indian film industry

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Indian Film Industry Produces more films than Hollywood (1100 vs 500 /yr.) Cheapest tickets in the world 4 billion attendance / year 30 different languages: Hindi: Bollywood (Bombay-Mumbai) Bengali: Tollywood and Dhaliwood (Calcutta) Tamil: Kollywood (Madurai) Telugi: (Hyderabad)-#2 to Bollywood Marathi: (Mumbai) Malayalam (Southwest tip) Kannada (Southwest) Punjab (Amristar)

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Indian Film Industry. Produces more films than Hollywood (1100 vs 500 /yr.) Cheapest tickets in the world 4 billion attendance / year 30 different languages: Hindi: Bollywood (Bombay-Mumbai) Bengali: Tollywood and Dhaliwood (Calcutta) Tamil: Kollywood (Madurai) - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: Indian Film Industry

Indian Film Industry• Produces more films than Hollywood

(1100 vs 500 /yr.)

• Cheapest tickets in the world

• 4 billion attendance / year

• 30 different languages:

– Hindi: Bollywood (Bombay-Mumbai)

– Bengali: Tollywood and Dhaliwood (Calcutta)

– Tamil: Kollywood (Madurai)

– Telugi: (Hyderabad)-#2 to Bollywood

– Marathi: (Mumbai)

– Malayalam (Southwest tip)

– Kannada (Southwest)

– Punjab (Amristar)

Page 2: Indian Film Industry

Indian Films• A democratic, but conservative society

• Film censorship board

• Most commercial films include song- and-dance routines that are integral to the story line

• Two to three hours long

• Sentimental, formulaic, melodramatic

• Songs, legends, values of local culture

• Independent films (art cinema)

– Nair

– Mehta (“maverick,” funded by West)

Page 3: Indian Film Industry

Bollywood (Hindi)• Largest segment of industry

• Big musical productions (3 hrs) with traditional dances

• Highly melodramatic stories

• Traditionally, no kissing or forbidden topics (censors)

• Key influence on pop culture throughout Asian subcontinent

• Becoming more “Western”

• Some controversial topics

• Criticized by other regions that favor films based upon local regional traditions and values

Page 4: Indian Film Industry

Introduction

to Hinduism

Page 5: Indian Film Industry

Misperceptions

• Hinduism is an organized religion

• It is polytheistic

• All Hindus are vegetarians

• All Hindus do yoga

• All Indians are Hindu

Page 6: Indian Film Industry

History

• World’s oldest existing religious tradition

• Indo-Aryan origins (Iran)

• Dravidian people (Indus Valley)

• 1500-1300 BCE

– 3102 BCE (birth of Krishna—stars)

– 5000-6000 BCE (legend of Rama)

• Revealed in the Vedas

– Poetic hymns used in the sacrificial rites of the Aryan priests.

• Origin of Buddhism, Jainism and Sikhism

• 3rd largest in world (Christianity, Islam)

Page 7: Indian Film Industry

History

• Vedic civilization (2000 BCE)

• Religion evolved from hymn-singing and sacrifice to belief in Samsara / Karma

• The Vedas

• Ascetic hermits and forest wanderers

• Self-enlightenment

• One God or (Divine Reality)

Page 8: Indian Film Industry

Basic Beliefs

• An “approach to the universe”

• A way of life

• “Eternal law” (Sanātana Dharma)

• A religious tradition

• Religion and philosophy

• Wide range of beliefs and practices

• No central figure

• Does not purport to be the “only truth”

• Emphasis on practice vs. beliefs

Page 9: Indian Film Industry

Basic Beliefs

• Every soul (atman) is trapped in a cycle of birth, existence and death (Samsara)

• Ultimate goal is to escape the cycle (Moksha)

• Time is circular

• The aim of life is to live in a way that will cause one’s next life to be better

Page 10: Indian Film Industry

Basic Beliefs

“ There are as many spiritual paths as there are spiritual aspirants. There are as many gods as there are devotees to suit the moods, spirits and social backgrounds of the devotees.”

• No hierarchical orthodoxy

Page 11: Indian Film Industry

Sanatana Dharma (eternal law)

• Everything in existence is an expression of God

• The proper aim of life is to become one with God

• Worldly delights & temptations divert one from this goal

• Dharma guides everyday ethics and duties (“the way”)

Page 12: Indian Film Industry

Maya

• The veil of illusion

• The prison of worldly senses

• Obsession with worldly things, distraction from spiritual purpose, forgetfulness

• Something to be feared, but no way out

• Four paths to penetrate the veil

Page 13: Indian Film Industry

The Four Paths

• Bhakti: Devotion

• Karma: Good works(action/reaction)

• Jnana: Knowledge

• Yoga: Discipline of mind and body (practice)

Not mutually exclusive

May pursue one or all

Many paths to realization

Page 14: Indian Film Industry

Deities

“A diverse system of thought that embraces elements of monotheism, monotheism, polytheism, panentheism, pantheism, monism and atheism.”

