hindu-islamic- mughal architecture- copy.pptx

8/19/2019 Hindu-islamic- Mughal Architecture- copy.pptx

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SESSION-02HINDU – ISLAMIC STYLESMUGHAL ARCHITECTURE

BY

CHRISTOPHER ABHILASH

HISTORY OF ARCHITECTURE LECTURE, SEM-IVKMEA-COA- JANUARY 25 TH ,2016


2/27

HISTORIC BACKGROUND

THE EXTENT OF THE MUGHAL EMPIRE(13TH-16TH CENTURIES)


3/27

THE EMPERORS AND THEIRARCHITECTURAL STYLES


4/27

01- AKBAR – ARCHITECTURALINCLINATION

•A!"#$%' ()* +*$%(#&) $%$ #.$!)*$%/'&) #.$+$ % %'(/ !&/*&)"3

• T.&" (" (4.&$$* #.%!. #.$ !"$ /4(//' ((&/(/$ !&/*&) +(#$%&(/"3

•N$$% 4++()*$* .&" (%#&"()" #(*.$%$ # ( "#'/$ 4)"4&!"/'%$%$"$)#&) ( "&)/$ %$/&&)3

•N$$% %+#$* ( R$&)(/ S#'/$ &)(%4.$4#!%$3

•E7$%4&"$* "#%&4# 4)#%/ $%$7$)*!%$3

• T.&" 4%$%&) "!%%$* (%#&"#" # $$)+%$ ".&"#&4(#$* .$&.#"3


5/27

PUBLIC –AN EXAMPLE OFCHEHEL SOTUN PLANNING

HUMAYUN’S TOMB - DELHI

T.$ P$%"&() Chehel Sotun "#'/$ "$ /())&)

H!+('!)8" #+ 4+/$7, D$/.& &/())%7(44%*&) # #.$ ' #.$ Chehel Sotun "#'/$

T+

G(%*$)

L)(#$%*'

P(&//&)

L)/

C.(%- B(.9(%*$):


6/27

MUGHAL GARDENS – FEATURES

•M!.(/ (%*$)" $%$ 4)4$&$* ("$&) (%# ( %()* "'++$#%&4(/(%%()$+$)#3

•O%()&;$* )(#!%(/ $/$+$)#" .&) (%$(#$% 4.())$/" !)4#!(#$* 'F!)#(&)" (# %$!/(% &)#$%(/"3

•R" ?$%" %*$%&) #.$ /()".&) "@!(%$ @!(*%()/$"3


7/27

TOMB- ONE OF THE FIRST EXAMPLES OF HASHT BEHISHTPLANNING TECHNI!UE IN ISLAMIC ARCHITECTURE

HUMAYUN"S TOMB - DELHI

T.$ /() H!+('!)8" T+,D$/.&


8/27

CHARACTER OF THE PERSIAN INSPIREDELE#ATION

HUMAYUN"S TOMB - DELHI

13B/*/' *&"/('$* ("# ?(# "!%(4$"3

23D$$ (%4(*$" .&4. (%$ ".(*$*3

3C.(+$%$* $*$" #.$ 4!$" (##.$ 4%)$%"3

3P/(&) !/!" *+$"

53A%4.$* "#'/(#$ "!%#&) #.$$*&


9/27

AKBAR MO#ES HIS CAPITAL TO FATEHPURSIKRI$ AGRA

SHEIKH SALIM CHISHTI AND AKBAR

13A=(% &) .&" *$"&%$ % () .$&%&"$* #.$ 4($ Sheikh SalimChishti3

23H$ %$*&4#$* #.$ &%#. .&" #.%$$")"3

3A# #.$ "(+$ #&+$ .$ (" %&*&) (4%$"# #%&!+." &) #.$ (%" &)G!(%(# ()* R(("#.()3

3A=(% (" 4)&)4$* ' #.$"$4+&)$* &)4&*$)4$" #.(# Sikhri Hill!/* $ () (!"&4&!" "$ % ( )$4((/3

