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10/07/20 Continuity and Change in Venetian Renaissance Painting: 1440 -1590 |
Oxford Brookes Reading Lists
Continuity and Change in VenetianRenaissance Painting: 1440 -1590(Semester 1)
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252 items
Recommended reading list (8 items)
The Renaissance in Venice: a world apart - Patricia Fortini Brown, 1997Book
Art and life in Renaissance Venice - Patricia Fortini Brown, 1997Book
Painting in Renaissance Venice - Peter Humfrey, 1995Book
Venice and the Veneto - Peter Humfrey, 2007Book
Renaissance art in Venice: from tradition to individualism - Tom Nichols, 2016Book
Art of Renaissance Venice, 1400-1600 - Loren W. Partridge, 2015Book
Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto - David Rosand, DavidRosand, c1997
Book
The art of Renaissance Venice: architecture, sculpture, and painting, 1460-1590 - NorbertHuse, Wolfgang Wolters, c1990
Book
Week 2 (am) Lecture 3: St Mark and the Virgin in the City (1 items)
Set reading (1 items)
Art and life in Renaissance Venice - Patricia Fortini Brown, 1997Book | The otherness of the Venetians pp 9-37
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Week 3 (am) Lecture 4: Saints Throughout the City: Parish Churchesand the Houses of Religious Orders (1 items)
Set reading (1 items)
Venice and the Veneto - Peter Humfrey, 2007Book | L. Matthew "Clergy and Confraternities" pp 106 - 127. Sections on scuole piccole
and scuole grandi
Week 4 (pm) Lecture 7: Venetian Artists: Tradition and Identity (2 items)
Set reading (2 items)
Tintoretto - Tom Nichols, 2015Book | Tintoretto, Tradition, Identity pp16-36
Tintoretto: tradition and identity - Tom Nichols, 1999Book | Tintoretto, Tradition, Identity pp 13-27
Week 5 (am) Seminar Presentations: Venetian Altarpieces (21 items)
A. Veronese, Holy Family with Saints Catherine and Anthony Abbot, c.1550-51 (Giustinian Chapel, San Francesco della Vigna, Venice) (21items)For this seminars consider the altarpiece as an examples of patrician patronage. Amongstother things you might like to think about possible reasons for the choice of artists by thepatron. Also consider the altarpiece within the project of the church building as a whole(built by Francesco Sansovino and commissioned by the reformed branch of theFranciscans, funded in part by a doge).
The following texts give useful background (5 items)
Venice and the Veneto - Peter Humfrey, 2007Book | Cooper, T. "Patricians and Citizens." 151-87. An excellent general discussion of
the patronage of patricians and citizens in Venice.
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Jacopo Sansovino: architecture and patronage in Renaissance Venice - Deborah Howard,1975
Book | 157-59, for the history of the church building
Venice and the Veneto - Peter Humfrey, 2007Book | Matthew, L. "The Religious Orders." 128-141. Very useful for the Franciscan
Observants.
Tintoretto: tradition and identity - Tom Nichols, 2015Book | The section on 'State Patronage' for a summary of the groups of patricians and
cittadini and their approach to art patronage
Tintoretto: tradition and identity - Tom Nichols, 1999Book
Veronese, Holy Family with Saints Catherine and Anthony Abbot (5 items)NB THERE IS A TEXT BY HUMFREY AND HOLT WHICH IS NOT AVAILABLE IN THE LIBRARY.OBTAIN A COPY FROM THE MODULE LEADER.
Paolo Veronese: a master and his workshop in Renaissance Venice - Virginia Brilliant,Frederick Ilchman, Veronese, 2012
Book | See especially 151-62
Becoming Venetian: immigrants and the arts in early modern Venice - Blake De Maria,c2010
Book
The altarpiece in the Renaissance - Peter Humfrey, Martin Kemp, 1990Book | P. Humfrey,"Co-ordinated Altarpieces in Renaissance Venice: the Progress of an
Ideal." p190-211
Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto - David Rosand, DavidRosand, c1997
Book
Veronese - Xavier F. Salomon, Veronese, 2014Book | See the discussion surrounding text images numbers 20, 21, 29, 30, 48 for the
likely sources of Veronese's approach to composition
B. Tintoretto, The Deposition of Christ, c.1564/65, (National Gallery ofScotland, Edinburgh) (11 items)For this seminar consider the altarpiece as examples of citizen patronage. Amongst otherthings you might like to think about possible reasons for the choice of artist by the patron.Also consider the altarpiece within the project of the church building as a whole (built byFrancesco Sansovino and commissioned by the reformed branch of the Franciscans,funded in part by a doge).
The following texts give useful background (5 items)
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Venice and the Veneto - Peter Humfrey, 2007Book | Cooper, T. "Patricians and Citizens." 151-87. An excellent general discussion of
the patronage of patricians and citizens in Venice.
Jacopo Sansovino: architecture and patronage in Renaissance Venice - Deborah Howard,1975
Book
Venice and the Veneto - Peter Humfrey, 2007Book | Matthew, L. "The Religious Orders." 128-141. Very useful for the Franciscan
Observants.
