visit online: www.artworkshops.com

HUDSON RIVER VALLEY ART WORKSHOPS2014 Schedule of Classes

It’s time to get truly creative with digital printing. Here is a workshopto discover new ideas and find ways to combine digital printing withyour art. This workshop is designed to be innovative, unique, andexperiential. If you want to bring your art to a different level this is theplace for you. Whether you create totally new work or bring your pres-ent work to a new level, it is up to you.There is no end to the types of surfaces or artwork you are inspired

to create when using digital images in your work. This workshop isdesigned for you to get creative in new and unusual ways. We will beassembling your printing process into your artwork. All the printingsurfaces, inks, precoats and other related supplies are provided in thestudent supply fee. Kathy also brings a stash of items and tools forstudents to use.

$65 materials fee.

Animals will be drawn from life with an emphasis on their basic struc-ture, form, and gesture. Explore how to draw a moving subject, aswell as drawing from imagination. A variety of animals will besketched throughout the day. Come prepared to draw with sketch-book, pens, and pencils. The main points discussed in this classinclude action, form analysis, anatomy and expression, based on therecommended text for the class, The Weatherly Guide to DrawingAnimals. The painting portion of this class will focus on “oil quicksketch”, entailing an alla prima approach from a live subject. Througha series of quick poses, you’ll develop a personal style for rapid animal indication. Emphasis is placed on communication through ges-ture, shape, value, color and composition. You have the choice ofworking on multiple paintings and/or developing a single piece.Additional $35 tuition for this workshop.

Join the fun at our all-in-one workshop extravaganza!Enjoy the convenience of having the workshop, your lodging,

and meals all in one location. No worry about finding nearbylodging or searching for a place to have your meals. You'llsave your time and money for what you love most -- workingon your art! You'll enjoy the unique feeling of community andfriendship that develops around the dinner table and after-hours studio time. The Hudson River & Catskill Mountain setting is inspiring

and the accommodations are gracious and comfortable. Classsize is limited to 18 or 20 (depending on class type) and thestudio is open 24 hours a day. Our 5-day workshop packages include 6-nights lodging and 3-

day workshops include 3-nights lodging. Both include break-fast, dinner, and afternoon cookies!Our instructors are recruited for their commitment to teach-

ing as well as their professional accomplishments. Whateveryour current level may be, you’re sure to find this year's rosterexciting and diverse. Our director, Kim LaPolla, and our Chef, Mark LaPolla (also

the owners of Greenville Arms 1889 Inn) work closely witheach instructor to assure the smooth coordination of yourentire experience. The Greenville Arms has been home to theWorkshops since 1982 and is known for warm hospitality, goodfood, and for promoting artistic fellowship. 5-Day Workshops begin Sunday evening with a welcoming

reception followed by dinner. You, your companions, and your instructor enjoy meals together in the inn's dining room

throughout the week. Class begins Monday at 9:00 a.m. andcontinues until 4:00 p.m. each day. After dinner, there may betalks, critiques, or slide presentations. Many students continueworking in the studio well into the evening. Friday is a full classday and your workshop stay ends after breakfast on Saturday. 3 Day Weekend Workshops begin either on a Thursday or

Saturday evening with a welcoming reception followed by dinner. The following 3 days are full class days, ending atabout 4:00 p.m. on the last afternoon.

Visit our web site at www.artworkshops.com for more information on these workshops. Also see our fiber art workshop web site at www.fiberartworkshops.com for more information on our series of workshops for the artist workingwith textiles and other mixed media.