53A=(% "$# (!# /())&) ()*!&/*&) #.$ 4' ()* .&) ( *$4(*$#%()"%+$* #.$ .&// &)# (%$"/$)*$)# )$ 4((/3

The Construction of Fatehpur-Sikri Design by Tulsithe Elder


10/27

CITIES- MUGHAL URBAN DESIGNFATEHPUR SIKRI- AGRA

(: D$/.& G(#$

9 # .: (#$" &) #) (//"

& ()* &)"$# : H(#.& /

: C(%(() "$%(&

=: H&%() M&)"(%

/: P(/(4$+: B(*".(.& M("&*

Fatehpur sikri- "$ /()


11/27

SITE PLANNING CONCEPTSFATEHPUR SIKRI- AGRA13 T.$ 4+/$7 "#()*" ) ( %&*$ ()* #.$ 4' &"

$)4/"$* ' () $+(##/$+$)# ) #.%$$ "&*$" ()*

) #.$ !%#. "&*$ ' ( ("# (%#&


12/27

SPATIAL ORGANI%ATION PRINCIPLESFATEHPUR SIKRI- AGRA

1& L'* *+,./* S',*/- #.$%$ (%$ /(%$%$)4/"$* !/&4 ()* "$+&- !/&4 "(4$" .&4., (##&+$" .($ !&/*&)" !7#("$* .&) #.$$)4/"$* "(4$3

23 E2*+' S',*/ .4 B5+/ – #.$%$ (%$#."$ "(4$" .&4. (%$ $7#$%)( # !&/*&)" , '$#&$ ( "$)"$ $&) $)4/"$* &) # #.$+())$% &) .&4. "#%!4#!%$" (%$ *&""$* (%!)*#.$+3 T.$"$ !&/*&)" (%$ 4(/ &)#" % "+$

&+%#()# !)4#&)" &) $(4.33& I+*+' O*+ S',*/- #.$%$ (%$ &)#$%)(/ $)

"(4$" . ( .&.$% *$%$$ %&(4' (##(4.$*# #.$+3

S'' S*75*+,+- )$ &)#$%$"#&) ("$4# "(#&(/ "$@!$)4&) (# (#$.!% "&=%& &" transition.

A# #&+$" #.$%$ (%$ $%' *$


13/27

CONSTRUCTION TECHNI!UESFATEHPUR SIKRI- AGRA1& A//*89* /5,5*/- S&)4$ #.$ +$#.*"

4)"#%!4#&) $%$ (+&/&(% # #.$ !&/*$%","$4&(/&"$* $+" 4!/* $ %*!4$* %+ !#"&*$()* (""$+/$* ) "$3 T.$%$%$ #.$"!$%"#%!4#!%$ &" ( 4+&)(#&) #.$ #%(*&)(/"# ()* /&)#$/ ,(%4.$* ()* %&$* (!/# "'"#$+"3

:& #'*; + ..


14/27

ARCHITECTURAL CHARACTERFATEHPUR SIKRI- AGRA


15/27

PUBLIC BUILDINGS- RE#I#AL OF INDIGENOUSFORMS

DIAN-I- KHAS AAM - FATEHPUR SIKRI

13S&+/$ #%$(#+$)# $7#$%&%"!%(4$"

23M*$"#/' /())$* 4!&4 /!+$

3C(%$* &//(% (# #.$ 4$)#$% #.$%+ .&4. +!".%+" &)# ( 4((/+(*$ (&)( (!/#$* %(4=$#" #"!%# ( 4&%4!/(% #)$ /(#%+ 3

3F%+ #.&" /(#%+ !% (%$(/%&*$" %(*&(#$ # #.$ !% 4%)$%" #.$ %+ # 4))$4# #.$ .()&)(/4)&$"3

53T.$ "#%!4#!%$ &" &)"&%$* %+

(+&/&(% B!**.&"# ()* H&)*! &+($%'– Diine Figure Seated "n # $otusColumn!