Tintoretto: tradition and identity - Tom Nichols, 2015Book
Tintoretto: tradition and identity - Tom Nichols, 1999Book
Tintoretto, The Deposition of Christ (6 items)
Becoming Venetian: immigrants and the arts in early modern Venice - Blake De Maria,c2010
Book
The age of Titian: Venetian renaissance art from Scottish collections - Peter Humfrey,National Galleries of Scotland, 2004
Book
Tintoretto's 'Deposition of Christ' in the National Gallery of Scotland - Hugh MacAndrew,Deborah Howard, John Dick and Joyce Plesters, 1985
Article
Tintoretto: tradition and identity - Tom Nichols, 2015Book
Tintoretto: tradition and identity - Tom Nichols, 1999Book
Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto - David Rosand, DavidRosand, c1997
Book
Week 5 (pm) Lecture 8: Continuity & Change: The family & the home (1 items)
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"Virtuous Riches": The Bricolage of Cittadini Identities in Early-Sixteenth-Century Venice -Monika Schmitter, 2004
Article
Week 6 (am and pm) Visit to the National Gallery, London (1 items)
Color and meaning: practice and theory in Renaissance painting - Marcia B. Hall, 1992Book | pp 199-235 Chapter "Venice and the Development of Tonal Painting"
Week 7 (am) Seminar Presentations: Paintings for Venetian Scuole (18items)
C. Tintoretto's decoration of the Albergo of the Scuola Grande di S.Rocco, 1564-67: Albergo ceiling paintings (9 items)Focus on the ceiling paintings in the Albergo. Consider how Tintoretto has taken account ofthe demands of creating an image of St. Roch and a wider ceiling programme for itssetting, location and patrons. Consider the way the scheme develops key themes for themembers of the Scuola. Also, outline how the central image of St Roch was important inthe history of awarding the commission to Tintoretto.
Paolo Veronese: a master and his workshop in Renaissance Venice - Virginia Brilliant,Frederick Ilchman, Veronese, 2012
Book | pp 164 -65 for Veronese's possible competition entry
Others and outcasts in early modern Europe: picturing the social margins - Tom Nichols,2007
Book | P. Cottrell "Poor substitutes: Imaging Disease and Vagrancy in RenaissanceVenice pp 63-86. See this for the cult of St Roch in Venice.
Becoming Venetian: immigrants and the arts in early modern Venice - Blake De Maria,c2010
Book | pp 51-55 and 86-93
Venice and the Veneto - Peter Humfrey, 2007Book | L. Matthew "Clergy and Confraternities" pp 117 - 127. Very useful for the general
context.
Tintoretto: tradition and identity - Tom Nichols, 2015Book
Tintoretto: tradition and identity - Tom Nichols, 1999Book
The life of Tintoretto, and of his children Domenico and Marietta - Carlo Ridolfi, 1984Book | pp 30-33 An early biography of Tintoretto and the source of our knowledge of his
ploy to win this commission.
Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto - David Rosand, DavidRosand, c1997
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Book
Venetian painted ceilings of the Renaissance - Juergen Schulz, 1968Book
D. Tintoretto's decoration of the Albergo of the Scuola Grande di S.Rocco, 1564-67: Albergo wall paintings (9 items)This is potentially a very unwieldy topic, so concentrate on a few key wall scenes as a wayof illustrating your talk (though make sure that you include the Crucifixion). You areencouraged to consider the role and status of the patron and the development of keythemes in the subject matter. Think about how these images address the charges of vanityand magnificence which were levelled at the scuola.
Becoming Venetian: immigrants and the arts in early modern Venice - Blake De Maria,c2010
Book | pp 51-55,86-93
Decorum and wit: the poetry of Venetian painting : essays in the history of the classicaltradition - Philipp Fehl, 1992
Book | pp 178-79 For an interesting contemporary text by Aretino.
The image of Christ - Gabriele Finaldi, Susanna Avery-Quash, National Gallery (GreatBritain), c2000
Book | Chapters 4 and 5 for the traditions of these kinds of images of Christ.
Venice and the Veneto - Peter Humfrey, 2007Book | L. Matthew "Clergy and Confraternities" pp 117-127. Very useful for the general
context.
Tintoretto: tradition and identity - Tom Nichols, 2015Book
Tintoretto: tradition and identity - Tom Nichols, 1999Book
The life of Tintoretto, and of his children Domenico and Marietta - Carlo Ridolfi, 1984Book | pp 30-33
Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto - David Rosand, DavidRosand, c1997
Book
The art of Renaissance Venice: architecture, sculpture, and painting, 1460-1590 - NorbertHuse, Wolfgang Wolters, c1990
Book
Week 7 (pm) Seminar Presentations: Artistic Sources & Rivalries (29items)
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E. Titian and his Roman Rivals, Michelangelo, Raphael and the Antique.The Averoldi Altarpiece (aka the Brescia/Resurrection Polyptych)1519-22 (7 items)How far does the Averoldi Altarpiece show evidence of Titian’s interest in Roman artistsand models?
