egyptian empire
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Egyptian EmpireTRANSCRIPT
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EgyptianCostume And Fashion
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Ancient Egypt: An Introduction
The Ancient Egyptian costume, for the most part, was very simple and practical, consisting mainly of folded linen. The hot and sunny climate of Ancient Egypt meant that simple lightweight linen clothes were the preferred choice of most Egyptians. Whilst a number of examples of New Kingdom textiles have survived, studies of Ancient Egyptian dress and textiles are still largely based upon the study of wall paintings, reliefs and sculptures.
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Egyptian Garments were draped round the body rather than tailored, and sewing was kept to a minimum. The chief form of decoration was
pleating, and from examples of garments which have survived it is clear that a mechanical process was used to put the small, regular pleats into the cloth and' that some form of starch or size was used to fix them. The nature of the implement
which created the pleats is unknown, but it may have consisted of a board cut in peaks and grooves into which the cloth was pressed.
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Male Costume
Old KingdomMen usually dressed in short linen kilts.
Belts were used to fasten the skirts.
Ordinary Egyptians wore course linen,
whilst the richer and wealthier
Egyptians dressed in a lighter, much
finer cloth. Semi-transparent "royal
linen" was the finest of all.
The two important types of skirts were:
- The GALA SKIRT
- The SHENDOT
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The Gala skirt wraps at least one
and a half times around the body.
The end has a gold pleated
section over the right half of the
body. Its thought that the gold
was either fine gold thread or
application of gold leaf.
In The Shendot both ends of the
loin skirt are rounded and the
overlap in front is very slight. The
loin skirt is pleated all the way
round and the front panel is
usually represented with
horizontal pleats
During the old kingdom the right
to wear a shendot was restricted
to the royalty, but later on it was
discontinued.
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Middle Kingdom
The loin Skirt of the upper class lengthened perceptibly and reached almost till the ankle, in other cases it extended to midcalf.
The waistline grew higher.
A small shoulder shawl came into use at this time.
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The Empire -New Kingdom
Covering the upper body was one of the innovations of the empire period
A Kimono style of garment the most common type worn by men, consisted of a length of cloth twice the height of the wearer and as wide enough to reach from elbow to elbow. A small hole in the center to fit the neck and a vertical slit down the center front enables the wearer to draw it on over his head. The fabric fell in a broad panel to the floor, front and back.
When not joined under the arms the edges of the front panel were wrapped around the sides towards the center back and the edges of the back panel were brought forward, overlapping the front panel and closing sides. The panels were held in position with the help of girdles .
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This kimono type of garment could also be secured in place without a girdle. This was done
by tying a knot out of the two front and back
panels at the waist.
Another fashion of the empire period consisted of a long , sheer skirt worn over an
opaque short loin skirt. It often fell to the bend of
the knee or to the calf in the back , but was
pulled upwards in a sharply slanting line
towards the front.
A skirt and a shirt combination was also worn during this period. The short sleeved kimono-cut
shirt being tucked under a loin skirt of variable
lengths. Sometimes these skirts were
transparent
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The Beard
The beard was considered admirable for its manly
significance. However the Egyptians were clean shaven due
to hot climatic conditions . The King reserved the right to wear
an artificial beard which he donned for state occasions .
Beards were of three sorts :
A short stubby beard could be worn by men of royal rank.The king wore a much longer but straight and thick beard. The beards of the Gods resembled the kings but had an upward curving crook at the end . When the king appeared in
guise of God he wore the curved beard.
The Beard :
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The Priests
Two features help to identify priests since they occur in many Egyptian art .
The bare shaven heads
And a leopard skin draped about the body.
Later during the empire period the priests became less ascetic and donned the sheer pleated costume and wig of the upper class. The leopard skin was however retained.
They wore white papyrus sandals, no leather or wool.
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The Working Class
Servants as a rule, went about
their work either naked, or clad in
little else other than a simple
apron, skirt or small loincloth.
In the Empire period the dress of
working class remained static.
Was simple, functional, and
comfortable.
