digital magazine aema (23)

el mármolmármol

Asociación de Empresarios del Mármol de Andalucía September 2015 nº 23

Marbles

Interview to

Ainhoa Ruiz

Interior

Designer

White and

Grey Macael

to create

an ambient

Article

of José

García,

Architect

Companies

White and Grey Macael White and Grey Macael White and Grey Macael White and Grey Macael

to create an ambientto create an ambientto create an ambientto create an ambient

INDEXINDEX

marbles marbles 33 interview to Ainhoa Ruiz, Interior interview to Ainhoa Ruiz, Interior

Designer Designer 99 White and Grey Macael to White and Grey Macael to

create an ambient 14 article of José García, create an ambient 14 article of José García,

Architect 18 marble companies Architect 18 marble companies 2424

services companies services companies 2626

Materials of Macael Materials of Macael

3

Blanco Macael Blanco Macael

Blanco Río Blanco Río

Blanco Río Veteado Blanco Río Veteado

Blanco Tranco Blanco Tranco


Amarillo Río Amarillo Río

Amarillo Indalo Amarillo Indalo

Amarillo TrianaAmarillo Triana

Amarillo Alhambra Amarillo Alhambra

4


Travertino Oro Travertino Oro

Travertino OlivilloTravertino Olivillo

Travertino Rojo Travertino Rojo

Anasol Macael Anasol Macael

5


Gris Macael Gris Macael

PerladoPerlado

Eneus®Eneus®

6


7

Sierra ElviraSierra Elvira

Marrón EmperadorMarrón Emperador

Verde MacaelVerde Macael


8

Crema Macael Ibérico Crema Macael Ibérico

Triturado Blanco Macael Triturado Blanco Macael

Piedra Rústica Piedra Rústica

Interview to Ainhoa Ruiz de MoralesInterview to Ainhoa Ruiz de MoralesInterview to Ainhoa Ruiz de Morales AyudarteAyudarteAyudarte

Interior Designer and Journalist Interior Designer and Journalist Interior Designer and Journalist

10

I�� AINHOA RUIZ DE MORALES AYUDARTE, INTERIOR DESIGNER AND JOURNALIST

1. Do you use the stone when you

create an atmosphere?

Yes, of course. The stone is an ele-

ment that you think could use to start

a project. The possibilities with this

material are very interesting.

2. In your opinion, the marble

from Macael is a known material?

Without doubt is a reference in the

world of stone. I think very few people not know the material. But it hap-

pens, the only thing that you can do is close your eyes and imagine the

Court of the Lion (Alhambra). More than 100 columns and recently the

new pavement with marble from Macael and for this reason it is impossi-

ble not know the material.

3. As Interior Designer, do you think that schools and universities

have enough knowledges about materials from Macael?

We usually study all types of materials: stone, wood, metal, glass, cera-

mics, polymers .. We learn their properties, behaviors in different situa-

tions and external alterations, durability, viability ... But it is also true that

during the student days we are absolutely bombarded by new materials,

Ainhoa Ruiz De Morales Ayudarte

Interior Designer and Journalist

11

But after that, we use the materials of last generation with designs spec-

tacular and the stone is an example of that.

4. What do you propose to improve the approach to the new gene-

ration of interior designers, decorators, designers ..?

I propose to organize master class, workshops or seminars in which the

product is displayed to the students and everything to do with it.

In my opinion an interior designer should be in constant training. Compa-

nies devote their time to train and we eventually respond with projects.

As a professional I follow "pulling contacts" of companies that came on a

day to introduce its product in depth and put at my disposal other tools

that I have.

5. Would you use Macael stone for the interior of a house? Why?

Without doubt. Nowadays, the possibilities are infinite (countertops,

bath, kitchen, decorative elements and so on. With creativity we can de-

sign the best space for our project.

6. All that you can imagine, imagine in stone. The possibilities are

infinite. Do you agree with this affirmation?

In my opinion, the possibilities are infinite, but all the materials have a li-

mitations. The stone is extremely durable and undeniable quality. But not

fit in all areas imaginable. The warmth, for example, is not a quality in my

opinion.

