Alvin Lucier - Musiktexte

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Lucier

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  • Contents/Inhalt

    Preface/Vorwort

    Pauline Oliveros: Poet of Electronic Music 12Poet der elektronischen Musik 13

    James Tenney: The Eloquent Voice of Nature 16Beredte Stimme der Natur 17Editors' Note / Anmerkung der Herausgeber 22/23

    Conversation with/Gesprch mit William Duckworth"Discovery is part of the experience" 26Entdeckung ist Teil der Hrerfahrung" 27

    Interviews with/mit Douglas Simon"... to let alpha be itself" 48... Alphawellen sich selbst berlassen" 49Music FOR SOLO PERFORMER

    "... and listen to the ocean again" 62... und wieder auf das Meer lauschen" 63CHAMBERS

    Taking Slow Audio Photographs of the Space 74Hrphotographien in Zeitlupe aufnehmen 75VESPERS

    "Every room has its own melody" 86Jeder Raum hat seine eigene Melodie" 87" I AM SITTING IN A ROOM"

    Imitating one Set of Sounds with Another 96Imitation eines Klangvorgangs durch einen anderen 97(HARTFORD) MEMORY SPACE

    A Metaphor for One's Life 106Eine Metapher fr das eigene Leben 107QASIMODO THE G R E A T LOVER

    Bibliografische Informationenhttp://d-nb.info/991403797

    digitalisiert durch

  • Composite Identities / Zusammengesetzte IdentittenTHE DUKE OF YORK

    Imaginary Imagery/Bilder im KopfCHAMBERS, GENTLE FIRE, THE QUEEN OF THE SOUTH

    Seeing Sound/Klang sehenTHE QUEEN OF THE SOUTH, TYNDALL ORCHESTRATIONS

    Making Audible That Which Is InaudibleDas Unhrbare hrbar machenSTILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS

    "Do you know how robins turn their heads to listen?"Weit du, wie Rotkehlchen ihren Kopf drehen, um besser zu hren?"STILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS

    OUTLINE OF PERSONS AND THINGS, BIRD AND PERSON DYNING

    The Poetry of SciencePoesie der NaturwissenschaftMusic ON A LONG THIN WIRE

    Sound Shadows/ KlangschattenDlRECTIONS OF SOUND FROM THE BRIDGE

    Conversation with/Gesprch mit James Tenney

    "Farn cutting things down to their simplest form"Ich bringe alles auf seine einfachste Form"

    Interviews with/mit Daniel Wolf

    "The gods appear out of nowhere"Die Gtter erscheinen aus dem Nichts"NOTHING IS REAL

    MUSIC FOR PIANO WITH AMPLIFIED SONOROUS VESSELS

    "The sound melts into the environment"Der Klang verschmilzt mit der Umgebung"FRAGMENTS FOR STRINGS, NAVIGATIONS FOR STRINGS

    "The Simple is the Difficult"Das Einfache ist das Schwierige"PANORAMA, SIX GEOMETRIES

    116/117

    128/129

    138/139

    152

    153

    170

    184185

    196/197

    208209

    240241

    256

    257

    272

    273

  • Prose Scores/Verbalnotationen

    Music FOR SOLO PERFORMERSHELTER

    CHAMBERS

    VESPERS

    THE ONLY TALKING MACHINE OF ITS KIND IN THE WORLD

    HYMN

    "I AM SITTING IN A ROOM"

    (HARTFORD) MEMORY SPACE

    QUASIMODO THE GREAT LOVER

    THE DUKE OF YORK

    GENTLE FIRE

    THE QUEEN OF THE SOUTH

    TYNDALL ORCHESTRATIONS

    STILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS

    OUTLINES OF PERSONS AND THINGS

    BIRD AND PERSON DYNING

    MUSIC ON A LONG THIN WIRE

    DlRECTIONS OF SOUNDS FROM THE BRIDGE

    GHOSTS

    WORDS ON WlNDY CORNERS

    LULLABY

    Music FOR PURE WAVES, BASS DRUMS AND ACOUSTIC PENDULUMS

    RlSONANZA

    PRECIOUS METALS

    RPM'S

    ATTACHE CASE

    CARBON COPIES

    MUSIC FOR SNARE DRUM, PURE WAVE OSCILLATOR AND

    ONE OR MORE REFLECTIVE SURFACES

    MUSIC FOR CELLO WITH ONE OR MORE AMPLIFIED VASES

    INDIAN SUMMER

    294/295296/297

    298/299

    304/305

    308/309

    310/311

    312/313

    316/317

    318/319

    32V32 5328/329

    336/337340/341

    344/345356/357

    358/359360/361

    364/365

    366/367

    368/369

    370/371

    372/373

    378/379380/381

    382/383

    384/385

    388/389

    392/393396/397

    398/399

  • Writings/Texte"Our most intesting and beautiful sound source" 402Unsere interessanteste und schnste Klangquelle" 403NORTH AMERICAN TIME CAPSULE

    "To impose the sound Situation of one space upon another" 412Program Proposal for Pepsi-Cola PavilionDen Klangzustand eines Raums ber einen anderen stlpen" 413Programmvorschlag fr den Pepsi-Cola-Pavillion

    The Propagation of Sound in Space 416Die Ausbreitung von Schall im Raum 417

    Testing, Probing, Exploring. The tools of my trade 424Messen, Untersuchen, Erforschen. Die Werkzeuge meiner Arbeit 42 5

    CLOCKER 450/451

    SFERICS 456/457

    Diary NotesTagebuchnotizen

    SEESAW 466/467

    SOUND ON PAPER 474/475

    WALL WITH VERTICAL SLIT 476/477ProjectDescription/ProjektbeschreibungNotes in the Margins. Collaborations with John Cage 478Randnotizen. Zusammenarbeit mit John Cage 479

    Pasta for Tired Dancers 492Nudeln fr mde Tnzerinnen 493

    Soba 498/499

    Thoughts on Installations 500Gedanken zur Klanginstallation 501

    SKIN, MEAT, BONE. The Wesleyan Project

    Appendix/Anhang

    List of Works/Werkverzeichnis 513Sources/Quellen 518Index/Register 519

    IDN:991403797 ONIX:04 [TOC]InhaltSeite 1Seite 2Seite 3Seite 4

    Bibliografische Informationenhttp://d-nb.info/991403797

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