Trout 6

HORT 360: Austin Trout, Lab Fri 1:30Hawaiian Schefflera(Legit paragraph at the end)We find ourselves fighting our way through the entwined trees that guard the temple. Visibility is cut to five feet in the heavy mist with a little humidity; perfect conditions. One of my colleagues, Satipo, extracts a short, native dart from a tree and examines the point gingerly. The Hovitos are near. The poison is still fresh... three days. They're following us, I tell you, Satipo says as he points the dart in my direction.If they knew we were here, they would have killed us already, I answer back. Two of the others in the party jabber in Quechua, near hysteria. Barranca, another colleague, is sweating profusely, eyes darting. He yells at the two in Quechua to "shut up". In the undergrowth, there is slithering movement. One of the workers draws aside a branch and is faced with a horrific stone sculpture of a Chachapoyan demon. The man is so frightened that no sound comes out when he screams. He turns and runs silently away. His friend calls out to him. Getting no response, he steps in that direction. A huge macaw, flushed from the undergrowth, screams and flies away. He does exactly the same thing as his friend, never to be seen again. Satipo, Barranca, and I, just clearing the trees, look in that direction. We all turn to face the Temple. Vegetation curls from every crevice, over each elaborate frieze. The entrance - round, open and black - has been designed to look like open jaws.So this is where Forrestal cashed in, I say.A friend of yours? asks Satipo.Competitor. He was good, very good. No one has ever come out of there alive. Why should we put our faith in you? Barranca asks nervously. I take a feather from the band of my hat, and around its point is a tightly rolled piece of parchment. Barranca and Satipo exchange a quick "So that's where it was!" look. They all kneel as I spread out the parchment. On it is one-half of a crude floorplan of the Temple.No one ever had what we have partners.I fix them with an expectant stare, and soon Satipo produces a similar, but folded, piece of parchment. He lays it- the other half of the floorplan- next to mine. We all take a look at it, then I stand and head towards the temple. Barranca's eyes are shining as they dart between the floorplan and Satipo.Assuming that pillar there marks the corner and I state with my back turned until interrupted. Barranca is suddenly on his feet, quietly drawing his pistol. He raises it towards me as Satipo realizes with alarm what hes doing. Too late, I see Barranca and notice what hes doing. Without hesitation, I raise my hand behind my back to grab the handle of my bullwhip. With the same fluid movement, I coil the whip around Barrancas hand and pistol. He couldnt drop the gun even if he wanted. I give him a short pull to jerk his arm down towards the ground to get the gun pointed away. Barranca feels some slack in the whip and immediately raises the gun back at me, cocking it with his free hand. I sweep my arm in a wide arc causing Barranca to spin around with his gun hand stuck tight against his body. I give one more short jerk on the whip and his gun fires. I quickly turn my attention to Satipo, who is shocked and frightened. He raises his arms as a plea. I knew nothing! He was crazy! Please! he pleads. I look over at him and nod, Lets go. Carrying a torch, we walk up a slightly incline, tubular passage from the main entrance. The interior is wet and dark, hanging with plant life and stalactites. Our echoing footsteps intermittently overpower the sounds of loud dripping, whistling air drafts and scampering clawsI lead the way down a twisting hallway, Satipo's torch barely lighting my way from behind. I begin picking up little pocket-sized artifacts from the niches and ledges of the Temple. His collecting is quick and expert, evaluating the pieces in an instant, discarding some, stuffing others into my clothes, and never stopping my forward progress.We reach an arch in the hall. The small chamber ahead, which interrupts the hall, is brightly lit by a shaft of sunlight from high above. I stop, and look it over.What's wrong? Are you lost? asks Satipo.I pick up a stick and throw it through the shaft of light. Giant spikes spring together from the sides of the chamber with a ferocious CLANG! And impaled on the spikes are the remains of a white man, half-fleshed, half skeleton, in explorer-type grab. I reach out and take hold of the man's carcass. As the spikes slowly retract, I pull it free and seat the remains gently on the floor.Forrestal.Satipo gulps, We can go no further.Now, Satipo, we dont want to be discouraged by every little thing, I answer. I step sideways into the chamber. My back pressed against the very points of the retracted spikes, I move along the edge of the light beam, and step clear on the other side. Satipo grimaces and begins sweating his way through.We make our way down stairs to a tight landing. Framing the entry are carefully strung networks of dead vines, each somehow hooked into the