copy of portfolio selected works hd3

8/14/2019 Copy of Portfolio Selected Works HD3

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Nankyo (Hanan Ben Shoshan)Portfolios: http://nankyo.carbonmade.com | http://yostudio.carbonmade.comContactos: +34-644-550-431 | [email protected]

Arquitectura y Diseo Architecture and design

Nankyo

CV About


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X

Inside/Outside - Two sides of the city Dentro/Fuera - Dos lados de la ciudad

Proyecto de diseo interiorShelf LifeInterior design pojectShelf Life

Barcelona ExtremeExtreme Barcelona

Parada de Metro en HaifaMetro station in Haifa

Centro de Msica en el casco antiguo de AcreMusic center in old Acre

Interiores - proyectos construidosInterior - built projects

Livink - Vivienda auto sostenibleLivink - self sustainable habitat

3D illustrationIlustracin en 3D (Renders)

ProductsProductos

PackagingEmbalajes

GraphicsGrfica1st CAAI competiton1er. Concurso de CAAI

Final projectProyecto final

D

G

UrbanismoUrban planning


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2009

Inside/Outside - Two sides of the city, Final projectDentro/Fuera - Dos lados de la ciudad, Proyecto final

An open-system extension of a marketplace and the first neighborhood in Tel-aviv,Kerem

Hatemanim. Social sustainable city block for Human Close Encounters (from the Third kind).


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I/O, Two sides of the city An open-system extension of a marketplace and the first neighborhood in Tel-aviv,Kerem

Hatemanim. Social sustainable city block for Human Close Encounters (from the Third kind).Projec by Hanan (Nankyo) Ben ShoshanProffesors: Arch, Gabi Shwartz | Arch. Hamutal Gurevich-Alonim


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Humans life today becomes more and more virtual. We live in hugecities, with millions of other people. We live fast, move fast and work until late, withless and less time for establishing simple social relations, to know our neighbours.The compromise is founded in the virtual contact, through indirect platforms thatgive bites of flavours of human communication.

In the future, 21st century, this tendency is not going to change, but to in-crease. We will stay more inside our energy-efficient homes and will do everythingthrough virtual platforms, closed from society, end in being sociophobics. Even to-day, the public space is rapidly relocating to the virtual space, which is always clean,controlled and sterile. We abandon the far-away city-centres and city-markets, tothe virtual easy-to-reach space.

In this project I asked to find the role of architecture in contemporary socialrelations, and its ability to provoke social and environmental co operations. It is acase-study for how architecture can be a social platform and social relations gen-erator nowadays.The project started with a social-spatial study of old cities fabrics and old cities quar-ters- in which direct, non-formal and unexpected encounters were always part of city-life. It is one of the basic forces that keep it alive, ever-changing and updated forhundreds of years, until nowadays.

The second phase of the study was to confront the conclusions form the old

city with todays new technologies (construction, virtual space...), todays economicneeds (high density, urban open spaces) and with todays environmental issues.The result is several basic key concepts and a evolution of new city block typology.

The main role is making random encounters easier, funnier and unpredicted; it isthe stage of a play we slowly forget - personal encounter from the Third Kind.

The project suggests several key concepts regarding human relations in con-temporary and future virtual and individual society:

Encourage Random gatherings and non-formal meetings - stimulate socialrelations. Those encounters lead to social contact. Those encounters happen most-ly in junctions, cross paths or in quick movements from large scale space to smallone (elevator, Coffer shop, staircase...).

Social yet individual the delicate balance between the need for social lifeto the need for privacy needs to be kept. Architecture should give to the users theability to modify the space anytime. Besides that, a project should compromise thebasic need to self-express with the basic need to be part of a community.

Open source Evolution is a quality of nature and time. Self-sufficient city must obey this quality. Framed-chaos and non-hermetic planning provide aground for an updated, ever changing needs of individuals and societies. The im-portance is to develop a system that can adopt changes any time and to maintainunite.

Vernacular in - Self-evolvement = self-involvement, modify-enabled and ver-nacular fabrics are about dialogs, share and improve local environment by itself.

I/O, Two sides of the city An open-system extension of a marketplace and the first neighbor-hood in Tel-aviv,Kerem Hatemanim. Social sustainable city block forHuman Close Encounters (from the Third kind).

