down in edin magazine anniversary edition one
DESCRIPTION
First Anniversary Special Edition: Down In Edin Magazine is a quarterly arts, culture, and lifestyle journal sharing and highlighting the brilliant people and places of Dunedin and Otago in the South Island of New Zealand. The image driven magazine is not only for residents, but also travellers to this beautiful region of Aotearoa. Each issue highlights some of the innovate, inventive, and brilliant people that reside in this area, as well as photo essays and stories of the stunning landscape. If you are travelling to the South Island, Down In Edin Magazine is a great resource to find links and hints of where to go, what to see, where to eat and where to stay.TRANSCRIPT
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e d i narts, culture, and lifestyle of dunedin and otago, in the south island, new zealand first anniversary issue 2015
Down
in
Maga z i n e
Anniversary Edition
September 2015The Year in Pictures
Issues One and Two 2014
Issues Three and Four 2015
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“My life began in the wonderfully sparse and isolated Maniototo area of Central Otago. Over the years I have returned to recover and begin again. Every time the vast bowl of the skies and the enveloping silence have conspired to heal and inform me. “
Maniototo, Central Otago ~ Tony Bridge © 2015
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Down In Edin Magazine
Fir! Anniversary Issue
2014 and 2015
All Rights Reserved
Do# in E$n Magazine
Front and inside cover photography ~ The Maniototo, Central Otago ~ by Tony Bridge. See Issue Three ~ Pages Fifty Two and Fifty Three All rights reserved Tony Bridge © 2015
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Looking over toward Hereweka and Portobello from Harwood ~ Otago Harbour
Issue One ~ Front Cover
Photography ~ Caroline Davies ©
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A note from % e$tor
Down In Edin Magazine has had many requests for hard copy issues and coffee table style books. Anything is possible, from finding the right print on demand to the funding and staff necessary for the output - we will see what we can do and be open to all possibilities. The requests are very much appreciated.
In the meantime the internet and Issuu’s magazine platform for Down In Edin Magazine has enabled us to reach, including Aotearoa, 40 countries across the globe. We have been read and reached far beyond Dunedin and Otago: we’ve had great readership in the whole of New Zealand, Australia, United States, United Kingdom and Germany in particular. We have reached as far north as the Orkneys, and as far south as the tip of South America, we’ve spanned many countries in Europe, the Americas (North to South), Asia, the Middle East and Scandinavia. As well as the five countries mentioned above they are: Argentina, Belgium, Bolivia, Brazil, Bulgaria, Cambodia, Canada, Chile, China, Columbia, Croatia, Ecuador, France, India, Indonesia, Ireland, Israel, Italy, Japan, Malaysia, Montenegro, Netherlands, Norway, Oman, Romania, Saudi Arabia, Serbia, Singapore, South Africa, Spain, Sweden, Taiwan, Thailand, Turkey and Venezuela. How cool is that!
Thank you to each and everyone of you!Caroline Davies, E$torDo# In E$n Magazine
Kia ora,
Welcome to the first anniversary Special Edition of Down In Edin Magazine.
This edition is a visual review of the past year celebrating the wonderful people and places featured in the first four issues. The First Year Anniversary Edition is a thank you to all the participants, contributors, sponsors and those who have read and shared Down In Edin Magazine.
A picture can say a thousand words, so it is mostly with images, along with a splash of poetry, lyrics & quotes that we are remembering stories from the past year with a full list of articles ~ people and places at the end of this edition on page 118.
Some of the photographs used in this edition are favourite out-takes and some, as with Dunedin’s Writers and Readers Festival and the Arts Festival Dunedin, are updates.
At the bottom of most pages in this edition, you will find a reference to where the image or text can be found ~ in which issue and the page the story begins or the image relates to. Individual links to each story are found with the original stories in each issue rather than here. Links to each issue are at the bottom of the Table of Contents on the following pages 6 and 7. You can also find each magazine on the Down In Edin Magazine’s Issuu HomePage, a link on page three and right here.