One dress item was a leather loin
cloth worn diaper style. Well
tanned skin was cut into a fine
lattice design both for greater suppleness and ventilation .
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Military The soldiers wore a short skirt for mobility, with an elongated heart shaped device, probably made of leather , suspended from the waist in
front for protection.
Kings wore a battle jacket, short sleeved and kimono-cut. Wide bands extending from the front edges crossed and wrapped around the body
and tied in center front. These were highly decorated , giving the effect of
sheltering wings of the sacred hawk or vulture, other religious symbols
appeared in the decorative pattern as well.
The queen wore the vulture headdress to ensure protection to her husband while he was engaged in war. The designs in his costume were
also probably placed for the same purpose.
A loin skirt in feather pattern and the royal apron were worn with this jacket
The blue military helmet was restricted to royalty
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Female CostumeOld Kingdom
Womens costume were simpler than mens. women of all classes are portrayed in straight sheath gowns
,which were probably not as tight as
seen in the paintings
These ladies were the earliest
sponsors of the empire line. One or
two tapered shoulder straps form the
upper part of the garment.
Techniques of surface designs are
also found , such as herringbone
pleats and bead work.
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Middle Kingdom
Women in the middle kingdom continued to
wear the sheathe gown of
the old kingdom.
We can find examples of feather patterned fabric of
the gowns whose fresh
lovely hues attest to the
Egyptians love of color.
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Empire Period
During the empire period, the women, like the men continued to wear the simple costume of earlier periods on
state occasions. But this sheathe gown was not an artless
little dress.
The women of lower rank continued to wear the plain sheathe gown and women engaged in arduous labor retained
the short skirt.
Queens and wives of the nobility wore a variety of draped costumes of hand pleated white linen.
The kimono arrangement was worn by women as well but unlike men they wore a narrow sash tied at a high waist level
with long streamers falling below the knees.
A two piece costume of the empire period were a skirt and a shawl combination that was easy to arrange and wear.
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The sheer pleated costumes were complicated in drapery and must
have required trained lady maids to
arrange them. These draped
costumes are distinguishable from
the kimono type by the arm
coverage. More complicated styles
employed greater lengths of fabrics
and were pleated. One arm was
covered but the end of the yardage
fell over and down from the other
arm, its free fringed edge often
reaching below the hip.
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Other
Fashion
Features
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Wigs
These formed one of the most important part of their ensemble
Since the Egyptians had a high standard of cleanliness and in addition had to contend with great heat, it became the custom to shave or clip the hair close to the scalp and wear wigs. This promoted cleanliness and coolness indoors and the wig lent dignity and provided insulation from the sun.
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Old Kingdom
During the old kingdom mens wigs were usually small and followed the contour of the head.
Slightly fuller wigs were constructed with straight
hair.
Womens wigs revealed the natural hairline indicating their hair clipped less closely than the
men. Wigs with horizontal rows of tight little curls
were meant for women.
They were not always made of human hair.
Some of them were made of sheep's wool.
Middle Kingdom
During this period the wig increased in bulk,
became more bushy in appearance and reached
to the shoulders.
Womens wig was excessively bulky and the hair brought forward over the shoulders tapered
rapidly to form a coil on each side of the chest.
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The Empire period
Wigs changed in form in the empire period employing greater
detail in the arrangement of the forepart, the lower edge
characteristically dipped towards the front.
Womens wigs reached their greatest volume during this period, often enveloping the shoulders. Ornamentation became more
elaborate and diverse.
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The Head ClothThe head cloth completely
enveloped the wig. Judging from
the direction of the stripes a
straight edge of the head cloth
was bound about the head,
covering the hairline , and was
secured at the nape of the neck.
Traditionally shaped folds ,
starting at precise matching
angles on each side of the head
were brought forward over each
shoulder. The rest of the cloth
was drawn to the back and
bound about the wig in a pig tail.
It was generally a plain square of
linen.
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The elegant and beautiful flexible gold headdress inlaid with carnelian
and colored glass is one of the wonders .
