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Chapter 5 Let Us Entertain You. Sound and Light

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Chapter 5 Let Us Entertain You. Sound and Light. How do stringed instruments make notes?. How do stringed instruments make notes?. Guitar. Ukelele. How do stringed instruments make notes?. Koto. Violin. How do stringed instruments make notes?. Piano. Harp. A word about pitch:. - PowerPoint PPT Presentation

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Page 1: Chapter 5 Let Us Entertain You

Chapter 5Let Us Entertain You.

Sound and Light

Page 2: Chapter 5 Let Us Entertain You

How do stringed instruments make notes?

Page 3: Chapter 5 Let Us Entertain You

How do stringed instruments make notes?

Guitar

Ukelele

Page 4: Chapter 5 Let Us Entertain You

KotoViolin

How do stringed instruments make notes?

Page 5: Chapter 5 Let Us Entertain You

PianoHarp

How do stringed instruments make notes?

Page 6: Chapter 5 Let Us Entertain You

A word about pitch:

High note = High pitch = High frequency

Low note = Low pitch = Low frequency

Page 7: Chapter 5 Let Us Entertain You

A vibrating string:

• What affects the frequency of vibration?

Page 8: Chapter 5 Let Us Entertain You

Frequency is……

• ______________related to the ___________ of the tension on the string

• ______________related to the ___________ of the length of the string

• ______________related to the ___________ of the mass of the string

Page 9: Chapter 5 Let Us Entertain You

Frequency is……

• ____Directly___ related to the _square root_ of the tension on the string

• ___Inversely___ related to the _square root_ of the length of the string

• ___Inversely___ related to the _square root_ of the mass of the string

Page 10: Chapter 5 Let Us Entertain You

Frequency is….

f= T 4mL

Page 11: Chapter 5 Let Us Entertain You

Waves:

• Carry energy (Greater amplitudemore energy)

• Have a velocity, wavelength, frequency and amplitude (Frequency and wavelength are inversely related)

• Velocity depends on the medium• Interfere (add up)• Can be transverse (↕) or longitudinal (↔)

Page 12: Chapter 5 Let Us Entertain You

The wave equation:

Velocity = frequency x wavelength

v = f l(m/s) = (/s) x (m)

(frequency and wavelength are inversely related)

Page 13: Chapter 5 Let Us Entertain You

Calculate:1) Waves on water have a wavelength of 2.0 m,

and a frequency of 3 Hz (3 waves / second). What is their speed?

2) A vibrating guitar string has a frequency of 512 Hz, carrying a wave that moves at 320 m/s. What is its wavelength?

3) What is the frequency of a radio wave that travels at 3.00 x 10 8 m/s and has a wavelength of 3.134 m?

Page 14: Chapter 5 Let Us Entertain You
Page 15: Chapter 5 Let Us Entertain You

Wave motion

Wave motion

Page 16: Chapter 5 Let Us Entertain You

Motion of medium

Motion of medium

Page 17: Chapter 5 Let Us Entertain You

What is the wavelength in each

case

Page 18: Chapter 5 Let Us Entertain You

Woodwinds.

• The resonance of sound in an open tube:

• Please notice the antinodes at the open ends.

Page 19: Chapter 5 Let Us Entertain You

Woodwinds.

• What is the length of the entire wave?

Page 20: Chapter 5 Let Us Entertain You

Woodwinds.

• What is the length of the entire wave?

• The tube holds half a wave, so l=2L

Page 21: Chapter 5 Let Us Entertain You

Other resonance modes: What is the wavelength

in each case?

Page 22: Chapter 5 Let Us Entertain You

In a tube of air, the length of the tube is…

Page 23: Chapter 5 Let Us Entertain You

If one end is closed:

• There is a node at the closed end, and an antinode at the open end.

Page 24: Chapter 5 Let Us Entertain You

If one end is closed:

• There is a node at the closed end, and an antinode at the open end.

• What is the length of the wave?

Page 25: Chapter 5 Let Us Entertain You

If one end is closed:

• There is a node at the closed end, and an antinode at the open end.

• One-fourth of the wave fits into the tube, so l=4L.

Page 26: Chapter 5 Let Us Entertain You

Other resonance

modes: What is the wavelength

in each case?

Page 27: Chapter 5 Let Us Entertain You
Page 28: Chapter 5 Let Us Entertain You

HW p 526

• 1) (Pretty good)• Similar: vibrations make sound, frequency

and wavelengths• Different: String vibrating makes air vibrate vs

air itself vibrates

Page 29: Chapter 5 Let Us Entertain You

HW p 526

• 2) a. Did you draw them (3 or 4) full-sized?• b.

