dmca - american_photographic_artists_-_first_round_comments.pdf

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  • 8/18/2019 DMCA - American_Photographic_Artists_-_First_Round_Comments.pdf

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    THE INTELLECTUAL PROPERTY

    GROUP

    PROFESSIONAL CORPORATION

    1050 30T STREET

    NW

    WASHINGTON, D 20007

    Tel.: 202) 466-2787 TF: 888) 749-2787

    www.Artlaws.com

    April 1, 2016

    Submitted By Online Submission

    Procedure

    Maria A. Pallante

    Register

    of

    Copyrights

    U.S. Copyright Office

    , 101 Independence Avenue SE

    Washington, DC 20559-6000

    Reply To :

    James Lorin Silverberg Esq .

    Admitted Bars : DC NY MD

    J Si

    lverberg@I

    PGPC com

    Re: Ini tial Response to Notice

    of Inquiry

    78 F.R. 13094 Docket No 2015-7) Section 512

    Study: Notice

    and

    Request For Public

    omment

    Prepared by James Lorin Silverberg, Esq.

    The Intellectual Property Group, PC

    On behalf

    of

    American Photographic Artists, Inc. APA)

    Introduction:

    The American Photographic Artists http://www.apanational.com) is a leading national

    organization run by and for professional photographers. With its culture that promotes a

    spirit

    of

    mutual cooperation, sharing and support, the AP A offers outstanding benefits,

    educational programs and essential business resources to help its members achieve their

    professional and artistic goals. Recognized for its broad industry reach, the APA continues

    to expand benefits for its members and works to champion the rights

    of

    photographers and

    image-makers worldwide.

    American Photographic Artists thanks the Register

    of

    Copyrights, Marie A Pallante, for the

    opportunity to submit comments on the Section 512 study. As stated in the Notice ofinquiry

    the Office wishes to consider, among the issues, the costs and burdens

    of

    the notice-and

    takedown process on large- and small-scale copyright owners, online service providers, and

    the general public. The Office also wishes to review how successfully Section 512 addresses

    online infringement and protects against improper o ~ i s

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    A Background

    Section 512 creates initial copyright infringement immunity for OSPs who have no statutory

    damage or actual damage liability to copyright owners unless an OSP fails to qualify for, or

    fails to properly comply with, take down procedures, or unless the OSP

    is

    itself a participant

    in an infringement.

    The purpose

    o

    this immunity

    is

    to shield the OSPs from claims that essentially surface from

    posts y third parties for whom the OSPs have no direct responsibility, and to foster the

    growth

    o

    the OSP industry. OSPs are essentially required to takedown infringing content

    once properly notified by the rights owner, and

    i

    an OSP does this compliant with

    procedures, they have no liability. In this way, the system is designed to operate under a

    standard o neutral impact, in which the OSPs functionality is to remain uncompromised by

    legitimate copyright interests when they are asserted. The immunity on the OSP s side

    is

    counter balanced with a takedown procedure designed to protect the rights owner, but only

    from ongoing infringing use

    o

    their work.

    The standards for qualification and for compliance

    y

    the OSPs are clearly set forth in the

    legislation; as are the requirements for takedown notices. For OSPs there are moderately

    complex procedures that result in heightened administrative costs for complying with

    takedown notices. There is also extensive time, administration, and cost involved in

    accommodating the dealings between the OSPs and rights owners . Rights owners are also

    required to engage in complex, time consuming, and expensive procedures, to obtain a

    takedown. Other submitters for this Section 512 study are speaking

    to

    the details

    o

    the OSP

    procedures, and APA has joined in other submissions to the Copyright Office that document

    the burden on rights owners. Much

    o

    the Copyright Office inquiry embraces concerns over

    who should bear more or less

    o

    these burdens and costs, and how the procedures affecting

    each might be adjusted.

    B Recommendations

    Under the current Section 512 paradigm, OSPs and rights owners, both o whom may seek

    copyright compliance, are pitted against each other and are rendered responsible for dealing

    with infringing uses utilizing their own time, at their own expense; all without consequence

    to

    infringers posting the content. This

    is

    much like holding the department

    o

    transportation,

    and the manufacturer o an automobile, responsible for fixing the problem o drivers who

    are going through red lights.

