coliseum
DESCRIPTION
a book like a book, not just a book, an archtectural book, a bookTRANSCRIPT
COLISEUM
School of Architecture and built environment
Infrastructure University
5
COLISEUM
Theatre
Mohamed Hassaan
Muaz Mohamed Rasheed
Afiq Junaidy
Ahmed Mustafa Kamel
School of Architecture and built environment
Infrastructure University Kua la L umpur , Malaysia
Copy right 2013
This book may not be reproduced, either in part or in its entirety, in any
form, by any means, without written permission from
exception of brief excerpts for purp
review. All rights, including the right of translat ion, are reserved.
Printed in Malaysia
6
This book may not be reproduced, either in part or in its entirety, in any
form, by any means, without written permission from this publisher
exception of brief excerpts for purposes of radio, television, or published
review. All rights, including the right of translat ion, are reserved.
This book may not be reproduced, either in part or in its entirety, in any
this publisher, with the
oses of radio, television, or published
review. All rights, including the right of translat ion, are reserved.
10
Contents
INTRODUCTION ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
LOCATION ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
OF THE ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
COLISEUM THEATRE ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
BACKGROUND ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
OF THE ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
BUILDING ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
HISTORICAL OVERVIEW ... . . . . . . . . . . . . . . . . . . . . 17
USE OF THE BUILDING ... . . . . . . . . . . . . . . . . . . . . . . 20
PAST AND PRESENT ... . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
STRUCTURE ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
ROOF ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
PARAPET WALL ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
COLUMNS ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
LOAD BEARING WALL ... . . . . . . . . . . . . . . . . . . . . . . . 33
ARCHITECTURE ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
HIERARCHY ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
SYMMETRY ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
TRANSFORMATION ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
REPETITION ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
INTERIOR SPACES.... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Ticket Booth .. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
THEATRE ... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
17
C H A P T E R 2
BACKGROUND
OF THE
BUILDING
HISTORICAL OVERVIEW
Coliseum Theatre, one of Malaysia’s
famous landmarks, built in 1920 it is the
oldest continuously running cinema in the
country.
18
This building was built by Chua
Cheng Bok, a well-known Chinese
businessman and property
developer, who eventually leased i t
to a group of gentlemen who
opened this cinema in 1921.
19
I t was constructed with thick load bearing walls and a double hip roof. The
building was then considered one of the coolest places in town quite li terally,
with its numerous fans and ventilation. There are wide veranda’s upstairs,
with balcony seats and private boxes tastefully fit ted with separate fans and
lights, to cater to well-off patrons’ comfort.
I t was one of the first few buildings in Southeast Asia to have safety designs
such as emergency l ighting and fire prevention systems.
Also, state of the art ventilation grills and exhaust fans enhance air
circulation.
20
USE OF THE BUILDING
The building is capable of seating 900 people. Step ramp is provided on the
first level, but is not in ground floor. Since opened in 1921 this building is
used as a theatre. In 30s the building was used to see bangsawan or Malay
opera performed by local troupes. However, since the 1940s the cinema
played Hindi, Malay and also Indonesian films.
21
PAST AND PRESENT
The Coliseum was built in the late
1920's and is still open to this day. The
Art deco style theatre, with a multitude
of columns, shows mostly Indian (Tamil
and Hindi dialects of the Indian
language). I t is now privately owned by
a doctor, and has been gazette by the
government to be preserved.
22
After the passing away of Chua Cheng Bok, the Coliseum Theatre passed into
the hands of his descendants.
In 2006, the Malaysian government attempted to take over it and turn it into a
cultural heritage centre. The idea was met with public opposition which
forced the government to relent.
25
C H A P T E R 3
STRUCTURE
ROOF
The roof in this building is a hip roof, with a double inverted truss system.
The material used in the roof is clay tiles. A hip roof is the kind in which all
sides of its roofing slope downwards towards the walls of the building. The
hip itself is the angle at which the slopes of the roofing meet, and the degree
of this angle is called the hip bevel. The triangular slopes that meet the
rectangular ones at the roof’s ridge are known as the hip ends, which are
bound by the hips themselves.
26
The hip roof in this building was doubled. I t had a
ventilation system between them. This system is
assumed to be a stack ventilation system. Since the
old building does not have electrical HVAC system.
27
At present a ceiling is constructed, due to the instalment of the HVAC
system. This was done when the building went under the major renovation in
year 2001.
There is a slab on top of the building where we could walk and see the roof
easily. But it was not easily accessible.
28
PARAPET WALL
A parapet wall is built on three sides of the boundary wall of the building.
All the parapet walls were constructed with capping and drip edges, to avoid
moisture penetration.