Some Findings on Early Works of Titian. - Gilbert, Creighton E., 1980Article
Renaissance rivals: Michelangelo, Leonardo, Raphael, Titian - Rona Goffen, c2002Book | esp. pp 280-297
The altarpiece in Renaissance Venice - Peter Humfrey, c1993Book
Two Bronze Statuettes and their relation to MichelangeloArticle
The Cambridge companion to Titian - Patricia Meilman, 2004Book | P. Joannides "Titian and Michelangelo/Michelangelo and Titian" pp 121-145
Titian and the end of the Venetian Renaissance - Tom Nichols, Titian, 2013Book | pp 72-77
Titian's Saint Sebastians - David RosandArticle
F. 'Michelangelo's design (disegno) and Titian's colouring (colorito)'.Tintoretto, The Miracle of the Slave, 1548, (Accademia, Venice) (11 items)Consider this painting by Tintoretto in light of his maxim, ‘Michelangelo’s design andTitian’s colouring’. In what ways does Tintoretto live up to this idea? Does he simply copyhis models or is he in conversation with them?
Color and meaning: practice and theory in Renaissance painting - Marcia B. Hall, 1992Book | 199ff whole chapter
Color and technique in Renaissance painting: Italy and the North - Marcia B. Hall, 1987Book | L. Lazzarini "The use of color by Venetian painters" pp 115-136
Tintoretto: tradition and identity - Tom Nichols, 2015Book
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Tintoretto: tradition and identity - Tom Nichols, 1999Book
Tintoretto - Francesco Valcanover, Terisio Pignatti, Tintoretto, 1985Book
The life of Tintoretto, and of his children Domenico and Marietta - Carlo Ridolfi, 1984Book | early biography of Tintoretto pp16-17
Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto - David Rosand, DavidRosand, c1997
Book
For Michelangelesque sources (4 items)
Tintoretto and the Medici Tombs - David CoffinArticle
Tintoretto and Michelangelo's St Damian - Creighton GilbertArticle
Michelangelo and his influence: drawings from Windsor Castle - Paul Joannides, NationalGallery of Art (U.S.), Fitzwilliam Museum, 1996
Book | pp19-29
The sculpted object, 1400-1700 - Stuart Currie, Peta Motture, c1997Book | L. Whitaker "Tintoretto's drawings after sculpture and his workshop practice" pp
177-200
G. 'Michelangelo's design (disegno) and Titian's colouring (colorito)':Tintoretto, Christ washing the Disciples Feet, c.1547-0, (Prado, Madrid); (11 items)Consider this painting by Tintoretto in light of his maxim, ‘Michelangelo’s design andTitian’s colouring’. In what ways does Tintoretto live up to this idea? Does he simply copyhis models or is he in conversation with them?
Color and meaning: practice and theory in Renaissance painting - Marcia B. Hall, 1992Book | The whole chapter is interesting and the section on Tintoretto's Last Supper has
some useful insights
Color and technique in Renaissance painting: Italy and the North - Marcia B. Hall, 1987Book | L. Lazzarini "The use of color by Venetian Painters,1480-1580: Materials &
Techniques."pp 115-136. Look particularly at the ways in which Lazzarini differentiatesTitan's use of colour from that of Tintoretto.
Tintoretto: tradition and identity - Tom Nichols, 1999Book
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Tintoretto: tradition and identity - Tom Nichols, 2015Book
Tintoretto - Francesco Valcanover, Terisio Pignatti, Tintoretto, 1985Book
The life of Tintoretto, and of his children Domenico and Marietta - Carlo Ridolfi, 1984Book | pp 16-17. An early biography of Tintoretto and the source of our knowledge of
his working practices.
Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto - David Rosand, DavidRosand, c1997
Book
For Michelangelesque sources (4 items)
Tintoretto and the Medici Tombs - David CoffinArticle
Tintoretto and Michelangelo's St Damian - Creighton GilbertArticle
Michelangelo and his influence: drawings from Windsor Castle - Paul Joannides, NationalGallery of Art (U.S.), Fitzwilliam Museum, 1996
Book
The sculpted object, 1400-1700 - Stuart Currie, Peta Motture, c1997Book | L. Whitaker "Tintoretto's drawings after sculpture and his workshop practice" pp
177-200
Week 8 (am) Seminar Presentations: Public Portraits (24 items)
H. Paolo Veronese, Allegory of the Battle of the Lepanto (aka VotivePortrait of Doge Sebastiano Venier), c.1578. (10 items)Place Veronese’s work within the wider context and expectations of state-sponsored art inVenice and the significance of events surrounding the battle of Lepanto and Venier’scareer. You may also wish to consider Veronese’s picture alongside similar votive pictures,and address the decoration of the Sala del Collegio in the Doge’s Palace.