12

7. For stone, which kind of finishes do you like?

The bush hammered finished I like it. In general, I like textures which give

naturalness and nobility to the material and I don´t use polished.

8. About textures, what is the tendency nowadays?

I think the trend is precisely in finding that naturally. The world of interior

design has been overloaded in all its aspects and there are a small obses-

sion to recover the simplicity of the spaces and elements and also includes

textures. When we do a project in stone, we have to be able to see the

person wants to touch it and then feel emotions that is a good design.

9. What qualities should have the stone to be chosen by an interior

designer for a project?

It should have aesthetic and structure, the rest is play with pieces and

combine.

10. In which project do you will use the product of Macael?

The living of a hotel. For me is strange to imagine without stone.

11. Could you tell the best quality for you about the product of Ma-

cael?

Beauty, quality and exclusivity.

About Ainhoa Ruíz de Morales Ayudarte

-Journalist for vocation and Interior Designer for passion.

-Degree in Audiovisual Communication at the School of Communication of

Granada and Interior Designer by the School of Arts in Motril.

-Write was always the common thread in my career, that goes from the

journalistic rigor that require the media to creative freedom in advertising.

Today I can say that I have the privilege to devote myself to what I like: I

work as an Interior Designer in “Cocinahogar”, Design Studio in Motril

(www.cocinahogar.com) and I am a writer in the magazine of architecture,

“Room Design” (www.room-digital.com).

-I like to communicate, in every one of the areas of my life. I a persona

passionate about the world of architecture and interior design and I have

left to discover.

-I Love Andalucia, Paris and Barcelona, a city that saw me grow professio-

nally and is almost like my second home. I´m a person dreamy, feisty, stu-

bborn and self-criticism.

13

Private House in EnglandPrivate House in EnglandPrivate House in England

Material used: White and Grey MacaelMaterial used: White and Grey MacaelMaterial used: White and Grey Macael

18

Article of José García Lamarca, Article of José García Lamarca, Article of José García Lamarca,

ArchitectArchitectArchitect

19

The use of the Stone in the Architecture

The architecture is at the same time a

structural art, practice and visual. Without

solidity is dangerous, without utility is a

sculpture to large scale and without beauty

is merely a utilitarian construction.

Solidity, utility and beauty, three terms

that every architect tries to join to complete

their creation.

The first adjective is the starting of the

use of stone in the architecture, give

strength, stiffness, durability and long life to

our projects because for me the best thing is

to have the client happy with the work.

The purpose is to study the delicate process of getting to obtain it for your ultimate

enjoyment. This primordial material has been used throughout history by different civili-

zations, due to its excellent mechanical properties and sufficient availability throughout

the entire planet

The purpose of this article is, therefore, claim that the stone historic status deser-

ves to know their behavior and characteristics and, finally, raising the possibility of

using it today in the lining for both indoor and outdoor, as well as use of structural

form.

From the Roman aqueducts and Egyptian pyramids to, through the countless cat-

hedrals and medieval bridges and strengths and Arab walls, the stone has earned a pla-

ce in the evolution of the history of building and structures, many of which of them still

they remain today.

José García Lamarca

Architect

20

The stone is very much on our planet and from the beginning of time, for their du-

rability, has been fundamental to the human being who has used it and identified with

it.

What amazes me of this element of nature is its large structural capacity to use it

in various works of antiquity, which still remain and are a landmark of grandeur, beauty

and majesty. Therefore, I will mention two great works, as example and from my point

of view, have made a before and an after, giving value to the stone.

The first example is the Pantheon which represents the greatest achievement of

the Roman architecture. Combines the scale, daring and mastery of all the architectural

arts. A large room covered with a dome (still largely intact), mostly made of stone was

one of the first buildings in which the use of space and lighting sophisticated figured

prominently. This, along with the dome, the oculus and niches, make the building an

important predecessor of the Pantheon.

Passing through the portico of 26 meters high, the visitors came to the giant door

measuring about 6 meters wide and 12 meters high, supported by 16 huge columns

made in stone age. Upon entering it was

and still today - one of the most important interior spaces that the world of architecture

can offer. On a cylindrical base 43 meters hemispheric dome, which reaches 43 meters

above the pavement rises. But its full effect also depends on other factors, lighting,

space beautification, articulation and decoration.