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Table of Contents Issues One and Two
Front & Inside Covers Anniversary Issue ~ Tony Bridge
Front Cover Issue One ~ 4
Photographs, The Otago Peninsula ~ 8 and 9
A Word from the Mayor, Dave Cull ~ 10 and 11
Graeme Downes, “What Sound Is This” ~ 12 and 13
Arts Festival Dunedin 2014 ~ 14 and 15
Professor Kevin Clements, Peace, Justice ~ 16 and 17
Photographs, The Otago Peninsula ~ 18 and 19
Sophie Sparrow ~ 20 and 21
Photographs, Spring in Dunedin ~ 22 and 23
Sophie Morris ~ 24 and 25
Our Local Food Network, Andy Barratt ~ 26 and 27
Jason Ross, Habitate, Permaculture ~ 28 and 29
Otago Harbour, A View from Harwood ~ 30 and 31
Link to Issue One
Front Cover Issue Two ~ 32 and 33
Photographs, Pūrākaunui ~ 34 and 35
Anthony Ritchie, Music of the Soul ~ 36 and 37
Claire Beynon, The Hum of the Parts ~ 38 and 39
Dr. Ian Griffin, Humanising Science ~ 40 and 41
Molly Devine, The Divine Ms. Molly ~ 42 and 43
Some Other Creature ~ 44 and 45
Councilor Jinty MacTavish, Sustainable World ~ 46 and 47
Photographs, Pūrākaunui and Aramoana ~ 48 and 49
Electric Bikes, A Positive Alternative ~ 50 and 51
Photographs, Pūrākaunui ~ 52 and 53
Nick Rapley, Surfing Otago ~ 54 and 55
Photographs, Otago Harbour, Hereweka ~ 56 and 57
Photograph, Bee and Borage, Big Green Challenge ~ 81
Link To Issue Two
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Front and Inside Covers Issue Three ~ 58 and 59
Photographs, Aramoana and Doctors Point ~ 60 and 61
Jackie Ballantyne, Life and Literature ~ 62 and 63
Claire Beynon, Jeremy Mayall’s “Flutter” ~ 64 and 65
Jeremy Mayall, Beyond The Bounds of Definition ~ 66 and 67
Tony Bridge, Blending Worlds ~ Part One ~ 68 and 69
Migoto Eria, Otago Museum, Tangata Whenua ~ 70 and 71
Corwin Newall ~ 72 and 73
Dunedin Writers and Readers Festival 2015 ~ 74 and 75
Hagen Bruggemann, Hagen’s Insight ~ 76 and 77
A Very Brief History of Electric Vehicles ~ 78 and 79
Photograph, Bee and Red Clover, Permaculture ~ 80
Carrick, Organic Wine from Central Otago ~ 82 and 83
Taste Nature, Organic Shop and Eatery ~ 84 and 85
Photographs, Tree and Hereweka ~ 86 and 87
Link to Issue Three
Front and Inside Cover Issue Four ~ 88 and 89
Rob Burns, Not A One Trick Pony ~ 90 and 91
The Octagon Poetry Collective ~ 92 and 93
Carolyn McCurdie, Poetry ~ 94 and 95
Tony Bridge, Blending Worlds, Part Two ~ 96 and 97
Robert Morris, A Treasure Trove of Antiquities ~ 98 and 99
Annie Villiers, “Albatross Weather” ~ 100
The Royal Albatross, Dunedin ~ 101, 102 and 103
Dunedin’s Midwinter Carnival & Matariki ~ 104 and 105
Chef Ken O’Connell, Bracken Restaurant ~ 106 and 107
Dr. Maureen Howard, Eco Living In Action ~ 108 and 109
Rayna Dickson, Otago Organics ~ 110 and 111
Wairuna Organics, Otago’s Winter Heroes ~ 112 and 113
Photographs, Doctors Point and Harwood ~ 114 and 115
Photographs and Text, Hereweka ~ 116 and 117
Link To Issue Four
Table of Contents Issues 'ree and F(r
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Thank you ~ Page 118
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Welcome t o Ed i n !Photography ~ Caroline Davies ©
Issue One ~ Page Four
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Issue One ~ Page Thirty Seven
Hereweka (The Harbour Cone) ~ Portobello, DunedinPhotography ~ Caroline Davies ©
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Excerpt from Issue One "Dunedin is one of the world's great compact cities, and Otago one of the most beautiful regions. Our coastline is one of the last vestiges of natural wilderness shared by appreciative visitors and precious wildlife. Where else on the globe can we witness the majesty of a Royal Albatross in flight, their protected and cherished chicks on the ground, or the emergence of one of our rare Yellow Eyed Penguins from a pounding surf at sunset: and all of that only thirty minutes drive from the
centre of the city. Our mountains, forests, and valleys give a rare glimpse of pristine landscapes still left on earth, and our agricultural industry provides us some of the best food in the world. Dunedin’s Saturday farmer's market must be one of the best in the Southern Hemisphere. We can take lovely drives to walk magnificent beaches on both the Otago Peninsula and West Harbour harbour-sides and stunning South Island landscapes made famous as Middle Earth, are just an hour’s drive inland. “ Continues next page
A Word From The Mayor of Dunedin ~ Dave Cull, September 2014
Photography ~ Caroline Davies ©
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An introduction ~ “A Word From The Mayor” ~ Issue One ~ Page Three
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From previous page “Our city is renowned for its heritage buildings, Botanical Gardens, and the beauty of our harbour. Dunedin and indeed Otago are home to renowned artists, novelists, poets, singers, songwriters, legendary bands, theatre, dancers, athletes, inventors and innovators, and a population that cares for and deeply appreciate this precious place and its people. "
An introduction ~ “A Word From The Mayor” ~ Issue One ~ Page Three
Photography ~ Caroline Davies ©
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Dunedin Railway Station
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Excerpt from “What Sound Is This?”
...“What sound, what sound is this?A hymn for our protection?
A lament for a failed resurrection?A psalm to our naked imperfection?
Peel back these clothes, this skinLook at the state we're in
We're not so different as you might thinkWe're on the brink of the same abyss
Face to face or side by sideBravely veil ing how petrified
We really areThe sound is this
Of the l ives per vertedDiverted from places no-one's heard of
The sound is this
Words lost for answersNo second chances
The blind leading the blind the whole wayBecause the master of all the dancers
Has got so much on his mindHe's got nothing to say”...
Lyrics, Graeme Downes
What Sound is This?April 2009 from the short fi lm Eden
Graeme Downes ~ “What Sound Is This” ~ Issue One ~ Page Ten
Photography ~ Caroline Davies ©
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Graeme Downes ~ “What Sound Is This” ~ Issue One ~ Page Ten
Photography ~ Caroline Davies ©
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What Sound Is This?
