electricity in the modern theatre · that eleot:rlo1ty in the modern theatre 1. & uaeful and...
TRANSCRIPT
Butler UniversityDigital Commons @ Butler University
Graduate Thesis Collection Graduate Scholarship
1-1-1929
Electricity in the Modern TheatrePearl Bartley
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Recommended CitationBartley, Pearl, "Electricity in the Modern Theatre" (1929). Graduate Thesis Collection. Paper 93.
6~Gt
SI au
Acm~
I neh to mAke aGl:nOll'ledgecumt het"e 0,
gratitude to Protessor Claud.. Sifritt, lIrs. Eugene
Fite, '.:JY IllQ'ther and f'nther ana ~ friends. who ha....
a1dec1 and-efiC~ I:l8 in tllU un4~. the • , re&bl1ed.
had in ctI 'been 1u their words of en
oourag 1es8 atzoong.
PURPOSE.
It 1. 'the aim and purpoae Or th1a theall to show
that eleot:rlo1ty in the modern theatre 1. & uaeful and
neoel.ary oOlJnOdlty. Allo that the effeots £'nined through
the developr.'lent of eleotrioal equ1pment Ildd ';;'0 the effeo't
1vene.. or playa aa produoed by t}1e modern theatre. It 11
del1red to ahow that eleotr1oal ourrent wUl cont1nue to
be u.ed in the Itace 111o;!lting or the future although the
prelent method Uled may beoome obaolete.
TABLE or COl
t - - 'U ge 1.-Creation o£ 11 1!eaninrt a'ttnohad to it
by tum ~ The dovelo1J:;tent thoata-e
,iChbinZ; oandla~_ oU.
gas, 1ble1 , ani 1 •
T II .. ... crary time., Pa!t.e 18.
01 icity ith
liJ!:ht~ ....wn~; f'oot1i • 'bardeI"Ur.hts.. 1'1 .. stri .. spotl .ts
Light. - Color.
III - ~'lh. 1I1".lUM Page 72
la. in tine
1;1"9 - POint!lB. - c 1\1% - :reon .~.
I
'T."T",~·tClfi 11 'lImAM.
bednn1ng God created heaven and earth." RA'J"'I";n 1I'&S wit!-lOUt to~ and void; and darkness 'Wf.I.8
;aM irit
-And God , rel)G 1ight I and e was 1ight.
"And God the liBllt, that it was (;ood: nnd God divided
light !'rID th.. c1:lr1mes8.
"And light Day, and the dlU'tneos ITit!nt. l'.lld
tho """,ninr!: end I:2t4!Dblg were firot day."
Thus did " ide light for I:18Jl during the day.
volV\9d ~. :e priniM.ve to ovorooce the darkness. It is not
solely a J:m:l::Im instinct whi 'Ol"OAB ,g,irlnola to ne.l~ iW'Pmo+- to
.ts 1d st
instinC't ot self-nrolJenat
am this imltinot forcGs :' seU-preservation. But nan wal
'lll1Q1,Umohable and lnaatlo.ble dO-GirO fo 1Dd.opendonce, and
iot ia thie _re oivilization. Tll1a ,GDO~re
t13 tord.oncy inher'" 1'8 Q yearning
tl lnilopimdmlce) ab~olute.is Q charactoriotic ot
tho Divi.m:J.
I no diff01"O:nt trm the little boy who 111
...old nM UDaf20aid throudl tho day., . a :pering and ~
child il~ i nO. nnn afraid.
In that b It c1oeod dO\'ln on • the 8U.'l dipped down
- ~ - - - - - - - - - - ~ ~ ~ ~
1. iGBDeois 1: l~.
-2
in the west trePetblngs tha1; he could not explAin. terr. that
ovel"~jheloed. h!tl, noises that d~sturbed him. Fear orept aver him
am ~ turned to the one "aurce that could r6allsure Mm. the Rail
fire 1Ihioh he klri1t bUrning constantly before the ~ of his enve •
••18 body _a ~ by it, but 'the th1J:l£tbD.t att1"acted him line tha1;
the faint flicltering flame citted light. Deoaule this faint fl.ome
did emit light ana: the sun emitted light r:.an joan cane t4;> oonneot
11&;}lt with satetr; ~eB end' aoourity, whilo da!'kna88 harbored
......JLIIId ovi1 .nWts. 'I'1,_A
tore, light mturo:l1y uc.ma lSaorad, lite-giving 'and s:vcbolici oE div-
lIPuano••
There were many f~ at primitive worehip. Thore were those
wor8h11JPDd 'thO 3Wl. BCU:!8 W1'8h1t7P8d ~lti B.8 'tllO. uoa. of nll, and
zoe wore U84 -ehOrle·WhO p~o.CI8C1 'the FU'Q eove all e1eo, bijt the
n&1"f.Ul1OUM factor in eaoh form line laht for 1t is oasily seen that
each of these cults is bo.sod on light am its protootivenesSe M
the!!" belief' in this new religion gr_ it beoatle 0. oustm to 001"1\
dead 80 ~ might bo proteatEtd by this IIm1e light
world.
Throuehout all oountries anoient races WOVe light and £ire into
thoir rites aM while tbDre 'were sane di.ttctronees tho underlying ideas
were sil:lilo.r. :I'be GrM1m, in lJP,:rtlaular. llmJ"k the 'boginniDE ot luu.1an
olvi1i~1.u~ OQ 'the dA$8 or 'tUG rn;oaJ.~ or 1mO MfiVO!UY n.re by'
~CN!. wi"tb the o~ ~ e.1't.1fioi.41 lie'Jrt the bee:iJming of
a new .ra. They plaoed the rira an the alter arxl evolved marJY oere
l:lonial u CJf lamps, candleD o.m fire. '!'he use IJade of th0 fire by
tho Vostal. :tent Raoe :he,sooe0C8 Do 10j;ond. The oere
or light in the Chi"iBtian olml'oh avolvod both froo. _
ations of ~n cuotCl:l.8 and of th~ 'm\iural ~olim ,of fire and light.
-~
The Dible contai1l8 referencoa mtIormnce end dY:1bolism
11 fUXi £11"9'. 18 moan Constant"ine c<DlID.Died. the
entire oity o~ Constantinople to be iJ.lumiJm.tOcl bya% candles on
Chri Eve. In the thirteenth oonLwy altlr 11 cm:M) into
mneal --1
light kCRl:le ft'f"'J tIaIrover, it beca:m dt
into three groupll in the RmAn CA'tmo1.io chu1"ch. (l) were
B~bolio of God j 0 preaenoe or the eft of hie nrel ; of Chriat
or of "tho children of light'· or and Gatt'... 't:D:t B.
(2) 1"$l1giaus Vf1rIi ,t is
wol"8hln. (3) ,ey may 1X1eflOBS oel"~c1n divioo irs
8e 0,£ 'their being bles-sed by the ohur . and, thoreforo, flAY
be helpful to IlQUl and body. Yam" of t DGJ"ClQonio.l uses are 1"9
tninod yet toc1aY ill the chUrch.
It is lmOIm ~'t every ~ !WI oe~ :tnatino'to, 8 1"e
as to ~o needs, reaponaea ~o per8QIUJ o.nd yre
as. Ucrr:.IJV'er. of all solf-o.aaiJrtive or
- -naet ~
In
a'll tho other reBDonllei:mAY be ,sat:l.51-3,oa" '101
to his instinots.
, instincts DAy be oatiai' ouely 1'"f!.4'.'hn,. be
lly iC!lIGtoa. in ,first drama.
, the fifth
..... e ~Jas. thee.tp~j the
hill upon whiCh the lpOctatorG could sit. At their teet was a
ou'CUlar space called the orohas'cra. It Wl\Bthere tho notal's and .
chorus perto1'l'J8d. on ther sid, ot this oh
-4
to ml402'take, for at n!t;1dl 3l1&'!"oup actlvity ceased.
It hae 'be9n ehoPm that mn ,is ve.rf sensitive to light aoo it i.
very easy to aoa that ~.an 'fJO\Il4 enjoy the drama .. l:.rrMt doal more,6'VeD
inr; EI 0 vicia1'louulyI if' tho light ploaaed hiD ImlIlO 0Jt
aeBthet10 beauty. st, ctmm:o at ligb't othel' than the bright bluo
:t in Greeoe r;hen hUgh oolored mmf
inge were atrOtched avo-r big open air thoatro,3 and a Boft difJ.vaua
11gb ~. sliGbtly t
• Rr,pan thsGtro, ,d.valoped QIah in the 8~ bam)er. am
lnn.Qiiww'ar. the Ba::m.nB elaborated
folded in a dGo'D gr,ooveW:hlch run
ftN,."kiIni ~ '. ~-- ~.
_ theatres
tell into di until t!1Cl eleventh ee~the drm:a
118.8 again revived by tho C' a1npl,est OPUoc101 fran tho Bible
were used to ~uoate the mtUlS ople in the elflltllm.'l;arJ prin
ciples ot Chrlstainit7. It 1a tb~lt se little plays ware givon
..s.
inaldo tho ohurch. It this be the oas.. ClUldles in BCone. about.
th ligbtJiJg. BOftYOr.
est "o11J,l.arity ot +'nMtilll laY8,~ Inll'IUI1e am anterY
plays. bee.. 80 , _zoe forood
torrilS. In ~.Ion. plat.toms 1I8re llonntod on 1Ibe01li and 1m" 11 pageants_ two stories hig!l, the upper one being
used as a
The norality plays toll Jl\tracle plaY"
the purely aunl4r 1&18_ AD the plaY" ,gr- and. 'mDH d1"Qlll.
atic they increased in originality_ \'lhile th.-. had never been 8.JV'
aetual sUlGe
open i'loatiD&
brou&bt about the U8e ~~v in effoata 1
play. Thus, in an aac.ount FUsion play at Valenoie:nnD b1
16&' it is found that devil ~ne ,t fire am. -the mouth t4
• bto!:gPound
.In the .U'teoDth oenttlrY
,tre into their oastles aID uDier their llt'trcmag& t:
stage lightingcwntP into be! 110. an I'i;alian, !...~ 15G6 wroto a
tl"B1IU111U scribed osr
tain ods tor the ~tiOD of lidrt;ing eff9cti. U._
wero secured by plaoing torches or lamps 1ft .rUled with
a colored liquid. A red 1 was achieved the 1e
with red AtlbS1" light ..... made .by us white w1..~ and blue by• a so1ut qua 'rita, vorn!.a and ~ic aoid. e bottles
were mod1a cos was
-a
+ltftIIII. a bri 0. ~erloCftor.
Leone BebNo r Urteresting ~rllm- in the
Rm1rllB • hal wit'tien ,t Ud1ta :Jhtn1lcl b. placed n,.. Ie It
J /ftl"~ CQ;DD et BD'Dre. 1., ,cCJi'!-.diGs tor the nUruoa8
"hU.tat" 1e lot hto anlJOtw dells jc~ aaam". IIe
fts. it~ ti ba118'lter in tm3.bolio"tio l~t1ng
fw in p: ce M i11umintltQd +''hnrift aca=o in t~yin
whiob the BUbjeot was h:lLnmr per 11
1 fhtanto
i diPI 18 aoapa 1& m-OlfMttiva. furorao
nlat! 0 I5penti__"
n-er_ obbor R~islllUlOG tlrtilits did not at;!" with de •
li dtei'l1G8d facing tbe audi.ence.
bOPdeJ!'8 •
1~r;htil1g ......ivnl'l
b aids in th thml-trloal illusion.
lights he ~el5ta should be erGgtCd tonrd
at.. liMtB nb0q.]4 obe
•
• 111 ~ed
the 01 • was "U1.1t. In it is 1
~ - - . ~ - ~ - .. - - .... -1. 2.
3. 4. i
5.
6
·.,. a
deve1~ of the HCDU1 atn&G mll inti¥"deooro.tion Burl" ing
one large opening. proaoenitm f'roco. 180 it lJaa nt
this time that stage retreated baal: of a ~1D. and ~f)r the
curtain wus tor eaeh play.
to be built. ~Dr ~118 time all
the 8tages covered and entire build J
artifiGial lighting came into pernanenee in the ~1.I:lIM.,,",.
Inigo Jones. a lisbman lived in the 8~ OeD-
II, sited in l' "e. returnod hroe influcmcod to a &root extent
'by -the wl: a
and Eniland. e 'WllS innom'tio.r using !"l'I.fluotOl'D
on the 8 and thereby inoreasing the intensity to a groater degree.
"Y18 influenoe lnued down through the oenturiell a8 present day
stal:eO~art tnced directly . boe1nnlng in Jonet:i
!he OGllCGn :00 stag.e lighting in tho seventeenth
tu1'y _a by suspending lea in chv.nr1oliers over tho eta~ n..Tld
having open 1 vr1th floa.tine wioks placed aoross the front of the
8taf!e. molty red light. Tho lOB woro tallow
tmd J!8Vt1) n yellow li.ght. It Tmlll only
candles. muon &\V8 tl ateo.dywh1te 1 oould be WI
their Gost. The tiro d:n.ngor wall grct. or oourse, and to ,t
th~ large 8'l'W'to.." .... etloks bre ued in Qd,:,.ition to
al'r.;lye • The only d~¥~A¥ftnft~ !B the quo.lity of light :rthe nd aud
lonGe was toot du the peri'oroanoc chandeliors aver ltoriUCl were raised o T1811s which tended to darken the r slichtly.
