JOURNAL OF THE WARBURG AND COURTAULD INSTITUTES

Vol. I, No. 1, July 1937

Sign and Symbol (I, pp. 1-11) Jacques Maritain; Mary Morris

The Early History of Man in a Cycle of Paintings by Piero di Cosimo (I, pp. 12-30) Erwin Panofsky

The Rood of Bromholm (I, pp. 31-45) Francis Wormald

Alkestis in Modern Dress (I, pp. 46-60) E. M. Butler

A Marsilio Ficino Manuscript Written in Bruges in 1475, and the Alum Monopoly of the Popes (I, pp. 61-62) F. Saxl

Donatello’s Judith: A Symbol of ‘Sanctimonia’ (I, pp. 62-63) Edgar Wind

An Emblem by Holbein for Erasmus and More (I, pp. 63-66) George Clutton

AEnigma Termini (I, pp. 66-69) Edgar Wind

A Classical Quotation in Michael Angelo’s “Sacrifice of Noah” (I, p. 69) E. Gombrich

Platonic Justice, Designed by Raphael (I, pp. 69-70) Edgar Wind

The Maenad under the Cross. Comments on an Observation by Reynolds (I, pp. 70-71) Edgar Wind

Some Examples of the Role of the Maenad in Florentine Art of the Later Fifteenth and Early Sixteenth Centuries (I, pp. 71-73) F. Antal

The Power of the Name? (I, p. 73) F. Saxl

A German Sancho Panza (I, pp. 74-77) W. F. Mainland

The Pseudonym of Spinoza’s Publisher (I, pp. 77-78)

Charles Singer

An Emendation of Pope by Lessing (I, pp. 78-79) Edgar Wind

An Unknown Letter of Nicolas Poussin (I, pp. 79-82) Richard Salomon

Vol. I, No. 2, October 1937

Rhetoric and Politics in Italian Humanism (I, pp. 83-102) Delio Cantimori; Frances A. Yates

Italian Teachers in Elizabethan England (I, pp. 103-116) Frances A. Yates

The Hypnerotomachia Poliphili in 17th Century France (I, pp. 117-137) Anthony Blunt

In Defence of Composite Portraits (I, pp. 138-142) Edgar Wind

Albrecht von Brandenburg as St. Erasmus (I, pp. 142-162) Edgar Wind

Machiavelli in an Unknown Contemporary Dialogue (I, pp. 163-166) Felix Gilbert

Elizabethan Manuscript Translations of Machiavelli’s Prince (I, pp. 166-169) Napoleone Orsini

A Scene from the Hypnerotomachia in a Painting by Garofalo (I, pp. 169-171) F. Saxl

Patience and Chance: The Story of a Political Emblem (I, pp. 171-177) Rudolph Wittkower

Some Musical Representations of the Temperaments (1) Democritus and Heraclitus: A Duet in Major and Minor; (2) The Melancholicus in Instrumental Music (I, pp. 177-180) Alfred Einstein

The Christian Democritus (I, pp. 180-182) Edgar Wind

A Heathenish Fountain in St. Wolfgang (I, pp. 182-183) F. Saxl

The Saint as Monster (I, p. 183) Edgar Wind

Physiognomical Experiments by Michelangelo and His Pupils (I, pp. 183-184) Rudolph Wittkower

Verrio’s ‘Terribilita’ (I, pp. 184-185) Edgar Wind

Vol. I, No. 3, January 1938

Anonymous Gods (I, pp. 187-196) E. Bikerman

The ‘Romano-Campanian’ Coinage: An Old Problem from a New Angle (I, pp. 197-203) Harold Mattingly

Relics of Pagan Antiquity in Mediaeval Settings (I, pp. 204-220) W. S. Heckscher

Josephus the Physician: A Mediaeval Legend of the Destruction of Jerusalem (I, pp. 221-242) Hans Lewy

The Criminal-God (I, pp. 243-245) Edgar Wind

The Crucifixion of Haman (I, pp. 245-248) Edgar Wind

The Criminal-King in a 19th Century Novel (I, pp. 248-249) Anthony Blunt

A Portrait of Constance of Sicily (I, pp. 249-251) S. H. Steinberg

Imaginary Journeys from Palestine to France (I, pp. 251-253) Hans Lewy

Miraculous Birds (1) ‘Physiologus’ in Beatus Manuscripts; (2) ‘Roc’: An Eastern Prodigy in a Dutch Engraving (I, pp. 253-257) Rudolph Wittkower

The Isle of the Amazons: A Marvel of Travellers (I, pp. 257-259) Albrecht Rosenthal

Two Notes on the Cult of Ruins: (1) Ruins and Echoes; (2) Utopian Ruins (I, pp. 259-260) Edgar Wind

A Symbol of Platonic Love in a Portrait Bust by Donatello (I, pp. 260-261) Rudolph Wittkower

Homo Platonis (I, p. 261)

Edgar Wind

Vol. I, No. 4, April 1938

The Master of Animals (I, pp. 263-265) Roger Hinks

The Story of Joseph on a Coptic Tapestry (I, pp. 266-268) Ernst Kitzinger

The Six Days of Creation in a Twelfth Century Manuscript (I, pp. 269-275) Adelheid Heimann

The Crucifix and the Balance (I, pp. 276-280) Francis Wormald

Mary in the Burning Bush: Nicolas Froment’s Triptych at Aix-en-Provence (I, pp. 281-286) E. Harris

Two Early Representations of Lutheranism in France (I, pp. 287-291) George Clutton

Meditation in Solitude (I, pp. 292-294) Ursula Hoff

“Was This the Face...?” (I, pp. 295-297) W. S. Heckscher

Youth, Innocence and Death: Some Notes on a Medallion on the Certosa of Pavia (I, pp. 298-303) Jean Seznec

Nugae circa Veritatem: Notes on Anton Francesco Doni (I, pp. 304-312) Gertrud Bing

Chance, Time and Virtue (I, pp. 313-321) Rudolf Wittkower

Charity: The Case History of a Pattern (I, pp. 322-330) Edgar Wind

Goethe’s ‘Zueignung’ and Benivieni’s ‘Amore’ (I, pp. 331-339) Ernst Gombrich

Poussin’s ‘Flight into Egypt’ (I, pp. 340-343) Charles Mitchell

Poussin’s Notes on Painting (I, pp. 344-351) Anthony Blunt

Vol. II, No. 1, July 1938

The Arts in the Latin Kingdom of Jerusalem (II, pp. 1-21) T. S. R. Boase

The Poetical Sermon of a Mediaeval Jurist: Placentinus and His ‘Sermo de Legibus’ (II, pp. 22-41) Hermann Kantorowicz

Trinitas Creator Mundi (II, pp. 42-52) Adelheid Heimann

Blake’s ‘Ancient of Days’: The Symbolism of the Compasses (II, pp. 53-63) Anthony Blunt

A Mediaeval Formula in Kant (II, p. 64) Edgar Wind

Blake’s ‘Glad Day’ (II, pp. 65-68) Anthony Blunt

A Simile in Christine de Pisan for Christ’s Conception (II, pp. 68-69) William Wells

Mary in the Burning Bush (II, pp. 69-70) Arthur Watson

The Seal of St. Nectan (II, pp. 70-71) F. Wormald

A Portable Altar in the British Museum (II, pp. 71-72) S. H. Steinberg

The Literary Sources of the ‘Finiguerra Planets’ (II, pp. 72-74) F. Saxl

‘Apollo and the Swans’ on the Tomb of St. Sebaldus (II, p. 75) Jean Seznec

The Four Elements in Raphael’s ‘Stanza della Segnatura’ (II, pp. 75-79) Edgar Wind

A Note on Michelangelo’s Pieta in St. Peter’s (II, p. 80) Rudolph Wittkower

‘Adamas Mourned by the Nymphs’ in Schedel’s ‘Liber Antiquitatum’ (II, pp. 80-81) Alice Wolf

‘Good Counsel’: An Adaptation from Ripa (II, pp. 81-82) Lothar Freund

‘Grammatica’: From Martianus Capella to Hogarth (II, pp. 82-84) Rudolph Wittkower

Vol. II, No. 2, October 1938

Translation from the Ancients in Seventeenth-Century France (II, pp. 85-104) R. W. Ladborough

King Charles II’s Own Fashion: An Episode in Anglo-French Relations 1666-1670 (II, pp. 105-115) Esmond S. de Beer

The Revolution of History Painting (II, pp. 116-127) Edgar Wind

Stuart and Revett: Their Literary and Architectural Careers (II, pp. 128-146) Lesley Lawrence

Piranesi’s “Parere su L’Architettura” (II, pp. 147-158) Rudolf Wittkower

Monuments to ‘Genius’ in German Classicism (II, pp. 159-163) Alfred Neumeyer

Hoffmannsthal’s “Elektra”. A Graeco-Freudian Myth (II, pp. 164-175) E. M. Butler

Wieland’s and Gluck’s Versions of the “Alkestis” (II, pp. 176-177) Robert Muller-Hartmann

God and Prince in Bach’s Cantatas (II, pp. 178-182) Anthony Blunt

“Borrowed Attitudes” in Reynolds and Hogarth (II, pp. 182-185) Edgar Wind

Shaftesbury as a Patron of Art (II, pp. 185-188) Edgar Wind

Domenico Guidi and French Classicism (II, pp. 188-190) Rudolph Wittkower

Vol. II, No. 3, January 1939

The Miraculous Cross in Titian’s “Vendramin Family” (II, pp. 191-193) Philip Pouncey

Transformations of Minerva in Renaissance Imagery (II, pp. 194-205) Rudolf Wittkower

‘Hercules’ and ‘Orpheus’: Two Mock-Heroic Designs by Durer (II, pp. 206-218) Edgar Wind

Cornelio Vitelli in France and England (II, pp. 219-226) Roberto Weiss

Giordano Bruno’s Conflict with Oxford (II, pp. 227-242) Frances A. Yates

Shakespeare and the Astrology of His Time (II, pp. 243-259) Moriz Sondheim

An Echo of the “Paragone” in Shakespeare (II, pp. 260-262) Anthony Blunt

Giordano Bruno between Tragedy and Comedy (II, p. 262) Edgar Wind

Machiavelli and Guicciardini (II, pp. 263-266) Felix Gilbert

‘Termaximus’: A Humanist Jest (II, pp. 266-268) George Clutton

Durer’s “Mannerbad”: A Dionysian Mystery (II, pp. 269-271) Edgar Wind

The Triclinium in Religious Art (II, pp. 271-276) Anthony Blunt

Vol. II, No. 4, April 1939

A Lecture on Serpent Ritual (II, pp. 277-292) A. Warburg; W. F. Mainland

Eagle and Serpent. A Study in the Migration of Symbols (II, pp. 293-325) Rudolf Wittkower

The Tree of Life in Jewish Iconography (II, pp. 326-345) Zofja Ameisenowa; W. F. Mainland

Pagan Sacrifice in the Italian Renaissance (II, pp. 346-367) F. Saxl

The Orphic Blessing (II, pp. 368-374) E. Bikerman

Two Toponymic Puzzles (II, pp. 375-381) George Hill

Prognosis and Diagnosis: A Comparison of Ancient and Modern Medicine (II, pp. 382-398)

Walter Pagel

Back to top .  Vol. III, No. 1/2 (Apr. 1939 - Jul. 1940); Vol. III, No. 3/4 (Oct. 1939 - Jan. 1940); Vol. IV, No. 1/2 (Oct. 1940 - Jan. 1941); Vol. IV, No. 3/4 (Apr. 1941 - Jul. 1942); Vol. V (1942); Vol. VI (1943); Vol. VII (1944); Vol. VIII (1945); Vol. IX (1946); Vol. X (1947).  Vol. III, No. 1/2, April 1939 - July 1940

Allegory in Baroque Music (III, pp. 1-21) Manfred Bukofzer

The Popular Theatre of the Rederijkers in the Work of Jan Steen and His Contemporaries (III, pp. 22-48) Albert Heppner

Two Drawings of the Fetes at Binche for Charles V and Philip (II) 1549 (III, pp. 49-55) Albert Van de Put

The Authorship of the Drawings of Binche (III, pp. 55-57) A. E. Popham

El Greco’s “Dream of Philip II”: An Allegory of the Holy League (III, pp. 58-69) Anthony Blunt

The Battle Scene without a Hero. Aniello Falcone and His Patrons (III, pp. 70-87) F. Saxl

A Counter-Project to Bernini’s “Piazza di San Pietro” (III, pp. 88-106) Rudolf Wittkower

A Seventeenth Century Carmelite Legend Based on Tacitus (III, pp. 107-118) T. S. R. Boase

Rembrandt’s “Synagogue” and Some Problems of Nomenclature (III, pp. 119-126) Ludwig Munz

Julian the Apostate at Hampton Court (III, pp. 127-137) Edgar Wind

Titian’s Allegory of “Religion Succoured by Spain”: (1) The Change in Symbolism (III, pp. 138-140) Rudolf Wittkower

Titian’s Allegory of “Religion Succoured by Spain”: (2) The Condition of the Picture (III, pp. 140-141) Neil MacLaren

A Self-Portrait of Greco (III, pp. 141-142) Edgar Wind

A Poussin-Castiglione Problem: Classicism and the Picturesque in 17th-Century Rome (III, pp. 142-147) Anthony Blunt

Drawings of St Peter’s on a Pilgrim’s Staff in the Museo Sacro (III, pp. 147-153) Paul A. Underwood

Dante Alighieri Alchymicus Amoris (III, pp. 153-155) C. S. Gutkind

A Portrait of Isabella of Castille on Coins (III, p. 155) Helen Rosenau

A Symbolic Portrait of Descartes (III, p. 156) Roger Hinks

The Monarch’s Crown of Thorns: (1) The Wreath of Thorns in “Paradise Regained” (III, pp. 156-160) Allan H. Gilbert

The Monarch’s Crown of Thorns: (2) Heine on Louis Philippe (III, pp. 160-161) Edgar Wind

Two Unknown Letters of Charles Burney (III, pp. 161-164) Robert Muller-Hartmann

Vol. III, No. 3/4, October 1939 - January 1940

The Este Portrait by Roger van der Weyden (III, pp. 165-180) Ernst Kantorowicz

The Religious Policy of Giordano Bruno (III, pp. 181-207) Frances A. Yates

Louis Machon’s “Apologie Pour Machiavelle”: 1643 and 1668 (III, pp. 208-227) K. T. Butler

“Veritas Filia Temporis”: Hadrianus Junius and Geoffrey Whitney (III, pp. 228-240) Donald Gordon

An Illustration by Holbein of the Legend of Herkinbald (III, pp. 241-243) Campbell Dodgson

A “Memento Mori” among Early Italian Prints (III, pp. 243-248) Horst W. Janson

The Title of Campanella’s “City of the Sun” (III, pp. 248-251) Paolo Treves

The Latin Element in the English Currency System (III, pp. 251-254) Gerhard Schmidt

The Duke of Wellington’s Funeral Car (III, pp. 254-259) Leopold Ettlinger

Vol. IV, No. 1/2, October 1940 - January 1941

Alberti’s Approach to Antiquity in Architecture (IV, pp. 1-18) Rudolf Wittkower

The Classical Inscription in Renaissance Art and Politics: Bartholomaeus Fontius: Liber monumentorum Romanae urbis et aliorum locorum (IV, pp. 19-46) F. Saxl

Two Roman Reliefs in Renaissance Disguise (IV, pp. 47-66) Phyllis L. Williams

The First Facade of the Cathedral of Florence (IV, pp. 67-79) Martin Weinberger

The Synagogue and Protestant Church Architecture (IV, pp. 80-84) Helen Rosenau

Jean Fouquet: A Study of His Style (IV, pp. 85-102) Otto Pacht

The Myth of Philemon and Baucis in Art (IV, pp. 103-113) Wolfgang Stechow

The Subject of Botticelli’s “Derelitta” (IV, pp. 114-117) Edgar Wind

Vol. IV, No. 3/4, April 1941 - July 1942

The Creation of the Rococo (IV, pp. 119-123) Fiske Kimball

The Sources of David’s Horaces (IV, pp. 124-138) Edgar Wind

Napoleon as “Roi Thaumaturge” (IV, pp. 139-141) Walter Friedlaender

Flaubert and India (IV, pp. 142-150) Jean Seznec

Gericault’s Paintings of the Insane (IV, pp. 151-163) Margaret Miller

Courbet and Popular Imagery: An Essay on Realism and Naiveté (IV, pp. 164-191) Meyer Schapiro

Vol. V, 1942

Introduction to an “Iconography of Mediaeval Architecture” (V, pp. 1-33) Richard Krautheimer

The Mosaic of the Great Palace in Constantinople (V, pp. 34-43) Gerard Brett

Eastern Elements in English Ecclesiastical Music (V, pp. 44-55) Egon Wellesz

Ivories and Litanies (V, pp. 56-81) Ernst Kantorowicz

A Spiritual Encyclopaedia of the Later Middle Ages (V, pp. 82-142) F. Saxl

The Apocalypse Block-Books and Their Manuscript Models (V, pp. 143-158) Gertrud Bing

Marvels of the East. A Study in the History of Monsters (V, pp. 159-197) Rudolf Wittkower

The Beginnings of Political Thought in Florence. A Study in Mediaeval Historiography (V, pp. 198-227) Nicolai Rubinstein

The Peace of the Ara Pacis (V, pp. 228-231) Arnaldo Momigliano

Terms of Architectural Planning in the Middle Ages (V, pp. 232-237) Nikolaus Pevsner

Mediaeval Romances in Renaissance Tapestries (V, pp. 237-245) Betty Kurth

Vol. VI, 1943

The Ruthwell Cross (VI, pp. 1-19) F. Saxl

Alliance of England and Sicily in the Second Half of the 12th Century (VI, pp. 20-32)

Evelyn Jamison

John of Salisbury and Pseudo-Plutarch (VI, pp. 33-39) H. Liebeschutz

The Cycle of Images in the Palaces and Castles of Henry III (VI, pp. 40-50) Tancred Borenius

A Giottesque Episode in English Mediaeval Art (VI, pp. 51-70) Otto Pacht

The Fitzwarin Psalter and Its Allies (VI, pp. 71-79) Francis Wormald

The Inter-Action of English and Low Country Sculpture in the 16th Century: With a Note on the Works of Joseph Hollemans of Burton-upon-Trent (VI, pp. 80-88) K. A. Esdaile

Nicholas Hilliard and Mannerist Art Theory (VI, pp. 89-100) John Pope-Hennessy

The Emblematic Conceit in Giordano Bruno’s De Gli Eroici Furori and in the Elizabethan Sonnet Sequences (VI, pp. 101-121) Frances A. Yates

The Imagery of Ben Jonson’s The Masque of Blacknesse and The Masque of Beautie (VI, pp. 122-141) D. J. Gordon

Some Church Designs by John Webb (VI, pp. 142-150) Margaret Whinney

A Classical Aspect of Hogarth’s Theory of Art (VI, pp. 151-153) J. T. A. Burke

Pseudo-Palladian Elements in English Neo-Classical Architecture (VI, pp. 154-164) Rudolf Wittkower

Eighteenth Century Elysiums: The Role of “Association” in the Landscape Movement (VI, pp. 165-189) H. F. Clark

Blake’s Pictorial Imagination (VI, pp. 190-212) Anthony Blunt

Ecclesia and an Angel on the Andrew Auckland Cross (VI, pp. 213-214) Betty Kurth

“The Quakers’ Meeting” (VI, pp. 214-216) F. Saxl

An Italian in Restoration England (VI, pp. 216-220) F. A. Yates

Federico Zuccari and John Wood of Bath (VI, pp. 220-222) R. Wittkower

The Lion Filled with Lilies. A Reminiscence of Leonardo in Hogarth (VI, pp. 222-223) E. Wind

Reynolds and Pope on Composite Beauty (VI, p. 223) E. Wind

A Lost Article on David by Reynolds (VI, pp. 223-224) E. Wind

Harlequin between Tragedy and Comedy (VI, pp. 224-225) E. Wind

“Milking the Bull and the He-Goat” (VI, p. 225) E. Wind

Blake’s “Brazen Serpent” (VI, pp. 225-227) A. Blunt

Vol. VII, 1944

Mediaeval Art and America (VII, pp. 1-6) C. R. Morey

Architects and Builders in Mexico: 1521-1550 (VII, pp. 7-19) George Kubler

Benjamin West’s “Death of General Wolfe” and the Popular History Piece (VII, pp. 20-33) Charles Mitchell

John La Farge and the South Sea Idyll (VII, pp. 34-39) Henry La Farge

Photography and the Development of Kinetic Visualization (VII, pp. 40-45) Beaumont Newhall

Frank Lloyd Wright and the ‘Academic Tradition’ of the Early Eighteen-Nineties (VII, pp. 46-63) Henry-Russell Hitchcock

The Hall of the Great Council of Florence (VII, pp. 65-81) J. Wilde

Right and Left in Raphael’s Cartoons (VII, pp. 82-94) A. Paul Oppe

Veritas and Justitia Triumphant (VII, pp. 95-101) Guy de Tervarent

Principles of Palladio’s Architecture (VII, pp. 102-122) Rudolf Wittkower

Paolo Sarpi’s “History of the Council of Trent” (VII, pp. 123-143) Frances A. Yates

William Harvey: Some Neglected Aspects of Medical History (VII, pp. 144-153) Walter Pagel

The Heroic and the Ideal Landscape in the Work of Nicolas Poussin (VII, pp. 154-168) Anthony Blunt

Vol. VIII, 1945

Two Models for the “Heures de Rohan” (VIII, pp. 1-6) J. Porcher

Botticelli’s Mythologies: A Study in the Neoplatonic Symbolism of His Circle (VIII, pp. 7-60) E. H. Gombrich

Melancholia in the Sonnets of Lorenzo De’ Medici (VIII, pp. 61-67) Andre Chastel

Principles of Palladio’s Architecture: II (VIII, pp. 68-106) Rudolf Wittkower

Hymenaei: Ben Jonson’s Masque of Union (VIII, pp. 107-145) D. J. Gordon

Two Bavarian “Gnadenbilder” and Their Records in Art (VIII, pp. 146-151) Campbell Dodgson

The “Crucifixion of St. Peter”: Caravaggio and Reni (VIII, pp. 152-160) Walter Friedlaender

The Drawings of Giovanni Benedetto Castiglione (VIII, pp. 161-174) Anthony Blunt

Flaubert and the Graphic Arts (VIII, pp. 175-190) Jean Seznec

French Sixteenth Century Genre Paintings (VIII, pp. 191-195) Jean Adhemar

Massacre and Persecution Pictures in Sixteenth Century France (VIII, pp. 195-199)

Jean Ehrmann

A Musical Symbol of Death (VIII, pp. 199-203) Robert Muller-Hartmann

Vol. IX, 1946

An “Antique” Reworking of an Antique Head (IX, pp. 1-9) Ranuccio Bianchi Bandinelli

Mediaeval Biographies of Ovid (IX, pp. 10-59) Fausto Ghisalberti

The Origin of the Word “Humanist” (IX, pp. 60-73) Augusto Campana

Febris: A Poetic Myth Created by Poliziano (IX, pp. 74-95) Alessandro Perosa; Peter Murray; Mrs. Peter Murray

The Architecture of Brunelleschi and the Origins of Perspective Theory in the Fifteenth Century (IX, pp. 96-121) Giulio Carlo Argan; Nesca A. Robb

“Policy”: Or the Language of Elizabethan Machiavellianism (IX, pp. 122-134) Napoleone Orsini

The Pagan Origins of the Three-Headed Representation of the Christian Trinity (IX, pp. 135-151) R. Pettazzoni

Friedrich Creuzer and Greek Historiography (IX, pp. 152-163) Arnaldo Momigliano

Vol. X, 1947

Fritz Saxl: January 8th, 1890-March 22nd, 1948 (X, unpaginated, 2 pp.)

