celebrating the 2013 iesanz lighting design and luminaire ... · celebrating the 2013 iesanz...
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December 2013/January 2014
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4 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 5
contentsDecember 2013/January 2014
13 IeSanZ chapter Lighting Design awards 2013
Compiled by Warren Julian
14 Queensland Chapter19 Victoria Chapter including
Tasmania25 South Australia Chapter
including Northern Territory33 New South Wales Chapter
including the ACT
41 IeSanZ chapter Luminaire Design awards 2013
Compiled by Warren Julian
42 Queensland Chapter43 Victoria Chapter47 New South Wales
53 Designer Q&a With Mike Sparrow, Senior Lighting Engineer
– Design | Building, Lend Lease, NSW
54 magic, mayhem and a night in the clink: inside the 2013 IeSanZ Lighting Design awards
By Claire Thompson
61 Visiting the world’s second-largest lighting fair
By Warren Julian
6 Who’s Who booking Form
10 From the editor
12 President’s message
60 IeS corporate members
62 events calendar
Ibc Subscription Form
Illuminating Engineering Society
of Australia and New Zealand Ltd
SECRETARIATPO Box 7077 Yarralumla ACT 2600
P: +61 2 6247 2354 F: +61 2 6162 3457
W: www.iesanz.org
CHAPTERSNew South Wales Chapter
Suite 5, 38 East Esplanade, Manly NSW 2095
Tel: 61 2 8922 9615 Fax: 61 2 8580 5716
E: [email protected], www.iesanz.org
Victoria Chapter
PO Box 3260, Moorabbin East VIC 3189
P: 0409 235 974
South Australia/Northern Territory Chapter
Paula Furlani
GPO Box 1461, Adelaide SA 5001
Western Australia Chapter
PO Box 1020, West Perth WA 6872
P: 61 8 9478 1399, E: [email protected]
Queensland Chapter
PO Box 3275 South Brisbane QLD 4210
P: +61 7 3844 4910 F: +61 7 3846 5087
New Zealand Chapter
PO Box 8134 Symonds Street
Auckland New Zealand
Canberra Branch
c/- John Griggs
10-12 Colbee Court Philip ACT 2606
LIgHTINg CoRRESPoNDENTSNew South Wales Chapter
Derrick Edwards
Victoria Chapter
James Murrell
South Australia/Northern Territory Chapter
Paula Furlani
Western Australia Chapter
Brendon Nazar
Queensland Chapter
Sonya Thie
New Zealand Chapter
Erin Kilpatrick
MEMbERSHIPIES: The Lighting Society invites membership
from individuals interested in the art and
science of lighting. Membership includes
subscription to Lighting magazine.
Companies can become corporate members.
For information please contact your local
Chapter or the Secretariat.
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photocopy, recording or otherwise, without the permission of the publisher. ISSN 1320-8403 Lighting Art & Science for International Designers is the official journal of the
Illuminating Engineering Society of Australia and New Zealand Ltd.
Volume 33, Issue Six December 2013/
January 2014
FRONT COVER:Gamma Illumination
PROJECT:UNSW Built Environment
Red Centre Building
Highlighting the latest artworks in the LuminoCity Exhibition at the
UNSW Red Centre Building.
Featuring the GAMMA LED Track Professional Series. Aesthetically
pleasing with bold form and function to accommodate all facets of lighting design.
Also see
Inside Front Cover and page 1Pages 2-3 of this edition
63 Lighting Suppliers Directory Profiling companies & lighting solutions
Season’s Greetings from the team at rala
as you celebrate the spirit of the season we would like to extend our genuine thanks for your loyalty and ongoing
support throughout the year.
In 2014 we will continue to work with you to reach your goals and we look
forward to contributing to your success. We are committed to providing high
quality and innovative content making Lighting magazine the ideal vehicle to support the growth of your business.
all of us at Lighting magazine again join in saying “thank you” and
wishing you season’s greetings and a prosperous new year.
Lighting the official publication of the IESANZ – The Lighting Society is published bi-monthly by RALA Information Services.
EDIToR Dr Warren Julian AM, Emeritus Professor,
Faculty of Architecture, Design & Planning,
University of Sydney NSW 2006, AUSTRALIA,
IES EDIToRIAL ADVISoR Vessi Ivanova
SPECIAL FEATuRES WRITER Claire Thompson
PubLISHER & MANAgINg EDIToR Barbara Cail
ADVERTISINg/MARKETINg/INTEgRATED SoLuTIoNSAdam Cail
ADVERTISINg – THE gREATER CHINA | ASIA Ms Judy Wang
Media Representative
Worldwide Focus Media
Tel/Fax: +852 3078 0826
Mobile: +86 138 1032 5171
EDIToRIAL Melinda Cail
SubSCRIPTIoNS Joanna Lee
ANNuAL SubSCRIPTIoNS (6 issues) Australia
$AUD104.65 includes GST & Postage
(6 issues) Overseas
$AUD132.40 includes Postage
ACCouNTS Cheryl Welsh
ART DIRECTIoN & DESIgN Anthea Vandertouw, Ferncliff Productions,
E: [email protected], T: 0408 290 440
December 2013/January 2014 | LIGHTING MAGAZINE 7
MikE SpArroW
Mike Sparrow has been with Lend Lease since 1984. His earlier forays into lighting were
locating lights down mine shafts and on Petro Chemical installations. Offices and buildings
came next, which he thought were relatively easy. He worked on Centre Point Tower
with Don Cook from Quigen & Cook, and also did crazy cold cathode ceiling design for
the cosmopolitan shopping centre of Double Bay about 35 years ago. About the same
time, he asked Dick Chappell to make him special chandeliers/pendants for Shell Harbour
Workers Club. He works mainly for Lend Lease’s Retail and Commercial business units, for
projects throughout Australia; picking up the occasional project in Asia. He has a great
support team at Lend Lease – Jeff, Angela, Greg & Alex – without them, he says, his life
would be a lot harder.
C o n t r i b u t o r s
ClAirE ThoMpSoN
Claire has been working as a writer, editor and communicator for over 10 years. She has
extensive experience in the health, education and R&D sectors and has worked as both
a corporate communicator and creative writer. A keen reader of everything from poetry
to technical manuals, Claire approaches her writing and editing work with the belief that
everybody has a story worth telling. She is currently writing extensively on research and
technology development and commercialisation for organisations that include the University
of Technology Sydney and Gemaker. She has lived and worked in Canberra and Montreal
and is now based in Sydney.
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10 LIGHTING MAGAZINE | December 2013/January 2014
f r o m t h e e d i t o r
I fly fairly frequently to East Asia and I prefer to take daytime flights. These might waste a day but the advantage is that a mid-morning flight from Sydney gets its destination in the early evening, depending upon the time zone and daylight saving. Even with a three hour time difference, you can have a normal night’s activity and go to bed to suit your body clock. (It is often difficult to get the daytime return flights, although some carriers have them.)
On a recent flight to Hong Kong on Qantas, once the meal service was over I was told to close the window shade. I declined, saying that I had no desire to sleep at noon and that it was better for the body clock to have daylight for melatonin suppression, so that I could sleep normally after arrival rather than being alert from seven hours’ sleep in the middle of the day. I was told it was Qantas’ policy to close the shades [for daytime flights] and that I was being unreasonable. I was later visited by the ironically tilted “customer services manager” (CSM) who employed a deft combination of selective deafness, condescension and passive aggression to get his way. I had suggested giving eyeshades to those who genuinely wanted to sleep at noon and that if it were Qantas’ policy to fly dark planes, it should buy windowless freighters to obviate this kind of trouble. They might also be cheaper to buy and maintain. I must have been recorded as a loony or trouble maker because on subsequent flights I received undue, sycophantic treatment from CSMs who acted as though they knew me.
I was surprised to receive a phone call from a manager in Sydney who (also surprisingly) seemed genuinely interested in the goings on. She called back a couple of times, after investigation, and said that it isn’t Qantas’ policy to close the shades on daytime flights. So, what it was about was quieting the passengers (oops, “customers”), perhaps to reduce alcohol consumption but probably to reduce crew work. The flight was unpleasant because I was made to feel selfish and
unreasonable although I was aware of the ploy by the crew. I would have expected the crew to be only too aware of the problems of jet lag (in this case induced jet lag) but maybe they wanted to catch up on sleep from a previous trip or just didn’t want to work.
One of the trips was to Beijing where I had the pleasure of officiating at the International Solid State Lighting Alliance’s outstanding achievement awards where awards were presented to the inventors of the LED (red, blue green and amber) and of OLEDs. It was an honour to be able to meet these outstanding scientists.
This issue is also replete with awards for outstanding achievement – in this case for lighting design and luminaire design in Australia and New Zealand. I would like to congratulate the winners and also all the entrants for allowing their work to be scrutinised by judging panels.
