egyptian empire

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Egyptian Empire

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  • EgyptianCostume And Fashion

  • Ancient Egypt: An Introduction

    The Ancient Egyptian costume, for the most part, was very simple and practical, consisting mainly of folded linen. The hot and sunny climate of Ancient Egypt meant that simple lightweight linen clothes were the preferred choice of most Egyptians. Whilst a number of examples of New Kingdom textiles have survived, studies of Ancient Egyptian dress and textiles are still largely based upon the study of wall paintings, reliefs and sculptures.

  • Egyptian Garments were draped round the body rather than tailored, and sewing was kept to a minimum. The chief form of decoration was

    pleating, and from examples of garments which have survived it is clear that a mechanical process was used to put the small, regular pleats into the cloth and' that some form of starch or size was used to fix them. The nature of the implement

    which created the pleats is unknown, but it may have consisted of a board cut in peaks and grooves into which the cloth was pressed.

  • Male Costume

    Old KingdomMen usually dressed in short linen kilts.

    Belts were used to fasten the skirts.

    Ordinary Egyptians wore course linen,

    whilst the richer and wealthier

    Egyptians dressed in a lighter, much

    finer cloth. Semi-transparent "royal

    linen" was the finest of all.

    The two important types of skirts were:

    - The GALA SKIRT

    - The SHENDOT

  • The Gala skirt wraps at least one

    and a half times around the body.

    The end has a gold pleated

    section over the right half of the

    body. Its thought that the gold

    was either fine gold thread or

    application of gold leaf.

    In The Shendot both ends of the

    loin skirt are rounded and the

    overlap in front is very slight. The

    loin skirt is pleated all the way

    round and the front panel is

    usually represented with

    horizontal pleats

    During the old kingdom the right

    to wear a shendot was restricted

    to the royalty, but later on it was

    discontinued.

  • Middle Kingdom

    The loin Skirt of the upper class lengthened perceptibly and reached almost till the ankle, in other cases it extended to midcalf.

    The waistline grew higher.

    A small shoulder shawl came into use at this time.

  • The Empire -New Kingdom

    Covering the upper body was one of the innovations of the empire period

    A Kimono style of garment the most common type worn by men, consisted of a length of cloth twice the height of the wearer and as wide enough to reach from elbow to elbow. A small hole in the center to fit the neck and a vertical slit down the center front enables the wearer to draw it on over his head. The fabric fell in a broad panel to the floor, front and back.

    When not joined under the arms the edges of the front panel were wrapped around the sides towards the center back and the edges of the back panel were brought forward, overlapping the front panel and closing sides. The panels were held in position with the help of girdles .

  • This kimono type of garment could also be secured in place without a girdle. This was done

    by tying a knot out of the two front and back

    panels at the waist.

    Another fashion of the empire period consisted of a long , sheer skirt worn over an

    opaque short loin skirt. It often fell to the bend of

    the knee or to the calf in the back , but was

    pulled upwards in a sharply slanting line

    towards the front.

    A skirt and a shirt combination was also worn during this period. The short sleeved kimono-cut

    shirt being tucked under a loin skirt of variable

    lengths. Sometimes these skirts were

    transparent

  • The Beard

    The beard was considered admirable for its manly

    significance. However the Egyptians were clean shaven due

    to hot climatic conditions . The King reserved the right to wear

    an artificial beard which he donned for state occasions .

    Beards were of three sorts :

    A short stubby beard could be worn by men of royal rank.The king wore a much longer but straight and thick beard. The beards of the Gods resembled the kings but had an upward curving crook at the end . When the king appeared in

    guise of God he wore the curved beard.

    The Beard :

  • The Priests

    Two features help to identify priests since they occur in many Egyptian art .

    The bare shaven heads

    And a leopard skin draped about the body.

    Later during the empire period the priests became less ascetic and donned the sheer pleated costume and wig of the upper class. The leopard skin was however retained.

    They wore white papyrus sandals, no leather or wool.

  • The Working Class

    Servants as a rule, went about

    their work either naked, or clad in

    little else other than a simple

    apron, skirt or small loincloth.

    In the Empire period the dress of

    working class remained static.

    Was simple, functional, and

    comfortable.