Final Project, Technion, Israel, 2009


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initial investigation diagrams

THe Field The Abstruction The Actions

Society

Market

Vernacular

Amplify and aggregate

Improve condition

Mantain mixed society life!

Dissolution

Semi overlapping

Sharing the same limited space For different uses


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Areal View and existing situation

A gradient of city rashness

Market area

Keremhatemanim

Parkingarea

Parkingarea

Mosque

Promenade

Hotels

Parkingarea

Centeralbus station

Park

HecticCalm


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Rotation and inversion

Plan-to-section

Rotation the basic block of Kerem Hatemanim, providedifferent relations of the public and private space

Comunity in, privacy out

Semi Private

PrivatePrivate

Public Public

PublicSemiPrivate

Public

Public

Public

Public

Local block privacy scheme Plan New block Privacy scheme section

Inversion of the public and privacy spaces creates inone hand more private for houses, while disconnectingit from the public space. In addition, the public spacegets a strong impact and dominant volume.

H a C a r m e l s t r e e t M a r k e t

KeremHatemanim


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Rotation

Evolution of new typology

Local condition

Openings

High density

The common typology of the Kerem (the old quarter isbased on semi-private patios, small houses and streetsaround it. First move was to turn it into section, whichdoubles the ground area and make the structuremore compactRotation the basic block of Kerem Hatemanim, provide

different relations of the public and private space

Placing the block in location, concerning localconditions of lightning and ventilation, subtract fromstructure openings Different sectional situations call for different relations

between people, reveal different point of views, anddifferent spatial situations

+program

Variety of section


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Social generator schemes

Continuity / discontinuity, ones path intersect with others, in this temporalsudden junction, visual, verbal and social random contacts can be created.

Arts

CommerceSportParking

Hotel

CultureBuisness

Habitats

Habitats

MarketPark

Public space

Open space

Random, Non-Formal meetingsElegancy out, varnacular in

An elegant skin from the outside hides a different world within. That place canevolve and change by its users, creating a framed chaotic space, that fits theIsraeli improvisation characteristic,

Elegant Skin

Vernacularspace

Public

Private

SemiPrivate Work

Live

P r a c t i c e

Communicate

Enjoy Audience

Visitor

habitant

C o n s u m

e r

Street

Gallery

Livingroom

Park

Market

Time-base semi-overlapping Activity/Property/Space/Users


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Breaking the flow, creating a junction, changing of velocity, creating opportunities of encounters

Continuity and discontinuity

Social generator schemes

Side enterance


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A dense, In-fabric in-fill. avoiding towersin old fabrics

Subjects of investigation- open systems

: )

Market

Patios

Roof Garden

Plaza

Variety of open spacesGround multiplication - Elevated program

Monolith vs. fragment Micro city inside a city


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Centeral Bus station (S)

High rise building

Park

The project

To street market

Mosque

H a C a r m e l s t r e e t M a r k e t

HaKovshimPark New Kerem

CentalBusstation

Red city

Mosque

High risehotel

KeremHatemanim

Areal View and map, with general masterplan guidelines


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Ground 1st 2nd 3rd 4th 5th 6th 7th

Program by floors

Program Details and First floor plan

Program in exloded view

Art center

Flats

Concert hall

Market booth

Circulations

StudiosOffices/Shops

CommerceHotel Free spaces

FitnessBuisness loby

Hectic

Calm

Marketp laceMarket booths 50 1400Shops/offices 140 4200Storage and services 1000Market management 200Total area 6800

Cultura l ce nter Art galleries 1260Cinema/ lecture halls 3 480Entrance and lobby 260Offices 200Concert hall 1000Caf 200Studio 400Library 1000Media hall 800Storage and services 2400Total area 8000

Spor t center 900Swimming pool 1300Total area 2200

Hote lRooms 50 2000L ob by / re st au ra nt an d s er vic es 1 20 0Total area 3200

Flats50 m2 90 450068 m2 65 442078 m2 50 390096 m2 30 2880Net flats areas 15700Services 4100Total area 235 19800

Total program area 40000

Par kingF.-1 350 6300F.-2 650 11700Load areas 3000Total area 21000

Total constructed 61000

Op en s pa ce sMarket square and Plaza 8000Open air roof park 12000Patios 2400Total 22400

Total project area 83400

Program in section


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Marketplace is the face of the culture- Schemes

Reinterpretation of traditional marketplace (the Kasbah) into a city block

Continuity of existing Street market

section of existing Hacarmel street-market


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View from the entrance


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Floor -1- Marketplace logistics All logistic area are hidden from the visitors eyes, maintain pleasant andclean atmosphere. Supply access is made one floor below the market.