Page 30: Chapter 5 Let Us Entertain You

HW p 526

• 2) b. (cont’d)

• c) longest wavelenths=lowest frequencies

Page 31: Chapter 5 Let Us Entertain You

HW p 526

3) answers vary (2.4 m normally—19.5 m record)b.

c. L of pipe= ¼ wavelength• (wavelength=4 x L of pipe)

• d freq and wavelength are inversely related.

Page 32: Chapter 5 Let Us Entertain You

HW p 526

4) L of pipe= ¼ wavelength• (wavelength=4 x L of pipe)• f=v/l

5) Which is higher? How much higher freq.?f=v/l, freq and wavelength are inversely related.

6) t=d/v

Page 33: Chapter 5 Let Us Entertain You

Apply the wave equation:1. A wave has a frequency of 58 Hz and a speed of 31 m/s. What is

the wavelength of this wave? 2. A periodic transverse wave is established on a string such that

there are exactly two cycles on a 3.0-m section of the string. The crests move at 20 m/s. What is the frequency of the wave?

3. A 4-m long string, clamped at both ends, vibrates at 200 Hz. If the string resonates in six segments, what is the speed of transverse waves on the string?

4. Four standing wave segments, or loops, are observed on a string fixed at both ends as it vibrates at a frequency of 140 Hz. What is the fundamental frequency of the string?

5. Vibrations with frequency 600 Hz are established on a 1.33-m length of string that is clamped at both ends. The speed of waves on the string is 400 m/s. How many waves are on the string?

Page 34: Chapter 5 Let Us Entertain You

Light

• Light is a transverse wave (an electromagnetic wave)

• Light travels in a straight line

Page 35: Chapter 5 Let Us Entertain You

Light

• A shadow falls where light is blocked

Shadow

No shadow

No shadow

Page 36: Chapter 5 Let Us Entertain You

Light

• A shadow falls where light is blocked…BUT!

Shadow

No shadow

No shadow

Page 37: Chapter 5 Let Us Entertain You

Light

• A shadow falls where light is blocked…BUT…a real light source is not a single point.

Page 38: Chapter 5 Let Us Entertain You

Light

• A shadow falls where light is blocked…BUT…a real light source is not a single point.

Shadow from the right side of the bulb

Page 39: Chapter 5 Let Us Entertain You

Light

• A shadow falls where light is blocked…BUT…a real light source is not a single point.

Shadow from the left side of the bulb

Page 40: Chapter 5 Let Us Entertain You

Light

• A shadow falls where light is blocked…BUT…a real light source is not a single point.

Overlapping shadows (umbra)

Page 41: Chapter 5 Let Us Entertain You

Light

• A shadow falls where light is blocked…BUT…a real light source is not a single point.

Non-overlapping shadow (penumbra)

Non-overlapping shadow (penumbra)

Page 42: Chapter 5 Let Us Entertain You

Light

• A shadow falls where light is blocked…BUT…a real light source is not a single point.

Light from both sides (no shadow)

Light from both sides (no shadow)

Page 43: Chapter 5 Let Us Entertain You

Umbra and Penumbra

Page 44: Chapter 5 Let Us Entertain You

Umbra and

Penumbra

Page 45: Chapter 5 Let Us Entertain You

Tracing Rays.

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Page 48: Chapter 5 Let Us Entertain You

dido

Page 49: Chapter 5 Let Us Entertain You

dido

Page 50: Chapter 5 Let Us Entertain You

di=doThe image is directly behind the mirror at the same distance the object is in front of

the mirror

dido

Page 51: Chapter 5 Let Us Entertain You

Tracing Rays II

Page 52: Chapter 5 Let Us Entertain You

Tracing Rays II

Page 53: Chapter 5 Let Us Entertain You

Tracing Rays II

Page 54: Chapter 5 Let Us Entertain You

Tracing Rays II

Measure angle of incidence

Measure angle of reflection

Page 55: Chapter 5 Let Us Entertain You

Angle of incidence=angle of reflection

Page 56: Chapter 5 Let Us Entertain You

Curved mirrors

• A convex mirror takes light rays parallel to the axis and makes reflected rays that diverge

Page 57: Chapter 5 Let Us Entertain You

Curved mirrors

• The reflected light seems to come from a single point behind the mirror, the focus

focus

Page 58: Chapter 5 Let Us Entertain You

Curved mirrors

• A concave mirror takes light rays parallel to the axis and makes reflected rays that converge

Page 59: Chapter 5 Let Us Entertain You

Curved mirrors

• The reflected light goes through a single point in front of the mirror, the focus

focus

Page 60: Chapter 5 Let Us Entertain You

So, where’s the image?