-8
s.t tm em of the eit:btMDtb century tl oil
daainlltod. light~. The 8ta.~eCftfli of that day was mted
the 011 ~ only a 10'7 intens i t-J of liJ!bt oummed
eYeD thcru.gh eat numbor ot :lights were ~ed. TIUs cr.~8
••
-9
mounted :1 1" to obtDJ.n 'VU1"1ntion
in the light JilO.ny iI:JgcmlOW! meobnrii""" were 1nveiited. lire PlInY
oil lanpe of ,tre ot London ftre
Wb ioh. by an
U1(.;8JU.0WI sy'Itam of 16'9'ers, o~«l mo"a:mter. asoend or
del:toeDd as required and pr~ed UOODJ. efteats.
In some theatres, notably at Dirr,d.ngbs::t,
CI"J oan be shifted in f'ront by '& lEITor,but with a load clat:t@r."
GO-DI;J.'li10DII of stage lighting the 8ame in all 'Clie
eountriee and each one _8 a' fftllil8't1'tUte that
lc11nl'rove upon 11 hst aeouae
11 • a u~on 'a1'lg1D.8er .Ll..... V.wTorV..l.....- '
bad i~l usee of cas whioh 1mS
distilled 'or lighting SUCh ~eat stride8
were o that in 1 Fredrick m.ns81", l!1 ~, ins"blllod
lights in the stage of the Lye__ in Lon4an. The tirot
playbouae was equ~ in 1816. This_8 Cheetnut
hiladel'Dhia. _ :L1R.n:dng 1ft18 a great
stride over the oil lamp 8ystma Qf ligbblD,m it
beeome stan4ard equi~nt f theatroa.
the adopt, ot int rst
tb8a.tr19S Ir'ooo to ccm~te their
awn gas.
It :!.l!J a noticnble !'net tbct throup all oontul"ies
thea.'tre led the in l1glttiDg. is adal'tec1
18 later to use tor dones'tic ll~.i.nr;. 8 ot,
oil, and eloatr1a!:t7.
-10
'ith the instillation ot go.a in the theatre. 'the directors
f j 're~i;e tho quanltit1~
scene
~ of gu light~~. 82"li • and ft.!n
11JPJItI J'S!!&ined.: the aeme~ r:'llter jo1Dt;1I were installed correspond
oozme~tions cDll14 be
'l'11lln"n wre gas rogulatora for '\;he varloWl cains and a ~Mo
the flOIf' of- gaB over thIl emire stage.
regulatore be.. lmOllD ae the gas table. The pr!ne ipal gal min led
to thi& table whm it 1RUI divided into sub-oaiu whioh led to the
_ ...... jo:umll 8 ~tt.n o the~2"iQ.l.
flexible rubber tubing.
There, was, se, great Q.Am:er at fire in w1JlgB am.
tlys fr f1lwea. OW8Yer. s was Gan'tro11ed to ..
-in detree by ing wire proteDton in front of those t1m:les.
causing irrlto.:tlan ot
samet _ or nine lmndl'eC1 ___,"""bCll ,
i 17 UDt'lerlitilmd '\:; would be r:onorated. ·'fhe:retore. it be
came ?De Dr the greatest lees o!'.thB thu:tre. It \ftlB inpossible
to U6e a ventilator, because the air CUJ"1"I!II'itn sed bY it carted
the voioes up the ---~ -~ the jets
even moZ"f) of a dantii" before. Thill conaition, battever. wo.a
-11
Qll'-'Yinted &S8 oh:1Jlmeft OVer' tho jets.
led in the opuuon
~lthe aount
first t!De in the hlltory of the
be darbnDd and thia aidec1 the attempts
,~-1Um at illui.Onwhioh the dir..
lI'l'rl:Mt ...-J.ahod toe
gas 1n'to 1me theatre brout!:ht abOut S0Ja8 radical
ahaDttes in the building ot the stage in the tbel)tre. Clarence strat
, "The relation of ttl::' -~p lamrui. tilth their Ntleortol'8' to
t' ruponsibl the cm.rYed .B.-Dran.n
Gf'f'8J:1ba 'Were pinGc1 ',+J"Prtllll'h ,WlO -orgas li~
that never been a."oClClpUllhed before. Sir IIem'Y Irving 1I'b.S the
DIl8t6it 11~1ug 'ile-cla!tDl so by all m-1tics. It has
.... effoats with
8 lIttlUlmtmt
ate..taments ei ~ll ua~t!ons •
ina! .."nromma,te la-bcl' p],nno1Qg of +}YIIJ%#f' itics."
lJevorthe~ Willing t use
C:lr
CiiohanicUl~y
new G'Yer ot
t1me. Irving was the first man to talaJ into caideratlon the valUe
of .uthetic lighting in the th8&tre. Ilis experh'lenba which beoame
o euaoeesf\11 1II8re oalTied on at the L.votnm' thOCl'hro. London.
Tt~r, ·nt"rlnto o~GS and
1 in th&
- -.- . ~ . . ~ ~ . . ~ . . Stage .t inG - Thll!lrWI n'Pi\ b8 -. 41
-12
gas l!Lr;b.ttn.z. t inf!pin~ on
--~ the ole • lmel1~t wsed e was that which
cyllndrioal block whi_ah was di~
booteclto 5.nt of in
candcsoenoe o£t a br rt; white • This 1 was
ver:t pt;1Iforfu: ito mys could be projected 1 iBtancos. The
1 law, 4 gr iali1UVo!",• atr ·~oo of l1D:e had _:1arJ.e ao th
bl~OQk of' lir.Jo ,.s oon~ and tlm~re had to an
individual. O'DOrn.t It wo.s very uae1\11 for u!JObtinr; people and
oed in tho !':ront o£ the
stage
The 1I!I"Vl!'t.ftD £ orert1.1miir th f'r'6nt~-hOWJe liehting
is POPV-J.I !me. Thill new nM -oamJrful 1 was
im'ented b7 Thl:Dls Dl"xrmjriDrt in 1816 but it not used in the
,,, •11 nnernl1y until saa.
~'Y' yea:rB lAter.
Q1eatr:1e 'arc 1mD dot1Ol'l.strat04
in London in 1808 by ita ~~r Sir IIm"Jpb.ry Davy. The!Au.l1p con.
.istod on rods, (L otoo. to the torminal of Q
TOltaJ.c bniJtery tbauaEUld ce'11•• 8ctr1O our would flaw
-n the two carbon r were broil tomhor, but WBr
sepnr: the current croes the gap heatod the _ of the positive
CtU"bon to lJd08Cence. -to oonstantly be
- 13
pushed together becauae "they vnporizod. In 18'16 the Jlooh
lrolf' oandle mwe into siBtence whi. 'Mr£ormIId th..l.D.
ROWDTOr. in Wle in the
thOIl170. Tho rust i"oo~ZOd at its v~in
• The arc was u8Gd for rcal1eti ~ ight
rather than for general ItGge lighting. It also4QD8titut.ed
tl first electric unOt Ur.:bt. The era 1I(U, plaoed in foous with
'~bolio rAirl"'m ana. 't.hgJ!Brnllol b-. refloated wns }&8sod thl>oWIh
BD..LOJ'"'. ,torftD. In 1860 $.t the
achieved '~OflOlJ" byetteot ~ a ra1nbtJlr for lloa,,~~'"
pe.89 light trOD an olectric aro thr BIlD.ped
lI'h\rl;i;er £1. This
,usod ,t 1
arc light.
ll'J'lJ .von. £nults' DV'ftl"ea!la • of • ~:h 'naB the Doise and th
other was thnt an 01J01"t1tor COJ1S'tmrt o.t'
• Thus it .. ...~
,t an
.,istoJ or at
-14
p ired aharooal 1'111ed t,he two ooi1e of platinua wire
and bridged the gap bet\1een ptlDU~ thJtow!:h thi. ohn~
ooal heated it to incamellcenoe. The air in glallB globe
having been recoved a_a fur Q8 possible the ham tDlDl:. t
availnble. 'lh ooal db! not burn up o.t onGe as the BI:l811
am ,t in tho tube. The idea 1I8.S
ingenious. 'but 1I'Cl8 tJft.nrnottcaiJle as the globe rap!&tly
blao:L."8DeC1trm t.lte evaporo.t the incandea.eent charooal.
'rho nest att.trt wall made by Lodyuine. a sian, in
18"72, oons-isM.ng of' a aa of r:raph1te operatin nltroeen
gas. The life of thi., • It i. easy to He
that a 5.11m1'Aa:tioal
very eEpenlive tor use the th aT hODe.
- spring ot 1878, ThCD!lS- Edillon, with a:milaba O&p
ital mm.ttofklthOWlaDd QO.J..IA. II uper~enf;a
Ylth the ~i04mt 1atI.p. lIe f
platinum. A4"+!AI" perfeot1ng a thermostl1tlc regulator, wh1cb. lmmntnt..
ed the p1o.ti.tlun+ tram 'I"oao , he also diSCOVftped
tha the tit.
became hard, a uvu-\.u b. open.~ad (l.t ,a b!.gher tceoernture without
Deltlng. This gave nor. 11
given, but agnin tho bmp expensive ~
lisec1 that each l&r1p tor household
~ r. Jh 'Would only be
POIlI:II~U T 'ora, he reasoned
he must have a high resiS'tanoo 1 in .In'ac'tlcal
-16
carbon
would ,t Q cl8o!'9asoo
and ~O" pQft:la'nimt in the Idgh V&<MDIl :'l&d ol>
talned. ordinary 8ew1n~ end by
paoldnl! it in e.n airti ng it
perature 1ft the furnaco. This
erial in the thread leo.ving only the oarbon 1.01,100, in .. mm:mer
o distillinc 0001 i~l a cloeed. retort .. "Ihioh loavQI a
coke re.ldue behind. Aftar several 'trinlo be finDlly ~
a carboniJed thread in A O!W pleo. all gIns' globe, all jo
being hermetloally loa1ed by tuIJion. Attar exhauatinlt it tor
hle a slight CUI'1".ent was DtUJsed tllrouftb the carboniHd
thr, • gantQ Oorle ei.r:ht h
'bef"OI"G '1alO go. . aG8.~d t. lal1p. This 1ni\tJ october _8 ,ed
8: - ~~~ ror forty-five hours. ~
prnO'ld.ea1 e the lamp leEl been hmroved
at varioo. p1"
A'r'(;,nl'" Thomas
light bulb; it was qui adOPted in tbt.la'tre,
-16
iiO .tay. ae first; tbea:tN
front and baok lItOJl.o
y.r tM Bi
£ront ani
plan oi' lighting 1m.8 pl. 's Thoe:bre in
•
d drop into
11g.l1t1ng lSYBt~i
D'~.
It
but
and !:
~- by ccdiiniDl:::
~8a chanita he
s .fir3t
.hadow and -to al::l:lDl'ChOlb1
bl1iti6s.
[U"tor the a-.n:t disa.dvnn1:!lt:CG
tho ~tre
on. The
. tho BlUM
led.
t'ollOlf this
York :In
it.
J,"OO'l:l.u.gm;s up in
light
to _ tuw. !ZfJ
1y i
aolElDd ",,0 be bGl1"ltGD .. elcotrlc t'!I~
.17.
flexible b
el'leapn4li8
ever an+."PM in
()l.a
not Quw,w. The ill:ut'111mt1on
• Ie
-11 u.ppt'~t8d • 'bas ~ ot ligJl,tinG. Tha direct
rays 1 • The. elAirlff'it!
~i;ural ~0'iIB.
Bt:e.l!8 li~r; wrnn~tIIi
1f8a.ry h reet have
rmmrded to a
..:ia.
,,1.th the cCl:l1ng of th1e ~
a ~ DU'oL~V· 'g-~ lit.
It 1.a iiiitaeiiiry befaro"GO~ into tm tia~ ~
on'! atel!!e eauimen't to 'tal."G un i:A '8lSJO detail
eleotric1ty-. UOIle'Ver. there will be ,_,11 up do'bails
that are of value am use in t
Volts Q.re CDaeure of
oir-anlt. In t Ga1IOoA'alaot~
rical current to tlOlf through the wir 1:t1e8
voltage for domestio purpoeo8 is hbMPM and volts.
A...-.vo:-e. Qondtitute a T.lG8.SU1'e i"lows
oh-cui-t. 1'hUs. if
burn1ng 'tho· d2:1noNll' Wlod a ...
lng. V~. are
'rage. as in this case. It of 16 a::merD&
on .. oircuit and 'the voltago 18 11
am ,d 1nd the l'ft~rtO
lAwl'O that my be lcGdecl. ,
~l~ftnit 18 ~t0 oomplete :rYr.r"InnJl ~.