Dr. Graeme Downes
Poet
Composer
Educator
and
The Verlaines
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Arts Festival Dunedin, 10-19 October 2014 Michael Hurst in “No Holds Bard”, Fortune Theatre. 15 October 2014. Photography: Chris Sullivan/SeenInDunedin
Arts Festival Dunedin ~ Issue One ~ Page Twenty
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Arts Festival Dunedin, 10-19 October 2014Micheline Sings Brel. Guitarist Ben Hauptman. Glenroy Auditorium. 14 October 2014. Photography: Chris Sullivan/SeenInDunedin
Arts Festival Dunedin ~ Issue One ~ Page Twenty
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Photography ~ Caroline Davies ©
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“Non Violence Is An Imperative, Not An Optional Extra”
Professor Kevin Clements ~ “Peace, Justice and Compassion” ~ Issue One ~ Page Twenty Eight
Professor Kevin Clements: Peace, Justice and Compassion
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Issue One ~ Page Seventy Four
Looking across to Portobello early morning from the West Harbour Photography ~ Caroline Davies ©
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The last traces of winter as Spring emerges warming the enchanted Hereweka
Issue One ~ Page Seventy Five
Photography ~ Caroline Davies ©
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S o p h i eS p a r r o w
Sophie Sparrow ~ Issue One ~ Page Thirty Nine
Photography ~ Caroline Davies ©
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Sophie Sparrow ~ Issue One ~ Page Thirty Nine
Photography ~ Caroline Davies ©
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Springtime in Dunedin
Botanical Gardens, Dunedin Photography ~ Caroline Davies ©
This page ~ Issue One ~ Page Two Opposite Page ~ Issue One ~ Cherry Trees in Blossom ~ University of Otago Campus ~ Page Forty Seven
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Photography ~ Caroline Davies ©
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Sophie Morr i s
Sophie Morris ~ Issue One ~ Page Forty Two
Photography ~ Caroline Davies ©
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Sophie Morris ~ Issue One ~ Page Forty Two
Photography ~ Caroline Davies ©
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Our Food Network ~ With Andy Barratt ~ Issue One ~ Page Forty Eight
Otago Peninsula Photography ~ Caroline Davies ©
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Our Food Network: Up Close and Local
Our Food Network ~ With Andy Barratt ~ Issue One ~ Page Forty Nine
Photography ~ Caroline Davies ©
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J A S O N R O S S
H A B I T A T E
P E R M A C U L T U R ES t o r y W r i t t e n b y K o r e n A l l p r e s s
Jason Ross ~ Habitate ~ Permaculture ~ Issue One ~ Page Fifty Five
Photography ~ Caroline Davies ©
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Jason Ross ~ Habitate ~ Permaculture ~ Issue One ~ Page Fifty Four
Photography ~ Caroline Davies ©
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The Otago PeninsulaA Snapshot Overview Around the Peninsula
The Otago Peninsula ~ Issue One ~ Page Sixty Five
Photography ~ Caroline Davies ©
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" Do your little bit of good where you are; its those little bits of good put together that overwhelm the world."
Attributed to Desmond Tutu
Photography ~ Caroline Davies ©
At the end of a day after a storm, the view out to Port Chalmers and West Harbour from Harwood
Last page ~ Issue One ~ Page Seventy Seven
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Aramoana and the hills of the Otago Peninsula
Front Cover ~ Issue Two
Photography ~ Caroline Davies ©
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Aramoana and the hills of the Otago Peninsula
Inside Cover ~ Issue Two
Photography ~ Caroline Davies ©
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Pūrākaunui Inlet Photography ~ Caroline Davies ©
Pūrākaunui ~ Issue Two ~ Page Six
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Pūrākaunui Photography ~ Caroline Davies ©
Pūrākaunui ~ Issue Two ~ Page Eight
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Type to enter text
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A n t h o n y
R i t c h i e
Musi c o f t h e Sou l
Anthony Ritchie ~ Issue Two ~ Page Eleven
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Claire Beynon ~ The Hum Of The Parts ~ Issue Two ~ Page Twenty Two
Photography ~ Caroline Davies ©
In the Studio
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Cup of Sky (detail) ~ Pastel, Ink and Pencil on Paper ~ Claire Beynon © 2014
Claire Beynon ~ THE HUM of THE PARTSpainting poetry philosophy peace and our planet
Claire Beynon ~ The Hum Of The Parts ~ Issue Two ~ Page Twenty Two
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D r. I a n G r i f f i n ~ H u m a n i s i n g S c i e n c eO t a g o M u s e u m a n d O u r G r e a t S o u t h e r n N i g h t S k i e s
Dr. Ian Griffin ~ Otago Museum ~ Issue Two ~ Page Thirty Six
Aurora Australis ~ Hoopers Inlet, Otago Peninsula ~ New Zealand ~ September 2015 ~ Photography by Dr. Ian Griffin ©
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“There’s a cycle with astronomy and astro-photography where you live your life by the rhythm of the moon. I’ve been exploring the Otago Peninsula during the dark phases of the moon, spots like Hoopers and Papanui Inlets which are extraordinary places. They are absolutely desolate at night. I’m sure I’m the only human being around for miles watching the stars and taking pictures. It’s a very peaceful and tranquil thing to do. The Southern sky here is magnificent, it is world class, and when you couple an amazingly dark sky with regular displays of the aurora, stargazers here have opportunities to see some extraordinary things!” Dr. Ian Griffin, November 2014
Dr. Ian Griffin ~ Our Great Southern Night Skies ~ Issue Two ~ Page Forty Three
Aurora Australis ~ Hoopers Inlet, Otago Peninsula ~ New Zealand ~ September 2015 ~ Photography by Dr. Ian Griffin ©
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T H E D I V I N E M S . M O L L Y
F i n a l B e l lA n i n v i s i b l e f i s t f u l l o f p a p e r
K n o c k e d h i m o f f h i s f e e tI n a b o u t h e c o u l d n ’ t w i n
