contents · flute & piano f. schubert: variations “trockne blumen ... a. copland: duo o....

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Contents: Biography

Repertoire

Reviews

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Valerio Fasoli – Biography Born in Italy, Valerio Fasoli debuted at the age of nineteen as soloist with “I Solisti Veneti di Claudio Scimone”, playing the Vivaldi Concerto For Two Flutes together with his teacher Clementine Hoogendoorn Scimone. After this concert he started a long collaboration with this world-renown chamber orchestra where he could play with soloists such as Salvatore Accardo, Evgeny Kissin and Sir James Galway.

Earlier, after his classical studies, he had earned his Degree at the Conservatorio Statale di Musica in Padova with Clementine Hoogendoorn Scimone. In 1996 he received his Degree at the Accademia ltaliana del Flauto in Roma with Raymond Guiot, then in the following years he studied with Janos Balint, and had masterclasses with Aurele Nicolet, Jean-Claude Gerard, Peter-Lukas Graf, Karl-Heinz Zoeller, Rien de Reede, Lorant Kovacs, Ransom Wilson, Marzio Conti and Giuseppe Nova. In 1997 he won the audition for first flute in the Orchestra Sinfonica di Savona, president Carlo Maria Giulini, conductor Filippo Maria Bressan. 1997 saw the start of his collaborations with "I Solisti Veneti di Claudio Scimone" and with The Orchestra Sinfonica di Savona. Between 1997 and 1999 he received many prizes in National and International Competitions for flute and chamber music. In 1997/1998 he won prizes at the Emanuele Krakamp Flute National Competition, the T.I.M. International Competition, and the Cittá di Racconigi International Chamber Music Competition. In 2001 he moved to Germany, studying at the Hochschule fur Musik Trossingen, with Gulsen Tatu, and started to play as solo flute in the Ensemble PolyphonieT, conductor Manfred Schreier. Fasoli started an intensive activity as soloist and chamber musician, playing from baroque to new music, both with classical instruments and electronics. This experience gave him the opportunity to work together with some of the most important contemporary composers, such as Dieter Schnebel, Marco Stroppa, Cord Meijering, Younghi Pagh-Paan,

Valerio Fasoli – Biography

Alain Gaussin, Hans Zender, Sukhi Kang, and Kyung-Hwa Chae, and to collaborate with musicians such as Chen Halevi, Patrick O`Byrne, and Matthias Schneider-Hollek. From 2007-2009 he was flute teacher at the University of Music Trossingen (Staatliche Hochschule fur Musik Trossingen, Germany). Since then he has been regularly invited for workshops and masterclasses in universities and festivals worldwide, including the Seoul National University, the Istituto Nacional de l'Arte in Buenos Aires, and the Daegu Contemporary Music Festival. In 2010, he founded the Accademia di Musica di Taggia, of which he is artistic director, one of the most active summer academies in Europe. In 2012, he founded the "EnsembleSolisten“ chamber orchestra in Germany, of which he is conductor and artistic director, achieving critical success from the very first concert by the group. Valerio Fasoli is currently Professor of Flute at the Academy of Art Foundation in Como, Italy.

Valerio Fasoli – Repertoire

FLUTE SOLO J.S. Bach: Partita in A minor (la minor) BWV 1013 C.P.E. Bach: Sonata in A minor (la minor) WV 132 G.P. Telemann: 12 Fantasie F. Kuhlau: 6 Capricen F. Kuhlau: 3 Divertissement T. Böhm: 24 Capricen S. Karg-Elert: 30 Capricen C. Debussy: Syrinx A. Honegger: Dance de la Chevre J. Ibert: Piece A. Jolivet: Cinq Incantations L. Berio: Sequenza J. Francaix: Suite K-H. Stockhausen: In Freundschaft B. Bettinelli: Studio da concerto D. Schnebel: Pan