There aro two types •
0D0 is direct currant. In this 01
tl~ r;y. t irlMol'l¥OI'e nrc Ill.UlY noOUt:mrY1 wire
to oonduct ~ pociti7o curl' Clr.d anotbDl to a the negative
ill tn. ler
citieae • s itthomi1rl:emt # :tl~ dirootion.
in is reverso.l•
I
-19
takes ce aboDt • .ttt:v t Q. socond. All stage lighting
___ th. equi~.nt will work 11 on either cmrrmrl::;.
exception Igf very low vol transfome!'s 1Ib1oh will operate
onlY on alte1"nat1n~ current.
'1here ring a cir • This is
80ries 08 ot 4l'Jl)Ii.ra:tU8 i. the
while t wlta..&8 vari08. en pura11el wirinC b used the
voltage rupplied to oaoh n1ece ratus 1s the 8811Q1. but the
~~a varieD. SWit -~ are alway. wired in a
_ 1e 1rl. tor N~se. are Q.l~
wired in parallel.
o G o 0 ¢¢¢
~er 11e1
A. fuse 1. a proteot.ive dwiee. wired in a .erie. with
l!l circuit tInt rill "blarl in C:lS8 DOre of a load i. put
the oircuit than it ca.n carry wi:tl1 safety. .
• l)'bmcJo;rd equip:wnt in
large tben~•• 1s :oll'auitd. The
positive wire of 'the £irst circuit and the ti~e wire ot the
decond oircuit are c wire t' 18 COl:II:!.OJ1 to both
circuits. Thie wire is cml1ed the nwtral or inaide wire. The
negative wire ot it ill tnawn 8 the OlI'ba1de neg
ative Wire iti.,.. "ire Hoond aircuit 1. called
the ide positive wire. Thi. ca:lhbmtion tuo 110 oircuits
-20.
tl&keli tho voltage 220 aoroa., the two O11taide wires am aorOS8
the neutral wire t:o each or the oqtaide wires 110 volts.
()v..,.~\~i N~9"-'T'~!.------------------.-1 ...._----l.1
\\0 ....
N Eo \l'T R ...-. ~ ," i I I _1: j..lo \I \ \O~
tlv'Ta.\Ci ~Ol!>t'T'~'C"T, I I I 'C .... 1"
\ \ O'J \\0"
liwiring tboa'broa must undor the la.ws of
tlonal Dlect!'imll ,trtf is to havo _
iwrurMOO. ~l.-o. in a DrOQli of t __ this national
lectrieal COde ha of t110 oity r
wiring oontrary to its rUles is ,ble oode
of wire beu • a180 tIl. m.:Jmber
-be w1.l"ed in oircuit lOllS other natterB
in hamm'.
thl'ee-wire ...""'+~ • switoh rd irQ it two
-21
CIIl in
0, h'tused
22
oontrolled. that theY mrve fallen ietavor witJl
of the director&h Unless this l' of equiD:l8l1t i8 COh eot
1y 118"" it does, in truth. bocCI» bQrtbear. In oaaee
th _ J.11!mi .f'r(lll
the 11 • f"M'RT'lIIl'l'"t: of ifle ..40ft ..... 80 the
bOlt rneath
li&ht on
• IrOll'UVOr.. tOO't~iy..AWJo"
are, tlOclOS81l.l'7 sto.20 ligb.t~ unlcea f'U1
Bud!tor!Ul:l is uae4. If th1s
a
cm:fnot OV'o~eczvt.
- will be thrown into
The!'e are three 'tY:D08 U foot11~"tute.· nomoI:,!.. "the open
gh. tho Oallpo.rteant ,and the 5.nd1red. T'hO open-trough is
construotedof ahe~l t..l-u1t is GUD1t at '&0 outer edv.o ot
the stage floor. The hood ~ un abOut five or .1:1: inol18~.
This ie linod wit.h a flat white paint or a t1Dg1:1esia paint
reflects the light while tho slope freD thQ 1'1001" to the baa.
-23
is mlnt«1 black in order that no light be
ref'letJted U'D 0D'b the proscenium arch. Thia is wired with
the ditferent color cirCt~1t8. In the old days thore _re
throe in mmbar. red. white Q.Dl blue. but now in the up-to
te th8ntrful 'thtW o.re mrocl with five. red. FOOD, blue.
r. The JmI:lbor
by the s1ze ~ the lwn.P8
the D~nt
1.
a ftt"tnt"
the trough is such. t:
an angle of thirty degreos • .
of
screens ~. faoile; or to provide _. e tor a footlight or
The I:loath the retloator- - -.
Oh:IUmel ,and wire lI1!Pi.nn_ leb holds a
lanae fCYr' e oolor circuit. The 1
It is ~ try! to the eyo8
• There are two tcilrl2a o£ this footli •
b.urn1n« law -.,attap wattaee laDpe.
18 aounted benao.th the stna
floor. 'thraw"1Dg the flux of 1ts lim't t-onPc1 tho audltoriUD
Where i1l 1s re.f'leoted 'fJOImrd the stan by a ourved shield which
b pe.inted 1Ih1~e. Altmough tbo light re.tleote4 is diffu.sed in
quality. its cli.reotl.OD dan be ohanmk\::'by the d:tWlal1t ot
8h18J4 .-1Itl1dh 111 on H~• .a.
of f' 1i lng
C1~'b u
• using la. -tt.at;o .1.8.tlP8.
There 1Q a1 ot footlight that c(I;lbine& the
,itxtirect 1i"::JN!i The leps are
JiBde in suoh into
the poeition a.
Tho borde:rli are l3Qnpanion equiIDmt ot the
.1J!'J1~ but
aatJllrCa" tlat 18. tr<Xl OYGJthii.4; i'h8 ooniJ'hrut)'b:1oD
_ the IIIJIID 0.8 that ~]·~ltgh~., Tb81 8,}'e i~--';'
eel a-Dl b1m:!:. fram tl,. gricUron and r1Jll' parallel to the tootlig!!l't'.
The first bQrder. which i8 known &8 tho oonoert border.'-8 just
back o£ the proeoen11m arch. Borders are then hUIUt at intervale
of" lix or SenD fact. A lapp -taco sa::lDtin_ haa five or a1%
1& .speoiall)" true ~ theatrea aa.torine:: to the
r.msical o~edy type ot show. lI<:M\W'er. in the legitimate theatre
whee the boxed set haVing 0. oe41:1.nD! is be1DF. 'USOU care fI1~
...._·-t.......lyt tho ,biirdan of tho OVerhead lif'..bt1Iu: fulls on the
oanem banter.
As there are ftriOU8 types 80 are there
nriOlll tY'OU ot borde1"li~ts. 'lhe open tr,_~ ., ob~
80.Lete twIrr. is stUl ~~d 1n 8(J;l.O of the older theatres.
is the
x-ray type. f1an'ver. thG -~lng today
is done by t.1eantJ 1.JX1liJ.1~B. ~hiB tl, will be diacusse4
later.
-26
stripli{;htlll arm h . indicates. Lights nlaoeC:1
in in 8 vorti on j wide the
11 . 80 djusted. are known
0.8 the pro iUl:l strip. 'i'hey are like trough
type and are rapidly becacing obsolete. o being re
placed III- juot in the 6 ord.sr light8
are bel I.ulODCl by 8Dat8.
Footlight•• borderllg.l,tl and strip ttl give ott
1 t~t 18 direat10nal only toa 81 d thDrfJfO:ro
theY are ola.8seQ with equlp:lBnt e;iving off ~neral diffu
light. the flood. a vary ....~.I\..+: e{lu1~ in the
theatre, 0 leo a plaoe ha ,'1 betWeon dL~Dd directed
H.lht for it O.al:!D1.l both. t\.1J it thrun
.. brood beam or diffused, d4-n+.NI f is la1aIril
by of olivette. It is 1.
tr If the firs'" woduotion. in ~1 it • It
is s1J'imlest 1. stage equ.i .ion ~nd uoe. It is primarily 811 o:axm.-£'ac«'l BhDtrt-iron or woQil
en bax:, l1n.. with O,etul. tb~ tac~ of wbiQh 10 aboutoi.ght .
inoh.s square. Th. side walla corwo.~ tonrd 11,
:loh i. about sb: 1noh•• .1~ is fitted
nth 8. Dogul 110 at , which aoc<E1od.nm 8.D3'
lamp h'CIIl thr" bund~ watts to two thousfUld
inaide is paintal with a flat white r, ~ is
resistant enauf"ll to IS • 01iv
tho e .tlodern eo ro.flnttl1m- of spun urim4mn.
-*!.7
Thb is QwitOd bY a ooot ot laquo-r *1ah preveJita di8
ooloring and oxidizing. The ,color of the l1r.bt is detera
!.nee! by the o:olor tledia which con be in,erted aero•• the faoe
It is :iaportaut tlw-t there be air ci~at!ng !D
all lidlta that burn a lEl;) of high nttabo. ~larcf~. they
r.tUst be made w!:th double wiLl1a, and tll.reed vi:eh holeS in Q!'der
that the air may cirou1ate aDd that thol'c!!tr111 be very little
1081 of l:l,.ght. !hil pieo. of eCl\.d.JEl8Dt !:laY be t>..lnced on
floor. hung in tbe flies, or placed on a .tan41U'd
teble in hetpt fr'am f • The term "epot...u:m;
ment, tram the
IItmOI' .PQl;~ in
l1guc. e
lena DdUiited in a .heet~ .• esoa
ot light to the opening oooupi.ecl by the lena. Thee. lena are
nade in TfU"ioua diameters and di£1'eront toeal leDgtba. By ..
a 1'0\11' inCh 1"OGUS it i. \IJIleRtood that it Blight t.
placed tour biOhes _~ frcI!l~the flat aida of a pl8.no-ctrAva
lena. a beB1:1-ot '.l!.cbt ro,e ".,1;11 eoei",~. frci:l tlle abhOr, and
conver.ely, a beam of parallel rays will be brOU£b:t; to i tOC'U8
lens. It i.,.of 'OOuree• .oeoe.s8.I"y' 'Co brins
the saare. r4 light necor to tho ltmll 11' the beam '1•.to b
Ipreact lan-wiee. 'rhe better tYl'88 ot apablilt1rl;s have a swrical
__
ight
of oauipnent in tho thoatYe +.nrt""" me:rtiomd bofo
~~"1lt the snatl:1.ght i5 rapidly supere~
light and proaccmi'UJ39 Dtr:t.p. Aol'Q1PI tho
moojoanium n ,..,,'h+'hnN
'all aro much nato flan&lJ.v
atrel. pipe Q.I'O cJanx:!ed
of the eo DlltlshDtOr"J arro.ngment
thl3 .pOtll~tB of
light. Th. posit " etlD 'be lIh1ftod. so that
all ~rtl! ot the .et, be
plokod out while otharlS rcnam (1111. ~1WJ aamD m"1n01pl.
has resulted in the reoval or 1ca.1um strip light aDd.
l'8})laoacent of: it b:r ..... by grou!>&,
ot 'baby al'O'bs mountlXl
1um arch. 'l"kA". .tiotB too aro dirottbed laoecli n
tho ~~. David Delasco 118.. the inventor o~ the baby .potb.~.
are also otroot ISoh1l2D.a the basica ot Which ill
oyolO1"8tl& ~lght1ng ettU1tD1nt Whioh will
be aaa.l.-g later.
lation
apply to each individual ", AnA l1ght~ equ1p::JDl1t. , tl1e intena1' a nmo+..o.4n ece ot equlp»Dt
'be 'I"OCU1ated to a oeMln.:Ln gree" tlm ohoico ar the- m:mber
electric ~IS W!Ied. Iloro«ns or mlks to a-nsorb
,,--"'S. The last nethoc1
i8 b7 far iJh1l I:1Dst lIatlllftctory. fhe c1.iiOcl quality of' 1
may be had by the choice o~ 'bb8 lanP. ro£leoting S'Ul'fac.e am dU
fueine ned.ia. It is eaaily seon t
11 ba.ve a great deal to do with the light giT8n ott when it 18
consid.eroc1 thnt x:Alt-Gsium oa.rbonatce rofloets nint'Y-.f'ive percont of
- .. - .. - - - - - - ~
~1T.n~ U&ht!J:l.c .. T. 1?uchS (j
-30
ot the liGht thrown on it. silver ninty' rcent, 'While bla.ok
velvet reflects only l'ourthciJ.Dlmds ot a • The dit...
quali~, of li be had troo ho lOIms or by using a frost
1e. bo1'ore the 18t1p. .
Color control if! achieved by nleans o~ color media wch 8.8,
gelatin or glass. or -"., color mixture. Distribution .at be oon
lamps giving otf ditf'used li~t. TItM'Mrer, on 1
t~nc: a diroct light. by ns ot nas1:21, ehuttors, flippers.
irlsdalphragce and louvers the distribution can bo controllod to
S~ e:rtent. The control gained by ~ of position 1.8 ely
the relation of the loontion of the equipnent to the Bta~. and U1.
Daunting 4ft'
Thero tlre two types ot control, predetermined control and
in direct Itit ion to this the ovieed control. In
ternined caIltrol sverythint is adjusted i .nee to M"aI1nnfl
ity s1J:lplest
inerpena •• it is 0. t, ot oontralizec1control. In the
n-ethod of :Improvised oontrol each piece of oquitnent would roquire
Qn operator ~ioh 'WQUld be very inaive. It ill a mrt ot the i.alated or dooentralized This 8 to.