Page 15: Indian Film Industry

Deities

• One Reality (Brahman)

• “Brahman is the unchanging, infinite, immanent, and transcendent reality which is the Divine Ground of all matter, energy, time, space, being, and everything beyond in this universe. “

• Different interpretations by different schools of Hinduism

• Not the “personalized” Judeo-Christian God.

Page 16: Indian Film Industry

Deities

• One Reality (Brahman)

• Many manifestations

Brahma: Creation

Vishnu: Protector of Existence

Shiva: Destruction

Page 17: Indian Film Industry

Deities

• One Reality (Brahman)

• Many manifestations

Brahma: Creation

Saraswathi—Goddess of wisdom

Vishnu: Protector of Existence

Kakshmi—Goddess of wealth

Shiva: Destruction

Kali—(a form of Shakti)

Page 18: Indian Film Industry

Deities

• Different traditions position deities differently in legends and mythology

• Shaktism:

Shakti is the Supreme Being

Divine force of universe, primal energy, Brahman’s female aspect

Unfolds as desire, action, wisdom(Shiva’s or Kali’s trident)

• Other traditions (e.g.,Shaivism):

– Active energy of male deities Vishu and Shiva

Page 19: Indian Film Industry

Ganesha (son of Shiva)

This God of knowledge and the remover of obstacles is also the older son of Lord Shiva. Lord Ganesha is also called Vinayak (knowledgeable ) or Vighneshwer (god to remove obstacles). He is worshipped, or at least remembered, in the beginning of any auspicious performance for blessings and auspiciousness.

A unique combination of his elephant-like head and a quick moving tiny mouse vehicle represents tremendous wisdom, intelligence, and presence of mind.  

Page 20: Indian Film Industry

Ganesha

Large head and ears: wisdom that one must have to attain perfection in life

Right tusk: wisdom (also right leg over left)

Left tusk: emotion (must break it)

Four arms: omnipresent and omnipotent

Ax: to cut emotions

Lotus: peace and wisdom

Laddos: sweet spiritual reward

Yellow: purity, peace, truthfulness

Big belly: capacity to deal with pleasant and unpleasant experiences in the world

Mouse: Ego that can nibble at the good and noble (must control)

Page 21: Indian Film Industry

Vedic Pantheon (33 dieties)

8 Vasus (earthly)

11 Rudras (heavenly)

12 Adityas (intermediate)

Indra

Page 22: Indian Film Industry

Vedic (Aryan) Dieties (2000-1200 BCE)

Indra (the God of creation & war)  Varuna (ruler of the worlds and world order)  Dyaush-pita (the sky father)  Prithivi mata ( the earth mother)   Vayu (the wind God)   Parjanya (the rain God)  Surya (the sun God) Agni (the fire God, destroyer of darkness)   Soma (the God of speech and inspiration)Ushas (the Goddess of dawn)   Yama (the God of death) Adityas (12 dieities, 12 months of year) Brahmana,   Aswini (twin Deities)   Rudras (eight in number)   Vasus (eight in number),   Visvedevas ( ten in number) 

Indra

Page 23: Indian Film Industry

Vishnu

• The preserver and protector of creation

• Embodiment of mercy and goodness

• Keeps good and evil in balance

• When evil rises, other gods ask Vishnu to reincarnate in different human forms to conquer demons

• Epics highly symbolic cosmic morality plays

 

Page 24: Indian Film Industry

Forms of Lord Vishnu (avatars)

• Matsyavataram (Form of a fish)  

• Kurmavataram (Form of a tortoise)  

• Varahavataram (Form of a boar)  

• Narasimhavataram (Form of a lion headed man)   

• Vamanavataram (Form of a dwarf )  

• Parasuramavataram  

• Ramavataram  (Ram)

• Balaramavataram  

• Krishnavataram  -- Hare Krishna

• BUDDHA Kalkiavataram (yet to come)

 

Page 25: Indian Film Industry

Ramavataram (Ram)

• 7th incarnation of Vishnu

• “The very soul of India”

• Legend is a “complete guide to God-realization and the path to righteousness”

• Married Sita, consort of Vishnu

• Over came ordeals, remained loyal to father, resisted temptations, joined with the Monkey King to defeat King Ravana 

Page 26: Indian Film Industry

The "Hare Krishna" movement

• Based upon 9th incarnation of Vishnu

• International Society for Krishna Consciousness

• Founded by A.C. Bhaktivedanta Swami Prabhupada

• Bhagavad-Gita

• The words "Hare Krishna" are part of a mantra comprising three Sanskrit names of God (Vishnu), Hari, Krishna and Rama