Veronese's drawings: a catalogue raisonne - Richard Cocke, Veronese, 1984Book
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Venice and the Veneto - Peter Humfrey, 2007Book | D. Howard "The State" pp 34-38
The Renaissance portrait: from Donatello to Bellini - Keith Christiansen, StefanWeppelmann, Patricia Lee Rubin, Bode-Museum, Metropolitan Museum of Art (New York,N.Y.), c2011
Book | P. Humfrey "The Portrait in Fifteenth-Century Venice" pp 48-63
Tintoretto: tradition and identity - Tom Nichols, 2015Book | pp 121-126 - interesting comment regarding another votive painting
Tintoretto: tradition and identity - Tom Nichols, 1999Book | pp 121-126 - interesting comment regarding another votive painting
The art of Paolo Veronese, 1528-1588 - William R. Rearick, National Gallery of Art (U.S.),c1988
Book
The changes in the Iconography and composition of Veronese's Allegory of the Battle ofLepanto in the Doge's Palace - Staale Sinding-Larsen
Article
The art of Renaissance Venice: architecture, sculpture, and painting, 1460-1590 - NorbertHuse, Wolfgang Wolters, c1990
Book | Chapter 9
For the wider iconography of the Sala (2 items)
Palladio's Venice: architecture and society in a Renaissance republic - Tracy E. Cooper,c2005
Book | pp 199-204 - for a little more on the ceiling of the room.
Venetian painted ceilings of the Renaissance - Juergen Schulz, 1968Book | pp 104-106
I. Tintoretto, The Madonna of the Treasurers, 1566 (Venice, Accademia)(8 items)Investigate Tintoretto’s painting in light of the context of the Camerlenghi Palace and itsprogramme of decoration. Consider the way in which Tintoretto negotiates the issue ofportraiture in light of its representation of his subjects as individuals and as part of thegroup.
Becoming Venetian: immigrants and the arts in early modern Venice - Blake De Maria,c2010
Book
Corporate Colors: Bonifacio and Tintoretto at the Palazzo dei Camerlenghi in Venice. -Cottrell, Philip, 2000
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Article
Venice and the Veneto - Peter Humfrey, 2007Book | D. Howard "The State" pp 68-78, very useful for the wider context; see also the
essay by Cooper, esp pp 152-54
Treasures of Venetian painting: the Gallerie dell'Accademia - GiovannaScire Nepi, 1991
Book
Tintoretto: tradition and identity - Tom Nichols, 2015Book | pp 110-26
Tintoretto: tradition and identity - Tom Nichols, 1999Book | pp 110-26
Tintoretto - Francesco Valcanover, Terisio Pignatti, Tintoretto, 1985Book
The art of Renaissance Venice: architecture, sculpture, and painting, 1460-1590 - NorbertHuse, Wolfgang Wolters, c1990
Book | Read Chapter 10
J: Veronese, The Cuccina Family Cycle, c.1472 (Gemaldegalerie,Dresden) (6 items)Consider the 4 paintings (the Cuccina Family Cycle) painted by Veronese for the portego ofthe Cuccina Palace in Venice. In what ways do these paintings link ‘Alvise Cuccina’sspiritual beliefs and economic success with his newly adopted homeland of Venice’ (deMaria, 159)? The majority of your focus should be on The Cuccina Family Presented to theMadonna and Child.
Paolo Veronese: a master and his workshop in Renaissance Venice - Virginia Brilliant,Frederick Ilchman, Veronese, 2012
Book
Venice and the Veneto - Peter Humfrey, 2007Book | T. Cooper "Patricians and Citizens"pp 151-154
Becoming Venetian: immigrants and the arts in early modern Venice - Blake De Maria,c2010
Book | Especially Chapter 7 but follow your nose since this book includes numerousreferences to the Cuccina family
The sixteenth-century Italian paintings: Vol. 2: Venice 1540-1600 - Nicholas Penny,National Gallery (Great Britain), 2008
Book | xiv, pp 227-29
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The art of Paolo Veronese, 1528-1588 - William R. Rearick, National Gallery of Art (U.S.),c1988
Book
The Quadro da Portego in Sixteenth-Century Venetian Art. - SCHMITTER, MONIKA1, 2011Article
Week 8 (pm) Lecture 10: Images of Venetian Women (1 items)
The book of the courtier - Baldassare Castiglione, George Bull, 1976Book | pp 324 - 341
Week 9 (am) Seminar Presentations: Paintings with personal orambiguous meanings (25 items)
K. Giovanni Bellini, St Francis, c. 1475-80, New York, Frick Collection. (8items)Consider in terms of subject, iconography and technique – all elements which will havebeen of interest to its fifteenth- and sixteenth-century audiences. Think about Bellini’s useof tempera and oil and the effects that this allowed him to achieve. What does the paintingreveal about the wishes and expectations of art collectors during this period?