Supply elevator

Supply trucks path

Supply ramp

Ground Floor - Marketplace


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Section EE along market

Section AA, from street to park, through market and ramp

Section CC, Through park, sport center and library

Sections


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At the entrance to the concert hall, up on the inner plaza


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First floor- Public Square

Sections along the building

Section BB , From street to plaza,Through concert hall, market and enterace

Section DD, close area, through vertical circulation.

Sections


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Commercial area toward the park and the mosque


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Inner corridor 3rd floor, view to the plaza.


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3rd Floor 1:1000 3rd Floor 1:500 4th Floor 1:500

View to group of flats,3rd+4th floor

Habitat. 3rd floor plan and view


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Young families Duplex 70 sqm

1st floor 1:100

2nd floor 1:100

Main section 1:100

Flats types


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floor plan 1:100

Section 1:100

Studio 50 sqm

floor plan 1:100 Family flat 80 sqmFlats types

Section 1:100


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Northern facade, cleanliness and unity.

Conceptual inner facade, various and personal

Unite skin outside, modifeid skin inside

Portable metal lattice skin allows flexible openingswhile keeping monolithic facade


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References

fotos from location


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2006

Proyecto de diseo interiorShelf LifeInterior design pojectShelf Life


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Hanan Ben Shoshan | Profesor: Mateo Closa | Projecto X | primavera 2008 | UPC-ETSAB

Galeria Abierta de Arte Callejero de Contenido Generado por el Usuari@, Ciutat Vella

Barcelona ExtremeExtreme Barcelona X


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Galeria Abierta de Arte Callejero de Contenido Generado por el Usuari@, Ciutat Vella | Hanan Ben Shoshan | Projecto X | primavera 2008 | UPC-ETSAB

Memoria De emplazamiento

I Decided to develop a Street art Gallery nextto Estacion Franca. The area I choose, near thetrain station, is about 10 dunam, located right inthe merging point of Barceloneta, the old cityand the old port. That place is also a junction oftransportation infrastructure: railway, highwayand seaway.

The urban fabric is very heterogenic,extraordinary and complex: the extreme openspace of the port, the dense fabric of Borne, thelinear fabric of Barceloneta and the huge border caused by the transportation infrastructure. Thatmakes that place a leftover space in the verycenter of the city.

Right now the area is under constructionof multi residential buildings. I think it is wrongdecision for both sides: a waste of a potentiallywell-connected public space that may bridgein a unique way between all the different partsaround, and as living space it will always beinterrupted by noises (train, port, and tourist) thatwill harm the quality of life in the project.

I believe it is a perfect place to developa street-culture and street-art center. As atype of culture that naturally developed in theabandoned and undefined areas in the outskirtsof the city, that unique leftover and undefinedspace in the city center can be a perfect groundfor develop street culture in a half natural halfcultivated way.

Memoria de Emplazamiento

He decidido desarrollar una galera de arte callejero situada cerca de la Estacin de Francia. El rea es de aproximadamente 14 dunams. La zona que he escogido est cerca de la mayor estacin de tren, situada en el punto defusin entre Barceloneta, Ciutat Vella y al antiguo puerto. El tejido urbano es muy heterogneo, extraordinario y complejo: el extremo espacio abierto del puerto, la densa trama del Borne, el tejido lineal de Barceloneta y el enorme lmitecausado por la infraestructura de transporte. Eso hace que sea un espacio sobrante (remanente) en el centro de la ciudad.

Ahora, en la zona se estn construyendo varios edificios residenciales. Creo que es una decisin equivocada para ambas partes: un desaprovechamiento de un espacio pblico potencialmente bien conectado, que puede unir (en una forma singular) todas las diferentes partes situadas alrededor. Como lugar de residencia, la tranquilidad siempre sera interrumpida por ruidos (tren, puerto y turistas) que daaran la calidad de vida en el lugar.