D&()-&–=.(" I)#$%&%

D&()-&– A(+ E7#$%&%


16/27

ROYAL #ILLAS – DON-TO-EARTH$ UTILITARIANMODEST ROYAL ABODES

ODHA BAI MAHAL$ PANCH MAHAL$ BIRBAL’S HOUSE$ MARIAM"S

HOUSE $ KHAB GAH - FATEHPUR SIKRI13C)$)#&)(/ (%%()$+$)# ("$%&$" (/(4$" ()* %+" &) #?%" 3

23A##(4.$* %#&4" ) #.$ %!)*?%3

3U$% ?% %" $4+$ $), (&%'#$%%(4$"3

3U$% "#%$'" *&+&)&". %+ #.$N%#.$%) ()* $"#$%) "&*$"3

53E("#$%) ()* S!#.$%) (4(*$" %&"$$%#&4(/' ! # 4!/+&)(#$ &) ( 4()'"!%#$* ' ( 4/))(*$3

63C/&) S'"#$+" ) #.$ ?% %(#$% # ? $%$ %&*$*3

M(%&(+" .!"$ B&%(/8" H!"$

P()4. M(.(/ K.( G(.

J*.( B(& M(.(/


17/27

MOS!UES– THE ONLY BUILDINGS TO FOLLOCON#ENTIONAL BUILDING STYLE&

AMI - MASID - FATEHPUR SIKRI

13T.$ /(%$"# +"@!$ &) I)*&(3

23 4$)#%(/ (%4.$* %)#&"&$4$ .&4..&*$" #.$ *+$ $.&)* 9T!./(@

T%(*&):3

3C$)#%(/ %(+$* (%4. &" 4+/$#$/'!# %%#&) . #.$ / "/!)

&*$ &)"3

3T+ S(/&+ C.&"#& (" /(#$% !&/#' $.()&%3

53A#$% "$&;&) #.$ &%#!(//'&+%$)(/$ R()(#.(+% %#,A=(% *$4&*$* # 4++$+%(#$ .&"

4)@!$"#" ' (**&) ( +(""&$(#$(' #.$ (+!" %ulandDar&a'a!

L$$)*

13 B!/()* *(%((23 P%('$% %+ F%&*(' M"@!$3 T+ S(/&+ C.&"#&

3 /"(+ K.() M(!"/$(+53 B(*".(.& D(%((

J(+& - +("&* - F(#$.!% S&=%&3


18/27

#ICTORY ARCH – TRANSITION FROM AESOMEMONUMENTALITY TO A HUMBLE ANDSHELTERED PASSAGEAY&

AMI - MASID - FATEHPUR SIKRI13T.$ %/$+ (# .()* (" #+$()&)!//' &)"#(// () $)&) +*$"# "&;$ .&) ( %(+$ &)#$)#&)(//' &++$)"$ %%#&)"()* '$# +(&)#(&)&) ( ?!&*%$/(#&)".& $#$$) #.$ & *+$

($ ()* #.$ #&)' +() $/323T= ( 4!$ %+ #.$ S!#. I)*&()(opurams!

3H&. (%4. #.$ ((*$ &" (4=$*' ( "4(//$* "$+& *+$* %#(/3

3T "#%$'$* %" (%4.$" ()*

(/4)&$" "$# &) $)#()(/ (".&)(# #.$ ("$3

53T.$ "&*$" #.$ %)#&"&$4$ (%$4.(+$%$*3

63S(%&) #.&) +&)(%$#"3

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B!/!)* D(%(;( - F%)# E/$(#&)