Page 27: Indian Film Industry

Eras

4th-6th C: Gupta dynasty– Dedicated temples to different deities– Science, medicine, art & literature– Strict caste system

8th C: Shankara (reformer)– Upset with ritualism and caste system– Meditation over ritualism– Concept of maya– Brahma transcendent– Spiritual ignorance is the result of

seeing the self

Page 28: Indian Film Industry

Eras

1893: Swami Vivekananda– World Parliament of Religions

(Chicago)– Brought meditation and yoga to the

West

Page 29: Indian Film Industry

Expansion to SE Asia

• Trade routes

• Malay empire

• Khmer empire

• Cham empire (Vietnam)

Page 30: Indian Film Industry

Hindu Scriptural Canon

SHRUTI Divine recordings ofcosmic truth; God-given;for priests & educated

Vedas 1500-500 BCE; poetic liturgy

Rig Veda Hymns of praiseSama Veda ChantsYajur Veda Priest handbook Atharva Veda Magic

Brahmanas 900 BCEVedic commentaries

Aranyakas Philosophical & mystical

Upanishads Religious instructions

Page 31: Indian Film Industry

Hindu Scriptural Canon

SMRITI Created by man; for common person

Itihasas Mahābhārata Bhagavad Gītā Ramayana

PuranasTantras Sutras Stotras Ashtavakra Gita Gherand Samhita Gita Govinda Hatha Yoga Pradipik

“Historical” legends2.5 million word history of IndiaClimatic cosmic battleLegend of Ram 300 BCE: CosmologyBuddhist and Hindu “wisdom”Aphorisms Chanting prayersMystical and esoteric17th C: Yoga manual12Th C: Bhakti; devotion & equality15th C: The “bible” of Yoga

Page 32: Indian Film Industry

Scriptures (Vedas=wisdom)

Rig Veda

• Poems used in sacrifices & rites

• Praise the god being addressed

• Ask the god for favors or benefits

• Includes petitions for forgiveness which indicate a developed sense of morality

–o        it is evidence of a religion centered on free choices between good and evil.

Page 33: Indian Film Industry

Puranas (300 BCE)

• Interpretations of the Vedas

• For the common man

• Myths, parables and allegories

• 18: 3 groups of 6

• Creation of universe

• Dharma

• Karma

• Reincarnation

Page 34: Indian Film Industry

Uphanishads (300 BCE)

• Interpretation of Vedas

• Spiritual instruction

• Meditation

• Teacher-student dialogues

Page 35: Indian Film Industry

The Paramahamsa UpanishadMystic or spiritual interpretations on the Vedas 1. Narada (Lord of Events) inquired of the Lord of Love:

"What is the state of the illumined man?"The Lord replied: "Hard to reach is the stateOf the illumined man. Only a fewAttain to it. But even one is enough.For he is the pure Self of the Scriptures;He is truly great because he serves me.And I reveal myself through him always."He has renounced all selfish attachmentsAnd observes no rites or ceremonies.He has only minimum possessions,And lives his life for the welfare of all.

Page 36: Indian Film Industry

2. He has no staff nor tuft nor sacred thread.He faces heat and cold, pleasure and pain,Honor and dishonor with equal calm. He is not affected by calumny,Pride, jealousy, status, joy, or sorrow,Greed, anger, or infatuation,Excitement, egoism, or other goads;For he knows he is neither body nor mind.

The Paramahamsa Upanishad

Page 37: Indian Film Industry

Free from the sway of doubt and false knowledgeHe lives united with the Lord of Love.Who is ever serene, immutable,Indivisible, the source of all joyAnd wisdom. The Lord is his true home,His pilgrim's tuft of hair, his sacred thread;For he has entered the unitive state.

The Paramahamsa Upanishad

Page 38: Indian Film Industry

3. Having renounced every selfish desire,He has found his rest in the Lord of Love.Wisdom is the staff that supports him now.Those who take a mendicant's staff while theyAre still at the mercy of their sensesCannot escape enormous suffering.The illumined man knows this truth of life.

The Paramahamsa Upanishad

Page 39: Indian Film Industry

4. For him the universe is his garmentAnd the Lord not separate from himself.He offers no ancestral oblations;He praises nobody, blames nobody,Is never dependent on anyone.He has no need to repeat the mantram,No more need to practice meditation.The world of change and changeless realityAre one to him, for he sees all in God.

The Paramahamsa Upanishad

Page 40: Indian Film Industry

5. The aspirant who is seeking the LordMust free himself from selfish attachmentsTo people, money, and possessions.When his mind sheds every selfish desire,He becomes free from the dualityOf pleasure and pain and rules his senses.No more is he capable of ill will;No more is he subject to elation,For his senses come to rest in the Self.Entering into the unitive state,He attains the goal of evolution.Truly he attains the goal of evolution.

