department of music programs 1968 - 1969

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School of Music: Performance Programs Music

1969

Department of Music Programs 1968 - 1969Department of MusicOlivet Nazarene University

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7 8 0 . 7 3 9O M p

1 9 6 8 - 6 9

P R O G R A M S1968-69

7 $ e .

DEPARTMENT OF MUSIC

i u M a OLIVET NAZARENE COLLEGED E P A R T M E N T O F M U S I C

presents

SENIOR RECITAL

G E O R G E N E F I S HPIANO

AND

C A L B E R T H O L S T E I NTENOR

PHYLLIS HOLSTEIN/ ACCOMPANIST

Lasciatemi morire, "Ariana"0oe.....0Claudio Monteverdi Dove sei, amato bene?, "Rodelinda".0o.George F 0 Handel If With All Your Hearts, "Elijah"....Felix Mendelssohn

Prelude and Fugue, No. 3.0o...o..Johann Sebastian Bach Fantasia in D minor 0 D 0«».,«5.«.Wolfgang Amadeus Mozart

Viens Aurore..ooooooooooooooooooooooooooo.c.oArro AoL. F eldemsamkeit oooooooo..o.o.oooo..oo.. odohannes Brahms Du bist wie Eine BlumeDo,...t.t....o««Anton Rubenstein M*appari tut" amor, "Martha".....Friedrich von Flowtow

Mouvements Perpetuels for Piano........Francis PoulencI. Assez modere

II. Tres modereIII. Alerte

Impromptu, Op. 90, No. 4 in Ab „.o.».....Franz Schubert

How Lovely is the Hand of God.....Raymond LoughboroughThe Lord is My Shepherd..............oo..Samuel LiddleThe Lord is My Light.0....0.........0.Frances Allitsen

This recital is being presented in partial fulfillment of the Bachelor of Science Degrees in Church Music and Music Education.

RECITAL HALL U b

August 1, 1968 ... . .. y _ „7:30 p.m. OI,vet Nazarene College

^ U* 'in 1 ■ . , I , - HI

O L I V E T H A Z A R E N E C O L L E G EDEPARTMENT OF MUSIC

Student Recital

Nel Cor piu non mi sento„ » 0 , . o „Giovanni PaisielloRose Beikman, soprano

Diane Hofferbert, accompanist

The King of Love0 o » . o 0 » o « o o « • 0Charles Gounod Marcia Meyer, contralto

Brenda Peck, accompanist

Se Tu M*Ami 0 0 0 » « o 0 o e o o ° . • Giovanni Pergolesi Sandra McPhail, soprano

Karen McPhail, accompanist

Etude Opus 10, N o 0 lo » o o c o o o » » o Frederic ChopinSteve Brunt, piano

Slumber Song0 . o a » » « . 0 o e Alexander Gretchaninoff Karen Hilliker, soprano

Pam Bookwalter, accompanist

My Lovely Celia, o o o o o o o o o o o o o , Munro-Wilson Harrison Stewart, baritone Naomi Larsen, accompanist

Sing to My Heart a Song, „ , , o , , . ,Vittorio GianniniVicki Vorce, soprano

Steve Brunt, accompanist

Impromptu in c# minor, Opus 28, No„ 3, o » ,Hugo Reinhold Carolyn Poole, piano

is is is is is

BURKE RECITAL HALLSeptember 26, 19684;30 p 0m 0

O L I V E T rJ A Z A R E it E C O L L E G EDEPARTMENT OF MUSIC

Student Tecital

Ouvre ton coeur, .Georges BizetVirginia Masson, mezzo-contralto


Troisieme Nocturne, , , „ , , , , . 0 , , , , ,Erik SatieMary Mitten, piano

The Prayer Perfect, , , ,Ervine StensonMartha Mahaffey, mezzo-soprano

Darrell Rist, accompanist

P e a c e o a o , o e , Q o o o , , , , , , , , , Bennie Beacn Robert Kuhn, bass-baritone Roland Millard, accompanist

Sonata from Die Bankelsangerlieder(circa 1684). Anonymous March "This Old Man". . . . . . . . . . . . .Robert Nagel

David Wooten, trumpet Tom Reinhart, trumpet

Garen Milton, French Horn Terry Baldridge, trombone

Alan Moss, baritone

Burke Recital HallOctober 3, 19684:30 p.m.

O L I V E T NA Z A R E NE C O L L E G EDEPARTMENT OF MUSIC

Student Recital

Tell me, lovely shepherd, „ . . . . » . . . . William BoyceVicki Vorce, soprano


Mein Madel hat einen Rosenmund. . . . . . „Johannes Brahms Terry Lambright, tenor

Linda Smith, accompanist

R^§f ime Parade<, o . o o . o o . o e . e . o . o oErik SatieJanet Foust, piano

Shelling Peas. . . . . . . . . . . . . . . . . . .John DukeDonna Toigo, soprano


Bist du bei mir. . . . . . . . . . . .Johann Sebastian BachWes Bittenbender, baritone Brenda Peck, accompanist

The Pilgram's Song, . . . . . . . . . .Peter I. TchaikovskyRoger Hampton, baritone Donna Toigo, accompanist

Humoreske Opus 10, No, 5 .................. Sergei RachmaninoffDwilene Finley, piano

Ouvre ton coeur. . . . . . . . . . . . . . . .Georges BizetVirginia Wasson, mezzo-contralto


Gitanerias (Suite Andalucia). . . . . . . . Ernesto LecuonaWynne Bumpus, piano

sV 5% s'c * s's

BURKE RECITAL HALL October 10, 1968 4:30 p.m.

Olivet iIazarene College

DEPARTMENT OF MUSIC

RECITALby

1968-69 MUSIC SCHOLARSHIP STUDENTS and

COLLEGE ORCHESTRAHo E„ Hopkins, Conductor

s': s': s': s': s': s’: s':

Symphony N o 0 1, Adagio-Allegro0 o o o Ludwig von BeethovenOrchestra

Where E're You Walk from "Semele"0 o o . oGeorge F, Handel James Vidito, baritone

Polichinelle Opus 3, N o 0 0 „ „ 0 „ cSergei RachmaninoffGary Wisdom, piano

I Love Thee0 o o o o 0 o o » o o o o oLudwig von Beethoven Myself When Youngo o o o o o o o o o o o o o oLiza Lehmann Invictuso o o o o o o o o o o o o o o o o o o o Bruno Huhn

Steve Caudill, baritone

Grand Concerto0 o o o o o o o o o o o o o Friedebald GrafeDale Attig, trumpet

C l o n n d a 0 o o o o o o o o o o o o o o o o o o Morgan Frank Upstreamo o o o o o o o o o o o o o o o o Celxus Dougherty Rio Grandeo o o o o o o o o o o o o o o o Celius Dougherty

Larry Leckrone, baritone

Allegro Appasrionata Opus 700 » o » o o o » o 0Saint-SaensSteve Brunt, piano

s’: s': * s's s’: * *

Recital Hall October 15, 1968 8s00 p 0m o

Olivet Nazarene College

DEPARTMENT OF MUSIC

Presents

Student Recital

Chi vuol la zingarella. . . . . „ , . „ Giovanni Paisiello Laurel Larsen, contralto Naomi Larsen, accompanist

Che fiero costume, Giovanni LegrenziBeverly Ozee, soprano

Stephen Brunt, accompanist

Blue Bells of Scotland, . . . . . . . . . .Forrest BuchtelSteve Doenges, trombone

Ruth Speckien, accompanist

Polonaise Opus 40, No, 1. . . . . . . . . .Frederic ChopinRona Davis, piano

Sunshine Song. . . . . . . . . . . . . . . . .Edvard GriegNina Freesmeyer, meaao-soprano

Naomi Larsen, accompanist

Polka Giocosa, . . . . . . . . . . » „ .A. Louis ScarmolinMichael How®, tuba Ruth Speckien, accompanist

Phyllis Has Such Charming Graces. . . . . . .Anthony Young David Welch, tenor


Hunting Song, Opus 19, No. 3, . , . . „ .Felix Mendelssohn Andria Meadows, piano

Burke Recital HallOctober 24, 19684:30 p.m.

Olivet iIazarene College

DEPARTMENT OF MUSIC

presents a

C H A M B E R M U S I C C O N C E R TPROGRAM

Trio No, Opus 11 for Violin,Cello and Piano. . . . . . . . . . . L . von Beethoven

Jewell Grothaus, violin Ann Wetzel, cello

Mary Maddox, piano

Trio No, 7 in Eb Major, K„ <+98 forClarinet, Viola and Piano. „ . „ . „ . ,W, A, Mozart

Harlow Hopkins, clarinet Jewell Grothaus, viola

Ovid Young, piano

INTERMISSION

Quartet No, 1, Opus 25 for Violin,Viola, Cello and Piano. . . . . . . . . . . J. Brahms

George Shutak, violin Jewell Grothaus, viola

Ann Wetzel, cello Mary Maddox, piano

Burke Recital HallOctober 25, 19688s00 p.m.

Olivet Hazarene College

presents

THE VIKING MALE CHORUS

Organ Prelude„ „ u"Be Thou My Vision"„ „ James Miller, organist

Processionalo <> o o 0"Alma Mater"0 0 o «

Invocation

Surely the Lord is in This Place Make a Joyful Sound0 «Send Forth Thy Spirit

o o o o o o o o o o o o o

o o o o o o o o o o

Trumpet Trio Male Quartet Euphonium Solo o o o o o o o o o o o o o

Water of Life o o o o o o o o o o o o o May God Smile On You* o o o o o o o o o Psalm 150o o © o o o o o o o o o o o o o

' O O O O © o o o o o o o o o oPiano SolocStephen Brunt, pianist

Moments of Song and Praise

The Creation, o o o o o o o o o o o o o

Offertory, „ . . . "Under His Wings"cBrass Ensemble

In God We Trust o o o o o o o o o o o o o

it i; * s's

First Church of the Nazarene Springfield, Illinois Sunday, October 27, 1968

o o o arr0 Young

oCarmony-Rosfeld

© o o o o o Moyero o o oRamsfield „Schuetky-Davids

o Terry Baldridge

o o o oNoble Cain o o o oJo So Bach o o Cesar Franck

o o o o oSelected

o . o o o Richter

„ o Sankey-Hanson

o Tobias-Sherman

Olivet [Jazarene College

DEPARTMENT OF MUSIC

presents a

Student Recital

Voi che sapete (Le Nozze di Figaro)» . . „ . .W. A 0 MozartSharon Keel, contralto


Sonata Opus 2, No, 1, s . Ludwig von BeethovenAllegro con brio

Mark Hostetler, piano

Sonata Opus 2, No, 2„ , 0 0 « « <, . . Ludwig von Beethoven Allegro vivace

Gary Hubartt, piano

Le Miroir, „ „ „ « „ . 0 „ „ „ „ . . . 0 0 Gustave Ferrari Pam Bookwalter, soprano Donna Toigo, accompanist

Intermezzi Opus 1 6, Nos„ 4 £ 7„ „ „ 0 „ . 0Johannes Brahms Deborah Spaulding, piano

Non so pid cosa son (Le Nozze di Figaro)a » 0 W, A 0 Mozart Barbara Voyles, mezzo-soprano Pam Bookwalter, accompanist

Sonatina«, B 0 o o o o o o o o < > O o o o . Robert Muczynski Allegretto

Linda Petersen, piano

The Daisies o o c e o o o o o e o e e s e i t o Samuel Barber Wes Bittenbender, baritone Brenda Peck, accompanist

Trio for Two Violins and Viola, 0p„ 87a . L 0 von Beethoven Allegro

Kathryn Jorden, violin Kevin St„ John, violin Jewell Grothaus, viola

Recital Hall, October 31, 1968 at 4;30 p.m0

O LIV ET NAZARENE COLLEGE Department of Music

presents the

CONCERT BANDHARLOW E. HOPKINS, DIRECTOR

PROGRAM

Fortinbras March. . . . . . . . . . . . . »D« Shostakovich(1906 )

Program Commentary. ............ . . . . . . . John RosfeldAsst. Prof. of Music

Pictures at an Exhibition. . . . . . . . . .M. MoussorgskyI. Promenade (1839-1881}

II. The Old Castle III, TuileriesIV. Bydlo V. Ballet of the Unhatched Chickens

VI. The Market Place at Limoges VII. Catacombs

VIII. The Hut of Baba-Yaga IX. The Great Gate of Kiev

INTERMISSION

Danse Infernale. . . . . I. Stravinsky(1882-

Capriccio Italien. . . . . . . . . . . . . .P. Tchaikovsky(1840-1893)

Chanson Triste. . . . . . . . . . . . . . . P . Tchaikovsky

Program Commentary. . . . . . . . . . . . . . John Rosfeld

Train Ride. . . . . . . . . . . . . . . . . . S. Prokofieff(1891-1953)

Overture "1812". . . . . . . . . . . . . . ,F. Tchaikovsky

Chalfant Hall November 2, 1968 ‘ 8 : 0 0 p.m.

O LIVET NAZARENE COLLEGE Department of Music

presents a

FACULTY RECITAL

WANDA KRANICH, Organ

IRVING KRANICH, Tenor

COLLEGE CHURCH OF THE N AZARENE November 3, 1968

3:00 p.m.

I

Dorian Toccata........................... Johann S. BachVom Himmel hoch....................... Johann PachelbelVivace (Sonata III)..................... Johann S. BachMighty King of Miracles............ Sigfrid Karg-Elert

Tom Reinhart and David Wooten, trumpets Terry Baldridge and Alan Moss, trombones

Mike Weirman, timpani

II

Dichterliebe. . ..................... .Robert Schumann1. Im wunderschonen Monat Mai2. Aus meinen Thranen spriessen3. Die Rose, die Lilie, die Taube4. Wenn ich in deine Augen seh5. Ich will meine Seele tauchen6. Im Rhein, im heiligen Strome7. Ich Grolle nicht8. Und wussten*s die Blumen, die kleinen9. Das ist ein Floten und Geigen10. Hor' ich das Liedchen klingen11. Ein Jungling liebt ein Madchen12. Am leuchtenden Sommermorgen13. Ich ha b T im Traum geweinet14. Allnachtlich im Traume seh ich dich15. Aus alten Marchen winkt es16. Die alten bosen Lieder

Dichterliebe (Love of a poet) Schumann1. Im wunderschonen Monat Mai (In the wonderful month of May)

In the wonderful month of May, with its bursting of budsand unfolding of love, I must confess the longing in my heart.

2. Aus meinen Thranen spriessen (My tears sprout flowers)My tears sprout flowers, my sighs become a choir of nightingales. If you will love me, my little one, I'll give you all I have.

3. Die Rose, die Lilie, die Taube (The rose, the lily, the dove)The rose, the lily, the dove, the sun, I loved themall - but no longer. You are the fine one, the pure one,the only one. You are all these to me.

L. Wenn ich in deine Augen seh (When I look into your eyes)When I look in your eyes, fears leave my heart; when I kiss your red lips, I am whole and sound again. I was in heavenly peace when I rested on your breast, but when you said, "I love you," I wept bitterly.

5. Ich will meine Seele tauchen (My soul, I will sink)I will steep my longing soul in the chalice of the lilyuntil songs shall drift from its petals. The songs will thrill with the emotion of that blissful hour when our lips met.

6. Im Rhein, im heiligen Strome (On the Rhine, on that holy river)On the waves on the holy river, the Rhine, the image of the great cathedral of Cologne is reflected. A picture in the cathedral has changed my life; on golden leather are painted flowers and angels around our holy Lady. Her eyes, lips and cheeks are like those of my beloved.

7. Ich grolle nicht (I chide thee not)I chide thee not, even though my heart will break for thelove that is lost. I've known for a long time that no jewel's light can pierce the dull night of my heart.

8. Und wussten's die Blumen, die kleinen (If only the little flowers)

If only the little flowers could know my sorrow, they would weep for my grief and woe. If I could tell my sorrow to the nightingales, they would sing a song of gladness to cheer my heart. The stars are too distant, for in seeing my pining, they would try to comfort me.All is in vain, only my beloved can heal my heart, which she has broken.

