fra angelico (about 1400‐1455) angelico_.pdffra angelico (about 1400‐1455) in today’s society,...

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Fra Angelico Copyright to all intellectual property, articles, images, text, projects, lessons and exercises within this document belong to Diane Cardaci and may not be reproduced or used for any commercial purposes whatsoever without the written permission of Diane Cardaci. Website: www.dianecardaci.com E‐mail: [email protected] 1 Fra Angelico (about 1400‐1455) In today’s society, we frequently see artists, musicians, and actors reaching for sensationalism and shocking morality to attract people to their art. The 15 th century master artist, Fra Angelico, instead gives us another model—while practicing his craft, he remained so pious that people changed his name from “Fra Giovanni” to “Beato Angelico” (“Blessed” “Angelic”). Museum Tour We will be taking a virtual tour of Fra Angelico’s most famous works. When you are connected to the Internet, click on the buttons and you will be brought to websites where you can find additional images and information on the artist. To get the greatest benefit of this tour, take a sketchpad in hand and draw from Fra Angelico’s paintings, also taking notes of any thoughts or impressions that you may have. If drawing is not something you are comfortable with, just enjoy the pictures, absorbing the colors, forms and design. Clues: 1. Cortona 2. Famous painter in 15 th century Tuscany 3. Dominican Friar 4. Illuminated Manuscripts 5. Painted Altarpieces 6. Patron of Catholic Artists

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Page 1: Fra Angelico (about 1400‐1455) Angelico_.pdfFra Angelico (about 1400‐1455) In today’s society, we frequently see artists, musicians, and actors reaching for sensationalism and

FraAngelico

Copyrighttoallintellectualproperty,articles,images,text,projects,lessonsandexerciseswithinthisdocumentbelongtoDianeCardaciandmaynotbereproducedorusedforanycommercialpurposeswhatsoeverwithoutthewrittenpermissionofDianeCardaci. Website:www.dianecardaci.comE‐mail:[email protected]

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FraAngelico(about1400‐1455)

In today’s society, we frequently see artists, musicians, and actors reaching forsensationalismandshockingmoralitytoattractpeopletotheirart.The15thcenturymaster artist, Fra Angelico, instead gives us anothermodel—while practicing hiscraft, he remained so pious that people changedhis name from “FraGiovanni” to“BeatoAngelico”(“Blessed”“Angelic”).

MuseumTourWewillbetakingavirtual tourofFraAngelico’smost famousworks.Whenyouareconnected to the Internet, click on the buttons and youwill be brought towebsiteswhere you can find additional images and information on the artist. To get thegreatestbenefitof this tour, takeasketchpad inhandanddrawfromFraAngelico’spaintings, also taking notes of any thoughts or impressions that you may have. Ifdrawingisnotsomethingyouarecomfortablewith,justenjoythepictures,absorbingthecolors,formsanddesign.

Clues:1.Cortona2.Famouspainterin15thcenturyTuscany3.DominicanFriar4.IlluminatedManuscripts5.PaintedAltarpieces6.PatronofCatholicArtists

Page 2: Fra Angelico (about 1400‐1455) Angelico_.pdfFra Angelico (about 1400‐1455) In today’s society, we frequently see artists, musicians, and actors reaching for sensationalism and

FraAngelico

Copyrighttoallintellectualproperty,articles,images,text,projects,lessonsandexerciseswithinthisdocumentbelongtoDianeCardaciandmaynotbereproducedorusedforanycommercialpurposeswhatsoeverwithoutthewrittenpermissionofDianeCardaci. Website:www.dianecardaci.comE‐mail:[email protected]

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SanDomenicoAltarpiece(1423‐24)FraAngelicopaintedthisAltarpiece (clue#5)early inhiscareer.FraAngelicohadbeenapainterof illuminatedmanuscripts (clue#4), and in thisaltarpieceyoucansee some of the typical characteristics of theseminiature illustrations: decorativelines, luminous colors, and the use of gold. Also, the figures in the illuminatedmanuscripts did not have a strong sense of three‐dimensionalform. For an online tour of an exquisitely illuminatedmanuscript,clickonthelink.

Page 3: Fra Angelico (about 1400‐1455) Angelico_.pdfFra Angelico (about 1400‐1455) In today’s society, we frequently see artists, musicians, and actors reaching for sensationalism and

FraAngelico

Copyrighttoallintellectualproperty,articles,images,text,projects,lessonsandexerciseswithinthisdocumentbelongtoDianeCardaciandmaynotbereproducedorusedforanycommercialpurposeswhatsoeverwithoutthewrittenpermissionofDianeCardaci. Website:www.dianecardaci.comE‐mail:[email protected]

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DescentFromtheCross(1434)AroundthetimethatFraAngelicopaintedthisaltarpiece,hewasalreadyoneofthemostfamouspaintersin15thcenturyTuscany(clue#2).Inthesepanels,youcanseethatthisartist integratedarecedinglandscapeintothecompositionofthefigures.ThiswasamajorstepforwardinthedevelopmentoftheRenaissancestyle,andinfactmanyarthistorians feel this is the first time it hadbeendone successfully inItaly.