The vulture headdress with the two feathers of Amon and the son disc
of Ra superimposed . On the same plate the goddess Isis wears the
horns of the sacred cow Hathor encircling the moon disc . Queen
Nerfertiti wore a crown unlike any other royal headdress of ancient
Egypt. Her blue crown is banded with a polychromatic ribbon and
highlighted with an upturned band of gold across the front.
The Headdresses
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Gold headdress inlaid with
carnelian and glass
Queen Nefertiti with Blue Crown
banded with a polychromatic ribbon
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The Pschent
The Pschent (sh-yen) was the name of the Double Crown of Ancient Egypt. The ancient Egyptians generally referred to it as sekhemti, the Two Powerful Ones. It combined the Red Crown of Lower Egypt and the White Crown of Upper Egypt. The Double Crown represented the Pharaoh's power over all of Egypt
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Collars And Necklaces
These have been associated with Egyptian costumes from predynastic times. Finds include strings of small shells, beads, crystals, carnelian
and amethyst carved in both round and oblong forms. Collars were most
common articles of adornment and were worn both by men and women .
They were made of faience beads, sometimes of semiprecious stones.
Necklaces were enlarged in the empire period made of semiprecious stones and fancy beads. They were very heavy even though they
usually extended only from shoulder to shoulder. To hold them in place
and to make them more comfortable to wear they were often supplied
with a counterpoise. A thick necklace of multiple strands of round beads
was one of the symbols of the goddess Isis .
Other jewellery items included anklets , bracelets and rings. They were as wide as about 5 inches, and were purely made of gold and precious
stones.
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The Royal ApronIt became a symbol of authority during the empire period. It consisted
of a group of narrow tapered and patterned panels , flanked by
shorter streamers on each side , ending sometimes with a border of
uraei across the bottom or a single uraeus at each lower corner.
These aprons were richly colored. They were a jewelers handiwork
employing gold and inlay of glass and semiprecious stones. They
were suspended from a wide belt of harmonizing color and design.
FansThey were of two types.
A simple feather held aloft on a long staff.
A large semicircular fan of ostrich feathers carried in royal processions.
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Sandals In the old kingdom footwear was of little importance. However there
are a few evidences that show the use of sandals. They were made of
papyrus and palm fiber and sometimes of tanned goat skin.
Sandals came into more common use during the empire period specially by kings and noblemen. The men sandals were slightly
pointed at the toe and sometimes upturned. They were encrusted with
gold
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Cosmetics
The well documented kohl-rimmed eyes of the ancient Egyptians are one of their most distinctive features. Cosmetics were not considered a luxury, and most people, from the simple peasant upwards to pharaoh himself used them. The only real difference between the classes was the quality of the products used.
Incense and myrrh the perfumes of araby, attar of lotus and jasmine have been associated with Egypt.
There are evidence of use of lipstick as well.
Moisturizers were necessary to keep the skin from parching in the hot dry climate
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ChildrenEgyptian art shows children as naked until puberty. Children are shown with their distinctive "sidelock" representing their youth, and as much smaller in scale than adults. During the Middle Kingdom some children are shown wearing linen clothes similar to adults, particularly in the cooler months. In some tomb paintings, both girls and boys are shown in linen tunics. Children wore jewellery, earrings, collars, bracelets, armlets and anklets and girls also wore hair ornaments. During the New Kingdom children's sidelocks were shown in a range of different styles.
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Fabrics Of Ancient Egypt
Costumes of the early Egyptians were largely made of linen, matting and leather being used to supplement the products of flax. Wool bearing sheep were brought into Egypt only in the empire period. Linen was not only fine in texture but was amazingly wide.
Colors like red ,yellow, blue, green were used in the textiles, white seemed to have predominated. Colored or patterned cloth was rarely used. One reason for this is that it is very difficult to fix dyes into linen without a mordant, the use of which was unknown in ancient Egyptian. Garments with colored patterns are depicted in tombs and a few examples have survived, but the technique of their production was not native. It was developed in the Near East and only brought to the Egyptian with the introduction of the vertical loom. The use of woven patterned textiles by the Egyptians was never wide spread and may have been limited to the royal household.