Creo que es un lugar perfecto para desarrollar un centro de cultura y arte callejero. Este es un tipo de cultura que se desarrolla de forma natural en reas abandonadas e indefinidas en las periferias, afueras de las ciudades.Al ser el nico espacio indefinido en el centro de la ciudad, ste sera el espacio idneo en el que la cultura callejera podra evolucionar por las caractersticas propias del lugar, introducindose as el arte de la periferia en el

centro de la ciudad.El proyecto debera ser una plataforma abierta con la fi nalidad y propsito de estimular la creacin y produccin de arte callejero, tal y como acontece en la WEB 2.0, en la que el contenido es generado por los usuarios (UGC).

As de este modo, dicha plataforma permitira el traspaso de una actividad propia de un espacio virtual - WEB 2.0 - a un espacio pblico que podra denominarse Street Art 2.0.Esta idea, rompera con el concepto museolgico tradicional, clsico, donde el comisario de exposicin controla de manera estricta y conservadora a los artistas que deben exponer en funcin de su trayectoria, y en el que se

entiende al usuario como un agente pasivo. En la mayora de los casos, los museos albergan exposiciones temporales en los que la obra de arte -pintura, escultura- es un elemento mvil, encorsetada en un formato tradicional y cerrada-el producto final del artista no tiene posibilidad alguna de cambio o aadidura por parte de ningn agente-.

La galera de arte callejero que propongo, es un cdigo abierto -open source-, en el que toda persona puede generar, aadir, cambiar, expresar y responder sin ningn impedimento burocrtico. Los usuarios, de modo activo,seran los encargados de escoger qu obras podran mantenerse en el espacio expositivo, y cules no. Este acto socializador, tiene sentido por su voluntad de acercar el arte a toda persona.

Memoria/ /Manif iesto


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Borne

Ciutat Vella

El emplazamiento

Ronda del litoral

Estacion Franca

Parc

Ciutadella

Barceloneta

puerto Vella

anal is is : Areas//Bar rios //Conexiones

Este esquema, representalas conexiones existentesentre las diferentes partesdel rea, desde el puntode vista de un peatn.

Estos esquemas, representanlos barrios y espacios abiertosexistentes en el rea.

Este icono, representa unaabstraccin de los espaciosabiertos y cerrados en el rea

del proyecto.


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Conc epto dent ro d el c onte xto II


Programa:

- Salas de exhibicinHistoria del Gra ti 1000 m 2

Exhibici n contemporne a 1500 m 2

Galera libre ?3000 m 2

- Almacenamien to 800 m 2

- Graf tti Researh Lab (street art 2.0) 600 m 2

- Bar Restaurante 200 m 2

- Taller de monopatn (Skateboard ) 400 m 2

- Taller de arte callejero (tres estudios) 450 m 2

- Aula de rampas? 400 m 2

- General (circulaci n,Lavados ,admin) 2000 m 2

- Calle cubierta para la feria 1000 m 2

- Plaza Extreme

- Ruta de longbaord- Bicing Extreme :)

C S F

I n a u g ur al

F u er a

S emi - C

u b i er t a

C

u b i er t a

O R N

L uz N

at ur al

N

on e s e ci t o

R e c om

en

d a d o

O

b l i g at or i

A G E

U

s er ar i o

E x t r emi s t a

s

G

ent e

( t o d o )

A

r t i s t a s

C M E

N

i v el d

e a ct i vi d

a d

E x t r em

o

M

m o d er at o

C

al m o

Arte callejero (De Wikipedia, la enciclopedia libre)

El arte callejero o street art del trmino ingls, en su concepcin ms amplia y literal describe todo el arte desarrolladoen la calle, normalmente de manera ilegal. Esto incluira tanto al Gra ti como a otras formas diversas de intervencinartstica en la calle.Sin embargo, desde mediados del los aos 90 el trmino street art o su equivalente de Post-Graf ti se vienen usandopara describir el trabajo de un conjunto heterogneo de artistas que han ido desarrollando acciones artsticas en lacalle mediante el uso de plantillas, posters, pegatinas y otras tcnicas y cdigos que se alejan del Gra ti.El uso de plantillas (stencil), a menudo con un mensaje poltico, cobra especial relevancia en Pars en la segundamitad de los aos 60. Sin embargo, no es hasta mediados de los aos 90, con la aparicin de artistas como elnorteamericano Shepard Fairey y su campaa Obey (Obey Giant) (Obedece al gigante), ideada a partir de laimagen del personaje de circo Andre The Giant y llevada a cabo mediante el uso de posters y plantillas, cuando lasdiversas propuestas de este tipo cobran auge en distintas partes del mundo y son percibidas en su conjunto como

parte de un mismo fenmeno o escena.El mensaje original de esta campaa fue nulo, se erigi haciendo referencia a s mismo, sin otro signi cado de por medio. Sin embargo, desde mediados de los noventa ha sido una de la imgenes de cultura urbana ms vecesretomada por otros artistas. Se ha parafraseado a manera de homenaje y otras como irona, pero ha servido comobase importante para el desarrollo del arte callejero en todas las capitales del mundo.