wall, narrowing the opening even more.Let me see that, I say as I grab the torch. I lower the torch to the floor of the landing. The landing is carpeted with human skeletons, one on top of another, all flat as cardboard. Satipo gasps. I look up at the ceiling of the landing, then step onto skeletons, which make a cracking noise under my feet.Try not to touch the vines, I say warning Satipo. We find ourselves in a high, straight hallway 50 feet long. The door at the end is flooded with sunlight, but these arent the conditions Im looking for.Seor, I think we are very close. Let us hurry. There is nothing to fear here, he says impatiently, but I continue to stand still looking at the hall. Thats what scares me. We begin walking down the hall side by side. Satipo has inched a little ahead. Suddenly his lead foot comes down with the floor. As Satipo begins to pitch forward, I grab him by the belt and pull him back. We both look down at the "floor". I swing my whip across the floor. Fifteen feet of it cuts open beneath the lash, falling away to reveal black pit as wide as the hall. The illusory floor was made of dust-covered cobwebs. Satipo picks up a stone and drops it down the pit. No sound. I look up at the high roof of the hall. I swing the whip up around a support beam, tests its strength with a pull and swing over the pit on the whip. From the other side I swing the whip back to Satipo, who throws me the torch. Satipo swings across. When we are both standing on solid floor there is a moment of quiet in which we hear, from far, far below - SPLASH! I wedge the whip handle into the wall and leave it strung to the beam for quick retreat.Were faced with a large, domed room. Ten evenly-spaced skylights send their shafts of sunlight down to a unique tiled floor: white and black tiles laid out in a lovely, intricate pattern. Satipo and I stand at the door and look across the wide room at the altar. There, in the supreme hallowed spot, is a tiny Hawaiian schefflera, my real objective. Two torches, many years old, are in holders by the door. I take one down and light it, and give the regular torch to Satipo.There's plenty of light, amigo. I kneel and use the unlit end of the torch to reach out tap a white tile. It is solid. I tap a black tile, there is a whizzing sound, and a tiny dart sticks in the torch. Satipo points to the wall nearby: there is a recessed hole there.From that hole, yells Satipo. I nod, stand and look around the sanctuary. The entire room is honey-comed with the same kind of hole. Satipo sees it too and is properly impressed.You wait here, I tell Satipo. If you insist, seor. Torch in hand, I begin my careful walk across the sanctuary, stepping only on the white tiles. Before each big move I wave the torch in front of me head to toe, looking at the flame. Halfway out, I see something on the floor and kneel to look at it. A dead bird lies on one of the white tiles. Its body is riddled with little deadly darts. This, of course, raises my concern. I wave the torch ahead of me at waist height, and air current whips at the flame. I duck under it and leave a burn mark on the white tile beneath it.Satipo watches, wide-eyed and mystified.I finally reach the altar. The tiny Hawaiian schefflera looks both fierce and beautiful as it rests on a pedestal of polished stone. I look the whole set-up over very carefully. It appears to be tampered with from the original owner; whoever that might be. The head has been decapitated and new growth is forming, but it has stayed small, only about six inches in height. The light that cascades from above has kept it in pristine condition with what appears to be only a few hours of direct light. Luckily, no spider mites or aphids appear to have infested the plant either; Ill need to keep it that way. Somebody put great time into keeping this watered properly as well; not too moist, not too dry. From my jacket I take a small, canvas drawstring bad. I begin filling it with dirt from around the case of the altar. When I have created a weight that I think approximates the weight of the plant, I bounce it a couple times in my palm concentrating. It's clear that I want to replace the plant with bag as smoothly as possible. I take a breath and loosen my shoulder muscles. Now I set myself again, and I make the switch. The plant is now in my hand, the bag on the pedestal. For a long moment it sits there, and then the polished stone beneath the bag drops five inches. This sets off a chain reaction of steadily increasing volume as some huge mechanism rumbles into action deep in the temple. I spin and start my maneuvering back across the sanctuary at four times the speed. Satipo's eyes widen in terror, and he turns and runs. The sanctuary has begun to rumble and shake in response to the mysterious mechanism. Just as I head out the door, a rock shakes loose from the wall and rolls onto the tile floor. Immediately, a noisy torrent of poison darts fills the room.Satipo swings across the pit. He makes it just as the whip comes undone from the beam, leaving me without