jazz musician miles davis’s classic album helped define 1950s cool

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Page 1: Jazz musician Miles Davis’s classic album helped define 1950s cool
Page 2: Jazz musician Miles Davis’s classic album helped define 1950s cool

Jazz musician Miles Davis’s classic album helped define 1950s cool

Page 3: Jazz musician Miles Davis’s classic album helped define 1950s cool

The Beats, predecessors to the Sixties Counter Culture

Neal Cassady and Jack Kerouac

Page 4: Jazz musician Miles Davis’s classic album helped define 1950s cool
Page 5: Jazz musician Miles Davis’s classic album helped define 1950s cool

Ken Kesey, c. 1960

Page 6: Jazz musician Miles Davis’s classic album helped define 1950s cool

Kesey and some of the Merry Pranksters

Page 7: Jazz musician Miles Davis’s classic album helped define 1950s cool

A grainy black and white photo of Further circa 1965 doesn’t really do the crazily painted day-glo bus justice

Page 8: Jazz musician Miles Davis’s classic album helped define 1950s cool

Further overgrown by the Oregon woods on Kesey’s farm in Oregon; plans are underway to renovate the bus

Page 9: Jazz musician Miles Davis’s classic album helped define 1950s cool

Neal Cassady on the bus

Page 10: Jazz musician Miles Davis’s classic album helped define 1950s cool

Mountain Girl (Carolyn Adams) with Jerry Garcia of

the Grateful Dead

Page 11: Jazz musician Miles Davis’s classic album helped define 1950s cool

The Grateful Dead at the corner of Haight and Ashbury in San Francisco

Page 12: Jazz musician Miles Davis’s classic album helped define 1950s cool

Ruth Bronsteen, The Hippy’s Handbook (1967)

Page 13: Jazz musician Miles Davis’s classic album helped define 1950s cool

Blotter acid art

Page 14: Jazz musician Miles Davis’s classic album helped define 1950s cool

Poster for a 1965 Acid Test with early examples of “op-art”

Page 15: Jazz musician Miles Davis’s classic album helped define 1950s cool

Timothy Leary in 1966 before a public lecture explaining his new League of Spiritual Discovery

Page 16: Jazz musician Miles Davis’s classic album helped define 1950s cool

One pill makes you largerAnd one pill makes you smallAnd the ones that mother gives youDon't do anything at allGo ask AliceWhen she's ten feet tall

And if you go chasing rabbitsAnd you know you're going to fallTell 'em a hookah smoking caterpillarHas given you the callCall AliceWhen she was just small(1967)

Page 17: Jazz musician Miles Davis’s classic album helped define 1950s cool

Jefferson Airplane concert poster, 1967

Page 18: Jazz musician Miles Davis’s classic album helped define 1950s cool

Purple haze all in my brainLately things just don’t seem the sameActin’ funny, but I don’t know why’scuse me while I kiss the skyPurple haze all aroundDon’t know if I’m comin’ up or downAm I happy or in misery? What ever it is, that girl put a spell on me(1967)

Page 19: Jazz musician Miles Davis’s classic album helped define 1950s cool

In-a-gadda-da-vida honey,don'tcha know that I love you?In-a-gadda-da-vida baby,don'tcha know that I'll always be true?

Oh won'tcha come with me,and take my hand?Oh won'tcha come with me,and walk this land?(1968)

Page 20: Jazz musician Miles Davis’s classic album helped define 1950s cool

Picture yourself in a boat on a river,With tangerine trees and marmalade skiesSomebody calls you, you answer quite slowly,A girl with kaleidoscope eyes.Cellophane flowers of yellow and green,Towering over your head.Look for the girl with the sun in her eyes,And she’s gone.Lucy in the sky with diamonds.(1967)

Page 21: Jazz musician Miles Davis’s classic album helped define 1950s cool

You know the day destroys the nightNight divides the dayTried to runTried to hideBreak on through to the other sideBreak on through to the other sideBreak on through to the other side, yeah(1967)