Ingres and the Antique (X, pp. 1-13) Agnes Mongan

Virgil’s Fourth Eclogue (X, pp. 14-19) Harold Mattingly

The Reconstruction of a Polyptych by Michele Giambono (X, pp. 20-26) Evelyn Sandberg-Vavala

Queen Elizabeth as Astraea (X, pp. 27-82) Frances A. Yates

Illustrations of Shakespeare’s Plays in the Seventeenth and Eighteenth Centuries (X, pp. 83-108)

T. S. R. Boase

Voltaire and Fragonard: Notes on a Legend (X, pp. 109-113) Jean Seznec

A Title-Page in Blake’s Illustrated Genesis Manuscript (X, pp. 114-122) Piloo Nanavutty

Lord Lindsay’s History of Christian Art (X, pp. 123-131) John Steegman

Van Gogh and Literature (X, pp. 132-147) Carl Nordenfalk

Saligia (X, pp. 148-150) Arthur Watson

The Borders of Filarete’s Bronze Doors to St. Peter’s (X, pp. 150-153) Helen Roeder

A Humanist Invective against an Unnamed English Poet (X, pp. 153-155) R. Weiss

The Frontispiece to Sigismondo Fanti’s Triompho di Fortuna (X, pp. 155-159) Robert Eisler

Penny, West, and the ‘Death of Wolfe’ (X, pp. 159-162) Edgar Wind

Back to top.  Vol. XI (1948); Vol. XII (1949); Vol. XIII, No. 1/2 (1950); Vol. XIII, No. 3/4 (1950); Vol. XIV, No. 1/2 (1951); Vol. XIV, No. 3/4 (1951); Vol. XV, No. 1/2 (1952); Vol. XV, No. 3/4 (1952); Vol. XVI, No. 1/2 (1953); Vol. XVI, No. 3/4 (1953); Vol. XVII, No. 1/2 (1954); Vol. XVII, No. 3/4 (1954); Vol. XVIII, No. 1/2 (1955); Vol. XVIII, No. 3/4 (1955); Vol. XIX, No. 1/2 (1956); Vol. XIX, No. 3/4 (1956); Vol. XX, No. 1/2 (1957); Vol. XX, No. 3/4 (1957).  Vol. XI, 1948

The Zodiacal Miniature of the Tres Riches Heures of the Duke of Berry: Its Sources and Meaning (XI, pp. 1-34) Harry Bober

St. Zacharias the Prophet and Martyr: A Study in Charms and Incantations (XI, pp. 35-67) A. A. Barb

The Evolution of the Caritas Figure in the Thirteenth and Fourteenth Centuries (XI, pp. 68-86) R. Freyhan

A Stained Glass Atelier of the Thirteenth Century: A Study of Windows in the Cathedrals of Bourges, Chartres and Poitiers (XI, pp. 87-111) Louis Grodecki; Mary Weedon

Allegory and Romance on a Mediaeval French Marriage Casket (XI, pp. 112-142) David J. A. Ross

Gothic: Origin and Diffusion of the Term; The Idea of Style in Architecture (XI, pp. 143-162) E. S. de Beer

Icones Symbolicae: The Visual Image in Neo-Platonic Thought (XI, pp. 163-192) E. H. Gombrich

Vol. XII, 1949

French Influences on the Origins of English Gothic Architecture (XII, pp. 1-15) Jean Bony

The Decorative Character of Westminster Abbey (XII, pp. 16-20) Geoffrey Webb

Animal-Headed Gods, Evangelists, Saints and Righteous Men (XII, pp. 21-45) Zofia Ameisenowa

The Construction of Certain Seals and Characters in the Work of Agrippa of Nettesheim (XII, pp. 46-57) Karl Anton Nowotny

Developments in Renaissance Perspective: I (XII, pp. 58-79) John White

Who Is Jan van Eyck’s “Tymotheos”? (XII, pp. 80-90) Erwin Panofsky

Rabelais, the Last of the French Erasmians (XII, pp. 91-100) Raymond Lebegue

Bernardo Rucellai and the Orti Oricellari: A Study on the Origin of Modern Political Thought (XII, pp. 101-131) Felix Gilbert

The Life of Polydore Vergil of Urbino (XII, pp. 132-151) Denys Hay

Poet and Architect: The Intellectual Setting of the Quarrel between Ben Jonson and Inigo Jones (XII, pp. 152-178) D. J. Gordon

Archbishop Abbot’s Tomb at Guildford: A Problem in Early Caroline Iconography (XII, pp. 179-188) Joseph Burke

Notes on Petrarch, John of Salisbury and the Institutio Traiani (XII, pp. 189-190) Arnaldo Momigliano; H. Liebeschutz

Petrarch Minutiae (XII, pp. 190-191) R. Weiss

Emendation to Francesco da Fiano’s Invective (XII, pp. 191-192) Erwin Panofsky

An Unpublished Letter of Ulrich von Hutten (XII, pp. 192-196) Richard G. Salomon

A Note on Magic Squares in the Philosophy of Agrippa of Nettesheim (XII, pp. 196-199) I. R. F. Calder

Antoine Caron’s Massacre Paintings (XII, pp. 199-200) Jean Adhemar

The So-Called ‘Portrait of Mansard and Claude Perrault’ by Philippe de Champaigne (XII, pp. 200-202) Helene J. Adhemar

Vol. XIII, No. 1/2, 1950

The Coronation of the Virgin on a Capital from Reading Abbey (XIII, pp. 1-12) George Zarnecki

Early Italian Nature Studies and the Early Calendar Landscape (XIII, pp. 13-47) Otto Pacht

The Early Publications of the Temples at Paestum (XIII, pp. 48-64) S. Lang

European Vision and the South Pacific (XIII, pp. 65-100) Bernard Smith

The American and Nature (XIII, pp. 101-149) Hans Huth

Vol. XIII, No. 3/4, 1950

Gonzaga Symbols in the Palazzo del Te (XIII, pp. 151-188)

Frederick Hartt

The Sala dei Venti in the Palazzo del Te (XIII, pp. 189-201) E. H. Gombrich

Holbein, Torrigiano and Some Portraits of Dean Colet: A Study of Holbein’s Work in Relation to Sculpture (XIII, pp. 202-236) F. Grossmann

The Twelve Pictures “Ordered by Velasquez” and the Trial of Valguarnera (XIII, pp. 237-284) Jane Costello

Ancient History and the Antiquarian (XIII, pp. 285-315) Arnaldo Momigliano

The Eagle-Stone (XIII, pp. 316-318) A. A. Barb

The Vulture Epistle (XIII, pp. 318-322) A. A. Barb

The Pictorial Source of Ripa’s “Historia” (XIII, pp. 322-323) L. D. Ettlinger

A Seventeenth-Century Typological Cycle of Paintings in the Armenian Cathedral at Julfa (XIII, pp. 323-327) T. S. R. Boase

The Grave of Euripides in Robert Browning (XIII, pp. 327-328) J. H. Croon

Vol. XIV, No. 1/2, 1951

The Lateran Fresco of Boniface VIII (XIV, pp. 1-6) Charles Mitchell

The First Edition of Lucian of Samosata (XIV, pp. 7-20) E. P. Goldschmidt

New Light on Humanism in England during the Fifteenth Century (XIV, pp. 21-33) R. Weiss

“Nebulae in Pariete”; Notes on Erasmus’ Eulogy on Durer (XIV, pp. 34-41) Erwin Panofsky

Developments in Renaissance Perspective: II (XIV, pp. 42-69) John White

The Belvedere as a Classical Villa (XIV, pp. 70-91) James S. Ackerman

Transformations of Dante’s Ugolino (XIV, pp. 92-117) Frances A. Yates

An Italian Poet at the Court of Henry VII (XIV, pp. 118-119) Francis Wormald

Hypnerotomachiana (XIV, pp. 119-125) E. H. Gombrich

An Illustration of the Ugolino Episode by Pierino da Vinci (XIV, pp. 125-127) J. Wilde

Titian’s Allegory of ‘Religion’ (XIV, pp. 127-132) E. Tietze-Conrat

Antoine Caron’s Paintings for Triumphal Arches (XIV, pp. 132-134) Frances A. Yates

A Note on Thomas Gainsborough and Adriaen de Vries (XIV, p. 134) Graham Sawyer

Petrarch Minutiae: Correction (XIV, p. 135) R. Weiss

Vol. XIV, No. 3/4, 1951

Petrarch and the Textual Tradition of Livy (XIV, pp. 137-208) G. Billanovich

The Genesis of the Teatro Olimpico (XIV, pp. 209-220) Licisco Magagnato

‘Gli Amori de’ Carracci’: Four Forgotten Paintings by Agostino Carracci (XIV, pp. 221-233) Otto Kurz

Seventeenth-Century English Literature on Painting (XIV, pp. 234-258) Luigi Salerno

Racine and Chauveau (XIV, pp. 259-274) Raymond Picard

Despot and Despotism: Vicissitudes of a Political Term (XIV, pp. 275-302) R. Koebner

A Leonardo Drawing and the Medici Diomedes Gem (XIV, pp. 303-304) Bettina H. Polak

Notes on ‘Hercules at the Crossroads’ (XIV, pp. 305-309) E. Tietze-Conrat

Vol. XV, No. 1/2, 1952

State Festivals in Egypt and Mesopotamia (XV, pp. 1-12) H. Frankfort

Minos of Crete (XV, pp. 13-19) John Forsdyke

The Image of the Delian Apollo and Apolline Ethics (XV, pp. 20-32) R. Pfeiffer

The Dating of the Column of Marcus Aurelius (XV, pp. 33-47) John Morris

An Illustrated Evangelistary of the Ada School and Its Model (XV, pp. 48-66) Wilhelm Koehler

Nectanebus in His Palace: A Problem of Alexander Iconography (XV, pp. 67-87) D. J. A. Ross

Revivals of Roman Law (XV, pp. 88-98) H. F. Jolowicz

The Hero with Two Swords (XV, pp. 99-100) Martin Robertson

Vol. XV, No. 3/4, 1952

The Motif of Radiance in Rembrandt’s Biblical Drawings (XV, pp. 101-121) H.-M. Rotermund

English Painting and France in the Eighteenth Century (XV, pp. 122-135) Ellis K. Waterhouse

Italian Models of Hogarth’s Picture Stories (XV, pp. 136-168) Hilde Kurz

The Moral Purpose of Hogarth’s Art (XV, pp. 169-197) F. Antal

The Horse of Marcus Aurelius: A Controversy between Diderot and Falconet (XV, pp. 198-228) H. Dieckmann; J. Seznec

Diderot and Le Genie du Christianisme (XV, pp. 229-241) Jean Seznec

Blake’s Vision of Slavery (XV, pp. 242-252) David V. Erdman

An English Copy of a Carracci Altarpiece (XV, pp. 253-254) T. S. R. Boase

A Classical ‘Rake’s Progress’ (XV, pp. 254-256) E. H. Gombrich

An Unpublished Notice of Diderot on Falconet (XV, pp. 257-258) H. Dieckmann

Blake and Emblem Literature (XV, pp. 258-261) Piloo Nanavutty

Vol. XVI, 1/2, 1953

The Castle of Gaillon in 1509-10 (XVI, pp. 1-12) Roberto Weiss

St. Francis and the Birds of the Apocalypse (XVI, pp. 13-23) F. D. Klingender

Jewish Antecedents of Christian Art (XVI, pp. 24-44) Cecil Roth

A Newly Discovered Manuscript of Opicinus de Canistris: A Preliminary Report (XVI, pp. 45-57) Richard G. Salomon

Notes on Some Early Giotto Sources (XVI, pp. 58-80) Peter Murray

The Modus Tenendi Parliamentum (XVI, pp. 81-99) V. H. Galbraith

Orpheus the Theologian and Renaissance Platonists (XVI, pp. 100-120) D. P. Walker

The Conflict of Ideals in Mutianus Rufus: A Study in the Religious Philosophy of Northern Humanism (XVI, pp. 121-143) Lewis W. Spitz

Heliodorus’ Aethiopica in Art (XVI, pp. 144-152) Wolfgang Stechow

Job and Christ: The Development of a Devotional Image (XVI, pp. 153-158) G. Von der Osten

Two Mysterious Busts at the Porta Nolana in Naples (XVI, pp. 158-159) E. Tietze-Conrat

A Lost Painting in Henry III’s Palace at Westminster (XVI, p. 160) D. J. A. Ross

A Note on the “First” Edition of the Latin Translation of Some of Lucian of Samosata’s Dialogues (XVI, pp. 161-162) Jose Ruysschaert

The Illusion of Postel’s Feminism (XVI, pp. 162-170) M. A. Screech

Vol. XVI, No. 3/4, 1953

Huius Nympha Loci: A Pseudo-Classical Inscription and a Drawing by Durer (XVI, pp. 171-177) Otto Kurz

Petrarch and the Story of the Choice of Hercules (XVI, pp. 178-192) Theodor E. Mommsen

Diva Matrix: A Faked Gnostic Intaglio in the Possession of P. P. Rubens and the Iconology of a Symbol (XVI, pp. 193-238) A. A. Barb

Pollaiuolo’s Tomb of Pope Sixtus IV (XVI, pp. 239-274) L. D. Ettlinger

Brunelleschi and ‘Proportion in Perspective’ (XVI, pp. 275-291) R. Wittkower

The Perspective of Piero della Francesca’s ‘Flagellation’ (XVI, pp. 292-302) R. Wittkower; B. A. R. Carter

Eclecticism and the Carracci: Further Reflections on the Validity of a Label (XVI, pp. 303-341) Denis Mahon

Portraits “a l’antique” on French Mediaeval Gems and Seals (XVI, pp. 342-350) H. Wentzel; Charles Mitchell

The Castle of Gaillon in 1509-10 (Additional Note) (XVI, p. 351) Roberto Weiss

Vol. XVII, No. 1/2, 1954

The ‘Harvester’ Vase of Hagia Triada (XVII, pp. 1-9) John Forsdyke

Personification as a Mode of Greek Thought (XVII, pp. 10-21) T. B. L. Webster

An Unsolved Problem of Historical Forgery: The Scriptores Historiae Augustae (XVII, pp. 22-46) Arnaldo Momigliano

The Crab and the fly: A Study in Animal Symbolism (XVII, pp. 47-86) W. Deonna

Irish High Crosses (XVII, pp. 87-97) Robin Flower

Alexander the Great in Mediaeval Theology (XVII, pp. 98-114) George Cary

The Art of Ramon Lull: An Approach to It through Lull’s Theory of the Elements (XVII, pp. 115-173) Frances A. Yates

An Unrecorded Follower of Piero della Francesca (XVII, pp. 174-181) D. J. A. Ross

Fire-Altars of the Sassanian Period at Balkh (XVII, pp. 182-183) A. D. H. Bivar

Remarks on the “Adoratio” under Diocletian (XVII, pp. 184-189) H. Stern

Vol. XVII, No. 3/4, 1954

In Memoriam: Henri Frankfort. Director of the Warburg Institute 1st May 1949 - 16th July 1954 (1 p.)The Wilton Diptych (XVII, pp. 191-203) Francis Wormald

The Prisca Theologia in France (XVII, pp. 204-259) D. P. Walker

Cephalus and Procris: Transformations of an Ovidian Myth (XVII, pp. 260-287) Irving Lavin

The Programme of the SS. Annunziata in Florence (XVII, pp. 288-300) S. Lang

Michelangelo on Effort and Rapidity in Art (XVII, pp. 301-310) Robert J. Clements

Aretino: Artistic Adviser to Francis I (XVII, pp. 311-318) J. Adhemar

The Decoration of the New Palace of Westminster, 1841-1863 (XVII, pp. 319-358) T. S. R. Boase

A Horatian Ode and Its Descendants (XVII, pp. 359-365) John Sparrow

Cephalus and Procris: Underground Transformations (XVII, pp. 366-372) Irving Lavin

Cosi fan Tutte (Procris Included) (XVII, pp. 372-374) E. H. Gombrich

The Religious Views of Abraham Ortelius (XVII, pp. 374-377) Rene Boumans

A Book from the Gonzaga Library at Mantua (XVII, pp. 377-380) D. E. Rhodes

A Renaissance Work Copied by Wedgwood (XVII, pp. 380-381) Jennifer Montagu

Burlington, Adam and Gandon (XVII, pp. 381-382) Maurice Craig

A Note on James Barry and Edmund Burke (XVII, pp. 382-384) R. R. Wark

John Runciman’s ‘Lear in the Storm’ (XVII, pp. 385-387) W. M. Merchant

Vol. XVIII, No. 1/2, 1955

The Vine Columns of Old St. Peter’s in Carolingian Canon Tables (XVIII, pp. 1-15) Elisabeth Rosenbaum

Apollonio di Giovanni: A Florentine Cassone Workshop Seen through the Eyes of a Humanist Poet (XVIII, pp. 16-34) E. H. Gombrich

A Group of Florentine Drawings for an Altar (XVIII, pp. 35-53) Otto Kurz

Michelangelo’s Designs for the Medici Tombs (XVIII, pp. 54-66) Johannes Wilde

Images of the Human Hand as Amulets in Spain (XVIII, pp. 67-89) W. L. Hildburgh

Milton and the Conjectura Cabbalistica (XVIII, pp. 90-113) R. J. Zwi Werblowsky

A Lost Fresco of Niccolo dell’ Abbate at Bologna in Honour of Julius III (XVIII, pp. 114-122) Sylvie Beguin

William Talman (XVIII, pp. 123-139) M. D. Whinney

An Illustration of the Five Senses in Mediaeval Art (XVIII, pp. 140-141) F. Mutherich

Identification and Translation of a Letter of Guarino Guarini of Verona (XVIII, pp. 142-143) Patricia Hochschild

Vol. XVIII, No. 3/4, 1955

An Oxford College and the Gothic Revival (XVIII, pp. 145-188) T. S. R. Boase

The Original Plan of the Divine Comedy (XVIII, pp. 189-210) Hiram Peri

Joachism and the English Apocalypse (XVIII, pp. 211-244) R. Freyhan

The “Third Reich”: A Fifteenth-Century Polemic against Joachism, and Its Background (XVIII, pp. 245-295) Ruth Kestenberg-Gladstein

Poussin’s Drawings for Marino and the New Classicism: I. Ovid’s Metamorphoses (XVIII, pp. 296-317) Jane Costello

The Drawing of an Angel in MS. 28, St. John’s College, Oxford (XVIII, pp. 318-319) Barbara Raw

Some Van Eyckian Illuminations from Italy (XVIII, pp. 319-321) Roberto Weiss

Vol. XIX, No. 1/2, 1956

The Role of Amulets in Mesopotamian Ritual Texts (XIX, pp. 1-39) Beatrice L. Goff

Mensa Sacra: The Round Table and the Holy Grail (XIX, pp. 40-67) A. A. Barb

The Illustrations of St. Anselm’s Prayers and Meditations (XIX, pp. 68-83) Otto Pacht

Cavallini and the Lost Frescoes in S. Paolo (XIX, pp. 84-95) John White

‘Combat between Carnival and Lent’ by Pieter Bruegel the Elder: An Allegorical Picture of the Sixteenth Century (XIX, pp. 96-109) C. G. Stridbeck

Shaftesbury’s Last Commission (XIX, pp. 110-116)