As I mentioned in last year’s December editorial, the lighting industry is in turmoil as it tries to cope with the change to solid state lighting. This year, there is a glimmer of some stability, in terms of realistic expectations of LED performance. At least in the professional end of the market, many of the outrageous performance claims have been dropped and there have been real efforts made to reduce glare (at the cost of efficacy). However, there is still a long way to go.
I hope you enjoy this issue and that 2014 brings more stability and certainty to our industry. Lighting is part of the industry and it has to cope with not only the changes in manufacturing and importing but also the changes sweeping the specialist publishing industry. Lighting has managed to continue in 2013 due to the support shown by advertisers, those who write for it and Rala’s efforts in production, marketing and distribution.
Maybe, in 2014, we will be out of the twilight zone.
– Warren Julian
Warren JulianEditor
Flying in the twilight zone
MAIN CATALOGUE 4
2013-2015
December 2013/January 2014 | LIGHTING MAGAZINE 1312 LIGHTING MAGAZINE | December 2013/January 2014
p r e s i d e n t ’ s m e s s a g e
From the perspective of President of the Society it is particularly gratifying to see light being used so graphically in celebration at this time of year. I refer to the many homes all over Australia and New Zealand that are richly decorated with lights celebrating the festive season. The people that do this come from all sectors of society, including members of the lighting industry. Kerry Simpson FIES is a serial offender here in Queensland and I am sure there are many similar examples in other states. None of this done for personal gain but often on behalf of charities or perhaps the sheer, testosterone fuelled joy of having a bigger and better display than your neighbour. Not a motivation as noble as charity perhaps, but effective none the less in transforming suburbia into a place of wonder for the young and an oasis of well-earned peace for their parents. Nor would it be right to overlook the efforts of local authorities in elevating numerous streetscapes and facilities from the mundane and functional into something more captivating and festive. Regardless of one’s personal beliefs you have to recognise and appreciate these efforts. To these people a very big thank you.
So why do we do this each year? My favourite Christmas story is that of the British and German troops during WW1. During a lull in fighting on Christmas day, they came together in no-mans-land, had a football match, sang carols and exchanged meagre gifts. A clearer affirmation of humanity is difficult to imagine, and cause for celebration in itself. I have no way of appreciating why this came about, but I would speculate that their circumstances were so dire, and their prospects so grim, that thoughts of family and home overcame blind observance of duty. Perhaps for them Christmas belonged to people and
national interest can wait for just one day. For them enough was enough.
No genuine parallel can, nor should be, drawn between the experiences of WW1 troops and those in the lighting industry, other than do we choose to accept the unacceptable. For example, lighting nonsense masquerading as lighting design, particularly when ‘legitimised’ through the use of software. Explanations for this are many, but let us say that ignorance plays a big role. Regrettably, ignorance exists in both providers and assessors of lighting schemes, and whilst uncommon still occurs with an irritating frequency that cannot be considered an irrelevance. On the off chance that this message reaches anyone harbouring any lingering doubts I offer two small pieces of advice:
1. The ability to use software does not make one a lighting designer, nor is it demonstration of design competency. Good design is the best demonstration of competency and experience its best evidence. Software is a tool, used to better articulate concepts, nothing more. Like any other tool, software is only as good as those that use it.
2. If unsure then seek advice. Ignorance may not be a crime, but, in any field, nor should it be an acceptable situation.
When it comes to lighting of all forms, our Society has members that know how to do it, and do it well. Our skillsets extend beyond design to critical examination of lighting schemes, not just for the information the scheme should contain but also how that was achieved. The Society will continue to promote good lighting practice and the skills of its members wherever and whenever it can but we need your help to underpin this message and not accept the unacceptable.
All that remains is to wish you all a Merry Christmas and a Happy New Year.
Barry GullPresidentIES: The Lighting Society
Christmas lights and lighting “design” software
December 2013/January 2014 | LIGHTING MAGAZINE 13
f e a t u r e
The Illuminating engineering Society of australia and new Zealand
conducts annual lighting design awards in most of its chapters.
This article reports on the 2013 awards of all of the chapters,
except Western australia and new Zealand.
both will conduct awards in 2014.
IESANZ ChapterLighting Design
Awards 2013
CoMpilEd By WArrEN JuliAN
Queensland Chapter ViCtoria Chapter inCluding tasmania
new south wales Chapter inCluding aCt
south australia Chapter inCluding northern territory
14 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 15
Award of Commendation To ASh doWThWAiTE oF ToNy doWThWAiTE liGhTiNG dESiGN pTy lTd
For ThE FAçAdE oF ThE Gold CoAST uNiVErSiTy hoSpiTAl CAr pArk
Award of Commendation
To QuANG TrAN oF MEdlANd METropoliS WiTh
hASSEll ArChiTECTS For ThE GloBAl ChANGE
iNSTiTuTE (GCi), uNiVErSiTy oF QuEENSlANd
Designer’s statement: The lighting plays a
pivotal role in the architectural appearance of
the building and reflects the sustainable, highly
energy efficient and innovative character of the
building. The lighting design features:
z 100% use of LED fittings for the front of
house areas. The specified LED fittings have
high LORs and excellent glare control; the direct
lighting and indirect lighting is well-planned and
incorporated into the ceiling structure to provide
a uniform and pleasing-to-the-eye environment in
the teaching areas.
z The basement plant room is designed to
be an “exhibition space” to demonstrate how
the equipment works for education purposes.
Lighting for this area is designed to suit a
technical showroom with track and spotlights
highlighting working technology.
z Lighting in the Atrium is designed to respect
the heritage values of the adjacent Steele
building that borders the atrium of GCI.
The lighting design is a classic example of
balancing lighting components – ambient, accent
and scenic using the state-of-the-art LED fittings
to achieve the best outcome in a modern context.
Judges’ comments: Some really nice ideas on
energy etc. I liked the ‘integrated lighting recesses’,
... generally good even illumination and integration
of the physical layout, abetted by some discrete
up lighting into concrete coves. The seminar
room lighting was very well integrated into the
internal architecture of the building. Highlighting
of plant equipment in the basement for teaching
and illustrative purposes was well done. Key and
central to the project was the exploration and
execution of advanced sustainability targets and
outcomes and this has been followed through
well with the lighting installation. Lighting added
sophistication to the architecture.
Suppliers: Raylinc/Erco, Inlite, Klik Systems
and Aldabra
A distant view on approaching the car park (above) and details (below).
Designer’s statement: The GCUH
Car Park is six-storey facility for the
exclusive use by the new Gold Hospital
patrons and staff. The lighting brief was
to reduce the impact of the internal car
park lighting systems to the surrounding
properties and roadways, as this had
been an issue on previous LORA car
parking facilities.
A car park is a car park – nothing to
exciting in its own right – however the
façade has been designed to be visually
striking with architectural panels and
cladding provide building air flow and
to enhance it’s visual appearance. The
exterior façade lighting concept was to
apply dynamic front lighting to reduce
the apparent brightness of the interior
lighting. By mounting a combination
of projectors on the top of light poles
and restricting the colour change to
hues of yellow, green and white, certain
colours were able to accentuate the
architectural palette.
The black luminaires and poles ensure
that they are unobtrusive within the
landscape during the day and seem
to disappear during the night-time
experience. With narrow beams and
a total load under 2kW, the impact of
light pollution and energy are both
minimised.
Judges’ comments: Nice outcome for
doing something a little different. Good
idea/concept. Neat idea, generally
executed well, practical and efficient use
of LED RGBW projectors, a well thought
out, subtly creative solution. Great use
of architectural lighting technique for a
usually boring application.
Supplier: Sill The basement “exhibition space” (top) and a view of the atrium (bottom).
There were ten entries in 2013 with four receiving commendations and one excellence award. The 2013 judging panel was chaired by Doug Brimblecombe (Lighting and Electrical Services manager QPAC) with Neil Wills (Tech Manager
Queensland Chapter
Lumascape), Rob Hugall (Tech Director Aurecon), Scott Howarth (landscape Architect AECOM), Gary Watson (Senior Account Manager Zumtobel), Glen Millar (Practice Director BVN Donovan Hill), Richard Goodall (Account Manager Eagle Lighting), Paul Rice (Senior Architect McVeigh Consultants) and Patrick Rident-Tiercelet (Manager LCA Holdings).
16 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 17
Designer’s statement: The Brisbane City
Council’s brief for the auditorium was not just
to reinstate the hall as it was but to create a
viable venue space that is ideal for large-scale
gala events, ceremonies, concerts, performances
and trade shows.
The lighting needed to: enhance the existing
architectural features with in the space; be
flexible and able to meet the needs of a
wide range of different events; improve the
stage lighting infrastructure to support the
performance requirements of the venue; provide
a dynamic and theatrical overlay to support the
use of the auditorium as a function space; and be
a safe and attractive place for all ages.