~
~ the old aro li !nus the eloatrio arc
light still require. an oporator in COD8tant attend.nee. llOll'e'l'Or,
oonditione ill the theat1'e :e i' 'e Batl.factory that a oentral
lzec1 control syateQ be used.
of oontrol SY8ti:ilu, ,e polDlllent , the flexible and the navable type. Th pOrament t"'JPe is 'that
-:':Sl
lmost of'~n found in rental theatres. tor there ill d~ of
d.mu~ing it tbB.n 'th. oth~ tJPe8_ The wiring or the rOO1;.L2.gm;e,
boRerliftltB ana nr6_j~mm1um. U.ght. is po-1'mnnen~. in ohAracter.
the ftr1:tah board. A.. a d:lmoer to work correct
1,. muat oarry no more am no lea. -.ttage than it 1. wired tor,
lr!'OUD1Dg of the lighta tor "ft.I.riatimi !a. very l:hdte4.
, yuis
~ by the pro4uoeP._ It ~ aJdbeautUul 1i161t
eo't. are lIeen 1n a theatJ'e with this type' of oontrol it i.
tindcmbtedl,. bo6!NiiQ tb,o o~ playillt; thare oart1•• it. awn cem
e l1dib1D:g equ1JDmt :nothing belori6i1i to the tllfttFe
current 8lld the h<l1ll1 11gmiB
The fltld'ble ~ is the boat.. c,arrla"ol in the thcai:r
at sent only a tfm theatrea are equipped with it. The wiring
is not Demanent in this type ot control. -The wiring oircuital
be~ oazmeoted "J"l:lbQntlY to arr1 eaUiment, temln
t'lUlbiDg ~., plugging boxes fUn ferlAle cable con
nectors. thOBe roem-eles are put in locaveni.e1'1'b 'Dlaoe.about
tllestage and all equipnClt is pl~$l into tllllm. Tbe mtch
board Enda ot thaB"o cu.r~,~va. all _ ~' ~' ~~.'~ tel'b.iDai:.e in a
mal.c~. ftitah.1Jovd .tar t'ladble eontavl Gana1st.
of a mnber ,ts wired ~th a sritab, disDer aud .tu.. just
a. n!~ ot the 'gOl"tm1ent ,I»ntrol tYDe ill. ,~aD circuits
equlp:1Ol'Ih. torrrl.na'be'Jn a pluez1ng panel
n1.tabboard, thWJ OIlY wiring oiJoouit oay be con. any n1tohbOf&Z'dcg~tJU!taby DeanS of a plug in. 'i1&ttaGe o£
-32
nitDhboo.nl is'mied to ~ the 8lrM.mtea
average &1:RBII lighting acb:lv1t1e8~ .1\1.0 several at the ~T"...n_
'boo.rd olroui:tsdo not have di!:l.e,rs. Theso are know as constant
cil"mlit~. and are a vory ftood thing to have on Q swit()bbo&rd. A
8 OJ]Al"a! :IS eo and wi11 there
I•• ....-~...ar.
The portable type of control has been the anner of the
traveling CCII!lpIJ1y of payers to the permanent t~· of control
foum in the ~lal theatre. The nitohboard. tor this type
of control la built in a 8tOUt baEo}" t.nmk that will at8Jll1 8hip-.
;ving f1«lpl~. in it swl£ohoa.,tillIo8 and d1mo.ers. !his type
carrie-s stage ,cable. plug boxes am .all th..:l"r equilE18llt even 'to the
footUghts .in maIJ¥ oases. However, theswitchboard8 are generally
lir:lited in cirCldts. jut" ·to· the. ~uet:1on for .blah 'tllDy' are I:1pM
if'ioa.l1y builli.
e 1Ieatre n1'tohboard ieone, at the L'ios't ftpensive p~eces
of equiI1D8Jlt 1n t.ne theatre todaY-.,ao .1'.JL\IJiY ot them cODtthousands
at dollars. 'They are iSQtlet1ncS .80 big that f'r
_ thsJ. It is nOW a 1.... fJf
t1"lcal Ood. tbat all nit,?hb08J"ds MVEJ 9. doadhant. manbur. that
there be. no expo8ed parts on the front of the switohboard that oar
riol ourr~tt A iiwo inoh piece of slate generally toms this deed
tront. The bUlb Dr d!z:m~s are er.rabged above it.
Belmus:e the b~"013llGot-ed knife nltohos have ~1
handles thero 'l.UlO been 'Worked aut en intorlook1n0 Sy:i9tecle By
this syB.tem one .!!IU'flte circuit Day be interlockod to the tlB.8ter . oolor handle .or it may be Jmt:t ind~(Jnt. ThQt On _intorlocking
marked "on.n
There aro nuceroua types ot m tohea that are used an c1ea4
tront ftitchbOe.rcle.
ot the
nl'mbool.
'" 4i1lDer is " . for 1
of stege
lAop 18 said to bo aime
lp
d
when the 1, ItJlUl.OQ to the is rec1uoed. thus o&us ing a
-Me
redUb'blon in the 'operation ~QtlU"e of the fUtiamt of the
larap. As this ..perature 1.8 reduced the lamp will not giTe off
80 much light. Alao when a lm'D 'le bu11inI under noi"miil. oonditi<Jl8
18 to ny, wum· the. amperage,: 1"88tatancO and voltage are one
mmlboed Mracm ~l. the Itmp
cent ItmtenB ot U2bts. It 18 true. however, thnt the deoreu.
of the voltage et a lamp ia nat of the same rnte a8 that of the
lwene. I'7hen iihe voltage is redu0e4 to eieb:t7-tive ooeroent the
lumens the vol' re
• to fli.'ty tbS lunlDB are rOl!:u.Ded to ten peroent.
voltage 11 reduced to twentr peroent. it i. oOlUlidered &. black
• The1'O 1s still a TOry faint reel glow. 'but it i.8 nOt suf.
t it Ban be SOeJ1e • In order ror s.rr:I d1lll:lft' 'to wm"I: iUl 'the bea-e canner pos
sible it ehould carry DO more or 10s8 than the wnt-ta(;O it is
wired tor, It the d1El:Jer is under-lo.aded it will dim in a jerlq
mIUUlCtr and fliolror. on \b8 other hand. 'if it 18 over-loaded
e 18 damer of ,seriously damaging the dimo:6r. As this would
be very espomsiw and dbli:Jers a.ro made only in etandard aiz••
there t'JaY b. lane di.t'f'iculty about it. In lIUoh a oue as that
of an underloe.d there 'CQ8 be a ionp placed in
sta8 flbj-N it arm not beSOeD and bY d:~ ita 'AIl~ to the
_ ch ia to be dtJ:Ded the 4!mI:1er will run as !t
,d. In the CIa.Be of' IU1 overlOBd, 'two dhmlors may be w1J'ed !D
parallel to each othDT and interloc.ked, tile diD::1ers will tunction
perfectlY. This should never be dCl18' it the db:1ns aaiiilOt b. !n
'.!.._..........-. isDC ,
in .&mer!._. the
_ __ _ __ ~. _ andtha
d~lt The sHJv type is J3&de by 1I1:ndln,g
MtS"·ohI"'''· t1r1l:t~.about t\7o p&.rane.l stripe of heat-rell.t
ing ~lnr.'.J:Ulteri.al. . one end of the res!stw 'Wire on each
to t.be.8"~. are taatened the
~1" in 8. .erio8 with the cir
it lll.ove8
8ar.. Urtrod\!oos I"el'-iatanoe cir
4iiD=ed.Thls d!ltl=.er cannot be
thDll'1ld.;anguJ,ar plated1cmo1" b used, tar tbe moat llD.rt in
the tliea.trs t9 tUm large loads. It i.e very flat and ocm.1ata
mainly of .. rec:rto1]£l"ar oaetiron pmts frm:1e. with the resistance
.~"'0U8 :enamel. The wire is conneoted at "1RU"_
the enlmttl. The 8 o"ntaote are placed 'in luoh a ma"""R' that
are _pt bY Q slid~ coDtact tlat pivots at the oem!" of
the p1&W. This .11dinG eontaot is aotrbl'olled by e. bandle tbat
cl1ImfIiio. ~~a load rq1n&
een lmDdI"Od ':to tiTe tliaUiaDd ....ttI. They are UDGd par
tlou.J.Q:rly beca~. they oan carry l!IUch havy loads.
e are two 'tYee. of round plate d:lDl:3orD~ The first 1.
11 lKDl...lm;erlook1nv. dJJ::Der. This 18: qed to a £1'86t ext&1\1".• in &tIIlteur r.rottP. They le8S ex
intef'loo1d.ng plo.to di:::m"·.am are much lJt!ht:. er 1n aonatruetion. They Are oiroular in shape. oastiron fr:sDe
ee18tones elements n!'e mbedded in the vitreoua lIDatilel.
-!6
The re.istance wire' at eaoh is di.8tributef,l 'tlJ'OUnd the airel.
and each resistor is dlamtrically opposite the other. A
lWinging contact arm, pivoted at the oenter• revolves about
n"n-P+: J~ the oehtOl' throudl an arc ~ one 1J&mdrod aM
fifty cl8g1"M8. The baml. 18 ecmatructed the ewae IlIIUme;r ... hat at the reotangular plate dimr:1er. SSto
110 8'tepe and 8' I to 17" in diameter.
The large, ~, plate. bJ.ter~oald.ng 4!mr:ler
t18J1nOI' as'.. This 1
-31-.
'the theatre it is o8s.ntL1.1 ,t it laced in a position as
s 'DO.8s1bl-e 1e of the theatre. of
is attitude.
" Perhapl!ll d8foo't of I:1OSt 1idt1Dc syat8!1S is that
the 1VI.tlipulat "'~lta.. has to do i't blindly oft-stage
or depend ear ~, -- -8 delivered
s tohba [email protected] ~."
~'!CJW8Yer. tl1e.1'O are otb&rlJ in the theatl'o that. bOld that
an eleotr-ician llMd net 8ee the 8t1.G~ in order to {iGt his efteo't••
This idea was made use of in Ua-~ Ueinhardt Id Jiew York prod:
ion 01' tbe "L:iracle". ':hay. were a llUIllber of eleotrio
U88d 'in ue 11~mg o.r 1:111. pl~ aDd n•. 1I1tret situated so
that theY altht see the stage. Enoh l1a4 under his oontrol one
or more pieces of equipment am eaob t'eceived his instruDtions
tr.. 'the older Cllectrician whO wo.e sttt:i,ngat his desk r.ith ·the
abeets andsorlDt betoro h1n tmd oOD!uoted. the entire 1:1~~
'prod1lO't1on bY benw in conatant ccr;rnmioa-tl.on with
the operatorll. TMs was Q.n eta step i'ortmrd in the
trol of star::e ligho~.
ll/'ft!M\7'er, in 4ireot opposition to this !e 't. 8 been. 1JU:I'tall.eCl In tJte Chicaso Civio _ _
io 'CaaDBn.V. Dy this n"'8ystem the electrician mani
pulates the lights without any gueslnfOrk. u he takes his plaoe
iD front ot the curtain. The lighting operator am his oontrol
a llooth flimilnl'to tho Dr'oal.'tors booth IUM1
- .. . . . - . ---~~ ~
Theatron - Clarence 5~tton
-38
enables h1m lIee all lit.htbg on the atalto. This new de-
t aocCilpl!ahes this does away with the old. of ~toh
board and 18 oana'trwrted as follon.
"The General El~trio conbrol~-jOhime~l4U.ohIliii.ke. the nMr
nethod po.sible 1.Dvolves pr pally thr
d8'1100s: .elt-synohronou.a actor, the lali vaouum rectif'yiDg
nBjokctting under the Dl1!Il8 ot .thyratron' and a new type of
eatuS"ated·re&otDl"'.
"The ••l.yn 1s a d6Vi.ce r••embl1ng as o;'dinary eleo't!".1.c
in appearanoe and construction. ContrarY to
of a motOl" however, the rota . elen.ent dOElB not revolve at El.
high D1J!Dt'C1t slowly, rarelY' more than a ccoplet.
revolution. Itrically, ~ rotating elcam produces a OOlT081lOD!...
- .her rcrtr..tinc elClmt in the slme diroct
same count. .. the use
the l?Rnme Canal locks 18 control
led, and they are used Sn thll!l ot1tm.'b1'1 'VB.l'ious 'IJlIl'PQ18S.
including the open 11·
evators, etc.