KATHYANNE WHITE

Apr. 27 - May 3Digital PrintingAlternative SurfacesUnleashedMixed

All Levels

5-Day Studio Class

www.KathyanneWhite.com

JOE WEATHERLY

May 4 - 10Animal Drawing andPaintingPen, Pencil, Oil

All Levels

5-Day Outdoor/StudioClass

www.JoeWeatherly.com

Hudson River Valley Art Workshops 2014 Workshop Seriesvisit online: www.artworkshops.com

ROBERT BURRIDGE

May 18 - 24

Loosen Up withAquamedia PaintingAcrylic

All Levels

5-Day Studio Class

www.RobertBurridge.com

Burridge’s popular “Loosen Up” workshops nuture individual successand personal enrichment with a big emphasis on daily painting proj-ects at your own pace. It is stress-free, but be warned; you could endup with too much enthusiasm for painting! Burridge’s flagship work-shop offers a variety of painting subjects for everyone. Designed forthe professional painter who is stuck in a style, as well as for thenovice who wants to conquer their fear of painting. Starting each daywith multiple, small “warm-up painting exercises” up to larger-formatpaintings, Bob’s positive approach towards the act of painting willinspire you to loosen up, have fun again, and paint more. Expect anintense, concentrated and lively workshop where you will createmany works of art using spontaneity for maximum effect. This work-shop is a must for artists who want the confidence and permission topaint the way they have always wanted to paint.Additional $35 tuition for this workshop.

This is a workshop for those who wish to loosen up in watercolor.Painting techniques and a philosophy of design will encourage bold,loose paintings. Eric Wiegardt believes most painting problems arethe violations of an elementary painting principle. Lectures will beeasily understood and helpful. It is recommended that the studenthave some previous experience. There will be ample time for stu-dents to try concepts presented in a safe environment. Eric presentsa completed painting demonstration daily. Subject matter mayinclude land, marine, and streetscapes, florals, and interiors.Eric Wiegardt is signature member of the American Watecolor

Society (Dolphin Fellow) and was awarded the 2012 AWS GoldMedal of Honor. He is the author of Watercolor Free and Easy andhas a video series titled Painting Loosely from Photographs.Additional $50 tuition for this workshop.

ERIC WIEGARDT

Jun. 1 - 7Secrets of PaintingLooseWatercolor

All Levels

5-Day Studio/OutdoorClass

www.EricWiegardt.com

MARGARET DYERPastel Figures: May 15 - 18All Levels (Studio) www.MargaretDyer.com

This workshop is an intense workshop inwhich students are taught a traditional pastelpainting technique. Working with live models,you explore drawing, composition, anatomy,proportion, value, color, and pastel applica-tion. Emphasis is on developing form usinglight and shadow. For those wanting to speedup and become less tight in their work, this isan excellent class to take. Students do notneed prior pastel experience. Some drawingexperience would be helpful, but not impera-tive.

ELIZABETH ST HILAIRE NELSONPaper Collage: May 29 - Jun 1All Levels (Studio) www.Paperpaintings.com

This is an intense workshop where you’lllearn a unique figurative collage technique.You will explore hand painting your own col-lage papers with a variety of techniques andcollage application. Emphasis will be ondeveloping form using light and shadow, justlike in traditional painting techniques. You’llenjoy splattering, stamping, printing, drybrushing, crumpling, and staining papers.Papers include old books, maps, personalephermera, rice paper, and store bought artpapers. No prior collage experience is neces-sary. Some painting would be helpful, but notimperative. Additional $15 tuition for this class.

CATHY TAYLORMixed Media: Jun. 28 - Jul. 1All Levels (Studio) www.CTaylorArt.com

Start with inks and acrylics, add a touch ofcollage and a pinch of print making and youhave the perfect recipe for a mixed mediamasterpiece! Join Cathy Taylor for an explo-ration into the limitless world of mixed media.Mixed media offers enormous opportunity forcreative expression . . . easy & non-intimidat-ing for the beginner and expansive and chal-lenging for the advanced artist. Topicsinclude amazing alcohol inks, collage withmixed media, transfer techniques, creatingaltered papers, combining media, and mono-printing, and more. Expect a lively, fun filledworkshop!

2014 3-Day Weekend Workshop Series

Hudson River Valley Art Workshops 2014 Workshop Seriesvisit online: www.artworkshops.com

MARGARETEVANS

Jun. 8 - 14Pastels Unleashed!