Giorgione: the painter of 'poetic brevity' : including catalogueraisonne - Jaynie Anderson, c1997
Book | pp 148-160 for Taddeo Contarini
The Joy of St Francis: Bellini's Panel in the Frick Collection - Marilyn Aronberg Lavin, JinyuLiu, Adam Gitner
Article
Bellini and the Meditational "poesia" - Keith Christiansen, 2013Article
The Provenance of Bellini's Frick 'St Francis' - J. M. Fletcher, 1972Article
Bellini's Ass: A Note on the Frick 'St Francis' - Norman Hammond, 2002Article
The Meaning of the Landscape in Bellini's "St. Francis in Ecstasy" - Anthony F. Janson, 1994Article
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The Cambridge companion to Giovanni Bellini - Peter Humfrey, 2004Book | M. Lucco "Bellini and Flemish Painting" pp 75-94
Art of Renaissance Venice, 1400-1600 - Loren W. Partridge, 2015Book | See 82-85 for a good summary of possible meanings but neglecting other
aspects of the topic. See also the introduction to this section on page 81.
L. Titian, The Three Ages of Man, c.1512-13 (Edinburgh, NationalGallery of Art) (10 items)Consider in terms of subject, iconography and the artist’s treatment of them – all elementswhich will have been of interest to its sixteenth-century audiences. What does the paintingreveal about the wishes and expectations of art collectors during this period?
Titian's women - Rona Goffen, c1997Book | pp 25-33
Titian 500 - Joseph Manca, National Gallery of Art (U.S.), c1993Book | P. Holberton "The Pastorale or Fete champetre in the Early Sixteenth Century"
pp 245 - 62
The pipes in Titian's "Three ages of man" - P. Holberton, 2003Article | In Apollo Vol. 157: pp 26-30; in print format in Library Basement, J 700/A
Titian - Charles Hope, 2003Book
The Patron and Early Provenance of Titian's 'Three Ages of Man' - Peter Humfrey, 2003Article
The age of Titian: Venetian renaissance art from Scottish collections - Peter Humfrey,National Galleries of Scotland, 2004
Book
Titian's 'Daphnis and Chloe' - P. Joannides, 1991Article | In Apollo vol. 352: pp 374-82; in print format in Library Basement, J 700/A
Titian to 1518: the assumption of genius - Paul Joannides, c2001Book | pp193-201
Problems in Titian, mostly iconographic - Erwin Panofsky, 1969Book | pp 94-99
The X-Ray Examination of Titian's 'Three Ages of Man' in the Bridgewater House Collection- Giles Robertson, 1971
Article
M. Titian, Sacred and Profane Love, c. 1514 (Villa Borghese, Rome) (7
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items)Consider in terms of subject, iconography and the artist’s treatment of them – all elementswhich will have been of interest to its sixteenth-century audiences. What does the paintingreveal about the wishes and expectations of its patron?
Art and love in Renaissance Italy - Andrea Bayer, Sarah Cartwright, Metropolitan Museumof Art (New York, N.Y.), 2009
Book | B.L. Brown "Picturing the perfect Marriage: The Equilibrium of Sense andSensibility in Titian's 'Sacred and Profane Love" pp 238-45
Some Findings on Early Works of Titian. - Gilbert, Creighton E., 1980Article
Titian 500 - Joseph Manca, National Gallery of Art (U.S.), c1993Book | R. Goffen "Titian's Sacred and Profane Love" pp 121-138
Titian - Charles Hope, DavidJaffe, National Gallery (Great Britain), 2003
Book
Titian to 1518: the assumption of genius - Paul Joannides, c2001Book | pp 185-193
Honour, love and truth, an alternative reading of Titian's - Giles Robertson, 1988-10Article
Places of delight: the pastoral landscape - Robert C. Cafritz, Lawrence Gowing, DavidRosand, Phillips Collection, National Gallery of Art (U.S.), (1988?)
Book | D. Rosand "Giorgione, Venice and the Pastoral Vision." pp 20-81
Week 9 (pm) Lecture 11: Writing Venetian Art History: mediocritas vmagnificentia (1 items)
Set reading (1 items)
Venice and the Renaissance - Manfredo Tafuri, c1989Book | M. Tafuri "Memoria et Prudentia Patrician Mentalities and res aedificatoria" pp
1-14 (with exercise).
Week 11 (am and pm) Lecture 12 Titian in the city and at court (1 items)
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Set reading (1 items)
The Cambridge companion to Titian - Patricia Meilman, 2004Book | "An Introduction to Titian: Context and Career" pp 1-32
Bibliography (118 items)
Key Texts (8 items)
The Renaissance in Venice: a world apart - Patricia Fortini Brown, 1997Book | this same book is also published under a different title:
Fortini Brown,P. Art and Life in Renaissance Venice. Upper Saddle River, NJ: Pearson, 1997
Art and life in Renaissance Venice - Patricia Fortini Brown, 1997Book
Painting in Renaissance Venice - Peter Humfrey, 1995Book
Venice and the Veneto - Peter Humfrey, 2007Book
Renaissance art in Venice: from tradition to individualism - Tom Nichols, 2016Book
Art of Renaissance Venice, 1400-1600 - Loren W. Partridge, 2015Book
Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto - David Rosand, DavidRosand, c1997
Book
The art of Renaissance Venice: architecture, sculpture, and painting, 1460-1590 - NorbertHuse, Wolfgang Wolters, c1990
Book
Primary Written Sources (6 items)
Venice: a documentary history, 1450-1630 - David Chambers, Jennifer Fletcher, Brian S.Pullan, Renaissance Society of America, c2001
Book | A fascinating compendium of source material
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Italian art, 1400-1500: sources and documents - Creighton Gilbert, 1980Book
Italian art 1500-1600: sources and documents - Robert Klein, Henri Zerner, 1966Book
Renaissance art reconsidered: an anthology of primary sources - Carol M. Richardson, KimWoods, Michael W. Franklin, c2007
Book | Includes a section on Venice.