A parapet wall is a low wall, usually enclosing a roof, or a protective barrier
at the edge of a terrace or on the side of a bridge.
29
In modern use, a parapet wall is constructed to provide a barrier to prevent
people or objects from falling from the edge of the structure and to slow the
spread of fire; in earlier times, parapet walls 21were built to afford some
protection for rooftop defenders of a structure, such as a castle or city walls,
under attack.
30
But in this building most likely the parapet wall was built to hide the roof to
the front façades of the building. The rear façades do not contain a parapet
wall, and is extended beyond the boundary walls.
COLUMNS
The columns on the building façades are most l ikely made from concrete.
Other than just carrying the load and holding the structure of the building,
the repetition of these columns give a dramatic feeling to the façade. Due to
the columns without purring a wall makes the corridor ventilated 100%
naturally.
33
LOAD BEARING WALL
A load-bearing wall (or bearing wall) is a wall that bears a load resting upon
it by conducting its weight to a foundation structure. The materials most
often used to construct load-bearing walls in large buildings are concrete,
block, or brick.
On our group research we could not get any information about the material
used to build the walls of the building. There for we assumed it to be bricks
in double layer.
35
C H A P T E R 4
ARCHITECTURE
HIERARCHY
This building has an extremely high amount of archi tectural features in it.
The hierarchy of this building is made to be the curved corner of the
building. This is the part of the building which is most focused and the side
where almost all the people likes to enter. This is a fact since 90% of the
pictures found in internet are taken facing the corner.
The name of the building and the year in was built is painted red in this
corner so that i t catches people’s eyes on.
SYMMETRY
If looked carefully, the façades, without the curve is symmetrical . The
building is not a total symmetry.
TRANSFORMATION
The arch shape carvings and the pillars changes it shapes when looked from
one façade to another. Some of them turn from big to small, and others
changes from square shape to round shape. Some of them even get stretched.
REPETITION
This is the most amazing feature of this building. The small l ine carvings all
over the building makes the building façades looks very exciting. There are
also repeated pillars and many other small details
36
If looked carefully, the façades, without the curve is symmetrical . The
building is not a total symmetry.
The arch shape carvings and the pillars changes it shapes when looked from
another. Some of them turn from big to small, and others
changes from square shape to round shape. Some of them even get stretched.
azing feature of this building. The small l ine carvings all
over the building makes the building façades looks very exciting. There are
also repeated pillars and many other small details .
If looked carefully, the façades, without the curve is symmetrical . The
The arch shape carvings and the pillars changes it shapes when looked from
another. Some of them turn from big to small, and others
changes from square shape to round shape. Some of them even get stretched.
azing feature of this building. The small l ine carvings all
over the building makes the building façades looks very exciting. There are
38
C H A P T E R 5
INTERIOR SPACES
Ticket Booth
When you first enter the Coliseum Theatre the first thing that you see is a
small ticket booth. The lobby area is not that big, but can occupy around 50
people in
39
THEATRE
Theatre is a collaborative form of fine art that uses live performers to present
the experience of a real or imagined event before a l ive audience in a specific
place. The performers may communicate this experience to the audience
through combinations of gesture, speech, song, music or dance.
The Coliseum theatre is a has a quite a small space, but efficiently used it,
having up to 900 seating. The theatre is quite old and has been renovated
many times.
According to Mr. Sofi, the current manager of the theatre, the building was
undergone a major renovation in 2001. The main colours used in it were
changed, and a calling was constructed. Also the bench seating, which they
had before have now been changed to modern seating.
41
CONCLUSION
These types of buildings, which is old and historical should be measured,
identified and preserved as long as it could be. Building conservation in
Malaysia is considered new in the local architectural practice.
Historic buildings are preserved and conserved for various reasons including
historical and architectural significance, cultural and emotional ties,
economic gains and tourism development. Unlike modern building, historic
buildings are more prone to building defects, one of which is poor
installation of air-conditioning systems.
Architecture in the country is diverse; you can witness different kinds of
architecture here ranging from modern high-rises to colonial buildings.
42
Malaysia boasts of colonial past; it was a colony of British Empire and was
under years of colonial rule. The architecture of the country bears testimony
to the Malaysia’s colonial experience.
There are countless old buildings in the country, which clearly reflect the
features of British Architecture.
Most of these prewar houses are very old and have been torn down and new
buildings have replaced them. Overall, architecture of Malaysia is varied and
eclectic and like other aspects of culture of the country reflects Malaysia’s
multiculturalism. Malaysia is also one of the fastest developing nations in the
world and this is also reflected in the Architecture of Malaysia.