All Levels

5-DayOutdoor/StudioClass

www.shinafoot.co.uk

In this workshop, Margaret shows you the versatility and excitementof pastels as a painting medium. She will demonstrate the sketchingquality of pastels, as well as their intensity of color when mixed withother media for painterly techniques.In the studio, you will learn about the wide range of pastel brands

and their uses, adapting photos creatively to inspire, as well as work-ing on paintings from sketches collected plein air. Margaret will demoon location in pen/wash, watercolor, and pastels, and in the studiowith oil and/or gouache with pastels. A mass of information and tech-niques crammed into 5 blissful hard working days!Margaret Evans is one of the UK’s leading art instructors. She is

renowned for her pastel work, but also teaches watercolors, oils, andother media. She is the author of several books, her latest book,Pastels Unleashed by Search Press inspires the content of this work-shop. Additional $50 tuition for this workshop.

Karen Rosasco's watermedia exploration and design class focuseson the completion of paintings started in the first two days of experimentation with color, texture and collage. After accumulating a pile of 6 - 10 exciting starts the class will studycomposition, value, focal point and line work to bring the paintings toa satisfactory finish. Everyone will go home with at least 4- 8 paint-ings ready for a frame and many will be ready for a juried show. There are demos every day along with individual critiques with class

critiques beginning on Wednesday. With the emphasis on design, theindividual student may complete their work to a realistic, impression-istic or abstract finish. Each student is encouraged to retain their ownstyle while searching for the best design solution to their energizedstart.

KAREN ROSASCO

Jun. 15 - 21Abstraction by DesignWatermedia

All Levels

5-Day Studio Class

www.KarenRosasco.com

CHRISTINE IVERSDay & NightScapes in Pastel: Jul. 10 - 13All Levels (Studio) www.christineivers.com

Join this award-winning, nationally recog-nized pastelist and Paint the Night. Explorethe world of painting with the Purest ofPigments. Work on your surface or on Chris’hand-made boards, which you will make inthe workshop. Discover the fun of texturewhile working in a relaxed atmosphere thatwill focus on temperature, atmospheric per-spective and drawing. AND . . . since Chris isan advertising veteran, she will pepper theworkshop with tricks of the trade for takingbetter reference photos and preparing themfor competitions!

ANN LINDSAYValue Studies are Valuable: Sep. 4 - 7All Levels (Studio) www.annlindsay.org

Working from your own photos or workshopreference file, you will gain an understandingand appreciation of how value studies help toclarify your vision and thinking process. Annalso discusses basic composition ideas. In alighthearted atmosphere, Ann helps you over-come your resistance to doing these wonder-ful and oh, so important little drawings. And,yes, you’ll paint, too!Award-winning artist, Ann Lindsay is theauthor of Watercolor: A New Beginning, AHolistic Approach to Painting, and has beenteaching drawing and watercolor since 1989.

ARTIST RETREATAll Media Welcome: Sep. 1 - 7All Levels 3 or 6 nights

Wondering when you’ll get the time to fur-ther explore what you learned in a workshopor concentrated time to finish or begin a project? Then join the fun of The ArtistRetreat! Bring a friend and double your funand inspiration. Work in comfort in the heatedand air-conditioned Carriage House Studio -open 24 hours. Gain inspiration from thebeautiful landscape of the inn grounds andthe surrounding Catskill Mountain andHudson River region.This wonderful retreat includes breakfast,

dinner, cookie breaks, coffee or tea, andlodging at our Greenville Arms 1889 Inn.

Hudson River Valley Art Workshops 2014 Workshop Series

If you have ever wanted to learn how to oil paint or if you are abeginning oil painter, join Howard for an intensive and creative learn-ing week. Learning good habits from the beginning will save you somuch time and money, and make the painting experience so muchmore exciting! Painting is a very logical process.  You’ll work with avery limited palette - just 3 colors, and learn color mixing to createevery color you will ever need for a wonderful painting. Howard will go over all supplies, brushes, paints, your palette, andthe different types of canvasses. Also covered will be design anddrawing, simple perspective, value and tone, never straying from thefocus of your original idea, creating a mood, the calligraphy of paint-ing, keeping clean color, brush handling, hard and soft edges andmuch more. Learn how to critique your own work. Learn to see yourpotential painting in your camera. This painting process is not hard.One logical, accurate, step at a time is all that you will need tobecome a successful painter.

