Download - Alvin Lucier - Musiktexte
-
Contents/Inhalt
Preface/Vorwort
Pauline Oliveros: Poet of Electronic Music 12Poet der elektronischen Musik 13
James Tenney: The Eloquent Voice of Nature 16Beredte Stimme der Natur 17Editors' Note / Anmerkung der Herausgeber 22/23
Conversation with/Gesprch mit William Duckworth"Discovery is part of the experience" 26Entdeckung ist Teil der Hrerfahrung" 27
Interviews with/mit Douglas Simon"... to let alpha be itself" 48... Alphawellen sich selbst berlassen" 49Music FOR SOLO PERFORMER
"... and listen to the ocean again" 62... und wieder auf das Meer lauschen" 63CHAMBERS
Taking Slow Audio Photographs of the Space 74Hrphotographien in Zeitlupe aufnehmen 75VESPERS
"Every room has its own melody" 86Jeder Raum hat seine eigene Melodie" 87" I AM SITTING IN A ROOM"
Imitating one Set of Sounds with Another 96Imitation eines Klangvorgangs durch einen anderen 97(HARTFORD) MEMORY SPACE
A Metaphor for One's Life 106Eine Metapher fr das eigene Leben 107QASIMODO THE G R E A T LOVER
Bibliografische Informationenhttp://d-nb.info/991403797
digitalisiert durch
-
Composite Identities / Zusammengesetzte IdentittenTHE DUKE OF YORK
Imaginary Imagery/Bilder im KopfCHAMBERS, GENTLE FIRE, THE QUEEN OF THE SOUTH
Seeing Sound/Klang sehenTHE QUEEN OF THE SOUTH, TYNDALL ORCHESTRATIONS
Making Audible That Which Is InaudibleDas Unhrbare hrbar machenSTILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS
"Do you know how robins turn their heads to listen?"Weit du, wie Rotkehlchen ihren Kopf drehen, um besser zu hren?"STILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS
OUTLINE OF PERSONS AND THINGS, BIRD AND PERSON DYNING
The Poetry of SciencePoesie der NaturwissenschaftMusic ON A LONG THIN WIRE
Sound Shadows/ KlangschattenDlRECTIONS OF SOUND FROM THE BRIDGE
Conversation with/Gesprch mit James Tenney
"Farn cutting things down to their simplest form"Ich bringe alles auf seine einfachste Form"
Interviews with/mit Daniel Wolf
"The gods appear out of nowhere"Die Gtter erscheinen aus dem Nichts"NOTHING IS REAL
MUSIC FOR PIANO WITH AMPLIFIED SONOROUS VESSELS
"The sound melts into the environment"Der Klang verschmilzt mit der Umgebung"FRAGMENTS FOR STRINGS, NAVIGATIONS FOR STRINGS
"The Simple is the Difficult"Das Einfache ist das Schwierige"PANORAMA, SIX GEOMETRIES
116/117
128/129
138/139
152
153
170
184185
196/197
208209
240241
256
257
272
273
-
Prose Scores/Verbalnotationen
Music FOR SOLO PERFORMERSHELTER
CHAMBERS
VESPERS
THE ONLY TALKING MACHINE OF ITS KIND IN THE WORLD
HYMN
"I AM SITTING IN A ROOM"
(HARTFORD) MEMORY SPACE
QUASIMODO THE GREAT LOVER
THE DUKE OF YORK
GENTLE FIRE
THE QUEEN OF THE SOUTH
TYNDALL ORCHESTRATIONS
STILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS
OUTLINES OF PERSONS AND THINGS
BIRD AND PERSON DYNING
MUSIC ON A LONG THIN WIRE
DlRECTIONS OF SOUNDS FROM THE BRIDGE
GHOSTS
WORDS ON WlNDY CORNERS
LULLABY
Music FOR PURE WAVES, BASS DRUMS AND ACOUSTIC PENDULUMS
RlSONANZA
PRECIOUS METALS
RPM'S
ATTACHE CASE
CARBON COPIES
MUSIC FOR SNARE DRUM, PURE WAVE OSCILLATOR AND
ONE OR MORE REFLECTIVE SURFACES
MUSIC FOR CELLO WITH ONE OR MORE AMPLIFIED VASES
INDIAN SUMMER
294/295296/297
298/299
304/305
308/309
310/311
312/313
316/317
318/319
32V32 5328/329
336/337340/341
344/345356/357
358/359360/361
364/365
366/367
368/369
370/371
372/373
378/379380/381
382/383
384/385
388/389
392/393396/397
398/399
-
Writings/Texte"Our most intesting and beautiful sound source" 402Unsere interessanteste und schnste Klangquelle" 403NORTH AMERICAN TIME CAPSULE
"To impose the sound Situation of one space upon another" 412Program Proposal for Pepsi-Cola PavilionDen Klangzustand eines Raums ber einen anderen stlpen" 413Programmvorschlag fr den Pepsi-Cola-Pavillion
The Propagation of Sound in Space 416Die Ausbreitung von Schall im Raum 417
Testing, Probing, Exploring. The tools of my trade 424Messen, Untersuchen, Erforschen. Die Werkzeuge meiner Arbeit 42 5
CLOCKER 450/451
SFERICS 456/457
Diary NotesTagebuchnotizen
SEESAW 466/467
SOUND ON PAPER 474/475
WALL WITH VERTICAL SLIT 476/477ProjectDescription/ProjektbeschreibungNotes in the Margins. Collaborations with John Cage 478Randnotizen. Zusammenarbeit mit John Cage 479
Pasta for Tired Dancers 492Nudeln fr mde Tnzerinnen 493
Soba 498/499
Thoughts on Installations 500Gedanken zur Klanginstallation 501
SKIN, MEAT, BONE. The Wesleyan Project
Appendix/Anhang
List of Works/Werkverzeichnis 513Sources/Quellen 518Index/Register 519
IDN:991403797 ONIX:04 [TOC]InhaltSeite 1Seite 2Seite 3Seite 4
Bibliografische Informationenhttp://d-nb.info/991403797