J. E. Sweetman

Coleridge’s Ancient Mariner and Cook’s Second Voyage (XIX, pp. 117-154) Bernard Smith

Virtutum et Viciorum Adumbracio (XIX, pp. 155-156) L. D. Ettlinger

John Evelyn at Tivoli (XIX, pp. 157-158) David R. Coffin

The Country House Poem of the Seventeenth Century (XIX, pp. 159-174) G. R. Hibbard

Poggio Bracciolini and Johannes Hus: A Hoax Hard to Kill (XIX, pp. 174-177) Richard G. Salomon

Vol. XIX, No. 3/4, 1956

Cyriac of Ancona and the Temple of Hadrian at Cyzicus (XIX, pp. 179-191) Bernard Ashmole

The Alhambra Palace of the Eleventh Century (XIX, pp. 192-258) Frederick P. Bargebuhr

Novels in Ebony (XIX, pp. 259-268) Th. H. Lunsingh Scheurleer

Flaxman and the Eighteenth Century. A Commemorative Lecture (XIX, pp. 269-282) Margaret Whinney

English Artists and the Val d’Aosta (XIX, pp. 283-293) T. S. R. Boase

The Hearse-Cloth of Henry VII Belonging to the University of Cambridge (XIX, pp. 294-298) Hugh Tait

The Changes in the Iconography and Composition of Veronese’s Allegory of the Battle of Lepanto in the Doge’s Palace (XIX, pp. 298-302) Staale Sinding-Larsen

A Further Note on Niccolo dell’Abbate’s “Geroglifico” at Bologna in Honour of Julius III (XIX, pp. 302-303) Sylvie Beguin

Vol. XX, No. 1/2, 1957

Europa (XX, pp. 1-3) Martin Robertson

Elizabethan Chivalry: The Romance of the Accession Day Tilts (XX, pp. 4-25) Frances A. Yates

Ut Rhetorica Pictura: A Study in Quattrocento Theory of Painting (XX, pp. 26-44) John R. Spencer

The Theories of Mabillon and Montfaucon on French Sculpture of the Twelfth Century (XX, pp. 45-58) Jacques Vanuxem

Johannes Schefferus and Swedish Antiquity (XX, pp. 59-74) Allan Ellenius

Robert Wood and the Problem of Troy in the Eighteenth Century (XX, pp. 75-105) T. J. B. Spencer

Diderot and ‘The Justice of Trajan’ (XX, pp. 106-111) Jean Seznec

Notes on Some Astronomical, Astrological and Mathematical Manuscripts of the Bibliotheque Nationale, Paris (XX, pp. 112-172) Lynn Thorndike

A Classical Topos in the Introduction to Alberti’s Della Pittura (XX, p. 173) E. H. Gombrich

Vespasiano da Bisticci and Gray (XX, pp. 174-176) A. de la Mare

An Early Tudor Programme for Plays and Other Demonstrations against the Pope (XX, pp. 176-179) Sydney Anglo

“Spotted to Be Known” (XX, pp. 179-180) D. Coulman

Constable and the ‘Massacres de Scio’ by Delacroix (XX, pp. 180-185) Michel Florisoone

Note on a Forged Date (XX, p. 185) D. P. Walker

A Note on Bruegel’s ‘Combat between Carnival and Lent’ (XX, p. 186) Charles de Tolnay

Vol. XX, No. 3/4, 1957

Florentine Political Assumptions in the Period of Savonarola and Soderini (XX, pp. 187-214) Felix Gilbert

Jean Louis Guez de Balzac’s le Prince: A Revaluation (XX, pp. 215-247) Pierre Watter

The Rose-Window (XX, pp. 248-297) Helen J. Dow

Tiepolo’s Treatment of Classical Story at Villa Valmarana: A Study in Eighteenth-Century Iconography and Aesthetics (XX, pp. 298-317) Michael Levey

The Sea of Time and Space (XX, pp. 318-337) Kathleen Raine

John Constable, 1810-1816: A Chronological Study (XX, pp. 338-357) Michael Kitson

Observations on the Iconography of the Wound in Christ’s Side, with Special Reference to Its Position (XX, pp. 358-362) Vladimir Gurewich

Two Byzantine Scholars and Their Reception in Italy (XX, pp. 363-370) A. Keller

The Interpolated Text of the Vitruvian Epitome (XX, pp. 370-372) K. W. Gransden

A Song from Campion’s Lord’s Masque (XX, pp. 373-375) Frederick W. Sternfeld

Back to top.  Vol. XXI, No. 1/2 (1958); Vol. XXI, No. 3/4 (1958); Vol. XXII, No. 1/2 (1959); Vol. XXII, No. 3/4 (1959); Vol. XXIII, No. 1/2 (1960); Vol. XXIII, No. 3/4 (1960); Vol. XXIV, No. 1/2 (1961); Vol. XXIV, No. 3/4 (1961); Vol. XXV, No. 1/2 (1962); Vol. XXV, No. 3/4 (1962); Vol. XXVI, No. 1/2 (1963); Vol. XXVI, No. 3/4 (1963); Vol. XXVII (1964); Vol. XXVIII (1965); Vol. XXIX (1966); Vol. XXX (1967).  Vol. XXI, No. 1/2, 1958

The Orpheus in the Synagogue of Dura-Europos (XXI, pp. 1-6) H. Stern

St. Julian of Toledo in the Middle Ages (XXI, pp. 7-26) J. N. Hillgarth

The Gosforth Cross (XXI, pp. 27-43) Knut Berg

The Myth of Prometheus: Its Survival and Metamorphoses up to the Eighteenth Century (XXI, pp. 44-62) Olga Raggio

Prophecy and History: Lichtenberger’s Forecasts of Events to Come (From the Fifteenth to the Twentieth Century); Their Reception and Diffusion (XXI, pp. 63-85) D. Kurze

The Popular Celebration of the Accession Day of Queen Elizabeth I (XXI, pp. 86-103) Roy C. Strong

The Pope-Burning Processions of 1679, 1680 and 1681 (XXI, pp. 104-118) Sheila Williams

The Astral Body in Renaissance Medicine (XXI, pp. 119-133) D. P. Walker

Una and the Clergy: The Ass Symbol in The Faerie Queene (XXI, pp. 134-137) John M. Steadman

Vol. XXI, No. 3/4, 1958

The Dying God (XXI, pp. 141-151) Henri Frankfort

Heresy in a Theocratic State (XXI, pp. 152-165) Henri Frankfort

The Archetype in Analytical Psychology and the History of Religion (XXI, pp. 166-178) Henri Frankfort; Gertrud Bing

Political Ideas in Sienese Art: The Frescoes by Ambrogio Lorenzetti and Taddeo di Bartolo in the Palazzo Pubblico (XXI, pp. 179-207) Nicolai Rubinstein

Riccobaldo of Ferrara, Boccaccio and Domenico di Bandino (XXI, pp. 208-226) Teresa Hankey

The Owl’s Ivy and the Poet’s Bays. An Enquiry into Poetic Garlands (XXI, pp. 227-255) J. B. Trapp

The Palazzo Barberini: The Contributions of Maderno, Bernini and Pietro da Cortona (XXI, pp. 256-287) Anthony Blunt

An Italian Niello Casket of the Fifteenth Century (XXI, pp. 288-295) Mordechai Narkiss

The Croyland Quatrefoil and Polychronicon (XXI, pp. 295-296) W. F. Bolton

Giovanni Ambrogio Preda in Rome (XXI, p. 297) Roberto Weiss

Vol. XXII, No. 1/2, 1959

An Early Chinese Swan-Maiden Story (XXII, pp. 1-5) Arthur Waley

The History and Form of the Seven-Branched Candlestick of the Hasmonean Kings (XXII, pp. 6-16) Heinrich Strauss

“Opus Quinque Dierum”: Durer’s ‘Christ among the Doctors’ and Its Sources (XXII, pp. 17-34) Jan Bialostocki

Raphael’s ‘Incendio del Borgo’ (XXII, pp. 35-59) Kurt Badt

Festivals for the Garter Embassy at the Court of Henri III (XXII, pp. 60-70) Roy C. Strong

The Chateau of Montceaux-en-Brie (XXII, pp. 71-87) Rosalys Coope

Heroic Virtue and the Divine Image in Paradise Lost (XXII, pp. 88-105) John M. Steadman

Some Emblematic Sources of Goya (XXII, pp. 106-131) George Levitine

Aspects of Mozart’s Heroines (XXII, pp. 132-156) Michael Levey

Notes on Some Less Familiar British Astronomical and Astrological Manuscripts (XXII, pp. 157-171) Lynn Thorndike

The Repentance of Judas in Piero della Francesca’s ‘Flagellation of Christ’ (XXII, p. 172) E. H. Gombrich

Vol. XXII, No. 3/4, 1959

Theories of Categories in Early Mediaeval Chinese Alchemy (XXII, pp. 173-210) Ho Ping-Yu; Joseph Needham

A New Manuscript of the Latin Fuerre de Gadres and the Text of Roman d’Alexandre Branch II (XXII, pp. 211-253) D. J. A. Ross

The Reliefs on the Facade of the Duomo at Orvieto (XXII, pp. 254-302) John White

George Herbert and Caritas (XXII, pp. 303-331) Rosemond Tuve

Shipwrecks in English Romantic Painting (XXII, pp. 332-346) T. S. R. Boase

Haydon versus Shee (XXII, pp. 347-358) Quentin Bell

Federigo Zuccaro’s Visit to England in 1575 (XXII, pp. 359-360) Roy C. Strong

The Longthorpe Murals (XXII, pp. 361-362) R. M. Ogilvie

The Seven-Year-Old Theseus (XXII, p. 362) E. Tietze-Conrat

Salutati’s Epigrams for the Palazzo Vecchio at Florence (XXII, pp. 363-365) Teresa Hankey

Boissard’s Costume-Book and Two Portraits (XXII, pp. 365-366) Frances A. Yates

Seth or Anubis? (XXII, pp. 367-371) J. Gwyn Griffiths; A. A. Barb

The Orpheus in the Synagogue of Dura-Europos: A Correction (XXII, pp. 372-373) Erwin R. Goodenough; H. Stern

Sources of Inigo Jones’s Masquing Designs (XXII, pp. 373-374) E. E. Veevers

Vol. XXIII, No. 1/2, 1960

Ramon Lull and John Scotus Erigena (XXIII, pp. 1-44) Frances A. Yates

The Earlier Work of Giovanni Bellini (XXIII, pp. 45-59) Giles Robertson

The Picture of Nobody: An Iconographical Study (XXIII, pp. 60-104) Gerta Calmann

An Historical Study of the Portraits of Sir John Suckling (XXIII, pp. 105-126) Thomas Clayton

Time and Eternity: Paradox and Structure in Paradise Lost (XXIII, pp. 127-138) Rosalie L. Colie

The Hampton Court Trianon Designs of William and John Talman (XXIII, pp. 139-149) John Harris

Cezanne and Poussin (XXIII, pp. 150-174) Theodore Reff

Sense or Nonsense in Scientific Jargon (XXIII, pp. 175-176) O. Neugebauer

Jordaens’ ‘Night Vision’ (XXIII, pp. 177-178) Erwin Bielefeld

Vol. XXIII, No. 3/4, 1960

An Illuminated English Psalter of the Early Thirteenth Century (XXIII, pp. 179-189) Meyer Schapiro

Ekphrasis and Aesthetic Attitudes in Vasari’s Lives (XXIII, pp. 190-215) Svetlana Leontief Alpers

“L’Eglise du Dome” (XXIII, pp. 216-224) A. J. Braham

Rigaud’s Portrait Group at Ottawa: A Key to the Artist’s Personal Life (XXIII, pp. 225-238) George Van Derveer Gallenkamp

Pygmalion and the Philosophes: The Animated Statue in Eighteenth-Century France (XXIII, pp. 239-255) J. L. Carr

Francesco Guardi as Vedutista and Some of His Patrons (XXIII, pp. 256-276) Francis Haskell

John Graham Lough: A Transitional Sculptor (XXIII, pp. 277-290) T. S. R. Boase

Botticelli and Nineteenth-Century England (XXIII, pp. 291-306) Michael Levey

Note on the Glazier Psalter (XXIII, pp. 307-308) Francis Wormald

A Note on the Symbolism of Some Sculptures of the Ducal Palace, Venice (XXIII, pp. 308-309) B. Rackham

Vasari’s Lives and Cicero’s Brutus (XXIII, pp. 309-311) E. H. Gombrich

Edward VI and the Pope (XXIII, pp. 311-313) Roy C. Strong

Vol. XXIV, No. 1/2, 1961

The Rocks on the Parthenon Frieze (XXIV, pp. 1-44) Philipp Fehl

Logical and Mathematical Symbolism in the Platonic Scholia (XXIV, pp. 45-58) Robert S. Brumbaugh

The Taj Mahal in the Context of East and West: A Study in the Comparative Method (XXIV, pp. 59-88) R. A. Jairazbhoy

A Mediaeval Mystery Cult in Bosnia and Herzegovina (XXIV, pp. 89-107) Marian Wenzel

Cain’s Jaw-Bone (XXIV, pp. 108-114) George Henderson

Observations on Caravaggio’s ‘Repentant Magdalen’ (XXIV, pp. 114-115) Ilaria Toesca

The Monk and the Soldier in Plate 58 of Goya’s Caprichos (XXIV, pp. 115-120) Nigel Glendinning

A New View of Goya’s Tauromaquia (XXIV, pp. 120-127) Nigel Glendinning

A Note on the So-Called ‘Fidei Simulacrum’ (XXIV, p. 128) R. Weiss

Vol. XXIV, No. 3/4, 1961

The Chigi Chapel in S. Maria del Popolo (XXIV, pp. 129-160) John Shearman

The Chigi Chapel in S. Maria della Pace (XXIV, pp. 161-185) Michael Hirst

The Humanist Portrait of Cosimo de’ Medici, Pater Patriae (XXIV, pp. 186-221) Alison M. Brown

The Survival of the Kithara and the Evolution of the English Cittern: A Study in Morphology (XXIV, pp. 222-229) Emanuel Winternitz

A Chronological Census of Renaissance Editions and Translations of Galen (XXIV, pp. 230-305) Richard J. Durling

Renaissance and Golden Age (XXIV, pp. 306-309) E. H. Gombrich

The ‘Institution of the Eucharist’ by Charles Le Brun (XXIV, pp. 309-312) Jennifer Montagu

The Greek Codices of Palla Strozzi and Guarino Veronese (XXIV, pp. 313-321) Aubrey Diller

A Note on Raphael’s Sibyls in S. Maria della Pace (XXIV, pp. 322-323) L. D. Ettlinger

Poussin’s ‘Triumph of Neptune and Amphitrite’: A Re-Identification (XXIV, pp. 323-327) Frank H. Sommer

Pirro Ligorio’s Illustrations to Aesop’s Fables (XXIV, pp. 327-331) Erna Mandowsky

Vol. XXV, No. 1/2, 1962

Jeremiah and His Girdle (XXV, pp. 1-8) Adelheid Heimann

The Promethean Commonplace (XXV, pp. 9-17) R. Johnson

An Anglo-Saxon Bible Fragment of the Late Eighth Century. Royal 1 E. VI (XXV, pp. 18-34) Patrick McGurk

Pinturicchio and the Revival of Antiquity (XXV, pp. 35-55) J. Schulz

Sebastiano Serlio and Venetian Painting (XXV, pp. 56-64) Cecil Gould

Political and Religious Cartoons of the Thirty Years’ War (XXV, pp. 65-86) W. A. Coupe

Dryden’s Dialogue on Drama (XXV, pp. 87-112) Dean T. Mace

Beroaldus on Francia (XXV, pp. 113-115) Michael Baxandall; E. H. Gombrich

Ennius and Basinio of Parma (XXV, pp. 116-118) Jessie Poesch

A Late Twelfth-Century Artist’s Pattern-Sheet (XXV, pp. 119-128) D. J. A. Ross

A Saint Identified in a Lee Picture (XXV, pp. 129-130) F. Wormald

Jordaens’ ‘Night Vision’: A Rejoinder (XXV, pp. 131-134) Julius S. Held

Sources of Two Paintings by Joseph Wright of Derby (XXV, pp. 135-136) Robert Rosenblum

Aftermath to Opicinus de Canistris (XXV, pp. 137-146) Richard G. Salomon

Nature and the Antique in B. R. Haydon’s ‘Assassination of Dentatus’ (XXV, pp. 147-157) Frederick Cummings

Correction: The Six Days of Creation in a Twelfth Century Manuscript (XXV, p. 158) Adelheid Heimann

Vol. XXV, No. 3/4, 1962

An Eleventh-Century Ivory Pectoral Cross (XXV, pp. 159-171) Richard H. Randall, Jr.

Late-Antique Influences in Some English Mediaeval Illustrations of Genesis (XXV, pp. 172-198) George Henderson

Numerical Composition in The Faerie Queene (XXV, pp. 199-239) Alastair Fowler

Some Principles of Elizabethan Stage Costume (XXV, pp. 240-257) Hal H. Smith

The Dance and the Masques of Ben Jonson (XXV, pp. 258-277) John C. Meagher

The Abbe de Cordemoy and the Graeco-Gothic Ideal: A Prelude to Romantic Classicism (XXV, pp. 278-320) R. D. Middleton

Notes on Cyriac of Ancona and Some of His Friends (XXV, pp. 321-323) F. Babinger

A Note on Nicolas Froment’s ‘Burning-Bush Triptych’ (XXV, pp. 323-325) Charles I. Minott

Maria in Sole and the Virgin of the Rosary (XXV, pp. 326-330) S. Ringbom

Some Eighteenth-Century Restorations of Myron’s ‘Discobolos’ (XXV, pp. 330-334) Seymour Howard

The ‘Bonus Eventus’ Relief in the British Museum (XXV, pp. 335-337) Otto Kurz

Vol. XXVI, No. 1/2, 1963

Olympias and the Serpent: The Interpretation of a Baalbek Mosaic and the Date of the Illustrated Pseudo-Callisthenes (XXVI, pp. 1-21) D. J. A. Ross

A Life of St. Edward the Confessor in Early Fourteenth-Century Stained Glass at Fecamp, in Normandy (XXVI, pp. 22-37) Madeline Harrison

Erasmus, Humanism, and the Christian Cabala (XXVI, pp. 38-52) Werner L. Gundersheimer

The London Pageants for the Reception of Katharine of Aragon: November 1501 (XXVI, pp. 53-89) Sydney Anglo

The Abbe de Cordemoy and the Graeco-Gothic Ideal (XXVI, pp. 90-123) R. D. Middleton

‘Backgrounds, Introduction of Architecture and Landscape’: A Lecture by J. M. W. Turner (XXVI, pp. 124-147) Jerrold Ziff

Macklin and Bowyer (XXVI, pp. 148-177) T. S. R. Boase

Constantiniana (XXVI, pp. 178-192) C. Ligota

Julian of Toledo in the Liber Floridus (XXVI, pp. 192-196) J. N. Hillgarth

An Interpretation of Mantegna’s ‘Parnassus’ (XXVI, pp. 196-198) E. H. Gombrich

Sidney’s Experiment in Pastoral: The Lady of May (XXVI, pp. 198-203) S. K. Orgel

Vol. XXVI, No. 3/4, 1963

Some Pre-Dynastic Egyptian Figurines: Problems of Authenticity (XXVI, pp. 205-222)Peter J. Ucko; H. W. M. Hodges

The Indian Iconography of the Decans and Horas (XXVI, pp. 223-254) David Pingree

An Illustration in an Anglo-Saxon Psalter in Paris (XXVI, pp. 255-263) Robert M. Harris

Notes on the Virtues and Vices (XXVI, pp. 264-303) Rosemond Tuve

A Dialogue on Art from the Court of Leonello d’Este: Angelo Decembrio’s De Politia Litteraria Pars LXVIII (XXVI, pp. 304-326) Michael Baxandall

Logos in The Temple: George Herbert and the Shape of Content (XXVI, pp. 327-342) R. L. Colie

Three Astrological Predictions (XXVI, pp. 343-347) Lynn Thorndike

Reynard the Fox and the Smithfield Decretals (XXVI, pp. 347-354) Kenneth Varty

The Fabric of Herbert’s Temple (XXVI, pp. 354-358) George Watson

Rubens and the Wound in Christ’s Side. A Postscript (XXVI, p. 358) Vladimir Gurewich

Poussin’s ‘Neptune and Amphitrite’ at Philadelphia: A Re-Identification Rejected (XXVI, pp. 359-360) Michael Levey

An Eighteenth-Century Carved Piece with Medical Associations (XXVI, pp. 361-363) Robert Renehan

Goya and Arriaza’s Profecia del Pirineo (XXVI, pp. 363-366) Nigel Glendinning

B. R. Haydon and His School (XXVI, pp. 367-380) Frederick Cummings

Vol. XXVII, 1964

In Memoriam Gertrud Bing 1892-1964 (XXVII, unpaginated, 2 pp.)