Page 61: Chapter 5 Let Us Entertain You

So, where’s the image?

• It depends.

Page 62: Chapter 5 Let Us Entertain You

Curved mirrors• In a convex mirror, an image is formed where

the rays seem to come from.

Page 63: Chapter 5 Let Us Entertain You

Curved mirrors• The image is upright, smaller, and can be seen

in the mirror.

Page 64: Chapter 5 Let Us Entertain You

Curved mirrors

• In a concave mirror, the image is inverted (upside down) and can be projected onto a screen

Page 65: Chapter 5 Let Us Entertain You

Curved mirrors

• Here, the image is smaller than the object.

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Curved mirrors

• …but you can make a real image just as large…

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Curved mirrors

• …or even larger than the object.

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Did you notice?

As do gets smaller, di gets larger!

Page 69: Chapter 5 Let Us Entertain You

Did you also notice?

As do gets smaller, di gets larger!

As di gets larger, hi gets larger!

Page 70: Chapter 5 Let Us Entertain You

A concave mirror can also make a virtual image.

Page 71: Chapter 5 Let Us Entertain You

Draw three rays.

• 1) Parallel to the axis—reflects through the focus

Page 72: Chapter 5 Let Us Entertain You

Draw three rays.

• 1) Parallel to the axis—reflects through the focus

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Draw three rays.

• 2) To the center—reflects like a flat mirror

Page 74: Chapter 5 Let Us Entertain You

Draw three rays.

• 2) To the center—reflects like a flat mirror

Page 75: Chapter 5 Let Us Entertain You

Draw three rays.

• 3) To the focus—reflects parallel to the axis

Page 76: Chapter 5 Let Us Entertain You

Draw three rays.

• 3) To the focus—reflects parallel to the axis

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Draw three rays.

• All together:

Page 78: Chapter 5 Let Us Entertain You

Draw three rays.

• All together

Page 79: Chapter 5 Let Us Entertain You

Rules, rules, rules.

1) A real image has a positive di and hi. It is inverted (upside down = positive height!)

2) A virtual image has a negative di and hi. It is upright (right side up = negative height!)

3) A real image has a real location—put a screen there. A virtual image has a virtual location, it looks like it is there in the mirror.

Page 80: Chapter 5 Let Us Entertain You

Rules, rules, rules.4) A virtual image can be larger, the same size or smaller than the object

larger—in a concave mirror the same size—in a flat mirror smaller—in a convex mirror

5) A real image can be larger, the same size or smaller than the object

larger—if di is larger than do

the same size—if di is equal to do

smaller—if di is smaller than do

Page 81: Chapter 5 Let Us Entertain You

The lens equation.

(I know, we’re using mirrors, it’s the same equation)

1 = 1 + 1 f do di

Page 82: Chapter 5 Let Us Entertain You

The lens equation.

(I know, we’re using mirrors, it’s the same equation)

1 = 1 + 1 f do di

and di = hi

do ho

Page 83: Chapter 5 Let Us Entertain You

What do you notice?

Page 84: Chapter 5 Let Us Entertain You

What do you notice?

• If you pull the object in (decreasing do), the image moves away from the focus (increasing di)

• As the image moves away from the focus, it gets larger.

Page 85: Chapter 5 Let Us Entertain You

Describe the image formed:

1. A 12.0 cm object is placed 24.0 cm. from a concave mirror with a focal length of 18.0 cm.do=24.0cm

di=

f=18.0 cmho=12.0 cm

hi=

Page 86: Chapter 5 Let Us Entertain You

Describe the image formed:

1. A 12.0 cm object is placed 24.0 cm. from a concave mirror with a focal length of 18.0 cm.do=24.0cm

di=72.0 cm Real image!

f=18.0 cmho=12.0 cm

hi=36.0 cm Inverted and larger!