A similar and more advanced, reminds us of this dome of the Duomo of Florence.

It is built with an octagonal inner and outer shell of brick and stone. The two shells di-

minish in thickness and ending in an octagonal oculus holding and is covered by a de-

corative lantern. The shells are reinforced and connected vertically by a large rib stone

in each of the corners of the octagon, visible on the outside, and two ribs of smaller

stone within each of the eight sides. As the twenty shells nerves diminish as they as-

cend. The horizontal reinforcements, consisting partially visible tension chains of stone

and iron and wood and encircle the vault containing the tensile forces within the dome.

21

But all this would not be possible without understanding the process involved in

making the stone to get to obtain work as finished product.

Thus, another way of looking at the stone, aside from the large buildings, it is one,

closest to the person who truly understands more delicate look, the artisan and the sto-

nemason. If we walk through the countryside and observe with some curiosity, we see

that in the folds of the terrain, the rock formations or on the surfaces of the stones are

formed figures, like clouds are often shaped like animals or human faces.

The stone itself carries a hard process to get development and oversight in its true

essence and elegance to the works. It begins with the extraction of it as a work of high

precision. Small blasts are made with the grain, and you have to calculate very well to

block out whole. This work is thanks to the quarrymen, which delimit the blocks by ver-

tical and horizontal holes must match. The skill of the quarryman is remarkable, often

make two holes next to each other to hit more easily, although they do almost always

the first. They try hard, because they appreciate the valuable marble, and the white

marble of Macael is the only extracted in this way, being a very exclusive material, very

strong, non-porous, the favorite of the great sculptors.

After the extraction in marble quarry, the material pass to the factory for processing. In

the factories, everyone has to wear ear muffs or plugs as a security measure. Before

everything was done by hand but now it is another world. There are factories where

they cut, polish and leave the marble ready for use, with all kinds of machines.

In the vast craft the most surprising at first, considering the type of work done on

them is the sense of order and neatness; everyone focused on her work, everything

working without apparent problems. Very well organized. That feeling that some ma-

chines are working alone when watching the looms they are huge block cutters or the

numerical controls. We know that the workers are responsible and control the machine

but it seems that they are alive.

It is a very hard, very precise and delicate work, everything is calculated to the mi-

llimeter.

The marble has served to immortalize emperors, kings and characters of all kinds,

new professions are appearing now, which adapt to modern reality like my job no-

wadays centre is management and design production, mediating between the designer

and the realization, helping the production of objects, furniture and sculptures allowing

sketches into reality and optimizing production.

Within the classical professions too, great changes have taken place in our time.

Architects have a different relationship with the stone. It no longer serves as structure

of buildings but as decoration. With their expressive qualities the stone brings an ele-

ment of enhancement and beauty to modern constructions.

22

The binding line is something that goes unnoticed down factories but that is as im-

portant as anything else, because, in my view, are those who have the hardest job. Ta-

bles covered with resin porous stone hot and emit very strong vapors that burn the

throat forcing them to always wear special masks, heavy gloves to avoid burns.

23

All of them work to the research, design, market research, marketing and promo-

tion of international stone and also there are enterprising entrepreneurs whose commit-

ment allows the traditional activity in the area can to continue in spite of some competi-

tors who do not respect the rules…

And so I close the circle, traces of the past to the future and the hard work of the

quarry to the delicate and refined work of craftsman at the factory to get get and see

works of our time, full of marble coating facades and floors, stairs and railings, stone ...

in all the world.