Three Elusive Amulets (XXVII, pp. 1-22) A. A. Barb

The Evesham Psalter (XXVII, pp. 23-41) D. H. Turner

Notes on the Virtues and Vices (XXVII, pp. 42-72) Rosemond Tuve

The Bible and Eternity: John Wyclif’s Dilemma (XXVII, pp. 73-89) Beryl Smalley

Bartholomaeus Facius on Painting: A Fifteenth-Century Manuscript of the De Viris Illustribus (XXVII, pp. 90-107) Michael Baxandall

The Language of Humanism and the Language of Sculpture: Bertoldo as Illustrator of the Apologi of Bartolomeo Scala (XXVII, pp. 108-136) Alison M. Brown; Alessandro Parronchi

The Origin of an Archaeological Plan of Rome by Alessandro Strozzi (XXVII, pp. 137-163) Gustina Scaglia

Nicolas Audebert and the Villa D’Este (XXVII, pp. 164-190) R. W. Lightbown

Pirro Ligorio on the Nobility of the Arts (XXVII, pp. 191-210) David R. Coffin

The Theology of Marlowe’s The Jew of Malta (XXVII, pp. 211-240) G. K. Hunter

Eternity and the Afterlife (XXVII, pp. 241-250) D. P. Walker

Musical Humanism, the Doctrine of Rhythmus, and the Saint Cecilia Odes of Dryden (XXVII, pp. 251-292) D. T. Mace

Moment and Movement in Art (XXVII, pp. 293-306) E. H. Gombrich

The Stevensweert Kantharos: Its Metrology and Eastern Connexions (XXVII, pp. 307-311) A. D. H. Bivar

Some Unpublished Astrological Illustrations from Central and Eastern Europe (XXVII, pp. 311-312) K. Fischer

The Iconography of the Deposition without St. John (XXVII, pp. 312-317) Paulina Ratkowska

Two Pieces of Fifteenth-Century Political Iconography (XXVII, pp. 317-320) P. S. Lewis

A Hitherto Unpublished Letter on Benozzo Gozzoli’s Frescoes in the Palazzo Medici-Riccardi (XXVII, pp. 321-322) Andreas Grote

Philip II’s Impresa and Spenser’s Souldan (XXVII, pp. 322-324) Rene Graziani

The Xenophon Translation Attributed to Queen Elizabeth I (XXVII, pp. 324-326) L. Bradner

Robert Fludd’s Theory of Geomancy and His Experiences at Avignon in the Winter of 1601 to 1602 (XXVII, pp. 327-335) C. H. Josten

Francisco Pacheco’s Apotheosis of Hercules (XXVII, pp. 335-337) G. Kunoth

A Caritas Romana by Murillo (XXVII, pp. 337-339) Enriqueta Harris

John Langhorne and Turner’s ‘Fallacies of Hope’ (XXVII, pp. 340-342) Jerrold Ziff

Photogenic Drawings (XXVII, pp. 342-343) R. B. Beckett

Vol. XXVIII, 1965

Logical and Mathematical Symbolism in the Plato Scholia, II. A Thousand Years of Diffusion and Redesign (XXVIII, pp. 1-13) Robert S. Brumbaugh

A Twelfth-Century Defence of the Fourth Figure of the Syllogism (XXVIII, pp. 14-28) A. I. Sabra

Byzantinism and Romantic Hellenism (XXVIII, pp. 29-43) Cyril Mango

Gregory the Great, the Destroyer of Pagan Idols. The History of a Medieval Legend concerning the Decline of Ancient Art and Literature (XXVIII, pp. 44-65) Tilmann Buddensieg

A Castilian Tradition of Bible Illustration. The Romanesque Bible from San Millan (XXVIII, pp. 66-85) John W. Williams

A Twelfth-Century Manuscript from Winchcombe and Its Illustrations. Dublin, Trinity College, MS. 53 (XXVIII, pp. 86-109) Adelheid Heimann

The Iconography of the Four Panels by the Master of Saint Giles (XXVIII, pp. 110-144) William M. Hinkle

Henry VI of England and the Dual Monarchy: Aspects of Royal Political Propaganda, 1422-1432 (XXVIII, pp. 145-162) J. W. McKenna

The Medals of Pope Julius II (1503-1513) (XXVIII, pp. 163-182) Roberto Weiss

Guarino, Pisanello and Manuel Chrysoloras (XXVIII, pp. 183-204) Michael Baxandall

Eros and Anteros or Reciprocal Love in Ancient and Renaissance Art (XXVIII, pp. 205-208) Guy de Tervarent

Bibles Francaises Apres le Concile de Trente (1546) (XXVIII, pp. 209-222) Eugenie Droz

An Unknown Chapter in the Life of John Dee (XXVIII, pp. 223-257) C. H. Josten

A Rembrandt Problem: Haman or Uriah? (XXVIII, pp. 258-273) Madlyn Kahr

The Medal against Time: A Study of Pope’s Epistle To Mr Addison (XXVIII, pp. 274-298) Howard Erskine-Hill

A. M. Warburg (XXVIII, pp. 299-313) G. Bing

Empedocles’s Fiery Fish (XXVIII, pp. 314-315) J. Longrigg

The Hero with Two Swords: A Postscript (XXVIII, pp. 316-317) Martin Robertson

A Serbo-Byzantine Betrothal Ring (XXVIII, pp. 317-319) F. M. Heichelheim; H. A. Hickl-Szabo

The Breviary of Saint Louis: The Development of a Legendary Miracle (XXVIII, pp. 319-323) L. S. Crist

The Salamander in Van der Goes’ Garden of Eden (XXVIII, pp. 323-326) Robert A. Koch

The Solitary Bird in Van der Goes’ Garden of Eden (XXVIII, pp. 326-329) Herbert Leon Kessler

Some Seventeenth-Century Miniatures from the University of Cracow (XXVIII, pp. 329-331) Ewa Chojecka

De Lineamentis: L. B. Alberti’s Use of a Technical Term (XXVIII, pp. 331-335) S. Lang

Excerpts from the Codex Huygens Published in London in 1720 (XXVIII, pp. 336-338) Carlo Pedretti

Poussin’s Marine Venus at Philadelphia: A Re-Identification Accepted (XXVIII, pp. 338-343) Charles Dempsey

The Woman of Sestos: A Plinian Theme in the Renaissance (XXVIII, pp. 343-348) Susan Woodford

Vol. XXIX, 1966

Antaura. The Mermaid and the Devil’s Grandmother: A Lecture (XXIX, pp. 1-23) A. A. Barb

The Debate on Primitivism in Ancient Rhetoric (XXIX, pp. 24-38) E. H. Gombrich

Three Illustrations from the Bury St. Edmunds Psalter and Their Prototypes. Notes on the Iconography of Some Anglo-Saxon Drawings (XXIX, pp. 39-59) Adelheid Heimann

The Bury Bible (Cambridge, Corpus Christi College, MS. 2) (XXIX, pp. 60-81) C. M. Kauffmann

A Logos Creator at Chartres and Its Copy (XXIX, pp. 82-100) Jan van der Meulen

The Salvation of the Heathen: The Exploration of a Theme in Piers Plowman (XXIX, pp. 101-116) G. H. Russell

The Mulier Amicta Sole and Her Attendants. An Episode in Late Medieval Finnish Art (XXIX, pp. 117-134) Anthony Cutler

Cardinal Giordano Orsini (d. 1438) as a Prince of the Church and a Patron of the Arts. A Contemporary Panegyric and Two Descriptions of the Lost Frescoes in Monte Giordano (XXIX, pp. 135-159) W. A. Simpson

Correggio’s Amori di Giove (XXIX, pp. 160-192) Egon Verheyen

Titian’s Old Testament Cycle (XXIX, pp. 193-205) Madlyn Kahr

Graces, Muses, and Arts: The Urns of Henry II and Francis I (XXIX, pp. 206-218) Victoria L. Goldberg

The Classical Perception of Nature in Poussin’s Earlier Works (XXIX, pp. 219-249) Charles Dempsey

Puget’s Gallic Hercules (XXIX, pp. 250-263) Theodore Reff

Moral Intention in the Fables of La Fontaine (XXIX, pp. 264-281) Margaret M. McGowan

Dryden and Vossius: A Reconsideration (XXIX, pp. 282-295) H. Neville Davies

A Reply to Mr. H. Neville Davies’s ‘Dryden and Vossius: A Reconsideration’ (XXIX, pp. 296-310) D. T. Mace

Plagiaries-by-Memory of the Rake’s Progress and the Genesis of Hogarth’s Second Picture Story (XXIX, pp. 311-348) David Kunzle

Biblical Illustration in Nineteenth-Century English Art (XXIX, pp. 349-367) T. S. R. Boase

On the Origin of the Word ‘Expressionism’ (XXIX, pp. 368-385) Donald E. Gordon

Art in ‘The Epoch of the Great Spiritual’: Occult Elements in the Early Theory of Abstract Painting (XXIX, pp. 386-418) Sixten Ringbom

The Illustration of Codex Ebnerianus (XXIX, pp. 419-424) Cecelia Meredith

Giovanni Contarini, a Venetian at Oxford: 1392-1399 (XXIX, pp. 424-432) Anthony Luttrell

Notes on the Astrological Predictions for A. D. 1430/1431 in MS. Harley 3731 (XXIX, pp. 432-433) O. Neugebauer

An Emblematic Portrait by Dosso (XXIX, pp. 433-436) Felton Gibbons

Poussin and Aesop (XXIX, pp. 436-437) A. F. Blunt

The Textual Sources of Poussin’s Marine Venus in Philadelphia (XXIX, pp. 438-442) Charles Dempsey

Vol. XXX, 1967

Otto Fein 1906-1966 (XXX, unpaginated, 1 p.)

Women in Charge: The Function of Alternatives in Early Greek Tradition and the Ancient Idea of Matriarchy (XXX, pp. 1-35) Simon Pembroke

Seventy-Eight Vitruvius Manuscripts (XXX, pp. 36-70) Carol Herselle Krinsky

Studies in English Manuscript Illumination, Part I: Stylistic Sequence and Stylistic Overlap in Thirteenth-Century English Manuscripts (XXX, pp. 71-104) George Henderson

Studies in English Manuscript Illumination, Part II: The English Apocalypse: I (XXX, pp. 104-137) George Henderson

Simone Martini’s The Holy Family (XXX, pp. 138-149) Don Denny

Four Tapestries after Hieronymus Bosch (XXX, pp. 150-162) Otto Kurz

Pontormo’s Cosimo il Vecchio, a New Dating (XXX, pp. 163-175) John Sparrow

Henry IV, the Gallic Hercules (XXX, pp. 176-197) Corrado Vivanti

The Musical Theory and Philosophy of Robert Fludd (XXX, pp. 198-227) Peter J. Ammann

Kepler’s Celestial Music (XXX, pp. 228-250) D. P. Walker

A Volume of Mughal Drawings and Miniatures (XXX, pp. 251-271) Otto Kurz

Manner and Meaning in Some Rubens Mythologies (XXX, pp. 272-295) Svetlana L. Alpers

Bishop Godwin’s ‘Lunatique Language’ (XXX, pp. 296-316) H. Neville Davies

Hogarth, Fielding, and the Dating of the March to Finchley (XXX, pp. 317-326) W. B. Coley

Ossian in Painting (XXX, pp. 327-356) Henry Okun

Turner: An Early Experiment with Colour Theory (XXX, pp. 357-366) Gerald E. Finley

The Sources of True Taste. Benjamin West’s Instructions to a Young Painter for His Studies in Italy (XXX, pp. 367-382) Franziska Forster-Hahn

Alexander Historiatus a Supplement (XXX, pp. 383-388) D. J. A. Ross

John VII’s Adoration of the Cross in S. Maria Antiqua (XXX, pp. 388-390) Per Jonas Nordhagen

The Archer, the Eagle and the Lamb (XXX, pp. 391-394) Barbara C. Raw

Boethius and an Illustration to the Bible Historiale (XXX, pp. 394-398) M. W. Evans

An Unpublished Detail of the Iconography of the Passion in Le Chastel Perilleux (XXX, pp. 398-401) Marie Brisson

A ‘Biface’ Medal of Henry II? (XXX, pp. 401-403) W. McAllister Johnson

The Earliest Description of Bosch’s Garden of Delight (XXX, pp. 403-406) E. H. Gombrich

On Some Celestial Maps and Globes of the Sixteenth Century (XXX, pp. 406-409) Jacob Hess

A Note on the Arithmological Stanza: The Faerie Queene, II. ix. 22 (XXX, pp. 410-414) R. M. Cummings

Velazquez and Charles I. Antique Busts and Modern Paintings from Spain for the Royal Collection (XXX, pp. 414-420) Enriqueta Harris

Euanthes Redivivus: Rubens’s Prometheus Bound (XXX, pp. 420-425) Charles Dempsey

The Endymion Myth and Poussin’s Detroit Painting (XXX, pp. 426-431) Judith Colton

Salvator Rosa’s Justice Appearing to the Peasants (XXX, pp. 431-434) Richard W. Wallace

An Anatomical Drawing by Alexander Cozens (XXX, pp. 434-438) Arthur S. Marks

Pouilly’s Plagiarism (XXX, pp. 438-444) George H. Nadel

Pope’s Neighbours: An Early Landscape Garden at Richmond (XXX, pp. 444-446) A. J. Sambrook

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Vol. XXXI (1968); Vol. XXXII (1969); Vol. XXXIII (1970); Vol. XXXIV (1971); Vol. XXXV (1972); Vol. XXXVI (1973); Vol.

XXXVII (1974); Vol. XXXVIII (1975); Vol. XXXIX (1976); Vol. XL (1977).

  Vol. XXXI, 1968

Symbolism in the Plato Scholia (XXXI, pp. 1-11) Robert S. Brumbaugh

Thabit Ibn Qurra on Euclid’s Parallels Postulate (XXXI, pp. 12-32) A. I. Sabra

Some Early Medieval Figure Sculpture from North-East Turkey (XXXI, pp. 33-72) David Winfield

The Capital Frieze and Pilasters of the Portail Royal, Chartres (XXXI, pp. 73-102) Adelheid Heimann

Studies in English Manuscript Illumination, Part III: The English Apocalypse; II (XXXI, pp. 103-147) George Henderson

Virtues and Vices in the Chapter House Vestibule in Salisbury (XXXI, pp. 148-158) Rosalie B. Green

Piers Plowman and Local Iconography (XXXI, pp. 159-169) R. E. Kaske

A Mid-Fifteenth-Century English Illuminating Shop and Its Customers (XXXI, pp. 170-196) Kathleen L. Scott

The Signatures and Original Foliation of Leonardo da Vinci’s Libro F (XXXI, pp. 197-217) Carlo Pedretti

Leonardo’s Architectural Designs and the Sforza Mausoleum (XXXI, pp. 218-233) S. Lang

The Term Emblema in Alciati (XXXI, pp. 234-250) Hessel Miedema

Mercurius Ver: The Sources of Botticelli’s Primavera (XXXI, pp. 251-273) Charles Dempsey

Le Theme de la Madeleine penitente au XVIIeme siecle en France (XXXI, pp. 274-306) Francoise Bardon

The Painted Enigma and French Seventeenth-Century Art (XXXI, pp. 307-335) Jennifer Montagu

William Hogarth and Antoine Parent (XXXI, pp. 336-382)

J. Dobai

Delacroix’s Imagery in the Palais Bourbon Library (XXXI, pp. 383-403) G. L. Hersey

The Architectural Setting of Jane Austen’s Novels (XXXI, pp. 404-422) Nikolaus Pevsner

The Yale (XXXI, pp. 423-428) Wilma George

An Allegorical Portrait of Emperor Sigismund by Mariano Taccola of Siena (XXXI, pp. 428-434) Gustina Scaglia

On the Iconography of the Nymph of the Fountain by Lucas Cranach the Elder (XXXI, pp. 434-437) Michael Liebmann

Marvell’s Stork: The Natural History of an Emblem (XXXI, pp. 437-438) Kitty Datta

New Light on Bernini’s Neptune and Triton (XXXI, pp. 438-440) William Collier

Quaestiones disputatae: Poussin’s Venus at Philadelphia (XXXI, pp. 440-444) Frank H. Sommer

Harrison, Jonson and Dekker: The Magnificent Entertainment for King James (1604) (XXXI, pp. 445-448) David M. Bergeron

Two Eighteenth-Century Frontispieces (XXXI, pp. 448-449) H. A. Hammelmann

Vol. XXXII, 1969

Simplicius’s Proof of Euclid’s Parallels Postulate (XXXII, pp. 1-24) A. I. Sabra

Observations on the Historiated Lintel of the Holy Sepulchre, Jerusalem (XXXII, pp. 25-40) Alan Borg

A Tanner Manuscript in the Bodleian Library and Some Notes on English Painting of the Late Twelfth Century (XXXII, pp. 41-54) L. M. Ayres

The Tympanum of the Portal of Saint-Anne at Notre Dame de Paris and the Iconography of the Division of the Powers in the Early Middle Ages (XXXII, pp. 55-72) Walter Cahn

Arnold Geilhoven: An Early Disciple of Petrarch in the Low Countries (XXXII, pp. 73-108) Nicholas Mann

Alberti’s Colour Theory: A Medieval Bottle without Renaissance Wine (XXXII, pp. 109-134) Samuel Y. Edgerton, Jr.

The Crucifixion of St. Peter: A Fifteenth-Century Topographical Problem (XXXII, pp. 135-161) J. M. Huskinson

Bosch’s “Garden of Earthly Delights”: A Progress Report (XXXII, pp. 162-170) E. H. Gombrich

Giovanni Pico’s Book of Job (XXXII, pp. 171-199) Chaim Wirszubski

Erasmus and the Visual Arts (XXXII, pp. 200-227) Erwin Panofsky

Oriental Art and the Orient in Late Renaissance and Baroque Italy (XXXII, pp. 228-279) R. W. Lightbown

The Angelic Consolation of St. Francis of Assisi in Post-Tridentine Italian Painting (XXXII, pp. 280-306) Pamela Askew

John Toland and the Newtonian Ideology (XXXII, pp. 307-331) Margaret Candee Jacob

The Early Career of Alexander Runciman and His Relations with Sir James Clerk of Penicuik (XXXII, pp. 332-343) Susan Booth

Constable’s Sky Sketches (XXXII, pp. 344-365) Louis Hawes

Antolini’s Foro Bonaparte in Milan (XXXII, pp. 366-385) Carroll William Westfall

Papal Patronage in the Early Twelfth Century: Notes on the Iconography of Cosmatesque Pavements (XXXII, pp. 386-390) Dorothy Glass

Filippino Lippi’s Wounded Centaur, p. 390

Hugh Lloyd-Jones

The Taddei Tondo: A Frightened Jesus? (XXXII, pp. 391-393) Malcolm Easton

Mantegna and Francisque Pellegrin, p. 394 W. McAllister Johnson

A Note on Marcantonio’s Death of Dido (XXXII, pp. 394-396) David H. Thomas

The Source of Titian’s Bacchus and Ariadne (XXXII, pp. 396-397) Angus Easson

From the Alessandro Morente to the Alexandre Richelieu. The Portraiture of Alexander the Great in Seventeenth-Century Italy and France (XXXII, pp. 398-405) Erkinger Schwarzenberg

A Neglected Classical Phase of Turner’s Art: His Vignettes to Rogers’s Italy (XXXII, pp. 405-410) Adele M. Holcomb

The Lost Opportunity of the Royal Academy: An Assessment of Its Position in the Nineteenth Century (XXXII, pp. 410-420) H. C. Morgan

A Corrected Plan of Delacroix’s Ceiling in the Library of the Palais Bourbon (XXXII, pp. 420-421) Lee Johnson

Vol. XXXIII, 1970

Representations of the Temple of Jerusalem before 1500 (XXXIII, pp. 1-19) Carol Herselle Krinsky

Notes on Some Didactic Illustrations in the Margins of a Twelfth-Century Psalter (XXXIII, pp. 20-40) Karl-August Wirth

The Beasts from Job in the Liber Floridus Manuscripts (XXXIII, pp. 41-51) Jessie Poesch

The Two Caves of Love in the Tristan by Thomas (XXXIII, pp. 52-69) L. Polak

The Reconstruction of Nicola Pisano’s Perugia Fountain (XXXIII, pp. 70-83) John White

The Mosaics of Pietro Cavallini in Santa Maria in Trastevere (XXXIII, pp. 84-106)

Paul Hetherington

The Compagnia de’ Magi (XXXIII, pp. 107-161) Rab Hatfield

Cosimo de’ Medici’s Patronage of Architecture and the Theory of Magnificence (XXXIII, pp. 162-170) A. D. Fraser Jenkins

Hieronymus Bosch in Some Literary Contexts (XXXIII, pp. 171-199) Helmut Heidenreich

Henry the Younger of Brunswick-Wolfenbuttel. Wild Man and Werwolf in Religious Polemics 1538-1544 (XXXIII, pp. 200-234) F. J. Stopp

The Meaning of Veronese’s Paintings in the Church of San Sebastiano in Venice (XXXIII, pp. 235-247) Madlyn Kahr

The Iconography of Silence and Chapman’s Hercules (XXXIII, pp. 248-263) Raymond B. Waddington

Francis Bacon, Natalis Comes and the Mythological Tradition (XXXIII, pp. 264-291) Barbara Carman Garner

Rembrandt’s ‘Polish Rider’ and the Prodigal Son (XXXIII, pp. 292-303) Colin Campbell

Blind Cupid (XXXIII, pp. 304-305) C. D. Gilbert

An ‘Ascent of Alexander’ (XXXIII, pp. 305-307) Chiara Settis Frugoni

William of Sens and the Double Columns at Sens and Canterbury (XXXIII, pp. 307-313) Kenneth W. Severens

An Iconographic Note on Raphael’s Galatea (XXXIII, pp. 313-315) Duncan T. Kinkead

Tintoretto and the Roman de la Rose (XXXIII, pp. 315-317) Carla Lord

An Iconographical Puzzle: Spenser’s Cupid at Faerie Queene, VII, viii (XXXIII, pp. 317-321) R. M. Cummings