Page 87: Chapter 5 Let Us Entertain You

Describe the image formed:

2. A 8.0 cm object is placed 15.0 cm. from a concave mirror with a focal length of 6.0 cm.do=15.0 cm

di=

f=6.0 cmho=8.0 cm

hi=

Page 88: Chapter 5 Let Us Entertain You

Describe the image formed:

2. A 8.0 cm object is placed 15.0 cm. from a concave mirror with a focal length of 6.0 cm.do=15.0 cm

di=10.0 cm Real image!

f=6.0 cmho=8.0 cm

hi=5.33 cm Inverted and smaller!

Page 89: Chapter 5 Let Us Entertain You

Describe the image formed:

3. A 6.0 cm object is placed 4.0 cm. from a concave mirror with a focal length of 6.0 cm.do=4.0 cm

di=

f=6.0 cmho=6.0 cm

hi=

Page 90: Chapter 5 Let Us Entertain You

Describe the image formed:

3. A 6.0 cm object is placed 4.0 cm. from a concave mirror with a focal length of 6.0 cm.do=4.0 cm

di= -12.0 cm Virtual image!

f=6.0 cmho=6.0 cm

hi=-18.0 cm Upright and larger!

Page 91: Chapter 5 Let Us Entertain You

Describe the image formed:

4. A 12.0 cm object is placed 12.0 cm. from a convex mirror with a focal length of -18.0 cm.do=12.0 cm

di=

f=-18.0 cmho=12.0 cm

hi=

Page 92: Chapter 5 Let Us Entertain You

Describe the image formed:

4. A 12.0 cm object is placed 12.0 cm. from a convex mirror with a focal length of -18.0 cm.do=12.0 cm

di=-7.20 cm Virtual image!

f=-18.0 cmho=12.0 cm

hi=-7.20 cm Upright and smaller!

Page 93: Chapter 5 Let Us Entertain You

Refraction of light.

• Light bends when it enters or leaves a transparent object.

Page 94: Chapter 5 Let Us Entertain You

Refraction of light.

• Light bends when it enters or leaves a transparent object…because light travels more slowly in the substance.

Light slows down

Light speeds up

Page 95: Chapter 5 Let Us Entertain You

Which way does it bend? How far?

Page 96: Chapter 5 Let Us Entertain You

Which way does it bend? How far?

• Measure from the normal line

Angle of incidence

Angle of refraction

Page 97: Chapter 5 Let Us Entertain You

Snell’s Law

• The index of refraction for a substance, n, is defined: n= sin i

sin r

Angle of incidence

Angle of refraction

Page 98: Chapter 5 Let Us Entertain You

Snell’s Law

• Light bends towards the normal as it enters a substance from air.

Angle of incidence

Angle of refraction

Page 99: Chapter 5 Let Us Entertain You

Snell’s Law

• Light bends away from the normal as it leaves a substance to air.

Angle of incidence

Angle of refraction

Page 100: Chapter 5 Let Us Entertain You

Snell’s Law

• The index of refraction relates the sines of the angles.

Angle of incidence

Angle of refraction

Page 101: Chapter 5 Let Us Entertain You

Pop quiz:

For what angle, , is

Sin >1?

Page 102: Chapter 5 Let Us Entertain You

Pop quiz:

For what angle, , is

Sin >1?

None!

Page 103: Chapter 5 Let Us Entertain You

Snell’s Law

• Light leaves the substance when it can…

Angle of incidence

Angle of refraction

Page 104: Chapter 5 Let Us Entertain You

Snell’s Law

• Light leaves the substance when it can…but how far away from the normal can it bend?

Angle of incidence

Angle of refraction

Page 105: Chapter 5 Let Us Entertain You

Snell’s Law

?

Page 106: Chapter 5 Let Us Entertain You

Snell’s Law

Total internal

reflection!

Page 107: Chapter 5 Let Us Entertain You

Snell’s Law

Total internal

reflection!Critical angle!

When angle of refraction= 90o

Page 108: Chapter 5 Let Us Entertain You

Try this one:

Page 109: Chapter 5 Let Us Entertain You

Try this one:

Page 110: Chapter 5 Let Us Entertain You

Try this one:

Page 111: Chapter 5 Let Us Entertain You

Try this one:

Page 112: Chapter 5 Let Us Entertain You

Try this one:

Page 113: Chapter 5 Let Us Entertain You

Or:

Page 114: Chapter 5 Let Us Entertain You

Or:

Page 115: Chapter 5 Let Us Entertain You

Or:

Page 116: Chapter 5 Let Us Entertain You

Or:

A diamond has a large index of

refraction (=small critical angle)

Page 117: Chapter 5 Let Us Entertain You

Or:

It is cut so that all light reflects off

the bottom, escapes out of

the top