Daniel Alba Eugenio3 | July | 1986

Spanish nacionality

Curriculum Vitae

danielalbae@gmail.com (0034) 658 13 19 29

Education and Training

2004 - 2012 ETS de Arquitectura | University of Seville, Spain Master of architecture

2009 - 2010 Facoltà di architettura di Alghero | University of Sassari, Italy Exchange Program “Erasmus”

2012 - 2013 Renders’ factory Creativity training for architecture (3ds max Vray, Ps & Revit certificate)

Work experience

2012 - 2013 Render-online (Seville, Spain)

2D drawing + 3D modelling, renders, graphic design. Private projects as Freelance

2010 - 2013 DAe Architecture [Own Firm]

2D drawing + 3D modelling, renders, graphic design. Competition projects

2010 - 2013 DAe Graphic Design [Own Firm]

Design of logotypes, layouts, photomontages and post-edition images

2010 - 2010 Studio Arch.Giovanni Battista Oliva (Alghero, Italy)

2D drawing + 3D modelling, renders, graphic design. Competition and private projects

Architecture skills and competences

2D & 3D Autocad | 3ds max | Sketchup | Rhinoceros

Design Photoshop | Illustrator | Indesign | CorelDraw

Bim Revit

Other skills Microsoft Office | Adobe Muse | Hand drafting | Fab Lab | Laser cutting

Languages

Spanish|Native English|B2.Level Italian|B2.level French|A2.Level

Other things I enjoy

Football | Photography | Travelling | Music | Movies & Series | Cappuccino | Sea

April July

October Currently

October

June

Currently

Currently

Contents

Malaga’s Riverfront Masterplan

MoMA of Malaga Cultural

Social Housing in SevilleResidential

Housing complex in Seville Residential

Skyscraper in Tablada Mixed use

Mairena del Aljarafe Masterplan

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Skyscraper in Mairena Mixed use

Collective Housing in Zufre Residential

Restaurant “Las Cabrillas” Recreational

Two houses in Berlin Residential

Requalification of Is Mortorius Landscape

Recycling Centre Industrial

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Sevilla’s Riverfront Masterplan

“The Limit” Barbate Masterplan

Cruise Terminal of Seville Transport

Window-Shop InnovaEtsa Retail

Restaurant “HestiaRecreational

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Termini’s Waterfront Masterplan

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ONCE UPON A RAILOne area bounded by different routes. A place of passage, bland, not surprising ... Behind the swarm of weeds, fences and debris the river is lurking, waiting for so-meone, at last, to notice it is there.

it is designed two volumes, two buildings which rise gently to form a landscape that somehow fits the traffic environment which circumscribes it. In the middle, a crack, a way, a path that invites us to dis-cover what is hidden behind it.

Residential / ETS de Arquitectura / Seville, Spain

2010

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dwellingstecnichal floordwellings roof terracehotel

Planta Baja / Ground floor plan

Sección Longitudinal / Longitudinal section

Planta viviendas / Housing floor plan

Dwellings / Competition Becas Arquia / Berlin, Germany

THE TREE HOUSESince he was old enough to dream, Michael wanted a house on the top of a tree, a fortress which will help to protect their own treasures, those that are so important when we were children.

The Müller family lived in a small apartment on the outskirts of Berlin. Resigned due to lack of resources to fulfill his dream, Michael had to settle for playing in the park and be entertai-ned with his old yellow ball. One day playing with his brothers the ball crossed the street and disappeared inside a crack.

My house will be here! - Said Michael while he walked to get the ball. The place chosen turned out to be a site between boundaries, deep and narrow, situated between the park and a block’s central courtyard.

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a. Casa de la Inspiración

Diseñada como la finalización de una gran biblioteca en el pasillo que funciona como articuladora de la casa del novelista, la casa de la inspiración tiene un cómodo espacio dedicado a la lectura y un lugar con vistas al parque interior reservado a la escritura donde se ve la salida y la puesta de sol. Está elevada sobre el resto de la vivienda creando un espacio de meditación.

b. Casa de los Sueños

El dormitorio del novelista cuenta con una cama de matrimo-nio en donde poder descansar con comodidad o invitar a una posible pareja. La biblioteca separa este espacio del resto de la casa y un volumen se utiliza como lugar de almacenamiento del dormitorio y de un cuarto de baño anexo.

c. Casa de la Hospitalidad

Conocida la habilidad del novelista como cocinero, la vivienda requiere un espacio donde acoger y agasajar a sus invitados. La biblioteca se convierte en una bodega particular, en la que se almacenan diferentes tipos de vinos, y un pequeño minibar para acompañar esas cenas que se alargan después de la medianoche.

d. Casa de la Gastronomía

La casa sigue unas directrices básicas de un restau-rante a menor escala. Una zona de consevación de los alimentos mediante una pequeña cámara frigorífica, un zona de lavado/preparado de los alimentos, una zona de cocción/horno y una zona de degustación donde poder probar sus recetas.

e. Casa de la Música

El dormitorio del estudiante de música busca la inspira-ción a partir de un espacio colorido en el cual podrá componer sus obras sentado en la cama mientras observa la naturaleza en el patio interior. Un aislamiento acústico le permite prácticar sin molestar.

f. Casa de la Arquitectura

El dormitorio del estudiante de arquitectura tiene el objetivo de liberar espacio para permitirle la elaboración de maquetas, para ello se eleva la cama dejando un espacio debajo para poder trabajar con planos. Un lucernario da mas iluminación a un espacio cuya fachada da al norte.

