indonesian art and product -week 12 (meeting 8)-

12
INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

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Page 1: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

INDONESIAN ART AND PRODUCT

-WEEK 12 (MEETING 8)-

Page 2: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

READING TIME !

Read the following text about saman dance and

answer the questions below the text.

Underline information in the text which

answers the question, then write your answer

with your own words.

Page 3: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

The saman dance is part of the cultural heritage of the gayo people of aceh province

in sumatra. Boys and young men perform the saman sitting on their heels or

kneeling in tight rows. Each wears a black costume embroidered with colourful gayo

motifs symbolizing nature and noble values. The leader sits in the middle of the row

and leads the singing of verses, mostly in the gayo language. These offer guidance

and can be religious, romantic or humorous in tone. Dancers clap their hands, slap

their chests, thighs and the ground, click their fingers, and sway and twist their

bodies and heads in time with the shifting rhythm – in unison or alternating with the

moves of opposing dancers. These movements symbolize the daily lives of the gayo

people and their natural environment. The saman is performed to celebrate national

and religious holidays, cementing relationships between village groups who invite

each other for performances. The frequency of saman performances and its

transmission are decreasing, however. Many leaders with knowledge of the saman

are now elderly and without successors. Other forms of entertainment and new

games are replacing informal transmission, and many young people now emigrate to

further their education. Lack of funds is also a constraint, as saman costumes and

performances involve considerable expense.

Page 4: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

1. Where is saman dance originally from?

2. When do people usually perform the saman dance?

3. What is unique about the saman dance?

4. What are 4 (four) problems stated in the article that make the

decreasing of saman dance performance and transmission?

5. Have you ever watched a saman dance? What do you think about

it?

6. What can we do to promote saman nationally and internationally?

Page 5: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-
Page 6: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

2. When do people usually perform the Saman dance?

Page 7: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

3. What is unique about the Saman dance?

Page 8: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

4. What are 4 (four) problems stated in the article that make the decreasing of Saman dance performance and transmission?

Page 9: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

5. Have you ever watched a Saman dance? What do you think about it?

Page 10: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

6. What can we do to promote Saman nationally and internationally?

Page 11: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

READING TASK

Read the text about ulos, and answer the questions.

Try to write the answers with your own words.

1.What is the meaning of ulos to batak people?

2.Why is it only women who weave ulos?

3.What colors are commonly used in ulos? How do people get these

colors?

4.Each kind of ulos has its own specific function. How many kinds of ulos

are mentioned in the text? Expain their functions.

5.What can we do to promote ulos nationally and internationally?

Page 12: INDONESIAN ART AND PRODUCT -WEEK 12 (MEETING 8)-

DISCUSSION (GROUPWORK)Work in a group of 3 students.

Think of one special art / product originally from indonesia.

• What is it?

• Where is it originally created?

• When is it used?

• What makes it special?

• What can we do to promote them to other indonesian

people and also to the world?