    APA therefore recommends that any adjustments made to the existing Section 512 equation,

    should be directed

    to

    increasing the responsibility

    o

    the infringers; as they are the ones who

    are violating the law. Currently the infringers bear no practical cost for the administrative

    toil and expense they cause OSPs. Nor

    do

    they, as a practical matter, bear consequence

    to

    the rights owner. Unlike the OSPs who have qualifying regulations, and administrative

    burdens for dealing with the take-down procedures, and unlike rights owners who must

    submit time-consuming and frequently ineffective takedown notices, the infringers may post

    content with

    no

    pre-requisite adrninlstrative cost, and without taking any pre-posting

    compliance measures.

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    The legislative assumption for why the existing Section 512 system might work may be that

    a burden has already been placed on the party posting infringing content due to existing

    provisions and remedies o the copyright law. However, the immense, exponential, growth

    o Internet infringement itself amply demonstrates that existing copyright law and current

    damage provisions encourage infringers; these are not an effective deterrent

    to

    infringement.

    This

    is

    especially the case where statutory damages are unavailable due to infringement o

    an unregistered work, and where the actual damages or license fees for an infringing post

    will

    be

    nominal based on the market rates for use that might be recovered under the law and

    where an infringement may have occurred.

    However, apart from the question o the adequacy o damages for copyright violations on

    the Internet, it might be considered that section 512 itself not only fosters an opportunity for

    this infringement to occur, it tends to encourage

    it. This is because, as infringers are well

    aware, i an infringer posts infringing content anonymously, their identity may not be

    revealed unless the OSP responds to, and the rights owner files for and obtains, a United

    States District Court subpoena. APA members consistently report that on-line infringement

    o their work continues to grow, take down procedures are not an adequate deterrent to

    infringement, and that infringers actually flaunt Section 512 as an obstacle to an effective

    infringement remedy.

    In addition, AP A members consistently report that the costs and burdens o the process

    usually outweigh the remedies

    to

    which they may be entitled. The costs o obtaining a

    subpoena elevate the break-even point at which copyright litigation may be pursued. To

    obtain a district court subpoena in a miscellaneous case (where that may be possible) the

    costs are no less than 750 in legal fees. It takes approximately 1 hour - 3 hours oflegal time

    to

    prepare, process, serve, and return a subpoena, with accompanying paper work, and

    filings. And this must generally be filed through a CM/ECF filing account (which can only

    be obtained after training and registration i done pro se . There are associated costs

    o

    75-

      100 with service o process and return o the subpoena. And the filing may itself be an

    invitation to ongoing litigation, e.g., a motion to quash the subpoena, or other proceedings.

    Beyond this, and in some instances, it may be necessary to file a civil case . This may

    involve drafting fees o several thousand dollars, and district court filing fees in the 400

    range, in addition to service costs . And, in the face o the cost and burden, there

    is no

    assurance that,

    i

    a subpoena is issued, the OSP will have accurate, useful, or up-to-date

    information identifying the infringer that would enable further contact or proceedings . This

    is

    a significant burden when pursuing a remedy for the infringing online post o a

    photograph, where the remedy may be a license fee, even i the license fee were as high as

    5

    ,000, and certainly

    i

    it were 100 or less.

    As any infringer can readily surmise, the net effect o Section 512 is to create a e facto

    immunity for anonymous infringers seeking to evade copyright liability. Absent the filing o

    a case in the United States District Court to obtain a subpoena, and absent a resulting court

    order, obtaining their identity may not be possible. And, even

    i

    such proceedings were to

    occur, and typically they do not, liability for infringement will be nominal. As a result,

    infringers are empowered

    to

    infringe. In addition to being a safe harbor for the OSPs,

    Section 512 also becomes a e facto safe harbor for the infringer.

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    Section 512 has now spawned a new genre o publication. Just

    as

    the novel and short story

    emerged as literary genres

    o

    their day, there have now emerged websites created almost

    entirely out

    o

    anonymous user generated content ( UGC ). AP A members commonly

    complain that these sites are structured as online magazines , or as multi media entertainment

    venues, specifically designed to accommodate un-cleared material. They confront sites that

    sell commercial advertising space for OSPs. But the sites are populated with, and rely upon,

    UGC posted posthumously or anonymously. Structured to qualify as immune OSPs, these

    sites enjoy immunity for infringing posts and are able

    to

    monetize the content. APA

    members, many o whom use search tools or services to identify infringing material, report

    that thousands o

    their images are being used

    to

    populate these sites.