T h o u g h h e t h o u g h t h e c o u l d c o m p e t e
T h e r e ’ s l e a t h e r e d f e e t a t e y e l i n eF r o m t h e w a g e s o f t h e i r s i n
H i s e m p t y c u p p o i n t s t o h e a v e nB u t n o o n e s t a k e n i n
T h e b e s t h e ’ s d r e a m e d i s o v e r n o wT h e r e ’ s n o t h i n g l e f t t o s e l l
F o r e v e r y w i n n e r t h e r e ’ s a l o s e rA t t h e f i n a l b e l l
H i s m i n d w a n d e r s b a c k t o t h e s u c k e r p u n c hT h a t b u c k l e d a l l h i s h o p e s
T h e r e ’ s n o d i s h o n o r i n a f i x e d f i g h tI t ’ s j u s t a f a n t a s y w a t c h e d t h r o u g h r o p e s
T h e b e s t h e ’ s d r e a m e d i s o v e r n o wA m o n g s t t h e c h e a p r e d w i n e s m e l l
F o r e v e r y w i n n e r t h e r e ’ s a l o s e rA t t h e f i n a l b e l l
T h e c o l d s e t s i n a t f i v e o ’ c l o c kT h e n t h e n i g h t s h i f t c l a i m s t h e d a r k
C l a w i n g f e e t , S n a k i n g t a i l s ,A r o u n d Z u c c o t t i P a r k
A s a s n o w f l a k e h i t s t h e p a v e m e n tH e ’ s l e f t o u t u n d e r t h e s t a r s
T h e s u b w a y r u m b l e s t h e l a s t t r a i n h o m eW h i l e t h e y s h u t t e r u p t h e b a r s
T h e b e s t h e ’ d d r e a m e d i s o v e r n o wA s h e k n o w s f u l l w e l l
F o r e v e r y w i n n e r t h e r e ’ s a l o s e rA t t h e f i n a l b e l l
L y r i c s - M o l l y D e v i n e © 2 0 1 4P l a n e t G l i t t e r
Photography ~ Caroline Davies © Molly Devine ~ The Divine Ms. Molly ~ Issue Two ~ Page Fifty Four
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Molly Devine (Mallika) performing with her band Mallika at Albany Street Recording Studios 5th September 2015 (Lachlan Nixon playing lead guitar in background)
Photography ~ Caroline Davies ©
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Molly Devine ~ The Divine Ms. Molly ~ Issue Two ~ Page Fifty Four
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‘Some Other Creature‘ ~ Maddy Parkins Craig
Some Other Creature ~ Issue Two ~ Page Sixty
Photography ~ Caroline Davies ©
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Hanging out with
Some Other Creature
Photography ~ Caroline Davies ©Some Other Creature ~ Issue Two ~ Page Sixty One
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Photo Credit: Emily Hlavac GreenCouncilor Jinty MacTavish
Creating A Sustainable World: Dunedin City Councilor Jinty MacTavish Takes a Tour
Councilor Jinty MacTavish ~ Creating A Sustainable World ~ Issue Two ~ Page Sixty Eight
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Heritage and Urban Renewal, Leipzig ~ Photography by Jinty MacTavish
Councilor Jinty MacTavish ~ Creating A Sustainable World ~ Issue Two ~ Page Sixty Nine
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Pūrākaunui ~ Issue Two ~ Page Thirteen
Photography ~ Caroline Davies ©Pūrākaunui Inlet at low tide
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Photography ~ Caroline Davies ©Creating A Sustainable World ~ Issue Two ~ Page Seventy Nine
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Electric Bikes ~ A Positive Alternative ~ Issue Two ~ Page Eighty Four
ELECTRIC BIKES: A POSITIVE ALTERNATIVE
Story by Scott Willis
Electric Bike Image: Courtesy Kashi - Bike Otago, Dunedin Composite Image - Caroline Davies
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Electric Bikes ~ A Positive Alternative ~ Issue Two ~ Page Eighty Six
Image Courtesy BRCT and Belle, Libby and Blueskin E-Bike © 2014
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Pūrākaunui ~ Issue Two ~ Page Ninety One
Osborne, Pūrākaunui Inlet, Looking Northward
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Pūrākaunui ~ Issue Two ~ Page Sixty Nine
In the forest ~ pathway by Pūrākaunui Inlet
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Nick Rapley ~ Surfing Otago ~ Issue Two ~ Page Ninety Four
Su r f i n g O t a g oPho t o g r a ph y a nd t e x t ~ N i c k Rap l e y
The Catlins Coastline, Southern Otago, New Zealand. Nick Rapley © 2014
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Nick Rapley ~ Surfing Otago ~ Issue Two ~ Page Ninety Seven
“My favorite type of wave would definitely be a super hollow beach break or a river mouth. I love getting tubed, I pretty much spend every minute of my spare time driving around lower South Island hunting barrels because there is no better feeling than riding through and unpredictable tunnel of water and making it out again.” Nick Rapley
Purakaunui Bay in the Catlins, Southern Otago, New Zealand © 2014
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Issue Two ~ Text ~ Page One Hundred and Three and Issue Four ~ Image ~ Page Twenty Two
" You are never too old to set another goal or to dream a new dream." C.S. Lewis
Photography ~ Caroline Davies ©Otago Harbour
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Last Page ~ Issue Two ~ Page One Hundred and Three
Rainbow after a summer’s rain, Hereweka and the Otago Peninsula, Dunedin
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Photography ~ Caroline Davies ©Issue Three ~ Front Cover
Autumn Woodlands ~ North East Valley ~ Dunedin
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Issue Two ~ Inside Cover
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Aramoana ~ Issue Three ~ Page Six
Aramoana
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Doctors Point ~ Issue Three ~ Page Seven
Doctors Point
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Photography ~ Caroline Davies ©
Jackie Ballantyne ~ Life and Literature ~ Issue Three ~ Page Thirteen
“Here, on a clear day under a cobalt sky you can see right through to eternity. Or so it might seem.If you stay there long enough, the desert will find your still-point.” Jackie Ballantyne
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Jackie Ballantyne ~ Life and Literature: A Writer’s Story ~ Issue Three ~ Page Nine
Jackie BallantyneLife and Literature:
A Writer’s Story
“Look at the ordinary world around you and find the extra-ordinary. Listen. Watch. Read widely. Write.” Jackie Ballantyne ~ 63 ~
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A note from Claire Beynon
Dear C...