.y to 11 or group of" lights pas 001"0 reactor.
other wiDdin[; o£ this reaotor ia .fed 'I 'l'"ftnT. curl" in
varying emounta h* a of thyratrOJUJ. The amatmt of ree
titled current 8.U1)P1ies 'by these thyratrone depends on the eleot
rioal relat!rmabip bel:aeen elEments of each tube, and this ~ - - . . - . - - - - - - . . - ~
rol - P1D.:~1tn·d ~v.a.Eine - .r. 412
-39
lori.nf: ~:
"The grand r.l8.ster knob controlling all tho lights on tlw
stage electrically controls the tlOV&llmt of the rotating .1of a ~and mnste~ sel~. This sel8y.n i. olectrically COD
r;overn1ng not only the tlajar and minDr'
groupe or lights. but a180 'tboindividual DOdUlatOJ'B for Bingle
-40
lighting oircuits. Therel'o.re. ~nt of the e:round JlIQ"ter
ftri":t.'Pnl blob oauaee all the selayna ~~ting the mod
ulators to move In aoiitOi'Ed.ty with it" and the DOdulators. pre
set aocording with the requiJo_ents of the soene. opera1ie to
oontrol the li~htlS. It. however. individual oont.rol 01' at17
jor or m!iiop, ;rOUp or 'S.D4!vili'Ul:l-lijiting "oirO\dt 18 desired.
the
not intarte:08
are one hundred end forty-one individual sta~e
lighting cil"oults 1n tha nG Chi,Clago Civic Opera nouse.
c1rouitsinoludoB li£hts of bub one 'ofthe t
used on a 'tbIIl'trQ l!Itag~ .. amber. 1IIl1it.. blue and red. }. tvDioal
oircuit J:lRy eover the amber li,.J1ts at o:no IS ide or the oentor of
the tootHmts.. tile red limts in one ~ tho light bridges. or
one of 'PomMt.sIt • 'IP'''~l'Al
e",.m,i+.n e eo.rou'Diil un4er the aontrol of ca8'tor bob.! ".mrapn.
ing; ~o'r example. all tM blue ll~tD in tho borders 'end foot
lil'.'htll all the amber in the paol"oDt lighta. all the wbito in the
etc. In addition. ,all the l1dlta of each color.
,0 l:D11te1!' WIleN. are oo21-trolled tIY a col.or aas'ter J::nob. Fin
ally. all the (lolor mutei 'bmbB Ofm be grcmp controlled by the
ter bob. the Berne systEillll is folloved nth the hOl1I1.
llt!ht8 in the thatr._ but in a. l:IUCh .. hlpler tom. •• tho light
ing 011'001t8 involved are oc=pD.rat1vcly fOff.
"The enR'g;J' irIvctlVOd in the oontrolof my of the 1rd1.". idual limtiw! ~1rcuit8 is appradJ:llltely one-tenth tl'B't 0011
lumed by '0. poabtt flashlight. !he enorgy oontrolled. however_
8
-41
runs as high 8.1 t)d.ptw.{ in a ~11"8n 0 'b.
,rator will p~ " - ".aired 11d1tJ.n.E
, /I
be coDbDOted o JJlmt'11:. neana of •
!JO.s-ter tumbler switch. intensity of too li~, will
then be a tatter ly turning the grand r.lG.ster ~, or other ,\
blobs, •
It lli -nDO'.SI1!'Y roal:l:so ~ -MlftliBional theatre
is rare llDtt the amateur tre ~ 80 t~t can II1P¥M"fI
suoh olabo_ eQ,uip!l.ezrtin l"egard to a nitohboard. !(t the
im.o it i. b 1fVIIt.:r. 0: hAVInr: the
t lrthfIPn he
:wutchel" is not the mal't aatiB-
d8J)eDds on a silent
effective.
l!Lnf:mo ~WD.:Ll"Qt\ 11 6 ~he 1"OCD 'CO 't.110 11
GYri go OU't' 01' Cc:ma on
,y be. On the • just as bad tar the
actor keep his mIMi on a 18 re-j
ollOl'tltor. A condit, kind D;.J.Y' be
net bY ho.v1Im: the li«htin2 cn)oi'n.:taz. wheN he ean tIle II'tG>l!ea
am tbia ean on.ly be tho oontl"ol smpl1f~d
and 1888 upenaive.
said, H ••tiD be l1rd\t: QM thel"e ....s l'
r-Dadl the Bible, s ng oalled 1" eel in ni Roodn'eDUt It tcmMld visible
- ... - - . - - - . .' D!.D10 - uonOD:uI • t3
-42
,t ensl'l':Y. It be oonaidered in }Xlrts: first • ob-
j ;ve Ii .Dd sec'Ord 8.8 sUbjeoti". light. The purely
!hysical asrlocts are oon.idered in the first, and ~iolod.oal
and DBYOholoJ!1oal aspects are oODllidered in the
The physical aSp80tD ~o the nature and "fI~8 of l ...~".
It Me Illready been t armed visible, radiant enGl'rY. 'rhere are
several dUTerent forms ot thiS k:1.ni. of energy all of whioh tnWitl
at the aAtlS velooitywhich 18 about one hundred and e1"."
thousand miles per '."fWuu.. 'ftr aro I.r wave length- wavo le~ ,t 1.
visible ~ ...,. is ranging f'r0llL 0.36 merOlUf to 0.75
miorons • A 'ray- 0:1: 11 is one direction in which light "travels.
This ray will bend and ~r&vels i.n stn1«ht line.8. 111
aotion of rnya fU" an axi. 0 itu ab of lig."lt it
all ~e of a plss through one point they are
said to b 8 fooua-ed.
The principle aouroe of ligllt novr 1n tihe thes.tro is
eleatl'10 incandescent lcro. The clevelop:umt
incondQcat lampthnt Thealll in 1879 bas bpClliu,hf:
ab the use of tunEaten as a til ,t inIIt or carbon. Thil
new filaDent is m.cnm~ e:1.t1ler in a vacuum. or in the ,osphare
01 inert gas; the liz8 the Thedeto~
lanps of ~ ,ted in iNtr+.
Tl ,y unite ot 1i ," neoessary to
stnge u the l' whi cb is the quanlty of ,l.:utI1li• a:nd the 8eo is the Ie toot which 18 the JJO(l~ of tlw
qual!ty or UlumiMtion. It t be l.l:DCijIl"8t<)ocl that light is
-4~-
e l1hoinat_ton 1s the 01"1.-eoii& .LlIZWD is the moUnt
a surfaoe one to-ot square root. (IVery point
ils equally distant trClll. the II source which emitll
Ie ~%' of licltt evenly in all directions. A foot
Ie tl1e intono1ty ot the l1r.ht tbraIm a area one .foot
e. 1m1onis the light
<randle pm7er at 1 evenly in all dir
'l'bDNf'oro. one 1U1Un square foot ~ one foot
aandl.,.
'lhia is vOr"J ~ in stage li~ting. 6speoially tryr
lititt1Dg n , ous1nt
Ii needed con be c ted. A hundred
thirteen huxldred IlJL18n8 of light ·and a
about ty-one bn!Kh-ed lutlenll
Is hii that the &'&Pan"
dny would give an intensity of e1 th -
shOAled £'rail the BUn but sti11 expofJad to the
intemJity 0:1' £1v~ lIImdred foot oandle-B. The.L1~
bn~ a .mi.rl)' lar~ window would anounb to about
11 1igh'tod at niglrt
WOIlld bava an intcmd:ty tram abvot tcrtJr to e1t11t foot candles.
This retlact"ian of 11l".ht i8 one of the mcmt interesting
plllUlD8 Qt emge li~. ~r 11 'bean of light strikea an
ob.:toat iilioro i.8 a certain dot=:roe of ligbt absorbed and a oertain
The deaee a£ absorption o.nd refleotion d8'Ofml18
objoct. It stanis to reason
that bJ40.k will refloot ~:Lr:ht thUD lIhito. llomtver. 'thore
-44
aNI 8<X38 blook8'l1rtacos that will re£~om. Dore libht than
ra. BJ.a.~ cllDbrio. which has a !lus surface reflects
two lD:mdredttE.poroent '0£ the lirJ'lt thrOlm on it while black
volvet reflects oniy four "'~hCAl.lPmithe 'PO!'c8Ilt. .i'his 1s due
entirely 'bo tho aurfaoo of the !:lnt:D-1"UU
There o.~o IOIlI". tnefJ of reflCl~itJD: regulo.r. ditf'u8ed.
spread and E1Ued. Regular reflecticm is produced b<J n besm of
light directod upon mrrorl!l or smooth pol:l.ehe4 cetal surf''''--
It this surfaoe is .1iliiOOth ~tbe raf1eoted l~ leavo8' the re
or a1itl1G snmo e.naI.CJ:tl1ll' tam dil"CCtM li~ht Ittrikes upon it.
If the refleotOl" is 0lU"Ved. tbt ge-a:ID'tlr-ioal tang;Qnt of 'thO curve
forms the basis far the Def1S\l1"C1:18nt or tho anr;les. Th~e.
by shapirUt tho 'surface at the refleetor to bhe CAl
for tho reflection of the light it llIlY be directed in
desired. co~ted to 8CIJIB 8pobJ1•. 'II'8G.l:Imed in o'b!'lers. just
as the light 111g engiDeer may wish.
nif'f'us~ light rOffJ1"O to tho oharaotol" of
is 8oa:~Oroa 1)1"1:Il3m up aD1 re.
floctod in all direot:l.ono.. .. -is to bepe. 11 ~oa8 tin1.sh but a
poreoue one. 1 reflr 18 1Ihorl.od in order to
br-eak up tho light
Spread r_ the roi'lec'bion 18 o£ the
direct these broken ~
.ol'8.S that of rOtular reflootion. Sr.100th.
not 1Ue'hl;y polished al and ahDbmD retlcctoroG.rC of tbis nature.
-46
th. blft 'bYDe ~ re.t~obion, resuli::a when the
ran.atop i8 IIUOh 'tha1: 'the ISjor po!"tr~n ot t.'le light
are b1"0bD up AD! 8oa~De1 am tho lll.1nor portion 18
eel aaoordiDg to the 1_ at the regu1a.r 1'G%'lGC't'lon.
PQper Ubior gasD BDJ.,1)02'c:03,Q.1n emmeld atoe~ re£
of this m'tm'e.
i theaiJr'e are either
1 or mirrohThe tl8tal , T.l8do of thin brass or
o()'m)er, highly ~olli]iOd 'WI:! ., ooated with a
silver. rrors oan to];':l~'-. i.
a a l!I'Dhere. a.ocostrical ol!m
81noo t ,8 !"Gf1eotor at a
the 1" ...
source \:thus iTlll~e to the
0'1"3.£t3.%lI'.I; l iro:rb. 'J: T.J6nlbo~ic ~ 11=r cD.dO ~r ~1I
a1th it i8 somot and is a lector of a J:l6!'
abolliuu.. 1 CRinilcir
the reflo0t04 raysJ are narc.lle1 to rpJ.j ................,,'lel
raye tom t\ third 1s .ran
"'_LI'l.n. ti or
th of a lOdl3e. ~eo
arc. ide al'O 18 8il'lfeN1d Q ._WlG of the l"Of1.Ootion
t'!'-.e beam light i8 8tlHm....r:ocr than t of tho 1X\rBbolic re
tl....~ • l:1at ~ U uea core lithts for
out . 10gltimnte t1'tBl.ltTO.'-'
in d ca::lI:.1dn
-46
llOUl:ll.e oonvex lens or the objective lens. By ref!"action
these lens oon1:;rol aM direct of light
passing through it. It has been .'tied previoualy that BUb
jective ligbt ia the effect gained by IlltJIt. Thi. et:feot is
viaual sensations of IJAn. It ha1's been establish
ed that tM colorless more t.nno~ the
color sensatioriB• thus. vision i8d~cmt, 'Wb,1tea, gray
am blao!cs. The bri~lTtnel!l' of these aha, 18 detem.ined by
t;.lle intensity of the l1r)1t re£lect,d to the eye. The various
s reflect light in ,different intensities. the re. theY
may be .,aid to have 1£1'10i of 1"t'lT~Aft"!:'1.1
efl'ic!.en'b is 11ml by zoro. i4dch 18 black
light J ond unity which il lIhite and ref1eots all the light•
B~8n these tt'TO l1mitations aro tOO various .at1ons which
The table giTeIl below givoo the Q~d rar.ec:n:;
ad light in rega%"d to the listed oaterial.
!aterlal coot£icient of Raflectlon
I!apoad'Ur.!. carbonate .96
Ti'hi1:e plaster .' ";nite Blott .85�
Heavy pure White .-ilk ..so�
ihite bond etnMonnry .16�
ITenpapor .50�
Dull c"'- .21�
ChOOllate. .05�
Blaol: osmbrio .02�
Bla.ok volvet .004- ~ . - - - - - - - - - - - - - - - ~~
staID Lightin,r; - Fucb - va ii
-47
• &JUn..oe d8'P8J]d.S not only
OD. the~.ti reflection ''btrt: allo on the lnten8lty
lto 111UlJiJ:lRtion. Upon this depttms the degree ot lil!ht and.
. -can be achlft'fJd 1n stage lighting. In the old type
st:a.t"8craft. th, liglrt1nr. of the .staI:e. ·1I8.S =de as unitorm. &S
po8s1blo. 'l'he lha4aws tlult wore IIIOClDBUsry were llGinted. unon the
scenery. 'l'hie praotice il now ended 11M it is well for the thea
tzoe, fo'1" it 1nUJ eeld<J:l that the shadow c(iwided with the one
_ naturnlly would 1)[1'178 been tll!"aIm tram the naturnl light
.-ouroes. ,auch as w1DdQlrll and 400rs. In the p1"Mlent dq stae;e
c:ra.:rt ihad(Jft are Dad. in the r:l8mlOr that nature 11'011
Tho bCMt1dlnter1or realistio sot 10 liet&ted in SUch a -.n
ner 'AS the ,natural light souroea would light it. '!'he,rofore,
the llhadon aro J:18d. and thrown Qarreotl;y. Thill method is called
ot tbree-d!meIiiiQna1 liGhting. In thill three-4hKmBioml
·1Bt1A.d.ution there nre lil:ht and shade, and tharo hava been vcry
1ntare.stinl!: exp8rhtentll t18de with it. one, of these is tha oast
big Qt shadon by proper IJtD..go l.!gh'ting. Thi8. '\7e shall ooneMer
1n4-:... The ,u.s. of the hlghlicnt on the sta,o i6 also & v:ery in
11Jl.gn.11glni is the area of high brl
io the re£llIotua 1J'Jage Of 'thO 11JUrt; souroe.