    One dress item was a leather loin

    cloth worn diaper style. Well

    tanned skin was cut into a fine

    lattice design both for greater suppleness and ventilation .

  • Military The soldiers wore a short skirt for mobility, with an elongated heart shaped device, probably made of leather , suspended from the waist in

    front for protection.

    Kings wore a battle jacket, short sleeved and kimono-cut. Wide bands extending from the front edges crossed and wrapped around the body

    and tied in center front. These were highly decorated , giving the effect of

    sheltering wings of the sacred hawk or vulture, other religious symbols

    appeared in the decorative pattern as well.

    The queen wore the vulture headdress to ensure protection to her husband while he was engaged in war. The designs in his costume were

    also probably placed for the same purpose.

    A loin skirt in feather pattern and the royal apron were worn with this jacket

    The blue military helmet was restricted to royalty

  • Female CostumeOld Kingdom

    Womens costume were simpler than mens. women of all classes are portrayed in straight sheath gowns

    ,which were probably not as tight as

    seen in the paintings

    These ladies were the earliest

    sponsors of the empire line. One or

    two tapered shoulder straps form the

    upper part of the garment.

    Techniques of surface designs are

    also found , such as herringbone

    pleats and bead work.

  • Middle Kingdom

    Women in the middle kingdom continued to

    wear the sheathe gown of

    the old kingdom.

    We can find examples of feather patterned fabric of

    the gowns whose fresh

    lovely hues attest to the

    Egyptians love of color.

  • Empire Period

    During the empire period, the women, like the men continued to wear the simple costume of earlier periods on

    state occasions. But this sheathe gown was not an artless

    little dress.

    The women of lower rank continued to wear the plain sheathe gown and women engaged in arduous labor retained

    the short skirt.

    Queens and wives of the nobility wore a variety of draped costumes of hand pleated white linen.

    The kimono arrangement was worn by women as well but unlike men they wore a narrow sash tied at a high waist level

    with long streamers falling below the knees.

    A two piece costume of the empire period were a skirt and a shawl combination that was easy to arrange and wear.

  • The sheer pleated costumes were complicated in drapery and must

    have required trained lady maids to

    arrange them. These draped

    costumes are distinguishable from

    the kimono type by the arm

    coverage. More complicated styles

    employed greater lengths of fabrics

    and were pleated. One arm was

    covered but the end of the yardage

    fell over and down from the other

    arm, its free fringed edge often

    reaching below the hip.

  • Other

    Fashion

    Features

  • Wigs

    These formed one of the most important part of their ensemble

    Since the Egyptians had a high standard of cleanliness and in addition had to contend with great heat, it became the custom to shave or clip the hair close to the scalp and wear wigs. This promoted cleanliness and coolness indoors and the wig lent dignity and provided insulation from the sun.

  • Old Kingdom

    During the old kingdom mens wigs were usually small and followed the contour of the head.

    Slightly fuller wigs were constructed with straight

    hair.

    Womens wigs revealed the natural hairline indicating their hair clipped less closely than the

    men. Wigs with horizontal rows of tight little curls

    were meant for women.

    They were not always made of human hair.

    Some of them were made of sheep's wool.

    Middle Kingdom

    During this period the wig increased in bulk,

    became more bushy in appearance and reached

    to the shoulders.

    Womens wig was excessively bulky and the hair brought forward over the shoulders tapered

    rapidly to form a coil on each side of the chest.

  • The Empire period

    Wigs changed in form in the empire period employing greater

    detail in the arrangement of the forepart, the lower edge

    characteristically dipped towards the front.

    Womens wigs reached their greatest volume during this period, often enveloping the shoulders. Ornamentation became more

    elaborate and diverse.

  • The Head ClothThe head cloth completely

    enveloped the wig. Judging from

    the direction of the stripes a

    straight edge of the head cloth

    was bound about the head,

    covering the hairline , and was

    secured at the nape of the neck.

    Traditionally shaped folds ,

    starting at precise matching

    angles on each side of the head

    were brought forward over each

    shoulder. The rest of the cloth

    was drawn to the back and

    bound about the wig in a pig tail.

    It was generally a plain square of

    linen.

  • The elegant and beautiful flexible gold headdress inlaid with carnelian

    and colored glass is one of the wonders .

