The Great Arrival

Most of this generation of Italian immigrants took their first steps on U.S. soil in a place that has now become a legend—Ellis Island. In the 1880s, they numbered 300,000; in the 1890s, 600,000; in the decade after that, more than two million. By 1920, when immigration began to taper off, more than 4 million Italians had come to the United States, and represented more than 10 percent of the nation’s foreign-born population.

What brought about this dramatic surge in immigration? The causes are complex, and each hopeful individual or family no doubt had a unique story. By the late 19th century, the peninsula of Italy had finally been brought under one flag, but the land and the people were by no means unified. Decades of internal strife had left a legacy of violence, social chaos, and widespread poverty. The peasants in the primarily poor, mostly rural south of Italy and on the island of Sicily had little hope of improving their lot. Diseases and natural disasters swept through the new nation, but its fledgling government was in no condition to bring aid to the people. As transatlantic transportation became more affordable, and as word of American prosperity came via returning immigrants and U.S. recruiters, Italians found it increasingly difficult to resist the call of “L’America”.

This new generation of Italian immigrants was distinctly different in makeup from those that had come before. No longer did the immigrant population consist mostly of Northern Italian artisans and shopkeepers seeking a new market in which to ply their trades. Instead, the vast majority were farmers and laborers looking for a steady source of work—any work. There were a significant number of single men among these immigrants, and many came only to stay a short time. Within five years, between 30 and 50 percent of this generation of immigrants would return home to Italy, where they were known as ritornati.Those who stayed usually remained in close contact with their family in the old country, and worked hard in order to have money to send back home. In 1896, a government commission on Italian immigration estimated that Italian immigrants sent or took home between $4 million and $30 million each year, and that “the marked increase in the wealth of certain sections of Italy can be traced directly to the money earned in the United States.”

Citation:

“Italian - The Great Arrival - Immigration...- Classroom Presentation | Teacher Resources.” Library of Congress, www.loc.gov/teachers/classroommaterials/presentationsandactivities/presentations/immigration/italian3.html.

Italian Immigrants – Document 1

Kate Richards O'Hare, wrote an article on child labour that was published in Appeal to Reason. She interviewed Roselie Randazzo, an Italian immigrant, who worked in an artificial flower factory in New York City (November 19, 1904)

Appeal to Reason was a socialist newspaper written between 1895 and 1922.

Walking up the steps I came upon Roselie, the little Italian girl who sat next to me at the long work table. Roselie, whose fingers were the most deft in the shop and whose blue-black curls and velvety eyes I had almost envied as I often wondered why nature should have bestowed so much more than an equal share of beauty on the little Italian. Overtaking her I noticed she clung to the banister with one hand and held a crumpled mitten to the lips with the other. As we entered the cloak room she noticed my look of sympathy and weakly smiling said in broken English. "Oh, so cold! It hurta me here," and she laid her hand on her throat.

Seated at the long table the forelady brought a great box of the most exquisite red satin roses, and glancing sharply at Roselie said; "I hope you're not sick this morning; we must have these roses and you are the only one who can do them; have them ready by noon."

Soon a busy hum filled the room and in the hurry and excitement of my work I forgot Roselie until a shrill scream from the little Jewess across the table reached me and I turned in time to see Roselie fall forward among the flowers. As I lifted her up the hot blood spurted from her lips, staining my hands and spattering the flowers as it fell.

The blood-soaked roses were gathered up, the forelady grumbling because many were ruined, and soon the hum of industry went on as before. But I noticed that one of the great red roses had a splotch of red in its golden heart, a tiny drop of Rosie's heart's blood and the picture of the rose was burned in my brain.

The next morning I entered the grim, gray portals of Bellevue Hospital and asked for Roselie. "Roselie Randazzo," the clerk read from the great register. "Roselie Randazzo, seventeen; lives East Fourth street; taken from Marks' Artificial Flower Factory; hemorrhage; died 12.30 p.m." When I said that it was hard that she should die, so young and so beautiful, the clerk answered: "Yes, that's true, but this climate is hard on the Italians; and if the climate don't finish them the sweat shops or flower factories do," and then he turned to answer the questions of the woman who stood beside me and the life story of the little flower maker was finished.

Kate Richards O’Hare ArticleO'Hare, Kate Richards. “Roselie Randazzo.” Appeal to Reason, 19 Nov. 1904.