All objeats are visible because Qf the light they reflect
to the eyeI bu.t the eye identities them by the n&nner 1D which
light. !he'!"e oro certain taoiiors whioh govem
8 reaom1m.OL IU'. Fuchs 1n hiB book all "Itage Lighting" gives
the toll~ table for tho factors, Wluenoing the appearanoe
of an ob.1ect. It is divided into t"::tree groups.
-48
Pertaining to il1ur:dns.tion.
7. Preclca!nant; direction.
8. De dlf'.fwsion
9• Col
10. .~1't7
Perta!rdnl!: to tIle observel".�
11. Position
12. Previous viwaJ. exper
13.
14. Visual ,enaiblity.
Subjective light has five relat10nahipe to stage 11ght
~. They are !,llum1nntlon, realilJm, oQlapoaition and design..
plastic tctprerU5 ion, . ~lInion.
Tho prmary f'unotion ote1::o.." 11gh ~ is to 111uc1nat.
the actors. It 1s not well to use muoh d1ff'wled light as it will
destroy the shadows· and it is throuP'..h Ii and s.hade that the oye
is able to diet! 8h. the prGda:l1n!lt
han'ftml t 80 does. the .t CCDe
the sta]..;.v"
-49
e are' IS ece playa tL prloarily realistio ~.
thorefore I. d , that treat=mt in light As the sun forJriJl
818 for 1:l.lIbt1nl 4rth it ill 'rnll'lln oonsideration
in eat'torior IOta in the theatre. Ie IUD casts
by the .hodOWB tlllt al~ cast the light
+'ftfthnician can cleverly a~8t " time of day at the •
of ,lay. ILt noon the 8Un is prnctically overhead o.nd zoe
sultant shad are vary ,CUlOrt. +.,'mo,.. 10M hol't.
to,zoDtal shadows lwm:lin ~ __ich dopend of dlLY-.
The 1!'lQdOWS oastby the W\Oon are I' t~ in the ec.me 'manner.
There is also 1 . reflected trom the sq and if it il 8. oleaI'
day th is 11.r,:.1ort 1.. bright and U' a ol~y liltht ls lesa• ,t am moro dti'tuaodln qua.l.!.ty. Tho tiIilo ot year t1a)' also
bo 1Dd1ontad by th8 limlt. In vintor lklIb 1s not as intense
1S it is in ~.r. This • ple DUSt be l'O~rded 1n the
lightin« of an indoor set tho exterior.
ever'. as the d 001"11 IUld Vl'iIl4aa N"Q the of lirht. 1n
e. rocc. and t'hBJe are at the baaK' or l'1dOa, at a I'~. rOl!l11a1ll CUlt
givo way to prQo1doabilit"/. If there are Windon y in the back
the a'ctar c&Umot stand, with hi'l raco in a. deep, shadow juet beoauae .
ro,all.m 8.c.,Ya the winddllS in the '-ok at the, set are tho only light
8ources. HDnVOr. this can be mrorolfte it the light plAced out~r. _
.1419 tho window is/per toot co.Ddle than tbat. inside the window.
Indoor Brti.f'ical lirthting is easy to achievo becauso light
oones f"rClJl O'V'erhead f!.xtureo, wall bra 8, table l8J:1pa and tlool'
in lity. thoroforo. tmking it a smple
I:18.tter.
-00
Campoeition end delllgn 1n sta~e lighting act in the
very 2.mpOttwdl poeiticm. 0: unUyinr; the .ettinC. properties and
a01J1:nJmo1J. 'lJuI.-tage cl_igner dc.DdIl tha.t 11&bt oontr1bute 1;0
his tlGlJicn 8.S a p1~ture. the stage deslgnar }l.as cmly bemm to na
lise how important light i. in his emgo picture. The full B1J:IIS,
th1'. aDd o:t lildlt to .dove 1)1a.:tio apres-.ioh will be dis-
ad w.
_ _ ~ _ liGht is 80 BUbble that
only roafJ1l'bly baa the lita~ deligne!' 'PO.QomnlMd ttl! full VQlue.
,n out of the thntre :I.e its force felt. It i8 much more
fi0l11t to be balmY on • cool gloom;y daY than on one When ~ sun
igbtl;y. T1mB it 1i11 that'bhe qual:i.ty ot light etfeata
t1nd it is on1)" through the use ~ the psychological
effect ot 1idlt that nlA':vl of J:lOod can be' suocesrsfully produced.
Hawver, tl'.e psyahol0ltY of light depends 'to a great extent
the oolor, tor mm. 1s aL1"'iLlelyaeu-ltlve to oolor Without being
iWare Df it.
~. EIbr!n APEmlP t-.as the etat.timint in hls b
lJ'nlay Pl"oduot1on in America""
:riPeroaption or l~UZnL ~ ~ ..... n.thol", intl»
o£ li~t UVOll the audianoe is lo.r y n pyuchological,
a spiritual. t~l raattor."
This stntament Applies lor J"D.'l:llftro than to
white lil!ht. Same hold that or is care1y a sensation and
in .. vnw this ls very t is callod "ao1or" JIlWIt be trans
lOoted into uer'9'8 cells ore it he J'OOorded on the visual con
-51
8ciouanos8. There are oertAin properties tha.t give rise to color
lIenaatione aM these '!Jay be .poken of u the Objeotive lWlao of
lir;h"t. Colored 1ipt. 11.8 well 11.8 white light, my be oonaidezoecl
objeotiw am i'Ve. The subjective e of oolor t. up
of. col IilYBiologioal and psy
ohologioal reaottona that they bring about.
It hata been said that light .il a ..vo of radiant energy.
the length whioh nmges frOl;.l 0.35 micron to O.'1S ~cron_ Thb
range 18 e wnvo ,na which conatlt\lte
• hue. Under OJ"C1!na.r;roOllditiona the lmI:w.n eye
about t'mlllty-t'ive or .rty huell, hOW8Yer. under oareful1y arranged
oonclitlODl an eye is a8naitive to oolors can distingulah over
a hundred oolors. Bach baM at mcmodlfGrltio lleh>t foms 0
tral •
The lIpt'ot "' 1 rango of light.
It was first studied b~r Iss 'Rton in 1668 l'Ihen he deoCSlpolied the
lpeetrum into ,ponent pirte by projeoting a beam of white
light through B. glus prime GO oomponent parts e f to be
violet, b1ue.blue-green_ gz"89n. yellO'J'l, or~6 ana red_
The tollmriug ta']31eJ gives the color and t~ ran~es of
wav~). length.
:
~\J,.vi 'fH ~it)VI.~" BL.uE Q1'\~E~ ..ow OM~~!~'''i~
I
I I I I I I I I I II I I I T I I I I 1 I .I J , , ,-I-.~,•• I l I • ! I
~C) I.\S liS" loo loti 10'tl .sP£.CTR,\H"\ D,,,c..t\,.,,~
- ~ . - - . - - - - - - - .~ ~ ~ ~
S~age Lighting - 107
-62
a SUl"1'!fl.O'G that it! r4 the de.ired
CO!Ol-. 00' absorpa the undesirnble light rayw. and ratloots only thQ'. 1lIO.nted.
HoWevor. by abovo neth04 c:m1y e colors are maiDed
USet1 in tho color tmdia. otherwise tho will
nedia. "'-11 not cmpletely nbaorb 0.11 tbD other rays but the effeot
ieved will M"Ve a f\aminant hun. .As in this caSQ; a c~ial
red color Dedia will not only reflect red. but also lossor amount.
llow hu~.tI. but the <locinant hue wi11 be rgd. It
-53
ianao8S8D.ZOY to !,rQduoe any hue that the hue be pre.em: to an
appre.ciable du~.
Therefore the oolor of the light mood.uaed donends on the
e li'l!ht source. Tho old carbon light gave
llallieh light. tmt of tho present day tungeten-vaauum
(Maida B) has leas of the yellow out tum the ltU-filled ~
(Mag_ c) l- nearer white than the others.
'L_~ __ __ •.•. ---- 'h b&o-m:mn longer and the ltU:lpll~_.L. .~ - 'L
ohanttt'J fr.<n 1811011' to orangt'I and f'r<D'orange to I"'ed. on the
• aD the CUl"rent inOJ:"e&8es the light color worl:s in
just the· _ito directipn_ b:t pres~nt there is no 1mp that
c:m.te .itel:lght and·'that Is because the fllaZ:1:m1'CB can-
note '- !.
gh t~'taroa 'that aro nocesonry to moduoe
it.
The oo~or DOdia ia uaed in produat or by
orpt!on, usinc th methOd, of oolectivo tranJm:\esion,
_ ill I!lOIll"QO Eovea.r ~ J>OQ"t'on. uo m1.mulI.ctora hi.
<\188 and bD.:s at lo.et .succoeded in m1dm: lOCO s.hados of £.1
ntinG and c;la:;s in pl.\re colore. rthlle. the Cl1181l is. l"lOre expensive
it is &1' moro dtU'l\.blo atIl. ,18 hic;hly tre.nslucent. It is now
in three abA4~a, red. blue, ana l!r811!11ILi.
lootive d6Ve1opecl
by Dlrino Fatuny, 3D Italian. Do.vld Belasco in this cauntZ7_
F~ in his oxperlcmumts arc 1:1Jtht exolusively beoauali
its liC;ht AtJr1ran=telJ that of sun oloaer tlan ttat of any
l.BtlIJ. This J.1~h't 1ftlS of cloth
-54
dUfuled" are· aampo.ed ot •
mlmber otstrips of oloth. whi ch '88rv8 tor the pftlDlrn;_
ion Of oolor and others tor' the !tioation of the 11gh~ by an
ac1mixture of black and white. ThO apparatwi 110 arl'lU1ge4 that
it Q ,.·rolled far ot the thn:br' of simple
IW1tohed.
.au.JmtUn.
time ana aea!:n. All the eftoots udal In a nelase'o pr-oduation are
fir,st 1tOrked aut in the laboratory' ana I:'..any il1Vent:lone are made
there. lIe f'ound through experiments tl"lor. that silver laoquered
retleotors "ould C;ive Q diffUSed i-lluninat1on. ca-.ble Qf' 0
lli~.ation ,em an area without $pillandW1thOU'b the crmtor a£ 11
lum.iJm.t!on that cHreot 11mtalfty& givec. ne also found that 1 -.� thl:ough hi. method" oou1l:d be cast ovel" an objoot !n ali1 fOl'l\ ired
suoh ..' 1;)-anda. c:b-cl~8. 'erocoent". But he vnmtod his 1!~~te to
._0 for the lao
colnp4 In acienti~
fll was oode. A mooth 'Ul"f"!i.CllI D"18 Q plane
refleo-bilon. but a tmmmool;y eurface reero8sed the rays anew. el1m
inatin.t pJ"Qctioally the last viat.age of i11umimtion. Tho action
of tho long rays in ao~ to the ahort ODU DJ1 the various sur
t"acos and the absDrption of oolor by the objoot 111wainated. fol"lled
~~ ba.~!1 for thi. nel1Isysi'::c. A table of f'QCUsine and ref'lQct~
in order to prOduce tiDta o~ oolor 'Was worked out aftor long months
-55
o£ labot. varied intensities '0£ "Color are
this e foous or 1tUllp within th
pr'oje hood enab1 aoe qual!ty and quan1t"J of light
to thronn all 'the .~nY tl ireetly bo!'O" the 1
or 0. d htmdred
atepa s UD:1or con • It haD been said that white light is LlAde up of oqual
perte of tho speotrum. Remover. it is aloo true It ,te light
will eQUal uarto of ors ere foo-
used 'the 8G1D8 DOi.nt. If ih••DdO'tnm 1. .....~- m.
are spaoed equally aroum it with apaoe being left , the hue re
sultinc tram the ocnbimtion ot the -two eM the 001- dia.
ioal1y opposite are oaapl8Qentary to -- • PUIU'L( ~
!t~lIl I Y I O~""""i
BLe' ·c.."ilf'.i
"It fiG. t.I
With the exoeption of ple hues. any . in ez
1stanee oan be Emletly aatohed hue at in tM
Bneotl."ulie ,S 9 mhture ot the vio
let 8 am BOOatrum and are the only emes
not found in the range vie_ a'POO'b"u'R.