Sansovino's Venice - Francesco Sansovino, 2017Book
Venice: cita` excelentissima : selections from the Renaissance diaries of Marin Sanudo -Marino Sanudo, Patricia H. Labalme, Laura Sanguineti White, c2008
Book
Renaissance Venice (13 items)
The imperial age of Venice, 1380-1580 - David Chambers, 1970Book
Becoming Venetian: immigrants and the arts in early modern Venice - Blake De Maria,c2010
Book
Politics in Renaissance Venice - Robert Finlay, 1980Book
Private lives in Renaissance Venice: art, architecture, and the family - Patricia FortiniBrown, 2004
Book
Venetian colour: marble, mosaic, painting and glass 1250-1550 - Paul Hills, c1999Book
Patronage in Renaissance Italy: from 1400 to the early sixteenth century - MaryHollingsworth, 1994
Book
Patronage in sixteenth-century Italy - Mary Hollingsworth, 1996Book
The architectural history of Venice - Deborah Howard, 1980Book | The module does not focus on architecture. This compact volume should fill in
background where necessary
The altarpiece in Renaissance Venice - Peter Humfrey, c1993Book
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Culture and society in Venice, 1470-1790: the Renaissance and its heritage - Oliver Logan,1972
Book
The Genius of Venice 1500-1600 - Jane Martineau, Charles Hope, Royal Academy of Arts,Sea Containers Group, Venice Simplon-Orient-Express Limited, 1983
Book
The sixteenth-century Italian paintings: Vol. 2: Venice 1540-1600 - Nicholas Penny,National Gallery (Great Britain), 2008
Book | as a supplement to Penny's catalogue, the National Gallery Technical Bulletin,Vol 34, 2013, is dedicated to "Titian's Painting Technique before 1540" and containsdetailed essays on the earlier Titian paintings in the Nat Gallery's collection
Locating Renaissance art - Carol M. Richardson, Open University, 2007Book | P. Wood "An aesthetic of diversity:Venice and the East"
Art Theory and Criticism (15 items)
On painting - Leon Battista Alberti, John R. Spencer, 1966Book | First published in Latin in 1435 and then in Italian in 1436
The intellectual life of the early Renaissance artist - Francis Ames-Lewis, c2000Book
The Anonimo; notes on pictures and works of art in Italy made by an anonymous writer inthe sixteenth century - Marcantonio Michiel, 1903
Book | The Anonimo, notes on pictures and works of art in Italy made by an anonymouswriter in the sixteenth century, edited by George C. Williamson. London: G. Bell and Sons,1903. These notes were written by Marcantonio Michiel in the early sixteenth century. Thetext is a valuable description of works of art in public spaces and private collections in thisperiod. This 1903 edition is available online:https://archive.org/details/anonimonotesonpi00michrich
The letters of Pietro Aretino - Pietro Aretino, 1967Book
Artistic theory in Italy, 1450-1600 - Anthony Blunt, 1940Book
The Ashgate research companion to Giorgio Vasari - 2014Book
The book of the courtier - Baldassare Castiglione, George Bull, 1976Book | Written from c.1508 onwards and first published in 1528.
Cennino Cennini's Il libro dell'arte: a new English translation and commentary with Italiantranscription - Cennino Cennini, Lara Broecke, 2015
Book | Written in the 1390s
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Oxford Brookes Reading Lists
Florence and Venice, comparisons and relations: acts of two Conferences at Villa I Tatti in1976-1977 organized by Sergio Bertelli, Nicolai Rubinstein, and Craig Hugh Smyth, Volume1: Quattrocento - Villa I Tatti, 1979
Book | S. Freedberg "Disegno versus Colore in Florentine and Venetian Painting of theCinquecento" 309-22
The Genius of Venice 1500-1600 - Jane Martineau, Charles Hope, Royal Academy of Arts,Sea Containers Group, Venice Simplon-Orient-Express Limited, 1983
Book | C. Hope "The Historians of Venetian Painting" 38-40
The life of Tintoretto, and of his children Domenico and Marietta - Carlo Ridolfi, 1984Book | Originally published in 1642
Dolce's Aretino and Venetian art theory of the Cinquecento - Mark Roskill, 1968Book
Giorgio Vasari: art and history - Patricia Lee Rubin, c1995Book
Lives of the painters, sculptors and architects - 1996Book | Volume 1; lots of other English versions available.
Lives of the painters, sculptors and architects - 1996Book | Volume 2; lots of other English versions available.