Attending the dress rehearsal of Jeremy Mayall’s Flutter with you a few nights ago stirred a raft of childhood memories, Caroline - triggered, no doubt, by a combination of things; the bare-shoulders warmth of the butterfly enclosure, Jeremy’s exquisite musical offering, the performers’ open-heartedness and, too, the simple privilege of being in close proximity to flocks of delicate and ephemeral butterflies. There we were, at dusk in the Otago Museum - life and its cycles so viscerally present. Down on ground level - just inches away from Danny’s labyrinth of recording cables, musicians’ instruments, amplifiers and music stands - were darkened cubicles of pupating chrysalises; caterpillars undergoing their valiant struggle towards tansformation and release. . . With this as their unlikely backdrop, a handful of men and women worked and played, weaving together an accompaniment of unforgettable musical magic. It was an astounding evening!
You caught me writing notes on my hand as we listened. Seldom without notebook or camera, I’d left both behind that night but skin – the body – makes an excellent and readily-available notebook or canvas! As the steel-stringed slide guitar keened and Julia Booth’s voice soared to the rafters, I jotted down a few thoughts. I was especially struck that night by the ways in which art and music animate space and alter both - architectural space, yes, but the rooms of ‘interior house’, too. In that unhurried dress rehearsal moment, composer, musicians, sound engineer and audience collaborated in a one-off, one-of-a-kind conversation with plants, soil, water, air and butterflies. You and I participated, too, simply by being there and listening. The enclosure-turned-performance-space was impressed by flying lines of celebratory sound and, too, by some immeasurable ‘other’ – a gift, if you will, that belonged to no one yet was experienced by everyone. That space will continue to hold the memory of Jeremy’s music and I dare say each of us would have left the museum that night with something ‘other’ than we had arrived with. Much appreciation C.B
Claire Beynon ~ Jeremy Mayall’s “Flutter” ~ Issue Three ~ Page Twenty Six
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Type to enter textHow sl ight their quiet antennatracing the contours of her face,her heart – each passing wingan eye; each eye, a question hovering
from Persephone by Claire Beynon
Photography ~ Daniel Buchanan ©
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Jeremy Mayall ~ Beyond the Bounds of Definition ~ Issue Three ~ Page Twenty Eight
Jeremy MayallBeyond the Bounds of Definition ~ 66 ~
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Jeremy Mayall ~ Beyond the Bounds of Definition ~ Issue Three ~ Page Thirty Seven
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Tony Bridge ~ Blending Worlds ~ Issue Three ~ Page Thirty Eight
Maniototo, Otago ~ Tony Bridge © 2015
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Tony Bridge ~ Blending Worlds ~ Issue Three ~ Page Thirty Nine
Maniototo, Otago ~ Tony Bridge © 2015
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Migoto Eria ~ Curator, Ambassador and Diplomat ~ Issue Three ~ Fifty Four
MIGOTO ERIA
Curator, Ambassador and Diplomat
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Migoto with her son Tomoana, Otago Harbour, Dunedin
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Migoto Eria ~ Curator, Ambassador and Diplomat ~ Issue Three ~ Page Fifty Five
Tāngata Whenua and the Otago Museum
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“Concert Etiquette”
Lyrics by Corwin Newall
I’ve got a Bachelor of Music.—I hope I actually use it; get paid, even. That’d get my career and take a spatula to it. Flip it upside down. I vowed I’d never flip burgers, like other graduates.
Clueless as to how I’d manage it; as of yet, it’s fruitless. I’m only cashing a few figures annually, but come on—I’d work for a song, I love music to pieces! But for some reason, people say, “Don’t clap between movements, it ruins the natural acoustic and it detracts from the music.” That’s a good standard, but for the fact that it’s stupid. New listeners turn up and just feel dumb, stared
at and excluded! Sure, I’d be glad if you wouldn’t do it, flattered, but only when my Bach’s as remarkable as Angela Hewitt’s. (Cut me some slack. I’m a student.)
