indonesian art

12 MARCH 2013

now

amsterdam

nineteen to

Art from the 19th, 20th & 21st centuries

INDONESIAN ART

SCULPTURES

It’s easy to buy at Christie’sRead this simple guide to buying at auction. If you still have questions about our terms and conditions of business as well as much more information can be found in the ‘all you need to know’ section at the back of this catalogue.

1BROWSING

Browsing our catalogues is a great way to

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cover basic catalogue information such as size, date

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and provenance. The RESERVE is the price below

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The reserve will never exceed the low estimate.

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in greater detail; their contact details are

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VIEW THE LOT PERSONALLY

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There is a key to symbols in the ‘all you need to

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2BIDDING

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3PAYING & TAKING IT HOME

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pick something up bear in mind that some

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HOW MUCH YOU WILL PAY

If you are successful you will pay the hammer

price plus buyer’s premium on each lot (30.25%

of the first Euro 20,000 of the hammer price plus

24.2% of the excess of the hammer price above

Euro 20,000 up to and including Euro 800,000

plus 14.52% of any amount in excess of Euro

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V.A.T.

There is a GUIDE TO BUYING section at the back

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A U C T I O N D A T E

Tuesday 12 March 2013 at

10.30 am (Lots 1–199);

2.00 pm (Lots 200-371)

AUCTION NUMBER

In sending written bids or making enquiries,

please use auction number 3024

V I E W I N G D A T E S

Friday 8 March 10.00 am – 5.00 pm

Saturday 9 March 10.00 am – 5.00 pm

Sunday 10 March 10.00 am – 5.00 pm

Monday 11 March 10.00 am – 4.00 pm

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OPENING HOURS:

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Elvira Jansen

Post-War &

Contemporary Art

Lambert van Tuyll

van Serooskerken

Impressionist

& Modern Art

12 MARCH 2013 amsterdam

BIDS OFFICE

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EMAIL

First initial followed by last

name @christies.com

(e.g. Elvira Jansen =

[email protected])

CONDITIONS OF SALE

This auction is subject to

important notices, conditions

of sale and to reserves.

[ 1 5 ]

Odette van Ginkel

Head of Sale

Impressionist

& Modern Art

Peter van der Graaf

Post-War &

Contemporary Art

Art from the 19th, 20th & 21st centuries

Lot 182

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Lot 109

B A C K C O V E R

Lots 327

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nineteen tonow

DEAR ART LOVER,

Happy 2013 on behalf of the Christie’s Amsterdam staff.Last year the celebration of the 40th Anniversary Year of Christie’s Amsterdam has been a great success. One of the

absolute highlights was the auction world record for an intimate Balinese oil by the Dutch artist Willem Gerard Hofker which fetched € 781,000 (incl. premium).In this first auction of the season we will have another two very lovely and comparable Balinese works by this artist on offer. Together they lead the Indonesian section in the sale with paintings and drawings by renowned artists like Rudolf Bonnet, Willem Dooijewaard and Auke Sonnega.More than eight Escher prints are to be sold as well as a pastel by Willy Sluiter rendering elegant skiing in Sankt Moritz.Finally a lot of attention is spent on sourcing numerous placeble sculptures by a.o. Verkade, Krop, Van Pallandt and Spronken.Again I sincerely look forward to welcoming you at the viewing days and the sale itself.And as one of my favourite authors Oscar Wilde pointed out rightly;

“We spend our days, each one of us, in looking for the secret of life. Well, the secret of life is in art “. Come and see us and enjoy the art we have to offer you.

JOP UBBENSCHAIRMAN CHRISTIE’S AMSTERDAM

INTRODUCING

NINETEEN

TO NOW

nineteen to now | INTRODUCING

LOT 1 LOT 346 LOT 107

PIET OUBORG | nineteen to now

When Piet Ouborg first arrived in the Dutch Indies in April 1916, western art on the islands was characterized by easy accessibility and tradition. Decorative painting was largely occupied with frivolous scenery and landscapes which became known as the ‘souvenirs of Indie’.

Ouborg experienced the cultural climate within the small, enclosed Dutch communities dispersed over the vast archipelago as very restricting. Ergo, the artist more and more started to transgress the cultural boundaries and began collecting ethnographical artifacts and visiting and participating in celebrations and rituals. He was captured by traditional native cultures and societies, where he experienced a ‘more authentic kind of existence, in which intangible things still had the right to exist’, and became more and more convinced that the Wayang-puppets, ceremonies, and especially traditional ceremonial masks, presented a conduit towards the mystical and ‘cosmic’ all-encompassing. Over the years, Ouborg built a beautiful collection of such extraordinary expressive spiritual masks, and regularly made them the subject of his painting. Besides this, maybe even to a similar extent, he was captured by the capricious nature in Indonesia with the intense green of the all-consuming vegetation which he described as a ‘frightening and vital force’. Through a style that weavers between cubism and expressionism, he attempted to capture the underlying spirit and mysticism of the indigenous Indonesian cultures and the awe-inspiring nature.

During the mid-1920’s Ouborg became involved with the ‘Bataafsche Kunstkring’ (Batavia Art Association) which was setup to promote the visual arts in the East Indies. Here Ouborg met the painters Jan Franken and Adolf Breetveld, who similar to Ouborg, orientated and familiarized themselves with the roaring art-developments in Europe.

On his leaves to the Netherlands (1923-1924, and 1931), Ouborg visited as many exhibitions as possible. In general, painting in the Netherlands disappointed him. The L’Art Vivant exhibition in Brussels (1931), however, which included the summum of the École de Paris and surrealist and abstract painting including works by Miro, De Chirico, Arp, Dali, Picasso, and Kandinsky, left a large and lasting impression on him. Somehow these works expressed what he had looked for and felt during his quest among the cultures and rituals of Indonesia.

After his return to Indonesia, invigorated by the new inspiration, Ouborg started a fruitful phase of experimentation. Eventually this developed in an abstract surrealist style of painting consisting of among others abstracted dream images and automatic drawings. Together, his experiences of the indigenous Indonesian cultures and nature, the exhibitions he visited during his leaves which featured the roaring art-developments in Europe, as well as the emptiness of the sea journeys in between, shaped Ouborgs painting into a very individual style.

Christie’s is proud to be able to offer a collection of oil paintings and works on paper from his early, Indonesian, period.

PIET OUBORG (1893-1956)LOTS 81–92

LOT 90

LOT 84A

LOT 81 LOT 83

nineteen to now | INDONESIAN ART

INDONESIAN ART

Many factors have shaped painting in Indonesia: its natural environment, historical events, traditional features of culture, its religions and various beliefs, as well as other Eastern cultures from outside the archipelago including those of India and China. Later on Western, colonial influences also had their part. However, these cultural rubbings had a far from one-way effect, but brought about mutual influences. Rudolf Bonnet’s elongated figures for example were influenced by the Balinese ‘deformative’ sculptures, while simultaneously, Bonnet and other European artists in their active interaction with the local community encouraged the Indonesian painters to portray what they saw and felt during daily life without abandoning existing themes of religious and philosophical nature.

Between 1900 and 1942 two different forms of paintings coexisted within the Dutch-Indies: the romanticist ‘Mooi Indië art’, and the ‘Modern avant-garde art’. The ‘Mooi Indië art’ consisted of a group of painters of various descents. Their work, in an impressionist style, heralded the country’s idyllic scenery and its inhabitants, and represented their love and admiration for Indonesia. Meanwhile, painters,

who before their arrival in Indonesia, received an art education in Europe, introduced the modern avant-garde art. They did not only differ from the Mooi Indië art in their modern, expressionist, figurative or even surrealist style of painting but also in their active involvement with the local community and local artists as well as their attitude towards the colonial establishment.

The modern avant-gardists provided inspiration for a generation of young Indonesian painters in the larger cities of Java (Jakarta, Bandung, Surabaya and Yogyakarta) which, after 1945, sought to redefine and invigorate a national identity through art. They found this in the common, humble, yet proud and self-reliant individuals within the community’s day-to-day life.

With the works of artists such as: Roland Strasser, Han Snel, Haji Widayat, Leo Eland, Ger Adolfs, Frits Ohl, Piet Ouborg, Rudolf Bonnet, Auke Sonnega, Isaac Israels, W.G. Hofker, Willem Dooijewaard and Abdul Aziz the Indonesian section in this Nineteen to Now sale is exceptional in its diversity and quality.

LOTS 81 – 144

Lot 109Willem Gerard Hofker (1902-1981)

Ni Gusti Kompiang Mawar€ 200,000-300,000

Lot 118Willem Dooijewaard (1892-1980)

Balinese Dancer€ 30,000-50,000

Lot 114Han Snel (1925-1998)

Bali€ 10,000-15,000

Lot 115Haji Widayat (1923-2002)

Forest with Birds€ 18,000-22,000

Lot 120Willem Gerard Hofker (1902-1981)

Balinese Girl€ 80,000-120,000

Lot 137Batuan School

Activities on the water€ 2,000-3,000

LOT 137 LOT 115

INDONESIAN ART | nineteen to now

LOT 109

LOT 120 LOT 114

LOT 118

Neo Rauch (Leipzig, b.1960) is known for his puzzling, seemingly narrative works. This collection of drawings and lithographs is made in his recognizable style. Some are in black and white. But he favours an idiosyncratically mat, broken colouristic, that unites all his works. It originates in his predilection for an old-fashioned form of children’s books and especially from his joy in the shrill colours of cheap comics. The people in them are busy with something or other; they don’t seem to entirely fit in with their surroundings. Rauch has developed a highly individual style, a mix of realism, abstraction with a surrealist touch, and influences from pop art and comic strips. His dreamlike compositions seem to be peopled by memories of the GDR.

“Graphic art is part of Neo Rauch’s complete oeuvre, even if he has created far fewer prints than drawings. Like his drawings, his prints are hardly preliminary sketches or imitations of his paintings. Certainly, his graphic art does not arise independently from his paintings, but neither is it created in a dependence that lags behind them.”1

“The drawings have been a long time in the making. They can be everything — a sketch, a design or an impression that finds no expression in my larger paintings. They are like creatures looming on the sidelines of my creation. I actually have learned only lately to appreciate them as a witness of time passing and my own development. The drawings are very rarely a preparation for a next step in a large painting, but they have been companions along the way. Quite often they are rarities and exceptions in my work: I find different motives and different physiognomies in them then I might normally use. I have often been criticised for using a face of the Fifties, or of working somehow retrospectively. I refuse to be categorised and wish to stay in control of my art. I cannot and will not change my voice.” 2

NEO RAUCH

nineteen to now | NEO RAUCH

Neo Rauch addresses the fundamental issues of art in the modern era – the relationship between plane and spatial illusion, between abstraction and figuration – in a new way.

“Solutions don’t come into it. My pictures supposedly have a vital quality, like an animal, a living thing. There is no need to understand, only to feel that this creature is, to the greatest possible degree, at peace with itself. It is not always possible to realise, but that’s how I imagine a functioning picture. As soon as I have the feeling that the thing has blood circulating through it, a nervous system, a skeleton, then questions as to the message become completely marginal.” 3

Lot 291 (part lot)Neo Rauch (b. 1960)

Signal€ 6.000-8.000


Tief€ 4.000-6.000


Überwindung

€ 4.000-6.000LOT 291 LOT 286

LOT 288

LOTS 284 – 291

1 Rudij Bergmann,

“Neo Rauch’s Printmaking

Art” in Neo Rauch. The

Graphic Works 1993 to 2012,

Ostfildern 2012, p. 19.

2 Interview by Ellen

Alpsten in Standpoint,

“Secret Garden by Neo

Rauch”, September 23rd,

2009.

3 Interview by

Rita Pokorny in The Art

Newspaper, Issue 224, May

2011. Published online:

19 May 2011.

SERGE POLIAKOFF (1900–1969)

Composition abstraite

oil on canvas

46 x 55 cm.

Painted in 1954

€ 60,000–80,000

JEAN (HANS) ARP (1886–1966)

Petite figure appuyèe dite ‘l’égyptienne’

bronze with a brown patina

25 cm. high

Conceived in 1938 and cast at a later

date, this work is number four from the

edition of five plus one artist’s proof

€ 40,000–60,000

DAME BARBARA HEPWORTH (1903–1975)

Maquette for large sculpture:

Three forms (Two circles)

serravezza marble

13.5 cm. high

Executed in 1966,

this piece is unique

€ 150,000–200,000

Christie’s Amsterdam is proud to announce the sale of The Piet and Ida Sanders Collection on 15 and 16 April 2013. Their collection shows a wonderful and versatile overview from 20th Century and 21st Century art, including works from several artists, varying from Marino Marini to Anish Kapoor, and from Lucio Fontana to Gilbert & George. A large part of their collection was already donated to several important Dutch museums during their lifetime.

THE PIET AND IDA SANDERS

COLLECTION

The Piet and Ida Sanders Collection

Evening and Morning Sessions

Amsterdam, 15 and 16 April 2013

Viewing

12-15 April 2013

Contact

Alexandra Bots

[email protected]

+ 31 20 57 77 957

Piet and Ida collected art out of a personal passion and the personal contact with the artists themselves was always very important to them. It was not unusual for them to visit several artists while they were travelling, or to have artists visit them when they were in The Netherlands. The art works not only had to be to their liking, but also had to physically fit into their home, because they wanted to enjoy the art in their personal surroundings. Art for them was not merely to be enjoyed in museological settings, on the contrary, it was part of their life and lifestyle.

UPCOMING

THE WHOLE SANDERS COLLECTION HARMONIZES WITH THE

SCALE AND SIZE OF THE HOUSE, AND IS AN EXPRESSION OF OUR

TIME AND ITS ARTISTS AND ALSO OF THE TASTE OF ITS OWNERS.

A.M. HAMMACHER, APOLLO, NOVEMBER 1964.

FOR ADDITIONAL IMAGES OF LOTS CONTAINING MORE THAN ONE ITEM, PLEASE VISIT CHRISTIES.COM8

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MORNING SESSION AT 10.30 AM (LOTS 1-198)

6LEO GESTEL (1881-1941)

A still life with flowers in a vasesigned and dated ‘Leo.Gestel ‘17’ (lower left)watercolour on paper81 x 59 cm.Executed in 1917.€2,000-3,000� US$2,800-4,100

E X H I B I T E D :

Venice, XVI. Esposizione Internazionale d’Arte della Città di Venezia, April-October 1928, no. 1504.

5JAN TOOROP (1858-1928)

Farmers working the landsigned and dated ‘Jth. Toorop/1915’ (lower right), and inscribed ‘M’ (lower left)pencil and pastel on paper10.5 x 16 cm.Executed in 1915.€1,200-1,600� US$1,700-2,200To be included in the catalogue raisonné on the artist’s work, currently being prepared by G.W.C. van Wezel.

4ISAAC ISRAELS (1865-1934)

A lady at the beachsigned ‘Isaac/Israels’ (lower right)watercolour on paper50 x 33 cm.€5,000-7,000� US$6,800-9,500

3LEO GESTEL (1881-1941)

A view of Positano, Italysigned and dated ‘Leo Gestel 1924’ (lower right)chalk on paper61.5 x 43 cm.Executed in 1924.€1,500-2,000� US$2,100-2,700

2JAN TOOROP (1858-1928)

Figures in the dunessigned and dated ‘Jth.Toorop 1926’ (lower right)pencil, chalk and watercolour on paper11 x 15.5 cm.Executed in 1926.€1,200-1,600� US$1,700-2,200

P R O V E N A N C E :

Kunsthandel Simonis & Buunk, Ede.

To be included in the catalogue raisonné on the artist’s work, currently being prepared by G.W.C. van Wezel.

l1WILLY SLUITER (1873-1949)

San Moritzsigned, dated and inscribed with title ‘Willy Sluiter 1921’ (lower left), and with studio stamp (on the backing)pastel on paper laid down on board102 x 76 cm.Executed in 1921.€7,000-9,000� US$9,500-12,000Visit www.christies.com for additional information on this lot

IN ORDER TO GET A CLOSE-UP VIEW OF THE IMAGES, PLEASE VISIT CHRISTIES.COM SIMPLY TYPE IN THE SALE NUMBER, SELECT A LOT AND CLICK ENLARGE & ZOOM9

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12FERDINAND DORSCH (1875-1938)

Gartenbildsigned, dated and indistinctly inscribed ‘F Dorsch 20 ...’ (lower left); and signed again and inscribed with title (on the reverse)oil on plywood47.5 x 42.5 cm.Painted in 1920.

€1,500-2,000� US$2,100-2,700

l11JAN WIEGERS (1893-1959)

A farm house in Twentesigned and indistinctly dated ‘Jan Wiegers/’40’ (lower left)oil on canvas74 x 59 cm.Painted in 1940.

€6,000-8,000� US$8,200-11,000


Anonymous sale, Christie’s, Amsterdam, 11 December 1991,

lot 95.

Acquired at the above sale by the present owner.

E X H I B I T E D :

Amsterdam, Stedelijk Museum, Jan Wiegers, 15 December 1960

- 25 January 1961, no. 12 (titled ‘Twents Landschap’).

10MARIUS BAUER (1867-1932)

The Amber Palace, Jaipur, Indiasigned with initials ‘MB’ (lower right)oil on canvas50.5 x 40 cm.

€5,000-7,000� US$6,800-9,500


Anonymous sale, Christie’s, Amsterdam, 15 November 2011,

lot 103.


We kindly thank the Bauer Documentatie Stichting for their help

in cataloguing this lot.

9CONRAD BUFF (1886-1975)

Monument Valley (recto); studies of mountains (verso)signed ‘Conrad Buff’ (lower right)oil on cardboard48.5 x 39 cm.

€1,000-1,500� US$1,400-2,000

l8ERASMUS BERNHARD VAN DULMEN KRUMPELMAN (1897-1987)

Girls playing near the river Aaoil on canvas158.5 x 92 cm., unframed

€1,800-2,200� US$2,500-3,000


Acquired by the grandparents of the present owner in the 1960’s.

l7HAN VAN MEEGEREN (1889-1947)

Strolling on the beachsigned ‘H van Meegeren’ (lower left)oil on canvas73.5 x 57.5 cm.

€2,500-3,500� US$3,400-4,700

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l13GER LANGEWEG (1891-1970)

A day at the fairoil on canvas, unframed32 x 40 cm.

€2,000-3,000� US$2,800-4,100

l14WILLY BOERS (1905-1978)

A still life with books and playing cardssigned and dated ‘Willy/Boers/1934’ (lower right)oil on canvas60 x 80 cm.Painted in 1934.

€1,500-2,000� US$2,100-2,700

l15ANTO CARTE (1886-1954)

Le sonneursigned and dated ‘Anto. Carte/1917.’ (lower left); and inscribed ‘Le Sonneur./Le vieux sonneur, à bout de crainte et d’agonie/Sonne sa mort, dans ses cloches finies./.Verhaeren./(Les villages illusoires)’ (on a label attached to the reverse)oil on paper laid down on canvas37 x 21.5 cm.Painted in 1917.

€5,000-7,000� US$6,800-9,500

The present lot depicts a scene from

the poem ‘Le Sonneur’ from the work

‘Les villages illusoires’ by the Belgian

poet and critic Emile Verhaeren

(1855-1916) from 1895, one of his

most famous poems.

16JOOP MOESMAN (1909-1988)

Untitledsigned and dated ‘J.H. Moesman 1930’ (lower right)gouache on paper73.5 x 54 cm.Executed in 1930.

€3,000-5,000� US$4,100-6,800


Kunsthandel Van Lier, Blaricum,

circa 1978.

L I T E R A T U R E :

Dick Adelaar and Her de Vries, ‘Beste Vriend! Vuile Ploert’: het surrealisme van J.H. Moesman in werken op papier, Utrecht 1997, p. 40 (illustrated).

John Steen and Frits Keers, Moesman: Monografie/Catalogus van schilderijen en objecten, Zwolle, 1998, no. 37, p. 29

(illustrated)

l17WIM BOSMA (1902-1985)

View of a harbour with fishermen and a fishing vessel from Urksigned and dated ‘Bosma/1936’ (lower left)oil on board55 x 76.5 cm.Painted in 1936.

€2,000-3,000� US$2,800-4,100

l18DIRK SMORENBERG (1883-1960)

Sailing boats at the Loosdrechtse Plassensigned ‘D. Smorenberg.’ (lower right)oil on canvas50 x 60 cm.

€1,500-2,000� US$2,100-2,700

ALL LOTS HIGHLIGHTED WITH RED ARTISTS’ NAMES ARE OFFERED “WITHOUT RESERVE”


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l19LOU LOEBER (1894-1983)

Schuitevoerder IIIsigned with initials and dated ‘LL.’40-’46’ (lower left); and signed and dated again and inscribed with title (on the reverse)oil on board72 x 81 cm.Painted circa 1940-1946.

€5,000-7,000� US$6,800-9,500


Acquired directly from the artist by the present owner, circa 1975.

E X H I B I T E D :

Laren, Singer Museum, Lou Loeber: Utopie en werkelijkheid,

1993-1994, no. 41.


Marente Bloemheuvel, Lou Loeber: Utopie en werkelijkheid,

Zwolle, 1993, no. 41, p. 62.

l23BART VAN DER LECK (1876-1958)

Goat - study for a tilewith the numbered estate stamp ‘185’ (on the reverse)charcoal and pencil on tracing paper18 x 20 cm.;and Two other drawings by the same hand, depicting a calf and a lamb. (3)

€1,000-1,500� US$1,400-2,000

l20HARMEN MEURS (1891-1964)

De schaftsigned and dated ‘Harmen Meurs./1951.’ (lower right); and signed and dated again and inscribed with title (on the reverse and on the stretcher)oil on canvas102 x 132.5 cm.Painted between 1951-1957.

€3,000-5,000� US$4,100-6,800

l22HENDRICUS PETRUS BREMMER (1871-1956)

A still life with green applessigned with monogram and dated ‘1910’ (upper right)oil on painter’s board20 x 26 cm.Painted in 1910.

€2,000-3,000� US$2,800-4,100

l21CONSTANT PERMEKE (1886-1952)

A standing nudesigned and dated ‘Permeke/42’ (lower left)chalk and pastel on paper49 x 31 cm.Executed in 1942.

€2,000-3,000� US$2,800-4,100

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29WILLEM MARIS (1844-1910)

Cows in a Dutch polder landscapesigned ‘W. Maris.’ (lower right)oil on canvas23.5 x 42.5 cm.

€1,500-2,000� US$2,100-2,700

28WILLEM MARIS (1844-1910)

A cow near the waterfrontsigned ‘Willem Maris’ (lower right)oil on canvas26 x 36 cm.

€1,500-2,000� US$2,100-2,700


Kunsthandel S.J. Sala, The Hague.

!31WILLEM DE ZWART (1862-1931)

A willow by the watersidesigned ‘W. de Zwart’ (lower right)oil on paper laid down on board33 x 23 cm.

€1,500-2,000� US$2,100-2,700

27WILLY MARTENS (1856-1927)

Motherly lovesigned ‘Willy Martens’ (lower right)watercolour and gouache on paper22.5 x 31 cm.

€1,500-2,000� US$2,100-2,700

30WILLEM ROELOFS (1822-1897)

View of a canal with a puntsigned ‘W. Roelofs.’ (lower right)oil on canvas laid down on board23 x 40.5 cm.

€2,500-3,000� US$3,400-4,100



Acquired from the above by the family of the present owners.

l26ARIS KNIKKER (1887-1962)

A sunny day at the beachsigned ‘Aris. Knikker.’ (lower right)oil on plywood19.5 x 28 cm.

€1,000-1,500� US$1,400-2,000


33 36

3532

37DAVID OYENS (1842-1902)

The visitsigned with initials ‘DO’ (lower centre)oil on panel25 x 18 cm.

€2,500-3,500� US$3,400-4,700


Kunsthandel Oldenzeel, Rotterdam.

36SARKIS DIRANIAN (1854-1918)

A reclining nudesigned ‘Sarkis Diranian.’ (lower left)oil on canvas33 x 46 cm.