Sidney’s Personal Imprese (XXXIII, pp. 321-324) Katherine Duncan-Jones

Daniel’s Delia and the Imprese of Bishop Paolo Giovio: Some Iconological Influences (XXXIII, pp. 325-328) Joseph Kau

Salvator Rosa’s Engraving for Carlo de’ Rossi and His Satire, Invidia (XXXIII, pp. 328-330) Nancy Rash Fabbri

William III and Sir Godfrey Kneller (XXXIII, pp. 330-336) J. D. Stewart

Rhodes: Sir William to Sir Walter. Notes to Save Sir Walter Scott the Trouble of Looking out Information about Rhodes. W. Gell, 1832 (XXXIII, pp. 336-343) Edith Clay

The Subject of Millais’s Christ in the House of His Parents (XXXIII, pp. 343-345) Edward Morris

An Unpublished Petition Exemplifying the Oneness of the Community of Nineteenth-Century French Artists (XXXIII, pp. 345-353) Albert Boime

Vol. XXXIV, 1971

Observations on a Number of Liuthar Manuscripts (XXXIV, pp. 1-11) Katherine B. Powell

The Sculpture Programme of the Porte des Comtes Master at Saint-Sernin in Toulouse (XXXIV, pp. 12-39) Thomas W. Lyman

The Iconography of a Romanesque Chalice from Trzemeszno (XXXIV, pp. 40-64) Piotr Skubiszewski

The Tomb of Saint Louis (XXXIV, pp. 65-82) Georgia Sommers Wright

Illustrations Direct and Oblique in the Margins of an Alexander Romance at Oxford (XXXIV, pp. 83-95) S. K. Davenport

Alberti and FILARETH. A Study in Their Sources (XXXIV, pp. 96-114) John Onians

‘Il Concetto dell’Anima’ in Leonardo’s Early Skull Studies (XXXIV, pp. 115-134) Martin Kemp

Citarea ‘su una impresa di bronconi’ (XXXIV, pp. 135-177) Salvatore Settis

Works of Art from Rome for Henry VIII. A Study of Anglo-Papal Relations as Reflected in Papal Gifts to the English King (XXXIV, pp. 178-203) Margaret Mitchell

Plus Ultra, Non plus Ultra, and the Columnar Device of Emperor Charles V (XXXIV, pp. 204-228) Earl Rosenthal

Johannes Molanus on Provocative Paintings. De Historia Sanctarum Imaginum et Picturarum, Book II, Chapter 42 (XXXIV, pp. 229-245) David Freedberg

Erasmus in France in the Later Sixteenth Century (XXXIV, pp. 246-261) Margaret Mann Phillips

Bound Theory and Blind Practice: Pietro Testa’s Notes on Painting and the Liceo della Pittura (XXXIV, pp. 262-296) Elizabeth Cropper

The Illustration of Sir Walter Scott: Nineteenth-Century Enthusiasm and Adaptation (XXXIV, pp. 297-317) Catherine Gordon

Stitchery in Classical and Renaissance Art (XXXIV, pp. 318-320) Elizabeth Birbari

The Wound in Christ’s Side (XXXIV, pp. 320-321) A. A. Barb

Moses Shown the Promised Land (XXXIV, pp. 321-324) Adelheid Heimann

The Heraldry of Hector and Its Antiquity (XXXIV, pp. 325-326) R. A. Dwyer

Botticelli’s Three Graces (XXXIV, pp. 326-330) Charles Dempsey

Boccaccio’s Ninfale Fiesolano in Early Florentine Cassone Painting (XXXIV, pp. 331-333) Paul F. Watson

The Poison-Woodcut by the ‘Petrarch-Master’ (XXXIV, pp. 333-335) A. A. Barb

Erasmus and the Iconography of Pieter Aertsen’s Christ in the House of Martha and Mary in the Boymans-van Beuningen Museum (XXXIV, pp. 335-336)

P. K. F. Moxey

The Celestial Cartography of Giovanni Antonio Vanosino da Varese (XXXIV, pp. 336-337) Deborah Jean Warner

Appearances of the Red Cross Knight in Book Two of Spenser’s Faerie Queene (XXXIV, pp. 338-350) Robin Kirkpatrick

Spenser’s Fourth Grace (XXXIV, pp. 350-355) Gerald Snare

The Natural Course of Light Inverted: An Impresa in Chapman’s Bussy D’Ambois (XXXIV, pp. 356-360) Albert R. Braunmuller

An Early Painting by Frans Pourbus the Younger: Dit Was Ghemaeckt int Jaer 1508 van My Fransken Povrbvs als ick ovt Was 10 Jaer (XXXIV, pp. 360-362) Egon Verheyen

Rubens and Optics: Some Fresh Evidence (XXXIV, pp. 362-366) Michael Jaffe

Exhortatio ad Virtutem: A Series of Paintings in the Barberini Palace (XXXIV, pp. 366-372) Jennifer Montagu

Blake’s Newton (XXXIV, pp. 372-377) John Gage

Constable and Wordsworth: The Ecological Moment of Romantic Art (XXXIV, pp. 377-386) Karl Kroeber

Turner and Scott (XXXIV, pp. 386-397) Adele M. Holcomb

John Gibson’s Satan (XXXIV, pp. 397-399) Edward Morris

Correction: The Beasts from Job in the Liber Floridus Manuscripts, p. 399 Jessie Poesch

Vol. XXXV, 1972

The Lintel Fragment Representing Eve from Saint-Lazare, Autun (XXXV, pp. 1-30) O. K. Werckmeister

A Note on Jacobus (XXXV, pp. 31-80) Christopher Hohler

Artists, Suppliers and Clerks: The Human Factors in the Art Patronage of King Henry III (XXXV, pp. 81-107) R. Kent Lancaster

Antichrist and the Iconography of Dante’s Geryon (XXXV, pp. 108-122) John Block Friedman

Christian Hebraism and the Ramsey Abbey Psalter (XXXV, pp. 123-134) Lucy Freeman Sandler

Some Similarities between Queen Mary’s Psalter and the Northern Passion (XXXV, pp. 135-144) O. S. Pickering

The Pictorial Programme of the Sala della Pace: A New Interpretation (XXXV, pp. 145-162) Uta Feldges-Henning

Books and Their Owners in Venice 1345-1480 (XXXV, pp. 163-186) Susan Connell

The Fire Next Time (XXXV, pp. 187-199) Bo Lindberg

Dissection and Divinity in Leonardo’s Late Anatomies (XXXV, pp. 200-225) Martin Kemp

Veronese and Daniele Barbaro: The Decoration of Villa Maser (XXXV, pp. 226-246) Richard Cocke

The ‘Rainbow Portrait’ of Queen Elizabeth I and Its Religious Symbolism (XXXV, pp. 247-259) Rene Graziani

Claude and Architecture (XXXV, pp. 260-283) I. G. Kennedy

The Iconography of the Marble Gallery at Frederiksborg Palace (XXXV, pp. 284-293) Meir Stein

Leibniz and Language (XXXV, pp. 294-307) D. P. Walker

‘Medusa’ or the Physiognomy of the Earth: Humbert de Superville’s Cosmological Aesthetics (XXXV, pp. 308-338) Barbara Stafford

The Italian Tour of William Hilton R. A. in 1825 (XXXV, pp. 339-358) Marcia R. Pointon

J. M. W. Turner and Sir Walter Scott: Iconography of a Tour (XXXV, pp. 359-385) Gerald E. Finley

Cain’s Murder-Weapon and Samson’s Jawbone of an Ass (XXXV, pp. 386-389) A. A. Barb

The Holy Sepulchre Lintel (XXXV, pp. 389-390) Alan Borg

Sforzinda, Filarete and Filelfo (XXXV, pp. 391-397) S. Lang

The Rucellai Family and Its Loggia (XXXV, pp. 397-401) F. W. Kent

Butler’s Character of Hudibras and Contemporary Graphic Satire (XXXV, pp. 401-404) Laurel Brodsley

Vol. XXXVI, 1973

The Meaning of Horace’s Ut Pictura Poesis (XXXVI, pp. 1-34) Wesley Trimpi

Ovid’s Tomb: The Growth of a Legend from Eusebius to Laurence Sterne, Chateaubriand and George Richmond (XXXV, pp. 35-76) J. B. Trapp

The Crucifix of Fernando and Sancha and Its Relationship to North French Manuscripts (XXXVI, pp. 77-91) Marlene Park

Carpentry and Design in Duccio’s Workshop: The London and Boston Triptychs (XXXVI, pp. 92-105) John White

Some Remarks on Mamluk Playing Cards (XXXVI, pp. 106-128) Michael Dummett; Kamal Abu-Deeb

Federigo da Montefeltro’s Patronage of the Arts, 1468-1482 (XXXVI, pp. 129-144) Cecil H. Clough

The Travels of Bernardo Michelozzi and Bonsignore Bonsignori in the Levant (1497-98) (XXXVI, pp. 145-197) Eve Borsook

The Invention of the Columnar Device of Emperor Charles V at the Court of Burgundy in Flanders in 1516 (XXXVI, pp. 198-230) Earl E. Rosenthal

English Ruins and English History: The Dissolution and the Sense of the Past (XXXVI, pp. 231-255) Margaret Aston

Spenser’s Amoretti VIII and Platonic Commentaries on Petrarch (XXXVI, pp. 256-276) Jon A. Quitslund

The Orchestra of Sir John Davies and the Image of the Dance (XXXVI, pp. 277-304) Sarah Thesiger

The Iconography of Poussin’s Painting Representing Diana and Endymion (XXXVI, pp. 305-318) Francis H. Dowley

Carlo Fontana’s Project for a Church in Honour of the ‘Ecclesia Triumphans’ in the Colosseum, Rome (XXXVI, pp. 319-337) Hellmut Hager

Falsificazioni Epigrafiche di Girolamo Asquini (XXXVI, pp. 338-354) Maria Pia Billanovich

The Bird Carista (XXXVI, pp. 355-357) Salome Zajadacz-Hastenrath

A Medieval Definition of Scientific Experiment in the Hebrew Picatrix (XXXVI, pp. 358-359) M. Plessner

Horatian Reminiscences in Two Twelfth-Century Art Critics (XXXVI, pp. 359-360) John Gage

Towards a Literary Source for the Scenes of the Passion in Queen Mary’s Psalter (XXXVI, pp. 361-365) Marion Roberts

Chaucer’s Attitude towards Astrology (XXXVI, pp. 365-366) Frank D. Gilliard

The Iconography of the Frescoes in the Oratorio di S. Giovanni at Urbino (XXXVI, pp. 367-373) Penelope A. Dunford

Mantegna’s St. Sebastians: Stabilitas in a Pagan World (XXXVI, pp. 373-377) Joan G. Caldwell

Tarsie: Design and Designers (XXXVI, pp. 377-382) M. J. Thornton

Marcantonio Michiel’s Collection (XXXVI, pp. 382-385) Jennifer Fletcher

A ‘New Route’ in 1822 Turner’s Colour and Optics (XXXVI, pp. 385-390) Gerald E. Finley

Turner’s Illustrations to Napoleon (XXXVI, pp. 390-396) Gerald E. Finley

Some Commercial Aspects of the Boydell Shakespeare Gallery (XXXVI, pp. 396-401) Winifred H. Friedman

Vol. XXXVII, 1974

The Klosterneuburg Altar of Nicholas of Verdun: Art, Theology and Politics (XXXVII, pp. 1-32) Helmut Buschhausen

Scrutamini Scripturas: Joachimist Themes and Figurae in the Early Religious Writing of Arnold of Vilanova (XXXVII, pp. 33-56) Harold Lee

The Stefaneschi Altarpiece: A Reconsideration (XXXVII, pp. 57-103) Julian Gardner

The Nevill Hours and the School of Herman Scheerre (XXXVII, pp. 104-130) Gereth M. Spriggs

Fifteenth-Century Dutch Bible Illustration and the Historia Scholastica (XXXVII, pp. 131-144) Sandra Hindman

Francesco Giorgio’s Commentary on Giovanni Pico’s Kabbalistic Theses (XXXVII, pp. 145-156) Chaim Wirszubski

The Ponte in S. Maria Novella: The Problem of the Rood Screen in Italy (XXXVII, pp. 157-173) Marcia B. Hall

Henry Peacham and the Art of Drawing (XXXVII, pp. 174-190) F. J. Levy

Rubens’s Arch of the Mint (XXXVII, pp. 191-217) Elizabeth McGrath

The Devotion of the Forty Hours and Roman Baroque Illusions (XXXVII, pp. 218-248)

Mark S. Weil

Virtue’s Wintry Reward: Pietro Testa’s Etchings of the Seasons (XXXVII, pp. 249-279) Elizabeth Cropper

Carlo Fontana and the Jesuit Sanctuary at Loyola (XXXVII, pp. 280-289) Hellmut Hager

Shaftesbury’s Illustrations of Characteristics (XXXVII, pp. 290-312) Felix Paknadel

English Realism: George Eliot and the Pre-Raphaelites (XXXVII, pp. 313-329) John Murdoch

The Exaltation of David (XXXVII, pp. 330-333) Hugo Buchthal

Two Panels on the Ruthwell Cross (XXXVII, pp. 333-336) D. R. Howlett

Iconographical Notes towards a Definition of the Medieval Fool (XXXVII, pp. 336-342) D. J. Gifford

The Letters Genuine and Spurious of Giovanni Rucellai (XXXVII, pp. 342-349) F. W. Kent

Battista Guarini and a Book at Oxford (XXXVII, pp. 349-353) Dennis E. Rhodes

The Good Friday Liturgy and Hans Memling’s Antwerp Triptych (XXXVII, pp. 353-356) Maurice B. McNamee

An Antique Prototype for Michelangelo’s Fall of Man (XXXVII, pp. 356-358) Avraham Ronen

Vesta and the Martyrdom of St. Lawrence in the Sixteenth Century (XXXVII, pp. 358-362) Robert W. Gaston

The Placement of the Equestrian Statue of Marcus Aurelius in the Middle Ages (XXXVII, pp. 362-367) Philipp Fehl

Young Milton and the Telescope (XXXVII, pp. 368-373) Lubomir Konecny

The Medici in Elizabethan and Jacobean Drama (XXXVII, pp. 373-378) T. S. R. Boase

King Charles II’s Own Fashion: The Theatrical Origins of the English Vest (XXXVII, pp. 378-382) Diana De Marly

Vol. XXXVIII, 1975

Three Manuscripts for Lucchese Canons of S. Frediano in Rome (XXXVIII, pp. 1-52) Edward B. Garrison

The Miniature Cycle in the Sandomierz Pantheon and the Medieval Iconography of Alexander’s Indian Campaign (XXXVIII, pp. 53-71) Krystyna Secomska

Some Cardinals’ Seals of the Thirteenth Century (XXXVIII, pp. 72-96) Julian Gardner

English Misericords of the Thirteenth and Fourteenth Centuries and Their Relationship to Manuscript Illuminations (XXXVIII, pp. 97-108) Christa Grossinger

Lettura storica degli affreschi della ‘Camera degli sposi’ di A. Mantegna (XXXVIII, pp. 109-135) Rodolfo Signorini

The Florentine Entrata of Leo X, 1515 (XXXVIII, pp. 136-154) John Shearman

Joseph Scaliger’s Edition of Catullus (1577) and the Traditions of Textual Criticism in the Renaissance (XXXVIII, pp. 155-181) Anthony T. Grafton

A Netherlandish History by Joachim Wtewael (XXXVIII, pp. 182-217) Elizabeth McGrath

On the Date and Function of Some Allegorical Sketches by Rubens (XXXVIII, pp. 218-233) Julius S. Held

Chapman’s Ovids Banquet of Sence: Its Sources and Theme (XXXVIII, pp. 234-257) Louise Vinge

The Perspective of Shadows: The History of the Theory of Shadow Projection (XXXVIII, pp. 258-287) Thomas Da Costa Kaufmann

‘Pintura’: Background and Sketch of a Spanish Seventeenth-Century Court Genre (XXXVIII, pp. 288-313) Gareth Alban Davies

English Church Monuments to Women Who Died in Childbed between 1780 and 1835 (XXXVIII, pp. 314-332) N. B. Penny

Jacopo Sansovino’s Madonna in Sant’Agostino: An Antique Source Rediscovered (XXXVIII, pp. 333-338) Mary D. Garrard

A Connoisseur’s Shopping-List, 1647 (XXXVIII, pp. 339-341) J. P. Ferris

An Unusual Binding Design after Durer’s Melencolia I (XXXVIII, pp. 341-342) William Hauptman

Vol. XXXIX, 1976

An Early Fourteenth-Century English Breviary at Longleat (XXXIX, pp. 1-20) Lucy Freeman Sandler

The Housing Problems of Cardinal Francesco Gonzaga (XXXIX, pp. 21-58) D. S. Chambers

A Confraternity of the Holy Ghost and a Series of Paintings of the Life of the Virgin in London and Munich (XXXIX, pp. 59-68) Stella Mary Newton

Magic and Radical Reformation in Agrippa of Nettesheim (XXXIX, pp. 69-103) Paola Zambelli

Reuchlin’s De Verbo Mirifico and the Magic Debate of the Late Fifteenth Century (XXXIX, pp. 104-138) Charles Zika

The Voynich ‘Roger Bacon’ Cipher Manuscript: Deciphered Maps of Stars (XXXIX, pp. 139-150) Robert S. Brumbaugh

Arma Virumque... Nicolo dell’Abate’s Aeneid gabinetto for Scandiano (XXXIX, pp. 151-170) Erika Langmuir

A Quaker-Kabbalist Controversy: George Fox’s Reaction to Francis Mercury van Helmont (XXXIX, pp. 171-189) Allison Coudert

The Decorations for Archduke Leopold William’s State Entry into Antwerp (XXXIX, pp. 190-198) Hans Vlieghe

The Stylistic Term ‘Plateresque’ (XXXIX, pp. 199-230) J. B. Bury

The Legend of the Three Hermes and Abu Ma’shar’s Kitab al-Uluf in the Latin Middle Ages (XXXIX, pp. 231-234) Charles S. F. Burnett

Bonaventura Berlinghieri’s Palmettes (XXXIX, pp. 234-236) Ernst H. Gombrich

An Unpublished Bodleian Miniature: The Entombment in the Holy Sepulchre (XXXIX, pp. 236-237) Barbara G. Lane

Bartolomeo Scala’s Dealings with Booksellers, Scribes and Illuminators, 1459-63: (1) Bartolomeo Scala (XXXIX, pp. 237-239) A. M. Brown

Bartolomeo Scala’s Dealings with Booksellers, Scribes and Illuminators, 1459-63: (2) The Book Trade (XXXIX, pp. 239-245) A. C. de la Mare

A Drawing for Santa Maria presso San Satiro (XXXIX, pp. 246-253) R. V. Schofield

Of Beggars: Lucas van Leyden and Sebastian Brant (XXXIX, pp. 253-257) Lawrence A. Silver

Architecture in Vasari’s ‘Massacre of the Huguenots’ (XXXIX, pp. 258-261) E. Howe

On the Iconography of a Carving in King’s College Chapel, Cambridge, p. 262 Jennifer Fellows

The Iconography of Spenser’s Occasion (XXXIX, pp. 263-266) John Manning; Alastair Fowler

Henry Fuseli’s ‘Queen Katherine’s Vision’ and Macklin’s Poets’ Gallery: A New Critique (XXXIX, pp. 266-268) Marcia Allentuck

The Origin and the Concept of ‘Classique’ in French Art Criticism (XXXIX, pp. 268-275) J. J. L. Whiteley

Delacroix Emblematicus, His Unknown Studies after Bonasone (XXXIX, pp. 275-280) Sara Lichtenstein

Vol. XL, 1977

John of Salisbury’s Manuscripts of Frontinus and of Gellius (XL, pp. 1-26) Janet Martin

Saint Mark’s Trophies: Legend, Superstition, and Archaeology in Renaissance Venice (XL, pp. 27-49) Marilyn Perry

The Brancacci Chapel: Studies in Its Iconography and History (XL, pp. 50-98)Anthony Molho

Sant’Andrea at Mantua and Gonzaga Patronage 1460-1472 (XL, pp. 99-127) D. S. Chambers

Leonardo and the Visual Pyramid (XL, pp. 128-149) Martin Kemp

On the Scholarship of Politian and Its Context (XL, pp. 150-188) A. Grafton

Lefevre d’Etaples, Symphorien Champier, and the Secret Names of God (XL, pp. 189-211) Brian P. Copenhaver

Extraits des Glosae super Platonem de Guillaume de Conches dans un manuscrit de Londres (XL, pp. 212-222) Edouard Jeauneau

The Coryciana and the Nymph Corycia (XL, pp. 223-239) Phyllis Pray Bober

Andrea Palladio, Polybius and Julius Caesar (XL, pp. 240-255) J. R. Hale

Descartes’s Dreams (XL, pp. 256-273) Alice Browne

Herod’s Demon-Crown (XL, pp. 274-276) Miriam Skey

John of Salisbury’s Policraticus in Thirteenth-Century England: The Evidence of Ms Cambridge Corpus Christi College 469 (XL, pp. 276-282) Amnon Linder

New Light on the Circulation of the A-Text of Seneca’s Tragedies (XL, pp. 283-290) R. H. Rouse; A. C. de la Mare

The Throne and the Seven-Branched Candlestick: Pico della Mirandola’s Hebrew Source (XL, pp. 290-292) Moshe Idel