Oh? What’s with the code of silence? I just want to sing along with the violins. Suppressing the need to tap my feet just has to be bad for me, but, it’s concert etiquette. Trying not to sleep at opera seems impossibly difficult, but it’s the rules. It’s concert etiquette. Oh, you’d better not
forget. It’s concert etiquette. It’s concert etiquette! Shush!
The whole field is elitist. People dream up meaningless sequences of notes, write screeds of conceited prose about them, and no one doubts their genius. Did you know that composers aren’t even supposed to write pieces that sound nice anymore because it’s seen as weakness? This symphony is
bound to make them (call me a) sell-out, but I’d love to sell out. If that much of a crowd turned up I’d be proud, wouldn’t make them shut up and sit down. Contemporary music’s carpeted in thick layers
of garbage. Arbitrary paint splashes on canvas can’t be a masterpiece. This scene’s a disaster. Please.
I just want to sing along.
Oh, what’s with the code of silence? I think I’ll applaud in defiance. [Clap and play] Suppressing the need to tap my feet just has to be bad for me, but, it’s concert etiquette. Trying not to sleep
at opera seems impossibly difficult, but it’s the rules. It’s concert etiquette. Oh, concert etiquette. It’s concert etiquette. It’s concert etiquette! Shush!
You forget, once you join the “in crowd”, how the sound of only you clapping is a bit loud. Sit down, don’t cough, phones off, keep your breathing even! Even better yet, don’t even breathe. Have
some respect for concert etiquette. Shhh!
(All Rights Reserved Corwin Newall © 2014)
Corwin Newall ~ “Concert Etiquette” ~ Issue Three ~ Page Sixty Two
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Corwin Newall ~ Issue Three ~ Page Sixty Five
Corwin Newall
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Dunedin Writers and Readers Festival ~ Dunedin A City of Literature ~ Issue Three ~ Page Sixty Eight
Dunedin Writers and Readers Festival ~ 5th to 10th May 2015 A Korero with Patricia Grace (right) and Witi Ihimaera (left) ~ 9th May, St. Paul’s Cathedral, Dunedin
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Dunedin Writers and Readers Festival ~ Dunedin A City of Literature ~ Issue Three ~ Page Sixty Eight
Dunedin Writers and Readers Festival ~ 5th to 10th May 2015Lightning Talks: (L to R) Helen MacDonald, Natalie Haynes, Nick Davies, Robbie Burton, Zia Haider Rahman
9th May, Regent Theatre, Dunedin
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Hagen Bruggemann ~ Hagen’s Insight ~ Issue Three ~ Page Seventy Two
Hagen’s InsightTaking The High Road
“What I think people need to know, generally speaking, is that an electric car can go the same distance as its equivalent petrol version with the electrical energy it takes to refine the raw-oil into petrol to propel the equivalent petrol car “
Most people do not realize just how much energy (electricity or other forms) is used to refine crude oil into gasoline (petrol). That is not to mention the large amounts of energy used in extraction, transportation, infrastructure, labour, as well as the actual refining process.
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Hagen Bruggemann ~ Taking The High Road ~ Issue Three ~ Page Seventy Three
Hagen’s Insight
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A Very Brief History of Electric Vehicles ~ Issue Three ~ Page Eighty Four
A Very Brief History of
Electric Vehicles
...” So many other pillars of modern civilization have changed over the past one hundred and twenty years, but the one thing that stil l remains is the internal combustion engine. A hundred smoggy years and driving in cities around the world has become mostly a painful and fr ustrating experience. Driving on the wide open road is one thing, but sitting in traffic jams in the midst of thousands of other frustrated humans belching out carbon dioxide, sitting almost still in contraptions that were thought to make life faster, easier, more convenient, have in fact created the opposite - and whilst sitting in those traffic jams, frittering away and burning up one of the world’s most unrenewable resources. ..”
Kenneth Cranham - “The Electric Car Revolution”
Scan on left by InsomniaCuredHere,flickr.com https://www.flickr.com/photos/tom-margie/1418722694/https://creativecommons.org/licenses/by-sa/2.0/legalcode
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A Very Brief History of Electric Vehicles ~ Issue Three ~ Page Eighty Five
Image Sourced from Electric Cars are for GirlsPublic Domain, Author unknown
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Reference to Permaculture ~ ReScape ~ Issue Three ~ Page Ninety Seven
A Bee and Red Clover
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Reference to Dunedin’s Big Green Challenge ~ Sustainable Dunedin City ~ Issue Two ~ Page Eighty
Bees and Borage In My Garden
Be Special Pages ~ Nurturing Bees
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Carrick ~ Organic Wine from Central Otao ~ Issue Three ~ Page One Hundred and Five
...“Bannockburn is found deep in the south interior of the South Island of New Zealand in the wine region of Central Otago. Nestled at the southern end of one of the broad glacial river valleys surrounded by the Cairnmuir and Carrick mountain ranges, Bannockburn enjoys a continental climate with low rainfall and high sunshine hours.” ...