€1,800-2,200� US$2,500-3,000

35JOHN REINHARD WEGUELIN (1849-1927)

Lady in redsigned and dated ‘JR Weguelin/1888’ (lower left)oil on canvas51 x 25.5 cm.Painted in 1888.

€1,500-2,000� US$2,100-2,700

34JACOB SIMON HENDRIK KEVER (1854-1922)

A still life with Indian cress in a ginger jarsigned ‘Kever’ (lower right)oil on canvas43 x 39 cm.

€1,500-2,000� US$2,100-2,700


Larensche Kunsthandel, Afdeeling Amsterdam,

1911.

33FRANÇOIS HUYGENS (1820-1908)

A still life with fruits and chestnutssigned and dated ‘FHuygens.1889.’ (lower right)oil on canvas76 x 111.5 cm.Painted in 1889.

€1,500-2,000� US$2,100-2,700


Anonymous sale, Christie’s, Amsterdam, 20

September 2011, lot 263.


32HJALMAR JOHNSSEN (1852-1901)

A Scandinavian waterwaysigned and dated ‘Hjalmar Johnssen 1901’ (lower right)oil on panel35 x 26.5 cm.Painted in 1901.

€2,000-3,000� US$2,800-4,100


38

38ALEXANDER HUGO BAKKER KORFF (1824-1882)

A moment of contemplationsigned with initials ‘AB.K’ (lower right)oil on panel24.5 x 18.5 cm.

€5,000-7,000� US$6,800-9,500

39

l39CONSTANT ARTZ (1870-1951)

Ducklings on a sunlit riverbanksigned ‘Constant Artz’ (lower left)oil on canvas60.5 x 101 cm.

€4,000-6,000� US$5,500-8,100



April 1998, lot 191. Anonymous sale, Christie’s,

Amsterdam, 26 February 2008, lot 188.


40

40CHARLES ROCHUSSEN (1814-1894)

Soldiers taking a breaksigned with initials and dated ‘CR. 50’ (lower left)oil on panel11.5 x 23 cm.Painted in 1850.

€2,000-3,000� US$2,800-4,100

41

l41CORNELIS RAAPHORST (1875-1954)

Playing kittenssigned ‘CRaaphorst’ (lower right)oil on canvas60.5 x 90.5 cm.

€3,000-5,000� US$4,100-6,800



September 2007, lot 279.


42

42BERNARDUS JOHANNES BLOMMERS (1845-1914)

A new arrivalsigned ‘Blommers.’ (lower right)oil on canvas28 x 37.5 cm.

€1,500-2,000� US$2,100-2,700

43OTTO PILTZ (1846-1910)

Daily activities in Volendamsigned ‘O. Piltz.’ (lower right)oil on panel50 x 77.5 cm.

€3,000-5,000� US$4,100-6,800

44EVERT PIETERS (1856-1932)

A shell fisher in the surfsigned ‘E. Pieters’ (lower left)oil on canvas89 x 110 cm.

€3,000-5,000� US$4,100-6,800


48

47

46

44

43

45


Shell fishermen on the beachsigned ‘E. Pieters.’ (lower right)oil on panel16 x 60 cm.

€2,000-3,000� US$2,800-4,100



Acquired from the above by the family of the

present owners.


Portrait of a Volendam girlsigned and inscribed ‘Willy Sluiter/Volendam’ (lower right)watercolour and gouache on paper47.5 x 38 cm.

€3,000-5,000� US$4,100-6,800


Anonymous sale, Christie’s, Amsterdam,

27 April 1999, lot 120.

Acquired at the above sale by the father of the

present owner.

47JOSEPH-FÉLIX BOUCHOR (1853-1937)

Village dans les dunes - Zoutelande, Hollandesigned ‘.F. Bouchor’ (lower right); and inscribed with title (on a label attached to the stretcher)oil on canvas38 x 46.5 cm.

€2,000-3,000� US$2,800-4,100

48ANTHONIE JACOBUS VAN WIJNGAERDT (1808-1887)

Cattle in a landscapesigned ‘AJ Wijngaerdt fc’ (lower left)oil on panel23.7 x 36 cm.

€1,500-2,000� US$2,100-2,700


56

55

54

53

l56EDZARD KONING (1869-1954)

Town view by nightsigned ‘E. Koning’ (lower left)oil on canvas38 x 55 cm.

€1,200-1,600� US$1,700-2,200

l55JOHAN HENDRIK VAN MASTENBROEK (1875-1945)

Activities on a quay in a Dutch harboursigned ‘J.H.v.Mastenbroek’ (lower right)watercolour and gouache on paper31 x 46.5 cm.

€2,500-3,500� US$3,400-4,700

54ALEXIS NYS (1844-1930)

Côte Hollandaise, Katwijksigned ‘Alexis Nys’ (lower right); and inscribed with title (on the stretcher)oil on canvas152 x 112 cm.

€2,000-3,000� US$2,800-4,100

53JOHANNES BOSBOOM (1817-1891)

Interior of the Hooglandsche Kerk, Leidensigned ‘J Bosboom.’ (lower left)ink and watercolour on paper26 x 19 cm.

€3,000-5,000� US$4,100-6,800


A woman working on the spinning wheelsigned and dated ‘J.W. Sluiter ‘96’ (lower right)charcoal on paper62.5 x 48 cm.Executed in 1896.

€800-1,200� US$1,100-1,600

l51WILLEM GEORGE FREDERIK JANSEN (1871-1949)

The harbour of Dordrecht, with the Grote Kerk beyondsigned ‘WGF Jansen’ (lower right)oil on canvas50 x 70.5 cm.

€1,500-2,000� US$2,100-2,700

50GERHARD ARIJ LUDWIG MORGENSTJERNE MUNTHE (1875-1927)

A bomschuit anchored in wintersigned ‘G. Morgenstjerne Munthe’ (lower left)oil on canvas56 x 69 cm.

€3,000-5,000� US$4,100-6,800

49ANTON MAUVE (1838-1888)

A grazing goatsigned ‘A Mauve f’ (lower left)watercolour on paper22.5 x 29 cm.

€1,200-1,600� US$1,700-2,200

E X H I B I T E D :

The Hague, Gemeentemuseum, Anton Mauve 1838-1888: herdenkingstentoonstelling, 17 December 1938 - 30 January 1939,

no. 75A.

52

51

50

49


59 (part lot)

58

62 (part lot)

61

6057

l60JAN ZOETELIEF TROMP (1872-1947)

Three little friendssigned ‘J. Zoetelief Tromp’ (lower right)watercolour and gouache on paper9 x 14.5 cm.

€2,000-3,000� US$2,800-4,100

62JOHAN HENDRIK WEISSENBRUCH (1824-1903)

Cows in a meadowsigned ‘J.H. Weissenbruch’ (lower left)pencil and watercolour on paper17.5 x 24.5 cm;and Another work on paper by the same hand, depicting a farm house in a landscape. (2)

€2,000-3,000� US$2,800-4,100



l61KEES MAKS (1876-1967)

Prinseneiland, Amsterdamsigned ‘C.J. Maks.’ (lower left)oil on painter’s board31.5 x 54 cm.

€1,800-2,200� US$2,500-3,000

59JAN TOOROP (1858-1928)

A still life with a glass and a jarsigned and dated ‘Jth Toorop/1886’ (lower right)chalk on paper9.5 x 15.5 cm.;and Four sketches depicting landscapes, framed together. (2)

€1,500-2,000� US$2,100-2,700

To be included in the catalogue raisonné on the artist’s work,

currently being prepared by G.W.C. van Wezel.


Children in a summer meadowsigned ‘E. Pieters.’ (lower left)watercolour and gouache on paper39 x 54 cm.

€2,500-3,500� US$3,400-4,700


Anonymous sale, Christie’s, Amsterdam, 24 April 2001, lot 81.


57PAUL RINK (1861-1903)

Milking timesigned and dated ‘Paul Rink/1896’ (lower left)chalk and watercolour on paper29.5 x 63.5 cm.Painted in 1896.

€2,000-3,000� US$2,800-4,100


Anonymous sale, Sotheby’s, Amsterdam, 26 April 1999, no. 7.


l63BARBARA ELISABETH VAN HOUTEN (1862-1950)

A still life with sunflowers and gladiolisigned ‘BE van Houten’ (upper left)oil on canvas200 x 130.5 cm.

€4,000-6,000� US$5,500-8,100

l66HENRY CASSIERS (1858-1944)

A view of Brugessigned ‘H Cassiers’ (lower right)oil on paper laid down on cardboard57.5 x 57.5 cm.

€2,000-3,000� US$2,800-4,100

67JOHANN JUNGBLUT (1860-1912)

A view of the Singel, Amsterdamsigned ‘J. Jungblut’ (lower right)oil on canvas73 x 109 cm.

€3,000-5,000� US$4,100-6,800

l65AJOHANNES HENDRIKUS JURRES (1875-1946)

Warriors on a mountain passsigned ‘Jurres’ (lower right)charcoal and pastel on paper laid down on canvas122 x 83 cm.

€800-1,200� US$1,100-1,600l68JEANETTE SLAGER (1881-1945)

A still life with flowers in a vasesigned ‘Jeannette Slager.’ (lower left)oil on canvas74 x 56 cm.

€1,500-2,000� US$2,100-2,700

l64MARIE VAN REGTEREN ALTENA (1868-1958)

A still life with fruits, a jug and a bowlsigned with initials ‘MEvRA’ (lower right)oil on canvas54 x 70.5 cm.

€2,000-3,000� US$2,800-4,100

65FRANS VAN LEEMPUTTEN (1850-1914)

Horses on a pathsigned and dated ‘Frans Van Leemputten 1884’ (lower left)oil on canvas71 x 110.5 cm.Painted in 1884.

€2,000-3,000� US$2,800-4,100

63

64

65 67

66

6865A


71 (part lot)

70

74 (part lot)

73

72

69

l69JOHAN FREDERIK CORNELIS SCHERREWITZ (1868-1951)

A peasant loading a horse-drawn cartsigned ‘J Scherrewitz’ (lower left)oil on canvas50 x 91.5 cm.

€2,000-3,000� US$2,800-4,100


Anonymous sale, Christie’s, Amsterdam, 30 October 1991, lot

129.

70WILLEM ROELOFS (1822-1897)

A polder landscape with a millsigned and numbered ‘W. Roelofs/143.’ (lower right)oil on canvas laid down on panel17 x 38.5 cm.

€2,000-3,000� US$2,800-4,100

71CARLOS DE HAES (1826/29-1898)

Cypresses in a landscapeoil on panel21.6 x 14.6 cm.;and Two other paintings and Seven etchings by the same hand.(10)

€2,000-3,000� US$2,800-4,100


The estate of the artist.

By descent from the above to the present owner.

l72FRANS OERDER (1867-1944)

A still life with chrysanthemums and oak leafssigned ‘Frans Oerder’ (lower left)oil on canvas60 x 90.5 cm.

€3,000-5,000� US$4,100-6,800


Kunsthandel Borzo, ‘s-Hertogenbosch.

73FRANS HELFFERICH (1871-1941)

Working the fieldsigned ‘Frans Helfferich’ (lower right)oil on canvas88 x 146 cm.

€1,500-2,000� US$2,100-2,700

74CARLOS DE HAES (1826/29-1898)

Willows in a landscapeoil on canvas laid down on board38.5 x 61 cm.;and An oil on board by the same hand, depicting a landscape. (2)

€2,000-3,000� US$2,800-4,100


The estate of the artist.



77

76

80

79

78

75

l80DANIEL MÜHLHAUS (1907-1981)

Amsterdam, Geldersekade met de Waagsigned ‘D. Mühlhaus’ (lower left); and inscribed with title (on the stretcher)oil on canvas70 x 100 cm., unframed

€1,500-2,000� US$2,100-2,700


Acquired by the grandfather of the present owner in 1966.

l79BARUCH LOPES DE LEAO LAGUNA (1864-1943)

Daily activities around the spinning wheelsigned ‘B. Laguna’ (lower right)oil on canvas75.5 x 101.5 cm.

€3,000-5,000� US$4,100-6,800

l78COR NOLTEE (1903-1967)

Activities in the Rotterdam harboursigned ‘C. Noltee’ (lower right)oil on canvas72.5 x 93 cm.

€3,500-4,500� US$4,800-6,100


Anonymous sale, Christie’s, Amsterdam,

27 February 2008, lot 317.


77FRANS LANGEVELD (1877-1939)

A view on a rural hamletsigned ‘F. Langeveld’ (lower left)oil on canvas71 x 116 cm.

€3,000-5,000� US$4,100-6,800

l76JOHAN HENDRIK VAN MASTENBROEK (1875-1945)

A view of the Zeeburgerpad, Amsterdamsigned, dated and inscribed (scratched) ‘J.H. van Mastenbroek/29 juni 1901/Zeeburgerpad’ (lower right); and signed again (on the reverse)oil on canvas laid down on cardboard28 x 40 cm.Painted in 1901.

€3,000-5,000� US$4,100-6,800

l75WILLI LORENZ (1901-1981)

Boars in a winter landscapesigned ‘Willi Lorenz’ (lower left)oil on canvas60.5 x 91 cm.

€2,000-3,000� US$2,800-4,100


82 84 (part lot)

83

81

l82PIET OUBORG (1893-1956)

Salembazi Weltevredensigned and inscribed with title ‘P. Ouborg’ (on the stretcher); and authenticated by Jos de Gruyter (on the stretcher and the reverse)oil on canvas40 x 41 cm.

€1,500-2,000� US$2,100-2,700

E X H I B I T E D :

Amsterdam, Rijksmuseum, Nederlandse schilders en tekenaars in de Oost, 19 October - 10 December 1972, no. 123.

Zaandijk, Weefhuis, Piet Ouborg, 31 March - 29 April 1973.


Schets Tjikapoendoenginscribed with title (on the stretcher); and authenticated by Jos de Gruyter (on the stretcher and the reverse)oil on canvas37.5 x 50 cm.;Painted circa 1930;and Another oil on canvas by the same hand, depicting a view of Tjimahi. (2)

€1,000-1,500� US$1,400-2,000

E X H I B I T E D :

Apeldoorn, Van Reekum Galerij, Piet Ouborg, 26 October -

30 November 1980.

Enschede, Rijksmuseum Twenthe, Piet Ouborg: een overzicht, 24 March - 27 May 1990.


A still life with a masksigned ‘P. Ouborg’ (on a label attached to the stretcher); and authenticated by Jos de Gruyter (on the stretcher and the reverse)oil on canvas36 x 44 cm.

€1,500-2,000� US$2,100-2,700

E X H I B I T E D :

The Hague, Gemeentemuseum, Ouborg, 12 August - 4 October

1953, no. 43.


Bamboebosjesigned and dated ‘P. Ouborg.1936’ (lower right); and dated again and inscribed with title (on the stretcher)oil on canvas66 x 80.5 cm.Painted in 1936.

€4,000-6,000� US$5,500-8,100

E X H I B I T E D :

Batavia, Kunstkring, Piet Ouborg, 24 June - 31 August 1938.

The Hague, Gemeentemuseum, Ouborg, 12 August - 4 October

1953, no. 39.

Amsterdam, Stedelijk Museum, P. Ouborg, autumn 1954, no. 25.

Amsterdam, Kunsthistorisch Instituut, Ouborg: schilderijen, gouaches en tekeningen, 15 October - 5 November 1971, no. 4.

Amsterdam, Rijksmuseum, Nederlandse schilders en tekenaars in de Oost, 19 October - 10 December 1972, no. 124.

Dordrecht, Dordrechts Museum, Ouborg, 27 September - 2 November 1975, no. 128.

INDONESIAN ART (LOTS 81-144)A COLLECTION OF WORKS BY PIET OUBORG

PROPERTY FROM THE ESTATE OF THE ARTIST (LOT 81-92)

84A

l84APIET OUBORG (1893-1956)

Kop met groene slendanginscribed with title (on the stretcher); and authenticated by Jos de Gruyter (on the reverse)oil on canvas50 x 38.5 cm.

€1,500-2,000� US$2,100-2,700


87 (part lot)

90 (part lot)88 (part lot)

91 (part lot)89 (part lot)

86 (part lot)

85 (part lot)

l85PIETER OUBORG (1893-1956)

A moment of contemplationauthenticated by Jos the Gruyter (on the reverse)chalk on paper26.5 x 37 cm., unframedExecuted circa 1916;and Nine other works on paper by the same hand, depicting various subjects, all unframed. (10)

€1,000-1,500� US$1,400-2,000


Three poses of an Indonesian nudeauthenticated by Jos de Gruyter (on the reverse)chalk on paper65.5 x 50 cm., unframed;and Nine other works on paper by the same hand, depicting various subjects, all unframed. (10)

€1,000-1,500� US$1,400-2,000


A still life with indiginous Indonesian maskssigned ‘P Ouborg’ (lower right)ink on paper48 x 64 cm.;and Three other works by the same hand, depicting Indonesian landscapes and buffaloes. (4)

€1,000-1,500� US$1,400-2,000


Javanese maskauthenticated by Jos the Gruyter (on the mount)chalk on paper37 x 27 cm., unframedExecuted circa 1927;and Nine other works on paper by the same hand, depicting various subjects, all unframed. (10)

€1,000-1,500� US$1,400-2,000


A Indonesian dancersigned ‘Ouborg’ (lower right)chalk on paper32 x 20 cm.;and Seven other drawings by the same hand, depicting nudes. (8)

€800-1,200� US$1,100-1,600


A still life with a maskauthenticated by Jos de Gruyter (on the reverse)chalk on paper50 x 64.5 cm., unframedExecuted circa 1916-1918;and Nine other works on paper by the same hand, depicting various subjects, all unframed. (10)

€1,000-1,500� US$1,400-2,000


Garden in Tjitjoeroeg, Javachalk on paper29 x 21 cm.;Executed circa 1927-1928;and Three other drawings by the same hand, depicting a pond in Tjitjoeroeg, a garden in Tjimahi and a seated woman. (4)

€1,000-1,500� US$1,400-2,000


L. ten Duis, A. Haase, Ouborg: painter, Eindhoven, 1990, no. 15,

p. 20 (illustrated, dated circa 1927-1928).


96

97

94

93

92 (part lot)


Ingang bij Pasir Malanginscribed with title (on the stretcher); and authenticated by Jos de Gruyter (on the stretcher and the reverse)oil on canvas50 x 67.5 cm.;and Another oil on canvas by the same hand entitled ‘Boom’. (2)€1,000-1,500� US$1,400-2,000

E X H I B I T E D :

The Hague, Galerie Nouvelles Images/Schiedam, Stedelijk Museum (travelling exhibition), Piet Ouborg: van hobbyist tot gewijde, 30 June 1979 - April 1981, no. 71.

l93FRANS BAKKER (1871-1944)

Activities in an Indonesian villagesigned ‘Frans Bakker’ (lower right)oil on canvas45.5 x 70.5 cm.€1,800-2,200� US$2,500-3,000

l94HUGO VILFRED PEDERSEN (1870-1959)

Batik paintersigned ‘Hugo. V.P’ (lower left)oil on canvas98 x 140 cm.€1,500-2,000� US$2,100-2,700


Anonymous sale, Sotheby’s, Singapore, 22 October 2006, lot 31.

l96JOHAN VAN AERSCHOT (20TH CENTURY)

Danger aheadsigned, dated and inscribed ‘J v. Aerschot/Java 1926’ (lower right)oil on canvas63 x 89 cm.Painted in 1926.€1,800-2,200� US$2,500-3,000

l97ARTHUR ELAND (1884-1948)

Indonesian landscape with a fisherman in a boatsigned ‘A. Eland.’ (lower right)oil on canvas40 x 55 cm.€1,000-1,500� US$1,400-2,000

95 No Lot�


l101WILLEM GERARD HOFKER (1902-1981)

Ni Kenjoen met lamplicht (Carpenter 479)soft-ground etching, 1946, signed in pencil, inscribed ‘Bali/Epr. d’artiste’, sheet somewhat timestained, unexamined out of the frame, apparently in good conditionS. 500 x 350 mm.; P. 355 x 250 mm.

€800-1,200� US$1,100-1,600

101

99RADEN SARIEF BUSTAMAN SALEH (1811-1880)

British marine vessel in heavy weathersigned and dated ‘Raden Saleh 1840’ (lower right)oil on canvas34.5 x 42.5 cm.Painted in 1840.

€8,000-10,000� US$11,000-14,000


Dr. Umberto Cosentino, São Paolo.

100

l100HENDRIK PAULIDES (1892-1967)

Javanese dancerlithograph, 1925, on wove paper, with margins, signed in pencil, numbered ‘no. 2B’, sheet timestained, sheet glued down onto the mount, foxing and staining in the marginsS. 640 x 476 mm.; L. 565 x 367 mm.

€800-1,200� US$1,100-1,600

99

l102HENRY VAN VELTHUYSEN (1881-1954)

Activities in an Indonesian village by a riversigned ‘H.v.Velthuysen (lower left)oil on canvas laid down on plywood50.5 x 61 cm.

€2,000-3,000� US$2,800-4,100

102

l!98FERNANDO CUETO AMORSOLO (1892-1972)

Igorot From the Hills, Baguiosigned and dated ‘FC Amorsolo/1928.’ (lower left); and inscribed with title (on the reverse)oil on panel34 x 41 cm.Painted in 1928.

€10,000-15,000� US$14,000-20,000

98


103

l!104WILLEM GERARD HOFKER (1902-1981)

Padoeraksa-tempel in Pagan, Denpasar, Balisigned, dated and inscribed with title ‘W.G. Hofker. 12 Juli 1938.’ (lower right)chalk, watercolour and gouache on paper27.5 x 33.5 cm.Executed in 1938.

€8,000-12,000� US$11,000-16,000

103ISAAC ISRAELS (1865-1934)

Indonesian dancer and gamelan orchestrasigned ‘Isaac Israels’ (lower right)oil on canvas80.5 x 99.5 cm.Painted in 1922.

€35,000-45,000� US$48,000-61,000


In the possession of the family of the present owner

since the 1930’s.


A. Wagner, Isaac Israels, Venlo 1985, no. 174, p. 175

(illustrated p. 136).

104


108

107

106

105

l105RUDOLF BONNET (1895-1978)

Studie voor wandschildering “De Boeginezen” Makassarsigned ‘R.Bonnet’ (lower right); and dated and inscribed with title ‘1946’ (upper right).charcoal on paper71 x 53 cm.Executed in 1946.

€6,000-8,000� US$8,200-11,000


Neka Gallery, Ubud, Bali.


H. de Roever-Bonnet, Rudolf Bonnet, Een zondagskind: Zijn leven en zijn werk, Wijk en Aalburg,

1993, no. 75, p. 111 (illustrated).

l106LUIGI NOBILI (20TH CENTURY)

A seated nudesigned ‘Nobili’ (lower left)chalk on paper, unframed44 x 59.5 cm.

€1,000-1,500� US$1,400-2,000


A young Balinese man wearing a hatsigned ‘R. Bonnet’ (upper right); and inscribed and dated ‘Bali 1976’ (upper left)chalk and pastel on paper48 x 40 cm.Executed in 1976.

€5,000-7,000� US$6,800-9,500




Koenhartadisigned ‘R. Bonnet’ (lower right); and dated, inscribed with title and inscribed ‘Bali 1973’ (lower left)chalk and pastel on paper60.5 x 34 cm.Executed in 1973.

€12,000-16,000� US$17,000-22,000


Rudana Fine Art Gallery, Ubud, Bali.



Ni Gusti Kompiang Mawarsigned, dated and inscribed ‘W.G. Hofker/Bali 1940’ (upper left); and signed again and inscribed ‘Oeboed-Bali/”Goesti Compiang”’ (on the reverse)oil on canvas53 x 52 cm.Painted in 1940.

€200,000-300,000� US$280,000-410,000


Acquired by the father of the present owner, 1969.