There were a number of parties involved in
the project often with different and sometimes
conflicting agendas. Design Stage worked very
closely with HBO, EMTB and Tanner Architects
to deliver a solution that is not only sympathetic
to the architecture and satisfies the requirements
of all the parties involved but goes beyond using
innovative use of LEDs and LED technology that
enhances the heritage architecture and creates a
dynamic event space.
Judges’ comments: The dome is a
very powerful device. It is in its self a luminaire,
controversial, LED active colour-changing ceiling
in neo classical City Hall! A dangerous weapon
in the wrong hands, however, a technically sound
solution that met and solved many difficulties.
A very good outcome was achieved through
a design and construct process for this project,
which is a credit to the technical skill of the
specialist lighting consultants. Technically the
installation (especially the ‘dome’ lighting)
was very impressive as a completed assembly
including detailing to do with replacement of
the linear LED fittings and integration with the
technical back of house systems which were
done by the same consultants.
Suppliers: Erco, Philips, KKDC
and Anolis
Award of Commendation
To JAMES SpArkS ANd phil ViNEy oF dESiGN STAGE
For ThE MAiN AudiToriuM oF BriSBANE CiTy hAll
Designer’s statement: The project objective was
to provide a workplace that would enhance the
existing work culture by creating an open, flexible
and collaborative leading edge workplace that
will attract and retain the best employees. Use
of natural and artificial lighting was the core
component of achieving this objective and the
quality of light within these spaces is a tangible
metric for determining success.
There was also an expectation for the
consulting design team to deliver systems that
were efficient and sustainable to keep with the
attributes of the base building. The project was
an extremely challenging design exercise that has
delivered some fantastic outcomes. The quality of
lighting throughout the installation is excellent and
has thoroughly met the client brief. This solution
has provided Arrow with a number of great
spaces that will serve them long into the future.
Judges’ comments: Impressive fit out design, with
visual appeal good integration with the interior
design and comfortable lighting. A good example
of a well done commercial fit out. Very conceptual
styling of luminaires chosen meets the corporate
theme in the reception. Creating a cavernous
effect to the main corridors with surface down
lights with gold bezel sets the scene. Boardroom
lighting is very effective in highlighting the natural
timber and environment. Varied areas using
different techniques. Lighting design beautifully
complimented the interior architecture. Excellent
job. Comfortable high-end space.
Suppliers: Modular (Lighting & Design Group),
ELS (Raylinc), Selux, Corporate Culture,
Erco (Raylinc) and Dark (Inlite)
The entry to Arrow Energy’s
offices (below) and a staff area (right).
Award of Commendation To WSp For ArroW ENErGy TENANCy,
lEVEl 39 Foh ANd lEVEl 38 STAFF ArEAS,
111 EAGlE STrEET, BriSBANE
The main auditorium looking from the stage (top) and the organ (bottom).
18 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 19
Award of Excellence
Judges’ comments: Excellent job. This is an interesting project for the
design of the pelmet lighting in the function/office rooms and open space.
The custom made lighting effectively brings this working environment
to a creative environment that is free from glare and the conformity
of conventional lighting systems. The light sticks provide a pleasing
unobtrusiveness to a large open space to break up the tasks of Lab lighting.
The cylindrical lighting themes coincide with each other throughout the
building creating a synchronised harmony. Visually stunning. Novel approach
which works well. Architecture helps. Extremely thoughtful design that was
well executed; very well executed; great visual impact; job well done.
Suppliers: Klik Systems, Louis Poulsen, Frend Lighting, Artemide, Lumin8,
Light and Design Group
To AurECoN ANd WilSoN ArChiTECTS,
doNoVAN hill For ThE TrANSlATioNAl
rESEArCh iNSTiTuTE (Tri)
An external view of the TRI (below) and inside one of the lecture theatres (above).
Designer’s statement: TRI, an Australian first,
is a joint venture between The University of
Queensland, Queensland University of Technology,
Mater Research and Queensland Health that
aims to accelerate the delivery of new health
treatments for better health. Led by Australian
of the Year 2006, Professor Ian Frazer AC, TRI
houses over 650 researchers that collaborate their
research expertise across cancers, bone and joint
diseases, diabetes and obesity, and inflammatory
and infectious diseases.
The fundamental lighting design vision was
to use light to create luminance and contrast
associated with architectural themes and motifs,
with task luminance addressed as secondary.
A hierarchy of architectural themes was formed.
The primary theme is the use of circular and
fluted shapes/features, utilised in both 2D
patterns and 3D forms.
By creating and executing a design concept
using simple qualitative lighting design practices
with an architecturally themed vision, resultant
spaces and environments are inviting, comfortable,
free of glare and interesting; all contributing to
occupant satisfaction and productivity.
There were 17 entries in 2013 with three receiving commendations and three excellence awards. The judging panel comprised: Trevor Duncan (Convenor), Horatio Burton, Sara McClintock, John Vollugi, Steven Beer, Sue Fenton and David Rooke.
Victoria Chapter including Tasmania
Award of Commendation
To WilliAM hArdiNG oF WEBB AuSTrAliA
For ThE lAriSSA uNdErpASS
Designer’s statement: Larissa underpass is a
small pedestrian, cycle access route beneath
the Ringwood Bypass in Ringwood, connecting
Larissa Avenue and Suda Avenue. The brief was
simple, illuminate the interior of the underpass
and make it colour full, dynamic and safe for
users. All options could be considered. Vandal
resistance of the installation was of paramount
importance
The concept was to provide a dynamic,
animated and colour full display to illuminate
the walls of the underpass with colour changing
computer programmable luminaires. Security
lighting to provide way finding and facial
recognition would be addressed also by means
of white light luminaires strategically located to
illuminate people without distracting from the
colourfull wall display.
Judges’ Comments: A great example of turning
a dark intimidating precinct into an interesting
dynamic and even social space. The use of colour
changing LEDs in combination with the lighting
control system has transformed a pedestrian
thoroughfare.
Suppliers: Coolon, Ultralec
Distant (top) and threshold (above) views of the Larissa Underpass.
20 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 21
Designer’s statement: Tasmanian Museum & Art Gallery (TMAG) is
one of Australia’s oldest public museums; it’s a combined Museum,
Art Gallery and State Herbarium. The location of the Central Gallery
in within a heritage listed building, with a modern structure housing
collection highlights. The objects are displayed across 4 display
cases, each showing the diverse and importance of the collection.
The space takes visitors on a journey trough the sequencing of light
scenes upon entering.
Story Inc, designed a space that required a lighting design that
could add an element of intimacy and engage visitors to the variety
of elements and objects, in a story telling way, through the use of
light changes. In earlier days of the museum a small section of
objects were displayed under the stairs. The darker environment gives
the visitor a feeling of being back in a space under the stairs. Story Inc
& TMAG engaged MEGS to deliver a design that would give a stylized
object focused results, while working within international conservation
requirements.
Judges’ Comments: The skillful integration of lighting, sensors
and sound within the display, allows for the mixed art collection to
be presented with a point of difference; the control of the light is
meticulous allowing objects to be visually grouped in changing scenes.
It represents an outstanding example of adding to an experience
through the use of lighting.
Supporting consultants: Story Inc NZ, AEGRES
Suppliers: Luxam, Dynalite
Two of the exhibitions showing the lighting effect.
images: simon Cuthbert, tmag
Award of Commendation To MuSEuM ExhiBiTioN GAllEry
SErViCES For ThE TASMANiAN
MuSEuM & ArT GAllEry –
CENTrAl GAllEry
Award of Commendation
To SylVANiA liGhTiNG AuSTrAlASiA
For SiMoNdS STAdiuM
Designer’s statement: Simonds Stadium is
home to more than 40 AFL games per year
and hosts many other high profile sports
and entertainment events. As part of the
multi-million dollar upgrade, four high mast
towers were to be installed to provide HDTV
conditions for AFL matches. Working with
Aurecon and McKnights Electrical, Sylvania
Lighting designed, supplied and commissioned
the lighting.
The major requirements and challenges
were to provide flexible, multi level switching
enabling the client to select various levels
of illumination ranging from non-televised
professional training and competition to HDTV
standard, with acceptable and compliant glare
limits to both participants and spectators
from a floodlighting arrangement that is
aesthetically pleasing and sympathetic to the
sleek, triangular profile for each headframe.
The floodlighting arrangement had to
allow provision for future extra floodlights,
without compromising the triangular profile
adopted for the headframe. Grandstand roof
obstructions and stringent floodlight exclusion
zones, meant roof mounted floodlights would
be required to maintain camera verticals and
boundary illumination near the field perimeter.
