Contents/Inhalt

Preface/Vorwort

Pauline Oliveros: Poet of Electronic Music 12Poet der elektronischen Musik 13

James Tenney: The Eloquent Voice of Nature 16Beredte Stimme der Natur 17Editors' Note / Anmerkung der Herausgeber 22/23

Conversation with/Gesprch mit William Duckworth"Discovery is part of the experience" 26Entdeckung ist Teil der Hrerfahrung" 27

Interviews with/mit Douglas Simon"... to let alpha be itself" 48... Alphawellen sich selbst berlassen" 49Music FOR SOLO PERFORMER

"... and listen to the ocean again" 62... und wieder auf das Meer lauschen" 63CHAMBERS

Taking Slow Audio Photographs of the Space 74Hrphotographien in Zeitlupe aufnehmen 75VESPERS

"Every room has its own melody" 86Jeder Raum hat seine eigene Melodie" 87" I AM SITTING IN A ROOM"

Imitating one Set of Sounds with Another 96Imitation eines Klangvorgangs durch einen anderen 97(HARTFORD) MEMORY SPACE

A Metaphor for One's Life 106Eine Metapher fr das eigene Leben 107QASIMODO THE G R E A T LOVER

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Composite Identities / Zusammengesetzte IdentittenTHE DUKE OF YORK

Imaginary Imagery/Bilder im KopfCHAMBERS, GENTLE FIRE, THE QUEEN OF THE SOUTH

Seeing Sound/Klang sehenTHE QUEEN OF THE SOUTH, TYNDALL ORCHESTRATIONS

Making Audible That Which Is InaudibleDas Unhrbare hrbar machenSTILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS

"Do you know how robins turn their heads to listen?"Weit du, wie Rotkehlchen ihren Kopf drehen, um besser zu hren?"STILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS

OUTLINE OF PERSONS AND THINGS, BIRD AND PERSON DYNING

The Poetry of SciencePoesie der NaturwissenschaftMusic ON A LONG THIN WIRE

Sound Shadows/ KlangschattenDlRECTIONS OF SOUND FROM THE BRIDGE

Conversation with/Gesprch mit James Tenney

"Farn cutting things down to their simplest form"Ich bringe alles auf seine einfachste Form"

Interviews with/mit Daniel Wolf

"The gods appear out of nowhere"Die Gtter erscheinen aus dem Nichts"NOTHING IS REAL

MUSIC FOR PIANO WITH AMPLIFIED SONOROUS VESSELS

"The sound melts into the environment"Der Klang verschmilzt mit der Umgebung"FRAGMENTS FOR STRINGS, NAVIGATIONS FOR STRINGS

"The Simple is the Difficult"Das Einfache ist das Schwierige"PANORAMA, SIX GEOMETRIES

116/117

128/129

138/139

152

153

170

184185

196/197

208209

240241

256

257

272

273

Prose Scores/Verbalnotationen

Music FOR SOLO PERFORMERSHELTER

CHAMBERS

VESPERS

THE ONLY TALKING MACHINE OF ITS KIND IN THE WORLD

HYMN

"I AM SITTING IN A ROOM"

(HARTFORD) MEMORY SPACE

QUASIMODO THE GREAT LOVER

THE DUKE OF YORK

GENTLE FIRE

THE QUEEN OF THE SOUTH

TYNDALL ORCHESTRATIONS

STILL AND MOVING LINES OF SILENCE IN FAMILIES OF HYPERBOLAS

OUTLINES OF PERSONS AND THINGS

BIRD AND PERSON DYNING

MUSIC ON A LONG THIN WIRE

DlRECTIONS OF SOUNDS FROM THE BRIDGE

GHOSTS

WORDS ON WlNDY CORNERS

LULLABY

Music FOR PURE WAVES, BASS DRUMS AND ACOUSTIC PENDULUMS

RlSONANZA

PRECIOUS METALS

RPM'S

ATTACHE CASE

CARBON COPIES

MUSIC FOR SNARE DRUM, PURE WAVE OSCILLATOR AND

ONE OR MORE REFLECTIVE SURFACES

MUSIC FOR CELLO WITH ONE OR MORE AMPLIFIED VASES

INDIAN SUMMER

294/295296/297

298/299

304/305

308/309

310/311

312/313

316/317

318/319

32V32 5328/329

336/337340/341

344/345356/357

358/359360/361

364/365

366/367

368/369

370/371

372/373

378/379380/381

382/383

384/385

388/389

392/393396/397

398/399

Writings/Texte"Our most intesting and beautiful sound source" 402Unsere interessanteste und schnste Klangquelle" 403NORTH AMERICAN TIME CAPSULE

"To impose the sound Situation of one space upon another" 412Program Proposal for Pepsi-Cola PavilionDen Klangzustand eines Raums ber einen anderen stlpen" 413Programmvorschlag fr den Pepsi-Cola-Pavillion

The Propagation of Sound in Space 416Die Ausbreitung von Schall im Raum 417

Testing, Probing, Exploring. The tools of my trade 424Messen, Untersuchen, Erforschen. Die Werkzeuge meiner Arbeit 42 5

CLOCKER 450/451

SFERICS 456/457

Diary NotesTagebuchnotizen

SEESAW 466/467

SOUND ON PAPER 474/475

WALL WITH VERTICAL SLIT 476/477ProjectDescription/ProjektbeschreibungNotes in the Margins. Collaborations with John Cage 478Randnotizen. Zusammenarbeit mit John Cage 479

Pasta for Tired Dancers 492Nudeln fr mde Tnzerinnen 493

Soba 498/499

Thoughts on Installations 500Gedanken zur Klanginstallation 501

SKIN, MEAT, BONE. The Wesleyan Project

Appendix/Anhang

List of Works/Werkverzeichnis 513Sources/Quellen 518Index/Register 519

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