This is an intensive workshop covering step-by-step fundamentaltechniques for painting landscapes and cityscapes with oils and pastels. Alan will cover the basics of sound representational painting.He will discuss the challenges of working from photos and paintingon location. He demos how he creates bold pastel paintings with amulti-layered technique on pumice and sanded papers. Oil demoswill cover both brush and palette knife painting. There will be a special emphasis on ways to improve drawing and compositionalskills and on methods of completing paintings within limited time. Inaddition to daily demos, students can expect individual attention withinformal critiques throughout each day. Classes will be conducted inthe studio and on location (weather permitting) in the beautiful countryside and villages nearby.Alan Flattmann, a PSA Master Pastelist, was inducted in the PastelSociety of American Hall of Fame in 2006.Additional $50 tuition for this workshop.

This workshop recreates the techniques and ideas of 200 years ofart history, from past to the present. We begin by time traveling withyour instructor back to the genesis of the Hudson River painters inthe early 1800s. Visit the vistas and intimate settings which inspiredthem. We set our easels where they set theirs. David shows you howthey captured nature in their oil and watercolor sketches and howthey prepared their finished works, and explains how they thoughtabout making paintings. As the week progresses we will movethrough art history from techniques and locations of the HudsonRiver Painters to the later Luminists as they were inspired by the lateworks of Turner, then Tonalists like Corot, and then theImpressionists like John Singer Sargent. David demos their tech-niques in front of their landscape motifs using their tools andpalettes. The week concludes with expressionist landscape tech-niques of the early 20th century, with artists like George Bellows.Finally, we journey into the 21st century with new tools, new sur-faces, new palettes, new pigments and new criteria.

Learn how to fill your paintings with light and energy while usingphotography for reference. Peter shows you how to interpret light,control color, key your paintings, and create solid value structures sothat you can achieve the specific feeling or mood that you are after.Learn to redesign the elements of the photo to create a more dynam-ic and compelling painting. Plenty of demos, painting exercises, cri-tiques and discussion of materials, techniques, and common prob-lems are all a part of this workshop. Class will be held mostly indoorsand students should bring 5 - 10 landscapes photographs to workfrom. Also, bring a digital camera because you’ll spend some timeoutside photographing and learning how to make solid reference.Peter Fiore has been painting and exhibiting his work for almost 30

years, and has received over 75 distinguished awards. He’s been onthe faculty at Pratt Insitute and presently teaches at the School ofVisual Arts in New York City.

visit online: www.artworkshops.com

HOWARD ROSE

Jun. 22 - 28

Intensive Beginner’s OilPaintingAll Levels

5-Day Studio/OutdoorsClass

www.HowardRoseworkshops.com

DAVID DUNLOP

Jul. 20 - 26Landscapes ThroughTime and On Location

Oil, Watercolor,Acylic

All Levels5-Day Outdoor Classwww.DavidDunlop.com

ALAN FLATTMANN

Jul. 13 - 19Landscape/Cityscape PaintingPastel & Oils

All LevelsStudio/Outdoors

5-Day Class

www.AlanFlattmann.com

PETER FIORE

Jul. 27 - Aug. 2Landscape Painting: Beyondthe Photograph

Oil

All Levels5-Day Studio Class

www.PeterFiore.com

RICHARD McKINLEY

Sep. 14 - 20The Pastel Landscape:From Field Sketch toStudio InterpretationAll Levels