Control gear was mounted on the
headframes, hidden from view and not
obstructing floodlight aiming. Due to the close
proximity of nearby residents the installation
had to comply with AS4282-1997 on obtrusive
light, for non-televised lighting, whilst
minimising direct floodlight into the night sky.
The project was completed with 487 Sylvania/
Siteco 2KW metal halide floodlights, evenly
spread over the four towers, including 71 roof
mounted floodlights.
The light is well contained within the stadium (above) and a view from one headframe towards an opposite tower by day (below).
Judges’ Comments: Stadium lighting which achieves
the rigorous requirements for HDTV broadcasting in full
operational mode, to create what Foxtel has described
as the best lit AFL ground in Australia.
Supporting consultants: Populous, Aurecon – Ben Jordan
Suppliers: Sylvania Lighting Australasia – Siteco
22 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 23
To ElECTroliGhT For
171 ColliNS STrEET, MElBourNE
The entry lobby (above) and main lobby (below) at 171 Collins Street.
Designer’s statement: 17l Collins Street resides
in the ‘Paris’ end of Melbourne, regarded
for its architecture and sophistication, and
home to business leaders, investment banks,
international fashion labels and luxury hotels.
The development is an 18-floor tower building
housing a business centre and high-end retail
and seven levels of boutique offices in the
heritage listed Mayfair Building.
Electrolight was commissioned to design
lighting for the Ground Floor common areas
including the entry lobby, atrium, main lobby,
lift lobbies, amenities and the Mayfair Building
heritage façade. Lighting emphasises the internal
architecture and reinforces a sense of luxury
and sophistication inherent with a premium
office development at this nature. The entry
is uses travertine stone walls which continue
through to the atrium and ground floor lobby.
The travertine is evenly illuminated using a range
of different techniques including wall washing,
grazing and spotlighting. Metal halide lamps with
a warm white colour temperature were used to
create warmth and augment the elegance of the
interior. The lighting supports the architecture,
emphasising the stone, which is a signature
feature of the building and provides excellent
vertical illumination throughout the ground floor.
A glowing line at the base of the stone wall
visually defines the perimeter of the entry, atrium
and lobby, creating the illusion of illuminating the
full height of the wall. The glowing line is created
using an LED strip with frosted glass diffuser
in an architectural recess. Environmentally
sustainable principles were central to the lighting
design, with the building achieving a 6 star Green
Star and 5 star NABERS energy rating.
Judges’ Comments: The scheme offers a perfect
example of lighting design, light sources are used
purely as tools to highlight the architecture and
bring key materials to life, in this instance the
feature travertine stone. The solution is clean and
non-distracting, it allows the space to project its
best qualities without imposing.
Architects: Bates Smart
Suppliers: KKDC, Erco, Meyer, Flos
Award of Excellence Designer’s statement: The Chapel, by Wim
Delyove is a commissioned artwork by David
Walsh for MONA. Not just any chapel, the
stained glass and intricate 7 m iron lacework
structure is built on the grass overlooking
the Derwent River. The chapel was designed
by Wim Delvoye, the Belgian artist known
for creating the defecating Cloaca machine
at MONA, along with David Walsh. MEGS
worked with Artist, Cloaca Studio, David
Walsh and MONA Exhibitions — the results
are quite remarkable and the Chapel takes
gothic architecture to the extreme.
MEGS’s concept behind the lighting
design was to have strong floor uplighting
to the ceiling of both internal and external
ceilings and having it change lighting presets,
as the viewer moved within the structure.
Having the ceiling surfaces levels high on the
opposite side to the viewing would
allow good visibility, through the window
to the lit surface – while the visitor would be
a dimmer side, to assist with easy viewing.
The preset change would be achieved
through a custom spun laser monitor
mounted within the wall, to monitor visitor’s
movements. The floor lighting has adjustable
gimble mounts to ensure the ceiling lighting
achieve desired lighting angles.
To reduce impact of the light on the
artwork, the uplight surrounds were
replaced with custom made steel units,
which were aged to blend them into the
floor plate. The LED lighting for the Chapel
also included tree uplighting, garden
lighting and path lighting, with the main
focus being the Chapel. All lighting is
LED to reduce power usage and remain
maintenance free.
Judges’ Comments: The lighting installation
is simple however upon closer inspection
you realise the attention to detail is
impressive. Careful integration of the
inground uplights as well as superb lighting
control. A simple concept beautifully
executed, completely transforming the day
aesthetic to a dramatic night time scene.
Artist: Wim Delvoye, Colaca Studio Belgium
MONA: David Walsh, Adrian Spinks,
Steve Devereaux
Suppliers: Chapel Buckford
Illumination Group – We-ef, Megabay
The Chapel at dusk (above) and a close-up (below). images remi Chauvin, mona
Award of Excellence To MuSEuM ExhiBiTioN GAllEry SErViCES (MEGS) For ThE MoNA
24 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 25
To NdyliGhT For ThE FoyEr oF ThE MCkENZiE STrEET ApArTMENTS
Award of Excellence
Designer’s statement: The design team had a very
specific vision they were wishing to achieve and
NDYLight worked closely with Elenberg Fraser to
translate what this idea encompassed. The creative
brief was to create several very specific lighting
installations that required careful consideration
and prototyping on their own, but also required a
very careful balance between ambient and feature
lighting to provide the required outcomes.
Given the original lighting design did not meet the
client’s vision, a key element of NDY’s design scope
was to provide a solution using as many of the
originally specified luminaires as possible, changing
fittings for cost neutral solutions and providing new
solutions only where absolutely necessary.
Key elements within the foyer included: the
feature glazed mirror box wall, the backlit entry
The foyer’s dramatic impact on approach (left) and back lit entry wall (right).
wall; assistance in developing improved details
for integrated light elements and creating
ambient lighting levels to ensure that the feature
elements appeared as desired. The result is a
highly sophisticated and striking foyer within this
landmark residential building.
Judges’ Comments: A unique example of entry
area and lift lobby lighting. The minimalist use
of luminaires and light sources combined with
the amazing architectural elements makes for
memorable viewing. The creation of this dark
mysterious atmosphere ensures this is a unique
example of entry area and lift lobby lighting.
Supporting consultants: Elenberg Fraser
Suppliers: Light Project – Prolicht, Fibrestars
There were 18 entries in 2013 with six receiving commendations and two excellence awards. The judging panel consisted of Paula Furlani, Maria Gianquitto, Jodie Pitcher, Mary Harben, Clara Venuti, Philip Saks, Bruce Greenshields, Ron Hinde and Hieu Pham.
South Australia Chapter including Northern Territory
Award of Commendation
To MArk EllioTT ANd iNGrid BAldWiN
oF poiNToFViEW For ColliNS BAr,
hilToN hoTEl, AdElAidE
Designer’s statement: The client brief required
creating a space in which James Bond (the Daniel
Craig version) would feel very much at home. LED
technology was embraced for the project in line
with the Hilton’s international guidelines.
PointOfView responded to the fully glazed
façade by providing a day-night solution. During
the day, the high ambient scheme balances
daylight ingress whilst the low ambient, intimate
scheme ensures that the clientele feel enclosed
within the space and not be drawn to the busy
road outside. The custom centrepiece contains
brass blades with linear LEDs on top to uplight
the coffer and creates the required high ambient
lighting during the day. And in the downlights,
a mixture of warm white and amber LEDs was
proposed to mimic the colour temperature shift
of halogen when dimmed, crucial for such an
important hospitality environment. Lighting that
is mostly focused from a low level at the lounge,
with select highlighting that works hand-in-hand
with the darker interior finishes to create a more
intimate atmosphere.
Judges’ comments: This area, originally known
as Charlie’s Bar, has had a couple of make-
overs since the Hilton opened in the 1980s. This
version has sophistication written all over it. The
brief was to create a space where James Bond
would feel at home. He’d definitely feel stirred
but not shaken about the lighting in this project.
The use of the glazed façade allows daylight to
enter giving the feel of being outside when the
windows are opened. At night, there is the feeling
of being part of the cityscape when looking out
of the bar. The lighting, all of which is LED, is
subtle and located in the areas where it is required. The ceiling
centrepiece is striking, and along with the bar (stocked to the
roof with every alcohol imaginable), draws your attention. The
sophistication carries through all areas and would certainly help
James Bond feel comfortable in its surroundings.
Suppliers: Light Project, JSB Lighting, Lightforce and Litesource
The feature ceiling sculpture draws your attention immediately on entering the bar.
The fully glazed façade allows patrons to look out to the night-time cityscape.
26 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 27
Award of Commendation To ANThoNy dAVidSoN oF
SECoN ENGiNEErS For ThE
GErArd liGhTiNG BuildiNG
combination of linear recessed extruded
fluorescent lights with LED downlights
and RGB LED strip lights above the
drop ceiling and recessed into the
bar and balcony portals. The balcony
adjacent has a recessed RGB LED
extrusion, set to the Gerard Lighting
corporate blue colour which highlights
one of the main external features from
Fullarton Road and complement the
blue tint of the external glazing.