Y. Pagh-Paan: Dreisam Nore E. Carter: Scrivo in Vento K. Huber: To ask the flutist T. Takemitsu: Voice S. Sciarrino: l´opera per flauto FLUTE & PIANO F. Schubert: Variations “Trockne Blumen” K. Reinecke: Sonata “Undine” B. Martinu: Sonata n.1 S. Prokoviev: Sonata in D major (Re Major) Op.94 A. Jolivet: Sonate Chant de Linos F. Martin: Ballade M. Kagel: Phantasiestück A. Copland: Duo O. Messiaen: Le merle noir I. Yun: Garak


B. Ferneyough: 4 Miniatures P. Boulez: Sonatine J. Demersseman: Solo de Concert T. Böhm: Nel cor piú F. Borne: Fantasie sur la Carmen de Bizet G. Briccialdi: Variazioni sul Carnevale di Venezia L. De Lorenzo: l´Appassionato FLUTE & HARPSICHORD G. Petrassi: Ala A. Gaussin: Ogive S. Sciarrino: Siciliano P. de Silva: Praeludium T.C. Bjorklund: The why of Azatoth M. Trojahn: Object Trouve N. Lee: Convergences J. Tiensuu: Ouverture et Cadenza


FLUTE & GUITAR J. Ibert: Entr`act A. Piazzolla: Histoire du Tango F. Maglia: El otro amanecer T. Takemitsu: Toward the Sea R. Schankar: L´aube enchantée J. Rodrigo: Serenata al alba del dia FLUTE & VIOLIN J.B. de Boismortier: Sonate Op.51 C.P.E. Bach: Duo F. Devienne: Duo J. Takacs: Variations on a theme by Paisiello H. Genzmer: Divertissement


FLUTE & ELECTRONICS Marco Stroppa: little i Kee-Yong Chong: Methamorphosis IV (Tape) Dieter Schnebel: Pan Sukhi Kang: Man-Pa (tape) Chaya Czernowin: Ina (Tape) FLUTE CONCERTOS A. Vivaldi: Concertos op. 10 J.S. Bach: all flute concertos J. Haydn: Flute concerto D major W.A. Mozart: Concertos in D Major and G- Major S. Mercadante: all flute concertos K. Reinecke: Concerto in D Major A. Jolivet: Concerto J. Ibert: Concerto J. Rodrigo: Concierto Pastoral


FLUTE & STRING QUARTET L. Boccherini: Quintetti F. Kuhlau: Quintett A Major A. Reicha: Quintett A Major I. Yun: Quintett S. Kang: Methamorphosen M. Lombardi: Quintetto

Valerio Fasoli – Reviews With three different flutes and amazing techniques Valerio Fasoli produced hot and ethereally beautiful tones and sounds. - Stuttgarter Nachrichten -

Valerio Fasoli’s flute timbre being remarkably soft and sensuous complimented the sound layers. - Augsburger Allgemeine Zeitung -

Precise and experienced, convinced with a clear tone and balanced dynamic…. The analysis of different styles was audibly effective; the increasing intensity, which reached from “stile galante” to impressionism and experimentalism, was convincingly traced…. Here, the strength of the musician was clearly demonstrated: the perceptible fascination for the New Music was linked saliently with the tradition.... - Reutlinger General Anzeiger –

Particularly amazing Valerio Fasoli on the flute - Neue Musik Zeitung -

With Valerio Fasoli conducting the EnsembleSolisten, the audience experienced a concert of extraordinary quality. - Schwäbische Zeitung -

Valerio Fasoli – Programs

Toward the Sea

Valerio Fasoli

Fernando Maglia

The sea divides, the sea connects.

Freedom, research, desire to go beyond.

The sunrise, the attraction for an

exotic new world and finally the tango at night.

Than another day, another sunrise, and

the certainty that this trip doesn't have an end.

