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Lecture Series ERRANS, in Time – Monday, 15 May 2017, 19:30, in English ICI Berlin | Christinenstraße 18/19, Haus 8 | D – 10119 Berlin | U – Bhf. Senefelder Platz (U2) | +49 (0)30 473 72 91 10 | www.ici–berlin.org Francesco Casetti Media Anachronism Media landscapes are far from homogeneous. Media diverge not only because they perform diverse functions and elicit different practices, but also because they recall distinct stages in media history. ‘Obsolete’ media – destined for the dump or the museum – continue to be used and held onto. But how does the past speak to the present? e lecture will challen- ge the idea of memory and illustrate its role in today’s cultural practices through a radical re- reading of a selection of ‘primal scenes’ oſten recalled by film theory when it focuses on the origins of screens and screened images: the myth of Perseus and the Gorgons, the legend of Butades’ daughter and the origin of portrai- ture, the chronicle of Brunelleschi’s invention of perspective. e suggested readings of a number of well-known episodes are designed to retrace the main operations ‘adapting’ old media to new assemblages. e lecture will draw some final and critical considerations about the concepts of ‘propensity’ and ‘dispo- sition’ central to accounts of media evolution. Francesco Casei is the omas E. Don- nelley Professor of Humanities and Film and Media Studies at Yale University. Among his books, Eye of the Century: Film, Experience, Modernity (2005) analyses the reasons why cinema became the art of the 20th century, and e Lumière Galaxy: Seven Key words for the Cinema to Come (2015) depicts the recon- figuration of cinema in a post-medium epoch. He currently works on the fears cinema raised in the first decades of its life and on the incre- asing interdependence of media and environ- ment. ICI Lecture Series ERNS, in Time Conceptions of time and temporal experience seem more at odds now than ever. Hamlet’s hunch that ‘the time is out of joint’ has turned into an evergreen of critical discourse. Admit- tedly, ideas of physical, social, revolutionary time, internal time consciousness, or histori- cal experience are far from seled in their res- pective discourses and practices. Yet aempts to harmonize or correlate the understanding of time and temporal phenomena generated in different disciplines all-too quickly – and largely with violent effect – resort to norma- tive, if not teleological ideas of progress, effici- ency, narrative sense-making, or experiential plenitude. e ICI’s current Lecture Series ERNS, in Time asks whether the hetero- geneous relations between discordant con- ceptions of time and temporality can be un- derstood as being ‘erratically’ structured, that is, as marked by inherent misapprehensions, a dissonance that defies regulation, and an un- expected variability.

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Lecture Series ERRANS, in Time – Monday, 15 May 2017, 19:30, in English

ICI Berlin | Christinenstraße 18/19, Haus 8 | D – 10119 Berlin | U – Bhf. Senefelder Platz (U2) | +49 (0)30 473 72 91 10 | www.ici–berlin.org

Francesco CasettiMedia Anachronism

Media landscapes are far from homogeneous. Media diverge not only because they perform diverse functions and elicit different practices, but also because they recall distinct stages in media history. ‘Obsolete’ media – destined for the dump or the museum – continue to be used and held onto. But how does the past speak to the present? The lecture will challen-ge the idea of memory and illustrate its role in today’s cultural practices through a radical re-reading of a selection of ‘primal scenes’ often recalled by film theory when it focuses on the origins of screens and screened images: the myth of Perseus and the Gorgons, the legend of Butades’ daughter and the origin of portrai-ture, the chronicle of Brunelleschi’s invention of perspective. The suggested readings of a number of well-known episodes are designed to retrace the main operations ‘adapting’ old media to new assemblages. The lecture will draw some final and critical considerations about the concepts of ‘propensity’ and ‘dispo-sition’ central to accounts of media evolution.

Francesco Casetti  is the Thomas E. Don-nelley Professor of Humanities and Film and Media Studies at Yale University. Among his books, Eye of the Century: Film, Experience, Modernity (2005) analyses the reasons why cinema became the art of the 20th century, and The Lumière Galaxy: Seven Key words for the Cinema to Come (2015) depicts the recon-figuration of cinema in a post-medium epoch. He currently works on the fears cinema raised in the first decades of its life and on the incre-asing interdependence of media and environ-ment.

ICI Lecture Series ERRANS, in Time Conceptions of time and temporal experience seem more at odds now than ever. Hamlet’s hunch that ‘the time is out of joint’ has turned into an evergreen of critical discourse. Admit-tedly, ideas of physical, social, revolutionary time, internal time consciousness, or histori-cal experience are far from settled in their res-pective discourses and practices. Yet attempts to harmonize or correlate the understanding of time and temporal phenomena generated in different disciplines all-too quickly – and largely with violent effect – resort to norma-tive, if not teleological ideas of progress, effici-ency, narrative sense-making, or experiential plenitude. The ICI’s current Lecture Series ERRANS, in Time asks whether the hetero-geneous relations between discordant con-ceptions of time and temporality can be un-derstood as being ‘erratically’ structured, that is, as marked by inherent misapprehensions, a dissonance that defies regulation, and an un-expected variability.