Judges’ Comments: The flexibility
and practicality of this space required
a lighting system that could provide
solutions to both these conditions. The
judges felt that the lighting combination
of fluorescent extrusions, LED downlights
and RGB LED strip lighting, controlled
through the lighting control system,
providing any combination or condition of
lighting that is called for in this space. The
designer has provided a lighting system
which is unobtrusive and provides ideal
conditions for meeting, presentation and
entertainment activities, whatever the
space is to be used for and whether
as four individual rooms or a single space.
Supplier: Inlite
Two interior views of the Gerard Lighting Building without the cove lighting (right)
and with it on (above).
Award of Commendation
To pAul GillETT oF
GriEVE GillETT For
ThE GoolWA rESidENCE
“designer” louvered pendants are utilised
over the island preparation bench which
provides an ambience of warmth and
comfort to the space whilst providing
a unidirectional supplementary lighting
feature. The lighting installation was
independently certified and complies
with the BCA with an average of 5 W/m2.
The lighting solution is considered warm,
inviting, dramatic and family functional.
It is also uncompromising in itself as it is
“uncluttered”.
Judges’ comments: An outstanding
beach house design. On approach in
the evening, it appears dramatically lit
to impress. This project incorporates
recessed luminaires to give an uncluttered
lighting appearance. Concealed lighting
throughout most of the internal spaces
compliments to capture the openness
of the larger rooms. Interesting and
innovative lighting concepts create
invisible effects. Invisible lighting design
to meet the client’s request. Three
impressive pendants in the main living
and dining area compliment this stylistic
structure. This lighting design reinforces
the architectural and environmental
design with its unique concepts. Ambient,
functional and innovative lighting.
Other designers: Peter Buckley – LPA (SA)
Supplier: LPA (SA)
Designer’s statement: The client’s brief
was uncompromising and demanding
to the extent the ceilings were required
to be “clean” of recessed luminaires. The
lighting was required to be concealed
in joinery with feature lighting to be
expressed as “part of the furniture”.
The overall lighting solution had to be
“invisible” which emphasized the living
space and clear views within when
observed from either balcony.
To comply with the brief linear
fluorescent was concealed within joinery
units. The fluorescents illuminate directly
to working surfaces or indirectly to the
perforated flush ceiling panels. Three
Goolwa Residence – Exterior (above) and kitchen (below).
Designer’s statement: The lighting
concept for this multi-functional space,
balcony and bar was further developed
with input from the architect and
interior designer. The space can be
separated into 4 rooms with individual
scene control via local C-Bus switches
and a master scene control with C-Bus
and Creston touch screens. All lighting
in these areas has DALI control gear and
can be individually controlled.
Given the flexible nature of this
space and the minimalist architectural
design of the building we chose a
28 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 29
Award of Commendation
To phil kEANE oF purkiNJE For
GrENFEll plAZA
Designer’s statement: The project started as a
request from ACC Operations to provide a new
lighting design for this fountain/water feature.
They were about to replace the water hydraulic
system and they had had problems with the
current underwater lighting system. The current
fittings were a maintenance nuisance with leaves
and rubbish in the water area and they asked
whether they could have a top mounted lighting
scheme. It was decided that an appropriate
continuous LED lighting scheme with its own
minimalistic structure would be suitable.
On site tests showed that a 3000K LED lamp
would provide the best colour solution to suit
the water jets and the wall of the fountain. The
evening test also showed the most suitable
spacing off the wall to provide even illumination
with useful end scalloping to light the full water
feature. The beam spread was adequate and any
stray light would be contained by the mounting
structure. The structure was minimalistic in its
dimensions and in a continuous straight line.
The colour of the structure blended with its
surroundings.
Judges’ comments: The objective of this project
was to replace the old installation with new,
sturdy, easier to maintain economic lighting.
Though this was a straight forward challenge,
the solution has been well considered, planned,
tested and carried out well. The use of a custom
made product using a light source with long life,
energy savings and easier to maintain is very
innovative effective. The metal housing is robust
and unobtrusive. The light distribution from the
linear LED fixture is, like a billiard table fitting
is giving excellent uniformity, and the colour
temperature used compliments the wall.
Other designer: Paul Gillett – Grieve Gillett
Supplier: Pecan Lighting
View along the length of the fountain
Looking at the face of the wall and fountain.
Award of Commendation To roBErT BArToSik oF SECoN ENGiNEErS For
MAiN CorNEr dEVElopMENT, MouNT GAMBiEr
door. The LED strips are controlled by the C-Bus
system to provide a sequence to replicate the
movement of ocean waves. When all exterior
luminaires are operational along with the motion
images, the Main Corner building is lit up
providing tourists and locals of Mount Gambier
with a unique state of the art experience.
Judges’ Comments: The flexibility of the lighting
employed for this project allows any number of
possibilities and provides the end-user with a
functional but striking feature for the city. The
façade uses local materials and is attractive
through the day but it is at night when it comes
alive. The lighting, because of its control system,
can be static or moving to illustrate specific times
of year or celebrations and together with the use
of motion images provides the City of Mount
Gambier with a flexible, practical and innovative
advertisement of the area’s history and features.
Suppliers: ACDC Lighting, Collingwood and Digilin
The Main Corner is the centrepiece of the city of Mount Gambier.
Designer’s statement: The Main Corner Development
situated in the heart of the City of Mount Gambier
forms a significant cornerstone to the ‘Garden Square’
precinct. It provides a space for locals and visitors to
immerse themselves in the geological, cultural and
social history of the area. The exterior lighting and
visual display is to act as a beacon to attract visitors to
the building and surround plaza.
The highlight of the lighting design is the building
façade, with moving images projected on walls and
glazing. The external colour changing LED luminaires
located above the main entry canopy illuminate the
façade and adjacent the green wall using a DMX
control system interfaced with the C-Bus system.
Custom LED strip lighting illuminates the glass bricks
located in the external wall above the main entry
30 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 31
Award of Commendation
To ZhuN yEE lAi oF TMk CoNSulTiNG ENGiNEErS For SMArTSoFT
Designer’s statement: Smartsoft is a
locally owned software company, whose
steady growth prompted their relocation
to the CBD. They sought a workplace
with an exciting new interior fit-out that
would reflect their professionalism and
a modern, city image. They acquired
an existing two storey building which
provided the architect with a vision to
provide a communal and connected
workplace.
The lighting solution required careful
consideration of the limited ceiling space
and the other services, the utilisation of
the available natural daylight and to be in
line with the architect’s vision for the final
interior outlook. The result is an installation
utilising energy efficient light sources
in a range of luminaires, whose colour
appearance was carefully considered
to take in the surroundings, while also
providing visual comfort and sufficient
light levels for the tasks at hand. The
client is more than happy with the result
that employs originality, practicality and
integration.
Judges’ Comments: An exciting new
interior and lighting fit-out that reflects
professionalism and a modern city
image. Creative lighting was selected to
compliment this contemporary interior.
This incorporated the latest energy saving
technology with current luminaire styles,
all carefully chosen to provide this office
with good flexible lighting. It incorporates
daylight, general ambient and task
lighting for the outstanding office area.
This makes it a very interesting and
impressive lighting design. Visually, the
whole interior integrated well.
Architect: Gina Lippis – Architects Ink
Suppliers: HI Lighting, JSB Lighting
The central glass “pod” offices employ a lighting system with a cooler, clean appearance.
The lighting matched the tasks employed while providing originality as well.
Award of Excellence To pAul CAMoZZATo
oF luCid CoNSulTiNG
AuSTrAliA For
lExuS AdElAidE
consumption. The use of metal halide downlights
contributes to the “sparkle” and with automatic
activation by the lighting control system in the
early evening. DMX controlled LED colour change
projector luminaires have been installed to
provide ambience and an element of theatre to
the showroom. The system automatically reduces
internal lighting levels in the late evening and
activates LED colour change projectors in an aim
to provide a dynamic lighting solution. The final
design has resulted in a lighting energy density
that is 25% below the required allowance in the
Building Code of Australia.
Judges’ Comments: It was once said that your
first impressions of an installation will be 90%
correct. This is true with this installation. On
arrival, the showroom was on full output and
looked exceptional, with the highly polished
sparkling new vehicles. Even with staged
dimming and switching, the showroom still
looked good. The coloured LED spots, changing
the appearance and mood (this was a planned
strategy), also works very well, allowing for
theatre and a change of ambience. The amount
of daylight and the lighting control system,
allows the fluorescents to control off when not
required. An excellent return on investment
has been achieved, resulting in an outstanding
lighting design and result.
Supplier: Inlite
The amount of daylight, and the lighting control system, allows the fluorescents to control off when not required (above). The result is a stunning car showroom (left).