9. Das ist ein Floten und Geigen (The flutes and fiddles are playing)The music is bright and the trumpets sound gaily for my loved one, who is dancing on her wedding day. The music is ringing and throbbing but the angels are sobbing for love that has passed away.

10. Ho'r ich das Liedchen klingen (If I hear the little song)My heart recalls the old, familiar song which I fancy my love is singing. I go to the forest to hide my bitter grief. There my tears flow; I find solace and relief.

11. Ein Jungling liebt ein Madchen (A youth loved a maiden)A youth once loved a maiden who would marry another suitor.When this suitor married another girl, the maid then married the youth, but his fate was a sad one. It is the same old story, those, to whom it happens, can tell of a broken heart.

12. Am leuchtenden Sommermorgen (On a bright summer morning)I wandered in the garden, in the golden sunlight. The flowers gently nodding and swaying, gazed pityingly after me and whispered, "Do not blame our sister, suffering man."

13. Ich hab' im Traum geweinet (I wept in a dream)I dreamed I was weeping because you had died, and when I awoke, there were tears on my cheeks. Tears burst from my eyes as I dreamed you were leaving me, then I awoke and wept bitterly. I dreamed I was weeping and that your heart was still mine - now I awake and tears flow in an endless stream.

14. Allnachtlich im Traume seh ich dich (Every night I see you in a dream)Every night I see you in my dreams. You, weeping sadly, look at me and give me a bouquet of cypress, the garland of death.I awake and you are gone.

15. Aus alten Marchen winkt es (From ancient fairy-tales it beckons)A hand beckons me from distant fairyland, where bright flowers are blooming. On, if I could only journey there to gladden my heart and be free and happy.

16. Dei alten bosen Lieder (The old wicked songs)Get me a coffin, longer than the bridge across the Rhine, andtwelve giants to sink it in the ocean; it is deserving of alarge grave. Do you know why the coffin is so large andheavy? It holds all my love and my sorrow.

Ill

Toccata and Fugue.................... Norberto Guinaldo(A fresh and stunning piece with great rhythmic ingenuity created by a brilliant sixteenth-note figure in the right hand and accented by varied rhythmic changes over a bold pedal part. Written in the atonal idioms, the work is a contemporary approach to an old form. The fugue is written in a formal structure more in character with Butehude than Bach - there are six sections each complimenting the other and ending with a full organ climax of impressive majesty.)

IV

Benedictus (Mass in B minor). . . . . Johann S. BachThe Good Shepherd.............. Beardsley Van de WaterHow long, 0 Lord, wilt Thou forget me?

(The Triumph of David)................Dudley BuckJewell Grothaus, violin

V

Epilogue. .............. Jean Langlais(A pedal solo on a theme by Frescobaldi)

Jesus, the Very Thought of Thee........................arr. Homer Whitford

Finale (First Symphony, Op. 14)..........Louis Vierne

Lyceum Series

O LIVET NAZARENE COLLEGE

presents

DAVID UERKVITZPIANIST

Chalfant Hall

November 8, 1968 8:00 p.m.

Program

Robert Schumann Novelette, Op. 21, No. 2(1838)

The harmonic material for the second Novelette is based on the major-minor mode, which lowers the sixth tone of the major scale.Marked prestissimo arditamente, it becomes a tour-de-force for the thumbs, with intricate crossing of the left thumb and repeated patterns in the right. Its exhuberance is interrupted by ameditative trio section for contrast.

Robert Schumann Romance, Op. 28, No. 2(1838)

The little Romance in F# Major displays Schumann's ability to create a lovely melody which he supports with rich harmonies.

F. Chopin Scherzo, Op. 31(1837)

The Scherzo, Op. 31, reveals the "Edgar Allen Poe" side of Chopin. Filled with operatic-like drama, it produces scenes of horror and pursuit as well as passages of poetic tenderness.

it it it it it it it it it it it it it it it it it it it it

George Gershwin Preludes Nos. 2 and 3(1927)

The "blues" grew out of the American negro spiritual. Its theme is typified in the old stevedore song that says "Things have got to get better cause the cain’t get no wuss." Gershwin's second Prelude captures the desperate, melancholy spirit of the blues with its persistent ray of hope. It is based on the blues scale which adds a minor third and a minor seventh to the major scale. The third Prelude is an example of Gershwin's ability to capture jazz idioms in such a way that they become acceptable and appropriate in the concert hall.

Dave Brubeck Blue Rondo a la Turk'(1961)

Most jazz music is written in 4/4 time. Dave Brubeck breaks this rhythm barrier in "Blue Rondo a la Turk" by using an unusual grouping in 9/8 time— 2-2-3— borrowed from a Turkish folk rhythm.The middle improvisatory section is in basic 4/4.

H. Villa-Lobos Echoes from a Brazilian Forest Nos.

Echoes from a Brazilian Forest by Heitor Villa-Lobos cleverly interweaves the rhythmic and melodic idioms of Brazil's cultural heritage into two thoroughly delightful works of art. Jazz-like African rhythms, Latin themes, and snatches of indigenous Indian melodies are all integrated. The second piece suggests the majesty and breath of the Amazon River.

Ned Rorem

Ned Rorem is one of the most reputable of living American composers. Versatile in all mediums, his sparkling, rhythmic Toccata reveals his understanding of the piano. He thoroughly exploits its possibilities, often to the exasperation of the pianist. Written in 8/8 time— 3-2-3— it builds up to an almost intolerably exciting climax.

INTERMISSION

Johannes Brahms SonataThe youthful F# Minor Sonata is a conflict between Brahm's romantic spirit and his sense of form. We find it more original and spontaneous than many of his more mature works.He opens the first movement with a titanic theme, which is followed by passages of vague, impressionistic tone pictures and times of exhuberance, passion, and rebellion. The second movement introduces three variations on a simple, tender theme from the "Winter Song" by a German minnesinger. The third movement is another variant of the same idea. The trio of this "Scherzo" is a moment of sublime beauty. In the fourth, Brahms strings varied themes in Sonata-allegro form, bringing the Sonata to a rhapsodic close.

1 and 2 (1927)

Toccata(1948)

, Op. 2 (1852)

(DEPOSITIONSby students of John Rosfeld

BRASS QUINTETSusan Slaughter, director

PROGRAM

Quodlibet e « 9 o « e o o o e o o o o o a o o o Jenny Hatton

Chanson Number l o o « o o o a o o o o o o o o o V lcki Vorce

.Improvisation for Organ and Flute „ „ , „ 0 Roland Millardand Ruth Martin

K y n e Eleison » o o e » o o o a o o o o o o o Shirley Olose

Suite, Opus 1 , . ........................... Jenny Hatton

Send Forth Thy Glory: CompositionOn a Hymn Tune Terry Baldridge

Litany for Brasses, Piano andTimpani Roland Millard

s': s': s'; s'; s'; s':Sonata from Die Bankelsangerlieder , 0 ,Anonymous (ca0 1684)

Sonata Number 28 » 0 . , , 0 , s , Johann Pezel (1619-1694)

This Old Man — March , , 0 o . „ * « « Robert Nagel (1960)

Suite for Brass Quintet, Finale . „ 0 » » Alec Wilder (1964)

Suite from the Monteregian Hills 0 0 . Morley Calvert (1967) 1 . La Marche 2„ Chanson Melancolique3, Valse Ridicule4, Danse Villageiose

BRASS QUINTET

OLIVET NAZARENE COLLEGEDEPARTMENT OF MUSIC

Chalfant Hall, November 12, 1968 at 8:40 p 0m 0

Olivet Uazarene College

DEPARTMENT OF MUSIC

presents a

Studeut Recital

Das W i r t h a u s o o e o o o c o c o o o o o o o o Franz Schubert Jim Peterson, baritone

Diane Marvel, accompanist

W i d m u n g © © o o o o © © © © © © © © © © © © © Robert Schumann Jenny Hatton, soprano


L heure exc^uxse c o c o © © c o o o © o o © o o Reynaldo HahnStan Green, baritone

Donna Toigo, accompanist

Notturno Opus 54, N o ; 4© © © © e © o © © © © © ©Edvard GriegBecky Saunders, piano

I Will Extol Thee (El i ): „ , © © © © . © © © Michele CostaShirley Close, soprano


II neige © • © © ■ c © = Henri BembergJulia Clipper, soprano

Carolyn Poole, accompanist

My Love Rode Byc « © © o , © © = © > © c © Mary E© CalbreathAnita Moore, soprano

Ovid Young, accompanist

Phyllis Has Such Charming Graces© „ „ „ „ „ „ ©Anthony YoungDavid Welch, tenor


Scherzo (1903)© o o o o o o o © © o © © © © © o ©Bela Bartok Brenda McKenzie Peck, piano

Recital Hall November 7, 1968 +:30 p cm©

Olivet [Jazarene College

DEPARTMENT OF MUSIC

presents a

Student Recital

Italian Concerto in F Major 0 „ 0 . 0 „ » o . J. S, Bach Allegro

Carolyn Poole, piano

Lasciatemi morire (Arianna) 0 0 0 o 0 Claudio MonteverdiGreg Williams, baritone Donna Toigo, accompanist

Voi che sapete (Le Nozze di Figaro) 0 0 0 Wolfgang MozartSharon Keel, contralto


Vorrei o D O o . o o o o o o o o o o o « Francesco TostiRita Shaffer, soprano


Wings of the Morning 0 o o o 0 « ° o « o » 0 Clay Smith Rodney Bushey, trombone Rona Davis, accompanist

Auf einer burg „ 0 „ „ 0 0 » o o o ° o a Robert SchumannMarcia Meyer, contralto


There is a Lady sweet and kind „ o o o o Norman Dello JoioGerald Parr, tenor


Sonatina o o o o o q o o o q o o o o o o Malcolm Arnold Andantino Allegro con brio

Marilyn Glancy, clarinet Linda Smith, accompanist

Scherzo (1903) 0 0 o o o < . o o o o 0 o o o o o Bela Bartok Brenda McKenzie Peck, piano

Recital Hall,November 14, 1968, 4;30 p 0m„


HOM ECOM ING COM M ISSION

and

DEPARTMENT OF MUSIC

present

TWELFTH ANNUAL

HOMECOMING CONCERT

Chalfant Hall

NOVEMBER 15 AND 16, 1968

8:00 AND 3:00 P.M.

ProgramP A R T I

Invocation

Star Spangled Banner ________________________________________ Keys-LeidzenThe Brass Choir

George Mowry, conductor

I Am an A m erican________________________________________________ arr. Ehret

In God We T ru st____________________________________________Tobias-ShermanViking Male Chorus

Gerald Greenlee ’41, conductor

Higher Ground Brass Choir

Fortinbras March ____________________________________ Shostakovich-SuchoffJesus S aves___________________________________________________arr. Baldridge

Danse Infernale _________________________________________ Stravinsky-GardnerConcert Band

Harlow Hopkins, conductor

0 Come Let Us Sing Unto the L o r d _______________________________ Newbury

Wonderous L o v e _______________________________________________ arr. AhroldTreble Clef Choir

Irving Kranich ’54, conductor

Selected _____________________________________________________ Brass Quintet

The Peace that Jesus G ives__________________________________arr. Carmichael

Upon This Rock _____________________________________________ BeckOrpheus Choir

Naomi Larsen ’33, conductor

Cleft of the R o c k _______________________________________________ Brass Choir

A Mighty Fortress is Our God _____ - Luther-MuellerOrpheus Choir and Alumni

IN TER M ISSIO N

PA R T II

Harlow E. Hopkins ’53 -...... Conductor

Ovid Young ’62 ___________ Orchestral Accompaniments*

Lauren Larsen *57 -------------------- Narrator

Alma M a te r_______________________________________________________ Carmony

How Big is G o d ? * ---------------------------------------------------------------------- Akers

Collegians Quartet Paul Ebright ’68, Ron Schwada

Steve Ward, Larry Shupe, Gary Webster

Why Do I Sing About Jesus?* _______ __ - KetchumMonigail Kennedy Trotter ’57, soprano

The Theme of My Song* ---------------- — LillenasJewell Flaugher Grothaus ’48, violin

Selections by Byron Carmony ’39He Became Poor*Then I Met Jesus*If I Had a Thousand Lives to Live*

Homecoming Chorale and Orchestra

His Love* _______________________________________________________ RobbinsRobert Simmons ’65, bass

Submission* — Miles-FormanLyla Hyde Martin ’67, contralto

We Give Thanks to Our S a v io r MascagniHomecoming Chorale and Orchestra

;er

Robert Kuhn __ _______ Lighting Engineer

Alan Moss ---------------------------- Asst. Lighting Engineer

Claire Beckwith ----------------- _ Sound Engineer

Virginia Wasson _________ Stage Manag'

OLIVET NAZARENE COLLEGED E P A R T M E N T OF M U S I C

presents

SENIOR RECITAL

V I C K I V O R C E , soprano


assisted by

STEPHEN BRUNT, piano

Nymphs and Shepherds© o o © o o o o o o © o o Henry Purcell Nel cor piu non mi sento© © © © © © © © ©Giovanni Paisiello Danza, danza, fanciulla gentile© © © © © ©Francesco Durante

Etude, Op© 10, No© L© © © „ © © © © © © © © Frederic ChopinCapriccio, Op© 116, No© 1 © © © © © © © © © ©Johannes Brahms

Chanson de Florian© © o o © © o © o © © o © Benjamin Godard Bonne Nuxt o o © o o o o © o o o o o o o o o o o J o Massenet Vox lo sapete o © o o o o © o © o o o o o © oPxetro Mascagni

("Cavalleria Rusticana")

Sonata No© II © © © © © © © © © . , © © © . . © Paul Hindemith I Mabig Schnell

II Lebhaft III Sehr Langsam

W i d m u n g o o o o o o o o o o o o © o o o o o ©Robert Scbumann Oh? had I Jubal's Lyre© © © © © © © © © © ©George F© HandelAlleluia© © © © © © © © © © © © © © © © ©Wolfgang A© Mozart

(from "Exsultate, jubilate")

(over)

Reflets dans l #eau0 0 o o o o 0 0 o o o » o „ Claude Debussy(from "Images")

Rondo Capriccioso, 0 p 3 14 0 0 0 o « F 0 Mendelssohn-Bartholdy

Tell Me Lovely Shepherd 0 0 0 o « ° o » o o o oWilliam Boyce Moon Marketingo o o o o o o o o o o o o o o o Powell Weaver Sing to My Heart a Song0 » ° o « « o 0 » o Vitorio Giannini

Recital Hall November 22, 1968 7 i 00 P 0M„

This recital is being presented in partial fulfillment of the requirement for the Bachelor of Arts degree in Music Education

The Thirty-Fourth Annual Performance of

MESSIAHBY

GEORGE FREDERICK HANDEL

OLIVET NAZARENE COLLEGE ORATORIO CHORUS AND ORCHESTRA

D e c e m b e r 6,8, 1968 — 8 & 3 p.m.

COLLEGE CHURCH of the NAZARENE

Y ] a o m i c J l a r i e n ................................ 2 ) i r e c t o r

SO LO ISTS

FRIDAY EVENING

Judy M arkee i Soprano

Sheryl M eyerin g_____________________________ ContraltoDavid W e lch ______________________________________________________________ TenorRobert K u h n _______________________________________________________________ Bass

SUNDAY AFTERNOON

Ruthmarie E im e r -------------------------------------------------------------------- SopranoMarcia M e y e r_______________________________________________________ ContraltoGerald Greenlee _______________________________________________________ TenorDale Everett i___________________________________________________________ Bass

“ Messiah” is the best known and most successful oratorio ever written. It was composed in twenty-four days by G. F. Handel. Although numerous attempts have been made by composers to surpass Handel’s efforts, “ Messiah” remains in a class by itself. Its association with Christmas, for some inexplicable reason, has given to it special significance. Its worldwide popularity is due in no small measure to the scriptural text. A rendition of the entire oratorio requires over three hours. This performance will include the Christmas portion plus a portion of the Passion section. On the occasion of the first performance in London in 1749, at the words in the “ Hallelujah Chorus” , “ For the Lord God Omnipotent Reigneth,” the auditors were so transported that, led by the King, they all arose to their feet and remained standing. This custom has endured through two centuries.

