chapter 16: renaissance & baroque europe

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Chapter 16: Renaissance & Baroque Europe Miss McAlpine Week 6

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Chapter 16: Renaissance & Baroque Europe. Miss McAlpine Week 6. What are we doing?. Syllabus updated Head count for Warhol Review previous material Introduce Renaissance. Comparison. Greeks  focused on idealized physical form Romans  emphasized physical accuracy - PowerPoint PPT Presentation

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Page 1: Chapter 16: Renaissance & Baroque Europe

Chapter 16: Renaissance & Baroque Europe

Miss McAlpine

Week 6

Page 2: Chapter 16: Renaissance & Baroque Europe

What are we doing?

• Syllabus updated

• Head count for Warhol

• Review previous material

• Introduce Renaissance

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Comparison

• Greeks focused on idealized physical form

• Romans emphasized physical accuracy

• Middle Ages focused on spiritual concerns rather than physical existence

• Renaissance portrayed Christian subjects in human terms

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Renaissance

• Shift in attitude from religious dedication of the Middle Ages to the new philosophical, literary, and artistic movement – called humanism

• Shift from God and the hereafter to humankind and the here and now

• Renaissance = rebirth

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“Lamentation” by Giotto di Bondone; Scrovegni Chapel, Padua,

Italy

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The Renaissance in Italy

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The Renaissance in Italy

• Italy was the principle homeland of the Renaissance

• Artists sought to integrate Christian spiritual traditions with rational ordering of physical life

• Began intense study of anatomy and light

• Linear perspective – based on the fact that parallel lines or edges appear to converge and objects appear smaller as the distance between them and the viewer increases

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“The Holy Trinity” by Masaccio

Florence, Italy

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Donatello

• Brought Greek ideal of human into Christian context

• Works:• “David” • “Mary Magdalene”

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“David” by Donatello

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Medici Family

• Dominated the life of Florence and Tuscany with great political skill and certain wealthiness

• It is thought that “David” was commissioned for this family

• Commissioned “Birth of Venus”

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“Birth of Venus” by Sandro Botticelli

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The High Renaissance10 min break

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The High Renaissance

• 1490-1530

• Reached peak of accomplishments in Florence, Rome and Venice

• Developed style of art that was calm, balanced, and idealized

• Christian theology + Greek philosophy + science of the day

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Leonardo da Vinci

• Motivated by strong curiosity and belief in the human ability to understand the physical world

• Believed art and science came to the same end – knowledge

• Kept many journals• “Babe in Womb”

• “Mona Lisa”

• “The Last Supper”

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“The Babe in the Womb”

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“Mona Lisa” by Leonardo da Vinci; 1503-1506

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“The Last Supper” by Leonardo da Vinci

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Michelangelo Buonarroti

• Works of art:

• “David”

• “The Sistine Chapel”

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“David” by Michelangelo

Buonarroti

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“The Creation of Adam” by Michelangelo

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Raphael

• Warmth and gentleness in contrast to Leonardo’s Solitary

• Most expressive is the clarity and balance, which marked the art of the period

• Paintings present his awareness of the divine in humans

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“The School of Athens” by Raphael

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Pope Leo X

• Medici ascendant

• Wanted to illustrate important events in the “Acts of the Apostles”

“Paul Preaching at Athens” by Raphael

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Renaissance in Northern Europe

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The Renaissance in Northern Europe

• Interest in realism arose in Northern Europe

• Artists to look at: • Jan van Eyck• Albrecht Durer• Lindbourg Brothers

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Jan van eyck

• Leading painter in Flanders (present day Belgium)

• One of the first to use Oil paints

• Painted detail, illusion of depth, directional light, mass, rich textures

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“The Arnolfini Portrait” by Jan

van Eyck

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“The Knight, Death, and the Devil” by

Durer

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“Les Tres Riches Heues du Duc de

Berry”

From “The Book of Hours”

By The Limbourg

Brothers

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LATE RENAISSANCE IN ITALY

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Late Renaissance in Italy

• Later in 16th cent. Architects made a deliberate effort to rethink and extend classical rules

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“Villa Rotonda” by Andrea Palladio

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“Feast in the House of Levi” by Paolo

Veronese

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Baroque1600-1700

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Baroque

• Dramatic use of light, scale and composition

• Art often appeals to emotion first

• Foreshortening

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“The Conversion of St. Paul” by Michelangelo Merisi da Caravaggio

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“David” by Bernini

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“The Ecstasy of St. Teresa”

by Bernini

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“Maids of Honor” by

Diego Valazquez de Silva

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“Return of the Prodigal Son” by Rembrandt

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“Happy Accidents of the Swing” by Jean-Honore

Fragonard