Designer’s statement: The CMV Group, proprietor of Lexus
of Adelaide decided to relocate their dealership to West
Terrace to gain better exposure from adjacency to other
similar car dealerships. The client brief was to provide a
building complimenting their flagship CMI Toyota site but
also differentiating Lexus from other car dealerships along
West Terrace.
Lighting formed a major design aspect of the building
for which the client had specific requirements and
expectations. These included elevated illumination levels in
both vertical and horizontal planes, energy efficiency, latest
technology, high colour rendition and “sparkle” to the car
surfaces, centralised and intelligent lighting control system
and be different to other dealerships.
A recessed extrusion lighting system was suggested as
a “workhorse” system comprising linear fluorescent and
low wattage metal halide downlights controlled via a DALI
lighting control system. The perimeter fluorescent lighting
along the Western façade incorporates daylight measuring
to enable automated dimming control to reduce energy
32 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 33
The shape of the theatre, together with the angles of the ceiling, posed some difficulties. Flexibility is the key component to this installation.
Designer’s statement: The MM Building is a catalyst
for innovative learning, teaching and research
in the materials and minerals science hub of the
UniSA Mawson Lakes campus. Intended to promote
knowledge transfer, the building offers a large lecture
theatre setting designed for optimum engagement
across a diverse group of researchers and integration
with a global research network through advanced
information and communication technologies.
High powered, adjustable, dimmable LED downlights
were utilised within the multi-angled ceiling panels to
provide illumination across the entire space. Careful
consideration was required during the design phase to
ensure that all levels of lighting required were achievable.
Judges’ Comments: The first impression on entering the
theatre was how impressive it looked. One comment was
it resembled the United Nations Hall! The architectural
Award of Excellence To pETEr kEMp oF BESTEC CoNSulTiNG ENGiNEErS
For ThE lECTurE ThEATrE, MM BuildiNG,
uNiSA MAWSoN lAkES CAMpuS
shapes, the colour choices and the general space
were breathtaking. The judges were there of course
to judge the lighting, which is also outstanding. The
LED downlights incorporate horizontal adjustment.
This had been taken advantage of for final improved
results. The design has allowed for a series of quality
dimmed lighting levels for the various uses, which
allows flexibility. These pre-set levels provide ease of
adjustment. The vertical levels had been well considered
for video projection. This is an excellent installation.
Supplier: Digilin
There were 13 entries in 2013 with five receiving commendations and two excellence awards. The judging panel was Bruce Real (Convenor), Markam Ralph, Leo Trimboli, Michael Sadubin, Mike Brown, Ryan Shamier, Tony Fardell, Julie Van Der Ley, Andrew Nagy.
New South Wales Chapter including the ACT
Designer’s statement: Landmark heritage building, the
Culwulla Chambers built in 1912 and dubbed Sydney’s first
skyscraper. Design achieved the client’s request to highlight
the upper windows and light the glass canopy giving a sense
of floating and lightness to the structure. The project was
completed on a very tight budget and time frame.
Architect: PMDL Architecture and Design P/L
Suppliers: KKDC, Superlight and Philips DynaliteThe Dior façade at street level (top right) and at higher levels (above).
Award of Commendation
To BoW JAruWANGSANTi oF hAroN roBSoN-liGhT
MATTErS For ThE ExTErNAl FAçAdE liGhTiNG oF
dior BouTiQuE, CASTlErEAGh ST, SydNEy
34 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 35
Award of Commendation
To CArTEr lEuNG ANd TiM CArr oF Arup
For ThE ENTrANCE ANd ATriuM,
kiNGhorN CANCEr CENTrE, ST ViNCENT’S
rESEArCh CENTrE, dArliNGhurST
Designer’s statement: The entrance is to create a
warm and welcoming environment for all visitors
and occupants of TKCC. Instead of a uniform layer
of lighting applied to the overall area, key elements
and location were highlighted. The Atrium artwork
was focused as the centre-piece of the space. All
light sources were concealed from direct viewing
from the bottom of the Atrium.
Architect: BVN
Suppliers: Erco, Intralux, (supplied By JSB), KKDC,
Nimbus (supplied by Koda).
Looking down into the Atrium (left) and a ground floor view (above).
Award of Commendation To philip GrEENup oF Arup For ThE
SporTS liGhTiNG oF MANukA oVAl, CANBErrA
Designer’s statement: With its prominent position
in Canberra, close to Parliament Hill and the
Parliament triangle the sports lighting was required
to be sensitive to its environment. The sports lighting
was successfully delivered within in programme and
budget and was a success from day1. Development
received critical acclaim from the Canberra public,
and sports broadcasters have proclaimed it to be
the best in the country.
Other contributors: Hamish McNulty, ACT Economic
Development, John Telford, Abacus Lighting UK.
Architect: Ian Smith – Cox Architecture.
Suppliers: Abacus (Dialight ILS).A night-time exterior view of Manuka Oval (below) and the beam control achieved (above).
36 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 37
Award of Commendation
To TiM CArr ANd TiM huNT oF Arup
For ThE ExTErNAl FAçAdE liGhTiNG,
No 8 ChiFlEy, SydNEy
Designer’s statement: Primary challenge to illuminate No 8 Chifley
was maintaining compliance with design targets for energy
consumption and reduction of light spill. Great lengths were taken in
the design process to calculate, measure and predict how a scheme
of this scale would eventually perform. This included full size mock-
ups of the sway frame. The designers were able to show Mirvac, the
client, how successful an exterior lighting scheme would benefit the
night time appearance of both the building and the city.
Architect: RSH & P, Lippmann
Suppliers: We-ef (Lightculture), Light Project (Lumino),
Erco, Encapsulate and Pierlite
The façade of No 8 Chifley (above) and a detail (above right).
Award of Commendation
To MiWook kANG, GEorGE ThEodoropouliS
ANd TiM ShoTBolT oF AECoM For ThE
ENTrANCE FoyEr, 161 CASTlErEAGh ST, SydNEy
Designer’s statement: The challenge with this
project was to achieve the architectural concept
which essentially is a glowing glass box but on a
very large scale which had to integrate sunlight,
daylight and electric light and retain the general
lighting integrity regardless of which light dynamic
was operating. FJMT architects had a photographic
quality interior rendering that had been agreed on
by the owners.
The appearance of glowing white glass ceiling
and walls except for a band of translucent milky
white glass at Castlereagh Street level specifically
intended to feature patches of light and
downlights plus vague people movement behind
the glass from the ANZ Bank tenancy beyond.
Architect: FJMT Architects
Suppliers: Xenian and Zumtobel
Night-time views of the entry to 161 Castlereagh St (above) and the foyer (left).
38 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 39
Award of Excellence To AMArA ClArk ANd MArk EllioTT oF poiNToFViEW
For QT SydNEy – puBliC SpACES
Designer’s statement: QT Sydney
is located in the historic Gowings
Building, (the first multi-storey
department store in Australia) and the
adjoining heritage-listed State Theatre,
in the heart of Sydney’s central
business district. QT Sydney, consists
of 200 boutique guestrooms designed
by Indyk Architects plus public spaces
(hotel reception, bar, restaurant
and coffee roaster) designed by
Nic Graham + Associates. The new
hotel design preserves the fabric
of the two of iconic buildings and
captures the intrigue and excitement
of the past in an edgy, contemporary
design style. The interiors are a mix
of original features, curated digital art
installations, eclectic artefacts and
design pieces inspired by the retail and
theatre history of the buildings.
Interior designers: Nicholas Graham and
Associates
Suppliers: Adam Signs, Eagle Lighting,
Euroluce, Philips Dynalite,
Lighting Controls, JSB Lighting,
Litesource and Nocturnal Lighting
QT Sydney bar area (above)
and restaurant area (right).
Award of Excellence To doN SAliSBury ANd ryAN ShAMiEr oF ElECTroliGhT For
CBrE hEAd oFFiCE – rECEpTioN ANd CliENT iNTErFACE ArEAS
Designer’s statement: CBRE’s brief for the
lighting was delightfully elastic, “make it
unlike an office foyer, more ... hospitality
than you would tend to expect”. We took
this thought and applied an approach which
introduced warmth and depth. We worked
with WMK to peel back the finishes, pressing
outward and pulling inwards to provide a
silky organic glow through openings in the
ceiling and walls. Slot details, curved coves
and trimless plaster body luminaires meld
with the softness of the lighting, applied with
warm white LED throughout. Subtle feature
light elements accompany the hospitality
feel, and the CityScape light sculpture
adds a dramatically abstract but germane
statement to the client’s core offering. Our
client is ecstatic with the result and the way
it provides CBRE with a unique and relevant
result through the medium of light.
