that saw the track being included on the template’s five year anniversary compilation, Loosies.

Breaks like this seem to come Gita’s way regularly. It was only in January that she jetted to London to work on a track – albeit for an undisclosed artist – with Mark Ronson. “Everyone’s been so ‘What?!’ about it, which I totally understand. I tried hitting him up [when I was in London again recently] and he was like, [puts on a salty Received Pronunciation dialect] ‘I’m going to be in Paris, so I’m not going to be here Gita’. Everyone likes to mock him.”

In between maintaining her @-tastic Twitter page (she was even seen swapping retweets with elusive New York-via-London dubhead Zomby back in February) and working on a debut EP with experimental grime producer Darq E Freaker, Gita meditates. “I don’t think people know how to use energy,” she says. “But I totally believe in energy and stuff – you can use it for good, it’s powerful. People tend to ignore it.”

Energy – and how to siphon it constructively – plays a huge part in Gita’s regular routine; it seems she’s forever darting between studios, meeting producers and talking projects and prospects. But what’s key to her music-making approach – and what has come to define a post-Twitter generation of DIY rappers – is that deals are made on her terms alone. “We link, we chill, I meet real producers who work with big people, and we do music. I take it very seriously,” she says, unflinchingly. “I don’t have people sit around and write my music for me.”

Photographer liam warwick Fashion Editor francesca turner

Words jack mills

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Navy blue satin dress with black and white flower patch by PRADA

Hair AMBER ROSE PEAKE at CAROL HAYES MANAGEMENT using L’ORÉAL PROFESSIONNEL TECHNI ART Makeup BEA SWEET using M.A.C. COSMETICS Nail TechnicianCLAIRE K using OPI Photographic Assistance ANDRE TITCOMBE Fashion Assistance SAMANTHA GOLD

034_WL.indd 35 25/03/2013 12:40

Francesca Turner Feb/March 13Wonderland magazine

S o u n d S - M I G u E L

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PhotograPherKim JaKobsen to—Fashion editorFrancesca turner

WoRdSStuARt BRuMfItt

instrumentals and “Hard Way” was a hip-hop beat softened by the swoon of his voice. It went criminally unnoticed in the uK, but hopefully his new work, Kaleidoscope dream, will make a bigger dent in a 2012 climate where frank ocean’s obscuro-R&B has thrived.

Like frank, who first made a name for himself through a free mixtape, Miguel was keen to circumnavigate the norms of releasing this

time round. Certain tracks on Kaleidoscope dream were initially put out via “Art dealer Chic”, a tripartite (and freely downloadable) EP, perhaps to appeal to the influential music blogs who love a leak or a slow drip. the teased tracks drew attention to the rarity and quality of Miguel. fans on critic-infested forum I Love Music went wild; many of them claiming that lead track, “Adorn”, was the song of the year.

Alongside frankie o and the Weeknd, Miguel is one of R&B’s biggest game-changers; all of them switching up the genre, harnessing their love, fear, doubt, horniness and loneliness in a clever, cool new manner, albeit with soul. “You can hear it the moment you hear the voice. there’s a soul, there’s feeling behind it. It’s progressive, it’s not the same sound, not the same topics, not written from the same perspective. People lost sight of the individuality and R&B became so urban,” he says, suggesting that machismo meant male

When Miguel opened for usher at his recent London show, it was by no means incidental. the R&B legend is the young gun’s mentor, the two of them brought together by music exec – and one-time notorious B.I.G. manager

– Mark Pitts. “Mark was very keen that we become as close creatively as possible,” says Miguel in his LA drawl. “He wanted to put me in with usher so he could show me the ropes and give me advice. I was a nobody kid. usher just trusted Mark, plus he’d already heard some of my music and was a fan.”

So Miguel ended up co-writing three songs on usher’s 2010 album Raymond Vs Raymond and supported him on the uS-wide oMG tour. Miguel’s contributions to the album were far removed from the will.i.am-produced anthem that gave the tour its name: “oMG” might have been the danced-up, dumbed-down hit that sold the album, but it was tracks like the spacey, sexual opener “Monstar”, the sparse, slo-mo “Mars Vs. Venus” and the Cali-funk “Pro Lover” that made the record so good when you got it.

Miguel’s earlier solo 2010 album All I Want Is You was chock-full of the same such eargasmic R&B. “Sure thing” had an old-school fuzz and feel, a haunting choral harmony ran through “Girl With the tattoo”, “Quickie” was a cocky call for a swift shag over clashing

Haunting, sparse, sexy and soulful, the sounds of transcendental Californian crooner Miguel are giving contemporary R&B the kick in the backside it’s been waiting for. Here, he explains how his new record Kaleidoscope Dream is this winter’s warming, musical nightcap.

Jumper by LEVI’S MAdE & CRAftEd at MAtCHES, black t-shirt (just seen) and black denim jeans both by LEVI’S, sunglasses by oLIVER GoLdSMItH, socks by fALKE and shoes Miguel’s own

“I think the great part about R&B now is that individuality

is starting to be celebrated again.

Artists are tired of the bullshit and the same regurgitated,

soulless stuff.”


junior fashion editor - wonderland stylist -...

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