The Paramahamsa Upanishad

Page 41: Indian Film Industry

Worship (Puja)

• Images (puja)

• Prayers

• Diagrams of the universe (yantra)

• Water, fruit, flowers and incense offerings

Shri Haridra Ganesh Sidhi Yantra

Page 42: Indian Film Industry

Worship (Puja)

• Images (puja)

• Prayers

• Diagrams of the universe (yantra)

• Water, fruit, flowers and incense offerings

Shri Maruti Yantra

Page 43: Indian Film Industry

Worship (Puja)

• Images (puja)

• Prayers

• Diagrams of the universe (yantra)

• Water, fruit, flowers and incense offerings

Page 44: Indian Film Industry

Worship (Puja)

• Images (puja)

• Prayers

• Diagrams of the universe (yantra)

• Water, fruit, flowers and incense offerings

Page 45: Indian Film Industry

Karma in Hinduism

• “Action” or deeds

• Law of cause and effect

• Beneficial events are derived from past beneficial actions and harmful events from past harmful actions

• Reincarnations

• Explains the problem of evil

• Must follow dharma to achieve liberation from the karma cycle

Page 46: Indian Film Industry

Ethic

• Family unity

• Kindness and caring

• Honesty

• Hard work

• Care for elderly in home

• Respect for animals (gods present in animals)

• Emphasis on education

• Community service

Page 47: Indian Film Industry

Family and Marriage (traditional)

• Patriarchial

• Few liberties for women

• Married women live with husbands’ families

• Sex before marriage criticized

• Widows cannot remarry (traditional view)

• Many marriages still arranged

Page 48: Indian Film Industry

Sikhism

• 5th largest religion (23 million)

• Punjab region (N. India)—2 %

• 1469: Guru Nanak

• All people are all equal in the eyes of one God. (“There is no Hindu, no Muslim.”)

• Rejects Hindu ritual & caste system.

• Meditation, reincarnation, 10 gurus.

• Persecuted by Hindus and Muslims

• 1984: India Army attached Sikh temple

• Sikh extremists assassinated Indira Ghandi

Page 49: Indian Film Industry

Sikhism Beliefs

• The goal of human life is to break the cycle of birth's and deaths and merge with God. This can be accomplished by following the teachings of the Guru, meditation on the Holy Name and performance of acts of service and charity.

• The five cardinal vices are; Kam (lust), Krodh (anger), Lobh (greed), Moh (worldly attachment) and Ahankar (pride). If one can overcome these, they will achieve salvation.

• Rejection of all forms of blind rituals such as fasting, religious vegetarianism, pilgrimages, superstitions, veil wearing, yoga, as well as any form of idol worship. Permits widow remarriage.Golden Temple

Amritsar, India

Page 50: Indian Film Industry

Jainism

• 800 BCE

• 1 % of Indian population

• Does not include a belief in an omnipotent supreme being or creator, but rather in an eternal universe governed by natural laws

• Rejects Vedas and Hindu deities

• Non-violence (ahimsa) is the core

• Vegetarianism

• Karma and reincarnation

• Influenced Ghandi

Page 51: Indian Film Industry

Sikh Attitude toward Jainism

• They have their heads plucked, drink dirty water and repeatedly beg … The daily routine of their mothers and fathers they give up, and their kith and kin bewail loudly. For them none gives barley rolls and food on leaves, nor performs last rites, nor lights earthen lamp. After death where shall they be cast? They ever remain filthy day and night, and bear not sacrificial marks on their brow. They ever sit in groups, as if mourning and go not into the True Court. With begging bowls slung round their loins and a clew in their hands, they walk in single file. They are neither disciples of Gorakh nor adorers of Shiva, nor Muslim Qazis and Mullah's." (Guru Nanak, Slok, pg. 149)

Page 52: Indian Film Industry

Sufism

• Encompasses a diverse range of beliefs and practices dedicated to divine love, the cultivation of the heart, and helping fellow man

• Originated in Middle East in 8th C. (some believe it predates Islam)

• Mystic tradition

• Incorporates elements of Hindu, Sikh and Buddhist Cultures (some festivals are shared between the followers of these beliefs)

• Emphasis on cosmic love

• Sufic development involves the awakening of spiritual centers of perception that lie dormant in an individual

Page 53: Indian Film Industry

“Fire” by Deepa Mehta• Main characters Sita and Rhada

– Sita was Ram’s wife

– Rhada was Krishna’s lover

• Sita’s trial by fire

– Ram accused Sita of being unfaithful

– She offered to walk in fire

– If guilty, would be consumed

– She walked through fire and was not burned

Page 54: Indian Film Industry

India Today• Over 1 billion people

• Federal democratic republic

• Dozens of political parties and factions

• 60% agriculture

• High tech, manufacturing and service industries

• High emphasis on education

• Increasing Westernization

• Conservative society