an escape. Satipo, extremely nervous, regards the whip a moment then turns back to face me, where I have run up to the far side of the pit.No time to argue. Throw me the plant, throw you the whip! yells Satipo. I hesitate, eyeing the rumbling walls.You have no choice! Hurry! I think about the conundrum that Im in, and I toss the plant across the pit to Satipo. Satipo cradles the base tightly, gives me a look, then drops the whip on the floor and runs.Adios, amigo!I had a feeling that might happen, I think to myself with a grimace on my face. I check out the rest of my surroundings. I run in full stride to the edge of the pit, and try to broad jump over the pit, but I dont make it. My body hits the far side of the pit, and I begin to slide down. Only wild clawing with my fingers at the edge of the pit stops my descent. With just the tips of my fingers over the edge, I begin pulling myself up. As I raise myself, whip in hand, I hear, from above the giant spikes of the chamber of light, CLANG, and an abrupt, sickening noise from Satipo. I run up the steps, and I can hear the rumbling sound grows louder, so I slide to a stop. The spikes have retracted, taking Satipo's body to one side. I edge into the chamber with my back to the shaft of light. Soon I am face to face with dead Satipo; spikes protrude from several vital spots in the mans body. I remove the plant from Satipo's grip and move quickly out the other side.Adios.I shoot out of a cut-off hallway and turn towards the exit. The rumbling is very loud and now we see why: right behind me is a huge boulder roaring around a corner of the passage, perfectly form-fitted to the passageway. It obliterates everything before it, sending the stalactites shooting ahead like missiles. I dash for the light of exit. My hat flies off my head during the whole ordeal. Almost immediately it is crushed by the boulder. I dive out the end of the passage as the boulder slams to a perfect fit at the entrance, sealing the Temple.I lie on the ground, grasping for air. A shadow falls across me and I peer up. Looming above me are three figures. Two are Hovitos Warriors in full battle paint and loin cloths, and theyre carrying long blow guns, but the man in the center draws my attention the most. He is a tall, impressive white man, dressed in full safari outfit including pith helmet. His name is Emile Belloq. His face is thin, powerful; his eyes hypnotic; his smile charming, yet lethal. His heavily French-accented speech is deep, mellifluous, and wonderful. Back beyond Belloq and his two escorts, thirty more Hovitos Warriors hover at the edge of the trees.Dr. Trout, you choose the wrong friends. This time it will cost you, Belloq says with a grin on his face, extending his hand. I look at it, then produce the plant and hand it to Belloq. Belloq extends his other hand, smiling. I also hand over my gun, and Belloq sticks it in his jacket.And you thought Id given up.Too bad they dont know you like I do Belloq, I respond. Belloq smiles, Yes, too bad. You could warn them...if only you spoke Hovitos. No worries though, I have great plans for this.With that, Belloq turns dramatically and holds the plant high for all the Hovitos to see and says something in Hovitos. There is a murmur of recognition and all the Indians, including Belloq's escorts, place themselves upon the ground, heads down. Immediately Im up and running toward the edge of the clearing. Kill him!

tl;dr: The plant I received was a Hawaiian schefflera, and it was in healthy condition with the main head cut off. In the long run Im ok with this because I wanted to keep my house plant short, but I wouldve been kind of disappointed otherwise. Once I got it back to my apartment, I placed it on the west side where it receives about two hours of direct sunlight. One issue is that another apartment building blocks a good portion of the direct light, so I believe it would be better if I had the option for more light, but luckily multiple growths have appeared on the nodes and its continuing to grow. One observation I have made is that some of the leaves are underdeveloped and/or white sections on it. Possible diseases that can occur are: leaf blight and leaf spot, and pests include: spider mites, aphids, and mealy bugs, but I have not had any of these issues (Info from HousePlant411). I water my plant roughly every week with filtered water, but I generally base it on letting the soil dry a little bit before re-watering it. For the past couple of weeks, I have been using a fertilizer with a ratio of 24-8-16 that way it has a larger nitrogen count, promoting the growth of leaves, and a higher potassium count to promote overall plant and root growth and healthiness. Long term, I believe Im going to cut the brain off once more if there isnt any development on the lower nodes because Id like to make a bonsai tree out it, and as long as I keep up on watering efficiently, keeping an eye out for diseases and pests, an making sure its getting the correct amount of sunlight it will continue to grow and live happily.