final colors theory.pptx

Upload: pratima1823

Post on 14-Apr-2018

224 views

Category:

Documents


0 download

TRANSCRIPT

  • 7/30/2019 Final Colors Theory.pptx

    1/31

    COLOR THEORY

  • 7/30/2019 Final Colors Theory.pptx

    2/31

    Basic Color Principles

    When a beam of white light is passed through aprism, a spectrum of the entire range of pure colorsvisible to the naked eye is formed.

  • 7/30/2019 Final Colors Theory.pptx

    3/31

    The color wheel or color circle is thebasic tool for combining colors.

    The first circular color diagram wasdesigned by Sir Isaac Newton in1666.

    The color wheel is designed so thatvirtually any colors you pick from it willlook good together.

    Over the years, many variations of thebasic design have been made, but the

    most common version is a wheel of 12colors based on the RYB (or artistic)color model.

    Traditionally, there are a number ofcolor combinations that are consideredespecially pleasing. These are called

    color harmonies or color chords andthey consist of two or more colors witha fixed relation in the color wheel.

  • 7/30/2019 Final Colors Theory.pptx

    4/31

  • 7/30/2019 Final Colors Theory.pptx

    5/31

    COLOR WHEEL

    HUE

  • 7/30/2019 Final Colors Theory.pptx

    6/31

  • 7/30/2019 Final Colors Theory.pptx

    7/31

    Hue Hue identifies a color by name. Every color falls into

    a definite hue category as indicated by the

    spectrum color name on the color wheel.

  • 7/30/2019 Final Colors Theory.pptx

    8/31

    Value

    White added to a

    hue creates a tint. Gray added to a

    hue creates atone.

    Black added to ahue creates ashade.

    Value is the lightness or darkness of a hue achieved

    by adding white, gray, or black.

  • 7/30/2019 Final Colors Theory.pptx

    9/31

    Intensity is the brightness or dullnessof a hue.

    A color is at full intensity when notmixed with black or white - a pure

    hue. the intensity of a color can be

    changed by making it duller or moreneutral by adding gray to the color.

    the intensity of a color can bechanged by adding its complement(this is the color found directlyopposite on the traditional colorwheel).

    When changing colors this way, thecolor produced is called a tone.

    When complementary colors are mixedtogether, a dull tone is produced.

    When complementary colors areplaced side by side, you increase theirintensity. This effect is calledsimultaneous contrast - each color

    simultaneously intensifies the visualbri htness of the other color.

  • 7/30/2019 Final Colors Theory.pptx

    10/31Franz Marc, Fighting Forms

    SATURATION brilliance ordepth of color

  • 7/30/2019 Final Colors Theory.pptx

    11/31

    Chrome

    Chrome refers to the degree of intensity, strength,

    saturation, or purity of a color. Purity of a colorrefers to its freedom from white, black, or gray.

  • 7/30/2019 Final Colors Theory.pptx

    12/31

    Primary Colors

    Red, blue, andyellow comprisethe three

    primary colors. These three

    colors canapproximate,

    through selectivemixture, all ofthe other colors.

  • 7/30/2019 Final Colors Theory.pptx

    13/31

    Secondary Colors

    Orange, violet,and green are thesecondary colors.

    Each is placedbetween the two

    primaries that aremixed to produceit.

  • 7/30/2019 Final Colors Theory.pptx

    14/31

    Primary & Secondary Colors

  • 7/30/2019 Final Colors Theory.pptx

    15/31

    Color Harmony

    Complementary

    Split Complementary

    Triadic Tetradic

    Analogous

    Monochromatic

  • 7/30/2019 Final Colors Theory.pptx

    16/31

    Complementary Complementary color harmony features colors

    directly opposite on the color wheel.

  • 7/30/2019 Final Colors Theory.pptx

    17/31

    Split Complementary

    Combining one color with two colors on either side of

    its direct complement results in a split complementary.

  • 7/30/2019 Final Colors Theory.pptx

    18/31

    Triadic Triadic color harmony involves three

    colors equally spaced on the color wheel.

  • 7/30/2019 Final Colors Theory.pptx

    19/31

  • 7/30/2019 Final Colors Theory.pptx

    20/31

    Robert Delaunay, Circular

    Forms c. 1912

    a very aware

    use ofcontrasts of

    complementar

    y & analogouscolors AND

    shades andtints

  • 7/30/2019 Final Colors Theory.pptx

    21/31

    RECTANGLE

    (TETRADIC)

    COLOR SCHEME

    The rectangle or tetradiccolor scheme uses four

    colors arranged into twocomplementary pairs.

    This rich color schemeoffers plenty of

    possibilities for variation. Tetradic color schemes

    works best if you let onecolor be dominant.

    You should also pay

    attention to the balance

  • 7/30/2019 Final Colors Theory.pptx

    22/31

    A l

  • 7/30/2019 Final Colors Theory.pptx

    23/31

    Analogous

    Analogous colors consist of related colorsthat are adjacent on the color wheel.

    They usually include only one primary color.

    Analogous color harmony allows one color todominate and others to enhance.

  • 7/30/2019 Final Colors Theory.pptx

    24/31

  • 7/30/2019 Final Colors Theory.pptx

    25/31

  • 7/30/2019 Final Colors Theory.pptx

    26/31

    Color Balance Any color which dominates its immediate

    environment in hue, intensity or value willover balance a color or colors of lessercontrast and tend to divert attentionfrom the composition.

  • 7/30/2019 Final Colors Theory.pptx

    27/31

    WARM AND COOL COLORS

    The color circle can be divided into warm and cool colors.

    Warm colors are vivid and energetic, and tend to advance in space.

    Cool colors give an impression of calm, and create a soothing impression.

    White, black and gray are considered to be neutral.

  • 7/30/2019 Final Colors Theory.pptx

    28/31

    Cool Colors

  • 7/30/2019 Final Colors Theory.pptx

    29/31

    Cool Colors Cool, or receding colors, are associated with peace and calm.

    Blue, blue-green, and blue-violets represent cool colors. Cool colors in a composition tend to visually recede and look

    smaller. They are not easily seen from a distance.

    Cool colors represent nature :blue, green,violet.

    Creates a calm and restful feeling.

    Cool colors recede (move away) making thespace appear larger.

    They generally look good in rooms that receivedirect sunlight.

  • 7/30/2019 Final Colors Theory.pptx

    30/31

  • 7/30/2019 Final Colors Theory.pptx

    31/31