copyright law courtney m. dunn 407-418-6465 [email protected] november 20, 2012...
TRANSCRIPT
COPYRIGHT LAW
Courtney M. [email protected]
November 20, 2012
©Lowndes, Drosdick, Doster, Kantor, & Reed, P.A., All rights reserved
What is a Copyright (©)?
An original work of authorship, fixed in a tangible medium of expression.
See, 17 USC 101 et seq.
What is an “Original Work”?
Any work that was independently created (not copied) and that contains a
“modicum of creativity”.
What is “Fixed in a Tangible Medium”?
The work in question must be set in a form in which it can be perceived either directly or with the aid of a device.
Things that are not fixed in a tangible medium are not subject to copyright protection
Types of works subject to protection
Generally include: literary works; musical works; dramatic works; pantomimes and choreographic works; pictorial, graphic, and sculptural works; motion pictures and other audiovisual works; sound recordings; architectural works.
What cannot be protected?
Facts or any idea, procedure, process, system, method of operation, concept, principle, or discovery, regardless of the form in which it is described, explained, illustrated, or embodied in such work;
Words and short phrases such as names, titles, and slogans; Typeface designs;
Lists of ingredients;
Blank forms that do not themselves convey information;
Works consisting entirely of information that is common property containing no original authorship
What does a copyright give you? Exclusive right to do and authorize:
Reproduction of the work
Derivative works
Distribution of work by sale or transfer or license
Public performance of work
Display of work in public
Limitations on a Copyright?
Fair use: allows for limited copying of a work without the permission of the owner Very fact dependent Examples:
Criticism Comment News reporting Teaching Scholarship Research
How do you determine if something is Fair Use Consider:
Purpose and character of the use
Nature of the copyrighted work
Amount and substantiality of use
Effect upon the value of the copyrighted work
Other Limitations on a Copyright Libraries and archives First sale doctrine Record rental Software rental Performances and displays Secondary transmissions Ephemeral recordings Pictorial, graphic, sculptural
works Sound recordings Musical recordings -
compulsory licenses Jukeboxes - negotiated
licenses
Computer programs - Essential step in utilization of program or Archival (backup) copy allowed
Public broadcasting Satellite retransmissions –
superstations Architectural works Reproduction for blind and
disabled Satellite retransmission –
local Reproduction for blind/
people with disabilities Satellite retransmissions
within local markets
How to Obtain Copyright Protection Copyright Protection attached upon
creation. There is no need to register a work, but may do so.
Registration is required, however, to enforce rights and provides additional benefits such as statutory damages for infringement.
How do you register a copyright? Application must be submitted to the Copyright Office
of the Library of Congress. Note: Patents and federal trademark registrations are
with the United States Patent and Trademark Office (USPTO)
Contents of Application: Completed application form
TX – Non-dramatic literary work VA – Visual arts work PA – Performing arts work SE – Sound Recording work SR - Serials
Deposit materials Fee
Information needed to complete Application Name and address of applicant If the work is “made for hire”, a statement of
such or if the applicant is not the author then a statement of how the applicant obtained ownership
Title of work Year of creation Date of first publication, if any Identification of the work as a derivative or
compilation Other relevant information
Deposit Materials
Unpublished work One complete copy
Published work Two complete copies of best edition
Work first published outside US One complete copy as published
Contribution or collective work One complete copy of best edition
Some exceptions apply For example, for computer programs a print out of
the first and last 25 pages is ok
Who owns a Copyright?
Author Authors, if joint work What about employees?
“Work made for hire” doctrine work prepared by an employee within the scope of
his or her employment; or work specially ordered or commissioned for use as a
contribution to a collective work, if the parties expressly agree in a written instrument signed by them that the work shall be considered a work made for hire
Take away – get an assignment up front!
What is the Term of a Copyright? In the U.S.: the life of the author plus 70
years, unless the work is anonymous, pseudonymous or a work-made-for-hire
then, the lesser of 95 years from its publication or 120 years from its creation.
Copyright Notice
Prior to 1978 failure to use a copyright notice on your copyrightable materials was fatal to your copyright and placed the material into the public domain.
Omissions between January 1, 1978 and March 1, 1989 could be cured under certain circumstances.
Since March 1, 1989, use of a copyright notice has been optional, but failure to mark your materials can provide infringers with an "innocent infringer" defense, preventing you from collecting actual or statutory damages for any infringing act committed before the infringer received actual notice.
Example of Proper Notice: “© Your Name 20XX” “© Your Name 20XX, All rights reserved.”
Copyright Infringement
What is it? 17 USC 501 et seq. – Anyone who violates the
exclusive rights of the owner by making an unauthorized copying, distribution or derivation of a work Rights of owner set forth in 17 USC 106
Kinds of Infringement Direct Contributory Vicarious Liability of states
Pre-filing considerations
Where to file? Federal District Court: Exclusive, original
jurisdiction for Patent and Copyright cases. 28 USC 1338(a) Note: could have an exception for
counterclaims Venue: Where the defendant resides or in
any district where the defendant does business.
Pre-filing considerations (cont.) Jury or non-jury Nature and type of work involved Extent of copying Parties involved Registration certificate in hand?
Certificate of registration is now a procedural prerequisite
If registration is sought but refused serve complaint on Copyright office
Proving your case
Exclusive rights Ownership Access by defendant Substantial similarity of work Damages, if any
Should you use an expert? Depends
Should you use surveys?
Defenses Fair Use
See above Must be pled as an affirmative defense For computer programs
Right to make archival copy Right to dissect programs to determine functional interface
Implied License Can be orally granted for non-exclusive grant Elements
Author creates for another Author delivers the work Author intends that party distribute and/or copy
SOL (3 yrs.) and/or laches Lack of Notice Fraud on the Copyright Office Misuse Parody
Satire not necessarily a defense
Remedies
Damages- at option of copyright owner:
Actual damages and profits made by infringer that are not taken into account in calculating actual damages. To establish an infringer’s profits, the copyright owner is
required to present proof only of the infringer's gross revenue, and the infringer is required to prove his or her deductible expenses and the elements of profit attributable to factors other than the copyrighted work
OR
Statutory damages of $750 to $30,000 for each infringement (court’s discretion as to actual amount). Can be increased to $150,000 per infringement if the infringement was committed willfully.
Other Remedies
Injunction
Seizure, impoundment and destruction of infringing goods
Criminal offenses
Attorney’s fees and costs