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3DMULTI-IMAGEPHOTOGRAMMETRYCOURSE

VENUE: KailisBoardroom,WesternAustralianMaritimeMuseum,VictoriaQuay,Fremantle

DATE: Saturday26November2016(Part1)DATE: Sunday27November2016(Part2)GeneralInformation• Whocanparticipate:ThePart1&part2coursesareopenedtoanyone.You

canattendoneofbothparts• Numberofparticipantsforeachcourse:Minimum:8/Maximum:15• Whatyouneedtobring:

! Laptop.! CPU:MinimumIntelCorei5,(RecommendedIntelCorei7).! RAM:Minimum6GB,(Recommended8GBorhigher).

Ifyoucannotbringalaptop,emailikuwa6@aima-underwater.org.au• Provided: Lunch,coffee,teaandsnacks• Payment: Canbemadethroughtheonlineregistrationsystem• Forqueries:ikuwa6@aima-underwater.org.au___________________________________________________________________________PART1:Anintroductiontolow-cost3Dmulti-imagephotogrammetry–basicsconceptsandapplications

Costs:$180.00(Ordinary)/$140.00(Full-timeStudent*)0900-1030hrs INTRODUCTORYPRESENTATION Historyanddevelopmentofunderwater3Dphotogrammetry Emergenceofcomputervisionphotogrammetry(CVP) Currentsoftwareoptions(Photoscan,MicMac,VisualSfM,RealityCapture) Opportunitiesandconstraints(whatitcanandcan’tdo) Currentimplementations(e.g.Gnalicwreck,SSSGP,Pavlopetri,3DMAPPR) Equipmentandcosts1030-1045hrs MORNINGTEA1045-1200hrs DATACAPTUREEXERCISES Developrecordingplanfor(a)artefactand(b)wreckanalogueusing

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video/stills Camerasettings(stills/video) Addingsimplescalingcontrols(scalebarortargets) Implementrecordingplans1200-1300hrs LUNCH1300-1500hrs DATAPROCESSINGEXERCISES Basicdatahandlingguidelines(e.g.namingconventions,documentation

standards). Imagepre-processing1:videofootage Imagepre-processing2:stillimages 3DreconstructioninPhotoscanStandardEdition Generatingusableoutput(e.g.scaledmodels,orthoimages,3Dprinting) Uploading3Dmodelstotheinternet(Sketchfab)1500-1515hrs AFTERNOONTEA1515-1530hrs QUESTIONANDANSWERSESSION*Statusmustbeshown

PART2:Anintroductiontolow-cost3Dmulti-imagephotogrammetry–intermediate/advancedconceptsandapplications

Cost:$200.00(Ordinary)/$160.00(Full-timeStudent*)0900-0930hrs INTRODUCTORYPRESENTATION Goingbeyond‘prettypictures’–using3Ddatainameaningfulway0930-1030HRS UNDERWATERPHOTOGRAPHYFORPHOTOGRAMMETRY Differencesbetweenterrestrialandunderwaterphotogrammetry Equipmentandcamerasettings1030-1045hrs MORNINGTEA1045-1200hrs EXTRACTINGDATAFROM3DMODELS Useofgroundcontrolstoscaleandorientate3Dreconstructions Generationofdigitalelevationmodels(DEMs) Generationofcontourplots Generationofprofilesandcross-sections1200-1300hrs LUNCH1300-1500hrs WORKINGWITH3DDATA IncorporatingCVPintoUWarchaeologicalplanningandexcavationworkflow

(i.e.usingCVPasarapidrecording/planningtool,sitedocumentationetc). IncorporatingCVPintoUWrecording,post-excavationandpublication

workflow(i.e.generatingartefactdrawings/plans,3Dmodels,visualisations,modelling,andotherdeliverables).

Using3DdatainGIS1500-1515hrs AFTERNOONTEA1515-1530hrs QUESTIONANDANSWERSESSION*Statusmustbeshown

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COURSEINSTRUCTORSMrKevinEdwardsgraduatedfromtheUniversityofWesternAustraliain1991,andiscurrentlyadoctoralcandidateintheMaritimeArchaeologyProgrammeatFlindersUniversity.Hisresearchinterestsincludethearchaeologicalpotentialofnearandoffshoredisposalsofmilitarymaterialinwartimeandpost-bellumcontexts,theapplicationofsocialtheorytoshipwrecksurvivorcampstudies,andthedocumentationofarchaeologicalcollectionsusingavarietyof3Ddigitizationtechniques.Healsofocusesontheuseofclose-rangemulti-imagephotogrammetryasameansofrapidlydocumentingandmonitoringunderwaterarchaeologicalsites.Heplanstoexpandhisstudyintereststoincludethesocialandmaterialagenciesinvolvedinthecreationof19thcenturymuseumcollectionsrelatingtomaritimearchaeology.Inrecognitionofhiswork,inDecember2015,hewasrecognisedasanHonoraryAssociateoftheWesternAustralianMuseum.

DrKotaroYamafunereceivedhisBachelorofArtsdegreeinhistoryfromHoseiUniversityinTokyoin2006.HeenteredtheNauticalArchaeologyProgrammeintheAnthropologyDepartmentatTexasA&MUniversityinSeptember2009andreceivedhisMastersinAugust2012,andhisdoctoratein2015.HisresearchinterestsincludeshipbuildinginMedievalEuropeandtheEuropeanAgeofDiscovery,aswellasshipreconstructionbothmanuallyandthroughtheuseofdigitaltoolssuchas3Dmodelingsoftware.Healsofocusesonphotogrammetricrecordingofsubmergedculturalheritage,includingshipwrecksites.Heplanstoexpandhisstudyinteresttomuseologyfornauticalandmaritimearchaeology.