5-Day Outdoor/StudioClass

www.RichardMcKinley.com

Hudson River Valley Art Workshops 2014 Workshop Series

Challenge yourself & go beyond your boundaries in watercolor!Experience the magical, spontaneous, & transparent qualities ofwatercolor & discover that watercolor is at its best when it is set free.Gain more confidence by simplifying your approach to subject matter& painting with energy & focus. This workshop, painting landscapesand people in landscapes, begins as you watch Mel demo eachmorning in his loose, representational style. He discusses principlesof design & composition & shows you how to capture the essence ofthe subject. With Mel always welcoming questions, the demo is spir-ited with an easy, open dialogue between Mel & the class. Personalattention & 1-on-1 instruction is given while you paint. A critique isgiven at the day’s end of the paintings done that day. Mel is a signa-ture member of AWS, NWS, & was honored with "Master Status"from the Transparent Watercolor Society of America. For over 25years he has conducted workshops around the world. Mel’s work-shops are casual and friendly . . . an enjoyable experience for all.Additional $35 tuition for this workshop.

Though often viewed as intimidating and challenging, painting thefigure can be as approachable as a still life or landscape and bringswith its accomplishment a unique satisfaction and reward. Ted discusses the pitfalls and plusses of painting from photos as well ashow to achieve spontaneity, character and life in your paintings.Class includes daily demos and one-on-one interaction. As heshares his approach to figure and specific techniques he uses tobring excitement to his work, you will find your paintings taking on anew life and will have great fun in the process.Ted Nuttall is a signature member of A.W.S., N.W.S., the

Transparent Watercolor Society of America, Watercolor West andWestern Federation of Watercolor Societies. A quintessential peoplewatcher, Ted has an intuitive ability to capture in his paintings thequiet, underlying character of his subjects. His workshops have benefited many through his personal and insightful instruction.

Pastel Society of America Hall of Fame pastelist, Richard McKinley,demonstrates the techniques and fundamentals necessary to pro-duce a successful location field-sketch painting and how to use vari-ous mixed-media pastel underpainting techniques in the studio toadd excitement to the finished painting. Through individual attention,group critiques, and class discussions you gain a clear understand-ing of the universal basics of painting and the exciting possibilitiespastel has to offer. Having dedicated over forty years to teaching,Richard has a wealth of information to share, is tireless in this pursuitand his intensity, focus and energy are legendary. He feels thatHudson River Valley Art Workshops provides the perfect venue forthe exploration of all that pastel has to offer.Richard McKinely has been a professional working artist for 40

years and has over 38 years of teaching experience. He is a fre-quent contributing editor to the Pastel Journal MagazineAdditional $35 tuition for this workshop.

John MacDonald has made a lifelong study of the landscape: itsmany moods, colors and tones, and varied forms. This class takesstudents through the entire process of painting: from building aneffective composition to working tonality and color and to finishingwith sensitively chosen details. Following a traditional 19th centurypainting process focusing on the landscape, students hone theirobservational skills while coming to a clearer understanding of how asuccessful painting is structured. An emphasis is placed on properseeing -- looking closely at the existing color and tonal relationships -- and on understanding and manipulating what is seen. You will workwith the basic elements of painting, seeing them anew and in waysthat can improve the craft of your painting. Through daily demos andindividual critiques and instruction, you are encouraged to assimilatewhat is learned in class with your existing techniques and artisticvision. The class works both in the studio using photos as reference,and weather permitting, en plein air.

MEL STABIN

Aug. 3 - 9Pushing the Envelope inWatercolor: ExpressYourself

All Levels

5-Day Outdoor/StudioClass

www.MelStabin.com

TED NUTTALL

Sep. 7 - 13Painting the Figure fromPhotographs: Lessons inSeeing and EditingWatercolor

All Levels

5-Day Studio Class

www.TedNuttall.com

visit online: www.artworkshops.com

JOHN MacDONALD

Sep. 21 - 27Landscapes in OilIntermediate/Advanced

5-DayOutdoor/StudioClass

www.JMacDonald.com

Hudson River Valley Art Workshops 2014 Workshop Series

visit online: www.artworkshops.com

Our all-in-one workshop environment is what enhances youroverall experience and makes our program the best valueyou’ll find!