E X H I B I T E D :

Apeldoorn, Gemeentelijke van Reekum Galerij, 6-28 September 1969.


Compare with the conté drawing and etching of the same subject: B. Carpenter, Willem Hofker, Painter of Bali, Wijk en Aalburg, 1993, p. 89, p. 195.

The present lot bears an intimate quality because of the model, the date, the frame, and its provenance. Ni Gusti Kompiang Mawar was probably one of Hofker’s most favorite models. The Balinese dancer and accomplished weaver was portrayed by him several times in oil, conté drawing and, upon returning to the Netherlands after World War II, in etching and mezzotint. The etching (fig. 1) is based on the present lot.Hofker arrived on Bali in 1938, and lived there until 1943, when he and his wife Maria were interned by the Japanese. He has portrayed Kompiang Mawar several times during his stay on Bali. The present lot, dated 1940, is probably one of the first, if not the first known portrait of her by Hofker. The portrait of Ni Gusti Kompiang Mawar, dated 1943, (sold in these rooms on 20 November 2012 as lot 27 for € 650,000 hammer price) which

shows Kompiang in a ceremonial dress, while elegantly gazing down, is comparable to the present lot. Although slightly more modest in size, the relaxed manner in which Kompiang is seated, loosely holding the basket, makes it into a most convincing painting within Hofker’s oeuvre. The toned-down colours of her dress and the background further add to the intimate quality.This portrait of Kompiang was not only one of the first portraits Hofker ever made of her, it was also the portrait of her he would hold on to the longest, until 1969. In a letter to the new owner, late 1969, he wrote: Bijzonder getroffen was ik dat Goesti Compiang Mawar’s beeltenis zoo onverwachts een ‘begrijpend’ tehuis kreeg: herinneringen aan ons Indië.....! (I’ve been especially touched by the fact that Gusti Kompiang Mawar’s portrait would, so unexpectedly, find a new and ‘understanding’ home: memories of our (Dutch East) Indies....!).In a second letter Hofker wrote he was working on the frame, which in the end would be delivered early 1970. Hofker used to make, or at least decorate, the frames around the works of art that we assume were most precious to him. In this case, Hofker coloured the hand-made frame, and used his spattering technique, that he started using in Bali together with his close friend Rudolf Bonnet. This ‘Hofker’ frame, embracing Gusti Kompiang’s portrait, enhances the sensation that the painting remained in a highly original state over many years.To be included in the forthcoming publication on W.G. Hofker, currently being prepared by Seline Hofker and Gianni Orsini.We kindly thank Gianni Orsini and Seline Hofker for their help in cataloguing the present lot.

fig.1 W.G. Hofker, Ni Gusti Kompiang

Mawar, etching, 1948.


112110

113111

l113WILLEM DOOYEWAARD (1892-1980)

Playing the flute, North-Africasigned ‘W. Dooijewaard’ (lower right)oil on canvas80 x 65 cm.

€3,000-5,000 US$4,100-6,800


Acquired directly from the artist by the family of the present owner.

l112AUKE SONNEGA (1910-1963)

Havenarbeider van Singaradjasigned, dated and inscribed with title ‘Auke Sonnega./1950’ (lower right)oil on canvas130 x 86 cm.Painted in 1950.

€12,000-16,000 US$17,000-22,000

�

l111ROLAND STRASSER (1895-1974)

Fishermen and prau along the Indonesian coastsigned ‘Strasser’ (lower left)oil on canvas100 x 74 cm.

€4,000-6,000� US$5,500-8,100

l110ROLAND STRASSER (1895-1974)

Chinese farmersigned and inscribed ‘Strasser/China’ (lower right)oil on canvas laid down on board75 x 51 cm.

€4,000-6,000� US$5,500-8,100


Anonymous sale, Christie’s, Amsterdam, 4 October 2005, lot 146.



115

116

114

117

115HAJI WIDAYAT (1923-2002)

Forest with birdssigned and dated ‘Widayat/76’ (lower right)oil on canvas99 x 125.5 cm.Painted in 1976.

€18,000-22,000� US$25,000-30,000



Acquired from the above by the present owner.

116HAJI WIDAYAT (1923-2002)

Flamboyan tuasigned, dated and inscribed with title ‘Widayat/81’ (lower right); and signed and dated again (lower left)oil on canvas109.5 x 130.5 cm.Painted in 1981.

€18,000-22,000� US$25,000-30,000




l117HAN SNEL (1925-1998)

Balinese Girlssigned, dated and inscribed ‘Han Snel. Bali 76’ (lower left)oil on canvas70.5 x 50.5 cm.Painted in 1976.

€3,000-5,000� US$4,100-6,800




l114HAN SNEL (1925-1998)

Balisigned, dated and inscribed with title ‘Han Snel ‘77’ (lower left)oil on canvas95 x 105 cm.Painted in 1977.

€10,000-15,000� US$14,000-20,000


Acquired by the present owner in 1991.


119118

l118WILLEM DOOIJEWAARD (1892-1980)

Balinese dancersigned ‘W. Dooijewaard’ (lower right)oil on canvas100 x 50 cm.

€30,000-50,000� US$41,000-68,000


Acquired by the family of the present owner, circa 1930-1935.

l!119ROLAND STRASSER (1895-1974)

Geishasigned and inscribed ‘Strasser/Kyoto’ (lower right)oil on canvas114 x 53 cm.

€6,000-8,000� US$8,200-11,000

Willem Dooijewaard was both painter and adventurer; seized by

the urge to undertake extensive journeys in search of eclectic new

experiences and painting subjects. He was willing to endure great

hardship while traveling by foot or on horseback through the most

insular and remote regions in order to depict his colourful exotic

scenes. Dooijewaard shared his appetite for adventure and modern

figurative style of painting with his close friend Roland Strasser.

Both had a predilection for ‘raw and real’ people and therefore

refrained from using models as much as possible.

Together they made breathtaking journeys through the Dutch

Indies, Central Asia and Japan. In these distant countries and amid

their exotic peoples they created some of their most important

works. The works by Dooijewaard and Strasser in this current

sale can be considered prime examples of their versatile, exotic

oeuvres, as well as a testimony to their explorative, even heroic

journeys.



Balinese Girlsigned and inscribed ‘W.G. Hofker./Bali’ (upper right); and dated ‘oct 1943’ (upper left); and signed, dated and inscribed again (on the reverse); and signed again (on the stretcher)oil on canvas36 x 28 cm.Painted in 1943.

€80,000-120,000� US$110,000-160,000

E X H I B I T E D :

Arti et Amicitiae, Amsterdam, July 1946.


B. Carpenter, Willem Hofker, Painter of Bali, Wijk en Aalburg, 1993, no. I-14, p. 203

To be included in the forthcoming publication on W.G. Hofker, currently being prepared by Seline

Hofker and Gianni Orsini.


122 (part lot)

124

123

126

121

125

126ABDUL AZIZ (1928-2002)

Balinese Girlsigned and dated ‘Abdul Aziz/Bali 1982’ (lower right)oil on canvas35 x 30 cm.Painted in 1982.

€1,200-1,600 US$1,700-2,200

�



125ABDUL AZIZ (1928-2002)

Balinese girl with a basket of fruitssigned and dated ‘Abdul Aziz/Bali/1981’ (upper left)oil on canvas51 x 40.5 cm.Painted in 1981.

€2,500-5,000� US$3,400-6,800



l124LUCIEN FRITS OHL (1904-1976)

Street vendorssigned ‘L Frits Ohl.’ (lower right)oil on canvas61 x 81 cm.

€1,200-1,600� US$1,700-2,200

122PUTU NGURAH WARDHANA (B. 1933)

Harvesting time, Balisigned, inscribed and indistinctly dated ‘PN. Wardhana/Bali (...)’ (lower left)acrylics on canvas90.5 x 135.5 cm.;and Another acrylics on canvas by the same hand, depicting a temple ceremony, dated 1988. (2)

€2,000-3,000� US$2,800-4,100



123GERARD PIETER ADOLFS (1897-1968)

Chinees Antiquairsigned ‘Adolfs.’ (lower left); and signed again, dated, numbered and inscribe with title ‘’65/No 846’ (on the reverse)oil on canvas30 x 39.5 cm.

€3,500-4,500 US$4,800-6,100

l121GERARD PIETER ADOLFS (1897-1968)

Antiquair Werkplaats, Algierssigned ‘Ger. P. Adolfs.’ (lower left); and inscribed with title and inscribed ‘No.E.’ (on the reverse)oil on plywood40 x 50 cm.Painted in 1939.

€5,000-7,000� US$6,800-9,500


E. Borntraeger-Stoll, G. Orsini, Gerard Pieter Adolfs. The Painter of Java and Bali, 1898-1968, Wijk

en Aalburg 2008, pp. 75, 384 (illustrated).


130

129

132

131


Marktfiguren, Javasigned ‘Adolfs’ (lower left); and signed again, dated, inscribed with title and numbered ‘48 No. 29’ (on the reverse)oil on canvas40 x 30 cm.Painted in 1948.

€5,000-7,000� US$6,800-9,500


Acquired directly from the estate of the artist.


E. Borntraeger-Stoll, G. Orsini, Gerard Pieter Adolfs. The Painter of Java and Bali, 1898-1968, Wijk en Aalburg, 2008, pp. 252, 388 (illustrated).


Market vendor, Madurasigned, dated and numbered ‘Adolfs 57 No. 49’ (lower left)pastel on paper65 x 51 cm.Executed in 1957.

€1,500-2,000� US$2,100-2,700



l131LEO ELAND (1884-1952)

Indonesian villagers passing a Batak housesigned ‘L Eland.’ (lower right)oil on canvas, unframed80 x 59.5 cm.

€1,500-2,000� US$2,100-2,700


Scenery Marocsigned ‘Adolfs’ (lower left); and signed again, dated, inscribed with title and numbered ‘62 No. 611’ (on the reverse).oil on canvas40 x 30 cm.Painted in 1962.

€4,000-5,000� US$5,500-6,800




E. Borntraeger-Stoll, G. Orsini, Gerard Pieter Adolfs. The Painter of Java and Bali, 1898-1968, Wijk en Aalburg, 2008, pp. 303, 404 (illustrated).

130GERARD PIETER ADOLFS (1897-1968)

A squatting mansigned ‘Adolfs.’ (lower left)gouache on paper47 x 62 cm.

€1,500-2,000� US$2,100-2,700

l129LUCIEN FRITS OHL (1904-1976)

A busy street marketsigned ‘L. Frits Ohl.’ (lower right)oil on canvas76 x 61 cm.

€1,200-1,600� US$1,700-2,200


138

139

135

134

136

133

140137

137BATUAN SCHOOL (EARLY 20TH CENTURY)

Activities on the waterpencil and ink on paper73.5 x 48 cm.

€2,000-3,000� US$2,800-4,100

133BALINESE SCHOOL (20TH CENTURY)

A crane and its youngsterinscribed ‘Bali’ (underneath)hardwood42 cm. high

€1,000-1,500� US$1,400-2,000


Meditationinscribed with ‘MD Runda & Son/Sakah/Bali’ (on the side of the wooden base)hardwood103 cm. high

€2,000-3,000� US$2,800-4,100


Balinese dancing girl holding a lotus flowerinscribed with monogram and ‘Njana Tilem/Gallery/Mas-Bali’ (underneath)coromandel wood32.5 cm. high

€1,000-1,500� US$1,400-2,000


Garuda and Vishnublack wood26 cm. high

€1,000-1,500� US$1,400-2,000

138DEWA KETUT TJENIK (20TH CENTURY)

Rural life on Balisigned and inscribed ‘Dewa Ketut Tjenik/Batuan Gianyar/Bali (on the reverse)watercolour on paper25 x 32.5 cm., unframed

€4,000-6,000� US$5,500-8,100


144143

142

141

l144ARIE SMIT (B. 1916)

Farmer going home with his cow, Balisigned, inscribed and inscribed with title ‘Arie/Bali’gouache on paper laid down on cardboard34 x 37 cm.

€1,000-1,500� US$1,400-2,000

l143FRANS OERDER (1867-1944)

Coconut rope weaversigned ‘F.D. Oerder’ (lower right); and indistinctly inscribed ‘Coconut rope ..’ (on the reverse)oil on canvas38.5 x 23.5 cm.

€2,000-3,000� US$2,800-4,100

142WALASSE TING (1929-2010)

Two ladieswith the artist’s stamp (upper centre)acrylic on paper laid down on cardboard48 x 61 cm.

€6,000-8,000� US$8,200-11,000


A gift by the artist to the family of the present owner.

141WALASSE TING (1929-2010)

Green Lady with Pink Rosewith the artist’s stamp (upper right)acrylic on paper laid down on cardboard56 x 68 cm.

€5,000-7,000� US$6,800-9,500


A gift by the artist to the family of the present owner.

140I NYOMAN LESUG (B. 1939)

Cows and birds in a forestsigned and dated ‘I Nyoman Lesug/Ubud. Bali. 80.’ (lower right)acrylics on canvas45.5 x 45.5 cm.Painted in 1980.

€1,000-1,500� US$1,400-2,000



!139DEWA PUTU BEDIL (1921-1999)

Riverside activitiessigned ‘D.W. PutuBedil’ (lower right)tempera on canvas48 x 64.5 cm.

€1,500-2,000� US$2,100-2,700


148

147

146

145

l146MOISSEY KOGAN (1879-1943)

Three Gracessigned with initials and numbered ‘M.K. 4/6’ (on the side)bronze with a brown patina14.5 cm. high (excl. wooden base)

€1,000-1,500� US$1,400-2,000

149-150 No Lots�

l148LAMBERTUS ZIJL (1866-1947)

Elephantsigned with initials and dated ‘LZ’18’ (on the side of the base); and with foundry mark ‘Bronsgieterij/Brom/Utrecht’ (underneath)bronze with a brown patina11 cm. highConceived in 1980 and cast in an unknown edition.

€1,200-1,800� US$1,700-2,400

l147JOZEF CANTRÉ (1890-1957)

Torso of a nudesigned ‘Jozef/Cantré’ (on the reverse)painted plaster28 cm. high (excl. wooden base)

€1,200-1,600� US$1,700-2,200

145JOSEPH MENDES DA COSTA (1864-1939)

Two monkeyswith indistinctly dated monogram ‘1905?’ (on the inside)glazed ceramics14 cm. high

€2,000-3,000� US$2,800-4,100

SCULPTURES (LOTS 145-187)


l151WILLEM COMMANDEUR (1917-1966)

Untitledsigned with initials and dated ‘WC 51’ (on the side)wood60.5 cm. highExecuted in 1951.

€1,000-1,500� US$1,400-2,000

152

l152THEO MACKAAY (B. 1950)

Untitledsigned, dated and numbered ‘11/15. t.mackaay.07’ (along the lower edge)bronze with a brown and gold patina85.5 cm.Conceived in 2007 and cast in an edition of 15.

€2,000-3,000� US$2,800-4,100

153

l153EMILE CORNELIS (B. 1946)

Woman with hatbronze with a brown patina43.5 cm. highConceived in 2000 and cast in an edition of seven.

€1,800-2,200� US$2,500-3,000

151

154

l154THEO MACKAAY (B. 1950)

Untitledsigned, dated and numbered ‘14/15 t.mackaay.07’ (along the lower edge)bronze with a dark brown patina136.5 cm. (including the stone base)Conceived in 2007 and cast in an edition of 15.

€2,000-3,000� US$2,800-4,100

155

l155 DAVID VAN DE KOP (1937-1994)

Untitledwelded steel21 cm. high

€1,000-1,500� US$1,400-2,000

156

l156EMILE CORNELIS (B. 1946)

In lovewith foundry mark (on the side of the bronze base)bronze with a brown patina50.5 cm. highConceived in 2002 and cast in an edition of seven.

€3,000-5,000� US$4,100-6,800


161

l161JAAP KAAS (1898-1972)

A walking brown bearbronze with a brown patina30 cm. high (incl. the bronze base)Conceived in 1960 and cast in an edition of five.

€2,000-3,000 US$2,800-4,100

�


J. Teeuwisse, Leven en werk van beeldhouwer-tekenaar Jaap Kaas, Utrecht, 1987, no. 64, p. 154, p. 100 (illustration of another cast).


A gift from the artist to the family of the present owner.

Another cast of the present lot can be found in Artis Zoo, Amsterdam.

159

l160ANTON RÄDECKER (1887-1960)

A watchful doesigned with monogram (on the side of the bronze base)bronze with a brown patina21 cm. high

€1,000-1,500 US$1,400-2,000

�

160

l159PIETER D’HONT (1917-1997)

Mare and foalbronze with a brown patina33 cm. highConceived in 1969 and cast in an edition of circa 100.

€2,000-3,000� US$2,800-4,100


J. Teeuwisse et al., Beeldhouwer Pieter d’Hont Leven en werk 1917-1997, Utrecht, 1997, p. 144, no. VP47I (illustration of another

cast)

158C. SABOURET (20TH CENTURY)

Ice hockey playersigned ‘C. Sabouret’ (on the left leg), and with foundry mark ‘Susse fondeur Paris’ (on the left skate)bronze with a dark brown patina23 cm. high

€1,500-2,000� US$2,100-2,700


Ossip Zadkine, Paris,

A gift from the above to the father of the present owner, 1965.

158

l157CRIS AGTERBERG (1883-1948)

Head of Darja Collin (1902-1967)signed and with foundry mark ‘Cris Agterberg/Metaalgietery “Holland” A’dam’ (on the reverse)bronze with a brown patina24 cm. highConceived in 1927 and cast in an unknown edition.

€3,000-5,000� US$4,100-6,800


Acquired directly from the artist by the grandfather of the present

owner.


Marcel Brouwer, Joep Haffmans, Cris Agterberg, beeldhouwer en sierkunstenaar, Vianen, 2001, no. 78, p. 134 (another cast

illustrated).

157


l165KEES VERKADE (B. 1941)

Vliegensigned with initials and dated ‘KV74’ (on the side of the base)bronze with a brown patina19.5 cm. highConceived and cast in 1974. This piece is unique.

€1,500-2,000� US$2,100-2,700


Acquired directly from the artist by the family

of the present owner.

To be sold with a certificate of authenticity signed by the artist.


Oude garnalenvissersigned with initials, dated and numbered ‘KV69 10/10’ (on the side of the bench)bronze with a dark brown patina16 cm. highConceived in 1969 and cast in an edition of 10.

€1,000-1,500� US$1,400-2,000






Vallen met Rolschaatsensigned with initials and dated ‘KV66’ (on the side of the base)bronze with a dark brown patina15 cm. highConceived and cast in 1966. This piece is unique.

€1,200-1,600� US$1,700-2,200






Fietserssigned and dated ‘Verkade 1968’ (on top of the bronze base)bronze with a dark brown patina49 cm. highConceived and cast in 1968. This piece is unique.

€6,000-8,000 US$8,200-11,000

�





165163 164

162


172167

171170166

169

168 (part lot)

l167ARTHUR SPRONKEN (B. 1930)

A horsesigned with monogram (on the neck of the horse)bronze with a green black patina27.5 cm. high (excl. the stone base)

€6,000-8,000� US$8,200-11,000

l171CHARLOTTE VAN PALLANDT (1898-1997)

Inekesigned with monogram and with foundry mark (on the side of the base)bronze with a brown patina26 cm. highConceived in 1949 and cast in an edition of eight.

€2,000-3,000� US$2,800-4,100


Acquired directly from the artist by the present owner.


L. Tegenbosch, Charlotte van Pallandt: Beelden en tekeningen,

Katwijk aan Zee, 1978, no. 52, pp. 120-121 (illustrated).

L. Tegenbosch and M. Koekkoek, Charlotte van Pallandt: Beelden en tekeningen, 1994, no. 52, p. 111 (illustrated).

l169ARTHUR SPRONKEN (B. 1930)

Horsebronze with a green patina25 cm. high (excl. the stone base)

€5,000-7,000� US$6,800-9,500


Voorover leunendsigned with monogram (on the side)bronze with a brown patina14.5 cm. highConceived in 1965 and cast in an edition of ten.

€2,000-3,000� US$2,800-4,100


Acquired directly from the artist by the present owner.

E X H I B I T E D :

Amsterdam, Stedelijk Museum/Zwolle, Provinciehuis, Charlotte van Pallandt: Beelden en Tekeningen, 8 October 1981 - 29 January

1982, no. 44 (another cast exhibited).


L. Tegenbosch, Charlotte van Pallandt: Beelden en tekeningen,

Katwijk aan Zee, 1978, no. 15, pp. 58 and 150 (illustrated).

L. Tegenbosch and M. Koekkoek, Charlotte van Pallandt: Beelden en tekeningen, Zwolle, 1994, no. 125, p. 135 (illustrated).


Study for Voorover leunendsigned and dated ‘Pallandt/1965’ (lower left)

chalk on paper35 x 27 cm.Executed in 1965;and A study for Grote Staande by the same hand from 1958. (2)

€1,500-2,000� US$2,100-2,700


Kunsthandel Lambert Tegenbosch, Heusden.

Acquired from the above by the present owner, early 1970s.

l170CRIS AGTERBERG (1883-1948)

A bronze figural candlestickstamped with foundry mark ‘Cris Agterberg/Utrecht-Holland’bronze with a brown patina41 cm. high

€2,000-4,000� US$2,800-5,400


Marcel Brouwer, Joep Haffmans, Cris Agterberg, Beeldhouwer en Sierkunstenaar, Vianen, 2001, no. 11, p. 30 (another cast

illustrated).

l172SLAVOLJUB RADOJCIC-CAJA (B. 1942)

Raskolnikow IIbronze with a brown patina42.5 cm. highConceived in 1965 and cast in an unknown edition.

€1,000-1,500� US$1,400-2,000


176174 178

177175173

l173REINHOUD D’HAESE (1928-1996)

Aracamidated ‘1992’ (underneath the base)welded copper on a litho stone93 cm. high (incl. the stone base)Executed in 1992, this piece is unique.

€3,000-5,000� US$4,100-6,800


Art Investment, The Hague.

l!174EVERT DEN HARTOG (B. 1949)

Kop in de wolkensigned, numbered and with foundry mark ‘Hartog/4/8 Art Casting Belgium’ (on the side of the standing leg)bronze with a marbleized patina51.5 cm. high (excl. the stone base)Conceived in 2006 and cast in an edition of eight.

€4,000-6,000� US$5,500-8,100

l175FRANCO ADAMI (B. 1933)

Le jugesigned, numbered and with foundry mark ‘F. Adami 3/8/fonderia***’ (on the side of the bronze base)bronze with a black patina50 cm. highConceived in 1993 and cast in an edition of eight.

€3,000-5,000� US$4,100-6,800

l176FRANCO ADAMI (B. 1933)

L’oiseau sagesigned, numbered and with foundry mark ‘F. Adami 6/8 fonderia Guastini’ (on the side of the bronze base)bronze with a black patina26 cm. highConceived in 1991 and cast in an edition of eight.

€2,500-3,500� US$3,400-4,700

l177REINHOUD D’HAESE (1928-1996)

You don’t saydated and inscribed with title ‘1987’ (on the top of the base)welded tin on a litho stone36 cm. high (incl. the stone base)Executed in 1987, this piece is unique.

€2,000-3,000� US$2,800-4,100


Art Investment, The Hague.


Liftsigned, dated, numbered and with foundry mark ‘K. Verkade ‘82/6/6/Guyot/Fondeur’ (on top of the base)bronze with dark brown patina43.5 cm. highConceived in 1982 and cast in an edition of six.

€2,500-3,500� US$3,400-4,700



l182PABLO PICASSO (1881-1973)

Wood-owl (A.R. 542)partially glazed white earthenware vase painted in colours, 1968, numbered ‘83/500, incised ‘Edition Picasso’ and ‘R. 146’, with the ‘Madoura Plein Feu’ and ‘Edition Picasso’ pottery stamps on the underside, chip from the tail rim, surface dirt, otherwise generally in good condition29 cm. high

€3,500-4,500� US$4,800-6,100

l181HILDO KROP (1884-1970)

Het sentimentele liedsigned with initials ‘HLK’ (at the lower left side); and signed again (on the inside)glazed terracotta21.5 cm. highExecuted in 1926.