- - . - - ~ - -. - ,ita!;_ L1~ 1ng ~ T. Fucha - 112
-56
00101' haa three abaraoterist i08' by which that color
1s known., They are hue. 8,a.turatio.n 8Ild bri~itiOI1B' 'the Boat oan
tem used for its description is hue, its spectral hue or its
e:mot po8ition within the range ar the spoatrml, or it it be purple.
ition within tho spe~nm ot" ii:s ozpleutmtary hu••
RUe is tho name applied to Q _va le~ of a ce!'ttlin length. suoh
as gold 18 ~ a yellow of wave length 0.591 nicroNl. The degree
of saturation of a color 1s its degree of !'roedS). tT~ admi8ture
uith \"hlitej '\"lhem a hue l'B 17\lHl ltD aturnt10n is 8aid to be one
hundroo nerotmt. :rihfm 'Whi~1 l!.aht is addocl the hue beacnea faint
,r a n 18 le88, it 18 teftted t1l1DD.tura't04
and b known as a tint.
oforo. tho ot D. gold is a yellow of tmVl) length
-591 tlicron nt 'Oer«mt ao.tumtion. !lhe third ohQl'Q.otoristic
18 brinrbDcss ~ch is designated
• Jonu briv.htnosB or gold ia .21. Wtnto#lf!~",. Gold i8 knDwn by
three characte~i8tia8; ite ~ lenRt11 ot .591 its satu
th1rtY-81x perctmtand Its coef.f'1c1r of refleotion at
.21.
,y be said ~t ~l\o FimDr,r oolots Ilfdlt aro blue f
r;reen ,and red. By n1x1D, lors in
tho proper proportiQ!l8, liGht or atr:I color may be cede Also.
in equal Dl'OJ)Or'tiOJW 1drlte lirlrt is oduced. It'
equal pl"Oporti0D8 Of the light primQri08 are mixod irs the
11 result. Thus. blue ana ~roen t01"m blue.green.
and r04 fo2"J:l ~l101fam r,od ani blue torm. purple. at oourse. with
1Zft?'V1nll' monport;iona or tho throe ,dtlIlrles f light of Qny COlor cay
»roduCDd. This is callod tho additive mJ-thod o£ color mixturo.
-51
colored 1 •
The othor n8'6hod. of oolor tUxturOI 18 lmawn a8 the sub
"tractive nethod. In this nethod theluJcondaries of tho additive
nrtmaJtles. 81J.1:rl::raotive hod is Illy
be. - - e additive od., TIawevor. a mixture thethro
P1~ primaries. blue-green. yellow and purplo. alwnys tend· to
the production of black.
oolor cixture ~or .1 -1~nt8
are 4--+ant in tho th.eatre a8 a lmowledge at helps
the stabe detl1FnVn" urxlorstand how l' of.' various colors will
... .. - -- - .. _ing - or. 1:I1WUIS 118
n .. II2. " , " 119
-68
e &1mOI.1"&D.oe of 0. 8n ~ coll'tmf.:]Cs and colored object••
_ iun tor tho creation ot &UlJl!IIIU".
t 1)088018 l!I.l)'pe8.l. that a!"e osthot.ica11y pleasing and ex
pressive, and ~ot1ve in their action on tha bulDan ~_..._u.vDIl'.
18 color. The peyohologioal ..root o£ 00101" is a4D1tted but 1Iby
8j'8 i.ab1e tto lIoe and c1istingu1ab variOWJ colera has not yet
been Idefinitely settled. '!'here are various theories 8S to 1I1V aDIl
haw the human visual syatm aocCE!Plishas tha porception of color.
ot these are plausible but none are completely I!IUGceaaf'ul in
~la1n1ng the phencnena ot sight.
Old IlaYUlG 'tlUL1i ontI. lanD believo nothing that is heard
and only 1lll1f that is s.,en 1s a v-ery apt ono. Tha fty'8 1s aott sen
sitive to 00101'. b'I1t is eaal1y inf'luonoed by it. Atter looking at
color for & period at tiM the nervo 111 1;hi) .e:ve tha't I"ftOa-pw
nizell that lme Yill beoCi:llD t1:t'Od, aM ,..ill tail to recognize
hue or tho full omaunt ot it tl.f'iJer t1 'DOl-lad jmst follar.i
i'lr.ot. AlBO. it' o.n un8Q.tura:tod hue is Pu.oed with 8. group oi? 8at
urntExi hues the ref'leotlon ot the second Will offect tha.t or 'the
tiro.t I:U\'d it will appe,al' ditfoNnt to 'tho eyo.
It is st1muluting,
spoakt.D~j bUt it ill true t colore do cert en
oting W1u virtue of cal et1'cct. the
m:lOt-1~'TO use of <ro10rs rQJl&tlB on lating at tho red
end of and oppoaito end.
This will 8. VD.I7 various CCDl'Oslt
are WSvu..
...�
A8 L was rded &8 smbolio by tive man 80
datl'11 thr6ugh the ages have oolore 1x)eCD) 8y.Bbolioal. They have
oa:te to bear a diBtinot re n tJ"tLits am moods ~ I:I&.D.
It is ~rue that to CB
anini; as it d008 8e. yellow 11 tho col�
or denoting royalty. ,1e purple is the ambol�
oyalty. The!reme thing :i.e t black and 'Whito. '1'0 the�
Chinese white i8 nourninr: and black is symbo1io of death !:lourn
mgt l1duntal. o.
d1tiona havo br· t about. lie r:toaning h0.8 il
oped about oolora.
e has pln,yod an hmoPt:n.n· in this devolop:1ent.
The col dilplayed by r..ature .t vartous seasons of hnve
lue is cn11eda " oolor.
doe8 01 t Gf'i"oct.
b~ue 11 a180 oalled "oold". 'feet given by the shad
in an aututm sk7. Yellow is said to oheorfulU and it is
is
lovr. "'Redo ls th~ of' 0.8 "
color or Glowing ecbers.
gost"sB'mrity" nnd "turbul
• also. 'tltPCJW1'h ill ra
.!A"1m~IUUp b41'bmftn :~lor has been attncmed
t@ them. In the follONin~ lis __11 be noticod.
D1 111 really the ab of 1i 8 to•�
-60
daote g • witchcra.f't. <tqBteP1. inf'inity. dea'th. d$8p8.ir"
'ae" terror. wic'rnnd.DODiI lorma. It :1& dem-esaiDr:: and sub
duing in QA..I.-'II.
~~lt. is ~g Ll'ld c_leani22g. I't shan hUlidlity"
iDtegr:l '&rln;fi., lig.l)t. peace" parity" tlOdeaty" chastity. sac" rif'ice
Gray 8"v,- nel411C:OIy. BBdne8S~ ,ecm1ty"" secrecy. ooolness" wL"'lter severity~ ~1i;ignl and a.ge.
_,,, considering the color circle:
1e is emblematic ot royalty" riches. effluence. pcDP
n_"+on-" atateliness aDd dignity. It nay giVe the ef'fect of being
'either warm or cool." us 'Whe'tbDr rod or
blue 18 predcm.:iDant.
no1et-.sumeats ~jiidncum" ,e~J• cering. paaaicn.
• Emt'mentality.
Bluo. 'bacawse it the 'to
..~ spirituality. div1n1i;y. ay'IIiicPy" d1gn1ty" " hope,
f'idelity. Its dar1:er flh84es are dftnl"fUlSing.
Dlue~ colors
it up. It l~ rt-n"',t aDd lous.
Green is a neutral color 'to a great Btmrt LLJ",I.KCI'If~r. it•
does sugzest f'r~. nnd it h&8 a yell is
quite cheertnl.
Ye is color in the spectJ"um.
is 1;!l1nly due to t association 'llith 1)"UD.L1DJt1. bright
8. brilliance. luste-r riclmDsa ~ted by it. n
groomsh-;yellCR1 sycboUzes youtll. pGace am faith. lfhile the
• •
-61
dingy .BadQII ~ft, faic1:nou. indoce.naY. 00IIt1t"d.1ce nnd !neon.
is ~l1o • ~088 0.00 :c01Annholy.
is of Autm:m
are- Ol"D.Dmt. :t 'th& ha.rvoc pl~.co~.
lcw.lthtm"• • is Bl1m..vs thonibt color.
blood: fire.
war, !:IrlrtYl!aJ.. dangor-., dora'bruat~<m.
~ 1'16&'6~CD. am lust. PiIik. an UDSn't
~tae1 00101.'. ~ts 1 ~h. bealIty. ;htulnoos and henlthe
,1 dIn 'crlnson
is beII.1ItY,. t«m8l'OtIity,
to
Colo-r brln::t.<m,y uur.rt be fldliO"lCd 1£ 115 to teel fit
This DAD bo do~ tl1r-ougb ccmmst in ~it.1Dn color
And its ClG:::I..... "-"U,. of
ith tho-- . color circ.lo. h:armmI;y is &ainod by use
of only t;
the .dOKree 01' l:J1"1r'..l1m10SS
a color is in bri lea8
hils a. 1088
bl-i[th.tne.as
-62
'to fi fu:Dations .gbtlng: 1l1lllrl.m.iiion,
rea..u.m_ _ do c azmoooo:1on, nnd psy
cholocicolozpro8sion. It 1: t oolor does not
• It is 'to_rue. though that by 8C111O C<Il1
b tis to distort objocts to such an
color ~ (\ cli8OdVUDto.ge. imn _ li~t:.
18 .. DDD't'.odaumJtian. ro o.re iDpoU!ble to
labor.
'1\fm-f r1' no1o.Dco ld e. 8un80t for one p • re was &.J), ow.ay of fivo thouaand dollars on 1.
used. ,4't.....ft'M on of 1 is
to BUraNdt. .--- (l atntaDen't of tho fUn
etion of all t1lDo.t!'e, 11gbt-1J:\g, ,DB
foll
is a 1H1P1"twI' :lo.ce wbI:.11"VUtxm 1D.rRO th!nz:e are
lm2'sst.edj 1t oazmot CEllUoY of
out rodnolnC'~ in it, cbllrnctlH"B ineludod. tl"G
10 £01' nnTft7'tllVint' 1tlp!"eanionD~ a.a long are prrdactod
qnosnon on of
QI;;l"D.liDYUfl-. It
- - - - - - -
-6S
ha.a one tJiMW"£ul factor which TIll
of oolored • ~ts; it is e ~n~tod.
us-cd vi-;;h
cQS'tm:!f)o of tadnv are dyed wi
00 cloth. .1
n-ll lvet if Tll"tmm"1"11'
,stn!!O daG1{;lmr I:lUl3t not
be d in hie book
,-..tho
are to TirT ~o proouco l'
or attain Q. cOl"i"eltltiTO ,ty. To 00 thD bomlty of Q sun
-Q tho-b=uty of rolSY 1 -. It ~. tho 1J!Iroa.1ity of
in the ,'11 or aT Bppr8c-iatlQ1l ot the l"On11ty of • beauty of red nc cUlollta1, and ,not t
It ld not h&vo _ avoided, f'orlf; 1s at, 'bui;
ct 'r"«JI)im , tl18- artist nobi.cvGll al:l:1Gf.hbg did
sot (7Ve. It- Tmbld bettartoeo for red
aD1 to attain it If
1 11 tU'ld good. I't is bOillUt1f'..t1 itsolt
o.nd 11 at the c~ m..th lI'h!.ch wo have
n~ivcd on oftoot. a nico.... noom-loc ~ 01- 0.-i"Ii~ .IIL'........:Ifij1r:g.u,ng »
t: hobb1aB, ttGDdod, to its clooo. n
u. _ _~ ...
!!odol'D. 'ID1.lXltres - .1P'Il"1.In!
-64
Color not add _ of on objeot for
that is l"wealed by the .L:l.gm;.. S1DQO lit!htB and ahadOl'lB
ra-eva11 C1V'f1r' its 8U1"faoo.
e to tho JilAa'Uolty of
atat:O it is in 'DI!I'Wholol!ioalGJ)I"881Ilcm.
is notblD& 111 11 eEpreH
the mood, al3d rein.1'ol'c-o the imler t1Oftn'n g a play. It
1s bocBWJB tI6YChologioo.1 exprossion ~11c usc of
1 _ ~ is tn try to fo1• low rea1istio lil!'Jtt!.nLt +},- e~ to ~liah he
aaau:ce 't118• t-itude thD.t hi. aud1enco will __ 'ec1tltlve of
anal Q!'PO&l Gf 1 go l'nr bewml t..'lo 1m1ts s,ot
In "LillC1:l" b.8 it IntliIlDatol
:t!'G tll8l'8 ~ iDtoI'&sttng EIXOtlples of thls.
.first ooOUTGd at end of tim second act. LiliCEl" died
O'Ot'lO for l'tl_fl soW.. ~s _ to
Oourt, Q nd1ibc;u, thrown S'trIliEht d
t: ws�
:way by until cqloto17 Mt�• othor was the sccme i.&ntc:trl in , SUioide
Dl"aIICh. [j it
• tltanod for was~
the soul wns burnt
it't'lll.s ,ory red light, surzelit1n.R the heat.
10
R~or, it is poII~siblo to ~o 1i&hting Giving psy
GbnJ.Og1cnl _pIoulOJi. GDZlllJle of this. It
mtitaddct
in lDll,.