Two Notes on Diego da Sagredo (XL, pp. 292-300) Nigel Llewellyn

The Authorship of the Recueil d’Arras (XL, pp. 301-313) Lorne Campbell

Inigo Jones: An Allegory Recovered, p. 314 Stephen Orgel

Rubens’s Infant-Cornucopia (XL, pp. 315-318) Elizabeth McGrath

A Sixteenth-Century Illustrated Treatise on Comets (XL, pp. 318-322) Jean-Michel Massing

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Vol. XLI (1978); Vol. XLII (1979); Vol. XLIII (1980); Vol. XLIV (1981); Vol. XLV (1982); Vol. XLVI (1983); Vol. XLVII (1984);

Vol. XLVIII (1985); Vol. XLIX (1986); Vol. L (1987).  Vol. XLI, 1978

The Medieval Legend of the Last Roman Emperor and Its Messianic Origin (XLI, pp. 1-15) Paul J. Alexander

Medieval Illustrations of Bede’s Life of St. Cuthbert (XLI, pp. 16-49) Malcolm Baker

The Vision of Thurkill (XLI, pp. 50-64) Paul Gerhard Schmidt

The Discovery of an Early Man of Sorrows on a Dominican Triptych (XLI, pp. 65-75) H. W. van Os

Lorenzo Valla’s De Vero Falsoque Bono, Lactantius and Oratorical Scepticism (XLI, pp. 76-107) Letizia A. Panizza

Leonardo’s Eye (XLI, pp. 108-146) James S. Ackerman

Doctor Parma’s Medicinal Macaronic: Poem by Bartolotti, Pictures by Giorgione and Titian (XLI, pp. 147-191)William Schupbach

The Historiography of Discovery in the Renaissance: The Sources and Composition of Polydore Vergil’s De Inventoribus Rerum, I-III (XLI, pp. 192-214) Brian P. Copenhaver

Cardinal Domenico Grimani’s Legacy of Ancient Art to Venice (XLI, pp. 215-244) Marilyn Perry

The Painted Decoration of Rubens’s House (XLI, pp. 245-277) Elizabeth McGrath

The Fonthill Abbey Pictures: Two Additions to the Hazlitt Canon (XLI, pp. 278-296) Stanley Jones

The Corbels in the Dome of Loarre (XLI, pp. 297-301) Katherine Watson

Gardens of Virtue in the Middle Ages (XLI, pp. 302-307) Ellen Kosmer

Bishop Bradwardine on the Artificial Memory (XLI, pp. 307-312) Beryl Rowland

The Political Significance of Uccello’s Battle of San Romano (XLI, pp. 313-316) Gordon Griffiths

The Virgin Snail (XLI, p. 316) Helen S. Ettlinger

A Dog Named Rubino (XLI, pp. 317-320) Rodolfo Signorini

Hozi... Cadette il Naso a Virgilio (XLI, pp. 320-321) Rodolfo Signorini

Papal Conclaves and Prophetic Mystery in the Sistine Chapel (XLI, pp. 322-326) D. S. Chambers

Cupid Disarmed, or Venus Wounded? An Ovidian Source for Michelangelo and Bronzino (XLI, pp. 327-331) William Keach

Aspects of Imitation in Cavino’s Medals (XLI, pp. 331-334) Charles Davis

Bellori, Maratti and the Palazzo Altieri (XLI, pp. 334-340)

Jennifer Montagu

Goya’s Liberal Iconography: Two Images of Jovellanos (XLI, pp. 340-344) Steven A. Mansbach

Pugin and Ruskin (XLI, pp. 344-350) Patrick R. M. Conner

Vol. XLII, 1979

Figured Poetry (XLII, pp. 1-15) Elizabeth Cook

Saturn and the Jews (XLII, pp. 16-27) Eric Zafran

The Problem of Provincialism: Byzantine Monasteries in Cappadocia and Monks in South Italy (XLII, pp. 28-46) Ann Wharton Epstein

The Master of Gargilesse: A French Sculptor of the First Half of the Twelfth Century (XLII, pp. 47-64) Adelheid Heimann

An Early Fourteenth-Century English Psalter in the Escorial (XLII, pp. 65-80) Lucy Freeman Sandler

Pierfrancesco de’ Medici, 1430-1476: A Radical Alternative to Elder Medicean Supremacy? (XLII, pp. 81-103) Alison Brown

Cupid and Psyche in Renaissance Painting before Raphael (XLII, pp. 104-121) Luisa Vertova

Early Medicean Devices (XLII, pp. 122-143) Francis Ames-Lewis

Jean Lemaire de Belges and Prophecy (XLII, pp. 144-166) Jennifer Britnell

Rhetoric, Philology and Egyptomania in the 1570s: J. J. Scaliger’s Invective against M. Guilandinus’s Papyrus (XLII, pp. 167-194) A. Grafton

George Gilbert Scott and the Martyrs’ Memorial (XLII, pp. 195-206) Nicola C. Smith

On the Blank Daniel-Cycle in MS Junius II (XLII, pp. 207-213) Peter J. Lucas

The Seven-Branched Candlestick as a Psalter Illustration (XLII, pp. 213-215) Pamela Willetts

In the Wake of the Bury Bible: Followers of Master Hugo at Bury St. Edmunds (XLII, pp. 216-224) Elizabeth Parker McLachlan

A Note on Pamphilus (XLII, pp. 225-230) Peter Dronke

The Iconography of the Months at Lentini (XLII, pp. 230-233) Nancy Rash Fabbri

Aspects of the Iconography of the Devil at the Crucifixion (XLII, pp. 233-235) C. W. Marx; M. A. Skey

Francesco Filelfo’s Lost Letter De Ideis (XLII, pp. 236-249) Jill Kraye

Lorenzo de’ Medici’s Acquisition of Poggio a Caiano in 1474 and an Early Reference to His Architectural Expertise (XLII, pp. 250-257) F. W. Kent

Antonio Pollaiuolo’s Use of the Antique (XLII, pp. 257-263) Laurie Fusco

Giulio Romano, Giovanni da Udine and Raphael: Some Influences from the Minor Arts of Antiquity (XLII, pp. 263-272) Toby Yuen

Distat Enim Qvae Sydera te Excipiant (XLII, p. 273) Rodolfo Signorini

Cosmas and Damian in the New Sacristy (XLII, pp. 274-277) Till Verellen

The Last Will of Daniele Barbaro (XLII, pp. 277-282) Bruce Boucher

The Author of a Renaissance Commentary on Pliny: Rivius, Trithemius or Aquaeus? (XLII, pp. 282-286) Charles G. Nauert

A New Source for John Lyly’s Euphues and His England (XLII, pp. 286-289) Gareth. J. Roberts

Landscape and the ‘Art Prospective’ in England, 1584-1660 (XLII, pp. 290-293) James Turner

Vol. XLIII, 1980

Some of the Sources of the Ghayat al-hakim (XLIII, pp. 1-15) David Pingree

Bernard Silvestris, Natura, and Personification (XLIII, pp. 16-31) Peter Dronke

The Reconstructed Toledo Speculum Humanae Salvationis: The Italian Connection in the Early Fourteenth Century (XLIII, pp. 32-51) Evelyn Silber

The Windmill Psalter: The Historiated Letter E of Psalm One (XLIII, pp. 52-67) Adelaide Bennett

Leon Battista Alberti’s System of Human Proportions (XLIII, pp. 68-96) Jane Andrews Aiken

The Influence of Hermias on Marsilio Ficino’s Doctrine of Inspiration (XLIII, pp. 97-109) Anne Sheppard

Two Commentaries on the Phaedrus: Ficino’s Indebtedness to Hermias (XLIII, pp. 110-129) Michael J. B. Allen

Golden Age and Justice in Sixteenth-Century Florentine Political Thought and Imagery: Observations on Three Pictures by Jacopo Zucchi (XLIII, pp. 130-149) Thomas Puttfarken

Greek Sculpture and Roman Copies I: Anton Raphael Mengs and the Eighteenth Century (XLIII, pp. 150-173) A. D. Potts

An Aspect of the Early Gothic Revival: The Transformation of Medievalist Research, 1770-1800 (XLIII, pp. 174-185) John Frew

The ‘Spectre’ of Science. The Study of Optical Phenomena and the Romantic Imagination (XLIII, pp. 186-200) C. J. Wright

The Growth of Interest in Early Italian Painting in Britain: George Darley and the Athenaeum, 1834-1846 (XLIII, pp. 201-220) Robyn Cooper

Eve as Reason in a Tradition of Allegorical Interpretation of the Fall (XLIII, pp. 221-226) A. Kent Hieatt

Mechanical Wheels of Fortune, 1100-1547 (XLIII, pp. 227-233)

Alan H. Nelson

Tomaso da Modena, Simone Martini, Hungarians and St. Martin in Fourteenth-Century Italy (XLIII, pp. 234-238) Stella Mary Newton

The Book of Wisdom and Lorenzetti’s Fresco in the Palazzo Pubblico at Siena (XLIII, pp. 239-241) Chiara Frugoni

Cyriacus of Ancona and the Ottoman Sultan Mehmed II (XLIII, pp. 242-246) Julian Raby

Giovanni da Tolentino Goes to Rome: A Description of the Antiquities of Rome in 1490 (XLIII, pp. 246-256) Richard Schofield

A New Look at Melencolia I (XLIII, pp. 257-258) David Pingree

The Winged Bacchus (Pausanias, Rabelais and Later Emblematists) (XLIII, pp. 259-262) M. A. Screech

A Scholion by Hermias to Plato’s Phaedrus and Its Adaptations in Pietro Testa’s Blinding of Homer and in Politian’s Ambra (XLIII, pp. 262-265) Elizabeth Cropper

Vol. XLIV, 1981

A Locus Classicus of Colour Theory: The Fortunes of Apelles (XLIV, pp. 1-26) John Gage

Between the Ghaya and Picatrix. I: The Spanish Version (XLIV, pp. 27-56) David Pingree

Vincenzo Borghini and Invenzione: The Florentine Apparato of 1565 (XLIV, pp. 57-75) R. A. Scorza

El Greco’s Entombment of the Count of Orgaz and Spanish Medieval Tomb Art (XLIV, pp. 76-89) Franz Philipp

Dreams and Picture-Writing: Some Examples of This Comparison from the Sixteenth to the Eighteenth Century (XLIV, pp. 90-100) Alice Browne

Prolegomena to Friedrich August Wolf (XLIV, pp. 101-129)

Anthony Grafton

Cubism and ‘The Fourth Dimension’ in the Context of the Late Nineteenth-Century and Early Twentieth-Century Revival of Occult Idealism (XLIV, pp. 130-147) Tom H. Gibbons

Leviathan, Behemoth and Ziz: A Christian Adaptation (XLIV, pp. 148-156) Lois Drewer

A Walrus Ivory Pyx and the Visitatio Sepulchri (XLIV, pp. 157-160) T. A. Heslop

A Note on the Origins of the Third Vatican Mythographer (XLIV, pp. 160-166) Charles S. F. Burnett

Hermann of Carinthia and the Kitab al-Istamatis: Further Evidence for the Transmission of Hermetic Magic (XLIV, pp. 167-169) Charles S. F. Burnett

Two Scholastic Discussions of the Perception of Depth by Shading (XLIV, pp. 170-175) Peter Marshall

A Textual Source for Ghiberti’s ‘Creation of Eve’ (XLIV, p. 176) Helen Ettlinger

Laetentur Caeli: The Council of Florence and the Astronomical Fresco in the Old Sacristy (XLIV, pp. 176-180) Patricia Fortini Brown

Acquisitions for Ludovico II Gonzaga’s Library (XLIV, pp. 180-183) Rodolfo Signorini

A Further Note on the Greek Manuscripts of Palla Strozzi (XLIV, pp. 183-185) Heather J. Gregory

Hic Terminus Haeret: Du Terme d’Erasme a la devise de Claude Gouffier: la fortune d’un embleme a la Renaissance (XLIV, pp. 186-192) Jean Guillaume

‘What Venus Did with Mars’: Battista Fiera and Mantegna’s ‘Parnassus’ (XLIV, pp. 193-198) Roger Jones

A Presentation Volume for Henry VIII: The Charlecote Park Copy of Erasmus’s Institutio principis Christiani (XLIV, pp. 199-202) Cecil H. Clough

A Lost Poem by Michelangelo? (XLIV, pp. 202-206) Anthony Hughes

Marcantonio Michiel’s Mercury Statue: Astronomical or Astrological? (XLIV, pp. 207-209) J. C. Eade

The Invention of Gunpowder (XLIV, pp. 209-211) Scott Schaefer

The Chariot of Venus: A Note on Chapman’s Mythographical Sources (XLIV, pp. 211-213) Supriya Chaudhuri

The Author of the Codex Huygens (XLIV, pp. 214-220) Sergio Marinelli

Rubens’s Emblem of the Art of Painting (XLIV, pp. 221-222) Jeffrey M. Muller

Thomas Hobbes and the ‘Far-Fetched’ (XLIV, pp. 222-232) Elizabeth J. Cook

Picturing Hobbes’s Politics? The Illustrations to Philosophicall Rudiments (XLIV, pp. 232-237) M. M. Goldsmith

Donec auferatur luna: The Facade of S. Maria della Pace (XLIV, pp. 238-239) Peter Burke

The Source of Bunyan’s Mapp of Salvation (XLIV, pp. 240-241) Gordon Campbell

Ars longa, vita brevis: The Watteau Study and Lord Percy by J. M. W. Turner (XLIV, pp. 241-247) Gerald Finley

Vol. XLV, 1982

‘This Story Is Not True.’ Fact and Fiction in Antiquity (XLV, pp. 1-13) C. R. Ligota

An Illustrated Fragment of Peraldus’s Summa of Vice: Harleian MS 3244 (XLV, pp. 14-68) Michael Evans

Simone Martini, the Dominicans and the Early Sienese Polyptych (XLV, pp. 69-93) Joanna Cannon

Below the Angel: An Urbanistic Project in the Rome of Pope Nicholas V (XLV, pp. 94-124)

Charles Burroughs

Giovanni Pico della Mirandola and Jochanan Alemanno (XLV, pp. 125-147) B. C. Novak

The Liturgical and Commemorative Allusions in Raphael’s Transfiguration and Failure to Heal (XLV, pp. 148-159) Catherine King

Annibal Caro as Iconographer: Sources and Method (XLV, pp. 160-181) Clare Robertson

Early Medieval Wall-Painting in the Church of San Clemente, Rome: The Libertinus Cycle and Its Date (XLV, pp. 182-185) John Osborne

An Illustrated Greek Astronomical Manuscript. Commentary of Theon of Alexandria on the Handy Tables and Scholia and Other Writings of Ptolemy concerning Them (XLV, pp. 185-192) David Pingree

Jewish Participation in Royal Funerary Rites: An Early Use of the Representatio in Aragon (XLV, pp. 192-194) Elena Lourie

Marsilio Ficino and the Twelve Gods of the Zodiac (XLV, pp. 195-202) Carol V. Kaske

Botticelli’s ‘Primavera’: che volea s’intendesse (XLV, pp. 202-210) Paul Holberton

Bosch’s Wanderer and a Poverty Commonplace from Juvenal (XLV, pp. 211-216) Rene Graziani

Machiavelli and the Interpretation of the Chiron Myth in France (XLV, pp. 217-225) Heather Ingman

The Geometric Body in Durer’s Engraving Melencolia I (XLV, pp. 226-232) Terence Lynch

The Court: Castiglione’s Ideal and Tudor Reality; Being a Discussion of Sir Thomas Wyatt’s Satire Addressed to Sir Francis Bryan (XLV, pp. 232-239) David Starkey

Bronzino’s Allegory in the National Gallery (XLV, pp. 239-243) Charles Hope

Marvell and the Twelve Caesars (XLV, pp. 244-248) R. J. Dingley

La Fontaine Egyptologue (XLV, pp. 248-250) Jean Seznec

The Baluster Column: A European Motif in Mughal Architecture and Its Meaning (XLV, pp. 251-262) Ebba Koch

Transformations of Cervantes’s ‘La Gitanilla’ in Dutch Art (XLV, pp. 263-270) Ivan Gaskell

An Unpublished Letter on the Theme of Religion from Count Lorenzo Magalotti to the Honourable Robert Boyle in 1672 (XLV, pp. 271-278) Anna Maria Crino

Vol. XLVI, 1983

Towards an Iconography of Anglo-Saxon Architecture (XLVI, pp. 1-18) Richard Gem

The Illustration of Pliny’s Historia naturalis: Manuscripts before 1430 (XLVI, pp. 19-39) Lilian Armstrong

Textual Interpretation in Italy, 1350-1450: Seneca’s Letter I to Lucilius (XLVI, pp. 40-62) Letizia A. Panizza

Giordano Bruno: The Texts in the Library of the Ninth Earl of Northumberland (XLVI, pp. 63-77) Hilary Gatti

Protestant versus Prophet: Isaac Casaubon on Hermes Trismegistus (XLVI, pp. 78-93) Anthony Grafton

The University as Cloister, Garden and Tree of Knowledge. An Iconographic Invention in the University of Cuzco (XLVI, pp. 94-132) Francisco Stastny

The Iconography of Stourhead (XLVI, pp. 133-143) Malcolm Kelsall

British Travellers and Scholars in the Roman Catacombs 1450-1900 (XLVI, pp. 144-165) Robert W. Gaston

Walter Pater’s Marius the Epicurean. The Imaginary Portrait as Cultural History (XLVI, pp. 166-190) Jules Lubbock

Edvard Munch’s Dramatic Images 1892-1909 (XLVI, pp. 191-206) Carla Lathe

Giovanni Rucellai: An Epitaph, p. 207 F. W. Kent

Proverbial Wisdom and Social Criticism: Two New Pages from the Walters Art Gallery’s Proverbes en rimes (XLVI, pp. 208-210) Jean Michel Massing

‘The Prison of Love’: A Medieval Romance in the French Renaissance and Its Illustration (B. N. MS fr. 2150) (XLVI, pp. 211-221) Myra Dickman Orth

Emblems and Devices on a Ceiling in the Chateau of Dampierre-sur-Boutonne (XLVI, pp. 221-228) Maria Antonietta de Angelis

‘The Drunken Alcibiades’: Rubens’s Picture of Plato’s Symposium (XLVI, pp. 228-235) Elizabeth McGrath

Rembrandt and The Slaughtered Ox (XLVI, pp. 235-239) Kenneth M. Craig

The Cat and the Cradle (XLVI, pp. 240-242) Julian Treuherz

Vol. XLVII, 1984

The Grave of Vergil (XLVII, pp. 1-31) J. B. Trapp

An Anglo-Saxon Portable Altar: Inscription and Iconography (XLVII, pp. 32-51) Elisabeth Okasha; Jennifer O’Reilly

Alberti’s De Pictura: Its Literary Structure and Purpose (XLVII, pp. 52-71) D. R. Edward Wright

Fra Giocondo da Verona and His Edition of Vitruvius (XLVII, pp. 72-90) Lucia A. Ciapponi

The Astrological Vault of the Villa Farnesina Agostino Chigi’s Rising Sign (XLVII, pp. 91-105) Mary Quinlan-McGrath

Art and Propaganda in Late Renaissance and Baroque Florence: The Defeat of Radagasius, King of the Goths (XLVII, pp. 106-118) Henk Th. van Veen

Marlborough, Art and Diplomacy: The Background to Peter Strudel’s Drawing of Time Revealing Truth and Confounding Fraudulence (XLVII, pp. 119-135) P. M. Barber

Basle, Bachofen and the Critique of Modernity in the Second Half of the Nineteenth Century (XLVII, pp. 136-185) Lionel Gossman

Some Medieval and Renaissance Citations of Theophrastus (XLVII, pp. 186-190) R. W. Sharples

Seven Manuscripts Palla Strozzi Gave to the S. Giustina Library (XLVII, pp. 190-191) Mark L. Sosower

The Birth Date of Agostino Chigi: Documentary Proof (XLVII, pp. 192-193) Ingrid. D. Rowland

Some Panegyrics to Agostino Chigi (XLVII, pp. 194-199) Ingrid D. Rowland

An Unpublished ‘Pronosticatio’ on the Return of Charles VIII to Italy (XLVII, pp. 200-203) Amnon Linder

The Ominous Play of Children: Thomas More’s Adaptation of an Image from Antiquity (XLVII, pp. 204-205) Walter M. Gordon

Pirro Ligorio, the Casino of Pius IV, and Antiques for the Medici: Some New Documents (XLVII, pp. 205-209) Robert W. Gaston

An Early Sixteenth-Century Genealogy of Anglo-Saxon Kings (XLVII, pp. 209-216) C. M. Kauffmann

The Astrological Decoration of the Sala dei Venti in the Palazzo del Te (XLVII, pp. 216-222) Kristen Lippincott

How Hermes Trismegistus Was Introduced to Renaissance England: The Influences of Caxton and Ficino’s ‘Argumentum’ on Baldwin and Palfreyman (XLVII, pp. 222-225) J. S. Gill

Jean de La Jessee and the Family of Love in France (XLVII, pp. 225-228) Heather Ingman

Account-Book Covers in Some Vanitas Still-Life Paintings (XLVII, pp. 229-231) Basil S. Yamey

A Note on the Iconography of a Medal of Lavinia Fontana (XLVII, pp. 232-234) Jean Owens Schaefer

Milton and the Lives of the Ancients (XLVII, pp. 234-238) Gordon Campbell

Vol. XLVIII, 1985

The Five Senses in Late Medieval and Renaissance Art (XLVIII, pp. 1-22) Carl Nordenfalk