    The vulture headdress with the two feathers of Amon and the son disc

    of Ra superimposed . On the same plate the goddess Isis wears the

    horns of the sacred cow Hathor encircling the moon disc . Queen

    Nerfertiti wore a crown unlike any other royal headdress of ancient

    Egypt. Her blue crown is banded with a polychromatic ribbon and

    highlighted with an upturned band of gold across the front.

    The Headdresses

  • Gold headdress inlaid with

    carnelian and glass

    Queen Nefertiti with Blue Crown

    banded with a polychromatic ribbon

  • The Pschent

    The Pschent (sh-yen) was the name of the Double Crown of Ancient Egypt. The ancient Egyptians generally referred to it as sekhemti, the Two Powerful Ones. It combined the Red Crown of Lower Egypt and the White Crown of Upper Egypt. The Double Crown represented the Pharaoh's power over all of Egypt

  • Collars And Necklaces

    These have been associated with Egyptian costumes from predynastic times. Finds include strings of small shells, beads, crystals, carnelian

    and amethyst carved in both round and oblong forms. Collars were most

    common articles of adornment and were worn both by men and women .

    They were made of faience beads, sometimes of semiprecious stones.

    Necklaces were enlarged in the empire period made of semiprecious stones and fancy beads. They were very heavy even though they

    usually extended only from shoulder to shoulder. To hold them in place

    and to make them more comfortable to wear they were often supplied

    with a counterpoise. A thick necklace of multiple strands of round beads

    was one of the symbols of the goddess Isis .

    Other jewellery items included anklets , bracelets and rings. They were as wide as about 5 inches, and were purely made of gold and precious

    stones.

  • The Royal ApronIt became a symbol of authority during the empire period. It consisted

    of a group of narrow tapered and patterned panels , flanked by

    shorter streamers on each side , ending sometimes with a border of

    uraei across the bottom or a single uraeus at each lower corner.

    These aprons were richly colored. They were a jewelers handiwork

    employing gold and inlay of glass and semiprecious stones. They

    were suspended from a wide belt of harmonizing color and design.

    FansThey were of two types.

    A simple feather held aloft on a long staff.

    A large semicircular fan of ostrich feathers carried in royal processions.

  • Sandals In the old kingdom footwear was of little importance. However there

    are a few evidences that show the use of sandals. They were made of

    papyrus and palm fiber and sometimes of tanned goat skin.

    Sandals came into more common use during the empire period specially by kings and noblemen. The men sandals were slightly

    pointed at the toe and sometimes upturned. They were encrusted with

    gold

  • Cosmetics

    The well documented kohl-rimmed eyes of the ancient Egyptians are one of their most distinctive features. Cosmetics were not considered a luxury, and most people, from the simple peasant upwards to pharaoh himself used them. The only real difference between the classes was the quality of the products used.

    Incense and myrrh the perfumes of araby, attar of lotus and jasmine have been associated with Egypt.

    There are evidence of use of lipstick as well.

    Moisturizers were necessary to keep the skin from parching in the hot dry climate

  • ChildrenEgyptian art shows children as naked until puberty. Children are shown with their distinctive "sidelock" representing their youth, and as much smaller in scale than adults. During the Middle Kingdom some children are shown wearing linen clothes similar to adults, particularly in the cooler months. In some tomb paintings, both girls and boys are shown in linen tunics. Children wore jewellery, earrings, collars, bracelets, armlets and anklets and girls also wore hair ornaments. During the New Kingdom children's sidelocks were shown in a range of different styles.

  • Fabrics Of Ancient Egypt

    Costumes of the early Egyptians were largely made of linen, matting and leather being used to supplement the products of flax. Wool bearing sheep were brought into Egypt only in the empire period. Linen was not only fine in texture but was amazingly wide.

    Colors like red ,yellow, blue, green were used in the textiles, white seemed to have predominated. Colored or patterned cloth was rarely used. One reason for this is that it is very difficult to fix dyes into linen without a mordant, the use of which was unknown in ancient Egyptian. Garments with colored patterns are depicted in tombs and a few examples have survived, but the technique of their production was not native. It was developed in the Near East and only brought to the Egyptian with the introduction of the vertical loom. The use of woven patterned textiles by the Egyptians was never wide spread and may have been limited to the royal household.