Italian Immigrants – Document 2

Italian Immigrants – Document 3

Jane Addams, Hull House Maps and Papers (1895)

Jane Addams was a progressive activist who helped European immigrant mothers and children. She opened Hull House in Chicago which was a “settlement house” or housing building that brought poor women with volunteer middle class women to live and learn from each other.

No trades are so overcrowded as the sewing-trades; for the needle has ever been the refuge of the unskilled woman. The wages paid throughout the manufacture of clothing are less than those in any other trade. The residents of Hull House have carefully investigated many cases, and are ready to assert that the Italian widow who finishes the cheapest goods, although she sews from six in the morning until eleven at night, can only get enough to keep her children clothed and fed; while for her rent and fuel she must always depend upon charity or the hospitality of her countrymen.

If the American sewing-woman, supporting herself alone, lives on bread and butter and tea, she finds a Bohemian woman next door whose diet of black bread and coffee enables her to undercut. She competes with a wife who is eager to have home finishing that she may add something to the family comfort; or with a daughter who takes it that she may buy a wedding outfit.

The Hebrew tailor, the man with a family to support, who, but for this competition of unskilled women and girls, might earn a wage upon which a family could subsist, is obliged, in order to support them at all, to put his little children at work as soon as they can sew buttons.

The mother who sews on a gross of buttons for seven cents, in order to buy a blue ribbon with which to tie up her little daughter's hair, or the mother who finishes a dozen vests for five cents, with which to buy her children a loaf of bread, commits unwittingly a crime against her fellow-workers, although our hearts may thrill with admiration for her heroism, and ache with pity over her misery.

CitationThe Editors of Encyclopædia Britannica. “Hull House.” Encyclopædia Britannica, Encyclopædia

Britannica, inc., 31 Jan. 2018, www.britannica.com/topic/Hull-House.

“Dark Legacy” By David Pacchioli May 1st, 2004. The Pennsylvania State

University…filmmaker Heather Hartley stumbled onto one of the uglier episodes in American history: the lynching of 11 Italians in New Orleans in March of 1891. Like most Americans, Hartley, assistant professor of communications at Penn State, had never heard of the incident. Intrigued, she resolved to make it the focus of a short film.…Accounts told of lynchings in Louisiana, Mississippi, Florida, Colorado, Kentucky, Illinois, Washington, and New York between the years of 1885 and 1915, some 50 killings in all.

…Hartley posits a number of reasons for the targeting of Italians. Economic hardship had caused a souring of attitudes toward the immigrants recruited as cheap labor for mines, railroads, and sugar-cane fields. In many cases, Italians remained apart, choosing not to assimilate as readily as other new groups did. In the South, especially, they also stirred resentment by freely serving African Americans in their businesses and mingling with them as social equals, the film states. All of these factors aggravated existing stereotypes of southern Italians as "beggars, organ grinders, and criminals."…The most egregious example, in New Orleans, was precipitated by a rivalry between two groups of Italian dockworkers. When the city's police chief was shot and killed shortly before he was to testify against one of these groups, Italian males in the city were rounded up indiscriminately. The New Orleans Times-Democrat captured the mood: "The little jail was crowded with Sicilians," the paper reported, "whose low, receding foreheads, repulsive countenances and slovenly attire proclaimed their brutal nature."Nine Italian men were tried and acquitted of murder. In response, a large mob led by some of the city's leading citizens stormed the parish prison, shot nine men as they cowered in their cells, then dragged out and hanged two more. It was the largest lynching in American history, and although no one was indicted for the crime, President Benjamin Harrison subsequently paid reparations of $25,000 to the Italian government.…"People of other groups were lynched, too," Hartley stresses, "especially people of color. That's a point I want people to take away. Italians were victimized, in part, because they weren't considered white." In contemporary (at the time of the lynching) newspaper accounts, she notes, the perpetrators of these crimes were typically unrepentant: They were protecting white supremacy; their victims were not human beings, but "vermin," a criminal class.

Citation:Pacchioli, David. “Dark Legacy.” Penn State News, 1 May 2004,

news.psu.edu/story/140775/2004/05/01/research/dark-legacy.

Italian Immigrants – Document 3

Citaton:

“What We Would Like to See.” The Wasp, The Wasp San Francisco, 1888.

Italian Immigrants – Document 5