3-Day Weekend Workshop Package(3 class days / 3 nights):

Double occupancy, per person - $804Single occupancy - $912Non-participant roommate - $399 additional

Package includes:Tuition for 3 full days of class, 3 nights of dinner, lodging,breakfast, daily coffee breaks, and welcoming reception.

5-Day Workshop Package (5 class days / 6 nights):Double occupancy, per person - $1342Single occupancy - $1498Non-participant roommate - $732

Package Includes:Tuition for 5 full days of class, 6 nights of dinner, lodging andbreakfast; daily coffee breaks and a welcoming reception.

Tuition Only - Day Students3-day workshops - $405 5-day workshops - $610

Artist’s Retreat - 6 nightsDouble occupancy, per person - $732Single occupancy - $888

Artist’s Retreat - 3 nightsDouble occupancy, per person - $399Single occupancy - $507

A 10% hotel service charge and 8% New York State Sales Taxis added to the lodging and meals only. Sales Tax and service charges are not applied to tuition or model fees.Please Note: Additional tuition fees may apply to some workshops. Also some workshops have additional model fees.These fees are listed in the description of the workshops.Models may be used in other classes and fees will becharged accordingly.

Enrollment. To enroll in the workshop of your choice, use theenrollment form provided. Mail or fax it along with your depositof $395 per person to:

Hudson River Valley Art WorkshopsPO Box 659, Greenville, New York 12083-0659telephone: (518) 966-5219 fax: (518) 966-8754email: info@artworkshops.com

Enrollment forms may also be printed from our website.Enrollment reservations are accepted in the order in whichthey are received. Upon receipt of your deposit, you are senta supply list provided by your instructor, detailed travel infor-mation, and a confirmation/invoice. The remaining balance isdue upon arrival. Payment may be made in American fundsby cash, personal check, or credit card (VISA, MASTERCARDor DISCOVER only). When double occupancy enrollments aremade separately, they are confirmed only when a deposit hasbeen received from both students.

2014 Workshop Lodging Rates & Information

Skip Lawrence is more convinced than ever that what keeps us frommaking our best art, having the most fun, being the most proud of ourwork, is that we are trying to make a good painting while what weshould be doing is just making a painting. Making a painting withouttraditional judgments, rules, & the need for acceptance. History showsus that the great artist are never the followers & always the leaders,those that don’t give a damn about joining the clubs of conformists. For years he has instructed in a traditional workshop format. For

many of his workshops this is appropriate and the best way of sharingideas and techniques and hopefully moving people along to a betterplace with their art. Most of you are well beyond this group instruc-tion. Skip will conduct the workshop as a masters class. This meansyou will have more one on one conversations about your ideas andthe techniques you are going to use to express them. Ideas define thegoal while techniques deliver the goods. Additional $35 tuition for this workshop.

Joseph Bohler show you how to add passion in the process of paint-ing landscapes, buildings, and figures in watercolor. Daily demos arein the morning and daily critiques at the end of the day. You learnbrush control using large brushes on small studies of pines, bushes,snow, water, wind, and reflections. Joseph also covers dry brush andwet-into-wet, using black, using red with greens, perspective, 3” fig-ures for landscapes and more. Individual attention is stressed. Theclass is mostly indoors, but if weather permits, outside a day or two.Joseph Bohler has been painting fine art for over thirty years. In June1991, he was elected by his peers to membership in the NationalAcademy of Western Art (NAWA) and won the Donald TeaqueMemorila Award for 2013. He is a life member of the TransparentWatercolor Society of America, signature member of the AmericanWatercolor Society and the Rocky Mountain National WatermediaSociety.

SKIP LAWRENCE

Sep. 28 - Oct. 4Artistic Exploration

Advanced

5-Day Studio Class

www.SkipLawrence.com

JOE BOHLER

Oct. 5 - 11Watercolor:Painting withPassion

All LevelsOutdoors/Studio

5-Day Class

www.Placesintime.com

Cancellation Policy. Deposits are applied as a pre-paymentof tuition and accommodations. All cancellations must bemade in writing. Prior to 30 days before the start of a workshop, a $75 cancellation fee will be retained for eachcancellation. Transfers to another class prior to 30 days willbe charged a $25 transfer fee. For transfers or cancella-tions with less than 30 days notice, the $395 deposit isnot refundable. We cannot be responsible for issuingrefunds, credits or transfers for classes missed due to illness,emergencies or events beyond our control. If a workshop iscancelled by us, all money will be promptly refunded. Call usbefore enrolling if you have questions about these policies.