€1,200-1,600� US$1,700-2,200

E X H I B I T E D :

Amsterdam, Expositiezalen Mak van Waay, Hildo Krop: Stadsbeeldhouwer van Amsterdam: Herdenkingstentoonstelling, 1-30 July 1972, no. 102.

The Hague, Kunsthandel G.J. Scherpel, Hildo Krop 1884-1970: beeldhouwer en ceramist: herdenkingstentoonstelling, 26 February - 24 March 1984, no. 8.

l180BART VAN DER LECK (1876-1958)

Goatsigned with initials ‘BvdL’ (on the side)a glazed pottery tile12.5 x 12.5 cm.

€1,500-2,000� US$2,100-2,700

l179HILDO KROP (1884-1970)

Liggende vrouwindistinctly signed ‘Hildo K’ (on the reverse)glazed terracotta12 cm. high, 57.5 cm. long (excl. the stone base)Executed in 1939.

€1,500-2,000� US$2,100-2,700

E X H I B I T E D :

The Hague, Kunsthandel G.J. Scherpel, Hildo Krop 1884-1970:beeldhouwer en ceramist: herdenkingstentoonstelling, 26 February - 24 March 1984, no. 15a.

182

181

180

179


l187TJIPKE VISSER (1876-1955)

Fisherman playing the accordeonsigned with monogram and numbered ‘3/6’ (on the side on the base)bronze with a brown patina24.5 cm. high (incl. wooden base)Conceived in 1911 and cast in an edition of six.

€2,000-3,000� US$2,800-4,100


Tjipke Visser, Tjipke Visser: beeldhouwwerk 1902-1936, Amsterdam, 1936, p. 45.

Herman Martin, Tjipke Visser, beeldhouwer [...], Drachten, 1958, p. 34.

l185PIETER D’HONT (1917-1997)

Het Gesprekwith foundry mark ‘MS’ (underneath)bronze with a brown patina53.5 cm. highConceived in 1960 and cast in an edition of circa 10.

€3,000-5,000� US$4,100-6,800


J. Teeuwisse et al., Beeldhouwer Pieter d’Hont Leven en werk 1917-1997, Utrecht, 1997, p. 136, no.

VP251 (illustration of another cast)

186CHARLES VAN WIJK (1875-1917)

An old lady spinningsigned ‘Charles v. Wyk’ (on the base)bronze with a brown patina36 cm. high

€3,000-5,000� US$4,100-6,800


Krijntjesigned ‘Charles v. Wyk’ (on the reverse)

bronze with a brown patina22 cm. high

€1,500-2,000� US$2,100-2,700


H. Stork, Charles van Wijk: beeldhouwer van een vrij en ongebonden volk, Katwijk, 1999, no. 31, p. 67, 46

(another cast illustrated)


Homewardssigned Charles v. Wyk (on the base)bronze with a dark brown patina56 cm. high

€6,000-8,000� US$8,200-11,000


Kleykamp, The Hague, Nalatenschap Charles van Wijk, 27 November 1917, nr. 5.

Collection Meentwijck, Bussum.

E X H I B I T E D :

The Hague, Pulchri Studio, 1895 (entitled Terugkeer).Amsterdam, Kunsthandel Voskuil, November 1902 (entitled Terugkeer). San Francisco, Panorama

Pacific International Exhibition, 1915, nr. 188 (entitled Cessation from Labour).Katwijk, Katwijks Museum, Charles van Wijk (1875-1917) ‘Beeldhouwer van een vrij en ongebonden volk’, 3 July-25 September 1999, no. 5 (ill.).


P.A. Haaxman Jr., ‘Charles van Wijk’, Elsevier Geïllustreerd Maandschrift, (1909), p. 232.

J. Slagter, ‘Charles van Wijk 1875-1917’, Elseviers Geïllustreerd Maandschrift, (1917), p. 396 (ill.)

Visit www.christies.com for additional information on this lot

186 187184

183 185


!195GERARD VICTOR ALPHONS RÖLING (1904-1981)

A still life with watermelonsigned ‘G.V.A. Röling’ (upper right) and signed again with initials and dated ‘’45’ (lower right)oil on board22.5 x 26.5 cm.Painted in 1945.

€1,200-1,600� US$1,700-2,200


Arnot Gallery, New York, acquired directly from the artist.

l194ELIE LAMBERT (B. 1949)

Yarmouthsigned (scratched) ‘Lambert’ (lower left); and inscribed with title and dated ‘87’ (lower right)oil on canvas90 x 115 cm.Painted in 1987.

€2,500-3,500� US$3,400-4,700

l193JAN ROËDE (1914-2007)

Beerta Isigned and dated ‘Roëde ‘66’ (lower left); and inscribed with title (on the backing)oil on canvas46 x 55 cm.Painted in 1966.

€1,800-2,200� US$2,500-3,000

192

191

189

l192LOUIS ARMAND NALLARD (1918-2000)

Les Lampions - La Mouffsigned and dated ‘Nallard 73’ (lower left); and signed and dated again and inscribed with title (on the stretcher)oil on canvas72 x 81 cm.Painted in 1973.

€1,500-2,000� US$2,100-2,700


Kunsthandel M.L. de Boer, Amsterdam.


l191EDOUARD PIGNON (1905-1993)

Untitledsigned and dated ‘Pignon/57’ (lower right)oil on board65.5 x 50 cm.Painted in 1957.

€2,000-3,000� US$2,800-4,100




190 no lot

l189FELIX NUSSBAUM (1904-1944)

Sunset seen from the deck of a shipsigned and dated ‘Felix Nussbaum/1936’ (lower left)oil on plywood65.5 x 50.5 cm., unframedPainted in 1936.

€10,000-15,000� US$14,000-20,000

l188SERGE CHARCHOUNE (1888-1975)

Art Or l N5signed and dated ‘Charchoune XI 61’ (lower right); and signed and dated again and inscribed with title (on the reverse)oil on canvas33 x 55 cm.Painted in 1961.

€5,000-7,000� US$6,800-9,500


Anonymous sale, Christie’s, Amsterdam, 5 June 1996, lot 98.


188


195

198

197 (part lot)194

196193

!198GERARD VICTOR ALPHONS RÖLING (1904-1981)

A still life with pickled herring on a dishsigned (scratched) ‘GVA Röling ‘47’ (lower left)oil on board20.5 x 29.5 cm.Painted in 1947.

€1,000-2,000� US$1,400-2,700


Arnot Gallery, New York, acquired directly from the artist.

l196ELIE LAMBERT (B. 1949)

Blues and Royal [Band] having a break, Pontefrac[t] racessigned (scratched) ‘Lambert’ (lower left); and signed again, dated and inscribed with title (on the reverse)oil on canvas100 x 100 cm.Painted in 2006.

€2,500-3,500� US$3,400-4,700

l197RENÉ PRINET (1861-1946)

Woman and child at the seasidewith studio stamp (on the reverse)oil on panel24 x 19 cm.;and Another painting by the same hand, depicting figures on a beach. (2)

€2,500-3,500� US$3,400-4,700

199 no lot


200 200200

l200MAURITS CORNELIS ESCHER (1898-1972)

Aarde, Lucht, Vuur, Water; the four elements (Eugène & Willy Strens New Year’s greeting-cards 1953-1956) (B. 382-385)the set of four woodcuts in colours with letterpress, 1952-1955, on wove paper, from the edition of unknown size, the sheets loose, the sheets slightly timestained, otherwise generally in good conditionS. 174 x 153 mm. (each), unframed in passepartout

€1,500-2,000� US$2,100-2,700


Eugène and Willy Strens.


201 no lot

202


Belvedere (B. 426)lithograph, 1958, on wove paper, signed in pencil, numbered ‘No 11/40’, sheet lightstained, sheet glued onto the mount, upper edge glued to the passepartout in places, soft creasing and foxing in the margins, otherwise generally in good conditionL. 465 x 296 mm.

€6,000-8,000� US$8,200-11,000

204


Up and Down (Boven en Onder) (B. 352)lithograph, 1947, on wove paper, signed in pencil, with wide margins, from the VAEVO edition of 400, the sheet glued down onto the mount, sheet mountstained, few pinholes in the upper area (margin), overall in good conditionL. 505 x 205 mm.; S. 640 x 338 mm.

€5,000-7,000� US$6,800-9,500


Anonymous sale, Christie’s, Amsterdam, 30 May 2006, lot 82.


203


Order and Chaos I (Orde en Chaos) (B. 366)lithograph, 1950, on wove paper, signed in pencil, from the VAEVO edition of 400, with margins, the sheet laid down onto the mount with pieces of tape along the edges, the sheet somewhat timestained, otherwise generally in very good conditionL. 280 x 280 mm.; S. 317 x 318 mm.

€4,000-6,000� US$5,500-8,100


Icosaedertin, 1963, designed by M.C. Escher, for N.V. De Vereenigde Blikfabrieken, metal, marked with artist monogram, slighty worn in places, spots of rust inside, overall in good condition14 cm. high

€800-1,200� US$1,100-1,600


Puddle (Modderplas) (B. 378)woodcut in colours, 1952, on wove paper, signed in pencil and inscribed eigen druk, with margins, the sheet attached to the passepartout with glue along the edges, few pieces of papertape along the reverse edges, soft skinning and few minor stains visible at the reverse, otherwise in very good conditionB. 240 x 321 mm.; S. 328 x 405 mm.

€7,000-9,000� US$9,500-12,000

AFTERNOON SESSION AT 2.00 PM (LOTS 200-371)


205

206

207


Rippled surface (Rimpeling) (B. 367)lithograph, 1950, on Japan, with margins, signed in pencil and inscribed eigen druk, sheet laid down at the reverse edges onto the passepartout with papertape, sheet mountstained, pinholes in upper right corner, small paper damage in centre left margin, otherwise in very good conditionL. 260 x 322 mm.; S. 310 x 374 mm.

€5,000-7,000� US$6,800-9,500

208


Belvedere (B. 426)lithograph, 1958, on wove paper, signed in pencil, numbered ‘24/40’, with wide margins, sheet somewhat timestained, few soft stains in left margin and in left half of the image, soft creasing in places, otherwise in good condition, unframedL. 465 x 298 mm.; S. 643 x 478 mm.

€8,000-12,000� US$11,000-16,000

209


Order and Chaos II (Kompasroos) (B. 402)lithograph, 1955, on wove paper, the sheet laid down onto the mount with tape along the reverse upper edge, the sheet somewhat timestained, minor creasing, two minor superficial scratches in the left margin, a small piece of papertape attached to the reverse lower left corner, otherwise generally in good conditionL. 270 mm. diametre; S. 372 x 300 mm.

€1,500-2,000� US$2,100-2,700


Anonymous sale, Christie’s, Amsterdam, 29 November 2005, lot

328.



210

213

215 (part lot)

212

215A

214

211

l211WILLEM HUSSEM (1900-1974)

Untitledoil on paper17.5 x 32.5 cm.Executed in 1953.

€1,200-1,600� US$1,700-2,200

l215AEUGÈNE BRANDS (1913-2002)

Composition au noir magiquedated and inscribed with title ‘I XII ‘94-2’ (on the reverse)gouache, watercolour and collage on cardboard37 x 28 cm.Executed in 1994.

€1,200-1,600� US$1,700-2,200

l214JAN SIERHUIS (B. 1928)

Hommage aan El Gregosigned and dated ‘Sierhuis 64’ (lower right); and signed and dated again and inscribed with title and inscribed (on the reverse)oil and tempera on canvas70 x 50 cm.Painted in 1964.

€1,500-2,000� US$2,100-2,700


Untitledsigned with initials and dated ‘WH ‘54’ (lower right); and signed and dated again (on the reverse); and signed and dated twice again and numbered ‘No 3’ (on the stretcher)oil on canvas54 x 65 cm.Painted in 1954.

€2,000-3,000� US$2,800-4,100


Untitledsigned with initials and dated ‘WH64’ (on the reverse)oil on board30.5 x 64.5 cm.Painted in 1964.

€2,000-3,000� US$2,800-4,100

l215EUGÈNE BRANDS (1913-2002)

Compositie met zwart fondsigned ‘brands’ (lower centre)gouache on paper37.5 x 29.5 cm.Executed in 1968;and Another gouache on paper by the same hand, titled Bloeiende kerseboom, 1968. (2)

€2,000-3,000� US$2,800-4,100



l212WIM GERRITSEN (1897-1989)

Untitledsigned and dated ‘Wim Gerritsen ‘57’ (lower right)gouache on paper53 x 73 cm.Executed in 1957.

€1,500-2,000� US$2,100-2,700


Smelik & Stokking Galleries, The Hague.


l221GERRIT BENNER (1897-1981)

Three horsessigned ‘Bnr’ (lower right)pastel and gouache on paper74 x 99 cm.;and Another work on paper by the same hand, titled Two horseback riders. (2)

€3,000-5,000� US$4,100-6,800


Kunsthandel Nanno Meijer, Groningen.

221 (part lot)

l218JAN SCHOONHOVEN (1914-1994)

Untitledsigned with initials ‘JJS’40’ (lower right)ink and watercolour on paper14.5 x 10 cm.Executed in 1940;and Five other similar works on paper by the same hand. (6)

€2,000-3,000� US$2,800-4,100

218 (part lot)

l219CORNEILLE (1922-2010)

Untitledsigned and dated ‘Corneille ‘48’ (lower right)gouache, watercolour and graphite on paper49.5 x 64.5 cm.Executed in 1948.

€7,000-9,000� US$9,500-12,000

219


La tranche de pastèquesigned and dated ‘Corneille ‘67’ (lower left); and inscribed with title (lower right)gouache and ink on paper40.5 x 32.5 cm.Executed in 1967.

€2,500-3,500� US$3,400-4,700


Galerij Kaleidoskoop, Ghent.

217


Untitledsigned with initials and dated ‘JJS ‘40’ (lower right)ink on paper10 x 14.5 cm.Executed in 1940;and Five other similar works on paper by the same hand. (6)

€2,000-3,000� US$2,800-4,100

220 (part lot)


Untitledsigned and dated ‘Corneille ‘67’ (upper right)watercolour, felt pen and collage on paper34.5 x 26.5 cm.Executed in 1967.

€2,000-3,000� US$2,800-4,100


Anonymous sale, Christie’s, Amsterdam, 26 February 2008, lot

287.


216


l227STEPHEN GILBERT (1910-2007)

Untitledsigned and dated ‘Stephen Gilbert VI.52’ (on the stretcher)oil on canvas15.5 x 21.5 cm.Painted in 1952.

€2,000-3,000� US$2,800-4,100


Untitledsigned with initials ‘E.B.’ (lower left)gouache on paper50.5 x 58.5 cm.;and Another gouache on paper by the same hand. (2)

€1,500-2,000� US$2,100-2,700

l•225

MAX PAPART (1911-1994)

Untitledsigned ‘Max Papart’ (lower centre)a painted layered mixed media collage6 x 7.5 cm.;and Six other works on paper by the same hand. (7)

€2,000-3,000� US$2,800-4,100


Nahan Galleries, New Orleans/New York.


Viool en vlinderssigned and dated ‘12.53 brands’ (lower right); and signed thrice and dated twice again and inscribed with title twice and numbered ‘cat. nr. 270’ (on the reverse)oil on paper22 x 23 cm.Executed in 1953.

€2,000-3,000� US$2,800-4,100


Fragmentensigned and dated ‘2.58 brands’ (upper left)oil on paper laid down on panel24 x 44.5 cm.Executed in 1958.

€2,500-3,500� US$3,400-4,700


Anonymous sale, Sotheby’s, Amsterdam, 21 May 1992, lot 199.


Portrait of a womansigned and dated ‘Corneille51’ (upper right)pastel, chalk and pencil on paper59 x 48 cm.Executed in 1951.

€2,000-3,000� US$2,800-4,100


CoBrA Museum voor Moderne Kunst, Amstelveen (on loan, 1996).

222 225 (part lot)

223

226 (part lot)

224 227


l233WIM STRIJBOSCH (1928-1968)

Untitledsigned and dated ‘Wim Strijbosch ‘58’ (upper right)oil on canvas120 x 59 cm.Painted in 1958.

€1,500-2,000� US$2,100-2,700

233


Untitledsigned and dated ‘J.J. Schoonhoven 1958’ (on the reverse)ink on paper, unframed50 x 32.5 cm. (3) Executed in 1958;and Two other inks on paper by the same hand.

€2,000-3,000� US$2,800-4,100

l231BENGT LINDSTRÖM (1925-2008)

La vaguesigned, dated and inscribed with title ‘Lindstrom 1960’ (on the reverse)oil on panel120 x 95 cm.Painted in 1960.

€3,000-5,000� US$4,100-6,800

231

l230LILI ORSZÁG (1928-1978)

Untitledoil on paper, in two parts35 x 50.5 cm. (overall) (2)

€2,000-3,000� US$2,800-4,100

230 (part lot) 232 (part lot)


T89-15signed and dated ‘Schoonhoven 1989’ (lower right); and inscribed with title (lower left); and signed, dated and inscribed with title again (on the reverse)ink on paper50 x 32.5 cm.Executed in 1989.

€1,200-1,600� US$1,700-2,200

229

l228WILLY BOERS (1905-1978)

Untitledsigned and dated ‘Willy Boers 1957’ (lower right)gouache on paper43 x 32 cm.Executed in 1957.

€1,200-1,600� US$1,700-2,200

228


l241HERMAN KRIKHAAR (1930-2010)

Last dancesigned with monogram and dated ‘90’ (lower right)oil on canvas300 x 200 cm.Painted in 1990.

€1,000-1,500� US$1,400-2,000

l240MARTIN BRADLEY (B. 1931)

Growing inner mansigned and dated ‘Martin Bradley 1975’ (lower left); and inscribed with title (upper left)oil on canvas98 x 98 cm.Painted in 1975.

€1,000-1,500� US$1,400-2,000

l239ANUTOSH (B. 1970)

Divina aqua mysticasigned, dated, inscribed with title and inscribed ‘Anutosh 1999’ (on the reverse); and dated and inscribed with title again ‘98’ (on the overlap)oil on canvas, unframed140 x 200 cm.Painted in 1998-1999.

€1,200-1,600� US$1,700-2,200

238MICHAEL PARKES (B. 1944)

Untitledsigned ‘Parkes’ (lower right)oil on plywood61 x 78 cm.

€5,000-7,000� US$6,800-9,500

l237GÉ-KAREL VAN DER STERREN (B. 1969)

Untitledsigned and dated ‘G.K van der Sterren ‘97’ (on the reverse)oil on canvas47.5 x 47.5 cm.Painted in 1997.

€2,000-3,000� US$2,800-4,100


Anonymous sale, Sotheby’s, Amsterdam, 26 November 2002,

lot 302.

l236FIE NORSKER (B. 1974)

The treasuresigned, dated and inscribed with title ‘Fie Norsker 2008’ (on the reverse)oil on canvas, unframed120 x 140 cm.Painted in 2008.

€1,000-1,500� US$1,400-2,000

l235AARON VAN ERP (B. 1978)

Drei Landärztesigned, dated and inscribed with title ‘Aaron 2003/4’ (on the reverse)oil on canvas, unframed114.5 x 160 cm.Painted in 2003-2004.

€4,000-6,000� US$5,500-8,100

l234PAT ANDREA (B. 1942)

Le secretsigned and dated ‘Pat Andrea 1991-96’ (lower right); and dated again and inscribed with title and twice with the artist’s stamp (on the backing)pencil, watercolour, gouache and ink on paper46.5 x 54.5 cm.Executed in 1991-1996.

€1,200-1,600� US$1,700-2,200

241

240

239

238

237

236

235

234


245

246

247

242

243

244

l242BENGT LINDSTRÖM (1925-2008)

Femme au chatsigned ‘Lindstrom’ (lower centre)acrylic on paper laid down on canvas105 x 74 cm.Painted in 1984.

€4,000-6,000� US$5,500-8,100

l243JAN CREMER (B. 1940)

Untitledsigned and dated ‘cremer 84’ (lower right)oil on paper laid down on board114.5 x 73.5 cm.Executed in 1984.

€2,000-3,000� US$2,800-4,100


W.A.L. Beeren (a.o.), Cremer, I Paint, I Write, I Paint, Amsterdam

2000, pp. 233 (illustrated).

l244LUCEBERT (1924-1994)

Untitled (eenoog als nar)signed and dated ‘Lucebert XI ‘69’ (lower right)oil, gouache and charcoal on paper58.5 x 45.5 cm.Executed in 1969.

€2,500-3,500� US$3,400-4,700

l245LUCEBERT (1924-1994)

Late bloeisigned and dated ‘Lucebert ‘89’ (lower right); and dated again and inscribed with title (on the stretcher); and dated twice again (on the turnover edges)oil on canvas119.5 x 90 cm.Painted in 1989.

€6,000-8,000� US$8,200-11,000


Galerie Nouvelles Images, The Hague.

Acquired from the above by the present owners.


Paysage Chinois Isigned and dated ‘cremer 88’ (lower right); and dated again and inscribed with title (on the backboard)oil on paper laid down on board132.5 x 92.5 cm.Executed in 1988.

€2,000-3,000� US$2,800-4,100


W.A.L. Beeren (a.o.), Cremer, I Paint, I Write, I Paint, Amsterdam

2000, pp. 279 (illustrated).

l247LUCEBERT (1924-1994)

A headsigned and dated ‘lucebert ‘87’ (lower left)acrylic on canvas79 x 60 cm.Painted in 1987.

€3,000-5,000� US$4,100-6,800


Cobra 50th Anniversary Sale, Christie’s, Amsterdam, 21 April

1998, lot 114.



l254ERIK ANDRIESSE, MARLENE DUMAS, CAREL VISSER, TOON VERHOEF, KEES DE GOEDE, MARIEN SCHOUTEN, HAN SCHUIL, LAWRENCE WEINER, ROB BIRZA, CO WESTERIK, ROB VAN KONINGSBRUGGEN, PETER STRUYCKEN

A Dinner-serviceall dinner plates signed (underneath)painted and glazed ceramicdinner plates 26.5 cm. (diameter)Conceived and executed from 1986-1990 in an edition of 250 and 15 artist’s proofs by Royal Mosa BV, Maastricht. (48)

€2,000-3,000� US$2,800-4,100

The first sets of this service were commissioned by Museum

Fodor together with the Amsterdam Chamber of Commerce,

Amsterdam, from 1986 until 1990. Each set was designed by a

different artist. Not all sets were produced in an edition of 250.

For example: only 150 sets were produced for the Marlene Dumas

design.

l255PAULA SWINNEN (B. 1964)

Branch design coffee table with leaves, birds and dragonfliessigned and dated ‘Paula Swinnen 2012’ (on top of one of the branches); and signed and dated again (underneath the tail of the bird on the glass plate)partially polished bronze with a brown patina, wood and a glass plate53 x 155 x 88 cm.Executed in 2012, this piece is unique.

€6,000-8,000� US$8,200-11,000

248 (part lot)

l248ANTON HEYBOER (1924-2005)

The blind animalfour etchings in colours, 1982-1983, on wove paper, each signed and dated in pencil twice, the edges deckled, unexamined out of the frame, generally in very good condition990 x 700 mm. (each) (4)

€2,000-3,000� US$2,800-4,100

249

l249THEO WOLVECAMP (1925-1992)

Abstract composition (recto); Abstract composition (verso)signed ‘Wolvecamp’ (lower right)gouache and watercolour on paper31.5 x 47.5 cm.

€2,000-3,000� US$2,800-4,100


Anonymous sale, Christie’s, Amsterdam, 12 December 1990, lot

520.

250

l250THEO WOLVECAMP (1925-1992)

Untitledwith the dated estate stamp (on the reverse)oil on canvas24 x 18 cm.