Marble CompaniesMarble Companies

COMPANY PHONE ADDRESS TOWN PROVINCE

ALMACEN V.ROSARIO,S.L 952-04.06.05 C/Bodegueros, 42 29006 MALAGA (Málaga)

ARRIAGA MARMOLES, S.L. 950-12.60.08 Ctra. Lorca- Baza, km.65 04810 PARTALOA (Almería)

ARRIAGA SAEZ, FRANCISCO 950-52.34.18 Cl. San Fernando, 23 04867 MACAEL (Almería)

ARTE DI PIETRA D’MACAEL, S.L. 950-12.88.01 Cl. Europa, 20, 3º B (Apdo. 237) 04867 MACAEL (Almería)

ARTEDISCAP, S.L. “NOVAFORMAS” 950-44.30.34 Pol. Ind. Olula del Río 04860 CANTORIA (Almería)

ARTEMASOL, S.L.L. 950-12.88.76 Pol. Ind. Rubira Sola, A-18 04867 MACAEL (Almería)

ARTESANOS DEL MARMOL, S.L. 950-12.60.08 Pol.Ind.R. Sola,Parc.A17 04867 MACAEL (Almería)

CAICEDO PIEDRAS NATURALES, S.L. 950-44.54.82 Pje. Cogoche, s/n 04867 MACAEL (Almería)

CAICEDO STONE, S.L.L. 950-12.86.23 Pol. Ind. R Sola, Parc. T-4 04867 MACAEL (Almeria)

CANTECREM, S.L. 950-44.42.09 Llano de la Herrá, 8 04869 FINES (Almería)

CANTERAS LUIS SANCHEZ, S.L. 950-44.43.16 Cl. Pol. Ind. Rubira Sola, 3 04867 MACAEL (Almería)

CANTERA PUNTILLA-LOS PINOS, S.L. 690.69.38.00 Paraje Barranco la Puntilla, 40 04867 MACAEL (Almería)

COSENTINO, S.A. 950-44.41.75 Ctra. Baza-Huercal Overa 04850 CANTORIA (Almería)

CRISTOBAL FLORES, S.L. 950-64.05.66 Ctra. A-348. Km. 136,2 04400 ALHAMA DE ALMERI (Almería)

CRUMAR, PROJECT, S.L. U 950-44.42.35 Pol. Ind. Las Cruces 04869 FINES (Almería)

CUELLAR 950-12.19.00 Ctra. Huercal Overa, 04850 CANTORIA (Almería)

DQ Stone Artesanos, S.L. 950-12.89.21 C/ Granada, 25 04867 MACAEL (Almería)

ESTEBAN FERNANDEZ, GONZALO 950-44.03.39 Avda. Almería, 5 04867 MACAEL (Almería)

FERNANDEZ MARTINEZ, JOSE 950-42.31.08 Avda Almería, 36 04867 MACAEL (Almería)

GARCIA GUERRERO, ANTONIO 950-44.40.20 Llano la Herrá, 16 04869 FINES (Almería)

GRABADOS EN MARMOL, S.L. 950-12.81.85 Pol.Ind.Rubira Sola, A-15 04867 MACAEL (Almería)

GRANITOS VERDE-OLULA, S.L. 950-42.30.06 Cl. Hnos. Tapia Nevado, 6 04860 OLULA DEL RIO (Almería)

GRUPO MOS S.L. 950-12.19.06 Avda. Ronda, 81 04867 MACAEL (Almería)

HARK MARMOLES, S.L.U. 950-12.60.16 Pol. Ind. R. Sola, Parc. S-9 04867 MACAEL (Almería)

IDISPACES, S.L. 950-88.81.40 Pol. Ind. Rubira Sola 04867 MACAEL (Almería)

HNOS. SANCHEZ JIMENEZ, S.L. 950-43.60.81 Cta H. Overa a Baza km 60 04850 CANTORIA (Almería)

LUXURY STONE TINO S.L. 950-12.82.50 Alameda Principal, nº 47 3º B 29005 MALAGA (Málaga)

MARCAEL, S.A. 950-43.00.05 Paraje los Llanos, s/n 04660 ARBOLEAS (Almería)

MARMOLES ANTONIO EL DE PURA, S.L. 950-44.52.20 Pol.Ind. R. Sola, 52-B 04867 MACAEL (Almería)

MARMOLES ARRIAGA CRUZ, S.L. 950-44.56.14 Pol.Ind.Rubira Sola, 6 04867 MACAEL (Almería)