Carrick Vineyard Photo Courtesy of Carrick
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Barbara &Steve Green enjoying one of their carefully produced wines in their restaurant ~ Photo Courtesy Carrick
Carrick ~ Organic Wine from Central Otago ~ Issue Three ~ Page One Hundred and Four
CARRICKOrganic Wine from Central Otago ~ 83 ~
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Taste Nature ~ Organic Shop and Eatery ~ Issue Three ~ Page One Hundred and Ten
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Taste Natureo r g a n i c s h o p
a n d e a t e r y
Story and PhotosPauline Durning
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Taste Nature ~ Organic Shop and Eatery ~ Issue Three ~ Page One Hundred and Eleven
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Mark Dickson, Co-Owner of Taste Nature with Rayna Dickson , Photography Pauline Durning ©
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Issue Three ~ Page One Hundred and Twelve
“The difference between ordinary and extraordinary is that little extra.” Attributed to Jimmy Johnson
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The Last Page ~ Issue Three ~ Page One Hundred and ThirteenPhotography ~ Caroline Davies ©
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Issue Four ~ Front Cover
Black Swans ~ Otago Harbour
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Issue Four ~ Inside Cover
Black Swan ~ Otago Harbour
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Rob Burns ~ Issue Four ~ Page Six
The Music Department, Otago University
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Rob Burns ~ Not A One Trick Pony ~ Issue Four ~ Page Seven
R o b B u r n s...Not A One Trick Pony...
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The Octagon Poetry Collective ~ Dunedin’s Passion For Poetry ~ Issue Four ~ Page Twenty Three
Robert Burns Statue, The Octagon, Dunedin
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The Octagon Poetry Collective ~ Issue Four ~ Page Thirty Nine
The Octagon Poetry CollectiveDunedin’s Passion for Poetry
The Fall of the Leaf
The lazy mist hangs from the brow of the hil l , Concealing the course of the dark-winding ril l ; How languid the scenes , late so sprightly, appear! As Autumn to Winter resigns the pale year.
The forests are leafless , the meadows are brown, And all the gay foppery of summer is f lown: Apart let me wander, apart let me muse,
How quick Time is f lying, how keen Fate pursues!
How long I have liv ’d-but how much liv ’d in vain, How little of l ife ’s scanty span may remain,
What aspects old Time in his progress has worn, What ties cruel Fate, in my bosom has torn.
How foolish, or worse , ti l l our summit is gain ’d! And downward, how weaken ’d, how darken ’d, how pain ’d!
Life is not worth having with all it can give- For something beyond it poor man sure must live .
Robert Burns, 1788
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Carolyn McCurdie ~ “On Not Seeing a Fernbird in the Ecosanctuary” ~ Issue Four ~ Page Thirty Four
On Not Seeing a Fernbird in the Ecosanctuary
Shush. Look there.
Surprise. The way a poem shifts …
Our guide has hearda rare bird’s callwhere long grass, fern and bracken reveallong grass, fern and bracken.
the way meaning can be shy …
They were here, already here, he says,so near the houses, cats,rats, in spite of chainsawsbefore the pest-proof fence.
but persists, leaves secret marks …
Then we are deep in lushness of tui,bellbird, kererū. With wing-beat,song, they proclaim, here I amand see, I am beautiful.
The way a poem sings so, in the gaps between the words …
Back at the top we are quietover coffee. At our feetthe forest canopythe long curve of the gully;
on the horizon the Silver Peaksdistance making the ridge linesbold, shadows simple,our eyes drawn to the shine of surface.
But then … The way that a poem …
Carolyn McCurdie (Bones in the Octagon, Makaro Press, 2015)
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Tony Bridge ~ Te Kete Mārama ~ Issue Four ~ Page Forty Six
KERERŪKererū is the fool, the clown prince. He moves in his own way and dances to his own rhythm. He will spend hours in flying strange patterns simply because he can. He will gorge himself on ripe berries until he becomes drunk, and stumbles.Kererū is filled with the joy of living.Lesson: Joy, playing the foolAffirmation: Life is too wonderful to be taken seriously.The simplest things are the greatest gifts.I am learning to appreciate the wonder in a sunrise, in the song of a bird, and in the birth of a new day.
Tony Bridge ~ Te Kete Mārama
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Tony Bridge ~ Blending Worlds ~ South and North ~ Issue Four ~ Page Forty Three
Tony BridgeT E K E T E M Ā R AM A
WEAV ING THE BASKET O F L I GHT
Blending Worlds - South and NorthPart Two - North
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Photography ~ Caroline Davies ©
Robert Morris ~ A Treasure Trove of Antiquities ~ Issue Four ~ Page Fifty Four
O TA G O M U S E U M
A Treasure Trove of Antiquities
An interview with Director of
Collections and Research
Robert Morris
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Small cuneiform tablet. 2100 BC-2000 BC. Mesopotamia/Iraq. Donated by Dr Lindsay Rogers. Otago Museum Catalogue No. E47-190Whilst the two previous cuineform tablets are fairly everyday accounting records, the tablet above is a very special prayer for safe child birth.
Robert Morris ~ A Treasure Trove of Antiquities ~ Issue Four ~ Page Sixty Three
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Photography/Composite ~ Caroline Davies ©Albatross Image Courtesy Royal Albatross CentreAnnie Villiers ~ “Albatross Weather” ~ Issue Four ~ Page Sixty Six
ALBATROSS WEATHER
Our substance is fashioned from a subantarctic sea;
carved by a knife-edged southerly.
Craving polar blasts, yet we keep the faith
until the day we turn and wheel,
falling to the arms of Tawhirimatea.
Li! madonna faces to the wind
sing a paean to the ancient ones
and, calling down the sky, we glide
to freedom and years of solitude.