Today’s performance continues a tradition of thirty-three years, and expresses the true spirit which breathes within the walls of Olivet Nazarene College. May the rendition of “ Messiah” once again edify the souls of those who listen and glorify the Eternal God above.

O R C H E S T R AVIOLIN

Kathyrn Jordan, concertmistress Donald Dehamer Clarence Grothaus Ronald Habegger George ShutakKelvin St. John, principal second William Selvidge Georgette Williams John Little

VIOLAJewell Grothaus Francine Shumacker Jenny Baker

CELLORosalie Ernest Ann Wetzel

STRING BASS Linda Moore Diane Marvel

FLUTERuth Martin Donna Jones

OBOERobert Folsom Emily Allie

CLARINETMarilyn Glancy Janice Fagan

BASSOONFrances Smet

FRENCH HORN Garen Milton Sharon Paluszkiewicz

TRUMPETSusan Slaughter David Wooten Tom Reinhart

ORGANRoland Millard

HARPSICHORD*Ovid Young

TROMBONETerry Baldridge Alan Moss Eugene Myers

TIMPANIMichael Weirman

* Available through the generosity of Dr. Reinhold Schuller, Herscher, Illinois.If you brought young children with you, we hope you will feel free to use the nursery facilities which are available on the ground floor. Should you desire that your children listen to the performance, it is suggested that you sit near an exit in case a disturbance should arise. Your consideration will be appreciated greatly by everyone concerned.As you would expect, the cost of presenting "Messiah" has been mounting each year. It is still the desire of the College, however, to keep admission free of charge. Therefore, your generosity in the freewill offering will be sincerely appreciated.

O R A T O R I O C H O R U SRESHEARSAL ACCOMPANISTS:

BRENDA PECK MARK HOSTETLER

Dale Attig Jenny Hatton Beverley OzeeJanet Baker Jean Hawkins Linda PadgettSandra Barnes Linda Hendrix Alice PaisleyStephen Barnett Richard Henson Gerald ParrRose Marie Beikman Karen Hilliker James ParsonsHarriet Bennett Jane Holt Linda PetersonLarry Bittenbender Deborah Hopper James PetersonWeslet Bittenbender Peggy Hornback Carolyn PickeringPam Bookwalter Gary Hubartt Carolyn PooleMichael Brown Janet Huey Kathy PraterLindell Browning Sharon Keel Darrell RistStephen Brunt Judy Kelsey Reta ShafferWynne Bumpus Sally Kindred Janis SharpDavid Bunker Stephen King Rebecca ShowalterRon Burnette Nancy Kizer Brenda SmithRichard Bushey Mary Kondourjian Linda SmithRodney Bushey Robert Kuhn Joy SniderLinda Carter Robert Lafon Carol SoutterCarol Casteel Joseph Laird Ed SpanglerStephen Caudill Terry Lambright Deborah SpauldingRobert Clack Reta Lane Mary StewartEd Cleveland Sandra Lang Philip StoutJulia Clipper Laurel Larson Joy SwisherShirley Close Larry Leckrone Barbara TaylorBarbara Colvin Cary Leuellen Virginia TaysSusanna Cook Jim Logston Donna ToigoJames Coy Pam Maether Eloise TomlinStephen Doenges Nancy McClaid Lorie VandervortWilmer Eigsti Lois McLaughlin Cathy VickersKay Embick Sandra McPhail James ViditoPatsy Fagan Andria Meadows Margo VorceDwilene Finley Marcia' Meyer Vicki VorceDianne Forshey Myron Meyer Barbara VoylesTerry Fortier Sheryl Meyering Candy WadeJanet Foust Roland Millard Virginia WassonNina Freesmeyer James Miller David WelchCarol Gaines Robert Mills Sandra WellsGerald Gardner Mary Mitten Greg WilliamsKen Gates Anita Moore Ron WilliamsStanley Green Sharon Moore Stephen WillsBruce Greenlee Nathan Murrell Brenda WillisJames Greenstreet Eugene Myers Gary WisdomRoger Hampton

p.r o c j r a m

Invocation

Overture

Friday Evening, Rev. Donald IrwinSunday Afternoon, Dr. Harold W. Reed

Recitative— Com fort ye, com fort ye, my people, saith your GodA ir— Every valley shall be exaltedChorus— And the glory o f the Lord shall be revealedRecitative— Thus saith the Lord ............................................................

A ir— But who may abide the day o f His coming Chorus— And He shall purify the sons o f Levi Recitative-—Behold a virgin shall conceive and bear a Son

A ir and Chorus— 0 thou that tellest good tidings to ZionA ir— The people that walked in darkness have seen a great lightChorus— For unto us a Child is born*The Pastoral Symphony

Isaiah X L : 1-3 Isaiah X L :4 Isaiah X L :5

H aggai II :6, 7 Malachi III :1

.Malachi 111:2 Malachi 111:3 Isaiah VII :14 Matthew 1:23

Isaiah X I :9 Isaiah IX :2 Isaiah IX :6

O ffertoryThe symphony is based upon a simple tune which Handel remembered hearing in his youth at Christmas time upon the streets o f Rom e . . . some subtle quality puts before us the peaceful hillside about Bethlehem. We know it is night, and that shepherds watch over the flocks which lie sleeping about them. The sapphire sky is thickly studded with stars which shine with dazzling brilliance.

Recitative— There were shepherds abiding in the fieldRecitative— And lo! the angel o f the Lord came upon themRecitative— And the angel said unto themRecitative— And suddenly there was with the angelChorus— Glory to God in the highestA ir— Rejoice greatly, O daughter of ZionRecitative-—Then shall the eyes o f the blind be openedA ir— He shall feed his flock like a shepherdA ir— Come unto Him, all ye that labourChorus— His yoke is easy and His burden is light

..................Luke 11:8 Luke: 11:9

Luke II :1 0 ,11..............Luke 11:13

Luke 11:14 Zechariah IX : 9,10 Isaiah X X X V :5, 6

Isaiah X L :11Matthew X I : 28, 29

Matthew X I :30

IN TERM ISSION

Chorus— Behold The Lamb o f God John 1:29A ir— He was despised and rejected o f men Isaiah L III:3Chorus— Surely He hath borne our griefs, and carried our sorrows Isaiah LIII :4, 5 Chorus— And with His stripes we are healed Isaiah L III:5Chorus— All we like sheep have gone astray Isaiah L I I I :6Recitative— Thy rebuke hath broken His heart Psalm L X I X :20A ir— Behold, and see if there be any sorrow like unto His sorrow

Lamentations 1:12Choins— L ift up your heads, O ye gates A ir— W hy do the nations so furiously rage together Chorus— Let us break their bonds asunder Recitative— 'Re that dwelleth in heaven shall laugh A ir— Thou shalt break them with a rod o f iron Chorus— Hallelujah! for the Lord God omnipotent reigneth

A ir— I know that my Redeemer liveth

Chorus— Since by man came death Recitative— Behold, I tell you a mystery A ir— The trumpet shall soundf Chorus— W orthy is the Lamb that was slain. Amen

Psalm X X IV : 7-10 Psalm I I : 1, 2

Psalm II :3 Psalm 11:4 Psalm II :9

Revelation X I X :6 Revelation X I : 15

Revelation X IX : 16 Job X IX :25, 26

I Corinthians X V :20 I Corinthians X V : 21, 22 I Corinthians X V :51, 52

I Corinthians X V :52 Revelations V :1 2 ,13

The Audience will refrain from applause until after the final chorus.1Dedicated to the memory of Walter Burdick Larsen (1908-1957) conductor of the Chorus in 21 con

secutive years of the Messiah.

' An offering will be received during the Pastoral Symphony.

The President and Facultyof

Olivet Nazarene College wish you

e / f Blessed Christmastide and New Year

— H A R O L D W. REEDPresident

Student Recital

OLIVET NAZARENE COLLEGE

DEPARTMENT OF MUSIC

Amariili, mia bella.- 0 • Giulio CacciniKen Gates, baritone


Have You Seen but a Whyte Lily Grow0 0 = » 0 » 0Anonymous Gene Smith, baritone


Tu lo saio o » . o » o 0 o. o o, o, « c . ,o Giuseppi Torelli Alice Paisley, soprano Ovid Young, accompanist

0 Had I Jubal's Lyre (Joshua) , „ G 0 F„ HandelKathy Prater, soprano


Horn Concerto No 2 in Eb Major 0 „ , W, A 0 MozartAllegro Maestoso

Alan Moss, euphonium Sharon Moore, accompanist

1 Walked Today Where Jesus Walked . Geoffrey 0*HaraGary Bond, baritone


0 Rest in the Lord (Elijah) - ..........Felix MendelssohnNancy McClaid, mezzo-soprano Dwylene Finley, accompanist

Contemplation. ». , . , Charles Marie WidorPamela Bookwalter, soprano Donna Toigo, accompanist

My Johann i « Edvard GriegNina Freesmeyer, soprano Naomi Larsen, accompanist

• Solo de Concours - ? . » « » a ^Jacques AubertJoe Culver, alto saxophone Karen McPhail, accompanist

(over)

A Song of India (Sadko)© © © © . ©Nicolai Wynne Bumpus, soprano

Dwylene Finley, accompanist

For You Alone o » © e o © o f f l © ® « o o © ‘Robert LaFon, baritone

Andria Meadows, accompanist

O O A O O G O O O O O 'I Wish and I Wish,Candy Wade , soprano

Rita Shaffer, accompanist

Sonata for Horn and Piano© , © © © © „ © , Garen Milton, French Horn

Gary Wisdom, piano

o o o o « o a o © o o © o o o 'Le Cirque©FanfareClownsEcuyere

Vicki Vorce, piano

Reed Hall Auditorium December 5, 1968 4s30 p©m©

Rimsky-Korsakov

. ©Robert Gehl

Norman Peterkin

Bernard Heiden

Joaquin Turina

OLIVET NAZARENE COLLEGED E P A R T M E N T O F M U S I C

presents

SENIOR RECITAL

J U D Y M A R K E E , soprano

B R E N D A P E C K , " piano

AND ACCOMPANIST

Hark? The Echoing Air (The Fairy Queen)© 0 © ©Henry Purcell 0, del mio dolce ardor© © © © © © © © © © © C © W© Von Gluck Deh, Vieni, non Tardar

(Le Nozze di Figaro)© © © © © © © © © © © W© A© Mozart

Wachet aug, ruft uns die Stimme© © © © © © © © © J© S© Bach(arr© Myra Hess)

Fantasie-Impromptu, Op© 66© „ „ © © © © © © Frederic Chopin

Sans Toio o o o o o o o o o o o o © © © © © oGuy d Hardelot Au Printempso o o o o o o o o o o o o o o o o © 0 Co Gounod II est doux, il est bon (Herodiade)© „ © © © Jules Massenet

INTERMISSION

Du bist die R u h ’© © . © © © © © © © © „ „ © © © F© Schubert W o h m ? o o o o o o o o o © o © o o o © o o o o o F © Schubert Bas erste Veilchen© © © © © © © © © © © © © ©F© Mendelssohn Widmung© © © o o o o o o © © © © © © © © © © © oR © Schumann

(over)

Thirty-two Variations on an Original Theme in C Minoro o o o oLudwig van Beethoven

Night o o o o o o o o o o o o o o o o o o o o Edwin McArthur This Little Rose0 o o o o o o o o o o o o o o o William Roy Lo, Here the Gentle Lark0 » o 0 o o o o 0 0Sir Henry Bishop

Ruth Martin, flute

Scherzo (1903)0 0 o o . o o o 0 o o o « o o o » Bela Bartok

Reed Hall Auditorium December 7, 1968 8;00 P„Mo

This recital is being presented in partial fulfillment of the requirement for the Bachelor of Arts degree in Music Education0

* Recipient of the 1968-69 Walter B 0 Larsen Award for Musical Excellenceo

OLIVET NAZARENE COLLEGE Department of Music

CHRISTMAS CANDLELIGHT CONCERT

ENSEMBLES AND CONDUCTORS BRASS CHOIR, . , . . . . . , . . . . .GEORGE MOWRYCONCERT BAND, , , , . HARLOW HOPKINSORPHEUS CHOIR, „ , „ 0 . , . , , . . ,NADMI LARSENTREBLE CLEF S HANDBELL CHOIRS, 0 , ,IRVING KRANICHVIKING MALE CHORUS0 • , . , . . , .GERALD GREENLEE

PROGRAM

Noel, b c o o o o o o g , o o e o o f i o o o . o oHawley Ades

.Slory to God in the Highest o o o o o o o o o o o J . S , Bach

^11 My Heart Today Rejoices , 0 o o . o o , , o ,Flor Peters

Christmas Joy o o o o o o o o o c o o o o oRrro Erie Leidzen

Shepherds Rejoice o o o , , , , . , , . , , , John F , Wilson

In the Stillness of the Night , 0 « , , o « o . o , o Wilson

3 Childe Swete, (Christmas Cantata No, 1) , , Grant Fletcher

Behold that Star (Spirital), 0 o o 0 . • » , .Talley-Cunkle Soprano solo, Shirley Close

All Ye Good People, 0 0 , 0 0 , 0 0 , 0 0 0 0 Richard Kountz

he i irst Nowello 0 0 0 0 0 0 0 0 , 0 , 0 0 0 0 0 arr o Klein

Roundelay Noel© 0 0 0 0 0 , 0 0 0 0 0 0 , 0 0 0 Gordon Young

Christmas T l d m g s 0 , 0 , 0 0 0 0 0 o o o 0 o 0 , 0 oRo Holz

(over)

I Heard the Bells on Christinas D a y 0 , , o « o Marks-Ringwald

0 Come, 0 Come, Emmanuel, , 0 , 0 0 0 0 arr, Eugene Mitchell

0 Bambino, 0 0 , 0 , 0 0 0 0 0 0 , 0 0 0 0 oCapra and Velona

0 Little Town of Bethlehem , 0 0 0 . » , , ,arrt Sam Nestico

Silent Night 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 Gruber

0 Come All Ye Faithful, , , , , , , , , , „ , , , , „Oakeley

COLLEGE CHURCH OF THE NAZARENE

DECEMBER 11, 1968

7:30 P,M0


DIVISION OF FINE ARTS

presents a

Student Recital

Trumpet in Dialogue0 0 o s « o » » » o « o Louis ClerambaultPamela Maether, organ

In Dir ist Freude, « . „ „ , , o « . 0 « • o » o J » S „ BachPatti George, organ

Fugue in C Major,, 0 0 o „ . o <. = » • » , Dietrich BuxtehudeSusan Ash, organ

S i n f o m a m Bh o o o o o o o o o , o o o o , o o G o F o HandelEvelyn Click, or>gan

An Old French Carol„ » o „ o <> , « 0 o o .arr, Samuel LiddleVirginia Wasson, mezzo-contralto


To Shepherds, as They Watched by Night„ „ o » „ o Jo S, BachTerry Fortier, organ

Count Your Blessings, , 0 0 0 0 0 0 0 0 , 0 0 0 arr0 B 0 Boon Bruce Greenlee, baritone horn

Gary Wisdom, accompanist

A Christmas Carol, 0 0 0 0 0 0 0 0 0 0 0 0 Norman Dello Joio Rita Shaffer, soprano


Minuet (Sept fois sept et u n ), , 0 0 0 0 0 o tG, P s Telemann thanson Triste, 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 P 0 Tchaikovsky

William Selvidge, violin Jewell Grothaus, violin Margaret Brewer, viola

Improvisation on "Miles Lane", 0 0 0 0 0 0 0 Maurice WhitneyCandy Wade, organ

(over)

Suite Breve 0 0 0 , 0 0 , 0 0 0 0 0 0 0 0 0

III PlanteTerry Baldridge, organ

0 0 0 0 0 0 0 0 0Prelude in Classic Style,William Holda, organ

COLLEGE CHURCH STUDENT RECITAL DECEMBER 12, 1968

o 0 Jean Langlais

0 , Gordon Young

THE END


presents

SENIOR RECITAL

G A R Y W E B S T E R / baritone

assisted by RUTH MARTIN, FLUTE

TERRY BALDRIDGE, EUPHONIUM

"5e Nel Ben. . o . o . » o o . . » . . . Allessandro Stradella 0 Del Mio Dolce Ardor. . . . <> . . . . . « .Christopher Gluck t Is Enough, "Elijah"o . o . . . . . . . . Felix Mendelssohn

Fantasie No, 1, , , , , , t , , , , , , , .George Ph. TelemanVivace, Adagio, Allegro

antasie No. 2. 0 o o . . o . . . . . . . .George Ph. TelemanGrave, Vivace, Adagio, Allegro

c h n e e . . © o o o o . . . . . . . . . . . 0 0 0 0 6 Sigurd LieB'Heure Exquise. . o , . . . o . . .Reynaldo Hahn0 Du Mein Holder Abendsten, "Tannhauser". 0 . oRichard Wagner

,a Mandolinata, . . . . . . . . . . . . arr. Herman BellstedtLinda Smith, accompanist

ilgrims Song. 0 o o . . . . . . , . . . . .Peter Tchaikovsky Tn the Fields o o o o o o . o . . » o o o o ® e . . .John Duke The Water Mill. .Vaughan Williamslouds and Darkness. . . . . . . . . . . . . . Antonin Dvorak

wing Ye a Joyful Song. . . . . . . . . . . . . Antonin Dvorak

Recital Hall r'ec ember 14, 1968:00 P.M.