Page 4: Fra Angelico (about 1400‐1455) Angelico_.pdfFra Angelico (about 1400‐1455) In today’s society, we frequently see artists, musicians, and actors reaching for sensationalism and

FraAngelico

Copyrighttoallintellectualproperty,articles,images,text,projects,lessonsandexerciseswithinthisdocumentbelongtoDianeCardaciandmaynotbereproducedorusedforanycommercialpurposeswhatsoeverwithoutthewrittenpermissionofDianeCardaci. Website:www.dianecardaci.comE‐mail:[email protected]

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TheAnnunciation(1433‐34)FraAngelicocompletedseveralpaintingsoftheAnnunciation.OnebeautifulversioncanbefoundinCortona(clue#1),attheMuseoDiocesano.Thepainter/friarexhibitsin this altarpiece his knowledge of the “new theories” of perspective with hisrealisticrenderingoftheportico.

Page 5: Fra Angelico (about 1400‐1455) Angelico_.pdfFra Angelico (about 1400‐1455) In today’s society, we frequently see artists, musicians, and actors reaching for sensationalism and

FraAngelico

Copyrighttoallintellectualproperty,articles,images,text,projects,lessonsandexerciseswithinthisdocumentbelongtoDianeCardaciandmaynotbereproducedorusedforanycommercialpurposeswhatsoeverwithoutthewrittenpermissionofDianeCardaci. Website:www.dianecardaci.comE‐mail:[email protected]

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SanMarco,Florence(1436–1445)Fra Angelico, being aDominican friar (clue #3), took residence at the DominicancloisterofSanMarcoinFlorenceduringtheyears1436‐1445.Herehedecoratedthewalls of the cells of the friars so that they would have inspiration for theirmeditationsandprayer.Belowaresomeofthepaintingsinthecells—ifyouwouldliketoseeadditionalones,youcanclickonthelinktotheright.

NoliMeTangere(Cell1)

Page 6: Fra Angelico (about 1400‐1455) Angelico_.pdfFra Angelico (about 1400‐1455) In today’s society, we frequently see artists, musicians, and actors reaching for sensationalism and

FraAngelico

Copyrighttoallintellectualproperty,articles,images,text,projects,lessonsandexerciseswithinthisdocumentbelongtoDianeCardaciandmaynotbereproducedorusedforanycommercialpurposeswhatsoeverwithoutthewrittenpermissionofDianeCardaci. Website:www.dianecardaci.comE‐mail:[email protected]

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PresentationofJesusintheTemple(Cell10)

Page 7: Fra Angelico (about 1400‐1455) Angelico_.pdfFra Angelico (about 1400‐1455) In today’s society, we frequently see artists, musicians, and actors reaching for sensationalism and

FraAngelico

Copyrighttoallintellectualproperty,articles,images,text,projects,lessonsandexerciseswithinthisdocumentbelongtoDianeCardaciandmaynotbereproducedorusedforanycommercialpurposeswhatsoeverwithoutthewrittenpermissionofDianeCardaci. Website:www.dianecardaci.comE‐mail:[email protected]

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InstitutionoftheEucharist(Cell35)

Page 8: Fra Angelico (about 1400‐1455) Angelico_.pdfFra Angelico (about 1400‐1455) In today’s society, we frequently see artists, musicians, and actors reaching for sensationalism and

FraAngelico

Copyrighttoallintellectualproperty,articles,images,text,projects,lessonsandexerciseswithinthisdocumentbelongtoDianeCardaciandmaynotbereproducedorusedforanycommercialpurposeswhatsoeverwithoutthewrittenpermissionofDianeCardaci. Website:www.dianecardaci.comE‐mail:[email protected]

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SanMarcoAltarpiece(1438‐1443)In this panel, Fra Angelico once again shows his skill at including a landscapebackground.Inaddition,thecompositionshowsawonderfulandstablesymmetry.There isa strongsenseof space in frontof the throne, createdby theperspectivelinesofthefloor.Thecurtainsattheupperrightandleftcornersalsohelpincreasethissenseofspace.AnothernewdevelopmentinthispaintingisthattheangelsandtheVirginaregroupedtogetherinthecomposition.Thiscompositionaltechniqueiscalled“SacredConversations”andwasusedfrequentlyintheRenaissancebyotherartists,suchasRaphael.

Page 9: Fra Angelico (about 1400‐1455) Angelico_.pdfFra Angelico (about 1400‐1455) In today’s society, we frequently see artists, musicians, and actors reaching for sensationalism and

FraAngelico

Copyrighttoallintellectualproperty,articles,images,text,projects,lessonsandexerciseswithinthisdocumentbelongtoDianeCardaciandmaynotbereproducedorusedforanycommercialpurposeswhatsoeverwithoutthewrittenpermissionofDianeCardaci. Website:www.dianecardaci.comE‐mail:[email protected]

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NiccolineChapel(1447‐1451)PopeNicholasVcalledFraAngelicotoRometodecoratethewallsoftheNiccolineChapel at the Vatican. In the fresco below, Fra Angelico creates a strong sense ofspace with his beautifully rendered architectural details that follow the laws ofperspective.

FraAngelico livedanexemplary lifeofpietyandcaring for thepoor,andbelievedhis paintings were divinely inspired. In 1982, Pope John Paul II beatified FraAngelico,andsoonafterdeclaredhimpatronofCatholicArtists(clue#6).