MARMOLES AZOR, S.L. 950-44.40.36 Cl. Llano la Herrá, 28 04869 FINES (Almería)

MARMOLES CAMAR, S.L. 950-12.81.23 Ctra. de Tahal 04867 MACAEL (Almería)

MARMOLES COSAGA, S.L. 950-12.82.87 Pje.Arroyo de Macael 04860 OLULA DEL RIO (Almería)

MARMOLES GONZALEZ FERNANDEZ, 950-52.36.69 Cl. Carmen, 2 04867 MACAEL (Almería)

MARMOLES GUTIERREZ MENA, S.A. 950-44.41.59 Crta de Baza s/n km 58 04869 FINES (Almería)

MARMOLES HERMASA, C.B. 950-12.82.87 Pol.Ind.Rubira Sola, T-7 04867 MACAEL (Almería)

MARMOLES IBERICOS, S.A. 968-74.00.75 Ctra. Del Campillo Apdo.21 30430 CEHEGIN (Murcia)

MARMOLES JUAN TIJERAS, S.L. 950-44.54.40 Pol.Ind.R. Sola.Apdo.72 04867 MACAEL (Almería)

MARMOLES LUIMASA, S.L. 950-44.13.34 Avda Macael s/n 04860 OLULA DEL RIO (Almería)

MARMOLES MANUEL SANCHEZ, S.L. 950-43.60.28 Cl. El Llano, s/n 04850 CANTORIA (Almería)

MARMOLES ORFEMAR, S.L.U. 950-42.35.02 Plaza Salitre, 1, 2ºC 04870 PURCHENA (Almería)

MARMOLES ORTISOR, S.L. 950-12.61.13 Pol. Ind, Rubira Sola 2 fase 04867 MACAEL (Almería)

MARMOLES PARDO, S.A. 950-44.10.61 Ctra. de Baza, s/n 04860 OLULA DEL RIO (Almería)

MARMOLES PEREZ GARCIA, S.L 950– 44.51.05 Cl. Granada, 1 04867 MACAEL (Almería)

MARMOLES SOL, S.L. 950-44.17.42 Ctra. Olula-Macael, Km. 1 04860 OLULA DEL RIO (Almería)

MARMOLES Y GRANITOS EL RUBIO S.L 950-44-56-39 Pol. Ind. Rubira Sola, Parc T-3A 04867 MACAEL (Almería)

MLES. FCO. AGUILAR E HIJOS,S.L. 950-14.01.58 Pol.Ind.San Rafael-Cl. Rosita, 12 04230 HUERCAL ALMERIA (Almería)

MARMOLES NATURALES MACAEL S.L 950-44.53.05 Pje. Jotatell, s/n 04867 MACAEL (Almería)

NATURAL QUALITY STONE, S.L.U. 950-12-63-97 Cl. Antonio Machado, 60 4º A 04867 MACAEL (Almería)

OMYA CLARIANA, S.A. 950-61.31.33 Estación F.F.C.C., s/n 04870 PURCHENA (Almería)

PIMAR STONE 950-63.41.52 Avda. Andalucía, 15 04870 PURCHENA (Almería)

POLONIA CANTERAS, S.L 950-44.55.38 Pol. Ind. R. Sola, Parc D-5 04867 MACAEL (Almería)

ROMÁ CATALANA D’ARIDS, S.L. 973-60.11.00 Ptda. Coma Aragonesa, s/n 25242 MIRALCAMP (Lleida)

RUBIO STONE, S.L.L. 950-44.57.99 Cl. García Lorca, 56, 3º A (Apdo. 140) 04867 MACAEL (Almería)

SA. REVERTÉ PRODUCTOS MINERALES 950-63.30.04 Pol. Ind. De Albox, Parc. 1-9 04800 ALBOX (Almería)

SEGOVIA VALDES, FERNANDO 629-62.76.68 Pol. Ind. Las Cruces P-12 04869 FINES (Almería) TRITURADOS MACAEL,S.L (CALCIBLANC) 950-12.23.12 C/Paraje Tempranos, s/n 04857 ALBANCHEZ (Almería)