g. Casa de la Economía

El estudiante de economía es una persona obsesiona-da con el orden por ello se le da un espacio inspirado en las gráficas de Gantt, herramienta gráfica cuyo objetivo es mostrar el tiempo de dedicación previsto para diferentes tareas o actividades.

h. Casa de las Matemáticas

El estudiante de Matemáticas es despistado y excentri-co, por ello se organiza el espacio basandose en los diagramas de Venn. Tiene un espacio de trabajo dividi-do en una mesa para trabajar y una pizarra donde apuntar sus teorias.

i. Casa de las Actividades

Adopta este nombre por ser el lugar donde se pueden organizar fiestas, dar cobijo a los invitados que vienen a visitar a los erasmus, ver la televisión o escuchar música. El funcionamiento es simple, una barra donde apoyarse y multitud de asientos que al unirse dan la posiblidad de crear un sofa, una cama, etc...

j. Casa de la Alimentación

Una Cocina con dos placas de vitrocerámica separadas que permiten preparar comidas diferentes al mismo tiempo y un fregadero mas amplio de lo normal que permite alma-cenar la vajilla. Anexas a la casa se disponen un lavadero y un cuarto de baño para invitados.

k. Casa de la Comunicación

Es el enlace entre las dos plantas de la vivienda. El cerramiento esta formado por una superficie de vidrio y una serie de listones de madera que crean un tamiz que regula la entrada de luz al igual que en los demás elementos de comunicación horizontal de las dos viviendas.

Vivienda Erasmus

superficie 78 m2

PLANTATERCERA

Vivienda Novelista

Superficie 76 m2

PLANTAPRIMERA

Vivienda Erasmus

superficie 78 m2

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Espacio Público

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Axonometría / Axonometry

Sección Trasversal/ Cross SectionAlzado Sur/ South Elevation

Diagramas / Diagrams

Sección Longitudinal / Longitudinal Sectión

Plantas / Floor plans

1. Integrazione della ferrovia con l'autostrada in una singola rete. 2. Arrivo di desertec. 3. Occupazione per parte della città del vecchio limite ferroviario. 4. Nuovo porto turistico. 5. Nuova stazione di passeggeri. 6. Nuovo percorso città - Area Industriale. 7. Museo della energia. 8. Museo della Fiat. 9. Parco Fluvialo.10. Zona commerciale.11. Arrivo autostrada.

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RECYCLE TO CREATEThe DESERTEC vision is to supply with renewa-ble, clean energy from the deserts and arid re-gions of the earth.

Termini Imerese is a town in northern Sicily, whe-re we can appreciate a residential and a large industrial area nestled in an area where the to-pography becomes the protagonist up to the sea boundaries.

The masterplan builds on steps taken by the DE-SERTEC network to make changes in the city. Starting from the deviation of the railway line to join the highway, the city discovers a terrace where look out to the sea. At this point, we can only be guided by the concepts of sustainability.

Masterplan / F. Archittetura di Alghero / T. Imerese, Sicily, Italy

THE GATEWAY TO THE INDIES

Masterplan / ETS de Arquitectura “Final Degree Project” / Seville, Spain

Sevilla belonged to the sea until recent times. The lake Ligustino conformed an inland sea in which Seville was his limit. This lake received its life source of fresh water from the river now called Guadal-quivir that, simultaneously, had dissolved the substance of his slow death.

This lake, inland sea, marsh reduced by sediments of the Guadalquivir, still has an identity, from a territorial point of view, which is still possible to recognize: Sevilla, Los Palacios, Lebrija, Sanlucar de Barrameda ... anthropized milestones that ,except Sanlúcar, lost its maritime character to become places from which observe the horizontal of a landscape that still retains its ancient aqueous charac-ter in which cutlasses sailed it.

SALIDA TERMINAL DE CRUCEROS

TERMINAL DE CRUCEROS

ENTRADA /SALIDA APRON

ENTRADA TERMINAL DE CRUCEROS

ESPACIO PÚBLICO

EQUIPAMIENTOSESPACIO PÚBLICO

EQUIPAMIENTOSESPACIO PÚBLICO

Esquemas / SchemesPlan estratégico / Masterplan

ESCLUSA 2010 - ....

NUEVA TERMINAL DE CRUCEROS

ESCLUSA 1951 - 2010

PUENTE DEL QUINTO CENTENARIO

PUENTE DE LAS DELICIAS

TERMINAL DE MERCANCIAS

DARSENA DEL CUARTO Nuevos Usos industriales

ZONA ACTIVIDADES LOGÍSTICAS

ASTILLEROS DE SEVILLA

NUEVA ZONA DE CENTRALIDAD URBANA

RECUPERACIÓN DE LA RIBERA OESTE

CENTRO HISTÓRICO

Secciones / Sections

Axonometría / Axonometry

Richard Neutra said that he didn’t understand why they were called terminals when the journey didn’t end there. The terminals are traffic places, places that belong physically to the city but conceptually to the world, to their linkages and relationships with travel, no place.

With this in mind, it is intended that the travelers never lose sight of the envi-ronment in which they are located and the building was only a link between their and the city. Are established, as well, transition spaces between public and private, collective and intimate, intermediary spaces between architecture and the city.

The piece blends in smoothly at the end of the waterfront, wanting to be the connecting link between two topographic levels, constituting a filter between them and managing, at the same time, his relationship with the river through large windows, light landscapes in which glimpse the horizon. In the back-ground “El Giraldillo”, compass rose for navigators, watches from his throne.

THE TERMINAL

Masterplan / ETS de Arquitectura “Final Degree Project” / Seville, Spain