This recital is being presented in partial fulfillment of the equirement for the Bachelor of Arts degree in Music Education.

OLIVET NAZARENE COLLEGE Department of Music

presents

ROBERT HALE, Bass

OVID YOUNG, Organ

and the

OLIVET COLLEGE ORCHESTRA

Harlow E„ Hopkins, Conductor

in a

program of

B A R O Q U E M U S I C

College Church January 26 , 1969

3:00 P„Mo

P R O G R A M

GEORG FRIEDRICH HANDEL (1685-1759) , „ „ 0 6 , . Cease to beauty to be suing (Acis and Galatea)— voice and continuo

JOHANN SEBASTIAN BACH (16 85— 1750) „ 0 o . . . .Sheep May Safely Graze--voice, flutes

and continuo

GEORG FRIEDRICH HANDEL „ . . . . , . . . . . . .Concerto N o 0 A--organ and orchestra

lo Allegro 2 o Andante 3, Adagio d. Allegro

JOHANN SEBASTIAN BACH „ , , . . . . . . . . „ ,Cantata No, 56— bass, strings, oboe

I, Aria and conti nuo2 0 Recitative 3 o Ari a A, Recitative 5 0 Chorale

A N E V E N I N G O F O P E R A(5 taX.uJu.nQ

STUDENT SOLOISTS AND CHORUS

and

ROBERT HALE, New York City Opera C o 0 Director and Producer


DON GIOVANNI (1787) Act II

Leporello , , Donna Elvira Don Octavi o , Donna Anna , Zerlina . „ . Masetto . . .

p a oga am

0 9 0 0 0 0 0 Wolfgang A, Mozart

Sextet„ o Dale Everett . Sandra McPhai1 Terry Lambright . » Rita Shaffer . „ Donna Tea. go Harrison Stewart

THE YEOMAN OF THE GUARD (1888), Act II (excerpt)

M e m 11 o a o a o o f i o ,F ai rf ax o o o s o o o o , Li eutenant . o o o o o ,Wi If red e o B o o o G o ,P Oi n t o O O O « Q O Q ® <

H.M.So PINAFORE (1878) , , . ,Act I (excerpts)

Buttercup , . , . „ 0 , . Captain Corcoran „ „ « , Cousin Hebe 0 , . , '» . .Si r Joseph o & , , o , <Ralph Rack straw . . , „ ,Boatswai n « e o o o , o < Cabi n Boy

Gilbert £ Sullivan

c, 0 Stan Green „ James Vidito , o Ken Gates „ Robert Lafon □Roger Hampton

„ Gilbert 6 Sullivan

Sharon Keel o , Gary Ward , Donna Toigo Larry Leek rone o Gerald Parr Richard Bushey o Mark Hopkins

* o Giacomo PucciniMADAME BUTTERFLY (1904) . . „ . .Act II

Flower Duet Madame Butterfly » . . „ . Vicki Vorce Suzuki „ , Virginia WassonSorrow o , Kirk Young

THE BARBER OF SEVILLE (1816). .Act II

Arias La Calunnia

Gioacchino Rossini

Don Basilio Dr. Bartolo

Robert Hale Dale Everett

THE MAGIC FLUTE (1791) . . , »Act I

Quintet, Trio, Duet

Wolfgang A. Mozart

Papageno. , Tamino , .First Lady Second Lady Third Lady Monostatos Pamino , ,Slaves , .

Robert Kuhn Bill Williams Shirley Close

Barbara Voyles . Marcia Meyer , . Dan Smolek , Kathy Prater

Ron Burnett, Gerald Parr Wes Bittenbender

COSI FAN TUTTE (1790) Act I

Dorabella » Fi ordi li gi Don Alfonso Gugli elmo , Fernando Despina . ,

Wolfgang A. Mozart

Finale, Sheryl Meyering

Nina Freesmeyer , o James Peterson . . James Logston , » . David Welch Carolyn Pickering

CHORUS MEMBERS

Pam Bookwalter Wynn Bumpus Karen Hilliker Karen McPhai 1 Rut h Marti n Andria Meadows

Carol Soutter Wes Bittenbender Steve Brunt Ron Burnett Richard Bushey Rod Bushey Steve Caudill

Ed Cleveland Bruce Greenlee Gary Hubartt Gerald Parr Darrell Rist James Vidito

English Translations £ Staging . . Boris GoldovskyRobert Hale

Accompanist . . . . . . . . . . . . . . . Ovid YoungStage Properties . . . . Darrell Rist, Linda Moore

Gerald Parr, Richard BusheyFlowers . . ......... . . . . . . . . . John PanozzoLighting . . . . . . . . . . . . . . . . Alan Moss

RECITAL HALL January 27, 19697:00 £ 8:45 P.M.


presents

SENIOR RECITAL

E S T H E R B E C K W I T H , s o p r a n o

assisted by CAROLYN POOLE, PTANO

Have You Seen but a Whyte Lillie Grow., „ . . .Anonymous Amarillo., mia bella. . . . . . . . . . . Giulio CacciniAlma Mia . . . . . . . . . „ » . Georg Friedrich HandelPlaisir d ’Amour. . . „ . . . . „ . . . Giovanni Martini

Italian Concerto in F Major. . . . . . . Johann S. BachAllegro, Andante, Presto

Nachtviolin. . . . . . . . . . . . . . . Franz SchubertOuvre Tes Yeux bleus . . . . . . . . . . Jules MassenetChe faro' senza Euridice . . . . Christoph W. Von Gluck

Recitative and Aria from "Orfeo"

Troisieme Ballade, Op. 47. . . . . . . .Frederic ChopinImpromptu in C# minor, Op, 28, No. 3 . . .Hugo Reinhold

Extase . . . . . . . . . . . . . . . . . . Henri DuParcThe Hills of Gruzia, . . . . . . . . . . . . .MednikoffThe Cry of Rachel. . . . . . . . . . Mary Turner SalterLet All my Life Be Music . . . . . . .Charles G. Spross


Recital Hall February 15, 1969 8:00 P.M.

This recital is being presented in partial fulfillment of the requirement for the Bachelor of Arts degree in Music Education.

O LIV ET NAZARENE COLLEGEDEPARTMENT OF MUSIC

Presents

SCOn BUSS, ViolinistPamela Grothkob, Accompanist

in Recital

IFugue (from G minor Partita) _________________________________________ Bach

Sicilien n e_____________________________________________________________ Paradis

Concerto in A m in o r ________________________________________________Glazunov

INTERMISSION

II

Sonata No. 3 ________________________________________________________ Debussy

Allegro Vivo

Intermede

Finale

P o e m e _______________________________________________________________Chausson

III

Carmen: Fantasie de C on cert_______________________________________ Sarasate

C h a l f a n t H a l l F riday e v e n i n g F e b r u a r y 21, 1969 8:00 o ’c l o c k

O LIV ET NAZARENE COLLEGE Department of Music

presents the

CONCERT BANDHARLOW E-, HOPKINS, DIRECTOR

TERRY BALDRIDGE, TROMBONE SOLOIST

p n cg A .m

Toccata- , , « , Girolamo Frescobaldiarr- Slocum

Capriol Suite; Peter Warlock.1. Basse-Danse arr- Beeler2 Pavane3 Tordion

Bransles5 Pieds en-L’Air 6 - fteftachins

Dance Rythms for Band, Opus 58a Wallingford Riegger

i.Y\X.Q Jm Liii>Ajov\.

Sonata for Band- c < Paul W Whear

Concerto for Trombone and Band - , , N- Rimsky-Korsakov1 Allegro vivace2 Andante cantabile3 Allegro

Terry Baldridge, Soloist Contrasts- o o - o - o o o r - o - r Will Gay Bottje

1 Lament2 Holiday

Perceptions I, * - J„ J Johnson

Chalfant Hall February 28, 1969 8 : 0 0 p-ir


presents

SENIOR RECITAL

W E S L E Y B I T T E N B E N D E R , baritone

Brenda Peck, Accompanist

and

C A R O L E C A S T E E L , mezzo-soprano

S t e v e Brunt, Accompanist

Ubriaco non son io, "La Finta Semplice". . . „W. A. MozartToglietemi la vita ancor . , . . „ . .Alessandro ScarlattiDer Vogelfanger bin ich, ja, "Die Zauberflote" . . . , , „

W. A, MozartMr, Bittenbender

Tu Lo Sai. , . . ................ .Lungi Dal Caro Bene. . , . . . , „ »My Mother Bids Me Bind My Hair . , .

Miss Casteel

Ballade des gros dindons ................. Emmanuel ChabrierLa Pluie . . . . . . . . . . . . . . . . Alexandre GeorgesDer Gartner. . » , . ......... .....................Hugo WolfDie Ehre Gottes aus der Natur. . . , .Ludwig von Beethoven

Mr. Bittenbender

Traume , , ................................. .Richard WagnerLe Miroir, . . . . . . . . . . . . . . . c Gustave FerrariL ’ Heure Exquise » ............ . . . . . . . Reynaldo HahnVoi Che Sapete, "The Marriage of Figaro" . . ,W. A. Mozart

Miss Casteel

o . .Guiseppe Torelli . . . .Antonio Secchi , . . . .Joseph Haydn

Think on These Things. Robert MacGimseyGod is in Everything . = » . o « . « . « . .Joseph ClokeyMemory . 0 . 0 . 0 . 0 0 . 0 . 0 0 . 0 0 0 3 0 .Ned Rorem A May Morning, o o e o e o o o o o o o e o o .Luigi Denza

M r c Bittenbender

Come All You Fair and Tender Ladies. 0 o o . John EdmundsDo Not Go, My Love 0 » » » . o . . » o o .Richard HagemanSheep and Lambs, . . . o o . o . o o o . e ® Sidney Homer Take Joy Home. „ o . » » » . . . . .Karolyn Wells Bassett

Miss Casteel

Recital Hall March 7, 1969 8:00 P.M.

This recital is being presented in partial fulfillment of the requirement for the Bachelor of Arts degree in Music Education.

OLIVET NAZARENE COLLEGEDIVISION OF FINE ARTS

ptl<2A<Lnti> a

STUDENT RECITAL

Burnished Brass(concert march), , „ , . , John Cacavas

Ave Verum Corpus, . . . . . . . . . . . . W. A, Mozartarr, Buehlman

Avon Overture . „ 0 . , . 0 , « . , « , «George Borich

Chonson and Bourree . , . . . . . . . . Frank Erickson

Yesterday , . „ » , „ , , 0 , J, Lennon £ P. McCartneyarr 0 R. Powers

Michelle, ...................... J, Lennon S P. McCartneyarr. R. Powers

Amparito Roca(Spanish March), . . . . . . 0 J. Texidorarr, A. Winter

Varsity Band George Mowry, conductor

Improvisation:Terry Tomlin, flute and saxophone Roland Millard, piano Linda Moore, bass Mike Weirman, drums

(over)

Night Train, . 0. Washington, L, Simpkins £ J, Forrestarr. Bud Estes

Canadian Sunset, words by N, Gimbel, music by, , „ e ,Ed Heywood

arr, Johnny Warrington

Undecided, words by Sid Robin, music by,Charles Shavers

arr, Glenn Osser

I wish you love 0 „ „ , . Charles Trenet £ Albert Beacharr, Glenn Osser

Fancy Pants, o o o , , , , , . , , , , , oEloyd Cramer

Stage Band George Mowry, sponsor

Linda Moore, student conductor

Chalfant Hall March 13, 1969 4;30 p.m.

F A C U L T Y R E C I T A L

FACULTY TRIO

Jewell Grothaus, violin Harlow E 0 Hopkins, clarinet Ovid Young, piano

A A * A A A A * A A A A A A A A A A A A A A A A A A A A

P R O G R A M

Trio Sonata in C Major„ o o o o o » o o <. o »J » S „ Bach

Adagio Alla breve Largo Gigue

Sonate pour clarinette avec piano Opus 167 „ o » o <> o »„ „ 0 Camille Saint-Saens

Allegretto Allegro animato LentoMolto allegro; Allegretto


I N T E R M I S S I O N

Ballad (on themes from Porgy and Bess),, George Gershwin Transcribed by Robert Russell Bennett

Trio, Opus 46 o o o o o o o o o o o oHelmut Riethmuller(1960)

AllegroRuhig fliessend Scherzo and Trio Allegro molto

A A A A A A A A A A A A A A A A A A A A A A A A A A A A

Recital HallMarch 15, 1969 7$15 p 0m 0

OLIVET NAZARENE COLLEGE presents

T H E V I K I N G M A L E C H O R U SGerald E s Greenlee, Director Stephen Brunt, Accompanist Kathryn Jorden, Violinist

Alma Mater „ e e , , 0 „ , , . e 0 e „ e Carmony-RosfeldInvocation * t . c 0 t o- ■ » o . c a » « . » .Pastor

Brethren, We Have Met To Worship ; e = a o oMoore-WrightSing Praise to Our Glorious Lord „ 0 • a c Schuetz-LenelPraise, My Soul, The King of Heaven„ a a a arr 0 SheppardHallelujah, Amen, "Judas Maccabeus", . „ 0 0 Handel-Duey

Collegian Brass Quartet( J 0 Parsons, L, Leckrone,J, Bowling, R 0 Beegle)

Violin Solo, Kathryn Jorden Collegian Male Quartet

Sing To The Lord , e 0 c 0 0 a = a c a a a 0 ar r = ParkerWater of Life( K, Gates, narrator) . „ a « Cain-GreenleeTrombone Solo, Terry BaldridgeIn God We Trust, , a a a a c c ,Tobias*Sherman

Moments of Praise and Song

0 Happy Day Heaven Medley

There’ll Be A Glad Tomorrow, » 0PetersonThe Lights of Home „ . « « a o 0 » 0 Marsh-Young

(Duet, T 0 Lambright and S, Ward;Violin, K„ Jorden)

The Meeting in the Air , „ 0 0 c „ „ e , Roberts ( Soloist, T . Baldridge)

Jubilee Pace-Greenlee

Life is a Symphony , , c o a s. a c <> a . Bixler-Greenlee Brass arrangement by T 0 Baldridge

Sheltered in the Love of Jesus 0 a , a aPeterson-Anthony

Benediction

Church of the Nazarene Tinley Park, Illinois March 16, 1969 7:30 p ,m a


presents

SENIOR RECITAL

M A R C I A M E Y E R , contralto


and

R O B E R T K U H N, uass-baritone

Roland Millard, accompanist

Qual farfalletta amantec, 0 0 0 0 „ □Domenico Scarlatti Slumber, beloved and take thy repose,