Pro gra ma


Analisis: Ritmos//Caminos

Este esquema, enfatiza los diferentes ritmos de las calles

Este esquema, enfatiza los diferentes ritmos de las calles

Ejemplos de los diferentes tejidos urbanos en el rea.

LEixample -estructura en forma de cuadrcula-.

Parc de la Ciutadella - espacio verde-

El Borne, Ciutat Vella - estructura en forma de hoja-

Barceloneta -estructura en forma de reja-.

El Port - espacio abierto-.


Analisis: Caminos//Limites

Ritm os?

Caminos principales a gran escala. Caminos.

Seis fronteras (muros)existentes entre laBarceloneta y el Parcde la Ciutadella,lmites a los que podra

darse un uso diversoen la configuracinde este proyecto.


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Plano Genera l 1-750

Cajas abiertas de Grafiti

A B

C

C

D

D

A

B







Talleres de artistas


Talleres de artistasPatio

Patio

Patio

Patio

Patio

Plaza

Pista de monopatn

Auditorio/ Cine y Clubdel monopatn

G a l e r i a d e

h i s t o r i

a d e l g

r a f i t i / D

e s p a c h

o s /

B i b l i o t e c a /

A u l a s /

L a b o r a

t o r i a d e

G r a f i t i


C a j a s

d e

T a l l e r

e s d e

a r t e s

c a l l e j

e r a s

C a j a s d e G a le r i a d e s Ar t i st a s i n v it a d o s


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Este tipo de caja es la estructura ms comn para la configuracin de la galera abierta

Caj as De Arte

Este tipo de caja es usado para talleres,estudio y la realizacin de cursos

5m

5 - 8 m

20m


Diferentes tipos y variaciones de cajas con diversos aperturas y materiales

Caja s De Arte


Edif icio May or ( esq uem ati co)

pla nta Baja 1-2 00

Sec cion

Cafeteria

Lobby

InfoGaleria

El nuevo edificio incluye diferentes usos. La fachada, limpia y moderna,est diseada para respetar los edificios circundantes. Contina la mismalnea de las construcciones y calles cercanas.


Fach ada Sur 1:20 0

Edi fici o Ma yor (es que mat ico)

Programa


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Vis tas //


Vis tas/ /


Vis tas/ /


Vis tas/ /


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Galeria Abierta de Arte Callejero de Contenido Generado por el Usuari@, Ciutat V ella | Hanan Ben Shoshan | Projecto X | primavera 2008 | UPC-ETSAB

Vi st as //


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Parada de Metro en HaifaMetro station in Haifa

-

"


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-- --


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----


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Acre, Israel

2006

Centro de Msica en el casco antiguo de AcreMusic center in old Acre


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--/ 30 --


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-- --


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1st CAAI competiton1er. Concurso de CAAI

(In collaboration with Koby Ruthenberg)

Livink - Vivienda auto sostenibleLivink - self-sustainable habitat

2005


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UrbanismoUrban planning


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--/36 --


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----


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Interiores - proyectos construidosInterior - built projects


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Two Offices for GTS LTD. trade company,Haifa, Israelconstruction: 2005/2006


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--Agranov House Interior Design

Agranov house is a hollow shell concept, whichthe developer let the owner design their owninterior. The design included a metal-structuregallery and rearranges the inner separators, HAVCand electricity planning & landscape (garden)developing.

The project made in collaboration with Uri Hallel.

--/97Lachmi House Interior Design

A complete redesign of abandon house in Nesher. The house was extended along the years withoutany logic or concrete plan, followed by the evolution of balcony turn into a room, with a new balcony,and the same again. The original 2 rooms house built in the late 40s and by the years extended to 5volumes glued together. The main goal for me was to insert a logic that fts the residence way of life.