Interior designers: WMK Architecture
Suppliers: Nocturnal Lighting, Light Project,
Euroluce, The Lighting Group, Space Lighting,
Zumtobel, Klik Systems, Pierlite, Hub Furniture
and Ginenco InteriorsThe reception area of the CBRE Head Office (above) and a client interface area (below).
December 2013/January 2014 | LIGHTING MAGAZINE 41December 2013/January 2014 | LIGHTING MAGAZINE 41December 2013/January 2014 | LIGHTING MAGAZINE 41
ViCtoria Chapter
f e a t u r e
The Illuminating engineering Society of australia and new Zealand
conducts annual luminaire design awards in most of its chapters.
This article reports on the 2013 awards for the Queensland,
Victoria and new South Wales chapters.
IESANZ Chapter Luminaire
Design Awards
2013cOmPILeD by Warren JuLIan
Queensland Chapter
new south wales Chapter
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42 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 43
There were seven entries in 2013. The judging panel comprised Jan Flook (Convenor), Adam Carey and Ben Luder.
Victoria Chapter
42 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 43
There was one entry that received an award of commendation. The judging panel was: Eric Isdale (Convenor), Jason Bird, Brendan Evans, Barry Hume and Neil Wills.
Queensland Chapter
Award of Commendation TO enTTec fOr THe aLePH2 eT LumInaIre
Designer’s statement: The Aleph2 ET was born
from the need to produce an range of colour
palettes and very high quality light from a single
light source. Theatre has always been the most
demanding market from a lighting perspective
and quality tunable light has always been a hard
to achieve.
Using the skills of the R&D team in our offices
in Knoxfiled, we set out to design a light engine
that would allow us to produce an extended
gamut of colours covering the full Planckian
locus while keeping a broad spectrum range
to maintain a high CRI. Careful LED selection
and testing was needed along with developing
colour mixing algorithms in the driver to obtain
the final result. Continuous testing was used
during the process to assure all the design goals
were met, including maintaining sufficient flux
for long theatre throw applications. Once all
benchmarks passed the light engine technology
The Aleph2 ET.
was incorporated in the ET light bar. The product
is available in 4 sizes 300, 600, 900 and 1200
mm each incorporating respectively 5, 10, l5 and
20 light engines.
Advanced firmware allows the user to dial
up specific colours inside its extended gamut
or tune white between 1200K and l800K, while
following the Planckian locus within 3 SDCM and
maintaining a CKI above 90 between 5600K and
2700K.
Judge’s comments: Commended for the in-depth
attention to colour mixing within white spectrum
and the remote programmable and snap shot
options.Award of Commendation TO JameS LaurenDeT Of KLIK SySTemS fOr THe beSPOKe
TrI T5 ceILInG mOunTeD – acryLIc cyLInDrIcaL PenDanT
Designer’s statement: Klik Systems was approached
to assist in the realisation of a conceptual bespoke
light fitting for thc ncw Translational Research
Institute building in Woolloongabba, designed by
Jarred Lillywhite of Aurecon, the lighting engineers
engaged for the project by Wilson Architects +
Donovan Hill – Architects in Association.
In their words: “the fundamental lighting design
vision was to use light to create luminance and
contrast associated with architectural themes and
motifs with task luminance addressed as secondary…
The primary theme is the use of circular and fluted
shapes/features utilised in both 2D patterns and
3D forms…ultimately realised as a field of scattered
The TRI T5 ceiling mounted acrylic cylindrical pendant.
hanging cylindrical luminaires. so-called ‘light
sticks’.”
The finished light fitting or ‘light slick’ appears
deceptively simple, belying the intricacy of the
underlying industrial design and engineering
required to meet the exacting demands of the
brief in every respect.
Judges’ Comments: The acrylic cylindrical
pendant is both well conceived and styled to
match the theme of the TRI Building architecture,
and provides an even yet high level of lighting
for the various tasks required of this research
facility’s office space. The luminaire has been
engineered to be produced in mass while
allowing a staged assembly to align with the
construction phases of the TRI Building and
ensure minimal exposure of the components to
damage and dust during the building fit-out.
Similarly, when in service, the design allows for
the energy efficient T5 light source “core” of
the luminaire to drop away to greatly simplify
maintenance of the lamps and control gear.
44 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 45
Award of Commendation TO DarKOn fOr cHrOme DOme LeD GLObe LumInaIre
WITH DIrecT 240V POWer cOnnecTIOn
44 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 45
Designer’s statement: The Chrome Dome
globe luminaire by Darkon PTY LTD is an
acrylic globe luminaire with an aluminium
heat sink accommodating a LED PCB with
a microprocessor controlling power supply.
With an E27 lampholder, The Chrome Dome
luminaire can be connected directly to 240V
and is a gorgeous LED retrofit, highly efficient
with just 5W warm-white LED.
Judges’ comments: The engineering quality and
research were of a high standard and the panel
recognized the tenacity and passion generated
by Dean to bring his product to market the
judges believe it has a bright future.
The Chrome Dome in situ (above) and a close up of the heatsink assembly (below).
Award of Commendation
TO HeLLa fOr HyPaLume – HeaVy DuTy LeD fLOODLIGHT
Designer’s statement: HELLA is proud to
introduce the revolutionary HypaLUME – LED
Flood Light, the first high output LED flood
light designed specifically for mining and heavy
industry. The HypaLUME produces in excess of
20,000 lumens across three specialised in-house
designed optical distributions while consuming
a mere 240W. The HypaLUME is designed to
operate over an extreme temperature range of
-40°C to +50°C for in excess of 50,000 hours
providing maintenance free lighting.
Thermal modelling was undertaken and from
this review it was decided to separate the LED
PCB from the Driver PCB by air vents, which
have been designed to provide a critical flow
geometry. This allows efficient air flow over
cooling fins on the heat sink, in all orientations
from horizontal mounting to 20 degrees from
vertical mounting. This provides optimum
cooling, even in still air environments.
Hella Hypalume front view (left) and side view (right).
Judges’ comments: The panel was
impressed with the content of Australian
made and constructed components.
The temperature management and
attention to impact resistant was
commendable.
Project team: Paul Lindsay, Program
Manager; Anthony Franklin, Lead Design
Engineer; Andrew Trezise, Hardware
Engineer; Larry Liang, Optical Design
Engineer; Tim Hatley, Process Engineer;
Ken Sturgeon, Simulation Engineer and
Stefan Kisser, Product Manager.
46 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 4746 LIGHTING MAGAZINE | December 2013/January 2014
Description statement: This luminaire was
designed for use in landscape lighting. The
design objective for the Magic Mushroom
was to develop a slim, seamless luminaire
that incorporates concealed light sources
to illuminate the landscape and pathways
together with shrubs and lawns. This luminaire
is unobtrusive during the daylight hours yet
provides a soft while concentrated down light
within a landscape garden. The main unit is
the head which gives the descriptive names
Mushroom. There are 3 LEDs within the head
potted in resign giving it an IP66 rating. The
stem can be cut to suit the required height with
the LED drivers housed in an IP rated box for
in ground installation
Judges’ comments: Although this landscape
light was designed for a particular project its
compact and adjustable height design makes
it usable in other outdoor lighting designs.
The method of potting the LEDs provides an
inbuilt robustness which also allows the unit
to be rated at IP65 all of which aids to an easy
installation.
The Magic Mushroom illuminating gardens.
Award of Commendation
To EMrAh BAki ulAS oF STEENSEN VArMiNG For
ThE “MAGiC MuShrooM” lEd lANdSCApE luMiNAirE
There were 14 entries for the 2013 New South Wales Chapter Luminaire Design Awards. The Judges were Gordon Watson – Gordon Watson and Associates (Convenor), Richard Massey – The Lighting Group, Tony Fardell – Independent Lighting Consultant and Bruce Real – Independent Lighting Consultant.
New South Wales Chapter
Award of Excellence To CooloN lEd liGhTiNG For
ThE dlk hiGh poWEr lEd luMiNAirE
Designer’s statement: The DLK is a high power LED
luminaire suitable for area, tunnel and road lighting in
industrial applications. In 2009, Coolon designed and
produced the StaticRetroLED – an LED replacement
for industrial area lighting that provided clients with a
maintenance-free lighting solution. This product has, and
continues to function according to its specifications, but in
2012, Coolon was challenged to create a replacement that
would rival the lower price of its competitor’s product.
Through research and development, and a complete
shift in thinking, Coolon created the DLK to: weigh less,
produce better light output, consume less energy and be
less expensive than any comparable product on the market.
Optional in-built daylight sensor perform automatic switching
between day and night modes to further substantially
decrease power consumption and a carbon footprint
by automatically dimming the light and reducing power
consumption during the day. DLK is also available in an
environmentally friendly amber version.