    And not all

    o

    these have a surreptitious motive and a specific intent to shield infringers.

    PA members routinely confront sites that are legitimate on-line publications that simply

    rely upon the provisions

    o

    Section 512 as a liability management tool. These sites are

    structured as OSPs to rely upon independent writers to post material as third parties. And

    numerous are the reports that the infringing material

    is

    actually posted

    by

    the OSPs own

    staff members, posing

    as

    independent third party contributors. In either case, the publishers

    are using an OSP immunity model, simply as a liability management tool. Authorship o the

    non-infringing and infringing content is denominated, for example, as by Mary. Many o

    these publications are further enabled by windowing other sites with copyrightable

    content. Thus, entire online magazines are now built upon a Section 512 model, and the use

    o

    anonymous or posthumous third party postings and windowed content, none

    o

    which has

    been cleared.

    This new publishing model now supplants the licensing model for content in which material

    to be posted or published was cleared and paid for. AP A members report that their entire on

    line marketplace for visual content is now being reduced to a single-sale first-post-

    o

    -the

    work market. After that, anyone can access their photographic material, legally or not,

    by

    windowing it from other sites and through anonymous postings, without consequence.

    Because their sale or license

    o

    material to a single authorized publisher can now be enjoyed

    by

    thousands

    o

    other publishers, the residual market for their work

    is

    gone.

    While the problems inhering in this paradigm are not all owing to Section 512, APA

    endorses modifications to Section 512 where these changes will help restore what is now a

    complete and total failure o the marketplace for the licensing o their work. More

    specifically AP A endorses modifications

    o

    Section 512 that will alleviate the financial and

    administrative burdens on innocent OSPs and rights owners with valid copyright claims, and

    that shifts the burden to infringers that are engaged in illegal activity.

    Consequently APA recommends that consideration

    be

    given to the following questions:

    Should infringers, or at least repeat infringers, be required

    to

    bear some

    o

    the burden

    o

    Section 512?

    Should infringers be required to reimburse OSPs and rights owners for the administrative

    costs, and time they cause by illegally posting content?

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    Should infringers who assert counter-takedown notices, and who increase administrative

    burdens and costs for OSPs and rights owners be required to compensate for the time and

    costs associated with the counter-takedown notices?

    Should there be a forfeiture fee associated with, and should identification

    be

    required for,

    filing an unsuccessful counter-takedown notice?

    Should OSPs be legally sheltered for divulging identifying information for infringers?

    Should the law require infringers to identify themselves to rights owners as parties in

    responding

    to

    , or for failing to respond to, a takedown notice, and should a process for

    identification be implemented that does not require a subpoena, provided the rights owner is

    able to state a prima facie case for infringement?

    To

    encourage the day-lighting and responsibility

    of

    third parties posting content, should

    there be consequences, or negative inferences, for unattributed, anonymous, or

    posthumously posted content that infringes an author s copyright?

    What measures are appropriate, and should be adopted for, OSPs who facilitate , induce, or

    help conceal infringement, when they have a fmancial interest in the online service that

    is

    posting infringing content?

    What measures are appropriate for OSPs who adopt policies of willful blindness, and should

    they be exposed to vicarious or contributory liability, greater remedies, and penalties, than

    those OSPs who have no interest in the sites they host?

    Should standard technological measures

    be

    expressly defined to include copyright

    management information, in the context

    of

    OSPs hosting sites on which they advertise or

    have a commercial interest?

    C Conclusion

    PA wishes to thank the Office and the Register for this opportunity to submit comments as

    part

    of

    the Section 512 study. The construction

    of

    an Internet marketplace for copyrightable

    content ultimately does not rely upon a tailoring

    of

    the administrative burdens and expenses

    of

    OSPs and rights owners under Section 512. These burdens and expenses are symptoms

    of

    the underlying infringement problem.

    f

    infringement

    is

    left unaddressed, the costs and

    burdens will continue to grow as infringing activity continues to expand . Thus, AP A hopes

    that the burdens

    of

    Section 512 can be lifted from the shoulders

    of

    the OSPs and rights

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    owners, and that they can be fairly shifted to the infringers who are their source . Unless

    greater accountability materializes for the infringers, AP A believes that the marketplace for

    their member s copyrightable content will continue to erode and that copyright infringement

    will simply increase.

    Lorin Silverberg

    Attorney for

    American Photographic Artists, Inc.

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