UIn in tho palace of
I~i vmmlh he -00. over the
fr<:In whJot. buriwn: tiiienao. the
Crolml""lt 1&
br~in leo4on bluo. lDdtoaM.VD or
8p1ri~ ~; for the vcmtb.~'ms ~m",,'\'
of t.ho pgDalty, 18
'JlIP nrlArh's troasuro
far hor nl
• 'I:D"OI'Ul"dm
d lrur-J.0U8 8hitw:itn:.e In 1:1GD1DG.
0. t~lI the
It a [;!'eU't ap.l4Bh or red otribu,the' roOUCbont
,groat amderin as be 1108 oor of 0,'
'nati
n• f!odonro11 ,tre o£ 1
~1DR nnd•.:Bet'ting
embolic ~
~IO color
wao ~1"dn 1n lll"Oduction of' A'Anmmdo'o pIny. "La Pi8lmellcll •
Pm"baJJB D8V'or botOr-c in ~o£ DXlorn lItar;o hnve tJw prin........... - .. __ ..� ... - .....
1. 'PP.......nft+ion in :lUr Edu1n�
2. ~odnv - .. tr.oa.orrll1o - fJ7
-GG
olp 100 des• erlptlon oolor 8ohaoos vi11 ~D't USO o£ color in
.1ca:IdnD.tlvo vorli:i.
J.:I.~ll half'. 1; ·out euc
1.ng c1eacml all colOre)
aDd always 1:1 vieW of l.mJl'T.Am was 1>0audionoa.. d.mm
it. Tlrl..c ;t?8.1 8~ti ll'Ymntine ~..-
it Wh1 l~eUcmt
:urann .hnnging 100ae.a..v• l.folds o.:n ~i) was •
- prbloguo und the three acts 1ftIJre conoe!~ each
Q. d ....M _ IlI .;.",. • .Pm for _ _8 a 1a1 curtain revool
cd I!lCllO two I:dnnte8 boforo tho ol'T'l!'jJGMCliUmil
ml'+~ln.
dl'Qma p.w:vtX1, crtJDad_. :8n
all 01vil.lza'tiontJ EDftmoaoo B.~~. BYmnti:no..
.D~ (k) n'1~gUJQ IXJll!:Jol:.
In t.ho orol.~ J:t:L~ b 0 GU.LJLOQ.
civi1i UIlglLDOO.. 1m8
far fraa a '" 01:2 't71th
their C3ml14l::1cmt.S. a..~ 1ID.I'tlth of ~ oenl;m-od dawn
·pt of 'k 1'lJJ;loo. cemuro.1 ....~ I~·
BCboce of t (calln
pleoouts~ ..Ild). Just th
reT5r'oaented not 0 • but the e1':f&Ct
1mB thnt o£ a rl1.ob1'1 docomted intarior. aannnwa a sort of
-fj7·
t)ColGlf1ant1.cnl mood. A br1gbt f:I1Jomm trcm the side OCl!l
1?- - - . - -' COB Li:&z».s• re
ly fill oolors. dCrlimted. ecmtralrt
ing with oo1dDocs boh!D3. ety in the
it _ for praduaer to flI:::ldlDilO ctoriallyany
inno'PtAnt drm:n"t!.c effect gr~ ,,""-.on cost
• At the e of liot W8.8
betwtMiln
B ~o effoot.
tno di-gortIQ -aitor l1£e
Q£~ eoana -.s £tc~()P rat:h9r crudoly
Inck lin0s.
with ~ OUI"taU (quite at
vnr1nDoo uiof=url) as snromBil ritha.s "'mJft1 though law-toDed
Ibit of =tm- 'ah1.011 1inlS
I. l1OV'OCOnt of
of '8.
r:e.a lave _ •
• ohaBtoly 0.8 s<Dl!rtiting holp•
ddtD and t
aeooPtoa hm as a "bride l1l1riDt" t\t tho.t 1'Xjjmxt.
n'Pm'lnchl:mgwd. ,he was oover
o£f tho
to .l.Wl"DO
"The eooond act e. CtfivutIt
'B8
b8c1Q:rotmB:.. I"6thor o:'n-
YW&lU-UlllLLq pd."ltod. DmJtIoQ.l bl~. 'b of
red-oraJ:l.&O ( oaIlJP.1m'tent) -conter. in puro
blue _·,te. IA P1.Da.hella 'IJ&S olad
camrcnt 1:IQG violAtod 'b-,f the ont1'"fll1ftft of -loch
cou.rton~. brill d m-a1'cmo color hPlloft in
• ·+.him. act W8 - of
is to die thzcw!b
an 1trtmJse green rdth
tho
,~ n l:UIIU! of flCJVr
NlX8tec1ly't~t
low verging
in\1Bi~ in the
cl~. DODOmI:lont fl,~D.
808'11e. iJItoDDe ond l:1ore pn-pliah.
flCJW'Oru of• int_ -violet. hoI' l7'adunl
-69
1
-TO
•� 1a siano'P to the
p.m~ in the 11&~• is sunk in tl' liLo of the cyo
lorama. 18 tl":o h01"!.zmt ~4~ the aye
101'C.IiCt:t.. ro»J)(mSible for all the ef
<~.
t
and
colO'!'e rQ.LIIW'~ ,otBf::a\;arib:
~ri\ll ~ona~ ap
str~·"lnt01"1h~'M.vo nmmr is
and or not for
re odonnemt, to ealNoY .a !1Q8Bt\go
a:I"UIJtl•n
L~ODD a 1.t:I.bor3.t...,-- -" li,(!lif:mg.
<tilt vorkBlmp.
c1s~,.
ru-e
the sciontific l:nOrrlod~.
it. do not I'.IOmlOlIS 'the Qstimt!c sensibility.
Sc1.anoC ~ 1:1� s 1 -io "~~t.
- -� - - 1- _ _�~ ~ ~ ~ ~ ~
'l'lll".lIIil 1
·OlJrua1l •
- ... .. ... ... .....
'. 'n
o
. o~ p... ~....,,,..oq nc;
.".,-,.,..,.._,"1'
-tJ.
..
App;JD.1 .f'r' 01' tho Pre:J~
Al7D1IL d(.1V01riwd his
•
to th"a.tt.mpt
reo.li8m.
1!J'tam, viaiblp :mhft'l'lB 'bfJ ~,' intonaa as
a.LW.cul .t
the 1
.t~ dD?C1op:m1t ImJconi01"UtlK.
be accacpl1alitd re
.....i.llt in llIDJ.C1fl or tlO'tQ~jp1nt1n&. setting and
dafini't;oly canbJrollod
by D1lD:LC.
•
w _ _ 1_ _ _ _ _ ,_ ~ _ ~ ~ •
Proclu-ction
( :( ( I
:(\�
:(� TIl<' t<LiJoml ( TOO. ~of tbet>�
:(� Qr :(
:( :( out of :(
ol«JG1:l't; mw ( ( ( of ( ( :(
( '70 be ~OJUUlL~U u::J:rUUJ:;U
or
Ineoen1o
l\ t!'I".tn" is
tho Dta~ in 8(E&
,t light 18 no'
the a.oto:m. V"1 'I'm I a 'thlnR
~. tl18 'Ifhole
in tmCOO. a:prQ!lB~ J:IW11O .is c:praoaing in • of lighting, ing EU1Cl tI\1nt11lg aro united with the living
t light will be d.mlmt dn electric current
far many :van. yet the tungsten .ti1.ament lanp DaY bee
'lete. ~ _VWlUoI"" ~....uAUG ~ I\I~,
])01ntillage tI)'8taIn tbD.t wu ~~
14Mb and introduced mtothis eountry by J oe8P't
',1!i'bnn. The surface ~8 spot'ted with a.ll the colo"
play 800 r«ru1red by
a llarly tODOd 11 ~ :n'BteD a red lie
the red on the I!IUrtaee. ".8 eoene
• This was eamparatlv6ly 8 colors were
used:. but ..hen n os.bination of nixtul"es e li~lt1ng
bee-au t:ZUOAJ:JOI"f) difficult,
~, tomes the buis for 'the experl~
aoenery nay be on one set.
U.gh'ts thrOllD. em it.
are e
t oblitm-nto in two of th'IIU~
of ao1oPs to bo OIled in 'thODO sbtcboa is V8.1'Y 'lc_ 'ille "hole
priflC'iple i. to seeure true hamcmy betften 1 ~r am de
aign,_ 'rho p&1nts used nr9 enal7Ud cheEdeally CJl«11-cal8
influcmco eoloTo under l".h..... rnnimIlarly
is :_ This op8n8 aD
CUJd it all h ie light.•
.DoSthod. 1ntI'od.ttcoa t ro in
-70
1920. that; opens e.nother largo field 81oatr1c light.
It is ':tl:a~ of pro:)eot:adlOGnery. ord has cads great
01" 1I'tn4e8 With thia Iso. In 1928 the
first play staged to . -., r:umner was
"V1ldngo QfHelD14D4" Pl'uented at Cl.rl.oano• ll~tmg equ!.JIllSD't by
lir. TIilford am was 1moIm as Clavilux units.
OD &'teel towers or in a aem.1-eiroulAr &o:ttory in 'thO E'1.r'eplace
on the floor. The oCIIItMl of all theso 1Tn"LT.:n
.-cmaole abou1: & foot 'ride hav1:og k.'eyes oc:mtrol.l1nR: the various
units no 1uI!.er tbIm· the bead o£ a lDBd 'OBllOil. This 1mS plnoed
in tlle 'OI'Cbastrn p!.t whm.. be
g1nn1ng at the performance. This 1s by lW:&
for the m-oductiOll.
,ct I DnrJa:te"as out mointrl.r'le�
isual Datif'. DW:"••�UaIIoVY
(lea to zoigbf;) reveal Jdt:'l""tic pines.
te. all abDdos or gray, 'With IU'bHtiple
fading into darImess..
~1)t II - night. Gunner's IIall, 11 lIimp1e fJoa:r;Drord of
'boatuI fJtIB3aunt«1 by az: sl:nlls. !l ttr'Otlt amtral boa1"tb. .t'r<!:l whioh. - .. ,.
t1rol1Ph~ f'ollon tllO &CJt1011, forovf!JJ' alumgSnr; in 1ntemJity 811d
1JDIrB!'d fiioker1n1't red-orlUJl!!) iI&I'1UD 0"IrQ1' thDt>layer.
,~ ~ ~ ~ ~ ~ ~ -- ...... - - - .
br:ind:ng out ~he o.rOO8 of iaportnnoe, whilo subduing 0.11 olso-e
Of tw;rlm1:um violence dur1:ng iIjordi_e-i'horolf' ll1'temtlQD aD3. ro
~ into a static 'D!'OjoO'tor
'light
OOCIlIliaDally ~ .f'1!'cmlaoe.
Act IV .. Bo-(tlD as .Attt; I. lli%ftl! 'and drifting of
S'U..-t am cloud motivoD . 8:"!.1bcta.ec1 tor n'" tooli."'lg.
IM:M~ nP red~ boat1:wwJo £alling
daatb8 IUhetruct t, ria'8. -lcJ"(l.tod drift
+"'-.. ,darkening as sound thG eleoents inmoImIIA. St
i"laahes - - white for mm1"'t.nP second. -- doad w.t\rnors.
~l1no. .fOUF~iOlULloaaonce of blo.clmoao: 1
loping~ D~.&. a.nd b1
loft ,tiro scoro.) ~ uri' and cloud ivos
after VJl:!n{f'o exit. Principal If' fading darlmous .Wi
SinoG the 1D'nmtlon production of 1 ..
1
into nt; 11
littlo 1 • ~.Aftn thowsa.:m,
is t"TJO .do11o.r8 pol" lineal foot and eo.ch
eries. -fI.ll"lftPl"l?moe. rott tho GIltire oys-tm.
or c1acagod. ~ is no TIny of dirning the
-'i'eehed. [~
-----.. 81
-"T3
boI'hftft are 110 dDlicate. in 1't8 ~ stat. 1IUUl4 be
i!:n7raCJtioa.l in the .tre. is • l:Ii.7mtlr wi~l mrtor
eu.:umt of
tbe61:re
.t <~le1:te is pIUll\'l8l' :
is poeaiblo it.!'
H.~ for
liVi
1 • dynamic 1 IU:I..ImJ. U'ying.. clar1-'
f:VlnJ:. emoh!anali ~ 1icht ,u:a.m."
CQIICLUS IOu •
It ha. been ahOlm in l'art One tbllt electrlo1tv ha.
met thJ!' der'fiU'Jd of t'"\e modem theatre !'or a liRht whioh "'HI
clean. cool, eonatant in GUallty and could be controlled.
Part Two haa been devoted to e.tabUah1ng, the et
teotivene•• ot modern eleotrioal eqaip~ent of the
,.hen oorreotly uaed.
Alao it haa been ahown in Part three that ~le
the tunrraton flla!:lent l~" may pan out of uae 1
theatre 01' the fu. ...ure. 'the meana of produoinft 11r.ht roill
probably de ,on electrioal ourrent•
..
- ,- DV\'nD
'l'honiiric.'1l In ant 1905
~11.A~
lOJDODt o£ ~"he ~tre ( ) 1927
Pichel, lPU"'tttlP
,onel.
ig1l'tiiM 1
ler, uuyo!' hiJiDbnrdt