Rudolph Agricola’s Reading of Literature (XLVIII, pp. 23-41) Peter Mack

The Astrological Vault of the Camera di Griselda from Roccabianca (XLVIII, pp. 43-70) Kristen Lippincott

Giovanni Battista Benedetti on the Mathematics of Linear Perspective (XLVIII, pp. 71-99) J. V. Field

From De die natali to De emendatione temporum: The Origins and Setting of Scaliger’s Chronology (XLVIII, pp. 100-143) Anthony Grafton

Minimum and Maximum, Finite and Infinite Bruno and the Northumberland Circle (XLVIII, pp. 144-163) Hilary Gatti

Goethe and Caricature: From Hogarth to Topffer (XLVIII, pp. 164-188) David Kunzle

Imagerie populaire et caricature: la graphique politique antinapoleonienne en Russie et ses antecedents petroviens (XLVIII, pp. 189-221) Marina Peltzer

Mercury at the Crossroads in Renaissance Emblems (XLVIII, pp. 222-229) Barbara C. Bowen

Agrippa, Leonardo and the Codex Huygens (XLVIII, pp. 229-234) Frank Zollner

Don Quixote in Broadsheets of the Seventeenth and Early Eighteenth Centuries (XLVIII, pp. 234-238) Johannes Hartau

Hogarth’s Madmen (XLVIII, pp. 238-242) Jane E. Kromm

Vol. XLIX, 1986

The Twelfth-Century Crusading Window of the Abbey of Saint-Denis: Praeteritorum Enim Recordatio Futurorum est Exhibitio (XLIX, pp. 1-40) Elizabeth A. R. Brown; Michael W. Cothren

An Early French Humanist and Sallust: Jean Lebegue and the Iconographical Programme for the Catiline and Jugurtha (XLIX, pp. 41-65) Donal Byrne

Piero della Francesca’s Treatment of Edge Distortion (XLIX, pp. 66-90) J. V. Field

Bramante, Michelangelo and the Sistine Ceiling (XLIX, pp. 91-105) Charles Robertson

De emendata structura latini sermonis: The Latin Grammar of Thomas Linacre (XLIX, pp. 106-125) Kristian Jensen

The Mirabilis Liber: Its Compilation and Influence (XLIX, pp. 126-149) Jennifer Britnell; Derek Stubbs

The Image and the Moving Eye: Jean Pelerin (Viator) to Guidobaldo del Monte (XLIX, pp. 150-171) Thomas Frangenberg

A Cambridge Platonist’s Materialism: Henry More and the Concept of Soul (XLIX, pp. 172-195) John Henry

Shakespearean Allusion in English Caricature in the Age of Gillray (XLIX, pp. 196-210) Jonathan Bate

John of Damascus, De fide orthodoxa: Translations by Burgundio (1153/54), Grosseteste (1235/40) and Lefevre d’Etaples (1507) (XLIX, pp. 211-217) Irena Backus

Alexander the Great in Medieval Hebrew Literature (XLIX, pp. 218-226) W. Jac. van Bekkum

Van Eyck’s Illuminated Carafe (XLIX, pp. 227-230) Brian Madigan

Roger Bacon and the Composition of Marsilio Ficino’s De vita longa (De vita, Book II) (XLIX, pp. 230-233) John R. Clark

Mantegna’s Unknown Sons: A Rediscovered Epitaph (XLIX, pp. 233-235) Rodolfo Signorini

The Apollo Belvedere and the Garden of Giuliano della Rovere at SS. Apostoli (XLIX, pp. 235-238) Deborah Brown

Durer’s Dreams (XLIX, pp. 238-244) Jean Michel Massing

A Proposal for the Foundation Date of the Villa Farnesina (XLIX, pp. 245-250) Mary Quinlan-McGrath

Syphilis and Bronzino’s London Allegory (XLIX, pp. 250-255) J. F. Conway

The Case for the 1593 Edition of Thomas Combe’s Theater of Fine Devices (XLIX, pp. 255-257) Peter M. Daly

Michelangelo’s Lost Sleeping Cupid and Fetti’s Vertumnus and Pomona (XLIX, pp. 257-259) Ruth Rubinstein

Ronsard’s Odes as a Source for Poussin’s Aurora and Cephalus (XLIX, pp. 259-261) Philip L. Sohm

Arthur’s Round Table in Hudibras (XLIX, pp. 261-264) David Carlson

Vol. L, 1987

Foreword to the Fiftieth Volume (L, unpaginated, 1 p.) C. M. Kauffmann; J. B. Trapp

Panofsky, Suger and St Denis (L, pp. 1-17) Peter Kidson

Pietro Lorenzetti and the History of the Carmelite Order (L, pp. 18-28)

Joanna Cannon

Classical Themes in the Decoration of the Palazzo Vecchio in Florence (L, pp. 29-43) Nicolai Rubinstein

Annius of Viterbo and Historical Method (L, pp. 44-56) Christopher R. Ligota

Ibn al-Hatim on the Talismans of the Lunar Mansions (L, pp. 57-81) Kristen Lippincott; David Pingree

The Private Chapel of Cardinal Alessandro Farnese in the Cancelleria, Rome (L, pp. 82-112) Patricia Rubin

The ‘Bellissimo Ingegno’ of Ferdinando Gonzaga (1587-1626), Cardinal and Duke of Mantua (L, pp. 113-147) D. S. Chambers

Velazquez and Murillo in Nineteenth-Century Britain. An Approach through Prints (L, pp. 148-159) Enriqueta Harris

Lord Ronald Gower, Gustave Dore and the Genesis of the Shakespeare Memorial at Stratford-on-Avon (L, pp. 160-170) Philip Ward-Jackson

Concerning Warburg’s ‘Costumi teatrali’ and Angelo Solerti (L, pp. 171-188) A. M. Meyer

The Earliest Chiromancy in the West (L, pp. 189-195) Charles S. F. Burnett

A Baronial Bestiary: Heraldic Evidence for the Patronage of MS Bodley 764 (L, pp. 196-200) Ronald Baxter

The Medallions on the Sistine Ceiling (L, pp. 200-204) Charles Hope

Ajax and Cassandra: An Antique Cameo and a Drawing by Raphael (L, pp. 204-205) Ruth Rubinstein

The Venus Belvedere: An Episode in Restoration (L, pp. 205-214) Arnold Nesselrath

The Illustrations of Lucian’s Imago vitae aulicae (L, pp. 214-219) Jean Michel Massing

Benedetto Varchi and the Visual Arts (L, pp. 219-224) Francois Quiviger

An Early Seventeenth-Century Canon of Artistic Excellence: Pierleone Casella’s Elogia Illustrium Artificum of 1606 (L, pp. 224-232) E. H. Gombrich

Rubens’s Musathena (L, pp. 233-245) Elizabeth McGrath

Rembrandt’s Woman Taken in Adultery (L, pp. 245-252) Michael Podro

Back to top .  Vol. LI (1988); Vol. LII (1989); Vol. LIII (1990); Vol. LIV (1991);

Vol. LV (1992); Vol. LVI (1993); Vol. LVII (1994); Vol. LVIII (1995); Vol. LIX (1996); Vol. LX (1997).

  Vol. LI, 1988

The Letter of Mardochaeus the Jew to Alexander the Great: A Lecture in Memory of Arnaldo Momigliano (LI, pp. 1-13) A. C. Dionisotti

Calendar Dates and Ominous Days in Ancient Historiography (LI, pp. 14-42) A. T. Grafton; N. M. Swerdlow

Maimonides in Muscovy: Medical Texts and Terminology (LI, pp. 43-65) W. F. Ryan

Joachimist Prophecies in Sebastiano del Piombo’s Borgherini Chapel and Raphael’s Transfiguration (LI, pp. 66-83) Josephine Jungic

Jurisconsultus Perfectus: The Lawyer as Renaissance Man (LI, pp. 84-102) Donald R. Kelley

Cassiano dal Pozzo’s Copy of the Zaccolini Manuscripts (LI, pp. 103-125) Janis C. Bell

The Reception of the ‘New Philosophy’ in Eighteenth-Century Spain (LI, pp. 126-140) Anthony Pagden

Sir Joshua Reynolds and Italian Art and Art Literature. A Study of the Sketchbooks in the British Museum and in Sir John Soane’s Museum (LI, pp. 141-168) Giovanna Perini

Remarks on a Magical Inscription (LI, p. 169)

R. W. Daniel; P. J. Sijpesteijn

Ramon Lull and Ecstatic Kabbalah: A Preliminary Observation (LI, pp. 170-174) Moshe Idel

The Assumption of the Virgin on the Tabernacle of Orsanmichele (LI, pp. 174-180) Brendan Cassidy

Snow Blindness and Underground Fish-Migration: Two More Notes on Theophrastus (LI, pp. 181-184) R. W. Sharples

Piers Plowman and Local Iconography: The Font at Eardisley, Herefordshire (LI, pp. 184-186) R. E. Kaske

Mnemosyne and Calliope in the ‘Chapel of the Muses’, San Francesco, Rimini (LI, pp. 186-187) Catherine King

More on Ibn Al-Hatim (LI, pp. 188-190) Kristen Lippincott

Did Leonardo Develop a Theory of Curvilinear Perspective?: Together with Some Remarks on the ‘Angle’ and ‘Distance’ Axioms (LI, pp. 190-196) James Elkins

The Iconographical Sources of a Composite Manuscript from the Library of Raphael de Mercatellis (LI, pp. 197-209) Alain Arnould

Cannibalized Prints and Early Art History: Vasari, Bellori and Freart de Chambray on Raphael (LI, pp. 210-220) Jeremy Wood

The Prophet Armed: Machiavelli, Savonarola, and Rosso Fiorentino’s Moses Defending the Daughters of Jethro (LI, pp. 220-225) Vivien Gaston

Francesco Xanto Avelli and Petrarch (LI, pp. 225-234) Alison Holcroft

Homer, Greek Heroes and Hellenism in Giulio Romano’s Hall of Troy (LI, pp. 235-242) Bette L. Talvacchia

Some Newly-Discovered Works by Pirro Ligorio (LI, pp. 242-245) Ginette Vagenheim

Caravaggio’s Calling of St Matthew Reconsidered (LI, pp. 245-250) Angela Hass

The Meaning of Perseus and Andromeda in the Farnese Gallery and on the Rubens House (LI, pp. 250-260) John Beldon Scott

Rembrandt’s Jeremiah (LI, pp. 260-264) Sanford Budick

Vol. LII, 1989

Indian Planetary Images and the Tradition of Astral Magic (LII, pp. 1-13) David Pingree

The Battle between Christ and Satan in the Tiberius Psalter (LII, pp. 14-33) K. M. Openshaw

Action and Report: The Problem of Indirect Narration in the Academic Theory of Painting (LII, pp. 34-51) Sixten Ringbom

On the Prehistory of Politian’s Miscellaneorum centuria secunda (LII, pp. 52-70) Francesco Lo Monaco

The Illustrious Poets in Signorelli’s Frescoes for the Cappella Nuova of Orvieto Cathedral (LII, pp. 71-84) Rose Marie San Juan

Vincenzo Borghini and the Impresa (LII, pp. 85-110) R. A. Scorza

A Treatise by Francesco Bocchi in Praise of Andrea del Sarto (LII, pp. 111-139) Robert Williams

Some Elizabethan Allegorical Paintings: A Preliminary Enquiry (LII, pp. 140-166) David Evett

Jonathan Richardson, Lord Somers’s Collection of Drawings, and Early Art-Historical Writing in England (LII, pp. 167-187) Carol Gibson-Wood

Private and Public Patronage in Victorian Newcastle (LII, pp. 188-208) Dianne Sachko Macleod

Aristotle’s Advice to Alexander: Two English Metrical Versions of an Alexandreis Passage (LII, pp. 209-213)

Telfryn Pritchard

The Nomoi of Gemistos Plethon in the Light of Plato’s Laws (LII, pp. 214-219) Ruth Webb

An Unknown Letter by Vittorino da Feltre (LII, pp. 219-221) D. S. Chambers

Leon Battista Alberti’s Inscriptions on the Holy Sepulchre in the Cappella Rucellai, San Pancrazio, Florence (LII, pp. 221-228) Christine M. Sperling

When Was Michelangelo Born? (LII, pp. 228-232) Kristen Lippincott

An Unnoticed Description of Isabella d’Este’s Grotta (LII, pp. 232-235) S. Kolsky

An Allegory of Renaissance Politics in a Contemporary Italian Engraving: The Prognostic of 1510 (LII, pp. 236-240) Mark J. Zucker

St Luke of Bavaria by Engelhard de Pee (LII, pp. 240-245) Zygmunt Wazbinski

Rubens’s Latin Inscriptions on His Copies after Holbein’s Dance of Death (LII, pp. 245-250) Kristin Lohse Belkin

Painted Statues, Ben Jonson and Shakespeare (LII, pp. 250-253) B. J. Sokol

Hannibal’s Dream: A Painting by Jan Miel after an Idea by Emanuele Tesauro (LII, pp. 253-256) Friso Lammertse

New Light on the Spanish Ambassador’s Purchases from Charles I’s Collection 1649-53 (LII, pp. 257-267) Albert J. Loomie

Hogarth’s Fruitful Invention: Observations on Harlot’s Progress, Plate III (LII, pp. 267-269) Barry Wind

Vol. LIII, 1990

Astronomical Chronology and Prophecy: Jean-Dominique Cassini’s Discovery of Josephus’s Great Lunisolar Period of the Patriarchs (LIII, pp. 1-13) N. M. Swerdlow

Ancient Perspective and Euclid’s Optics (LIII, pp. 14-41)

Richard Tobin

Transfiguratio Domini in the Apse at Mount Sinai and the Symbolism of Light (LIII, pp. 42-60) Jerzy Miziolek

The Consolatio Philosophiae of Boethius in Medieval Spain (LIII, pp. 61-70) Dietrich Briesemeister

A Metrological Investigation (LIII, pp. 71-97) Peter Kidson

Galvano Fiamma, Azzone Visconti and the Revival of the Classical Theory of Magnificence (LIII, pp. 98-113) Louis Green

Measured Appearances: Documentation and Design in Early Perspective Drawing (LIII, pp. 114-132) Jehane R. Kuhn

The Sepulchre on the Facade: A Re-Evaluation of Sigismondo Malatesta’s Rebuilding of San Francesco in Rimini (LIII, pp. 133-143) Helen S. Ettlinger

Cosimo de’ Medici and the ‘Platonic Academy’ (LIII, pp. 144-162) James Hankins

The Image of a Fifteenth-Century Court: Secular Frescoes for the Castello di Porta Giovia, Milan (LIII, pp. 163-184) Evelyn Samuels Welch

Two Astrological Ceilings Reconsidered: The Sala di Galatea in the Villa Farnesina and the Sala del Mappamondo at Caprarola (LIII, pp. 185-207) Kristen Lippincott

An Illustrated Incunable of Pliny’s Natural History in the Biblioteca Palatina, Parma (LIII, pp. 208-216) Hermann Walter

Ars Tornandi: Baroque Architecture and the Lathe (LIII, pp. 217-236) Joseph Connors

Petronius and Neo-Latin Satire: The Reception of the Cena Trimalchionis (LIII, pp. 237-249) Anthony Grafton

‘Johannes Tertius’: Goethe and Renaissance Latin Poetry (LIII, pp. 250-265) Peter Godman

Expiatory Monuments by Carlo Marochetti in Dorset and the Isle of Wight (LIII, pp. 266-280) Philip Ward-Jackson

The Trail for Archimedes’s Tomb (LIII, pp. 281-286) D. L. Simms

Archimedes’s Tomb and the Artists: A Postscript (LIII, pp. 286-288) J. B. Trapp

The Name Picatrix: Transcription or Translation? (LIII, pp. 289-296) J. Thomann

Filarete’s Portrait Signature on the Bronze Doors of St Peter’s and the Dance of Bathykles and His Assistants (LIII, pp. 296-299) Catherine King

Pollaiuolo’s Lost Hercules and the Lion Recorded on Maiolica? (LIII, pp. 299-301) Timothy Wilson

The Procession Portrait of Queen Elizabeth I: A Note on a Tradition (LIII, pp. 301-307) David Armitage

Cesare Ripa: New Biographical Evidence (LIII, pp. 307-312) Chiara Stefani

The Story of Dryope: A Rare Subject from Ovid’s Metamorphoses (LIII, pp. 312-315) Ursula Sdunnus

Vol. LIV, 1991

The Ysagoge in Theologiam and the Commentaries Attributed to Bernard Silvestris (LIV, pp. 1-42) Michael Evans

The Great History of Troy: A Reassessment of the Development of a Secular Theme in Late Medieval Art (LIV, pp. 43-82) Scot McKendrick

Hercules and David in the Early Decoration of the Palazzo Vecchio: Manuscript Evidence (LIV, pp. 83-98) Maria Monica Donato

The Torlonia Vase: History and Visual Records from the Fifteenth to the Nineteenth Centuries (LIV, pp. 99-116) Luca Leoncini

Real Architecture, Imaginary History: The Arsenale Gate as Venetian Mythology (LIV, pp. 117-126)

Ralph Lieberman

Leonardo da Vinci’s Grotesque Heads and the Breaking of the Physiognomic Mould (LIV, pp. 127-136) Michael W. Kwakkelstein

Perspectivist Aristotelianism: Three Case-Studies of Cinquecento Visual Theory (LIV, pp. 137-158) Thomas Frangenberg

Alessandro Farnese, Giovanni della Casa and Titian’s Danae in Naples (LIV, pp. 159-171) Roberto Zapperi

A Florentine Sketchbook: Architecture, Apparati and the Accademia del Disegno (LIV, pp. 172-185) R. A. Scorza

From Imaginary Drama to Dramatized Imagery: The Mappe-Monde Nouvelle Papistique, 1566-67 (LIV, pp. 186-205) Dror Wahrman

A Spartan Academic Banquet in Siena (LIV, pp. 206-225) Francois Quiviger

A Fragment of ‘Liberal Arts’ Embroidery (LIV, pp. 226-230) Margaret Gibson

The Superiority of Taste (LIV, pp. 230-238) Charles Burnett

Pietro d’Abano on Giotto (LIV, pp. 238-244) J. Thomann

Riccobaldo of Ferrara and Giotto: An Update (LIV, p. 244) A. T. Hankey

The Camera dello Zodiaco of Federico II Gonzaga (LIV, pp. 244-247) Kristen Lippincott; Rodolfo Signorini

Daniele da Volterra’s Satirical Defence of His Art (LIV, pp. 247-252) David Jaffe

Archaeologists or Pharisees? Reflections on a Painting by Maarten van Heemskerck (LIV, pp. 253-256) E. H. Gombrich

Iungit Amor: Royal Marriage Imagery in France, 1550-1750 (LIV, pp. 256-261) David Watkin

Milton, Fletcher and the Gunpowder Plot (LIV, pp. 261-268)

David Quint

Disegni for the Tomb of Alexander VII (LIV, pp. 268-273) Michael Koortbojian

Vol. LV, 1992

The Black Andromeda (LV, pp. 1-18) Elizabeth McGrath

Medieval Proverb Collections: The West European Tradition (LV, pp. 19-35) Barry Taylor

The Arabic Beast Fable (LV, pp. 36-50) Robert Irwin

The Early History of the Tempio Malatestiano (LV, pp. 51-154) Charles Hope

The Auto da Fe: Ritual and Imagery (LV, pp. 155-168) Francisco Bethencourt

Agricola’s Use of the Comparison between Writing and the Visual Arts (LV, pp. 169-179) Peter Mack

Rosso Fiorentino’s Betrothal of the Virgin: Patronage and Interpretation (LV, pp. 180-199) David Franklin

Republicanism in the Visual Propaganda of Cosimo I de’ Medici (LV, pp. 200-209) Henk Th. van Veen

The Concept of Houding in Dutch Art Theory (LV, pp. 210-232) Paul Taylor

The Theory of the Musical Modes in the Academie Royale de Peinture et de Sculpture (LV, pp. 233-248) Jennifer Montagu

The Reasoning Eye: Alexander Pope’s Typographic Vision in the Essay on Man (LV, pp. 249-262) Tania Rideout

The Chancellor’s Two Bodies: Note on a Miniature in BNP lat. 4915 (LV, pp. 263-265) P. S. Lewis

The Frontispiece to an Illuminated Panegyric of Henry VII: A Note on the Sources (LV, pp. 266-270) Paul Gwynne

Domenico Campagnola’s Premonition of Meliboeus (LV, pp. 270-272) Louis Waldman

Francesco Bocchi on Disegno (LV, pp. 272-277) Claudia Hattendorff

Cesare Ripa and the Sala Clementina (LV, pp. 277-282) Christopher L. C. E. Witcombe

Vol. LVI, 1993

Poimandres: The Etymology of the Name and the Origins of the Hermetica (LVI, pp. 1-24) Peter Kingsley

Medieval Byzantine Magical Amulets and Their Tradition (LVI, pp. 25-62) Jeffrey Spier

Europa and the Winged Mercury on Two Cassone Panels from the Czartoryski Collection (LVI, pp. 63-74) Jerzy Miziolek

The Rhetorical Works of George of Trebizond and their Debt to Cicero (LVI, pp. 75-84) C. Joachim Classen

Infanticide in Passover Iconography (LVI, pp. 85-99) David J. Malkiel

Aristotle as a Source for Leonardo’s Theory of Colour Perspective after 1500 (LVI, pp. 100-118) Janis Bell

Tommaso della Porta’s ‘Castles in the Air’ (LVI, pp. 119-167) Gerda Panofsky

The Geometrical Order of the World: Otto Van Veen’s Physicae et theologicae conclusiones (LVI, pp. 168-182) Christoph Geissmar