Christmas 0ratorioo » CJ= S 3 Bach abbibtad b y

Kathryn Jorden, violin Jewell Grothaus, violaRon Habeggar, violin Ann Wetzel, cello

Linda Moore, bass Miss Meyer

Lasciatemi morirej » „ 0 8 a a „ „ 0Claudio Monteverdi Danza, danza, fanciulla gentile„ , „ Francesco Durante Can She Excuse My Wrongs? 0 c s e a » <> » „John DowlandNon Piu andrai, "Le Nozze di Figaro" „ 6 «W 0 A 0 Mozart

M r » Kuhn

Er ist s 3 c « G * & t ® o * a »Nur wer die Sehnsucht kennt 0 aThe King of Love my Shepherd iss

Miss Meyer

Geheimes c a o o . o o o s o o o "Venez, agreable printemps " 5 » ,Le Ch arme □ o o c s o . c . o o o Jeunes Fillettes , 0 3 , e » . ,

Mr 3 Kuhn

0 , . Robert Schumann , o o Robert Schumann o , ® 0Charles Gounod

. 3 , .Franz Schubert □ arr □ J c B 0 Weckerlin o o a Ernest Chausson 3 o 0Nicolas Dalayrac

L*amour est un oiseau rebelle, "Carmen". Georges BizetMiss Meyer

o e o o o oHat man nicht auch Gold daneben, "Fidelio"ooLudwig van Beethoven

Mr0 Kuhn

The Lark in the Clear Air. „ 0 . o o The Weed o o . e o o o o o o o o o o Raven River, „ . , 0 . » o o o <■ . o Stopping by woods on a snowy evening

Miss Meyer

„ . . Irish Air s o Irving Fine .Alan Hovhaness o .Paul Sargent

The Roadside Fire. . . Thunderin’, Wonderin ’ 0

Old Woman Rain , . „ . P e a c e o o o , o . . - . o

M r . Kuhn

it is it is is is it is is

R. Vaughan Williams o .Robert MacGimsey . . Gena Branscombe o . . oBennie Beach

Recital Hall March 21, 1969 8s00 p.m.

thjjs HeciZaZ it> b eing pAeA&nZzd in paAtial ^ui^ilimenZ oi the HQ.quuAeMe.nt ofi tine. bacheloH oaZa degn.ee. in mtuic education „

O L I V E T N A Z A R E N E C O L L E G EKankakee, Illinois

pJitezivU theC O N C E R T B A N D

HARLOW E HOPKINS, DIRECTOR

p f W Q H O n

Toccata „ » Girolamo Frescobaldia r r - Slocum

Sonata for Band u Paul W,. Whear

Espana Rhapsody _ , . Emmanuel Chabrier

ZnteArrUAA-ionThe March of Christianity » Donald I Moore

Why Do I Sing? . „ „ . . . . . . .. . : YoungTranscribed-Linda Moore

Shirley Close, Soprano Jesus Saves c , . William Kirkpatrick

arr. BaldridgeLovely Voices . . . o c c * . . Hanks-Wilson

Band Chorale A1 Lilienthal, Jr., Guitar

He Became Poor. t .. Byron Carmony-YoungThen I Met Jesus Transcribed-Linda Moore

If I Had a Thousand Lives

A Spiritual Festival , Hawley Ades

Offering 3 . . .. .JoshuaTerry Baldridge, Euphonium

America the Beautiful „ 2 4 , , Samuel Wardarr Dragon

First Church of the NazareneChampaign, Illinois Saturday, March 22, 1969 7:00 P M


DEPARTMENT OF MUSIC

pAeb&ntb aSTUDENT RECITAL

Sonata, opus 1 3 ..................... Ludwig von BeethovenAdagio cantabile

Debbie Spaulding, piano

The Year's at the Springs ......... Mrs. H. H. A. BeachKaren Hilliker, soprano

Pamela Bookwalter, accompanist

Pieta, Signore, . . . . . . . . . .Alessandro StradellaAndria Meadows, contralto

Mark Hostetler, accompanist

Vergin, tutto amor, . , Francesco DuranteGary Hubartt, bass

Wynne Bumpus, accompanist

To a Water Lily (Woodland Sketches) . .Edward MacDowell Dwilene Finley, piano

Ich Grolle Nicht. . . . . . . . . . . . Robert SchumannLarry Leckrone, tenor


Deh Veini, non tardar (Le Nozze di Figaro).W. A. Mozart Rose Beikman, soprano


Mountains Oscar RasbachGerald Parr, tenor


Der Jongleur, Opus 31, No. 3, . . . , , , . .Ernst Toch Dianne Forshey, piano

Over the Land is April. . . . . . . . . .Ernest CharlesRita Shaffer, soprano


(over)

The Little Irish Girl „ „ « 0 „ 0 o » <> » 0Hermann Lohr Steve Wills, tenor


Cara sposa, amante cara (Rinaldo) „ „ „ 0 0 G 0 F 0 Handel Carolyn Pickering,contralto


Impromptu in A-flat, Opus 29„ „ 0 » , <> Frederic Chopin Steve Brunt, piano

Recitative and Prayer „ „ „ „ 0 „ 0 0 0 „Hector Berlioz Tom Boldwin, trombone

Accompaniment; Music-Minus-One Recording

Concertino „ o o . o » 0 0 o < , o o o < > o 0 o »Paul Vidal Janis Sharp, trumpet

Wynne Bumpus, accompanist

Concerto in G for four violins and piano„ „ 0 0 , 0 » .o o 0 George Phillip Telemann

Kathryn Jorden Ron Habegger Kelvin St„ John Don DeHamer Ovid Young

Sonata for Piano, op, 39„ 0 » o » o Vincent Persichetti Sharon Moore, piano

Burke Recital HallMarch 27, 19694;30 p„m0

O L I V E T N A Z A R E N E C O L L E G EKankakee, Illinois

pneients the

O R P H E U S C H O I R

NAOMI LARSEN, DIRECTOR

pnognam

Prelude: Holy God, We Praise Thy Name c . .Flor Peeters Roland Millard, organ

PROCESSIONAL. . c . . c . o . . . . .Alma Mater, Olivet

INVOCATION

Now Sing A?e Joyfully Unto God . c . . . . .Gordon Young Thou art the King of Glory. . . . . . . . . . . .HandelSanctus . . o o . o . . 0 0 . 0 0 0 . . . o o . . Haydn When Jesus Wept <= . . . . . . . . . . . . Billings-Boch

Love. . . . . . o . o o o o . . o o . o o . May VanDyke James Logston, baritone

Sing Unto God o o o o . o o o . c o o o o o Paul F etler Arise, Shine(Isaiah 60: 1,2). . . . . . . . Jean Berger Greater Love hath no man. . . . . . . . . .John Ireland0 Praise God. . . . . . . . . . . . . . .Richard Purvis

GREETINGS from OLIVET 0 . . . . . . . .Rev. Charles Ide

0 0 0 * 3 0 0Didn't My Lord Deliver Daniel(Spiritual).arr. Walter Ehret

Creep along Moses(American Folk Song) . « . .Gail Kubik My Song in the Night. . . . . . . . . Paul ChristiansenJesus Lover of My Soul. . . . . . . . . Holbrook-Larsen

Treble Singers Flute Obligato, Ruth Martin

Dear Lord and Father of Mankind . . . . . . Maker-BolksMen of Orpheus

My Shepherd will Supply my need . . . . .Virgil Thomson

The Peace that Jesus Gives, „ , , , Lillenas-Carmichael Upon This Rock** , 0 , ® , , , » , , © < > o John Ness Beck

OFFERING

0 For a Thousand Tongues to Sing* , ® » , 0 Mason-Young

BENEDICTION

Choral Benediction, » „ „ B « . .Peter LutkinDedicated to all the Alumni of the Orpheus Choir

Organ Postludes Now Thank We All our God, „ .Karg-Elert

* accompanied by Instrumental Ensemble,

First Church of the Nazarene Jackson, Michigan A 0 M®Grand Rapids, Michigan P®M® Sunday, March 30


DEPARTMENT OF MUSIC

‘VteaentA a

D U E T R E C I T A L

STEPHEN BRUNT - CAROLYN POOLEDuo-pianists

VICKI VORCE - VIRGINIA WASSONSoprano - Mezzo-contralto Ovid Young-accompanist

Chorale Preludes 0 God, Thou Holy God, Op, 122, N o r 7 „„ Brahms-Mackinnon

Sonata for two pianos c ° , » . Bernardo PasquiniAllegro Adagio Vivace

"Prepare Then Ye Immortal Choir", , c , ,SemeleCome Unto These Yellow Sands, „ „ , o 0 « Henry PurcellSound the Trumpet s , „ 0 , 0 c 0 o « o , Henry Purcell

Danse Negre, Op 58, No, 5, , , c * » , „ , Cyril ScottNorwegian Dance No, 1, Op, 35 t „ „ 3 , , ,Edvard Grieg

Barcarolle ; Les Contes D*Hoffman, „ 0 * 0 , 0 OffenbachNearest and Dearest(Tuscan Folk Song) , „ , ,CaraccioloLast Night. „ , , e 0 , „ „ „ » 0 e c , „ Kjerulf-Kiehl

Polka(from Ballet L ’Age D'or) Op 22 :D ShostakovitchConcertino, 0 p 3 9 U : „ 0 , = , SD ; Shostakovitch

"Brother, Come and Dance With Me"(Hansel and Gretel)o c o Humperdinck

"Evening Prayer"(Hansel and Gretel) ; c Humperdinck

Recital HallApril 1, 19698:00 P.M.


presents

SENIOR RECITAL

J A M E S C O Y , BARITONE

Wanda Kranich, accompanist

cu>{>J.Atzd b j

KATHRYN JORDEN, VIOLIN Stephen Brunt, accompanist

"Where'ere You Walk" from Semele•. , . , . ,G. F. Handel"Lasciatemi Morire'" from Ariana, , .Claudio MonteverdiTu Lo Sai . ® . . . :Giuseppe Torelli"Arm, Arm, Ye Brave" from Judas Maccabaeus G. F. Handel

Concerto No 3 in G, (K 216) . , , . , . ,WC A, MozartAllegro

Panis Angelicus . . Cesar FrankAus Meinen Grossen Schmerzen:. . . . . . . .Robert FranzDu Bist Die Ruh . . . . . . . . . . . .Franz SchubertLe Miroir ; . . . . . . . : Gustave Ferrari

Spanish Dance, op. 22, No 3, Romanza Andaluza, . . . .. . . Pablo de Sarasate

"It is Enough" from Elijah. . . . . . . ,F. MendelssohnThe Lord is My Light(Psalm XXVII) , . .Frances Allitsen The Hills of Home .Oscar J. FoxEternal Life. . . . . . . . . . . . . . . .Olive Dungan

Recital Hall April 20, 1969 3;00 p :m .

TlvLk AecdtaZ Ia b qamq pAHAe.nte.d -in poAttat ^uZ.^ttlment oI the. AnqcuA.me.nt o a the. BadieJLoA o& KajU> de.gAe.e. -in Mu>Zc Education.

1969 SEASON

tAfa^a/wiw c€oMefye

The Personnel

FLUTEDonna Jones, Spencer, W. Va.Virginia Wasson, Richmond. Ind.

( Historian)Nancy Kizer, Bluffton, Ind.Catherine Johnson, Bourbonnais, 111.Jane Hamlin, Elkhart, Ind.

OBOEEmily Allie, Dearborn, Michigan Linda Gennaro, Champaign, 111.Patsy Fagan, Findlay, Ohio

Bb CLARINETMarilyn Glancy, Highland, Mich.

( Secretary)Janice Fagan, Findlay, OhioKristin Haffner, Muncie, Ind.Gary Ward, Cincinnati, OhioBeverley Ozee, Manteno, 111.Alfred Lilienthal, Jr., Bourbonnais, 111.Sandra Lang, Silvis, 111.Marilyn Hulvey, Ossian, Ind.Lois McLaughlin, Salem, OhioMarna Ankney, St. Joe, Indiana

ALTO CLARINETShirley Close, Dayton, Ohio

CONTRABASS CLARINETKaren Hilliker, Flint, Mich.

ALTO SAXOPHONEHarold Hayes, Decatur, 111.Joseph Culver, Berne, Ind.

FRENCH HORNGaren Milton, Centerville, Iowa Sharon Paluszkiewicz, Midlothian, 111. Vicki Vorce, Grand Blanc, Mich. Robert Kuhn, Columbus, Ohio Nina Freesmeyer, Hamburg, 111. Leon Steely, Waterloo, Iowa

TRUMPETJanis Sharp, Youngstown, Ohio Thomas Reinhart, Pontiac, Mich. Linda Smith, Des Moines, Iowa Russell Hodges, Highland, Ind.Judy Kelsey, Champaign, 111.

EUPHONIUMAlan Moss, St. Louis, 111.

(Treasurer)

TROMBONETerry Baldridge, Bourbonnais, 111.

(President)Eugene Myers, Pittsfield, 111.Curtis Deford, Flint, MichiganSteven Doenges, Hamilton, Ohio

TUBADouglas Gunnerson, Akron, Ohio George Cundiff, Eau Gallie, Fla.

TIMPANIVicki Moyer, Bloomingburg, Ohio

PERCUSSIONMichael Weirman, Emington, 111.Jerry Cox, Indianapolis, Ind.

(Vice-President)James Greenstreet, Bradley, III.

TENOR SAXOPHONEJoyce Wine, Onion City, Inc

(Chaplain)

BARITONE SAXOPHONEDale Fitch, Valparaiso, Ind.

STRING BASSLinda .Moore, Alton, 111.

PURPOSE — To provide instruction in certain branches of music, so that students may become Christian men and women of highest ideals and usefulness as teachers, performers, and church musicians.

DEGREES — B.S. in Music Education. Music courses prepare one for teaching in public schools as well as private teaching. Applied work is offered in piano, organ, voice, stringed, woodwind, brass, and percussion instruments.

B.S. in Church Music. Music courses prepare one for full time church work. Applied work may be taken in voice or organ.

FACULTY — Ten full time and four part time people comprise the teaching staff. Three have done considerable work toward the doctorate.

ENSEMBLES — The Oratorio Chorus, Orpheus Choir, Treble Clef Choir, and Viking Male Chorus offer vocal ensemble experience while the Brass Choir, Hand Bell Choir, College Orchestra, Concert Band, and Varsity Band give instrumentalists an opportunity for participation.

A limited number of music scholarships is available. For information write Harlow E. Hopkins.

OLIVET S MUSIC PROGRAM

Olivet Nazarene CollegeDEPARTMENT OF MUSIC

HARLOW E. HOPKINS, Chairm an

LUDWIG

CollegeCenter

Ludwig Center is one of Olivet’s newest buildings, having been completed in 1966. It provides space for a 1,000-seat dining area, a book store, post office, formal lounge, Associated Students’ offices, Alumni office, Director’s office, faculty lounge, radio station W KOC-FM , seminar rooms, snack and recreation area, and other services.

This building is evidence of the continuing support of the Nazarenes on the Central Educational Zone and of the growing body of students which last semester totalled 1,978.

Olivet, located sixty miles south of Chicago, is a fully-accredited, four-year liberal arts college, a member of the North Central Association of Colleges and Secondary Schools, the National Council for the Acceditation of Teacher Education, and the American Association of Colleges and Universities. In addition, Olivet has received Reasonable Assurance o f Accreditation by the National League of Nursing and is recognized by the Department of Justice for the training of foreign students.

The College offers the Master of Arts degree in Theology, Biblical Literature, and Elementary Education, as well as the Bachelor of Theology, Bachelor o f Arts, and Bachelor of Science degrees with majors available in nearly thirty departments.