Painting (8 items)
Renaissance Venice and the north: crosscurrents in the time ofDurer, Bellini and Titian - Bernard Aikema, Beverly Louise Brown, 1999
Book
Bellini, Giorgione, Titian, and the Renaissance of Venetian painting - David Alan Brown,Sylvia Ferino-Pagden, Jaynie Anderson, Barbara Hepburn Berrie, National Gallery of Art(U.S.), Kunsthistorisches Museum Wien, 2006
Book
Venetian painting matters, 1450-1750 - 2015Book
Venetian narrative painting in the age of Carpaccio - Patricia Fortini Brown, 1988Book
The Venetian Trade Guilds as Patrons of Art in the Renaissance - Peter Humfrey andRichard MacKenney, 1986
Article
Treasures of Venetian painting: the Gallerie dell'Accademia - GiovannaScire
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Oxford Brookes Reading Lists
Nepi, 1991
Book
The anxieties of a citizen class: the miracles of the true cross of San Giovanni Evangelista,Venice 1370-1480 - Kiril Petkov, 2014
Book
Venetian painted ceilings of the Renaissance - Juergen Schulz, 1968Book
Painters (68 items)
The Bellini (Jacopo, Gentile, Giovanni) (9 items)
Giovanni Bellini - OskarBatschmann, 2008
Book
Bellini, Giorgione, Titian, and the Renaissance of Venetian painting - David Alan Brown,Sylvia Ferino-Pagden, Jaynie Anderson, Barbara Hepburn Berrie, National Gallery of Art(U.S.), Kunsthistorisches Museum Wien, 2006
Book
The genius of Jacopo Bellini: the complete paintings and drawings - Colin T. Eisler, 1988Book
Bellini, S. Giobbe and Altar Egos - Rona Goffen, 1986Article
Giovanni Bellini - Rona Goffen, c1989Book
Piety and patronage in Renaissance Venice: Bellini, Titian, and the Franciscans - RonaGoffen, c1986
Book
The Cambridge companion to Giovanni Bellini - Peter Humfrey, 2004Book
Giovanni Bellini and the art of devotion - Giovanni Bellini, Ronda Kasl, Keith Christiansen,c2004
Book
Giovanni Bellini - Giles Robertson, 1980Book
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Oxford Brookes Reading Lists
Bonifacio de' Pitati (Bonifacio Veronese) (3 items)
Corporate Colors: Bonifacio and Tintoretto at the Palazzo dei Camerlenghi in Venice. -Cottrell, Philip, 2000
Article
Vice, Vagrancy and Villa Culture: Bonifacio de' Pitati's "Dives and Lazarus" in Its VenetianContext - Philip Cottrell, 2005-01-01
Article
Others and outcasts in early modern Europe: picturing the social margins - Tom Nichols,2007
Book | P. Cottrell "Poor substitutes: Imaging Disease and Vagrancy in RenaissanceVenice" 63-85
Carpaccio & Scuola Decoration (2 items)
Venetian narrative painting in the age of Carpaccio - Patricia Fortini Brown, 1988Book
PAINTING AND HISTORY IN RENAISSANCE VENICE. - Brown, Patricia Fortini1Article | 263-294
Cima da Conegliano (1 items)
Cima da Conegliano - Peter Humfrey, 1983Book
Giorgione (4 items)
Bellini, Giorgione, Titian, and the Renaissance of Venetian painting - David Alan Brown,Sylvia Ferino-Pagden, Jaynie Anderson, Barbara Hepburn Berrie, National Gallery of Art(U.S.), Kunsthistorisches Museum Wien, 2006
Book
Giorgione: the painter of 'poetic brevity' : including catalogueraisonne - Jaynie Anderson, c1997
Book
Giorgione - Enrico Maria Dal Pozzolo, Giorgione, 2009Book
Giorgione - Terisio Pignatti, Filippo Pedrocco, Giorgione, c1999Book
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Oxford Brookes Reading Lists
Lorenzo Lotto (2 items)
Lorenzo Lotto: rediscovered master of the Renaissance - David Alan Brown, Peter Humfrey,Mauro Lucco, National Gallery of Art (U.S.), Accademia Carrara di Belle Arti, Galeriesnationales du Grand Palais (France), 1997
Book
Lorenzo Lotto - Peter Humfrey, 1997Book
Palma Vecchio & Palma Giovane (3 items)
Art of the Italian Renaissance -Andre Chastel,Andre Chastel, 1988
Book | "Rivalries in Venice: the competition for the St Peter Martyr (1528-30)" 170-187. This book also published as A chronicle of Italian Renaissance Painting.
The Artistic Parentage of Palma Giovane - Philip Cottrell, 2002Article
Palma Vecchio - Philip Rylands, 1992Book
Pordenone (3 items)
Art of the Italian Renaissance -Andre Chastel,Andre Chastel, 1988
Book | "Rivalries in Venice: the competition for the St Peter Martyr (1528-30)" 170-187.This book also published as A chronicle of Italian Renaissance Painting.