The Stuart Court Masque and the Theatre of the Greeks (LVI, pp. 183-208) John Peacock

Egbert van Heemskerck’s Quaker Meetings Revisited (LVI, pp. 209-228) Harry Mount

The Political Background to Thornhill’s Paintings in St Paul’s Cathedral (LVI, pp. 229-237) Carol Gibson-Wood

Some Eighteenth-Century ‘Restored’ Boxers (LVI, pp. 238-255) Seymour Howard

‘Puro senza ornato’: Masaccio, Cristoforo Landino and Leonardo da Vinci (LVI, pp. 256-260) Hellmut Wohl

Isabella d’Este’s Philostratos (LVI, pp. 260-267) Michael Koortbojian; Ruth Webb

Wealth, Art, and Display: The Grimani Cameos in Renaissance Venice (LVI, pp. 268-274) Marilyn Perry

New Documents concerning the Discovery and Early History of the Nozze Aldobrandini (LVI, pp. 274-280) Francesca Cappelletti; Caterina Volpi

An Apocryphal Source in the Me’ or ‘Enayim of Azariah de’ Rossi (LVI, pp. 280-284) Joanna Weinberg

Vol. LVII, 1994

From Pythagoras to the Turba philosophorum: Egypt and Pythagorean Tradition (LVII, pp. 1-13) Peter Kingsley

The Sun’s Night Journey: A Pharaonic Image in Medieval Ireland (LVII, pp. 14-34) John Carey

The Iconography of Kingship in the Walter of Milemete Treatise (LVII, pp. 35-47) Michael Michael

Titian’s Mary Magdalen in the Palazzo Pitti: An Ambiguous Painting and Its Critics (LVII, pp. 48-59) Bernard Aikema

Vesalius and Human Diversity in De humani corporis fabrica (LVII, pp. 60-88) Nancy G. Siraisi

L’Homme-microcosme dans une estampe medico-philosophique du seizieme siecle (LVII, pp. 89-122) H. D. Saffrey

An Egyptian Traveller in the Republic of Letters: Josephus Barbatus or Abudacnus the Copt (LVII, pp. 123-150) Alastair Hamilton

Personata Stoa: Neostoicism and Senecan Tragedy (LVII, pp. 151-174) Roland Mayer

Van Dyck’s Last Religious Commission: An Altarpiece for Antwerp Cathedral (LVII, pp. 175-190) Frans Baudouin

The Geometry of a Dome: Ludovico David’s Dichiarazione della pittura della capella del Collegio Clementino di Roma (LVII, pp. 191-208) Thomas Frangenberg

Horace Walpole and Eighteenth-Century Garden History (LVII, pp. 209-226) Stephen Bending

Jacob Burckhardt as Architect of a New Art History (LVII, pp. 227-242) Martina Sitt

Two Thirteenth-Century Manuscripts of Crusader Legal Texts from Saint-Jean d’Acre (LVII, pp. 243-254) Peter Edbury; Jaroslav Folda

Matthias Wagener and Traces of Antonite Humanism in Cologne (LVII, pp. 254-263) Peter Macardle

Antique Candelabra in Frescoes by Bernardino Gatti and a Drawing by Giulio Romano (LVII, pp. 264-269) Jacqueline Biscontin

Two Notes on Decorations in the Galerie Francois I at Fontainebleau (LVII, pp. 270-278) Sylvie Beguin

The Pythagorean Inscription on Rosa’s London ‘Self-Portrait’ (LVII, pp. 278-283) Eckhard Leuschner

Vol. LVIII, 1995

The St Albans Psalter: A Reconsideration (LVIII, pp. 1-28) Kristine E. Haney

Defining the Corpus Aristotelicum: Scholastic Awareness of Aristotelian Spuria in the High Middle Ages (LVIII, pp. 29-51) Steven J. Williams

The Villa Farnesina, Time-Telling Conventions and Renaissance Astrological Practice (LVIII, pp. 53-71) Mary Quinlan-McGrath

Roman Customs Registers 1470-80: Items of Interest to Historians of Art and Material Culture (LVIII, pp. 72-87) Arnold Esch

Botticelli’s Mystic Nativity, Savonarola and the Millennium (LVIII, pp. 89-114) Rab Hatfield

The Art of Talking about Sculpture: Vasari, Borghini and Bocchi (LVIII, pp. 115-131) Thomas Frangenberg

Ioannes Wower of Hamburg, Philologist and Polymath. A Preliminary Sketch of His Life and Works (LVIII, pp. 132-151) Luc Deitz

Henry Savile and the Tychonic World-System (LVIII, pp. 152-179) Robert Goulding

From Greek Proverb to Soap Advert: Washing the Ethiopian (LVIII, pp. 180-201) Jean Michel Massing

Early Anglo-Norman Receipts for Colours (LVIII, pp. 203-209) Tony Hunt

The Sitter for Jan van Eyck’s ‘Leal Sovvenir’ (LVIII, pp. 210-215) Jacques Paviot

Scipio’s Wounds (LVIII, pp. 216-234) Silvia Tomasi Velli

A Fifteenth-Century Site Report on the Vatican Obelisk (LVIII, pp. 234-248) Brian Curran; Anthony Grafton

A Renaissance Image of Jupiter Stator (LVIII, pp. 249-252) Paul Gwynne

Aspects of Collecting in Renaissance Padua: A Bust of Socrates for Niccolo Leonico Tomeo (LVIII, pp. 252-265) Jonathan Woolfson; Andrew Gregory

A Garden of Statues and Marbles: The Soderini Collection in the Mausoleum of Augustus (LVIII, pp. 265-284) Anna Maria Riccomini

Vol. LIX, 1996

The Knot of the Heavens (LIX, pp. 1-13) Godefroid de Callatay

Two Astromagical Manuscripts of Alfonso X (LIX, pp. 14-23) Alejandro Garcia Aviles

Giotto’s Allegories of Justice and the Commune in the Palazzo della Ragione in Padua: A Reconstruction (LIX, pp. 24-47) Eva Frojmovic

Aristotle for the Layman: Sense Perception in the Poetry of Ausias March (LIX, pp. 48-60) Lluis Cabre

The Crucified Monk (LIX, pp. 61-102) Almuth Seebohm

New Findings about Andrea Mantegna: His Son Ludovico’s Post-Mortem Inventory (1510) (LIX, pp. 103-118) Rodolfo Signorini

The Image of Alexander VI and Cesare Borgia in the Sixteenth and Seventeenth Centuries (LIX, pp. 119-129) J. N. Hillgarth

Britannia and Melita: Pseudomorphic Sisters (LIX, pp. 130-147) Derk Kinnane-Roelofsma

The Florentine entrata of Joanna of Austria and Other Entrate Described in a German Diary (LIX, pp. 148-173) M. A. Katritzky

Carolus Scribanius’s Observations on Art in Antwerp (LIX, pp. 174-204) Julius S. Held

The Changing Image of Gustavus Adolphus on German Broadsheets, 1630-3 (LIX, pp. 205-244) John Roger Paas

A Private Homage to Galileo. Anton Domenico Gabbiani’s Frescoes in the Pitti Palace (LIX, pp. 245-273) Thomas Frangenberg

An ‘Early Christian’ Terracotta Altar (LIX, pp. 274-279) David Knipp

Elkanah’s Gift: Texts and Meaning in the Bury Bible Miniature (LIX, pp. 279-285) C. Michael Kauffmann

The Vision of St Anthony on a Thebaid Panel at Christ Church, Oxford (LIX, pp. 286-294) Christian Heck

Erasmus on William Grocyn and Ps-Dionysius: A Re-Examination (LIX, pp. 294-303) J. B. Trapp

The Creation of Adam: A Detail in Mantegna’s Madonna della Vittoria (LIX, pp. 303-304) Rodolfo Signorini

Some Misdated Letters of Pietro Aretino (LIX, pp. 304-314) Charles Hope

Henry VIII’s Illuminated ‘Great Bible’ (LIX, pp. 315-324) Tatiana C. String

The Fortuna of Juan Gines de Sepulveda’s Translations of Aristotle and of Alexander of Aphrodisias (LIX, pp. 325-332) Alejandro Coroleu

The Iconography of Velazquez’s Aesop (LIX, pp. 332-337) Nicholas Tromans

Vol. LX, 1997

Lifting the Veil: Two Typological Diagrams in the Hortus deliciarum (LX, pp. 1-22) Annette Kruger; Gabriele Runge

Merit and Money: The Procurators of St Mark and Their Commissioni, 1443-1605 (LX, pp. 23-88) D. S. Chambers

Petrus Christus’s Our Lady of the Dry Tree (LX, pp. 89-110) Hugo van der Velden

Greek Inscriptions on Two Venetian Renaissance Paintings (LX, pp. 111-129) Mauro Lucco; Anna Pontani

Jacopo Tintoretto’s Altarpiece of St Agnes at the Madonna dell’Orto in Venice and the Memorialisation of Cardinal Contarini (LX, pp. 130-163) Michael Douglas-Scott

The Last Tribute to Isabella of Bourbon at Salamanca (LX, pp. 164-193) Emilia Montaner

John Evelyn and the Garden of Epicurus (LX, pp. 194-214) Alastair Small; Carola Small

On Reynolds’s Use of de Piles, Locke, and Hume in His Essays on Rubens and Gainsborough (LX, pp. 215-229) Amal Asfour; Paul Williamson

King Avicenna: The Iconographic Consequences of a Mistranslation (LX, pp. 230-243) Dag Nikolaus Hasse

Piero della Francesca’s Giants (LX, pp. 243-247) Paul Taylor; Caroline Van Eck

Youth and Spring in Botticelli’s Primavera (LX, pp. 248-251) Nicolai Rubinstein

Lorenzo Lotto’s Virgin and Child with St Onophrius and St Ignatius of Antioch (LX, pp. 251-253) David Ekserdjian

Savonarolan Prophecy in Leonardo’s Allegory with Wolf and Eagle (LX, pp. 253-260) Josephine Jungic

Hans Mielich at Titian’s Studio (LX, pp. 260-261) Charles Hope

Towards a History of the Library of Antonio Agustin (LX, pp. 261-272) Marc Mayer

New Light on Two ‘Venuses’ by Correggio (LX, pp. 272-275) Guido Rebecchini

The Enigma of St Joseph in Poussin’s Holy Family on the Steps (LX, pp. 276-281) Joseph F. Chorpenning

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Vol. LXI (1998); Vol. LXII (1999); Vol. LXIII (2000); Vol. LXIV (2001); Vol. LXV (2002); Vol. LXVI (2003); Vol. LXVII (2004)

  Vol. LXI, 1998

The Berardenga Antependium and the Passio Ymaginis Office (LXI, pp. 1-16) Michele Bacci

The Book Collection and Other Possessions of Baldassarre Castiglione (LXI, pp. 17-52) Guido Rebecchini

Sacrilege and Redemption in Renaissance Florence: The Case of Antonio Rinaldeschi (LXI, pp. 53-92) William J. Connell; Giles Constable

Antoine Morillon, Antiquarian and Medallist (LXI, pp. 93-110) M. H. Crawford

Ramus Reading: The Commentaries on Cicero’s Consular Orations and Vergil’s Eclogues and Georgics (LXI, pp. 111-141) Peter Mack

Individuality and Inwardness in the Literary Character Sketches of the Seventeenth Century (LXI, pp. 142-157) Jacques Bos

Giovanni Guerra and the Illustrations to Ripa’s Iconologia (LXI, pp. 158-175) Stefano Pierguidi

Between Tiger and Unicorn: The Temple of Love (LXI, pp. 176-197) Axel Stahler

Insanity and the Sublime: Aesthetics and Theories of Mental Illness in Goya’s Yard with Lunatics and Related Works (LXI, pp. 198-252) Peter K. Klein

An Emended Joke in Gerald of Wales (LXI, pp. 253-254) Michael Evans

A Note on the Ancestors of Christ in the Sistine Chapel (LXI, pp. 254-258) Lisa Pon

Castiglione and Erasmus: Towards a Reconciliation? (LXI, pp. 258-260) Guido Rebecchini

The Lambe Speaketh... An English Protestant Satire (LXI, pp. 261-267) Rowena J. Smith

Joris Hoefnagel’s ‘Emblematic’ Signature Reconsidered (LXI, pp. 267-272) Lubomir Konecny

Veronese, Callet and the Black Boy at the Feast (LXI, pp. 272-276) Elizabeth McGrath

Vol. LXII, 1999

Ambrogio Lorenzetti’s “Buon Governo” Frescoes: Two Old Questions, Two New Answers (LXII, pp. 1-28) Quentin Skinner

The Annotations of Nicolaus Cusanus and Giovanni Andrea Bussi on the “Asclepius” (LXII, pp. 29-59) Pasquale Arfé

Figured Riches: The Value of Gold Brocades in Fifteenth-Century Florentine Painting (LXII, pp. 60-92) Rembrandt Duits

The Scientific Instruments in Holbein’s “Ambassadors”: A Re-Examination (LXII, pp. 93-125)

Elly Dekker; Kristen Lippincott

As Good as Gold: The Mobile Earth and Early Modern Economics (LXII, pp. 126-166) Eileen Reeves

Lipsius and his Dogs: Humanist Tradition, Iconography and Rubens’s “Four Philosophers” (LXII, pp. 167-198) Jan Papy

Isaac Fuller’s “Escape of Charles II”: A Restoration Tragicomedy (LXII, pp. 199-240) David H. Solkin

Jean Hardouin: The Antiquary as Pariah (LXII, pp. 241-267) Anthony Grafton

Aby Warburg: his Aims and Methods. An Anniversary Lecture (LXII, pp. 268-282) E. H. Gombrich

Baluster-Cornered Box Tombs (LXII, pp. 287-295) A. D. Harvey

Lorenzo de’ Medici’s Acquisition of the “Sigillo di Nerone” (LXII, pp. 283-286) Melissa Meriam Bullard; Nicolai Rubinstein

Vol. LXIII, 2000

Who Wrote the “Twelfth Oration” of Themistius? (LXIII, pp. 1-23) Robert Goulding

Tradition and Innovation: Archbishop Chrodegang (742-66) and the Thirteenth-Century Family of Churches at Metz (LXIII, pp. 24-58) Christoph Brachmann

The Aretine Polyptych by Pietro Lorenzetti: Patronage, Iconography and Original Setting (LXIII, pp. 59-110) Giovanni Freni

Tommaso Malvito and Neapolitan Tomb Design of the Early Cinquecento (LXIII, pp. 111-130) Yoni Ascher

Conversations with the Dead: Quevedo and Statius, Annotation and Imitation (LXIII, pp. 131-168) Hilaire Kallendorf; Craig Kallendorf

The Horrible Tail-Man and the Anglo-Dutch Wars (LXIII, pp. 169-186) Elizabeth Staffell

‘In This Time Without Emperors’: The Politics of Ernst Kantorowicz’s “Kaiser Friedrich der Zweite” Reconsidered (LXIII, pp. 187-242) Martin A. Ruehl

Berthold of Moosburg’s Hermetic Sources (LXIII, pp. 243-258) Antonella Sannino

The Chapel of San Girolamo in Santa Maria del Popolo in Rome. New Evidence for the Discovery of the Domus Aurea (LXIII, pp. 259-270) Claudia La Malfa

Further Evidence about the Books of Baldassarre Castiglione (LXIII, pp. 271-276) Guido Rebecchini

The “Paragone” between Word and Image in “Impresa” Literature (LXIII, pp. 277-286) Dorigen Caldwell

“The Lambe Speaketh...” An Addendum (LXIII, pp. 287-294) Malcolm Jones

The Old Woman in Velázquez’s “Kitchen Scene with Christ’s Visit to Martha and Mary” (LXIII, pp. 295-302) Marta Cacho Casal

Vol. LXIV, 2001

Franciscan Choir Enclosures and the Function of Double-Sided Altarpieces in Pre-Tridentine Umbria (LXIV, pp. 1-54) Donal Cooper

Petrarch’s Laura: The Portraiture of an Imaginary Beloved (LXIV, pp. 55-192) J. B. Trapp

Richard Trewythian and the Uses of Astrology in Late Medieval England (LXIV, pp. 193-228) Sophie Page

The Prehistory of Modern Scepticism: Sextus Empiricus in Fifteenth-Century Italy (LXIV, pp. 229-279) Gian Mario Cao

Joachim of Fiore and the Images of the Apocalypse according to St John (LXIV, pp. 281-295) Marjorie Reeves

Isabella d’Este and the Travel Diary of Antonio de Beatis (LXIV, pp. 296-308) D. S. Chambers

Vol. LXV, 2002

The Eleventh-Century Shift in the Reception of Plato’s Timaeus and Calcidius’s Commentary (LXV, pp. 1-21) Anna Somfai

‘Palma dabit Palmam’: Franciscan Themes in a Devotional Manuscript (LXV, pp. 22-66) Amy Neff

Ludovico il Moro and his Moors (LXV, pp. 67-94) Elizabeth McGrath

A Regulated Suasion: The Regulating Lines of Francesco di Giorgio and Philibert de l’Orme (LXV, pp. 95-131) Giovanni Galli

The De’ Rossi Collection of Ancient Sculptures, Leo X, and Raphael (LXV, pp. 132-200) Kathleen Wren Christian

A New Inventory of the Royal Aragonese Library of Naples (LXV, pp. 201-243) Santiago López-Ríos

Bartoli, Giambullari and the Prefaces to Vasari’s “Lives” (1550) (LXV, pp. 244-258) Thomas Frangenberg

Dioscorides in Utopia (LXV, pp. 259-261) J. B. Trapp

Leo Africanus’s “Descrittione dell’Africa” and its Sixteenth-Century Translations (LXV, pp. 262-272) Crofton Black

Characterising the Passions: Michel Anguier’s Challenge to Le Brun’s Theory of Expression (LXV, pp. 273-282) Julia K. Dabbs

Vol. LXVI, 2003

A Fresco Portrait of Virgil at Lucignano (LXVI, pp. 1-28)Luke Houghton

The Laurentian Library and Michelangelo’s Architectural Method (LXVI, pp. 29-62)David Hemsoll

Vincenzo Borghini’s Collection of Paintings, Drawings and Wax Models: New Evidence from Manuscript Sources (LXVI, pp. 63-122)Rick Scorza

Inigo Jones, Capricious Ornament, and Plutarch’s Wise Man (LXVI, pp. 123-42)L. E. Semler

Cassiano Dal Pozzo, Poussin and the Making and Publication of Leonardo’s Trattato (LXVI, pp. 143-88)Donatella Sparti

Playing Games with Otherness: Watteau’s Chinese Cabinet at the Château de La Muette (LXVI, pp. 189-247)Katie Scott

The Mosaic of Speech: A Classical Topos in Renaissance Aesthetics (LXVI, pp. 249-63)Eric MacPhail

A Note on Leonardi Bruni’s Latin Translation of Plato’s Letters (LXVI, pp. 265-66)Wlodzimierz Olszaniec

Reassessing the Renaissance of the Palestrina Nile Mosaic (LXVI, pp. 267-71)Claudia La Malfa

Myth and Astronomy in the Frescoes at Sant’Abbondio in Cremona (LXVI, pp. 273-88)Charles Burnett; Marika Leino

Some Aspects of Cardinal Sigismondo Gonzaga’s Collections (LXVI, pp. 289-96)Guido Rebecchini

The Spilsburys: A Note on Pseudonyms in Late Eighteenth-Century Art Publishing (LXVI, pp. 297-98)Sally Humphreys

Vol. LXVII, 2004

The Sainte-Chapelle Lectionaries and the Illustration of the Parables in the Middle Ages (LXVII, pp. 1-22)C. M. Kauffmann

Aristotle in Medieval Spain: Writers of the Christian Kingdoms Confronting the Eternity of the World (LXVII, pp. 23-47)Ann Giletti

Virtuous and Sinful Uses of Temporal Wealth in the Breviari d’Amor of Matfre Ermengaud (MS BL Royal 19.C.I) (LXVII, pp. 49-80)Federico Botana

The Funding of the Façade of Santa Maria Novella (LXVII, pp. 81-127)Rab Hatfield

Giannozzo Manetti, Alfonso of Aragon and Pompey the Great: a Crusading Document of 1455 (LXVII, pp. 129-156)Paul Botley

Piero Pollaiuolo’s Lost Sacramental Altarpiece of the Corpus Domini (LXVII, pp. 157-192)Stephen J. Milner

Studies in the Renaissance Reception of Ancient Vault Decoration (LXVII, pp. 193-231)Hetty E. Joyce

Guercino’s Endymion, Hercules and Artemisia for Alessandro Argoli (LXVII, pp. 233-253)Miriam Di Penta

On the Date of the Liber Nemroth (LXVII, pp. 255-257)David Juste

Noah, Daniel and Job: the Three Righteous Men of Ezekiel 14.14 in Medieval Art (LXVII, pp. 259-267)Berthold Kress

The Exchange of Models in Florentine Workshops of the Quattrocento: a Sheet from the ‘Verrocchio Sketchbook’ (LXVII, pp. 269-274)Linda Pisani

Gigantomachia and the Wheel of Fortune in Works of Giulio Romano, Vincenzo Cartari and Anton Francesco Doni, and the Authorship of the Asinesca Gloria (LXVII, pp. 275-284)Stefano Pierguidi

Michelangelo’s Mistakes in the Generation of Christ (LXVII, pp. 285-294)Paul Taylor

Boötes on the Farnesina Ceiling (LXVII, pp. 295-300)Paul Taylor