€1,500-2,000� US$2,100-2,700

251 (part lot)


Natuur objectief, aardvaderen subjectiefetching in colours, 1964, on wove paper, signed and dated in ink, numbered ‘eigen druk’, with margins, sheet is discoloured, sheet curls up, torn pinholes in the corners, some soft staining to the extreme edges, some soft folds, spots of foxing on the reverse, unframed1010 x 648 mm.;and Another etching with colours titled Genezende kwetzing by the same hand. (2)

€1,200-1,600� US$1,700-2,200



252


Untitled (Man and his life)signed and dated ‘anton heyboer augustus 1987’ (along the lower edge)oil, acrylic and ink on canvas90 x 100 cm.Painted in 1987.

€1,000-1,500� US$1,400-2,000

253 (part lot)


Verleidingetching with colours, 1960, on wove paper, signed and dated in ink, numbered ‘eigen druk’, with margins, two torn pinholes in the upper edge, sheet wrinkled in places, sheet curls up, there is some staining in places, spots of foxing, unframed322 x 505 mm.;and Three other etchings titled 4+3=7 (1960); Pzyche=kuizheid; De macht van recht van spreken is zonder kunst (1960). (4)

€1,500-2,000� US$2,100-2,700



55

257

256

260

255

259

•259

FLETCHER BENTON (B. 1931)

Folded square alphabet Upainted steelca. 290 cm. high

€10,000-15,000� US$14,000-20,000

Please note that the present lot will not be on view during the

viewing days.

l256MARTIN KIPPENBERGER (1953-1997)

Keiner hilft keinem (nobody helps nobody)signed with initials, dated and numbered ‘M.K 93 28/30’ (on an inner side of the inflatable)felt pen and ink on an inflatable handtrainer with the original manual15 x 17 x 17 cm.Executed in 1993, this is number twenty-eight from an edition of thirty

€2,000-3,000� US$2,800-4,100

•260

FLETCHER BENTON (B. 1931)

Work bench table #2signed, dated, inscribed with title and inscribed ‘Fletcher Benton 2003’ (on top of the table)corten steel with tools, gloves and metal183 cm. highExecuted in 2003, this piece is unique.

€1,500-2,000� US$2,100-2,700

l257FORTUYN/O’BRIEN

Eden (from the series House & Garden)textile, foam rubber and a metal frame75.5 x 63 x 35 cm.Executed in 1994, this piece is unique.

€1,500-2,000� US$2,100-2,700


Galerie Bloom, Amsterdam.

Anonymous sale, Sotheby’s, Amsterdam, 8 June 2004, lot 295.


E X H I B I T E D :

Prato, Museo d’Arte Contemporanea Luigi Pecci,

Casa e giardino, 1994.

l258CAREL VISSER (B. 1928)

Schuifdakrubber tire, glass car windows and a metal roof40 x 368 x 170 cm.Executed in 1985.

€4,000-6,000� US$5,500-8,100


Groninger Museum, Groningen (on loan until 2010).


F. Haks, ‘Notities bij vijf nieuwe beelden’, in exh. cat. Carel Visser, Kasteel Wylré, 1985 (illustrated).

258

254



264

266 (part lot)

265

263

262 (part lot)

261

l261HERMAN BROOD (1946-2001)

Untitledsigned ‘brood’ (lower left)acrylic and spraypaint on canvas, unframed100 x 80 cm.

€1,000-1,500� US$1,400-2,000

l262RONALD VERSLOOT (B. 1964)

Wesigned with initials and dated ‘RFV 2003’ (on the reverse); and with an artist’s label (affixed to the stretcher)acrylic and linocut on canvas80 x 60 cm.Painted in 2003;and Another acrylic and linocut on canvas by the same hand, titled In & out. (2)

€2,000-3,000� US$2,800-4,100


Galerie Akinci, Amsterdam.


l263HERMAN BROOD (1946-2001)

Untitledsigned ‘brood’ (along the upper right edge)acrylic and spraypaint on canvas, unframed120 x 100 cm.

€1,000-1,500� US$1,400-2,000

l264ROSEMIN HENDRIKS (B. 1968)

Untitledcharcoal on paper139.5 x 150 cm.

€2,000-3,000� US$2,800-4,100


Self-portraitscreenprint in colours, 1980, on wove paper, signed and dated inpencil, numbered 2/20, with margins, with pink neonlight tube,electricity fitted, in good working order, the extreme edges deckledand discoloured, soft staining and surface dirt in the lower margin,otherwise apparently in good condition, unexamined out of the frameS. 750 x 560 mm.Executed in 1980.

€1,500-2,000� US$2,100-2,700

l266ERIK VAN LIESHOUT (B. 1968)

Zonder titel (echte mama)signed with initials and dated ‘EVL 2006’ (on the reverse)conté, gouache and marker on paper42 x 29.5 cm.Executed in 2006;and Another conté, gouache and watercolour on paper by the same hand, titled Zonder titel (Paris Hilton), 2005. (2)

€2,000-3,000� US$2,800-4,100


Acquired directly from the artist by the present owners.


269

270

267

268

l267ROBERT ZANDVLIET (B. 1970)

Untitledegg tempera on paper31 x 22.5 cm.Executed in 2006.

€1,500-2,000� US$2,100-2,700

E X H I B I T E D :

Amsterdam, Galerie Onrust, In the face, 2006.

l268MIMMO ROTELLA (1918-2006)

Untitledsigned ‘Rotella’ (lower left)collage and decollage on cardboard46 x 36.5 cm.

€2,000-3,000� US$2,800-4,100

l269JIRÍ KOLÁR (1914-2002)

Sentiment Asigned and dated twice ‘Jirí Kolár 81’ (on the reverse of the board)paper collage on board and plaster, in three parts125 x 75 x 20.5 cm.Executed in 1981.

€6,000-8,000� US$8,200-11,000


Galerie Maeght, New York.

Anonymous sale, Sotheby’s, Amsterdam, 15 December 2009, lot

98.

l270ARMAN (1928-2005)

Pinceaux bluessigned and numbered ‘Arman 45/100’ (on one of the wooden handles)paint brushes in Plexiglas67.5 x 57.5 x 25 cm. (including the Plexiglas base)Executed in 1990, this is number forty-five from an edition of one-hundred

€2,500-3,500� US$3,400-4,700

271 - 272 no lot


l273JAAP HILLENIUS (1934-1999)

Het rode watersigned and dated ‘Hillenius 1979’ (lower left); and signed again and inscribed with title (on the stretcher)oil on canvas140 x 170 cm.Painted in 1979.

€6,000-8,000� US$8,200-11,000


Anonymous sale, Sotheby’s, Amsterdam, 3 December 2001, lot 308.

l274KLAAS GUBBELS (B. 1934)

De schaakspelersigned and dated ‘K. Gubbels 58’ (lower right)oil on burlap100 x 85 cm.Painted in 1958.

€3,000-5,000� US$4,100-6,800

E X H I B I T E D :

Arnhem, Gemeentemuseum Arnhem, Merkwaardig veel tafels: Bericht over Klaas Gubbels, 17 April-23 May 1971.

l275TON BOUCHIER (B. 1950)

Untitledsigned ‘Bouchier’ (upper right)oil on canvas100 x 100 cm.

€1,000-1,500� US$1,400-2,000


Coffeepotsigned with the artist’s initials, dated and numbered ‘2004 K. G. 5/6’ (on the side of the metal base)corroded iron183 cm. highExecuted in 2004, this is number five from an edition of six

€3,000-5,000� US$4,100-6,800

l277TEUN HOCKS (B. 1947)

Zonder titelsigned and dated ‘teun hocks 2002/2003’ (lower right); and signed and dated again and inscribed with title, numbered and inscribed ‘3/3’ (on the backing)oil on a toned silver print122.5 x 98 cm.Executed in 2002-2003, this is number three from an edition of three

€2,000-3,000� US$2,800-4,100


Coffeepotsigned and dated ‘KGubbels ‘96’ (lower right)oil on canvas40 x 45 cm.Painted in 1996.

€1,500-2,000 US$2,100-2,700


Galerie Espace, Amsterdam.

278

277

276

275

274

273


279l279HANS VAN HOEK (B. 1947)

Dark landscape - Banks of a winding brooksigned and dated ‘1986 H v Hoek’ (on the reverse)oil on canvas in the artist’s frame197 x 352 cm. (including the frame)Painted in 1986.

€4,000-6,000 US$5,500-8,100


Waddington Galleries, London.

Anonymous sale, Christie’s, Amsterdam, 8 June 2000, lot 331.


E X H I B I T E D :

Eindhoven, Van Abbemuseum, Hans van Hoek - Paintings and Studies, 13 September-25 October 1987 (illustrated).

London, Waddington Galleries, Hans van Hoek, 6-30 September

1989, cat.no. 3 (illustrated).

280

l280JEROEN HENNEMAN (B. 1942)

Theedoek (Unlimited 90)signed and dated ‘Henneman ‘69’ (lower right); and signed and dated again and inscribed with title and inscribed (on the backboard)polyester coated dish towel, plastic pegs and a clothes line in a shaped wooden, metal and perspex box85 x 80.5 x 22.5 cm. (including box)Executed in 1969.

€2,000-3,000 US$2,800-4,100


A gift from the artist to the present owner.

281 (part lot)

l281RENÉ DANIELS (B. 1950)

Elba, St. Helenathe set of three etchings with aquatint, 1987, on wove paper, each signed with initials and dated in pencil, numbered 24/45, from the edition of forty-five plus 10 H.C., published by Bébert, Rotterdam, with the original titled cardboard box, some, wear, tear and staining on the box, the sheets with margins, framed, unexamined out of the frame, generally in very good condition760 x 620 mm. (the box) (4)

€1,500-2,000� US$2,100-2,700

282

l282DENMARK (MARC ROBBROECKX) (B. 1950)

Men only vol. 54 no.13, 1990signed and dated ‘K.2.1990 Denmark’ (lower right); and signed and dated again and inscribed with title (on a label affixed to the reverse)printed magazine paper and copper wire in a Plexiglas casing40 x 35 cm. (including the casing)Executed in 1990.

€1,500-2,000� US$2,100-2,700

283 (part lot)

l283DENNIS OPPENHEIM (B. 1938)

Study: making of cunts - wooden shoessigned and dated ‘Dennis Oppenheim 1995’ (lower centre)gouache on paper59 x 80 cm.Executed in 1995;and Another work on paper by the same hand, titled Study for wind mills project, 1995. (2)

€3,000-5,000� US$4,100-6,800


291 (part lot)

290

289 (part lot)

288 (part lot)285

287 (part lot)

286 (part lot)

284


l293HANS VANDEKERCKHOVE (B. 1957)

Brilliant treessigned, dated and inscribed with title ‘Hans Vandekerckhove 1999’ (on the reverse)oil on canvas189.5 x 189.5 cm.Painted in 1999.

€1,000-1,500� US$1,400-2,000

l292HANS BROEK (B. 1965)

Urban driftsigned, dated, inscribed with title and inscribed ‘Hans Broek summer 2003’ (on the reverse)oil on canvas, unframed199 x 324 cm.Painted in 2003.

€2,000-3,000� US$2,800-4,100


Galerie Tanya Rumpff, Haarlem.

l291NEO RAUCH (B. 1960)

Signalfour-colour silkscreen, 1997, on wove paper, signed and dated in pencil, numbered 18/25, unexamined out of the frame, generally in very good condition990 x 685 mm.;and Another three-colour collotype by the same hand, titled Schürze, 1996, 12/20. (2)

€6,000-8,000� US$8,200-11,000


Neo Rauch: Das grafische Werk 1993 bis 2012, Ostfildern 2012, pp.

78-79 (illustrated).

294293

292


Untitledthree-colour collotype, 1996, signed and dated in pencil, numbered ‘Probierdruck’, unexamined out of the frame, generally in very good condition540 x 730 mm.

€1,500-2,000� US$2,100-2,700


Untitledsigned and dated ‘Rauch 02’ (lower centre)watercolour and ink on paper16 x 11.5 cm.Executed in 2002.

€6,000-8,000� US$8,200-11,000


A gift from the artist to the present owner.

l294HUGO HEYRMAN (B. 1942)

Untitled (Parkeerplaatsen)signed with initials ‘HH’ (lower left)oil on canvas118 x 118 cm.

€2,000-3,000� US$2,800-4,100


Mineta Move Art Gallery, Brussels.


Untitledsigned and dated ‘Rauch 08’ (lower centre)colour crayon on paper29.5 x 21 cm.Executed in 2008.

€2,000-3,000� US$2,800-4,100


Galerie Eigen + Art, Leipzig/Berlin.


Guter Ratsingle-colour chalk and tusche lithograph, 2009, on wove paper, signed and dated in pencil, numbered 20/35, unexamined out of the frame, generally in very good condition465 x 345 mm.;and Another single-colour chalk lithograph by the same hand, titled Reaktor, 2006, 27/35. (2)

€4,000-6,000� US$5,500-8,100


Neo Rauch: Das grafische Werk 1993 bis 2012, Ostfildern 2012,

no. 09/218, pp. 126-127 (illustrated).


Überwindungeight-colour tusche lithograph, 2005, on wove paper, signed and dated in pencil, numbered 29/35, with margins, unexamined out of the frame, generally in very good condition395 x 540 mm.;and Another seven-colour tusche lithograph by the same hand, titled Mission, 2005, 29/30. (2)

€4,000-6,000� US$5,500-8,100


Galerie Eigen + Art, Leipzig/Berlin.



no. 518, pp. 96-97 (illustrated).


Neujahrsblattsingle-colour tusche lithograph, 2011, on wove paper, signed and dated in ink, from an edition of 220, unexamined out of the frame, generally in very good condition315 x 210 mm.;and Two other single-colour chalk lithograhs by the same hand, both titled Neujahrsblatt, both from an edition of two-hundred, one from 2005, the other from 2009. (3)

€4,000-6,000� US$5,500-8,100



no. 11/296, pp. 174-175 (illustrated).


Tiefthree-colour collotype, 1995, on wove paper, signed and dated in pencil, numbered ‘Werkstatt’ besides the edition of twenty, unexamined out of the frame, generally in very good condition930 x 590 mm.;and Another five-colour silkscreen by the same hand, titled Himmelsbrand, 2001, numbered ‘e.a.’ besides the edition of thirty-five. (2)

€4,000-6,000� US$5,500-8,100



no. 189, pp. 62-63 (illustrated).


300

299

298 (part lot)

297

296 (part lot)

295

l295STEVAN KOCIC (B. 1969)

One flew over the cuckoo’s nestsigned and dated ‘S. Kocic 2012’ (on the reverse)oil on canvas, unframed200 cm. (diameter)Executed in 2012.

€2,000-3,000� US$2,800-4,100

296HORACIO GARCIA ROSSI (B. 1929)

Untitledsigned ‘Garcia Rossi’ (lower right)acrylic on cardboard33.5 x 33.5 cm.;and Another acrylic on cardboard by the same hand, 1973, unframed. (2)

€2,000-3,000� US$2,800-4,100

l297YVARAL (JEAN-PIERRE VASARELY) (1934-2002)

Quadrature caminsigned ‘Yvaral’ (upper left); and signed twice again, dated, inscribed with title and numbered ‘1972 No. 1171’ (on the reverse)oil on canvas160 x 110 cm.Painted in 1972.

€6,000-8,000� US$8,200-11,000

298HORACIO GARCIA ROSSI (B. 1929)

Untitledsigned and dated ‘Garcia Rossi 73.’ (lower right)acrylic on cardboard, unframed36.5 x 36.5 cm.Executed in 1973;and Another acrylic and collage on cardboard by the same hand, 1972. (2)

€2,000-3,000� US$2,800-4,100


Progression polychrome JVsigned ‘Yvaral’ (lower centre); and signed again twice, dated, inscribed with title and numbered ‘1973 No. 1413’ (on the reverse)oil on canvas100 x 100 cm.Painted in 1973.

€4,000-6,000� US$5,500-8,100


Horizon structure RBsigned ‘Yvaral’ (lower centre); and signed twice again, dated, inscribed with title and numbered ‘1976 No. 1659’ (on the reverse)oil on canvas64 x 64 cm.Painted in 1976.

€3,000-5,000� US$4,100-6,800


306

305

304

303

302

301

301DALE FRANK (B. 1959)

Untitledsigned with initials and dated ‘D.F. 91’ (lower right)acrylic on board90 x 59.5 cm.Painted in 1991.

€2,000-3,000� US$2,800-4,100


Solander Gallery, Canberra.

l302RONALD DE BLOEME (B. 1971)

Das Einsetzen der Ärmel Isigned, dated, inscribed with title and inscribed ‘Ronald de Bloeme 2001’ (on the reverse)enamel on cloth, cotton and nylon, unframed160 x 170 cm.Executed in 2001.

€3,000-5,000� US$4,100-6,800




l303SCRIVO (B. 1942)

Life’s different roads # 011172signed ‘Scrivo’ (lower centre); and signed again, dated, inscribed with title and with the artist’s studio stamp (on the stretcher)acrylic on canvas80 x 60 cm.Painted in 1972.

€3,000-5,000� US$4,100-6,800


Galerie Barbara Botz, Puerto Andratx, Mallorca.

E X H I B I T E D :

Puerto Andratx, Galerie Barbara Botz, July-August 2008.

304DALE FRANK (B. 1959)

Untitledsigned with initials and dated ‘D.F. 91’ (lower right)acrylic and varnish on board90 x 59.5 cm.Painted in 1991.

€2,000-3,000� US$2,800-4,100


Solander Gallery, Canberra.

l305RONALD DE BLOEME (B. 1971)

Das einsetzen der Ärmel IIIsigned, dated, inscribed with title and inscribed ‘Ronald de Bloeme 2001’ (on the reverse)enamel on cloth, cotton and nylon, unframed150 x 160 cm.Executed in 2001.

€3,000-5,000� US$4,100-6,800




l306COLE MORGAN (B. 1950)

Orange Compressionsigned and dated ‘Cole Morgan ‘94’ (lower right); and signed and dated again and inscribed with title (on the reverse)mixed media on canvas100 x 100 cm.Executed in 1994.

€4,000-6,000� US$5,500-8,100


l310MARLENE DUMAS (B. 1953)

Purple poselithograph in colours, 1999, on wove paper, signed and dated in pencil, a colour trial proof aside from the edition of fifty, published by Marcel Kalksma, Amsterdam, the full sheet, apparently hinged in the corners and in the centre of the righ and left edges, the sheet undulates slightly, the upper and lower edges are deckled, unexamined out of the frame, generally in very good condition1220 x 675 mm.

€2,500-3,500� US$3,400-4,700


Marcel Kalksma, Amsterdam.


310

l311TON BOUCHIER (B. 1950)

Untitledsigned ‘Bouchier’ (lower right)oil on canvas130 x 60 cm.

€1,000-1,500� US$1,400-2,000

307

l307TOM BOGAARD (B. 1965)

Knock-outsigned and dated ‘Bogaard 2000’ (on the reverse)oil on canvas, unframed179.5 x 110 cm.Painted in 2000.

€1,200-1,600� US$1,700-2,200

This painting will be included in the book Pugilist in Art being prepared by Drs. Jop Ubbens.

311

l308MARLENE DUMAS (B. 1953)

Snowflakelithograph in colours, 1999, on wove paper, signed and dated in pencil, a colour trial proof aside from the edition of fifty, published by Marcel Kalksma, Amsterdam, the full sheet, apparently hinged in the corners and in the centre of the right and left edges, the sheet undulates slightly, the upper and lower edges are deckled, unexamined out of the frame, generally in very good condition1220 x 675 mm.

€2,500-3,500� US$3,400-4,700


Marcel Kalksma, Amsterdam.


308

l309DAVID HOCKNEY (B. 1937)

One Night (from Illustrations for Fourteen Poems from C.P. Cavafy) (MCA Tokyo 56)etching and aquatint, 1966, on Crisbrook handmade wove paper, signed and dated in pencil, numbered 49/75, published by Editions Alecto Limited, London, unexamined out of the frame, generally in very good conditionI. 345 x 220 mm.S. 373 x 250 mm.

€1,000-1,500� US$1,400-2,000

309


l315JUDITH SAMEN (B. 1970)

Untitled (Fladenbrotmützen)signed, dated and numbered ‘JSamen 3/3 96 (abzug v. 00)’ (on the reverse); and signed, dated and numbered again (on the backing)c-print on foamboard127 x 94 cm.Executed in 1996 and printed in 2000, this is number three from an edition of three

€1,000-1,500� US$1,400-2,000

315

l313INEZ VAN LAMSWEERDE (B. 1963) AND VINOODH MATADIN (B. 1961)

Sasja 90-60-90signed ‘IVL VMatadin’ (on an artists’ label affixed to the reverse)pigment print, unframed41 x 35.5 cm.Executed in 1992, this is the artist’s proof

€1,000-1,500� US$1,400-2,000

313

l316JUDITH SAMEN (B. 1970)

Untitled (Morgenbad)signed, dated and numbered ‘JSamen 97 1/3’ (on the reverse)c-print on foamboard96.5 x 96 cm.Executed in 1997, this is number one from an edition of three

€800-1,200� US$1,100-1,600

316

312CHANT AVEDISSIAN (B. 1951)

Untitledsigned ‘Chant Avedissian’ (lower centre)gouache and silver paint on cardboard50 x 70 cm.Executed in 1998, this is number five from an edition of ten

€5,000-7,000� US$6,800-9,500


Acquired directly from the artist by the family of the present

owner.

l314CÉLINE VAN BALEN (B. 1965)

Sarahsigned, dated, inscribed with title and numbered ‘Céline van Balen 1998 5-10’ (on a sticker affixed to the backing)c-print, mounted on aluminium36 x 28.5 cm.Executed in 1998, this is number five from an edition of ten

€1,000-1,500� US$1,400-2,000

314

312


317

319323

321 (part lot)

322

318 320

l320JOOST BALJEU (1925-1991)

Untitledsigned and numbered ‘Joost Baljeu 4/XII’ (lower right); and dated and indistinctly inscribed ‘1959’ (lower left)gouache on paper, unframed18.5 x 38 cm.Executed in 1959.

€2,000-3,000� US$2,800-4,100

l318GÜNTHER UECKER (B. 1930)

Nagelbildsigned and dated ‘Uecker 90’ (lower right)a nail and pencil on paper9.5 x 14 cm.Executed in 1990.

€2,500-3,500� US$3,400-4,700

l322REINIER LUCASSEN (B. 1939)

Little Fontana Blauw 2signed ‘lucassen’ (lower right); and inscribed with title (upper centre); and signed again and dated ‘90-92’ (on the reverse); and inscribed with title again (on the stretcher)oil and marble powder on canvas80 x 70 cm.Painted in 1990-1992.

€4,000-6,000� US$5,500-8,100




317SOL LEWITT (1928-2007)

Five geometric figures signed and dated ‘lewitt 1985’ (on the reverse)five glazed ceramic tiles, framed26.5 x 26.5 cm. (each)Executed in 1985. (5)

€5,000-7,000� US$6,800-9,500

l323LYNN CHADWICK (1914-2003)

Candle holderseach signed ‘Chadwick’ (on the outside of a leg); and each stamped with foundry mark ‘ARTCURIAL/Blanchet Fondeur’ and numbered ‘153/350’; ‘135/350’; ‘99/350’ (on the inside of a leg)bronze with a dark brown patina, in three parts25 cm. high, 31 cm. high and 33.5 cm. highConceived in 1983 and cast in an edition of 350. (3)

€4,000-6,000� US$5,500-8,100


D. Farr and E. Chadwick, Lynn Chadwick Sculptor, Aldershot 2006, pp. 432-433, nos. C141 and

C142 (another cast illustrated).

l319LUC PEIRE (1916-1994)

Arianesigned and numbered ‘Peire 685’ (on the reverse); and signed again (on an artist’s label attached to the stretcher)oil on canvas54 x 72.5 cm.