Joaquin Rodrigo: Serenata al Alba del Dia

Jean Francaix: Sonata

Jaques Ibert: Entr'Acte

Toru Takemitsu: Toward the Sea

Astor Piazzolla: Histoire du Tango

Fernando Maglia: El otro amanecer

Valerio Fasoli: flutes ...With three different flutes and through his astonishing technique, Valerio Fasoli created astounding and wonderful sounds and effects...

Stuttgarter Nachrichten - ....remarkable smooth and sensual flattered Valerio Fasoli's sound in the sound flow...

Augsburger Allgemeine -

Born in Italy, after his classical studies, he earned his Degree at the Conservatorio Statale di Musica in Padova with Clementine Hoogendoorn Scimone. In 1996 he received his Degree at the Accademia ltaliana del Flauto in Roma with Raymond Guiot, then in the following years he studied with Janos Balint, and had masterclasses with Aurele Nicolet, Jean-Claude Gerard, Peter-Lukas Graf, Karl-Heinz Zoeller, Rien de Reede, Lorant Kovacs, Ransom Wilson, Marzio Conti and Giuseppe Nova. Between 1997 and 1999 he received many prizes in National and International Competitions for flute and chamber music. At the same time, in 1997 he started his collaboration with "I Solisti Veneti di Claudio Scimone" and with The Orchestra Sinfonica di Savona. In 2001 he moved to Germany, studying at the Hochschule fur Musik Trossingen, with Gulsen Tatu, and started to play as solo flute in the Ensemble PolyphonieT, conductor Manfred Schreier, and as a soloist. This experience gave him the opportunity to work together with some of the most important contemporary composers, such as Dieter Schnebel, Marco Stroppa, Cord Meijering, Younghi Pagh-Paan, Marco Stroppa, Alain Gaussin, Hans Zender, Sukhi Kang, and Kyung-Hwa Chae. In 2007-2008 he was teacher at the Staatliche Hochschule fur Musik Trossingen, Germany. He is regularly invited for workshops, masterclasses and new music festivals worldwide. Currently he is also conducting the EnsembleSolisten, Germany.

Fernando Maglia: guitar ...the guitar solos have demonstrated the versatility of Maglia to interpret the ancient and the new music... – El Imparcial – Argentia …he is a young soloist with an evident talent…

La Nueva Provincia - Argentina ...In his work Espacios Surgidos, Fernando Maglia shows a spectacular array of guitar possibilities...

El Mercurio- Chile ...Notable recital of Fernando Maglia....technical purity...an engaged musician...

La Voz del Pueblo- Argentina

He is a multifaceted musician: Composer, guitarist, lecturer, conference leader and improviser, his work includes chamber music, opera, symphonic music and electronics. Their sources are steeped in the tradition of Latin American ethnic music, European early music and African chants. His eclecticism explores the boundaries of silence and noise, poetry and drama. Fernando Maglia was born in Bahia Blanca (Buenos Aires), Argentina. We was taught by the Professor Superior of Guitar by the Conservatorio de Musica de Bahia Blanca, he also studied Mathematics at the Universidad Nacional del Sur. He took part in courses and seminars of guitar with Eduardo Fernandez, Roberto Aussef, Alvaro Pierri, Alirio Diaz, Miguel Angel Girollet and Leo Soares; of Ancient Music with Mario Videla; of African music with Aki Euba, R. Kwami, and A. Boyd at Churchill College (England) and Composition with the Italians Luigi Nono, Franco Donatoni, Luca Lombardi and Giacomo Manzoni. Course of Musical Analysis with

Enrique Cipolla in Buenos Aires, workshop with the Arditti Quartet, and XXth century Music with Pierre Boulez at the College de France in Paris. Fernando Maglia has been awarded with many scholarship and prizes in international competitions, and he is regularly invited worldwide for concerts, masterclasses and conferences.

Contacts:

[email protected]

+49 (0)711 95834854


French Moods

Valerio Fasoli

Patrick O' Byrne

Open to the world, free and wise, the music of the French composers of the last century, due to the contact with a lively cultural society, offers always a strong connection between virtuosity

and exotic moods.