Annie Villiers
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The Royal Albatross ~ Issue Four ~ Page Sixty Seven
T he Roy a l A lbat ro s sA P r i c e l e s s Je w e l l i n D uned in’s Crow n
Photography ~ Ian Thomson ©
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Photography ~ Caroline Davies ©Taiaroa Head, The Royal Albatross Centre and Wildlife Refuge
The Royal Albatross ~ Issue Four ~ Page Sixty Nine
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Type to enter text
Photography ~ Caroline Davies ©The Royal Albatross ~ Issue Four ~ Page Seventy Three
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Photography ~ Caroline Davies ©
Dunedin’s Midwinter Carnivaland
Māori New Year ~ Puaka/Matariki
Dunedin’s Midwinter Carnival and Māori New Year ~ Issue Four ~ Page Eighty Four
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Photography ~ Caroline Davies ©Midwinter Festival Peacock ~ 20th June 2015
Dunedin’s Midwinter Carnival and Māori New Year ~ Issue Four ~ Page Eighty Six
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B R A C K E N Restaurant
Story and Photography by Pauline Durning
Chef Ken O’Connell ~ Bracken Restaurant ~ Issue Four ~ Page Ninety Two
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Bracken Restaurant ~ Issue Four ~ Page Ninety Three
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Photography ~ Caroline Davies ©
Dr. Maureen HowardEco Living In Action
Dr. Maureen Howard ~ Eco Living In Action ~ Issue Four ~ Page Ninety Seven
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Photography ~ Caroline Davies ©Maureen Howard, Communications Tower, Mt. Cargill, Dunedin
Dr. Maureen Howard ~ Eco Living In Action ~ Issue Four ~ Page Ninety Seven
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Photography ~ Caroline Davies ©
V i b ra nt L ife a n d L a n dO ta g o O rg a n i c s w it h R a y n a D i c ks o n
Rayna Dickson ~ Otago Organics ~ Issue Four ~ Page One Hundred and Seven
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Photography ~ Caroline Davies ©
Rayna Dickson ~ Otago Organics ~ Issue Four ~ Page One Hundred and Seven
Winter at Organic and Permaculture Habitate ~ Waitati
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Wairuna Organics ~ Otago’s Winter Heroes ~ Issue Four ~ Page One Hundred and Twelve
W a i r u n a O rga n i csO ta g o ’s W i nte r H e ro es !
Photography ~ Caroline Davies ©
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Shaun McVicker and Janine Gerland of Wairuna Organics
Wairuna Organics ~ Otago’s Winter Heroes ~ Issue Four ~ Page One Hundred and Thirteen
Photography ~ Courtesy Janine Gerland and Shaun McVicker
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Photography ~ Caroline Davies ©
Issue Four ~ Page One Hundred and Eighteen
Across the Harbour from Harwood
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Photography ~ Caroline Davies ©Seagull ~ Doctors Point
Issue Four ~ Page One Hundred and Nineteen
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Photography ~ Caroline Davies ©Hereweka, Otago Peninsula
Issue Four ~ Page One Hundred and Twenty
The privilege of a lifetime is being who you are! Joseph Campbell
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Photography ~ Caroline Davies ©Hereweka, Otago Peninsula
Issue Four ~ Page One Hundred and Twenty One
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'ank Y( To and A)reciation For: Pauline Durning for writing such wonderful columns on our cafes and restaurants each issue and Danny Buchanan for everything (support, patience, proof reading, photographs, introductions, photo assisting, opinions, good cheer and positive vibes)
Issue One: Mayor of Dunedin Dave Cull for his fabulous introduction, Graeme Downes (and The Verlaines), Arts Festival Dunedin, Kevin Clements , Sophie Sparrow, Sophie Morris, Andy Barratt , Jason Ross, The Good Earth Cafe, Kelley Lindsay, The Otago Peninsula for being so beautiful.
Issue Two: Pūrākaunui for being so beautiful, Anthony Ritchie, Claire Beynon , Dr. Ian Griffin, Molly Devine , Maddy Parkins Craig - Some Other Creature, Councillor Jinty MacTavish , Dunedin's Big Green Challenge, Scott Willis of the Blueskin Resilient Communities Trust , Delicacy Cafe, Miles Rapley, Nick Rapley
Issue Three: Jackie Ballantyne, Claire Beynon, Jeremy Mayall , Tony Bridge , Migoto Eria, Corwin Newall, Dunedin Writers & Readers Festival , Hagen Bruggemann, A Brief History of EV's, ReScape, Carrick Vineyards, Taste Nature
Issue Four: Rob Burns, The Octagon Collective/Circadian Rhythm Poetry Readings, Tony Bridge, Robert Morris, The Royal Albatross Centre, The Midwinter Carnival (and Jeremy Mayall), Jazz and Cabaret Festival 2015 with Karin Reid, Bracken Restaurant, Maureen Howard, Rayna Dickson, Wairuna Organics
Additional contributions: Eric Winquist, Koren Allpress, Dan Inglis, Jenny Campbell, Pieter du Plessis/Southern Sinfonia, The Octagon Poetry Collective Poets (Carolyn McCurdie, John Gibb, Richard Reeve, Jenny Powell, Kay McKenzie Cooke, Emma Neale, Martha Morseth, Jacob Edmond, Ian Loughran, Lynley Edmeades, Sue Wootton) , Claire Beynon, Ian Thomson, Annie Villiers, Chris Jordan
And my favorite imaging software companies ~ Alien Skin, HDR-Soft (Photomatix), Topaz Labs
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Photography ~ Caroline Davies ©Overlooking Waitati and Blueskin Bay
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