€3,500-5,500� US$4,800-7,400

l321AD DEKKERS (1938-1974)

Lijnrelief N. II - Lijnrelief N. IIIeach signed with initials, dated, and numbered ‘A D ‘73 10/50’ (on the reverse)white perspex39.5 x 39.5 cm. (each)Each executed in 1973, these works are number ten from an edition of fifty (2)

€2,500-3,500� US$3,400-4,700


C. Blotkamp, Ad Dekkers, The Hague 1981, pp. 202-203 (illustrated).


326

324

327

325

l325HANS VAN DER KROEF (B. 1946)

Hollands gloriesigned with monogram and dated ‘’87’ (lower centre)oil on canvas80 x 95 cm.Painted in 1987.

€1,000-1,500� US$1,400-2,000


Anonymous sale, Christie’s, Amsterdam, 4 June 1997, lot 113



Martin van Amerongen e.a., Hans van der Kroef, Gezien door de ogen van Martin van Amerongen, Amsterdam 1991, p. 53 (illustrated).

l326HERMAN BERSERIK (1921-2002)

Tzum - Fries Landschapsigned, dated and inscribed with title ‘Berserik 1984’ (lower centre); and with the artist’s label (on the stretcher)oil on canvas29 x 39 cm.Painted in 1984.

€2,500-3,500� US$3,400-4,700

327ANDY WARHOL (1928-1987)

Queen Beatrix of the Netherlands (from Reigning Queens (F.S. 339))screenprint in colours, 1985, on Lenox Museum Board, signed in pencil, numbered 28/40, published by G.C.P. Mulder, Amsterdam, with the artist’s copyright stamp on the reverse, the full sheet, some surface scuffing, otherwise in very good condition, framedS. 998 x 797 mm.

€15,000-20,000� US$21,000-27,000

l324ANS MARKUS (B. 1947)

Queen Beatrixsigned ‘AMarkus’ (lower right)oil on canvas79.5 x 228 cm.

€2,500-3,500� US$3,400-4,700

328332

329

334

333 (part lot)

331

330

333JOHN M. ARMLEDER (B. 1948)

Painting - Pour paintingsigned and dated ‘John Armleder 1992’ (lower right)ink, lacquer and gold leaf on cotton29 x 29 cm.Executed in 1992;and Another similar work by the same hand. (2)

€1,500-2,000� US$2,100-2,700

l•334

WIM DE HAAN (1913-1967)

Untitledoil and mixed media on burlap110 x 152 cm.

€3,000-5,000� US$4,100-6,800

E X H I B I T E D :

Enschede, Rijksmuseum Twenthe, Wie doet mij de tekens verstaan, Wim de Haan 1913-1967, 23 November 1985-6 January 1986.

This exhibition later travelled to Stedelijk Museum de Lakenhal,

Leiden, Wie doet mij de tekens verstaan, Wim de Haan 1913-1967,

1 February-24 March 1986 (illustrated, pp. 70, 72).

Kortenhoef, Kerk Oecumenische Streekgemeente, Vrijheid in gevangenschap, 1989.


J. Brand, P. Cleveringa and M. de Haan-van der Chijs (ed.),

Wim de Haan, Zwolle 1999, cat.no. S 59-10, p. 168.

l329ARMANDO (B. 1929)

Gefechtsfeldbesichtigung, a diptycheach signed, dated and inscribed with title ‘4-9-87 armando’ (on the stretcher)oil on canvas, in two parts34 x 53.5 cm. (overall)Painted in 1987.

€4,000-6,000� US$5,500-8,100

l331LITA CABELLUT (B. 1961)

N. florsigned and dated ‘Lita Cabellut 2000’ (on the reverse); and inscribed with title (on the stretcher)oil and mixed media on canvas, unframed50 x 50 cm.Painted in 2000.

€2,500-3,500� US$3,400-4,700

l328VIKTOR IV (1929-1986)

Untitled (Amsterdam is the first in the demonstration to end the war in Vietnam)incised with signature and date ‘19 XII 1966 VIKTOR IIII’ (along the upper left edge); and signed and dated again twice and inscribed (on the reverse)acrylic and spray paint on burnt found wood149.5 x 90 cm.Executed in 1966.

€3,000-5,000� US$4,100-6,800

l332LITA CABELLUT (B. 1961)

E. florsigned and dated ‘Lita Cabellut 2000’ (on the reverse); and inscribed with title (on the stretcher)oil and mixed media on canvas, unframed30.5 x 49.5 cm.Painted in 2000.

€2,000-3,000� US$2,800-4,100

l330MICHAEL JACKE (B. 1956)

Untitledwelded metal161 cm. high

€2,000-3,000� US$2,800-4,100


Galerie Slewe, Amsterdam.



l338ULRICH RÜCKRIEM (B. 1938)

Untitledsigned, dated and numbered ‘47/100 U. Rückriem 1977’ (on an accompanying certificate)two wooden blocks7 x 100.5 x 9 cm.Executed in 1977, this is number forty-seven from an edition of one-hundred (3)

€800-1,200� US$1,100-1,600


Galerie A, Amsterdam.

338 340 (part lot)

l339CHRISTIAAN PAUL DAMSTÉ (B. 1944)

Untitledsigned, dated and numbered ‘.67. chr. paul. damsté 6.’ (on the backing)wooden cloth pegs on board in the artist’s frame81.5 x 51 cm. (including the frame)Executed in 1967.

€1,000-1,500� US$1,400-2,000



339

l337GIUSEPPE SPAGNULO (B. 1936)

La geometria distrutta la geometria sovrappostasigned, dated and inscribed with title ‘G. Spagnulo 80’ (on the reverse)acrylic, sand and décollage on paper26.5 x 19 cm.Executed in 1980.

€1,000-1,500� US$1,400-2,000



337


De vormgeving van het absoluteetching in colours from two oblong plates, on wove paper, 1970, signed and dated, the sheet appears not to be hinged, lower edge shows slight wear and tear, soft handling marks in the margins in keeping with the artist’s working process, unexamined out of the frame, generally in very good conditionS. 655 x 990 mm.

€1,000-1,500� US$1,400-2,000



l335JOE TILSON (B. 1928)

Somerton mazesigned and dated ‘Tilson. 1976.’ (lower right); and inscribed with title (lower left)graphite, watercolour, wax crayons and pastel on paper77 x 57 cm.Executed in 1976.

€1,000-1,500� US$1,400-2,000



336

335

A PRIVATE DUTCH COLLECTION (LOTS 335-371)

l340CHRISTIAAN PAUL DAMSTÉ (B. 1944)

Box of stonessigned, dated and with artist’s stamp ‘Chr Paul Damsté 1978’ (on the backing)slate and graphite on paper in artist’s frame61.5 x 72.5 cm.Executed in 1978;and Another similar work by the same hand, titled Box of stones. (2)

€1,000-1,500� US$1,400-2,000




345 (part lot)

345SOL LEWITT (1928-2007)

Postcardeach signed and dated ‘S. Lewitt 06’ (lower right)ink on the recto of two postcards, each depicting Majnun bending over Laila’s tomb (Antologia da principe Iskander, Perzia-Chiraz 1410-11)15 x 10.5 cm (each);and Two watercolours and graphite on the verso of postcards (Museo Civico, Spoleto, and Chiesa di S. Gregorio - Cripta, Spoleto) by the same hand;and One ink on the verso of a postcard (Max Ernst, La femme visible, 1925) by the same hand, sent as a New Year’s card for 2006 to the present owners. (5)

€1,500-2,000� US$2,100-2,700


Chester Gallery, Chester, Connecticut.

341

342 (part lot)

343 (part lot)

341SOL LEWITT (1928-2007)

Horizontal composite (black)silkscreen, on wove paper, signed in pencil, numbered 12/40, published by Sol LeWitt, with wide margins, the sheet is slightly wrinkled, most notably in the left and right margins, a soft stain of 2 x 0.5 cm. in the upper centre margin, a pinpoint-sized black accretion in the upper left quadrant, apparently in good condition, unexamined out of the frameI. 302 x 850 mm.S. 452 x 990 mm.

€800-1,200� US$1,100-1,600


Anonymous sale, Christie’s, Amsterdam, 4 December 2001, lot

502.

344 (part lot)

342SOL LEWITT (1928-2007)

Postcardsigned with initials ‘SL’ (lower right)marker on the recto of a postcard (Sandro Botticelli, The Madonna of the Pomegranate, circa 1487)70.5 x 14.5 cm.;and Three other markers on the recto of postcards (Goya, Maria Luisa; Pinturicchio, Our Lady with the Child and Saints; Jacopo Bassano, Il Presepio) by the same hand. (4)

€2,000-3,000� US$2,800-4,100



l344HERMANN NITSCH (B. 1938)

Untitledsigned ‘Hermann Nitsch’ (on the reverse)blood, band aids, plastic and marker on paper29.5 x 21 cm.;and Two other similar works on paper by the same hand, the one with handkerchiefs and a band aid, the other with handkerchiefs.(3)

€1,200-1,600� US$1,700-2,200



343SOL LEWITT (1928-2007)

Postcardsigned with initials ‘SL’ (lower centre); and dated ‘18.1.1993’ (lower right)ink on the verso of a postcard10 x 14 cm.Executed in 1993;and Three other similar inks on postcards by the same hand. (4)

€1,200-1,600� US$1,700-2,200


351

348

348SOL LEWITT (1928-2007)

Irregular gridsigned and dated ‘S Lewitt 99’ (lower right)gouache on paper29 x 27.5 cm.Executed in 1999.

€4,000-6,000� US$5,500-8,100



347 (part lot)

349

l347BEN AKKERMAN (B. 1920)

Untitledpencil and ink on paper25.5 x 25.5 cm.;and Seven similar works on paper by the same hand. (8)

€1,500-2,000� US$2,100-2,700

l351RENÉ DANIELS (B. 1950)

De kelder, de zolderthe multiple, 1987, fabric, wooden box, screenprint and pencil, signed, dated and inscribed with title in pencil on the inner lid, from the edition of 700 published by Publishing House Bébert, Rotterdam, in very good condition190 x 96 x 35 mm.

€700-900� US$950-1,200



349ALLAN KAPROW (1927-2006)

Repairthe multiple, 1987, a right shoe from Vibram, size 8Ω, with band aids in a perspex box, signed on a paper label in the box, numbered 10/15, in very good condition150 x 400 x 150 mm.

€600-800� US$820-1,100



350

350SOL LEWITT (1928-2007)

Irregular formsigned and dated ‘S Lewitt 97’ (lower right)gouache on paper28.5 x 28.5 cm.Executed in 1997.

€3,000-5,000� US$4,100-6,800



346 (part lot)

l346HERMANN NITSCH (B. 1938)

Wachsbildsigned and dated ‘Hermann Nitsch 1989’ (lower right on the wood box)wax in a wood frame box24 x 22 x 3 cm.Executed in 1989, this work is from an edition of twenty, published by edition Hundertmark;and One other multiple on canvas by the same hand, 1994, 14/20, from Edition Hundertmark;and One unique piece, O.M. Theater, a blood cloth from Orgien-Mysterien-Theater, 1984. (3)

€1,000-1,500� US$1,400-2,000




353

360JENNY HOLZER (B. 1950)

Raise boys & girls the same waysigned ‘Jenny Holzer’ (centre)colour crayon on paper24 x 17 cm.

€600-800� US$820-1,100



l359WOLF VOSTELL (B. 1932)

Untitledsigned ‘Vostell’ (lower left in the fold)papercollage and stamps30 x 24 cm.

€700-900� US$950-1,200



358MEL BOCHNER (B. 1940)

A word square for Jenny Lichtsigned ‘Mel Bochner’ (lower right)wax crayon and ballpoint on paper27.5 x 21 cm.Executed in 1971.

€700-900� US$950-1,200



l354JANNIS KOUNELLIS (B. 1936)

Untitledsmall smoke element on asbestossigned ‘Kounellis’ (lower left)19.5 x 15 cm.

€1,000-1,500� US$1,400-2,000



l357NARCISSE TORDOIR (B. 1954)

Untitledsigned and dated ‘tordoir 86’ (on the reverse)acrylic and découpage on board in artist’s frame48 x 48 cm.Executed in 1986;and Two other découpages on board and One collage on paper by the same hand. (4)

€2,000-3,000� US$2,800-4,100


121 Art Gallery, Antwerp.

l353HERBERT ZANGS (1924-2003)

Untitledsigned and dated ‘Zangs 58’ (on the reverse)mixed media on board20.5 x 19 cm.Executed in 1958.

€800-1,200� US$1,100-1,600


Galerie Parade, Amsterdam.

l356GÜNTER TUZINA (B. 1951)

Grün schwarzsigned, dated twice and inscribed with title ‘G.R. Tuzina 83 + 84’ (on the reverse)oil and wax crayon on cotton, unframed77 x 54.5 cm.Executed in 1983-1984.

€1,000-1,500� US$1,400-2,000


Galerie van Krimpen, Amsterdam.

352SOL LEWITT (1928-2007)

Irregular formsigned and dated ‘S. Lewitt 97’ (lower right)gouache on paper28.5 x 19 cm.Executed in 1997.

€2,500-3,500� US$3,400-4,700



354

357 (part lot)

356352

l355JOSEPH BEUYS (1921-1986)

Wirtschaftswert (Kraft Bienenhonig)signed ‘Joseph Beuys’ (along the upper edge); and inscribed with title (lower centre)a plastic cup of bees honey6 x 4.5 cm.;and Four other multiples by the same hand, Hygienic bag, two Postkarte, 5DM and 7000 Eichen, framed together, and Hirschkuh. (5)

€1,000-1,500� US$1,400-2,000



355 (part lot)


365DOUGLAS GORDON (B. 1966)

Larger than life; Life Size; Smaller than Life (Texte zur Kunst, nr. 84)signed and numbered ‘Dgordon 91’ (on a Texte zur Kunst label affixed to the reverse of one of the c-prints)c-prints, in three parts40 x 30.5 cm. (each)Executed in 2011, this is number ninety-one from an edition of one-hundred;and The following works:Louise Lawler, Discernible difference (Texte zur Kunst, nr. 79), 2008-2010, 52/100; Louise Lawler, Looking back (Texte zur Kunst, nr. 46), 1985-2002, 25/150; Louise Lawler, A spot on the wall, 1989-1998, 36/55; Mark Leckey, Artwork for Jack too Jack’s ‘Your were young once’ (Texte zur Kunst, nr. 64), 2006, 16/100; John Baldessari, Sediment: Throat, nose and spider (Texte zur Kunst, nr. 80), 2010, 62/120. (6)

€2,000-3,000� US$2,800-4,100

364RAY JOHNSON (1927-1995)

Buddha University (How to draw a daisy stalactite)dated ‘Jan. 11, 1982’ (lower right)ballpoint over a xerox and ink, ballpoint, pencil and a stamp on an envelope40.5 x 23 cm. (overall)Executed in 1982.

€700-900� US$950-1,200



361SOL LEWITT (1928-2007)

White over colours (Triangle)signed and dated ‘S. Lewitt 92’ (lower right)gouache on paper8 x 21 cm.Executed in 1992.

€1,000-1,500� US$1,400-2,000

362CARL ANDRE (B. 1935)

One-line drawing (postcard)signed, signed with the artist’s monogram and dated ‘Carl Andre 22Feb97’ (on the reverse)ink on paper8.5 x 13 cm.Executed in 1997.

€1,500-2,000� US$2,100-2,700


Galerie Parade, Amsterdam.

E X H I B I T E D :

New York, UBU Gallery, One-line drawing, 8-31 July 1997.

365 (part lot)

360

361

364

359

362

358

363 (part lot)

l363CAREL VISSER (B. 1928)

Untitled (a diptych)each signed, dated and numbered ‘C. Visser. ‘71.’ (lower right)ink, collage and décollage on paper, in two parts49.5 x 65 cm. (each)Executed in 1971. (2)

€1,000-1,500� US$1,400-2,000


370

369

371368 (part lot)

367

366


Untitledsigned and dated ‘Corneille ‘56’ (lower left)ink on paper21 x 15 cm.Executed in 1956.

€1,200-1,600� US$1,700-2,200

l367PIERRE ALECHINSKY (B. 1927)

Untitledsigned and dated ‘Alechinsky 1978’ (lower right)ink on a page of the register of the Union House Hotel, Kingston, New York39.5 x 26 cm.Executed in 1978.

€1,200-1,600� US$1,700-2,200



l368REMY BLANCHARD (1958-1993)

Untitledsigned and dated ‘Blanchard 1982’ (lower right)oil on paper65 x 50 cm.Executed in 1982;and Another work on paper with acrylic and lacquer by the same hand, 1982. (2)

€1,000-1,500� US$1,400-2,000


Galerie Riekje Swart, Amsterdam.

l369JAN SIERHUIS (B. 1928)

Moeder en kindsigned and dated ‘Sierhuis 67’ (upper left); and signed and dated again and inscribed with title (on the reverse)acrylic on paper laid down on canvas64.5 x 49.5 cm.Executed in 1967.

€1,000-1,500� US$1,400-2,000

l370PIERRE ALECHINSKY (B. 1927)

Untitledsigned and dated ‘Alechinsky 1978’ (lower right)ink on a page of the register of the Union House Hotel, Kingston, New York39.5 x 26 cm.Executed in 1978.

€1,200-1,600� US$1,700-2,200



l371WIM T. SCHIPPERS (B. 1942)

Obstakelsigned, dated and inscribed with title ‘Wim T Schippers 1960’ (on the reverse)ink on paper21 x 19 cm.Executed in 1960.

€600-800� US$820-1,100



END OF SALE


AAdami, F. 175-176

Adolfs, G. 121, 123, 127, 128, 130, 132

Aerschot, J. Van, 96

Agterberg, C. 157, 170

Akkerman, B. 347

Alechinsky, P. 367, 370

Amorsolo, F.C. 98

Andre, C. 362

Andrea, P. 234

Andriesse, E. 254

Anutosh, 239

Arman, 270

Armando, 329

Armleder, J. 333

Artz, C. 39

Aziz, A. 125, 126

BBakker Korf, A.H. 38

Bakker, F. 93

Baldessari, J. 365

Balen, C. van, 314

Baljeu, J. 320

Batuan School, 137

Bauer, M. 10

Benner, G. 221

Benton, F. 259, 260

Berserik, H. 326

Beuys, J. 355

Birza, R. 254

Blanchard, R. 368

Bloeme, R. de, 302, 305

Blommers, B.J. 42

Bochner, M. 358

Boers, W. 14, 228

Bonnet, R. 105, 107, 108

Bosboom, J. 53

Bosma, W. 17

Bouchier, T. 275

Bouchor, J.F. 47

Bradley, M. 240

Brands, E. 215, 215A, 223, 224, 226

Bremmer, H.P. 22

Broek, H. 292

Brood, H. 261, 263

Buff, C. 9

CCabellut, L. 331, 332

Cantré, J. 147

Carte, A. 15

Cassiers, H. 66

Chadwick, L. 323

Charchoune, S. 188

Commandeur, W. 151

Corneille, 216, 217, 219, 222, 366

Cornelis, E. 153, 156

Cremer, J. 243, 246, 265

DDamsté, C.P. 339, 340

Daniels, R. 281, 351

Dekkers, A. 321

Denmark, 282

Diranian, S. 36

Dooijewaard, W. 113, 118

Dorsch, F. 12

Dulmen Krumpelman, E.B. van, 8

Dumas, M. 254

EEland, A. 97

Eland, L. 131

Erp, A. van, 235

Escher, M.C. 200-209

FFortuyn/O’Brien, 257

Frank, D. 301, 304

GGerritsen, W. 212

Gestel, L. 3, 6

Gilbert, S. 227

Goede, K. de, 254

Gordon, D. 365

Gubbels, K. 274, 276, 278

HHaan, W. de, 334

Haes, C. de, 71, 74

Haese, R. d’, 173, 177

Hartog, E. den, 174

Helfferich, F. 73

Hendriks, R. 264

Henneman, J. 280

Heyboer, A. 248, 251, 252, 253, 336

Heyrman, H. 294

Hillenius, J. 273

Hocks, T. 277

Hoek, H. van, 279

Hofker, W.G. 101, 104, 109, 120

Holzer, J. 360

Hont, P. d’, 159, 185

Houten, B.E. van, 63

Hussem, W. 210, 211, 213

Huygens, F. 33

I

Israels, I. 4, 103

JJacke, M. 330

Jansen, W.G.F. 51

Johnson, R. 364

Johnssen, H. 32

Jungblut, J. 67

Jurres, J.H. 65A

KKaas, J. 161

Kaprow, A. 349

Kever, J.S.H. 34

Kippenberger, M. 256

Knikker, A. 26

Kocic, S. 295

Kogan, M. 146

Kolár, J. 269

Koning, E. 56

Koningsbrugge, R. van, 254

Kop, D. van de, 155

Kounellis, J. 354

Krikhaar, H. 241

Kroef, H. van der, 325

Krop, H. 179, 181

LLambert, E. 194, 196

Lamsweerde, I. van, 313

Langeveld, F. 77

Langeweg, G. 13

Lawler, L. 365

Leck, B. van der, 23, 180

Leckey, M. 365

Leemputten, F. van, 65

LeWitt, S. 317, 341, 342, 343, 345,

348, 350, 352, 361

Lieshout, E. van, 266

Lindström, B. 231, 242

Loeber, L. 19

Lopes de Leao Laguna, B. 79

Lorenz, W. 75

Lucassen, R. 322

Lucebert, 244, 245, 247

MMacKaay, T. 152, 154

Maks, K. 61

Maris, W. 28, 29

Markus, A. 324

Martens, W. 27

Mastenbroek, J.H. van, 55, 76

Matadin, V. 313

Mauve, A. 49

Meegeren, H. van, 7

Mendes da Costa, J. 145

Meurs, H. 20

Moesman, J. 16

Morgan, C. 306

Morgenstjerne Munthe, G.A.L. 50

Mühlhaus, D. 80

NNallard, L.A. 192

Nitsch, H. 344, 346

Nobili, L. 106

Noltee, C. 78

Norsker, F. 236

Nussbaum, F. 189

Nys, A. 54

OOerder, F. 72, 143

Ohl, L.F. 124, 129

Oppenheim, D. 283

Ország, L. 230

Ouborg, P. 81-92

Oyens, D. 37

PPallandt, Ch. van, 166, 168, 171

Papart, M. 225

Parkes, M. 238

Paulides, H. 100

Pedersen, H.V. 94

Peire, L. 319

Permeke, C. 21

Picasso, P. 182

Pieters, E. 44, 45, 58

Pignon, E. 191

Piltz, O. 43

Prinet, R. 197

Putu Bedil, D. 139

RRaaphorst, C. 41

Rädecker, A. 160

Radojcic, C.S. 172

Rauch, N. 284-291

Regteren Altena, M. van, 64

Rink, P. 57

Rochussen, Ch. 40

Röede, J. 193

Roelofs, W. 30, 70

Röling, G.V.A. 195, 198

Rossi, H.G. 296, 298

Rotella, M. 268

Rückriem, U. 338

SSabouret, C. 158

Saleh, R.S.B. 99

Samen, J. 315, 316

Scherrewitz, J.F.C. 69

Schippers, W.T. 371

Schoonhoven, J. 218, 220, 229, 232

Schoute, H. 254

Schuil, H. 254

Scrivo, 303

Sierhuis, J. 214, 369

Slager, J. 68

Sluiter, W. 1, 46, 52

Smit, A, 144

Smorenberg, D. 18

Snel, H. 114, 117

Sonnega, A. 112

Spagnulo, G. 337

Spronken, A. 167, 169

Sterren, G.K. van der, 237

Strasser, R. 110, 111, 119

Strijbosch, W. 233

Struycken, P. 254

Swinnen, O. 255

TTilson, J. 335

Ting, W. 141, 142

Tjenik, D.K. 138

Toorop, J. 2, 5, 59

Tordoir, N. 357

Tuzina, G. 356

U

Uecker, G. 318

VVandekerckhove, H. 293

Velthuijsen, H. van, 102

Verhoef, T. 254

Verkade, K. 162, 163, 164, 165, 178

Versloot, R. 262

Viktor IV, 328

Visser, C. 258, 363

Visser, T. 187

Vostell, W. 359

WWardhana, P.N. 122

Warhol, A. 327

Weguelin, J.R. 35

Weiner, L. 254

Weissenbruch, J.H. 62

Westerik, C. 254

Widayat, H. 115, 116

Wiegers, J. 11

Wijk, Ch. van, 183, 184, 186

Wijngaerdt, A.J. van, 48

Wolvecamp, T. 249, 250

Y

Yvaral, J. 297, 299, 300

ZZandvliet, R. 267

Zangs, H. 353

Zijl, L. 148

Zoetelief Tromp, J. 60

Zwart, W. de, 31

Index

PAYMENT & SUCCESSFUL BIDS

All you need to know on how, when and where to pay

SYMBOLS USED IN THE CATALOGUE

• Lot offered without reserve. This lot will be sold to the

highest bidder regardless of the pre-sale estimate printed

in the catalogue.