TRITURADOS BLANCO MACAEL, S.A. 950-12.85.55 Pol.Ind.Rubira Sola, S-7 04867 MACAEL (Almería)

Services Companies Services Companies

COMPANY PHONE ADDRESS TOWN PROVINCE

ABRASIVOS J. CARRASCO S.L 615-31.32.73 Cl. Jaén, 1, 1º zq 04869 FINES (Almería)

A.S.U.P.I.M.A. 950-12.85.85 Pol.Ind.Rubira Sola, S-7 04867 MACAEL (Almería)

AIRE COMP. MAR MACAEL, 950-44.55.51 Ctra. Olula-Macael, Km. 1,7 04860 OLULA DEL RIO (Almería)

ASIMA MEDIO AMBIENTE, S.L. 950-12.85.49 Pol. Ind. Rubira Sola, 3ª Fase P.H-10 04867 MACAEL (Almería)

AUDICO, Consultores Empresariales 950-44.00.29 Cl. Granada, 11, 1ºD 04860 OLULA DEL RIO (Almería)

AUTOCARES RUBIO LOPEZ, S.L. 950-44.43.30 Avda. de Andalucía, 27 04869 FINES (Almería)

COMPONENTES INDUSTR MASER, 902-303 041 Cl.Rafael Pillado Mourelle 23 28110 ALGETE (Madrid)

EQUIPOS OFICINA DE ALMERIA, S.L. 950-39.10.64 Cl. Juan Anglada, 4 04620 VERA (Almería)

FUNDACIÓN CTAP 950-12.63.70 Ctra.Olula-Macael, km 1,7 04867 MACAEL (Almería)

GARCIA RAMOS, JOSE ANTONIO 950-44.17.87 General Rada 36 04860 OLULA DEL RIO (Almería)

GRAFICAS LUCMAR, S.COOP.AND. 950-44.11.25 Cl. San Sebastián, 3 04860 OLULA DEL RIO (Almería)

HOTEL RESTAURANTE LA TEJERA 950-44.22.12 Ctra. Lorca-Baza, Km. 52 04860 OLULA DEL RIO (Almería)

HUSQVARNA ESPAÑA, S.A. 950-12.82.71 Pol. Ind. Rubira Sola, parc. A-13 04867 MACAEL (Almería)

IBERINA,Tecnología Diamantes, S.L. 950-12.03.29 Pol.Ind. de Albox pac 64-65 04800 ALBOX (Almería)

PROELEC, Comarca del Mármol, S.L. 950-44.30.40 Cl. Ctra. Baja, s/n 04860 OLULA DEL RIO (Almería)

PROYECTOS, COMUNIC.- SISTEMAS, 950-12.81.02 Ctra. Olula-Macael, Km. 1,7 04867 MACAEL (Almería)

SANCHEZ ARRIAGA, FRANCISCO 645 36.83.70 Ctra. Olula-Macael, Km. 1,7 04867 MACAEL (Almería)

SEGURA ABOGADOS, S.L 950-44.55.21 Avda. Almería, 8 04867 MACAEL (Almería)

SEGUROS HIJOS RAMON GARCIA 950-44.18.18 Avda. Almanzora, 52 04860 OLULA DEL RIO (Almería)

SUM. INDUSTRIALES DEL MARMOL, 950-12.85.44 Ctra. Olula-Macael, Km. 1'7 04867 MACAEL (Almería)

TRACOMAR, SDAD. COOP. ANDALUZA 950-44.44.08 Pol.Ind. Las Cruces, Parc.P-4 04869 FINES (Almería)

TRANSPORTES D. CRUZ PEREZ, S.L. 950-12.83.30 Pol. Ind. Rubira Sola, Parc A-7 04867 MACAEL (Almería)

WINTER DIAMANT HERRAMIENTAS 943-36.35.92 Pol. Ind. Osinalde 20170 USURBIL (Guipuzkoa)

Ctra. Olula- Macael, Km. 1.7, 04867 MACAEL (Almería)

Tlf: 950 128 111 / 12 Fax: 950 128 210

www.marmolesdemacael.com / www.macaelmarmol.com/

e-mail: [email protected]

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