B!/!)* D(%(;( – R$(%"&*$ A)*


19/27

0:- EHANGIR – ARCHITECTURALINCLINATION

•>(" ) %$(# (#%) !&/*&) (%#"3

•!(%#$% 4$)#!%' I)*/$)# ()*+$(%$ (%4.$4#!%(/ %*!4#&)%$(&/$* !)*$% .&" %!/$3

•H$ .(* ( =$$)$% &)4/&)(#&) #(%*"( "4&$)#&


20/27

TOMB – THE REFINEMENT OF THE FORMALMUGHAL GARDENSDAL$ ACHABAL$ #ERINAG$ SHALIMAR -

KASHMIR 13P/" (#$% %$/(4$* '4("4(*$" ()* ?&) 4.())$/"3

23F/($* (/=('" *&&*&) ?(#%$4#()!/(% (%*$) (%$("3

3S(4$" $%$ .$) . &) /&)$(%(".&) 4.&)(% #%$$"3

3F/$% $*" /()#$* &) /&)$(%(##$%) (/) #.$ 4.())$//$* (#." ?&) (#$%3

53A# "#%(#$&4 &)#" /$$/ 4.()$-"#)$ (&/&)" /(47= "#)$ $%$$%$4#$*3

S.(/&+(% B(. ,-


21/27

GARDENS – THE EXTRA#AGAN%A OF MARBLETOMB OF GHIYA% BEG (ITMAD-UD-DAULA)-

AGRA

+!*urjahan’s (##$+# (# !&/*&) (+$+%&(/ % .$% (#.$%3

23E7#%((();( +(%/$ .$%+()$)# %$4&!" 4/!%$* "#%$"!"$* % *$4%(#&)3

3P/() &" ( 21+721+ "@!(%$

"#%!4#!%$3

3O4#()(/ +&)(%$#" (# #.$ !%4%)$%"3

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63U)4$%#(&)' ()* !# %%#&)$/$+$)#" "$$+ # $ #.$ .(//+(%= #.&" !&/*&)

3D&"%()&;$* (/&$* *$4%(#&) '4/#.&) #.$ +)!+$)# &) #.$


22/27

03- SHAHAHAN –ARCHITECTURAL INCLINATION

•S.(.(.() (" ( P%/&


23/27

PUBLIC BUILDINGS- THE DE#ELOPMENT OF A#OCABULARY IN MARBLE

DIAN-I-AM- AGRA FORT 1& T=* . */'+/ ,'* 9; S='=>'='+-

•. E$%' "@!(%$ &)4. +(%/$ )$$* )# $ !""$*()* %$##$* .3 >.$%$$% ( /("#&4 @!(/' .("$$) &+(%#$* # #.$ +(%/$ ' 4(%&) – #.$(%$( .(* # $ /$# (" &"3

•. >.(#$$% %)(+$)#(#&) (" (/&$* # #.$!&/*&)9 $$) (" &$#%(-*!%(: (" # $ &)4)")()4$ )# )/' . #.$ (%4.$4#!%(/&)#$)# #.$ !&/*&) !# (/" # .&./&.# #.$

"#%!4#!%(/ @!(/' #.$ !&/*&)3

:& A 9''+,* 9***+ '* ' '+',=*,5* '/ =5/ ',=** 9; 8'@+*,.'.+ /59/**+ . =* ',=*,5'+*+

3& D*,.'*; *+,=+ ',=*,5* =.5==* '..+ .4 =+5 *,=+75*/ -R$$(#&)+&)&(#!%$ $%"&)" #.$ +(&) "#%!4#!%(/ $/$+$)#3

?& A,=*+ .58*, /*+/5.5/+*//- A*#$*#.$ #'&4(/ %angaldar % &)# #.$ M(%/$ &*&+3

%angaldar D&()-&-(+- A%( F%#

D&()-&-(+- A%( F%#


24/27

TOMBS - THE COMPLETE ARCHITECTURALEXPERIENCE

TA MAHAL- AGRA


25/27

0?- AURANGA%EB –ARCHITECTURAL INCLINATION

•A!%()(;$ (" ( *&$.(%* %$/&&!"()(#&43

•N +!"&4 (" .$(%* &) .&" %#.*7#.$4%(#&4 4!%#, ) $#%' ("%$4$* ()* ) (&)#&)" +(*$3

•R(&* *$4/&)$ &) #.$ "#()*(%*"

(%4.$4#!%$ (%$ ( .(//+(%= A!%()(;$8" %!/$3


26/27

TOMBS - THE DECLINE AND DEATH OFMUGHAL ARCHITECTURE

TOMB OF RABIA DURRANI- AURANGABAD

•N %&&)(/ %*!4#&) 4!/* $$7$4#$* !)*$% #.$ 4)*&)"4%$(#$* ' A!%()(;$3

•B!&/*$%" &)#$)#&) (" +$%$/' #%$%*!4$ ( "+(//$% %$/&4( #.$ T(3

•E(4. ()* $$%' *$"&) $/$+$)#

#.$ #( (" (" (*#$* in toto!

3


27/27

F&)3C.%&"816

hindu-islamic- mughal architecture- copy.pptx

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