! For each Lot the Buyer’s Premium is calculated as

37.75% of the Hammer Price up to a value of Ç 20,000,

plus 31.7% of the Hammer Price between Ç 20,001 and

Ç 800,000, plus 22.02% of any amount in excess of Ç

800,000.

+ 21% VAT applies to both the Hammer Price and the

Buyer’s Premium. The Buyer’s Premium is calculated

for each lot as 51.25% of the Hammer Price up to a

value of Ç 20,000, plus 45.2% of the Hammer Price

between

Ç 20,001 and Ç 800,000, plus 35.52% of any amount

in excess of Ç 800,000.

º On occasion, Christie’s has a direct financial interest in

lots consigned for sale which may include guaranteeing

a minimum price or making an advance to the

consignor that is secured solely by consigned property.

∆ This lot is owned in whole or in part by Christie’s.

~ Import restrictions may apply or a CITES Licence

might be required as this lot contains material from

endangered species.

l ARTIST’S RESALE RIGHT REGULATIONS (“DROIT DE SUITE/VOLGRECHT”)

If a lot is affected by this right it will be identified

with the symbol l next to the lot number. The buyer

agrees to pay to Christie’s an amount equal to the resale

royalty. Resale royalty applies where the price realised

(Hammer and premium) is 3,000 Euro or more. The

amount cannot be more than 12,500 Euro per lot. The

amount is calculated as follows:

Royalty:FortheportionoftheHammerPrice

andPremium(exVATinEuro)

4.00% up to 50,000

3.00% between 50,000.01 and 200,000

1.00% between 200,000.01 and 350,000

0.50% between 350,000.01 and 500,000

0.25% in excess of 500,000

IMPORTANT NOTICES

CHRISTIE’S INTEREST IN PROPERTY CONSIGNED FOR AUCTIONFrom time to time, Christie’s may offer a lot which it

owns in whole or in part. Such property is identified in

the catalogue with the symbol ∆ next to its lot number.

On occasion, Christie’s has a direct financial interest in

lots consigned for sale, which may include guaranteeing

a minimum price or making an advance to the consignor

that is secured solely by consigned property. Such

property is identified in the catalogue with the symbol º

next to the lot number. This symbol will be used both

in cases where Christie’s holds the financial interest on

its own, and in cases where Christie’s has financed all or

part of such interest through third parties. When a third

party agrees to finance all or part of Christie’s interest in a

lot, it takes on all or part of the risk of the lot not being

sold, and will be remunerated in exchange for accepting

this risk. The third party may also bid for the lot. Where

it does so, and is the successful bidder, the remuneration

may be netted against the final purchase price. If the

lot is not sold, the third party may incur a loss. Where

Christie’s has an ownership or financial interest in every

lot in the catalogue, Christie’s will not designate each lot

with a symbol, but will state its interest at the front of the

catalogue.”

ALL DIMENSIONS ARE APPROXIMATE.Picture lots are sold framed, unless otherwise stated.

Measurements: height precedes width.

CONDITION REPORTSChristie’s catalogues include references to condition only

in descriptions of multiple works (such as prints, books and

wine). For all other property, only alterations or replace-

ment components are listed. Please contact the Specialist

Department for a condition report on a particular lot. Con-

dition reports are provided as a service to interested clients.

Prospective Buyers should note that descriptions of property

are not warranties and that each lot is sold “as is”.

PROPERTY INCORPORATING MATERIALS FROM ENDANGERED AND OTHER PROTECTED SPECIESProperty made of or incorporating (irrespective of

percentage) endangered and other protected species of

wildlife are marked with the symbol ~ in the catalogue.

Such material includes, among other things, ivory,

tortoiseshell, crocodile skin, rhinoceros horn, whale

bone and certain species of coral, together with Brazilian

rosewood. Prospective purchasers are advised that several

countries prohibit altogether the importation of prop-

erty containing such materials, and that other countries

require a permit (e.g., a CITES permit) from the relevant

regulatory agencies in the countries of exportation as well

as importation. Accordingly, clients should familiarize

themselves with the relevant customs laws and regulations

prior to bidding on any property with wildlife material if

they intend to import the property into another country.

For example, the U.S. generally prohibits the importa-

tion of articles containing species that it has designated as

endangered or threatened if those articles are less than 100

years old. Please note that it is the client’s responsibility to

determine and satisfy the requirements of any applicable

laws or regulations applying to the export or import of

property containing endangered and other protected

wildlife material. The inability of a client to export or im-

port property containing endangered and other protected

wildlife material is not a basis for cancellation or rescission

of the sale. Please note also that lots containing potentially

regulated wildlife material are marked as a convenience

to our clients, but Christie’s does not accept liability for

errors or for failing to mark lots containing protected or

regulated species.

COLLECTION AND STORAGE CHARGES To avoid further transport with the risks involved, Buyers

are urgently requested to pay and collect their paid purchases

at the place of sale on 13-15 March 2013, and 18-22 March

2013 from 9.00 a.m. - 5.00 p.m. If instructed by the Buyer,

Christie’s can arrange for the transport of the acquired works

at the Buyer’s risk and expense. Furniture and large items

not cleared before 22 March 2013 will be removed by

Crown Fine Art to their warehouse at Gyroscoopweg 19,

1042 AC Amsterdam, tel. +31(0)20 658 3380, fax +31(0)20

658 3399, where lots will be available as from 25 March

2013. From the moment of transfer, Crown Fine Art’s

general terms and conditions will apply.

A copy of these terms and conditions can be requested from

Crown Fine Art. Crown Fine Art’s warehouse is open for

collection on every weekday between 8.00 a.m. and 5.00

p.m. Transfer and storage charges to the

transporter will be payable by the Buyer from 25 March

2013 to Crown Fine Art.

Please note storage charges, if applicable, will be calculated

as follows:

* A fixed administration fee of Ç 11 per lot

(with a maximum of Ç 33 per buyer) excl. VAT

* Storage charges of Ç 3.25 per day for larger lots and

Ç 2.25 per day for smaller lots excl. VAT.

In accordance with Christie’s Conditions of Sale (Section

B.9) printed at the back of this catalogue, the risk of loss or

damage to purchased Lots shall be borne by the Buyer from

the moment when the Buyer’s bid is accepted as the highest

bid by Christie’s at the auction. This means that Buyers

have a legal obligation to pay for their purchases in full in

accordance with the conditions of business, even if the Lots

are subsequently lost or damaged. Buyers are advised to ar-

range their own insurance cover as soon as practicable after

the sale.

...HOME JAMES!As an additional service to Buyers, Christie’s can arrange

delivery for purchased lots via Crown Fine Art within the

Netherlands.

The charges per delivery (i.e. one or multiple lots shipped to

the same address) are as follows:

Deliveries within postal code areas starting with 10 or 11:

For small items (i.e. those that can be carried by one per-

son): Ç 85 (incl. VAT) per delivery.

For large items (i.e. those that require two persons):

Ç 150 (incl. VAT) per delivery.

Deliveries to all other areas in the Netherlands:

For small items: Ç 150 (incl. VAT) per delivery

For large items: Ç 250 (incl. VAT) per delivery

Full payment of the purchased lots is required before actual

delivery can take place.

It is the client’s responsibility to ensure that they arrange

adequate insurance cover for their property. If required,

Crown Fine Art can arrange insurance and will be pleased

to provide a quotation on request. For items that need to be

hoisted up, please ask for a separate quotation.

Please contact Crown Fine Art at +31 (0)20 658 33 80, if

you are interested in the above service, and if you would

like to discuss further details such as time of delivery and

insurance cover. Deliveries will be within one week after

payment of the purchased lots (and transport charges) has

been received, in a time slot of 2 hours.

All You Need to Know

15 July 2010

76

77

A GUIDE TO CHRISTIE’S CATALOGUING PRACTICE

Some of the terms we use in catalogue descriptions

might be unfamiliar to you. We’ve outlined below these

expressions and their explanations.

PICTURES, DRAWINGS, PRINTS AND MINIATURES

The following expressions with their accompanying

explanations are used by Christie’s as standard catalogu-

ing practice. Our use of these expressions does not take

account of the condition of the lot or of the extent of any

restoration.

Buyers are recommended to inspect the property them-

selves. Written condition reports are usually available on

request.

Name(s) or Recognised Designation of an Artist without

any Qualification

In our opinion a work by the artist.

* “Attributed to …”

In our opinion probably a work by the artist in whole or

in part.

* “Studio of …”/ “Workshop of …”

In our opinion a work executed in the studio or work-

shop of the artist, possibly under his supervision.

* “Circle of …”

In our opinion a work of the period of the artist and

showing his influence.

* “Follower of …”

In our opinion a work executed in the artist’s style but

not necessarily by a pupil.

* “Manner of …”

In our opinion a work executed in the artist’s style but of

a later date.

* “After …”

In our opinion a copy (of any date) of a work of the artist.

“Signed …”/“Dated …”/ “Inscribed …”

In our opinion the work has been signed/dated/inscribed

by the artist.

“With signature …”/ “With date …”/

“With inscription …”

In our opinion the signature/date/inscription appears to

be by a hand other than that of the artist.

The date given for Old Master, Modern and Contempo-

rary Prints is the date (or approximate date when prefixed

with ‘circa’) on which the matrix was worked and not

necessarily the date when the impression was printed or

published. Measurements are taken where possible, from

the platemark (‘P’), otherwise they record the size of the

sheet (‘S’) or the borderline of the subject (‘L’).

* This term and its definition in this explanation of Cata-

loguing Practice are a qualified statement as to authorship.

While the use of this term is based upon careful study and

represents the opinion of specialists, Christie’s and the

consignor assume no risk, liability and responsibility for

the authenticity of authorship of any lot in this catalogue

described by this term.


A GUIDE TO BUYING AT CHRISTIE’S

CONDITIONS OF SALEChristie’s Conditions of Sale and limited warranty are set out

later in this catalogue. Bidders are strongly encouraged to read

these as they set out the terms on which property is bought

at auction.

ESTIMATESEstimates are based upon prices recently paid at auction for

comparable property, condition, rarity, quality and prov-

enance. Estimates are subject to revision. Buyers should not

rely upon estimates as a representation or prediction of actual

selling prices. Estimates do not include the buyer’s premium

or VAT. Where “Estimate on Request” appears, please con-

tact the Specialist Department for further information.

RESERVESThe reserve is the confidential minimum price the consignor

will accept and will not exceed the low

pre-sale estimate. Lots that are not subject to a reserve are

identified by the symbol • next to the lot number.

BUYER’S PREMIUMChristie’s charges a premium to the buyer on the Hammer

Price of each lot sold at the following rates:

30.25% of the Hammer Price of each lot up to and including

€ 20,000, plus 24.2% of the Hammer Price between € 20,001

and € 800,000, plus 14.52% of any amount in excess of

€ 800,000. Buyer’s premium is calculated on the basis of each

lot individually.

PRE-AUCTION VIEWINGPre-auction viewings are open to the public free of charge.

Christie’s specialists are available to give advice and condition

reports at viewings or by appointment.

BIDDER REGISTRATIONProspective buyers who have not previously bid or consigned

with Christie’s should bring:

• Individuals: government-issued photo identification (such

as a driving licence, national identity card, or passport) and, if

not shown on the ID document, proof of current address, for

example a utility bill or bank statement.

• Corporate clients: a certificate of incorporation or if located

in the Netherlands original excerpt of Chamber of Com-

merce not older than 4 weeks.

• For other business structures such as trusts, offshore compa-

nies or partnerships, please contact Christie’s Credit Depart-

ment at +31 (0)20 575 52 11 for advice on the information

you should supply.

• A financial reference in the form of a recent bank statement

or a reference from your bank. Christie’s can supply a form of

wording for the bank reference if necessary.

• Persons registering to bid on behalf of someone who has

not previously bid or consigned with Christie’s should bring

identification documents not only for themselves but also for

the party on whose behalf they are bidding, together with a

signed letter of authorisation from that party.

To allow sufficient time to process the information, new

clients are encouraged to register at least 48 hours in advance

of a sale.

Prospective buyers should register for a numbered bidding

paddle at least 30 minutes before the auction. Clients who

have not made a purchase from any Christie’s office within

the last two years and those wishing to spend more than on

previous occasions, will be asked to supply a new bank refer-

ence. For assistance with references, please contact Christie’s

Credit Department at +31 (0)20 575 52 11.

REGISTERING TO BID ON SOMEONE ELSE’S BEHALFPersons bidding on behalf of an existing client should bring

a signed letter from the client authorising the bidder to act

on the client’s behalf. Please note that Christie’s does not

accept payments from third parties. Christie’s can only accept

payment from the client, and not from the person bidding on

their behalf.

BIDDINGThe auctioneer accepts bids from those present in the sale-

room, from telephone bidders, or by absentee written bids

left with Christie’s in advance of the auction. The auctioneer

may also execute bids on behalf of the seller up to the amount

of the reserve. The auctioneer will not specifically identify

bids placed on behalf of the seller. Under no circumstances

will the auctioneer place any bid on behalf of the seller at or

above the reserve. Bid steps are shown on the Absentee Bids

Form at the back of this catalogue.

ABSENTEE BIDSAbsentee bids are written instructions from prospective buyers

directing Christie’s to bid on their behalf up to a maximum

amount specified for each lot. Christie’s staff will attempt to

execute an absentee bid at the lowest possible price taking

into account the reserve price. Absentee bids submitted on

“no reserve” lots will, in the absence of a higher bid, be ex-

ecuted at approximately 50% of the low pre sale estimate or at

the amount of the bid if it is less than 50% of the low pre-sale

estimate.The auctioneer may execute absentee bids directly

from the rostrum, clearly identifying these as “absentee bids”,

“book bids”, “order bids” or “commission bids”. Absentee

Bids Forms are available in this catalogue, at any Christie’s

location, or online at christies.com.

Absentee bids must be recei ved at least 24 hours before the

auction begins.

TELEPHONE BIDSTelephone bids cannot be accepted for lots estimated below

€2,200. Arrangements must be confirmed with the Bid De-

partment at least 24 hours prior to the auction at +31 (0)20

575 59 50. Arrangements to bid in languages other than

Dutch and English must be made well in advance of the sale

date. Telephone bids may be recorded. By bidding on the

telephone, prospective purchasers consent to the recording of

their conversation.

AUCTIONEER’S DISCRETIONThe auctioneer can acting reasonably; (a) refuse any bid; (b)

move the bidding backwards or forwards in any way he or

she may decide or change the bidding order; (c) withdraw or

divide any lot; (d) combine any two or more lots; (e) in the

case of a mistake (whether or not made by Christie’s) or a

dispute as to the successful bidder (whether during or after the

auction, including after the fall of the hammer) restart or con-

tinue the bidding, cancel the sale of the lot or resell or reoffer

a lot. If any dispute arises after the auction the auctioneer’s

decision is final.

SUCCESSFUL BIDSThe fall of the auctioneer’s hammer indicates the final bid, at

which time, the buyer assumes full responsibility for the lot.

The results of absentee bids will be mailed after the auction.

Successful bidders will pay the price of the final bid plus

premium plus any applicable VAT.

PAYMENTBuyers are expected to pay for purchases immediately after

the auction. Payment can be made in cash, cheque, or by

bank transfer in Euros to Christie’s Stichting Derdengelden:

ABN Amro Bank N. V. (BIC/SWIFT code ABNANL2A),

Gustav Mahlerlaan 10 1082 PP Amsterdam. Account No.

54.76.17.100; IBAN: NL79ABNA0547617100. By credit

card in person at our cashier’s counter (telephone or mail

transactions are not possible); Eurocard Mastercard, VISA,

American Express (please note a surcharge will apply).

It is Christie’s Company policy not to accept single or

multiple payments in cash or cash equivalents of more than

€7,500 or the equivalent value in another currency. As of 1

January 2002, all cash payments made at Christie’s Amsterdam

will require formal identification. If you are active as a private

person, this identification may be a valid passport, European

identity card or driving licence. If you act on behalf of one

or more other persons, identification, as above is required for

this or those person(s) in addition to your personal identi-

fication. If you act on behalf of a company, please bring an

original extract of the registration with the Chamber of Com-

merce (not older than three months) of your company in

addition to your personal identification.

Source: Dutch Law Mention Unusual Transactions and

Dutch Law Identification Service rendering.

Cheques and drafts should be made payable to Christie’s

Amsterdam B.V. Only Certified Bank Cheques i.e. those

cheques that are drawn on the bank, can be accepted as form

of payment in cases of immediate collection. Identification as

above is required and the limit of €7,500 applies. For further

information call the Cashier at +31 (0)20 575 52 11.

Please note that Christie’s will not accept payments for

purchased Lots from any party other than the buyer, unless

otherwise agreed between the buyer and Christie’s prior to

the sale.

LOCAL TAXES AND VATIf a Lot is marked “+” or “!”, it will have a special VAT

status and will be subject to higher rates as follows:

! : Lot is imported from outside the EU. For each Lot the Buyer’s Premium is calculated as 37.05% of the Hammer Price up to a value of € 20,000, plus 31.1% of the Hammer Price between €20,001 and € 800,000, plus 21.58% of any amount in excess of € 800,000.+ : 19% VAT applies to both the Hammer Price and the Buyer’s Premium. The Buyer’s Premium is calculated for each lot as 51.25% of the Hammer Price up to a value of € 20,000, plus 45.2% of the Hammer Price between € 20,001 and € 800,000, plus 35.52% of any amount in excess of € 800,000.

VAT REFUNDS FOR BUYERS OUTSIDE THE EUVAT charged on both the Hammer Price and the Premium may be refunded provided the following conditions are met: - Property must be exported from the EU within 2 months of the date of the sale.- Christie’s must be provided with proof of export bearing the original customs stamp from the point of export from the EU. Netherlands tax authorities will not accept photocopies. - The purchase invoice must be addressed to a party resident outside of the EU.Christie’s remains liable to account for VAT on all Lots unless the conditions listed above are satisfied. Therefore Buyers will generally be asked to initially deposit all amounts of VAT invoiced. To apply for a refund the appropriate export evi-dence must be sent to Christie’s accounts department clearly marked ‘VAT REFUND’. There will be an administration charge of € 35 payable to Christie’s for this service. An immediate refund of VAT is possible if shipping is ar-ranged by Christie’s within 2 months of the date of the sale.

SHIPPINGA shipping form is enclosed with each invoice to buyers outside of the Netherlands. It is the buyer’s responsibility to pick up purchases or make all shipping arrangements. After payment has been made in full, Christie’s can arrange prop-erty packing and shipping at the buyer’s request and expense. Buyers should request an estimate for any large items or property of high value that require professional packing. For more information please contact the Shipping Department at +31 (0)20 575 52 52.

INSURANCE AND STORAGEBuyers are advised to arrange their own insurance cover as soon as practicable after the sale.Please note that (subject to availability of space at our premises) all uncollected purchases may be transferred to third party storage at your expense if you fail to arrange timely collection or to issue instructions for shipping.

VAT BUYERS FROM WITHIN THE EU Buyers who are resident outside The Netherlands, but within the EU, and who have obtained a valid VAT identification number that has been made known to Christie’s before or immediately after the sale, and who furthermore comply with all other conditions specified by Christie’s, will be eligible for a VAT rate of 0 %. The buyer guarantees to Christie’s the correctness of all information provided. Lots that are sold in accordance with the above, shall be ineligible to be resold under the Margin Scheme.

EXPORT/IMPORT PERMITOverseas buyers are advised to familiarise themselves with any restrictions or licence requirements relating to their intended purchases. In case of doubt, buyers are advised to consult their local customs authority or a reputable international shipper.Export licences in the Netherlands can usually be obtained within two to four weeks. Sellers and Buyers are advised that the Ministry of Education, Culture and Sciences may desig-nate cultural objects as ‘protected cultural objects’, in which case restrictions with regard to the exportation and transfer of title of these objects apply. Sellers and Buyers are further advised that certain objects may fall within the scope of EU-regulation no 3911/92, as a consequence of which an export licence from the Ministry of Education, Culture and Sciences may be required if the objects are to be exported to a country outside of the EU.An export licence issued by the Ministry of Agriculture, Nature and Food Quality, Department CITES will be required for the export of any item made of, or incorporat-ing (irrespective of percentage) animal material such as ivory, whalebone, tortoiseshell, rhinoceros horn etc. and this gener-ally takes up to 8 weeks. Clients are advised to check with the regulating body in the country of importation regarding items within this category - some countries have an absolute ban on the importation of certain materials.


78

The following Conditions of Sale apply to the legal

relationship between Christie’s Amsterdam B.V.

(hereinafter: “Christie’s”) and the participants in the

auctions held by Christie’s and related activities. By

participating in the auction, the persons who bid at

the auctions held by Christie’s (hereinafter: “Intending

Buyer(s)”) accept the applicability of these Conditions of

Sale. Christie’s therefore request Intending Buyers to read

carefully both the Conditions of Sale and the definitions of

some of the terms used in the catalogue.

For ease of reference, the Conditions of Sale are divided

into sections: Section A gives a background to some of

the terms used in the Conditions generally; section B to

(Intending) Buyers; and section C contains some general

provisions.

(A) BACKGROUND TO TERMS USED IN THESE CONDITIONS1. In the conditions set out below, some terms are used

regularly that need explanation. They are as follows:

- The “Buyer” means the person with the highest bid

accepted by the auctioneer, assuming this highest bid is at

least equal to the Reserve, if any;

- The “Buyer’s premium” means the charge payable by the

Buyer as a percentage of the Hammer Price, at the rates set

out in Article B.4.;

- “Condition report” means additional information on a

particular lot in the catalogue, as supplied by Christie’s;

- The “Consignment Agreement” means the written

agreement between Christie’s and the Seller containing

the instruction from the Seller to Christie’s to sell the Lots

during one or several auctions;

- “Forgery” means a Lot constituting an imitation

originally conceived and executed as a whole with a

fraudulent intention to deceive as to authorship, origin,

age, period, culture or source where the correct description

as to such matters is not reflected by the description in

the catalogue and which at the date of the auction had

a value materially less than it would have had if it had

been in accordance with the description in the catalogue.

Accordingly, no Lot shall be capable of being a Forgery by

reason of any damage and/or restoration work of any kind

(including repainting);

- The “Hammer Price” means the amount of the highest

bid accepted by the auctioneer in relation to a Lot;

- “Margin Scheme” means that the Buyer’s Premium

includes VAT as set out in Article B.4;

- “Lot” means any object or set of objects accepted

by Christie’s for the purpose of selling the same at

the auction and described in the catalogue under one lot

number;

- “Proceeds of Sale” means the Hammer Price less the

commission and V.A.T. chargeable thereon and less all

costs payable to Christie’s;

- “Purchase Price” means the Hammer Price plus the

Buyer’s premium and all other costs payable to Christie’s

(including the resale royalty) plus any applicable VAT;

- The “Reserve” means the amount below which Christie’s

agree with the Seller that the Lot cannot

be sold;

- The “Seller” means the person offering an object or a set

of objects to Christie’s for sale at one of the auctions held

by Christie’s;

(B) THE BUYER

1. THE BUYER(a) The Buyer is the person accepted as the highest

bidder by Christie’s acting as agents for the Seller. The

decision whether or not to accept a bid shall be made by

Christie’s. Subject to the provisions of the section marked

Auctioneer’s Discretion set out in the Buying at Christie’s,

the purchase agreement between the Seller and the Buyer

comes into being at the moment when Christie’s accept a

bid as the highest bid.