The Faculty is comprised of over ninety men and women with thirty-five holding earned doctorates. It is a highly-trained and dedicated group committed to the idea that the impact o f the community o f Christian faith of faculty and students should lead each person to develop a personal faith and a value system within the evangelical Christian tradition.

Colossians 3 :1 6“ Let the w ord o f C hrist d w ell in you r ich ly in all w isd o m ; teach in g and a d m on ish in g on e

another in psalm s and h ym n s and spiritual songs, s in g in g w ith gra ce in you r hearts to the L ord .” T h e N ew T estam en t ch u rch was a s in g in g ch u rch . It w as a v ictoriou s ch u rch . It was an evan g elistic church . O liv e t ’s D epartm ent o f M u sic is com m itted to e x c e llen ce in tra in ing and in p erform an ce . T h is reputation is w ell deserved and extends th rou gh ou t ou r ch u rch and b eyon d . T h eir m in istry w ill in sp ire and bless. W e are d e ligh ted that the m usic o f this grou p can be shared w ith you and we trust that your heart w ill b e w arm ed by the presen ce o f ou r students.

— H arold W . R eed President

With the announcement in 1968 of a new ten-jo&r development program, Olivet faces the future with faith and courage. She strives to assist the student in developing a wholesome and well-integr; Jd Christian personality, thus preparing him for Ji- telligent Christian citizenship, as well as to ass(kt him in developing attitudes, habits, and interests which characterize an educated person. These ideals have led many to contribute to the Col |e through the years. If you wish to assist Olive in achieving her avowed goals you may learn of opportunities which are available by writing Rev. Louis McMahon, Director of Estate Planning, Wills and Annuities.Olivet Nazarene College • Kankakee, Illi fs

“ Education with a Christian Purpose”

PROGRAM

Alma M a ter_______________________________________________Byron Carmony

INVOCATION

T occa ta ____________________________________________ Girolamo Frescobaldiarr. Slocum

Sonata for B a n d Paul Whear

Espana Rhapsody ___________________________________ Emmanuel Chabrier

Greetings from O liv e t________________________________ Rev. Charles IdeExecutive Field Secretary

The March o f Christianity______________________________ Donald I. Moore

A Spiritual F estiva l________________________________________ Hawley AdesIn That Great Gittin’ up Mornin’ Were You There When TheyLet My People Go Crucified My Lord?Go Tell It on the Mountain Set Down ServantDeep River Sometimes I Feel Like a MotherlessDown by the Riverside Child

He’s Got the W hole W orld in His Hands

Why Do I S in g ? Albert Ketchum — Ovid Youngtranscribed — Linda Moore

Shirley Close, Soprano

Lonely V o ice s ________________________________ Billie Hanks, Jr. — WilsonConcert Chorale

Albert Lilienthal, Jr., Guitar

He Became P o o r ____________________________Byron Carmony— Ovid YoungThen I Met Jesus transcribed — L. Moore

If I Had a Thousand LivesConcert Chorale and Band

Subm ission______________________________________Miles— Forman— YoungMarilyn Glancy, Clarinet

Jesus Saves___________________________________________ William Kirkpatrickarr. Terry Baldridge

OFFERTORY __________________________________________________ “ Joshua”Terry Baldridge, Euphonium

America the B eautiful_______________________________________Samuel Wardarr. Dragon

Harlow E. Hopkins

Harlow E. Hopkins, Associate Professor of Music and conduc tor of the Concert Band, Col lege Orchestra, and the Kanka kee Symphony, heads the Divis ion of Fine Arts and the Depart ment of Music and teaches woodwind instruments and conducting. He received t h eB.S.M.Ed. degree from Olivet

and the M.S. degree from the American Conservatory of Music in Chicago. Mr. Hopkins has completed the course work and recital requirements for the D. M. degree in Woodwinds, Literature and Performance at Indiana University. He joined the Olivet faculty in the fall of 1954.

ITINERARY

April 4, Friday Galesburg, 111.

April 5, Saturday Adrian

April 6, Sunday (a.m.)Detroit-Bethel

April 6, Sunday (p.m.) Detroit-Trinity

April 7, Monday Pontiac 1st

April 8, Tuesday Flint 1st

April 9, Wednesday Midland 1st

April 10, Thursday Traverse City 1st (zone)

April 11, Friday Cadillac 1st

April 12, Saturday Owosso 1st

April 13, Sunday (a.m.)Lansing 1st

April 13, Sunday (p.m.) Grand Rapids

April 16, Wednesday Kankakee (College Church)

May 2, Friday Spring Concert (Ludwig)

TREBLE CLEF CHOIR

“ Voices In Praise’ ’

PERSONNEL

Carolyn Poole, Cincinnati, Ohio Accompanist

Louise Ammerman, Dayton. Ohio

Mary Bishop, Fort Wayne, Ind.

Wynne Bumpus, Decatur, 111.

Judy Chastain, Indianapolis, Ind.

Melony Deter, Sterling, 111.

Neva Dodge, Bourbonnais, 111.

Marsha Easterling, Springfield, Ohio

Paula Elliott, Oakland City, Ind.

Kay Embick, Granite City, 111.

Patsy Eustice, Bradley, 111.

Dwilene Finley, Wooster, Ohio

Dianne Forshey, Tallmadge, Ohio

Linda Foulks, Marion, Ind.

Jayne Graham, Marion, Ind.President

Becky Harshman, Union City, Ind.

Kay Howk, Ottumwa, la.Treasurer

Darlene Jarrett, Fortville, Ind.

Karen Kreider, Coshocton, Ohio

Martha Kruse, Bourbonnais, 111.

Linda Kuhn, Hudson, Ohio

Diana Marvel, Evansville, Ind.

Nancy McClaid, New Hampshire, Ohio Vice-President

Andria Meadows, Hurricane, W . Va.

Mary Mitten, Bourbonnais, 111.

Rachel Rosser, Kalamazoo, Michigan chaplain

Carolyn Salsbury, Indianapolis, Ind.

Karen Showalter, Indianapolis, Ind.

Janice Smith, Howell, Michigan

Joy Snider, Bourbonnais, 111.

Candace Stivison, Logan, Ohio

Linda Swan, Anderson, Ind.

Mary Lou Swinney, Williamsburg, Ind.

Connie Thomas, Dayton, Ohio

Vicky Voss, Muncie, Ind.Secretary

Cassandra W ade, Rockford, 111.

Brenda Willis, Evansville, Ind.

Karen Zimmerman, Union City, Ind.

HANDBELL CHOIR

Mary Bishop

Patsy Eustice

Karen Kreider

Andria Meadows

Rachel Rosser

Joy Snider

Vicky Voss

Cassandra Wade

* Brenda W illis

OLIVET'S MUSIC PROGRAM

PLRPOSE — To provide instruction in certain branches of music, so that students may become Christian men and women of highest ideals and usefulness as teachers, performers, and church musicians.

LUDWIG

CollegeCenter



FACULTY — Ten full time and four parttime people comprise the teaching staff. Three have done considerable work toward the doctorate.


Ludwig Center is one of Olivet’s newest buildings, having been completed in 1966. It provides space for a 1,000-seat dining area, a book store, post office, formal lounge, Associated Students’ offices, Alumni office. Director’s office, faculty lounge, radio station W KOC-FM , seminar rooms, snack and recreation area, and other services.


Olivet, located sixty miles south of Chicago, is a fully-accredited, four-year liberal arts college, a member of the North Central Association of Colleges and Secondary Schools, the National Council for the Acceditation of Teacher Education, and the American Association of Colleges and Universities. In addition, Olivet has received Reasonable Assurance of Accreditation by the National League of Nursing and is recognized by the Department of Justice for the training of foreign students.


The Faculty is comprised of over ninety men and women with thirty-five holding earned doctorates. It is a highly-trained and dedicated group committed to the idea that the impact of the community o f Christian faith of faculty and students should lead each person to develop a personal faith and a value system within the evangelical Christian tradition.



HARLOW E. HOPKINS, Chairman

■sL C olossians 3 :1 6“ Let the w ord o f Christ d w ell ‘n >ou rich ,y m wisdom;teach in g and a d m on ish in g on e

another in psalm s and h ym ns and spiritual son gs, s in g in g with grace in you r hearts to th e L o rd .” T h e N ew T estam en t ch u rch was a s in g in g ch u rch . It w as a v ictoriou s church .It w as an evan g elistic church . O livet ’ sD epartm ent o f M u sic is com m itted to e x c e llen ce in tra in in g and in p erform an ce . T h is reputation is w ell deserved and extends th rou gh ou t ou r ch u rch and b eyon d . T h eir m in istry w ill insp ire and bless. W e are d e lig h ted that the m u sic o f this g rou p can be shared w ith you and w e trust that your heart w ill b e w arm ed by the presen ce o f ou r students.

— Harold W. ReedPresident

W ith the announcement in 1968 of a new ten-year development program, Olivet faces the future with faith and courage. She strives to assist the sti ’ jpnt in developing a wholesome and well-integ led Christian personality, thus preparing him fo ^ in - telligent Christian citizenship, as well as to assist him in developing attitudes, habits, and interests which characterize an educated person. T ’ p e ideals have led many to contribute to the Cc ge through the years. If you wish to assist Oliv J in achieving her avowed goals you may learn o ^ h e opportunities which are available by writing Rev. Louis McMahon, Director of Estate Planning, wr[lls and Annuities.Olivet Nazarene College • Kankakee, Il^Jois

“ Education with a Christian Purpose”

PROGRAM

P R E L U D E _____________________________________Cassandra Wade, Organist

Alma Mater ___________________________________________ Carmony-Kranich

INVOCATION

0 Come, Let Us Sing Unto The L o r d ______________________ NewburyRejoice Unto G o d -------------------------------------------------------------------------- HughesWe Behold Our Dying S av iou r_____________________ _______ — Rozell0 , Shepherd of Is ra e l___________________________________________ Morrison

Were You There ______________________________________________ SpiritualTreble Clef Handbell Choir

Sing Aloud Unto G o d _____________________________________________ GlarumThe Beatitudes___________________________________________ __Evans-HastingsThis Is My Father’s W o r ld _______________________________ arr. Ringwald

Cassandra Wade, soloistEternal L i f e ________________________________________________Dungan-Donath

GREETINGS FROM O.N.C. _________________ Louis McMahonTour Director

Oh, Be Joyful In the L o r d __________________________________________PurvisPilgrim S o n g ____________________________________________________ WinterDuet — Lonely V o ice s_______________________________________Hanks-Wilson

Diane Forshey, Karen ShowalterDo You W onder? _____________________________________________ Peterson

Irving Kranich, soloistEvery Time I Feel the S p ir it______________________________ arr. WilliamsonTreble Clef Trio ________________________________________________ Selected

How Rich I A m ____________________________________________ arr. AnthonyJesus Is Coming A g a in ______________________________________ arr. Anthony1 Know That I ’ve Been Born A g a in ______________________________ Peterson

OFFERING: All Hail The Power of Jesus’ N a m e___________ arr. ElderTreble Clef Handbell Choir

Why ? --------------------------------------------------------------------------------------------- MooreHow Great Thou A r t ________________________________________ arr. DeCou

Nancy McClaid, soloist

BENEDICTION

Choral Benediction

PO STLU D E ----------------------------------------------------- Cassandra Wade, Organist

Irving Kranich is an assistant professor in voice at Olivet. He is a 1954 graduate of Olivet where he received the B.S. in Music Education degree. His graduate work was done at the University of Michigan, the University of Washington, Detroit Institute of Musical Arts,

IRVING KRANICH anj t|,e American Conservatory of Music, where he has completed the master's degree. He is currently working toward an advanced degree in Music Education at the University of Illinois. Before coming to his present position in 1959, Professor Kranich served as director of music and youth director at the Flint, Michigan, First Church of the Nazarene, and Seattle W ashington. First Church of the Nazarene.

ITINERARY

February 23, Sunday Kankakee (First Church)

March 28, Friday Marion, Indiana (Teenarama)

April 4, Friday Freeport

April 5, Saturday Naperville

April 6, Sunday (a.m.)Hammond 1st

April 6, Sunday (p.m.)Portage

April 7, Monday Elkhart 1st

April 8, Tuesday Kokomo 1st

April 9, Wednesday Fort Wayne (Zone)April 10, Thursday

Marion 1st April 11, Friday

Indianapolis April 12, Saturday

PeruApril 13, Sunday (a.m.)

Huntington April 13, Sunday (p.m.)

Chicago Hts.April 20, Sunday

Home Concert (College Church)May 9, Friday

Spring Concert

PERSONNEL

John Seaman. Olathe. Kansas President

Wayne \ onSeggen. Farmington, Iowa 1st Vice President

Marcia Meyer, Fort ayne, Ind.2nd Vice President

Nina Fieesmeyer, Hamburg, III. Secretary

James Logston. Anaheim, Calif. Treasurer

Richard Bushev, Mt. Pleasant, Mich. Librarian

Shirley (Jose, Dayton, Ohio Historian

1 aurel Larson, Bimamwood, Wis.Kobe Custodian

Bill Williams, Huntington, W. Va. Chaplain

Robert Kuhn, Columbus. Ohio Student Conductor

Joel Brunt, Port of Spain, Trinidad

Rodney Bushey, Mt. Pleasant, Mich.

Gerald Everett, Kankakee, III.

Roger Hampton, Peoria, 111.

Harold Huddle, Villa Grove, III.

Joseph Huddleston, Cambridge City, Ind.

Sharon Keel, Batavia, Ohio

-tephen King. New Albany, Ind.

Ruth Martin, Arlington, Ohio

Karen Me Phail, Chicago, 111.

Sandra Me Phail, Chicago, 111.

Sheryl Meyering, Grand Rapids, Mic

Pamela Moneymaker, Indianapolis, Ind.

Linda Moore, Alton, 111.

Gerald Parr, Decatur, III.

James Parsons, Lapeer, Mich.

Carolyn Pickering, Kankakee, 111.

Kathy Prater, Dayton, Ohio

Darrell Rist, Lombard, III.

Rita Shaffer, Springfield, Ohio

Deborah Spaulding, Indianapolis, Inc'

Harrison Stewart, Greenfield, Ohio

Donna Toigo, Des Moines, Iowa

Peggy Ulmet, Cedar Rapids, Iowa

James Vidito, Indianapolis, Ind.

Vicki Vorce, Grand Blanc, Mich.

Barbara Voyles, Mt. Pleasant, Mich.

Virginia Wasson, Richmond, Ind.

Charles Westhafer, Bourbonnais, 111.

Gregory Williams, Detroit, Mich.

INSTRUM ENTAL ENSEMBLE

Flute — Ruth Martin

French Horn — Nina Freesmeyer

Trumpets —Marcia Meyer Robert Kuhn Harrison Stewart

Trombones — Rodney Bushey Charles Westhafer

Accompanist — Roland Millard

Tour Manager — Rev. Charles Ide




FACULTY — Ten full time and four part time people comprise the teaching staff. Three have done considerable work toward the doctorate.



OLIVETS MUSIC PROGRAM



LUDWIG

CollegeCenter





The Faculty is comprised of over ninety men and women with thirty-five holding earned doctorates. It is a highly-trained and dedicated group committed to the idea that the impact of the community o f Christian faith o f faculty and students should lead each person to develop a personal faith and a value system within the evangelical Christian tradition.

C olossians 3 :1 6“ Let the w ord o f C hrist d w ell in you r ich ly in a ll w isd o m ; teach in g and a d m on ish in g on e

another in psalm s and hym n s and spiritual songs, s in g in g w ith grace in y ou r hearts to the L ord .” T h e N ew T estam en t ch u rch w as a s in g in g ch u rch . It w as a v ictoriou s ch u rch . It w as an evan g elistic church . O live t ’ s Departm ent o f M u sic is com m itted to e x c e llen ce in tra in in g and in p erform an ce . T h is reputation is w ell deserved and extends th rou gh ou t our ch u rch and b eyon d . T h eir m in istry w ill in sp ire and bless. W e are d e ligh ted that the m usic o f this grou p can b e shared w ith you and w e trust that your heart w ill b e w arm ed by the p resen ce o f ou r students.