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Renders and 3D illustrationsIlustraciones y renders en 3D


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Product designDiseo de producto


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- - -

40X40X40 cm naturalwood or enforcedfabric box

2m Flexible metal wirewith cable inside

Closed decorated box

Description:Light-in-a-Box is a oor lamp made of the container of the object, vase or anything for the house.The design combines the rough heavy concrete brick with the light lightelement, made of different wood and fabrics.The Italian design is a lot about improvisation, taking simple ingredientsand makes it, with a good sense of the art, tasty and joyful. By choosingthe right raw materials, and combine them with others in a natural waythe magic of design is created.The use of varied contrast materials from different elds and industriesmakes the Italian design some kind of art-piece, yet practical. Light-in-a-Box follows those ideas in order to create a sustainable impressivecontainer that stays and can be used daily. The container is important asthe object within.

Open Light box-Decorated oor lamp

40X40X6 cm lightweight concrete brick

A present box

See whats inside

Create a oor lamp

Different boxes from opaqueand translucent materials


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name and surname

nationality

project title

Nankyo (Hanan Ben Shoshan)

Pack

Open

Closed container, the redelement facing down actsas the locking element.

Opening the box bysliding the locker out

Description:Focus on container, the wrap; most of the time is more importantthan the object.The design re ects the delicate yet amusing Italian designs. Fromthe Campana brothers through Colombo to contemporarydesigns, there is always some humor in within the design. That joy

of creation makes the design not purely practical or logical- buthumane. So First there is a box, clean and simple appearance.Then it can used as two stools, or a stool and a small table, or aset of drawers, with a minimum help of a bit odd curvy element.The container is so functional so what it can hold inside? I guessanything but no one would refuse a collection of Luxury KinkyBlack Leather Ionic Columns... it is humane.

MaterialsStoolBox is made of two common materials - wood (from natural) andplastic (from industry), each one with its immediate characteristics-wood is orthogonal cut, plastic is more curvy. A mixing of differentsimple materials is very common in Italian design. It creates tensionand balance, emphasizing the idea that design is where the naturaland the manmade collide into one. This unity is essential.

Lifting up the whitepart, reveal slowlywhats inside

Now, besides the object, There are 2 stools ready touse, or a stool and a coffee table.

Placing the white part

back, red elementfacing down, for support creates adrawer. Extra boxecan be added on top,create a cabinet.

Store

Sit

Rough wood version, more contrastbetween the different elements.

Wood strips and other colors, differentobjects can be in different colors/materials.

Israel

StoolBox / Two Stools + wierd element = container.


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Obra seleccionada; GREEN LIFE en el concurso Designboom, 2009Selected work; Green life competition, Designboom, 2009 LINK


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Obra seleccionada; GREEN LIFE en el concurso Designboom, 2009Selected work; Green life competition, Designboom, 2009 LINK


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ForePlay Game Packaging Design

PackagingEmbalajes


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Graphic designDiseo grfico

DG


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Portadas de la revista Factor Magazine, Israel, 2006-2008Front cover of Factor Magazine, Israel, 2006-2008


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Portadas de la revista Factor Magazine, Israel, 2006-2008Front cover of Factor Magazine, Israel, 2006-2008


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Diversos logos, 2000-2008Various logos, 2000-2008

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Sorelo LevyDream Album

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ALL RIGHTS OF THE PRODUCER AND OF THE OWNER OF THE RECORDEDWORK RESERVED.UNAUTHORIZED COPYING,LENDING,HIRING,PUBLIC PERFORMANCE,DIFFUSION AND BROADCASTING OF THIS RECORDING IS PROHIBITED.

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2007

Sorelo Levy Dream Album

S o r e l o L e v yD

r e a m A

l b u m

S o r e l o L e v yD

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DesignedbyNankyo:[email protected]

Sorelo LevyDream Album

Portada de CD, Sorelo Levy, Is rael, 2009CD cover for Sorelo Levy, Israel, 2009

LINK


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Invitacin para fiesta Electro, Israel, 2004

Invitaciones de un club de Funk, Israel, 2004Invitacin de boda, Israel, 2009 Invitations for Funk nights, Israel, 2004

Invitation for Electro party, Israel, 2004

Wedding invitation, Israel, 2009


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81/82

TextileTextile


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Fin

copy of portfolio selected works hd3

Documents