(b) When making a bid, a bidder is accepting personal

liability to pay the purchase price, including buyer’s

premium and all applicable taxes, plus all other applicable

charges, unless it has been explicitly agreed in writing with

Christie’s before the commencement of the sale that the

bidder is acting as agent on behalf of an identified third

party acceptable to Christie’s, and that Christie’s will only

look to the principal for payment.

(c) Anyone wishing to bid at an auction must fill out

and sign a registration form before the beginning of the

auction.

2. CHRISTIE’S ACTING AS REPRESENTATIVES(a) In effecting sales Christie’s are acting as representatives

for the Seller. Christie’s do not warrant to the Intending

Buyers that the Sellers have the right of disposal of the

objects sent in, nor that the objects are not charged with

real rights or leased out, nor that all legal requirements

relating to any export or import of the objects have been

complied with.

(b) Christie’s are not obliged to disclose the name of the

Seller to the Intending Buyer or the Buyer.

(c) Christie’s recommend Intending Buyers to attend the

auction and to make bids themselves.

(d) If an Intending Buyer gives Christie’s instructions

to bid on his behalf, by using the form printed after the

catalogue entries, Christie’s shall - without charging any

additional fee - use reasonable efforts to do so, provided

the instructions are received not later than 24 hours before

the auction. If Christie’s receive commission bids on a

particular Lot for identical amounts, and at auction these

bids are the highest bids for the Lot, it will be sold to the

person whose bid was received first. Commission bids

are accepted by Christie’s subject to other commitments

at the time of the sale, and the conduct of the sale may

be such that Christie’s are unable to bid as requested.

Christie’s do not accept liability whatsoever for failure to

make a commission bid or for failure to correctly execute a

commission bid. Intending Buyers should therefore always

attend personally if they wish to be certain of bidding.

(e) If an Intending Buyer makes arrangements with

Christie’s not later than 24 hours before the auction,

Christie’s shall - without charging any additional fee -

use reasonable efforts to contact the Intending Buyer

to enable him to participate in bidding by telephone.

Christie’s does not accept liability whatsoever for failure to

make a telephone bid or for failure to correctly execute a

telephone bid.

3. DESCRIPTIONS IN THE CATALOGUE AND VIDEO IMAGES(a) All statements of Christie’s in the catalogue and

condition reports as to the (presumptive) designer, author,

writer, origin, date, age, genuineness, source, provenance,

condition or estimated Hammer Price of any Lot are

statements of opinion only and shall never imply any

guarantee by Christie’s. All illustrations in the catalogue

serve merely as guidance for Intending Buyers; they do not

provide any decisive information as to pattern, colours and

degree of damage of any Lot.

(b) Lots may be in imperfect condition. The absence of

any reference in the catalogue to defects in a Lot does not

imply that such Lot is free from defects, nor does reference

to particular defects imply the absence of others.

(c) Intending Buyers will have to form an opinion

regarding the matters discussed in paragraph (a) and

paragraph (b) above by personal inspection or otherwise

during the previews.

(d) Without prejudice to the provisions in paragraph

(a) and paragraph (b) above, neither Christie’s nor their

employees or representatives give any guarantee as to the

correctness or completeness of any information supplied

either verbally or in writing about any Lot.

(e) If within one year after the auction the Buyer proves

that a Lot bought by him is a Forgery, the sale of the Lot

shall be cancelled and the Purchase Price shall be refunded

by Christie’s to the Buyer. The Buyer should note that this

refund can be obtained only if the following conditions

are met:

(i) the Buyer has notified Christie’s in writing within one year from the date of the auction that in his view the Lot is a Forgery;

(ii) the Buyer has within fourteen days after the date of the notification referred to hereabove under (i) returned the Lot to Christie’s in the same condition as it were in when the Buyer took delivery of the Lot; and

(iii) the Buyer has at latest upon return of the Lot produced evidence satisfactory to Christie’s that the Lot is a Forgery and that he is able to transfer the title to Christie’s, free from any third party claims.

The right to a refund as contained in this paragraph shall not exist if either (a) the catalogue description at the auction date corresponded to the generally accepted opinion of scholars or experts at that time, or fairly indicated that there was a conflict of opinions; or (b) it can be demonstrated that a Lot is a Forgery only by means of either a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of the auction was unreasonably expensive or impracticable or likely to have caused damage to the Lot.In no circumstance shall Christie’s be obliged to pay the Buyer any more than the Purchase Price for the Lot. The Buyer shall have no claim for interest.Christie’s shall be entitled to rely on any scientific or other process to establish that the Lot is not a Forgery, whether or not such process was used or in use at the date of the auction.The right to a refund as contained in this paragraph is not capable of being transferred and is solely for the benefit of the Buyer.The right to a refund as contained in this paragraph does not apply to coins, medals and jewellery.(f) At some auctions there will be a video screen. Mistakes may occur in its operation, and Christie’s shall not be liable to the Intending Buyer regarding either the correspondence of the image to the Lot being sold or the quality of the image as a reproduction of the original.

4. STANDARD CHARGES FOR PURCHASERS(a) Buyer’s Premium Christie’s charges a Buyer’s Premium calculated at 30.25% of the Hammer Price for each lot up to and including Ç 20,000, plus 24.2% of the Hammer Price between Ç 20,001 and Ç 800,000, plus 14.52% of any amount in excess of Ç 800,000. Buyer’s premium is calculated on the basis of each lot individually. Buyer’s Premium is calculated on this basis for each lot individually. The Buyer’s Premium does not include shipping or storage charges. These will be charged separately if shipping or storage is requested by the Buyer.(b) Artist’s Resale Right Regulations (“Droit de Suite/Volgrecht”):If the Artist’s Resale Right Regulations apply to the lot the buyer also agrees to pay to us an amount equal to the resale royalty provided for in those Regulations. Lots affected are identified with the symbol l next to the lot number.

5. V.A.T.If a Lot is not marked “+” or “!” in the catalogue, Christie’s will offer such Lot for sale under the Margin Scheme. If a Lot is marked “+” or “!”, it will have a special V.A.T. status and will be subject to higher rates as follows:“!”: Lot is imported from outside the EU. For each Lot the Buyer’s Premium is calculated as 37.05% of the Hammer Price up to a value of Ç 20,000, plus 31.1% of the Hammer Price between Ç 20,001 and Ç 800,000, plus 21.58% of any amount in excess of Ç 800,000.“+”: 19% VAT applies to both the Hammer Price and the Buyer’s Premium. The Buyer’s Premium is calculated for each lot as 51.25% of the Hammer Price up to a value of Ç 20,000, plus 45.2% of the Hammer Price between Ç 20,001 and Ç 800,000, plus 35.52% of any amount in excess of Ç 800,000. The Buyer must furnish Christie’s with all relevant information concerning his V.A.T. position. The Buyer warrants this information to be correct. Changes in the V.A.T. status of a Lot may be communicated by a sale room notice.

Conditions of SaleThese Conditions of Sale and the information set out in the All You Need to Know section of the catalogue set out the terms governing the legal relationship of Christie’s and the seller with the buyer. You should read them carefully before bidding.

79

Conditions of Sale

6. REGISTRATION OF BIDDERSProspective buyers who have not previously bid or

consigned with Christie’s should bring:

• Individuals: government-issued photo identification (such

as a driving licence, national identity card, or passport)

and, if not shown on the ID document, proof of current

address, for example a utility bill or bank statement.

• Corporate clients: a photocopy of the company register

or if located in the Netherlands an original excerpt of

Chamber of Commerce not older than 4 weeks.

• For other business structures such as trusts, offshore

companies or partnerships, please contact Christie’s Credit

Department at +31 (0)20 575 52 11 for advice on the

information you should supply.

• A financial reference in the form of a recent bank

statement or a reference from your bank. Christie’s

can supply a form of wording for the bank reference if

necessary.

• Persons registering to bid on behalf of someone who

has not previously bid or consigned with Christie’s should

bring identification documents not only for themselves

but also for the party on whose behalf they are bidding,

together with a signed letter of authorisation from that

party.

To allow sufficient time to process the information, new

clients are encouraged to register at least 48 hours in

advance of a sale.

Prospective buyers should register for a numbered bidding

paddle at least 30 minutes before the auction. Clients who

have not made a purchase from any Christie’s office within

the last two years and those wishing to spend more than

on previous occasions, will be asked to supply a new bank

reference. For assistance with references, please contact

Christie’s Credit Department at +31 (0)20 575 52 11.

7. PAYMENTThe Buyer shall pay the Purchase Price to Christie’s within

seven days after the auction, failing which he shall be in

default. The Buyer shall owe interest on the Purchase Price

to Christie’s at a rate equal to the legal interest plus two

percentage points from the moment he is in default. The

Purchase Price includes V.A.T. The Buyer shall pay the

Purchase Price in full even if a subsequent V.A.T. refund

may be granted.

Christie’s does not accept payment from third parties. This

also applies to agents.

8. RELEASE OF LOTS(a) Without prejudice to the provision of article B.2.(a),

the title to the objects belonging to the Lot shall not

pass to the Buyer until he has fully paid the Purchase

Price as well as any and all other moneys due from the

Buyer to Christie’s as a result of any other purchase

agreements. Until such time, Christie’s shall have a lien

(“retentierecht”) on the objects belonging to the Lot.

(b) The Buyer must take away the Lot(s) purchased by

him at his expense within seven days of the auction,

failing which he shall be in default. The period of seven

days mentioned here may be deviated from in the auction

catalogue.

(c) The Buyer shall be liable for the costs of removal,

storage or other costs of any Lot which has not been taken

away by him within the period referred to in paragraph (b)

above. Christie’s shall have a lien (“retentierecht”) on the

Lot in respect of said costs.

(d) The Buyer may request Christie’s to pack a purchased

Lot or to cause the same to be packed. Such packing shall

be done entirely at the discretion of Christie’s and at the

expense and risk of the Buyer.

(e) Christie’s does not provide a packing, postal or delivery

service. Christie’s can suggest the names of companies

that provide these services if requested to do so. However

Christie’s does not accept responsibility for any loss or

damage which may occur during packing, storage or

transportation of the Lot(s).

(f) Collection of purchases

Christie’s shall be entitled to retain items sold until all

amounts due to Christie’s, or to Christie’s International

plc, or to any of its affiliates, subsidiaries or parent

companies worldwide, have been received in full in good

cleared funds or until the buyer has performed any other

outstanding obligations as we, in our sole discretion, shall

require, including, for the avoidance of doubt, completing

any anti-money laundering or anti-terrorism financing

checks we may require to our satisfaction. In the event a

buyer fails to complete any anti-money laundering or anti-

terrorism financing checks to our satisfaction, Christie’s

shall be entitled to cancel the sale and to take any other

actions that are required or permitted under applicable

law. Subject to this, the buyer shall collect purchased lots

within seven calendar days from the date of the sale unless

otherwise agreed between us and the buyer.

9. RISK OF PURCHASED LOTSThe risk of loss or damage to purchased Lots shall be borne

by the Buyer from the moment when the Buyer’s bid is

accepted as the highest bid by Christie’s at the auction.

This means that Buyers have a legal obligation to pay their

purchases in full, even if the Lots are subsequently lost or

damaged.

10. DEFAULT OF THE BUYER(a) If the Buyer is in default, Christie’s shall be authorised

to sell the Lot(s) purchased by the Buyer without further

notice, either by private or by public sale. The Buyer shall

continue to be liable for the part of the Purchase Price

remaining unpaid after such sale, while the Buyer shall

never be entitled to any surplus proceeds which may be

realized upon re-auctioning.

(b) If, as a result of the Buyer’s default, Christie’s are

sued by the Seller or by third parties or if any property

belonging to Christie’s or the sold Lot(s) is/are seized

by the Seller or by third parties, or if Christie’s suffer

damage or incur expenses in any other way as a result of

the Buyer’s default, Christie’s shall be entitled to recover

from the Buyer all damage suffered and expenses incurred

by Christie’s as a result thereof. Christie’s shall moreover

be authorized to disclose the identity of the Buyer to the

Seller or to the said third parties if the Buyer is in default.

(c) If the Buyer is in default, Christie’s may reject at any

future auction any bids made by the Buyer.

11. LIABILITY(a) Without prejudice to the provisions set forth elsewhere

in these Conditions of Sale, Christie’s are liable for damage

suffered by the Buyer only, if the occurrence of the

damage is the consequence of gross negligence or intent of

Christie’s or their employees or representatives.

(b) In the cases referred to in paragraph (a) above the

extent of the liability of Christie’s for damage suffered by

the Buyer shall be limited to the amount of the Buyer’s

premium.

(c) The limitation of liability as contained in this article

may also be invoked by the employees and representatives

of Christie’s.

12. EXPIRATION(a) The right of the Buyer to annul, rescind or cancel the

purchase agreement or to cause same to be annulled or

rescinded shall expire after one year from the day on which

the purchase agreement is concluded. If the Buyer decides

to exercise any of the rights set forth above, he shall be

obliged to deliver the objects belonging to the purchased

Lot to Christie’s forthwith, in the same condition that they

were in when the Buyer took delivery of them, without

prejudice to the provisions of Article B.3.(e) in case the

Lot is claimed to be a Forgery.

(b) The annulment, nullification, rescission or cancellation

of the purchase agreement shall not affect the Buyer’s

obligation to pay the Buyer’s premium and to reimburse

the expenses incurred by Christie’s.

C. GENERAL PROVISIONS (APPLICABLE TO BOTH BUYERS AND SELLERS)1. Neither Christie’s nor their employees nor their

representatives are liable for any damage suffered by the

Seller or the Buyer, as the case may be, as a result of

default of the Buyer or the Seller, respectively.

2. Christie’s are authorised, without reason given, to refuse

any person admission to the auction premises and the

auction, and also to exclude any person from making bids

for a Lot.

3. Christie’s are authorised to combine several Lots, to

combine different objects from one and the same Seller

into one Lot, to refuse any bid, to continue the bidding, to

withdraw or to divide a Lot, and in the event of a dispute

about the bidding to put up the Lot for sale once again

immediately.

4. All notifications and communications to Christie’s shall

be made in writing.

5. The legal relationship between Christie’s and the Buyer

shall be governed by Netherlands law.

6. Any dispute between Christie’s and the Buyer shall be

adjudicated by the competent court of Amsterdam, on

the understanding that a Buyer who is a natural person

and who is not acting in pursuance of a profession or a

sale shall have the right, within a period of 32 days after

Christie’s have invoked this clause against him in writing,

to choose to have the dispute adjudicated by the court that

has jurisdiction by law.

7. This text is a translation in the English language of the

Dutch Conditions of Sale. The Dutch text shall be the

authentic text in all cases. A copy of the Dutch text is

on public display at our sale premises and is available on

request.

8. The copyright in all images, illustrations and written

material, relating to a Lot is and shall remain at all times

the property of Christie’s and shall not be used by the

Buyer nor anyone else without the prior written consent

of Christie’s.

80

Please also refer to the information contained in Buy-

ing at Christie’s at the back of this catalogue.

I request Christie’s to bid on the following lots up to

the maximum price I have indicated for each lot. I

understand that if my bid is successful, the purchase

price payable shall be the aggregate of the final bid

and a VAT inclusive premium calculated at 30.20% of

the Hammer Price for each lot up to and including

Ç 20,000, plus 24.2% of the Hammer Price between

Ç 20,001 and Ç 800,000, plus 14.52% of any amount

in excess of Ç 800,000.

Buyer’s Premium is calculated on this basis for each

lot individually.

Lots marked with a ‘+’ or ‘!’ VAT is applied differ-

ently.

I understand that Christie’s provides the service of

executing absentee bids for the convenience of clients

and that Christie’s is not responsible for failing to

execute bids or for errors relating to execution of bids.

On my behalf, Christie’s will try to purchase these lots

for the lowest possible price, taking into account the

reserve and other bids. Absentee bids submitted on

“no reserve” lots will, in the absence of a higher bid,

be executed at approximately 50% of the low pre-sale

estimate or at the amount of the bid if it is less than

50% of the low pre-sale estimate. If identical absentee

bids are received for the same lot, the written bid re-

ceived first at Christie’s will take precedence. Absentee

bids in another currency will be converted into Euros

using the official exchange rate on the day of receipt

of the absentee bid. The results of absentee bids will

be mailed after the auction. An invoice will be sent to

you on the following business day after the sale.

Please contact the Telephone Bid office at least 24

hours in advance of the sale to make arrangements for

telephone bidding. Tel: +31 (0)20 575 5950.

All bids are subject to the terms of the Conditions of

Sale printed in this Christie’s catalogue.

BIDDING INCREMENTSBidding generally opens below the low estimate and

advances in increments of up to 10%, subject to the

auctioneer’s discretion. Absentee bids that do not

conform to the increments set below may be lowered

to the next bidding interval.

Ç100 to Ç1,000 by Ç50

Ç1,000 to Ç2,000 by Ç100

Ç2,000 to Ç3,000 by Ç200

Ç3,000 to Ç5,000 by Ç200-500-800

Ç5,000 to Ç10,000 by Ç500

Ç10,000 to Ç20,000 by Ç1,000

Ç20,000 to Ç30,000 by Ç2,000

Ç30,000 to Ç50,000 by Ç2,000-5,000-

8,000

Ç50,000 to Ç100,000 by Ç5,000

Ç100,000 + by Ç10,000

The auctioneer may vary the increments during the

course of the auction at his or her own discretion.

Auction Results: +44 (0)20 7627 2707

Absentee Bids Form Christie’s Amsterdam

Absentee bids must be received at least 24 hours before the auction begins.

Christie’s will confirm all bids received by fax by return fax. Tel: +31 (0)20 575 950

Fax: +31 (0)20 575 59 74 on-line www.christies.com

3024

Client Number (if applicable) Sale Number

Billing Name (please print)

Address

Post Code

Daytime Telephone Evening Telephone

Fax (Important) Email

Please tick if you prefer to receive information about our upcoming sales by e-mail

Signature

If you have not previously bid or consigned with Christie’s, please attach copies of the following documents. Individuals: government-issued photo identification (such as a photo driving licence, national identity card, or passport) and, if not shown on the ID document, proof of current address, for example a utility bill or bank statement. Corporate clients: a certificate of incorporation. Other business structures such as trusts, offshore companies or partnerships: please contact the Credit Department at +31 (0)20 575 52 11 for advice on the information you should supply. If you are registering to bid on behalf of someone who has not previously bid or consigned with Christie’s, please attach identification documents for yourself as well as the person/entity on whose behalf you are bidding, together with a signed letter of authorisation from the person/entity. New clients, clients who have not made a purchase from any Christie’s office within the last two years, and those wishing to spend more than on previous occasions will be asked to supply a bank reference. We also request that you complete the section below with your bank details:

Name of Bank(s)

Address of Banks(s)

Account Number(s)

Name of Account Officer(s)

Bank Telephone Number

PLEASE PRINT CLEARLY

If you are registered within the European Community for VAT/IVA/TVA/BTW/MWST/MOMS

Please quote number below:

Lot number Maximum Ç Price Lot number Maximum Ç Price (in numerical order) (excluding buyer’s premium) (in numerical order) (excluding buyer’s premium)

Nineteen to NowTUESDAY 12 MARCH 2013 AT

10.30 AM AND 2.00 PM

Cornelis Schuytstraat 57, 1071 JG AmsterdamCODE NAME: AMS

SALE NUMBER: 3024

(Dealersbillingnameandaddressmustagreewithtaxexemptioncertificate.Invoicescannotbechangedaftertheyhavebeenprinted.)

BID ONLINE FOR THIS SALE AT CHRISTIES.

COM

AML 22/10/10

Written Bids

If you can’t attend an auction in person don’t miss out, leave a written bid and we’ll do the rest — bid now it’s quick, convenient and confidential.

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s i n c e 1 7 6 6

Post-War & Contemporary Art

AUCTION 16 April 2013

VIEWING 12-15 April 2013

ENQUIRIES

Alexandra Bots

+31 (0)20 575 59 57

[email protected]

CATALOGUES

Amsterdam

+31 (0)20 575 5255

New York

+1 800 395 6300

London

+44 (0)20 7389 2820

AMSTERDAM

Cornelis Schuytstraat 57

1071 JG Amsterdam

ONLINE ONLY AUCTION

February 26–March 5

Sold to Benefit The Andy Warhol

Foundation for the Visual Arts

CONTACT

Amelia Manderscheid

[email protected]

+1 212 468 7113

christies.com/warhol

Andy Warhol (1928–1987)

I Love Your Kiss Forever Forever

(see F. & S. II.5) (detail)

lithograph in colors, printed on two sheets

Executed in 1964.

$3,000–5,000

© The Andy Warhol Foundation for the Visual Arts, Inc.

AUCTION 29 May 2013

CONSIGNMENT DEADLINE end of March 2013

ENQUIRIES

Sarah de Clercq

+31 (0)20 575 5281

[email protected]

CATALOGUES

Amsterdam

+31 (0)20 575 5255

New York

+1 800 395 6300

London

+44 (0)20 7389 2820

AMSTERDAM

Cornelis Schuytstraat 57

1071 JG Amsterdam

s i n c e 1 7 6 6

AUCTION 21 June 2013

CONSIGNMENT DEADLINE 12 April 2013

ENQUIRIES

Michelle McMullan

+44 (0)207 389 2137

[email protected]

CATALOGUES

Amsterdam

+31 (0)20 575 5255

New York

+1 800 395 6300

London

+44 (0)20 7389 2820

CHRISTIE’S SOUTH KENSINGTON

85 Old Brompton Road

London SW7 3LD

s i n c e 1 7 6 6

Impressionist & Modern Art

Impressionist/Modern Art and Picasso Editions

These auctions feature

Bid live in Christie’s salerooms worldwide

register at www.christies.com

Printed in England

© Copyright, Christie’s Amsterdam B.V.

(2013)

SpringCalendarMarch-May2013

Decorative Arts

Jewels and Watches

PLEASE NOTE THESE DATES ARE SUBJECT TO CHANGE FOR CONFIRMATION TEL: +31 (0)20 575 52 55

March12 Tuesday

Nineteen to Now including Indonesian Art 10.30 am, 2.00 pm Viewing: 8-11 March (sale 3024)

26-27 Tuesday & Wednesday

The Decorative Arts Sale: Including Fine Paintings 2.00 pm & 10.30 am & 2.00 pm

Viewing: 22-25 March (sale 3025)

April9 Tuesday

Jewels & Watches 10.30 am & 2.00 pm Viewing: 5-8 April (sale 3026)

15 Monday

The Piet and Ida Sanders Collection 7.00 pm Viewing: 12-15 April (sale 3045)

16 Tuesday

The Piet and Ida Sanders Collection 10.30 am Viewing: 12-15 April (sale 3045)

16 Tuesday

Post-War and Contemporary Art 2.00 pm Viewing: 12-15 April (sale 3027)

23 Tuesday

Fine Wine & Vintage Port 10.30 am & 2.00 pm (sale 3029)

May7 Tuesday

Old Masters and 19th Century Art 2.00 pm Viewing: 3-6 May (sale 3028)

29 Wednesday

Impressionist & Modern Art 2.00 pm Viewing: 25-28 May (sale 3030)

The Paper used in this catalogue

has been manufactured at a mill

which has been awarded the

ISO 14001 for Environment

Management and is a registered

mill within EMAS (the EU Eco-

Management and Audit Scheme)

indonesian art

Documents

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live auction

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