images, citizen participation and political change. videograms of a revolution (harun farocki and...

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change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero ([email protected]) José Manuel Moreno ([email protected])

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Page 1: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992)David Montero ([email protected])José Manuel Moreno ([email protected])

Page 2: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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Images, citizen participation and political change

Clandestine images - Timisoara, 20.12.89

Page 3: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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Clandestine images - Timisoara, 20.12.89

Images, citizen participation and political change

Page 4: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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The corpses on TV, 25.12.89

Images, citizen participation and political change

Page 5: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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Lines of analysis

Images, citizen participation and political change

Socio-historic and media context: theories of the press

Discursive strategy of the film: dialogic knowledge

Subjectivity as the site of political change

Page 6: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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Socio-historic and media context - Romania

Images, citizen participation and political change

From an soviet-authoritarian to a democratic-participative model...

Features of the democratic-participative model

• Citizenship and minorities claim right of access to media• Media organisation and content are not subjected to political control• Small-sized, interactive and participative media• Media promotes cultural diversity

... and back to a liberal-authoritarian

• Change limited to the revolutionary period• TV as a means to validate the new regime

Page 7: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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Control - Unity Revolution - ChaosVS

Images, citizen participation and political change

Page 8: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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The TV studio

VS

Images, citizen participation and political change

Page 9: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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Return to the single anchor

23.12.8922.12.89 25.12.89> >

Images, citizen participation and political change

Page 10: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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Return to the single image

Images, citizen participation and political change

Page 11: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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Discursive strategy: dialogic knowledge

Images, citizen participation and political change

• Film can only become a dialogical exercise as it stages the clash of images at different levels• Soft montage• Counterpoint image and voiceover• Images and text

Dialogism and film

• Collective search for the truth• Uncertainty and tentativeness• Mediation of languages • Focus on socio-ideological meaning

Page 12: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

Here comes your footer Page 12For the last time live - Videograms of a revolution (1992)

Images, citizen participation and political change

Page 13: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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Subjectivity as a site of political change

Images, citizen participation and political change

“Authoritarian models do not favour neither social interaction nor the circulation of information within society. Media became a way of de-subjectify social subjects, especially if they oppose party power” (Manaev, 1995: 134)

• Surge of personal and life accounts in the public domain

• Sharing of political opinions is widespread

• Appropriation of media tools as a way to document socio-political change and as a means for self-representation

Media and subjectivity

Page 14: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

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Facing the camera

Images, citizen participation and political change

Page 15: Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992) David Montero (davidmontero@us.es)

Images, citizen participation and political change. Videograms of a revolution (Harun Farocki and Andrej Ujica, 1992)David Montero ([email protected])José Manuel Moreno ([email protected])