W ith the announcement in 1968 of a new ten-year development program. Olivet faces the future withfaith and courage. She strives to assist the sti niin developing a wholesome and well-integ edChristian personality, thus preparing him fo ^ in telligent Christian citizenship, as well as to assist him in developing attitudes, habits, and interests which characterize an educated person. ’ ?seideals have led many to contribute to the Cc :gethrough the years. If you wish to assist O liv ^ in achieving her avowed goals you may learn of the opportunities which are available by writing Jlev. Louis McMahon, Director of Estate Planning, 'ills and Annuities.Olivet Nazarene College • Kankakee, Il—^ois

Education with a Christian Purpose’ ’

Organ Prelude: Holy God, We Praise Thy Name Flor PeetersRoland Millard

PROCESSIONAL __________________________________ Alma Mater, Olivet

INVOCATION

Now sing we joyfully unto G o d ------------,-------------------------------Gordon Young

Thou art the King o f G lo r y ------------------------------------------------------ Landel

Sanctus____________________________________________________________ Haydn

When Jesus W e p t _________________________________________ Billings-Boch

L o v e I___________________ May VanDykeJames Logston, baritone

Sing Unto G o d ______________________________________________ Paul Fetler

Arise, Shine (Isaiah 60: 1, 2) ----------------------------------------------- Jean Berger

Greater Love hath no m a n I John Ireland

0 Praise G o d __________________________ j________________ Richard Purvis

GREETINGS from OLIVET ________________________ Rev. Charles IdeExecutive Field Secretary

Didn’t My Lord Deliver Daniel (Spiritual) _ ____ arr. Walter Fhret

Creep along Moses (American Folk Song) ___________________ Gail Kubik

My Song in the N ig h t_______________________________ Paul Christiansen

Jesus Lover of My S o u l_________________________________Holbrook-LarsenTreble Singers

Flute Obligato, Ruth MartinDear Lord and Father of M ankind___________________________ Maker-Bolks

Men of OrpheusMy Shepherd will supply my n e e d Virgil Thomson

The Peace that Jesus g iv e s ___________________________Lillenas-Carmichael

Upon this Rock* ____________________ ;_________________ John Ness Beck

OFFERING

0 For a Thousand Tongues to S in g * _______________________Mason-Young

BENEDICTION

Choral B enediction j Peter LutkinDedicated to all the Alumni of the Orpheus Choir

Organ Postlude: Now Thank We All our God ________________ Karg-Elert* accompanied by Instrumental Ensemble

PROGRAM Naomi Larsen has directed Orpheus Choir since !h.i7 sue-

" CU ’ (ceding her husband, the late^ Walter 13. Larsen, founder of

the Choir. Mrs. Larsen is a graduate of Olivet

majors in both voice and piano from the American Conserva-

NAOMI LARSEN l0ry Gf Musj(. ;n Chicago. More recently she has studied with Soulima Stravinsky and Dorothy Bowen, and did further post-graduate work at the London Royal Academy of Music. Mrs. Larsen conducts the annual performances of Messiah in addition to conducting Orpheus Choir and teaching voice, piano, and conducting.

ITINERARY

March 30, Sunday (a.m.) Jackson 1st

March 30, Sunday (p.m.) Grand Rapids 1st

April 23, Wednesday Shelbyville

April 24, Thursday Indianapolis, Ind.

April 25, Friday New Albany

April 26, Saturday New Castle

April 27, Sunday (a.m.) Muncie 1st

April 27, Sunday (p.m.) Winchester

April 30, Wednesday Onarga, 111.

May 4, Sunday (p.m.) Home Concert (College Church)

May 17, Saturday (0 :00 p.m.) Annual Spring Concert (Campus, Chalfant Hall)

PERSONNEL

Linda Smith, Des Moines, Iowa Accompanist

Kathryn Jorden, Bourbonnais, 111. Violin soloist

‘ Dale Attig. Murphysboro, 111.

Donald Bailey, Daleville, Ind.

‘ Terry Baldridge, Bourbonnais, 111.

Randall Beegle, Eau Claire, Wis.

Larry Bittenbender, Vicksburg, Mich.

‘ John Bowling, Tipp City, Ohio

W illiam Braden, Galesburg, 111.

Lindell Browning, Springfield, 111.

Curtis Burbrink, Seymour, Ind.

Ronald Burnette, Dayton, Ohio (Business Manager)

Edward Cleveland, Durand, Mich.

James Coy, Valparaiso, Ind.

‘ Kenneth Gates, Evansville, Ind. (Chaplain)

Vernon Grable, Philo, Ohio

Stanley Green, New Castle, Ind.

Gary Hubartt, Huntington, Ind.

Herbert Hunsucker, Seymour, Ind.

Ronald Ketchum, Mason, Mich.

Terry Lambright, Cortland, Ohio (Asst. Bus. Manager)

‘ Larry Leckrone, Midland, Mich.

Paul Long, Akron, Ohio

James Miller, Salem, Ohio

Nathan Murrell, Potomac, 111.

James Peterson, Harbor Beach, Mich.

‘ Thomas Reinhart, Pontiac, Mich.

‘ Gary Robbins, Kankakee, 111.

Leon Steely, Waterloo, Iowa

Kelvin St. John, Lansing, Mich.

Ronald Straw, Dixon, 111.

Lee Turner, Oskaloosa, Iowa

Stephen Ward, Greentown, Ohio (V ice President)

Raymond Williams, Ann Arbor, Mich.

Stephen Wills, Sandborn, Ind. (Secretary)

David Wine, Saint Marys, Ohio

* Brass Ensemble




FACULTY — Ten full time and four parttime people comprise the teaching staff. Three have done considerable work toward the doctorate.



OLIVET'S MUSIC PROGRAM



LUDWIG

CollegeCenter




The College offers the Master of Arts degree in Theology, Biblical Literature, and Elementary Education, as well as the Bachelor of Theology, Bachelor of Arts, and Bachelor of Science degrees with majors available in nearly thirty departments.

The Faculty is comprised of over ninety men and women with thirty-five holding earned doctorates. It is a highly-trained and dedicated group committed to the idea that the impact of the community of Christian faith of faculty and students should lead each person to develop a personal faith and a value system within the evangelical Christian tradition.

C olossians 3 :1 6“ Let th e w ord o f C hrist dw ell in you r ich ly in all w isd o m ; teach in g and a d m on ish in g on e

another in psalm s and h ym ns and spiritual son gs, s in g in g w ith gra ce in you r hearts to the L ord .” T h e N ew T estam en t ch u rch w as a s in g in g ch u rch . It w as a v ictoriou s ch u rch . It was an evan g elistic church. O liv e t ’s D epartm ent o f M u sic is com m itted to e x c e llen ce in tra in in g and in p erform an ce . T h is reputation is w ell deserved and extends th rou gh ou t ou r ch u rch and beyon d . T h eir m in istry w ill insp ire and bless. W e are d e ligh ted that the m u sic o f this g rou p can be shared with you and w e trust that your heart w ill b e w arm ed by the presen ce o f ou r students.


With the announcement in 1968 of a new ten-year development program, Olivet faces the future with faith and courage. She strives to assist the stu ntin developing a wholesome and well-integr idChristian personality, thus preparing him foi«rfi- telligent Christian citizenship, as well as to assist him in developing attitudes, habits, and interests which characterize an educated person. T seideals have led many to contribute to the Co ?ethrough the years. If you wish to assist 01iv<«Jin achieving her avowed goals you may learn of the opportunities which are available by writing Rev. Louis McMahon, Director of Estate Planning, r 11s and Annuities.Olivet Nazarene College • Kankakee, Ill^f>is

“ Education ivith a Christian Purpose”

PROGRAM

PR E L U D E ------------------------------------------------ Linda Smith

"Alma M a te r___________________________________________ Carmony-Rosfeld

NVOCATION

Brethren, We Have Met To W orsh ip _______________________Moore-Wrightiing Praise to Our Glorious L o r d _________________________ Schuetz-Lenel

-r’raise, My Soul, The King of H eaven arr. SheppardHallelujah, Amen, “ Judas Maccabeus” i___________________ Handel-Duey

iollegian Brass Q uartet__________________________________________ SelectedNear to the Heart of G o d _______________________________ McAfee-Whitman

Kathryn Jorden, violin

lollegian Male Q uartet__________________i _______________________ Selected

Sing To The L o r d _____________________________________________ arr. Parker7ater of Life ____________________________1__________________Cain-Greenlee

Kenneth Gates, narratorTrombone S o lo _________________________________________ Terry BaldridgeTn God We T ru s t________________________________________ Tobias-Sherman

REET1NGS from O L IV E T __________________________ A. V. McCombsTour Director

' IOMENTS OF PRAISE AND SONG

vy Happy D a y arr. ButlerStephen Ward, soloist

"eaven MedleyThere’ll Be a Glad T om orrow ______________________________ PetersonThe Lights o f H o m e ___________________________________ Marsh-Young

Duet, Terry Lambright and Stephen Ward Violin, Kathryn Jorden

The Meeting in the A i r ______________________________________RobertsTrombone, Terry Baldridge

Jubilee _______________________________________________ Pace-Greenlee

-FFERTORY: No, Not O n e ______________________________ Hugg-WhitmanKathryn Jorden, violin

fe is a Sym phony_______________________________________ Bixler-GreenleeBrass arrangement by Terry Baldridge

Sheltered in the Love of Jesu s_________________________ Peterson-Anthony

SNEDICTION

Gerald Greenlee is assistant pro fessor of music and director of the Viking Male Chorus. He teaches voice and conducting. Mr. Greenlee holds the Bachelor of Music degree — taken at Olivet — and the Master of Music degree — taken a! the American Conservatory of Music

G e ra ld G re e n lee in Chicago. He has served several churches as Minister of Music. Prof. Greenlee rejoined the Olivet faculty in September, 1967 after an absence of several years, fie cattle from the University of Denver, where he was part-time instructor of voice.

ITINERARY

Sept. 27, 1968 Iroquois Co. Teachers Institute

Oct. 27, 1968 Springfield, 111. 1st

March 23, 1969 (Sunday) Tinley Park, 111.

March 30, Sunday Kankakee, 111. 1st

April 23, Wednesday Columbus, Ind. 1st

April 24, Thursday Evansville, Ind.

April 25, Friday Murphysboro, 111.

April 26, Saturday Peoria, 111. 1st

April 27, Sunday (a.m.) Decatur, 111. 1st

April 27, Sunday (p.m.) Danville, 111. 1st

May 11, Sunday (p.m.) Home Concert (College Church)


DEPARTMENT OF MUSIC

p tlZ A Z n tt) CL

STUDENT RECITAL

"Che faro senza Euridice", Orleo, , .Christoph W. Gluck Hina Freesmeyer, mezzo-soprano


Sonata No, 1 for oboe „ „ . . . George Frederick Handel Adagio Allegro Adagio Allegro

Emily Allie, oboe Gary Wisdom, accompanist

II mio c o r e ............ . Ruggiero FedelliAlice Paisley, soprano

An die Musik. , „ « , . . , ............ Franz SchubertLaurel Larson, contralto


Die Lotusblume. . . . . . . . . . . . . Robert SchumannKaren McPhail, contralto Steve Brunt, accompanist

Ich Grolle Nicht. . . . . . . . . . . . Robert SchumannLarry Leckrone, baritone

Mark Hostetler, accompanist

Widmung Robert SchumannKathy Prater, soprano


"II balen del suo sorriso", II Trovatore Guiseppe Verdi Harrison Stewart, baritone Naomi Larsen, accompanist

(over)

"Connais tu le pays", Hignon. . . . . . Ambroise Thomas Barbara Voyles, mezzo-soprano


Glenwood Boy. . . . . . . ............ . . .Haskell HarrJames Greenstreet, snare drum

Green Cornfield . . . . . . . . . . . . . .Michael HeadSharon Keel, contralto

Naomi Larsen, accompanist %The Penitent. . . ......... , , .Beardsley van de Water

Gary Hubartt, baritone Wynne Bumpus, accompanist

Burke Recital Hall April 22, 1969 9:30 A.M.


presents

SENIOR RECITAL

R O N A L D H A B E G G E R , v io l in


Sonate in F major for violin and piano0 Georg F 0 Handel Adagio Allegro

Romance, o p Q 50 ,, , 0 » c „ 0 s „ oLudwig van Beethoven

INTERMISSION

Havanaise, o p 0 83 0 a „ . c „ „ , , Camille Saint-Saens

Hopak from The Fair at Sorochinsk 0 ,Modest Moussorgskyarr, S, Rachmaninoff

Csardas q o o * c 0 , 0 0 0 0 0 0 0 0 c ®Vittorio Montx

Recital Hall April 26, 1969 8s00 p,m,

This recital is being presented in partial fulfillment of the requirement for the Bachelor of Arts degree in Music Education,

p A e A & v t 6 a

STUDENT RECITAL

Oh, Had I Jubal's Lyre, .HandelRose Beikman, soprano

All in the April Evening, DiackBrenda Smith, mezzo-soprano

Sarabande and Minuet. Bach-KaneCharles Howie, trombone

II mio core . . . . . . . . . . . . . . . . . . P edelliAlice Paisley, soprano

Piocca La Neve. . . . o . . . » « . • » . . , « .Cimara Wynne Bumpus, soprano

Glenwood B o y . . . . . . . . . . . . . . o . . . . .HarrJames Greenstreet, snare drum

Where’er You Walk . . . . . . . . . . . . . . . .HandelDonald Bailey, tenor

Introduction and Tarantelle . . . . . . Bellstedt-SimonEugene Myers, trombone

Sebben Crudele.......... . . . . . . . . . . . . CaldaraSteve Caudill, baritone

Concertinoo VidalJanis Sharp, trumpet

Sapphische Ode. . o . . . . . . . . . . . . . . .BrahmsSheryl Meyering, mezzo-contralto

________________ accompanistsPam Bookwalter

Recital Hall Wynne BumpusApril 29, 1969 Gary Hubartt9:30 A.M. Naomi Larsen

Carolyn Poole Gary Wisdom


DEPARTMENT OF MUSIC


presents

I M E C O N C E R T B A N DHarlow E. Hopkins, Director

** «* %0 «»<» »*

NOTES OF SPRING

Sonata for Band - . c , , ,

Symphony N o . 1 for Band „ . The Pleasant Years Uncle Walt’s Waltz

Espana Rhapsody . . £ . . .