Titian and Pordenone - Walter Friedlaender, 1965-03Article | pp 118-121
Pordenone versus Titian - C. Gould, 1972Article | In Apollo Vol. 116: pp 106-10; in print format in Library Basement, J 700/A
Sebastiano del Piombo (1 items)
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Oxford Brookes Reading Lists
Sebastiano del Piombo - Michael Hirst, Sebastiano, 1981Book
Schiavone (1 items)
Andrea Schiavone - Francis L. Richardson, Andrea Schiavone, 1980Book
Tintoretto (7 items)
Corporate Colors: Bonifacio and Tintoretto at the Palazzo dei Camerlenghi in Venice - PhilipCottrell, 2000
Article
PIETY AND PATRONAGE IN CINQUECENTO VENICE: TINTORETTO AND THE SCUOLE DELSACRAMENTO. - Hills, Paul
Article
Tintoretto's 'Deposition of Christ' in the National Gallery of Scotland - Hugh MacAndrew,Joyce Plesters, John Dick, Deborah Howard, 1985
Article
Tintoretto: tradition and identity - Tom Nichols, 1999Book
Tintoretto: tradition and identity - Tom Nichols, 2015Book
Tintoretto - Francesco Valcanover, Terisio Pignatti, Tintoretto, 1985Book
Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto - David Rosand, DavidRosand, c1997
Book
Titian (19 items)
Bellini, Giorgione, Titian, and the Renaissance of Venetian painting - David Alan Brown,Sylvia Ferino-Pagden, Jaynie Anderson, Barbara Hepburn Berrie, National Gallery of Art(U.S.), Kunsthistorisches Museum Wien, 2006
Book
Piety and patronage in Renaissance Venice: Bellini, Titian, and the Franciscans - RonaGoffen, c1986
Book
Titian's women - Rona Goffen, c1997Book
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Oxford Brookes Reading Lists
Renaissance rivals: Michelangelo, Leonardo, Raphael, Titian - Rona Goffen, c2002Book
Titian - Charles Hope, 2003Book
Titian - Charles Hope, DavidJaffe, National Gallery (Great Britain), 2003
Book
GIORGIONE'S TEMPESTA AND TITIAN'S ASSUNTA IN THE CONTEXT OF THE CAMBRAI WARS.- Howard, Deborah
Article
The age of Titian: Venetian renaissance art from Scottish collections - Peter Humfrey,National Galleries of Scotland, 2004
Book
Titian to 1518: the assumption of genius - Paul Joannides, c2001Book
Titian 500 - Joseph Manca, National Gallery of Art (U.S.), c1993Book
Titian and the altarpiece in renaissance Venice - Patricia Meilman, 2000Book
The Cambridge companion to Titian - Patricia Meilman, 2004Book
Titian and the end of the Venetian Renaissance - Tom Nichols, Titian, 2013Book
Titian & tragic painting: Aristotle's poetics and the rise of the modern artist - ThomasPuttfarken, c2005
Book
Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto - David Rosand, DavidRosand, c1997
Book
Titian: his world and his legacy - David Rosand, 1982Book
The Paintings of Titian: complete edition. Vol. 1, The Religious paintings - Harold E. Wethey, 1969
Book
The paintings of Titian: complete edition. Vol.2, Portraits - Harold E. Wethey, Titian, 1971
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Oxford Brookes Reading Lists
Book
The paintings of Titian: complete edition. Vol.3, The mythological and historical paintings -Harold E. Wethey, Titian, 1975
Book
Veronese (7 items)
Paolo Veronese: a master and his workshop in Renaissance Venice - Virginia Brilliant,Frederick Ilchman, Veronese, 2012
Book
Veronese's drawings: a catalogue raisonne - Richard Cocke, Veronese, 1984Book
Decorum and wit: the poetry of Venetian painting : essays in the history of the classicaltradition - Philipp Fehl, 1992
Book
The art of Paolo Veronese, 1528-1588 - William R. Rearick, National Gallery of Art (U.S.),c1988
Book
Painting in sixteenth-century Venice: Titian, Veronese, Tintoretto - David Rosand, DavidRosand, c1997
Book
Veronese - Xavier F. Salomon, Veronese, 2014Book
Since there are many paintings by Veronese in both the National Gallery, London; and theAccademia, Venice, it is worth consulting surveys of their collections by Penny and NepiScire respectively.
The Vivarini (Antonio, Bartolomeo, Alvise) (6 items)
The Early History of Antonio Vivarini's 'St Jerome' Altar-Piece and the Beginnings of theRenaissance Style in Venice - Ian Holgate, 2001
Article
Giovanni d'Alemagna, Antonio Vivarini and the Early History of the Ovetari Chapel - IanHolgate, 2003
Article
Bartolomeo Vivarini's "Saint James" Polyptych and Its Provenance - Peter Humfrey, 1994Article
Alvise Vivarini: his art and influence - John Steer, 1982Book
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Oxford Brookes Reading Lists
The Patron of Bartolomeo Vivarini's 1464 Polyptych for S. Andrea della Certosa, Venice -Susan Steer, 2002
Article
Tota pulchra, et formosa es Maria et macula originalis non est in te: The Congregation ofClergy at Santa Maria Formosa, Venice, and Their Altar of the Immaculate Conception -Susan Steer, 2006
Article
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