Poetry, flair, refined technique.

It doesn't matter how we observe this music: we are always captured by

these elements.

French Moods

Jaques Ibert: Jeux-Sonatine

Andre Jolivet: Chant de Linos

Olivier Messiaen: Le Merle Noir

Jean-Michel Damase: Rhapsodie

Raymond Guiot: Fantaisie

Patrick O'Byrne: piano

Born in Dublin and growing up in New Zealand, he received his Bachelor of Music degree at the University of Auckland. He studied with Janata McStay, Kendall Taylor, Brigitte Wild, and Vlado Perlemuter. In London, he received a fellowship from the Queen Elisabeth II Arts Council of New Zealand, and in Germany the DAAD Fellowship for the years 1982-84. In 1984 he earned the Solisten Diplom at the Hochschule fur Musik Freiburg with Rosa Sabater and Tibor Hazay. He has received Prizes in the International Piano Competitions Jose Iturbi, Tokyo, Jaen, and Dudley among others. He has received international acknowledgement for his interpretation of contemporary music, French and Spanish music. He has given many concerts in important halls worldwide, and has appeared as soloist with the New Zealand Symphony Orchestra, RTE Symphony, Bochumer Sinfoniker, and New York Virtuosi, with conductors such as Sir Charles Groves, Franz-Paul Decker, Kenneth Klein, and Albert Rosen. He has given masterclasses in the USA, South America, Asia and Europe and has served on the jury of important competitions. He has many TV, Radio and CD recordings. His repertoire touches every style. In 1985 he was named Professor at the Hochschule fur Musik Stuttgart, since 2000 with the title of Prorektor. Since April 2002, has been Professor of Piano at the Hochschule fur Kunste in Bremen.

Nuove Dimensioni

(New Dimensions)

Valerio Fasoli

Matthias Schneider-Hollek

...air, flow, wind, sound, imagination, aesthetics, numbers, structures, freedom, emotions, passion, thought. It goes all along with us, captures the human curiosity. The point zero upon which base our flux, our inspiration, our flair...

Nuove Dimensioni

(New Dimensions)

Sukhi Kang: “Man-Pa”

Marco Stroppa: “little I”

Brian Ferneyhough: “Carceri dinvenzione”

Salvatore Sciarrino: “Lettera

degli antipodi portata dal

vento"

Dieter Schnebel: “Pan”

Matthias Schneider-Hollek: Electronics

He studied flute, composition and electronic music in Stuttgart Matthias had an early loss of interest in being a standard new music composer, showing instead a high interest in cooperation with other artists and different media. His main fields of work include: music for film (mostly documentaries and with K. Burger); music for major German TV stations (ARD/ARTE/SWR/MDR, among others); music for theatre and dance (Schauspielhaus Dusseldorf / Schauspiel Frankfurt / Nationaltheater Mannheim / Pushkin-Theatre in St. Petersburg, GUS / Marilyn-Monroe-Theatre Los Angeles / Ballett Nurnberg), and intermedia performances. Matthias Schneider-Hollek is an internationally acclaimed specialist in live musical electronics. He has many CDs to his credit, and until 2005 produced commercials for many occasions (BMW, Mercedes, Sun, among others). His concert and lecture appearances include: University of Natal, Durban, South Africa; Musikakademie Basel; Musikakademie Perm, Russia; Gobi Summer Academy - roaring hooves – Mongolia; Kunstakademie Stuttgart; Universitat Greifswald; and Musikhochschule Stuttgart. His live and studio projects include “durban poison IV" with Klaus Burger and elektrominibarklingelton, Donnerstagskartell.

...at the end, “Das Atmende Klarsein”, very rare to hear

and more unusual so transparent as in this performance

with Matthias Schneider-Hollek, who made the live-

electronics processing of the sound of the absolute

fantastic Valerio Fasoli…

- Neu Musik Zeitung -

Contacts:

[email protected] +49 (0) 711 95834854


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