, , , , , , , jPaul Whear

. . . . . . . .Don Gillis

, . . . Emmanuel Chabrier a r r , Cailliet

Night Train , ............ Washington, Simpkins, Forrest

Canadian Sunset , , , , Eddie Heywood

Opus in Chartreuse. Gene Roland

Stage Band Linda Moore, Student Director

(over)

Colossus of Columbia March, , s , „ , « 0 oR, Alexander

Adagio— Tarantella, , , , , - , . r. . Ernesto Cavalliniar r - Wain

Marilyn Glancy, Clarinet Soloist

Basses Berserk, e o « n o o c o o • « • David Bennett

Promenade Leroy Andersonarr, Lang

Grandfather's Clock Overhauled c 6 , Lucien Cailliet

Variations on a Folk Song r 0 „ ® o « « Walter Schumann£ Frank Erickson

Gary Ward, Narrator

LUDWIG CENTER Kay 2, 1969 8 sOO P ,M „


presents

SENIOR RECITAL

C A R O L Y N P I C K E R I N G / contralto


and

i'l I C H A E L l / E I R M A N# percussion


Theme et Variations . . . . . . . . . Jv o n n e DesportesIntroductionThemeVariations

Allegro Moderato Tres vif Moderato Allegro LentMt de Rumba

Star Vicino Salvator RosaChe fiero costume . . , , . . . . , » Giovanni Legrenzi Cara sposa, amante cara, "Rinaldo". „ .George F. Handel

5/8 Romp. „ . . « , o . o e o « . . . Morris Goldenberg Expansion . . . . . . . . . . . . William J. Schinstine

Snare Drum

Necht und Traume. . . . . . . . . . . . .Franz SchubertHeidenroslein . . . . . . . . . . . . . .Franz SchubertVerborgenheit . . . . . . . . . . . . . . . . Hugo WolfZueignung Richard Strauss

Scherzo For Four Timpani and Piano. . . .Didier Graeffe(over)

Beau Soir „ „ o o o o < . o < , o o o < . o o „Claude Debussy Elegie0 o o o o o o o o o o o o o o o o „Jules MassanetMon couer s ’ouvre a ta voix, "Samson et Dalila" 0 « » «

„ o o Camille Saint-Saens

Nocturne(Posthumous), op„ 72, N o 0 1 „ 0 Frederic Chopinarr„ Clair Omar Musser

The Galloping Comedians „ 0 o » 0 o » Dmitri Kabalevskyarr0 Morris Goldenberg

The Spirit Flower „ „ 0 » o « 0 o o o o Campbell-TiptonThe Rose enslaves the Nightingale 0 0N 0 Rimsky-KorsakowAy, Gitanos „ o o o o o o o o o o o o o o < > 0Vera Eakin

Recital Hall May 3, 1969 8 ? 00 P 0Mo

Thi6 nzcitaJL U> b zing pnz&zntzd in pantiat iuZiiZZmznt oi thz n.zquin.zmznt& ion. thz Bachzlon. oi AnJj> and Bac.hzZ.on. oi Scczncz dzgnzzi in Wu6ic Education0


DEPARTMENT OF MUSIC

p*ea zrM, a STUDENT RECITAL

II sento nel c o r e ......... .. Alessandro ScarlattiLinda Smith, mezzo-soprano Donna Toigo, accompanist

Sar3l>ande and Minuet. . . . . . . . . . . . . Bach-KaneCharles Howie, trombone


When First We Met . . . G . F . HandelJim Peterson, baritone

Diane Marvel, accompanist

Minuet No. 9 (Sept fois sept et un) . Georg P. TelemannChanson T r i s t e . ..................... Peter I. Tchaikovsky

William Selvidge, violin Jewell GrothfiUS, violin Margaret Hamann, viola

Le M o u l i n ....................................Gabriel PierneStan Green, baritone


Romance in F# . . . . . ......... . . . Robert SchumannSteve Brunt, piano

Morgengruss . . . ......... . . . . . . .Franz SchubertTerry Lambright, tenor

Terry Baldridge, accompanist

Recital HallMay 8, 19694:30 P.M.


presents

B R A S S C H O I R

George Howry, Director

T R E B L E C L E F C H O I RIrving Kranich, Director

Fanfare, Choral and Processional MissalNegev . . . . . . . . . r. . .John HartmeyerSonata pian'e forte Giovanni GabrieliEcho Song . i t . , , . ; , . . , . <Di LassoBravura . . . McKay

Joy is Like the RainJoy is like the rain ZaccheusI t ’s a long road to freedomHowl, my soulPilgrim songTen LepersThe wedding banquet

Karen Showalter, guitar Dianne Forshey, guitar

Michael Weirman, Percussion

Miriam Winter

Star Spangled Banner What a Friend Speak My Lord Hendon , » .Cleft of the Rock , -

u * «

. . Key-Leidzen Converse-Leidzen Bennard-Leidzen .Stanley Ditmer

.Erik Leidzen

(over)

The Sally Gardens . . . . . . . . . . .Benjamin BrittenMan of La Mancha, Leigh-Warnick

Man of La Mancha Little bird, little bird I really like him To each his Dulcinea The impossible dream

Chalfant Hall May 9, 1969 8:00 P.M.


presents

SENIOR RECITAL

R O G E R II A H P T 0 N, baritone


R U T H n A R T I N, flu t e


D E B O R A H S P A U L D I N G , p i a n o

Concerto No, 2 in D for Flute and Piano „ ,.W, A. Mozart Allegro aperto(Cadenza by Rudolph Tillmetz)

Lungi dal caro bene .Giuseppe SartiDal profondo dell* obblio , „ c , , . - . Fabio CampanaDeh vieni alia finestra, "Don Giovanni" = .W. A s Mozart

Sonata Opus 1 3 ( " P a t h e t i q u e " ) „ . .Ludwig von Beethoven Grave; Allegro di molto e con brio Adagio cantabile Rondo

Serenade in D op, 25 for Flute, Fiolin, and Viola , . .Allegro . o .L. BeethovenMenuetto Allegro molto Andante con Variazioni Allegro scherzando e vivace AdagioAllegro vivace e disinvolto

Kathryn Jorden, violin Jewell Grothaus, viola

Z n t e A m l 6 6 - c o n

Pastourelle - i u c . s s r o o . j i . o j . .Louis Auguin J'ai pleure en reve . , e . „ e . s , 0 „ c Georges HueWie bist du, meine Konigin. . c * . . . Johannes BrahmsLauf der Welt c o . o . s c a c » > . . . oEdvard Grieg

Intermezzi Opus 76, Nos-. 7 5 4 , , , , , Johannes Brahms Moderate semplice Allegretto grazioso

Syrinxo £ 0 « 0 . » - c = c . e o « « * 0Claude Debussypour flute seule

Night Soliloquy -. 0 0 0 0 0 . 0 0 0 0 0 0 . Kent Kennan

Now Sleeps The Crimson Petal. „ , « 0 0 : Roger QuilterBefore and after Summer , s . 0 . . . 0 ;Gerald Finzi

Before and after Summer The Too Short Time

Rolling Down to Rio „ - 4 . a , a , . s s Edward German

Praeludium XXI (Well-Tempered Clavichord) ;J C B, Bach Dance No. 2 in Bulgarian Rhythm (Mikrokosmos)

0 o . Bela Bartok

Burke Recital Hall May 11, 1969 3:00 p.m.

Thii AecitaZ i& being pAesented in pantial iuZiuZZment oi the AequiAmenti ion the BacheloA oi Antt and Bach- etoA oi Science degAee* in ttuic Education.


DEPARTMENT OF MUSIC

pA&6enti a

STUDENT RECITAL

Der Leiermann . . . . . . . . . . . . . .Franz SchubertGreg Williams, baritone


Paysage . . . . . . . . . . . . . . . . . Reynaldo HahnDonna Toigo, soprano


Prelude in C Major (The Well-Tempered Clavichord) „ . .. . . J. S. Bach

Duane Rucker, piano

Panis Angelicus „ . . . . . . . . . . . . .Cesar Franck Debbie Ballmer, soprano

Judy Kelsey, alto Naomi Larsen, accompanist

Two Ayres for Cornetts and Sagbuts............ John AdsonBrass Instruments Class Ensemble

Ich Grolle Nicht. . . . . . . . . . . . Robert SchumannJames Vidito, baritone


Andante and Allegro . . . . . . . . . . . . J . Ed BaratBruce Greenlee, euphonium Wynne Bumpus, accompanist

Oh, Didn't It Rain. . . . . . . . . . . .H. T. BurleighGary Bond, baritone


Who'll Buy My Lavender? . . . . . . . . . Edward HermanAnita Moore, soprano


(over)

Jai Pleure en Reve. . . . » .................. Georges HueRick Bushey, tenor


Sin tu a m o r ................ Miguel SandovalKathy Prater, soprano


Frantic Fantasy for Four Fiddles. . . . . . . Paul NeroKathryn Jorden Ron Habegger Jewell Grothaus Kelvin St. John

Concerto in D Major . . . . . . . . . . »G, P, TelemannDavid Wooten, trumpet

Terry Baldridge, accompanist

Recital Hall May 15, 1969 4:30 P.M.


presents

SENIOR RECITAL

V I C K I V 0 R C E, piano

and

V I R G I N I A W A S S O N , mezzq-contraltoBrenda Peck, accompanist

Stille amare, "Tolomeo" , , . . ............G. F. HandelNon piu di fiori, "La Clemenza di Tito" . „W. A. Mozart

Capriccio . . . . . . . . . . . . . .Domenico Scarlatti

Madrigal. . . . . . ......... . . . . . .Vincent D'IndyNur wer die Sehnsucht kennt „ Peter Ilyitch Tchaikovsky Hans und Grethe . . . . . . . . . . . . . Gustav MahlerPhantisie . . . . . . . . . . . . . . . . Gustav MahlerWer hat dies Liedlein erdacht . . . . . . Gustav Mahler

Moments Musicaux, Op. 94, No. 5 . „ . . .Franz Schubert Intermezzo, Op. 76, No. 7 „ Johannes Brahms

Pres des remparts de Seville, "Carmen". . Georges BizetAmour, Viens Aider, "Samson et Dalila"...................

. . . Camille Saint-Saens

Le Cirque .Joaquin Turina1 . Fanfare2. Jongleurs3. Ecuyere4. Clowns

(over)

Chinese Mother Goose Rhymes „ „ , Lady-BugBaby is Sleeping What the Old Cow Said The MouseOf What Use Is A Girl Pat A Cake The Old Woman

Let me go Remembering „ „ „ „ 0 „

Recital Hall May 18, 1969 3;00 P.M.

.Bainbridge Crist

o o o o oOlive Dungan

This nzcital ii> bzing pnz&zntzd in pantiai iuiiilimznt o& thz nzquiAzmznti ion thz Sackzlon oi Anti dzgnzz in Mu>ic Education„

OLIVET NAZARENE CO LLEG ED E P A R T M E N T O F M U S I C

presents

F I F T Y - S I X T H A N N U A L

Commencement Conce/ttH A R L O W E. H O PK IN S

Conductor

by

THE O L I V E T C O L L E G E O R C H E S T R A

S T U D E N T S O L O I S T S

C H A L F A N T H A L L

S a t u r d a y , M a y 24, 1 96 9

8 :0 0 P.M.

PROGRAM

INVOCATION ................................................. REV. FLETCHER SPRUCE

"ALLELUJA", FROM EXSULTATE JUBILATE .................. WOLFGANG AMADEUS MOZARTKathy Prater, Soprano

The Alleluja is the final section of a motet composed by Mozart when he was only 17 and was visiting in Italy with his father. The text of the motet is a pean of praise and an expression of the joy and hope that attend the Christian life. The motet culminates in '’Alleluja", which is the entire text of the final section.

"VOCE DI DONNA", FROM LA GIOCONDA ........................ AMILCARE PONCHIELLISharon Keel, Contralto

La Cieca, the blind mother of Gioconda, has been accused of sorcery and has been attacked by an angry mob. When she is saved by the intervention of the influential Laura, La Cieca sings this touching song of thanks and gives Laura one of her few possessions, a rosary,

ALLEGRO — CONCERTO NO. 3 IN G FOR VIOLIN AND ORCHESTRA........... W. A. MOZARTKathryn Jorden, Violin

The five violin concertos of 1775 represent the apex of Mozart's achievement for that medium. The G Major Concerto was probably composed for performance by Mozart himself as part of his musical duties at the archiepis- copal court in Salzburg. The allegro exhibits Mozart's mastery of the elegant, aristocratic cantabile melody and his ability to utilize to its fullest expressiveness the classic concerto form which he created.

"HAT MAN NICHT AUCH GOLD BEINEBEN", FROM FIDEL 1 0 .......... LUDWIG VON BEETHOVENRobert Kuhn, Bass-Baritone

Marcellina is very anxious to be married to Fidelio and her father, Roc- co, favors the union. However, the practical father advises his daughter that love is not all that goes into a happy marriage. "If you have no gold, then happiness is not secure, . . But when your pockets are full, then love and power will fulfill your loftiest fancies,"

"BATTI, BATTI, 0 BEL MASETTO", FROM DON GIOVANNI....................W. A. MOZARTShirley Close, Soprano

This aria is the response of Zerlina to her fiance, Masetto, who upbraids her for encouraging the advances of Don Giovanni. Zerlina avers that she was simply dazzled by Don's flattery, and suggests that if it will help him, Masetto may take out his vengeance on her. "Strike, handsome Masetto, strike your poor Zerlina. I'll stand here quiet as a lamb awaiting your blows."

CONCERT PIECE ................................................. BURRILL PHILLIPSTerry Baldridge, Euphonium

Burrill Phillips (b. 1907) began his career with the conviction that good American music must have a definitely American flavor. This compositional attitude was modified somewhat in later works as the composer moved toward neo-classicism. This concert piece, which was originally scored for bassoon and small string ensemble,'is a fusion of American flavor and the neo-classic aesthetic.

INTERMISSION

"AH! JE VEUX VIVRE", FROM ROMEO ET J U L I E T T E .......................CHARLES GOLWODVicki Vorce, Soprano

This aria of Juliette, sung during the occasion of her first meeting with Romeo, expresses her feelings regarding her betrothal to Count Paris. She has no desire for marriage; she prefers her present carefree existence.The buoyant music in waltz style suggests the freedom and gaity of unencumbered youth.

RHAPSODY ON A THEME OF THE SONG SCHOOL YEARS. OP. 7 5 .......... DMITRI KABALEVSKYCarolyn Poole, Piano

This Rhapsody (196*+) comprises a set of ten variations on the composer's "School Years." Programatically, the variations follow the three stanzas of the song which trace the events in the student's life from kindergarten to final graduation. Kabalevsky has dedicated the Rhapsody to the young musicians of the Volga area,

"IL MIO TESORO", FROM DON GIOVANNI ................................. W. A. MOZARTDavid Welch, Tenor

Don Giovanni is often ranked as the finest musical drama of the Classic era. In this aria, from the second act of the opera, Don Ottavio sings of his love for Donna Anna in the gardens of the Commendatore's palace. "Go to my treasure meanwhile, and console her, and from her lovely eyes, seek to wipe away the tears."

"FLOWER SONG" (FAITES-LUI MES AVEUX), FROM FAUST..................CHARLES GOUNODSheryl Meyering, Mezzo-Contralto

The youthful Siebel has agreed to watch over the beautiful Marguerite while her brother is away in military service. He goes to her door daily to leave flowers and to see that all is well. Pausing near a bed of flowers, he sings his melodious serenade imploring the flowers to carry the message of his love to Marguerite.

PRESENTATION OF THE WALTER B. LARSEN AWARD

FOR MUSICAL EXCELLENCE, 1969

ALLEGRO AFFETTUOSO — CONCERTO IN A MINOR FOR PIANO AND ORCHESTRA.ROBERT SCHUMANNGary Hubartt, Piano

When Clara Schumann asked her husband for a composition to play with orchestra, he obliged with a Phantasie in a minor, completed in the summer of 18L1. This Phantasie later became the first movement of the a minor Concerto. Still preserving its character as a fantasy, the opening movement contains a skillful formal structure. Schumann enlivens his abundant thematic material by meter and key changes, and the orchestration is especially adept. The entire work is infused with spacious singing melodic lines.

Program Notes by John Rosfeld

D E G R E E S T O B E C O N F E R R E D 1969

B A C H E L O R O F A R T S I N M U S I C E D U C A T I O N

E s t h e r B e c k w i t h , V o i c eW e s l e y B i t t e n b e n d e r , V o i c eR o n a l d H a b e g g e r , V i o l i nJ e n n y H a t t o n , V o i c eE l l e n G u s t a f s o n H e r r m a n n , P i a n oJ u d y M a r k e e , V o i c eR u t h M a r t i n , F l u t e & P i a n oM a r c i a M e y e r , V o i c eR o l a n d M i l l a r d , O r g a nB r e n d a P e c k , P i a n oC a r o l y n J a n t z P i c k e r i n g , V o i c eD e b o r a h S p a u l d i n g , P i a n oT e r r y T o m l i n , C l a r i n e tV i c k i V o r c e , P i a n o & V o i c eV i r g i n i a W a s s o n , V o i c e

B A C H E L O R O F S C I E N C E I N M U S I C E D U C A T I O N

C a r o l e C a s t e e l , V o i c e R o g e r H a m p t o n , V o i c e R o b e r t K u h n , V o i c e S h a r o n C o l l i n s M o o r e , P i a n o

B AC H E LO R OF S C IE N C E IN CHURCH M U S IC

J a m e s C o y , V o i c e

department of music programs 1968 - 1969

Documents