Accommodations. Greenville Arms 1889 Inn has 15 uniqueguest rooms. All rooms have private bathrooms and air conditioning. If you require ground floor accommodations,it is important to let us know when you enroll; it may notbe possible to change your room assignment at a later date.All other room requests are considered when possiblebut absolutely cannot be guaranteed. If you plan to comealone, and would like a roommate, let us know and we will tryto match you with one.

Supplies and Equipment. You will be sent a class supply listupon receipt of your enrollment form. It is important that youbring everything you will need for class. A folding stool, a fieldeasel, a sun hat and walking shoes for working outdoors arehighly recommended. Studio easels are provided for indoorclasses. Supplies can be shipped to us ahead of time.

Meals. Served in the charming dining rooms of theGreenville Arms 1889 Inn, meals are a special experience.We strive to provide a delicious, healthful menu. At breakfastyou will have a wide choice from a full menu. At dinner, every-one is served the same 3 course meal, different each night.We can usually accommodate people who have medical orreligious dietary restrictions. Any dietary requests must bemade in writing when you enroll.

Travel Directions. Greenville Arms 1889 Inn is in the villageof Greenville, New York, 13 miles west of the New YorkThruway (I-87), and 25 miles south of Albany on Route 32.Taxi service is available from Amtrak's Hudson train station,15 miles from Greenville. Albany Airport is a regional hubserved by most major airlines. Complete travel directions willbe sent to you with your enrollment confirmation.

2014 Enrollment Form Please print or type clearly

NAME (Mr., Mrs., Ms.) ________________________________________________ Nickname ___________________________ADDRESS _____________________________________________________________________________________________City _______________________________ State _________ Country _______________ Zip __ __ __ __ __ - __ __ __ __ Phone ( ____ ) ________________________ Email Address ______________________@ _____________________________WORKSHOP/ARTIST ___________________________________ Arrival Date____/____/____ Departure Date ____/____/____ o DOUBLE OCCUPANCY, I will be sharing with _______________________________________________________________

Check if o non-student or o fellow student o PLEASE FIND ME A ROOMMATE; I understand that if no roommate can be found, I will be enrolled at the single rate. o SINGLE OCCUPANCY (No roommate) o DAY STUDENT ENCLOSED $395 DEPOSIT per person o Check or Money Order o Visa o Mastercard _____________________________________________________ Card Number Expiration Date _____________________________________________________ Signature Date

Enrollment in a workshop indicates that you have read and understandthe terms of enrollment set forth under “Rates & Information”

Need an extra enrollment form?You can print one from our web site: www.artworkshops.com

2014 ENROLLMENT BONUS DRAWINGEnroll by March 1, 2014 and be included in our prize drawing:

1st prize: Your workshop tuition FREE!2nd prize: A new French Easel! 3rd prize: A $100 gift certificate!

To qualify, your enrollment form and deposit must be postmarked by March 1st. Drawing held March 14th.

Must attend workshop to receive prize.

You may be a winner!

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Your Skill Level. The following descriptions are intended as aguide to class selection:Beginner - student has limited experience in the medium andsubject matter taught and has basic skills.Intermediate - student has knowledge of the basic elements,such as design, value, edges, color, form and texture; has priorexperience working in the medium taught in the class; anddraws well.Advanced - student is confident working in the medium, with ahigh level of competence.

HUDSON RIVER VALLEY ART WORKSHOPSPO Box 659GREENVILLE, NY 12083-0659

First Class Mail

2014 Schedule o

f Workshops

Oil, Pastel

, Water

color,

Collage, a

nd more!