Judges’ comments: The judges were very impressed with
the exceptional production values attention to detail and
robust nature of the DLK with its 98% recyclability it was
carefully considered and constructed.The Coolon DLK (below) and a close-up of the LEDs and weatherproofing (above).
48 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 4948 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 49
Award of Commendation
To JAMES lAurENdET oF klik SySTEMS
For ThE liNEAr lEd liGhTiNG lEdSTrEAM
Description statement: There are 4 versions of the Ledstream
body along with 2 recess options; all have minor but significant
variations to assist the architect and lighting designer for best
solution. The bodies range from 34mm to 54mm in height
and all 28mm wide. The Ledstream is equipped with a variety
of LEDoptix diffusers with different distributions from narrow
to medium and wide all with dot free diffusing. Asymmetric
and elliptical options are also available. Ledstream is available
in lengths from 100mm up to 5metres in length in 100mm
increments.
Judges’ comments: This system’s light source is LED only
and has been engineered as a system which has multiple light
distributions options. The system has continuous lengths of
shadow free light with easy joining of lengths. This system
provides an easy installation and good cable management.
The LEDstream lighting a shoes display (left) and a detail (above).
Description statement: This luminaire has been designed
principally to replace the existing 70watt metal halide
track spots used in fresh food and retail stores. The
unit had to fit into the existing range while providing an
output of 2600 lumens at a system power of 36 watts.
The Light source is provided by a chip onboard LED with
a beam angle of 32 degrees and a high CRI. Although
this new LED luminaire looks similar to the existing
metal Halide track spot it has interchangeable optics
and a solid core connected via multiple fins in a rotary
formation – hence the name Rotos.
Award of Commendation To pETEr ATTFiEld oF SlA pTy lTd –
iNTErior ArChiTECTurAl diViSioN
For ThE CoNCord roToS
The Concord Rotos in use (left) and a detail of its cooling fins (above).
Judges’ comments: The Rotos has a
similar look to previous Concord track
spots. However, there is a modern
look designed into this housing which
also allows good airflow and thermal
dissipation. The family of Rotos spotlights
provides a number of configurations while
still maintaining the standard housing
thus giving a uniform look on a track
yet supplying a variety of sources and
distributions.
50 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 5150 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 51
Description statement: The Eye-on concept is for a true replacement
to traditional halogen lamped spotlights up to 75 watts. This concept
allows for easy beam focusing between 18 degrees and 65 degrees
by a simple and easily accessed external thumb slide that is discretely
nestled between the cooling fins. This optical solution is known
as Monoc. The application is versatile designed for multi or single
track or surface mounting all of these can be used in many differing
orientations and applications. This luminaire is predominately aimed as
a direct replacement to dichroic halogen spots 35 watt MR16 up to 75
watt AR111 in both spot and flood versions
Judges’ comments: What makes this track or surface mounted
luminaire stand out is the design of the housing, it has a dynamic and
compact look. The Monoc optical solution provides a wide range of
focusing and it provides designers with a direct replacement for the
MR16. The LEDs delivers high lumen output packages without the
need for an external driver box. The ergonomic aspect of this luminaire
together with its performance puts in the excellence category.
Two views of the Eye-on track-mounted LED luminaire.
Award of Excellence To pETEr ATTFiEld oF SlA pTy lTd – iNTErior
ArChiTECTurAl diViSioN For ThE luMiNANCE EyE-oN
Description statement: This entry was one of the light sculptures
in the Vivid 2013 event. The sculpture included a chandelier
which dropped; surprising observers were viewing the area.
Other sections were doors with panels with back-lit glass panels
with etched faces which illuminated when an adjacent button
was pressed. This was a walk-in light sculpture which provided a
feeling of encapsulation with individual features which captured
the attention of the observer. Coloured lighting gave the area a
surreal feel which accentuated the dynamics of the light sculpture.
Award of Commendation
To BETTiNA EASToN, ColiN ShuM
ANd GrACE ThAM oF TEAM GCB For
WAlSh BAy WhiSpErS – ViVid 2013
Two views of Walsh Bay Whispers from Vivid 2013.
Judges’ comments: It was thought
that this light sculpture was
perhaps a large luminaire where
the observer walks into the area
and participates in the design.
The back-lit glass panels and the
dropping chandelier were well
positioned and controlled to give a
spontaneity to the light sources.
52 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 53
f e a t u r e
1. When designing luminous at darling
harbour, you had a lot of competing factors
including budget, environmental impacts and
aesthetics both internal & external. Could you
give examples of the most difficult issue and the
most surprising breakthrough on this project?
“Luminous” started off small, and the idea grew.
The original concept was tested and then fine-
tuned. The design restraints were many:
i) not to inconvenience the tenants by way of
colour & glare
ii) not to provide glare or distraction for people
and traffic on the flyover externally
iii) comply with code for light pollution
Containment of the light source was also
a challenge; as well as getting the colour mix
acceptable when played across the timber blinds.
The solution was to use a single LED R/G/B/W,
along with a spreader lens for distribution.
The most surprising moment in the project was
when the Client decided to expand the concept
from lighting a few bays of the building façade to
lighting the whole thing. I never thought they would
back the concept to this extent. And working with
Bruce Ramus, who created the animation of the
façade, really made the outcome really dynamic.
2. in your 30 years as a lighting designer,
what has been the most technological innovation
for the industry?
In 30 years of lighting design, apart from the
standard lamp sources such as halogen, metal halide,
sodium, cold cathode and incandescent; it was the
“form” of the fittings that made the difference – be
that a decorative or theatrical approach – lamp
sources needed to be dressed up when in the public
eye; light fittings became part of the embellishment.
In the last few years with sustainable restraints and
the LED juggernaut, lighting design has been more
challenging.
3. What lighting design project are you most
proud of & why?
A: I have several projects I am proud of, ones that
come to mind are:
a) A pro bono project that I did for St Canice Church
Kings Cross – not knowing my way around a
church didn’t help, but after testing and trials,
we came up with a great solution.
b) The Neo Pharaoh Disco was another personal
gem. Why…everything worked when I switched
it on!
c) Cockle Bay Wharf was also a favourite – having
the chance to work with Eric Kuhn, the great
American Architect.
4. how have environmental pressures changed
the profession of lighting design?
A: It is a bit sad that lighting design is now, in
this country, being dictated almost solely to by
sustainable groups, in many cases quality and
lighting best practice have taken a back seat to
energy and cost.
5. What do you see as the next big thing for
lighting designers?
A: Hopefully in the near future quality and best
practice will be a prerequisite for a project, rather
than just watts per square metre.
Mike SparrowSenior lighting Engineer design | Building lend lease, NSW
De
sig
ne
r Q
&A
Award of Excellence To pETEr MCMillAN oF klik SySTEMS
For kliklEd+
Description statement: KlikLED+ is a versatile linear
LED lighting system which has been designed to
be work seamlessly as a modular system across
the range of Klik beam luminaire extrusions with
minimal components. The system can be supplied
in increment lengths of 100mm and uses a 24volt
DC constant voltage constant current circuit
architecture. This provides a safe environment for
installers and demanded the development of a new
technology to maintain high levels of efficiency and
to mitigate voltage drop. The printed circuit boards
for this technology was designed and developed
in-house.
Judges’ comments: This compact and versatile
linear lighting system is well engineered and has
components which have been developed in-house
to provide a system providing a constant supply
to all LEDs in the system. There is a variety of
lighting controls within their range of boards from
single channels single colour to four channel DMX
controlled RGB-W boards providing half-a-billion
colours. The engineering and PC boards design
take this linear lighting system to the excellent level.
The 50 Beam LED+ supplied as a recessed and semi-recessed luminaire at Moore Stephens (top) and at DEEWR in Canberra, the 85 Beam R/V LED+ supplied as a trimless recessed luminaire with illuminated bend (above).
54 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 55
Incoming Chapter President Darrin Schreier with Paul McDermott, the evening’s MC.photo by narelle robinson.
The award-winning Translational Research Institute entry from Aurecon, Wilson Architects and Donovan Hill. photo by peter robey.
i e s a n Z a w a r d s
E ver wondered what it would be like to chow
down on a duck confit in the presence of Paul
McDermott while you eyeball the year’s most
stunning achievements in lighting and luminaire
design? Just ask a member of the Queensland
IESANZ Chapter.
Around 230 chapter members came together
on 25th October to celebrate the annual
Queensland IESANZ Lighting Design Awards at
the Brisbane Entertainment Centre. According
to dinner coordinator and incoming Chapter
President Darrin Schreier, the night was “probably
about as perfect as you could get.”
Schreier might say that, given his boyhood
fascination with the Doug Anthony All Stars;
seeing event MC McDermott in the flesh left
him feeling more than a little starstruck. But the
breadth, depth and quality of the winning entrants
in the Lighting Design Awards and Luminaire
Design Awards buried even McDermott’s light well
under the proverbial bushel.
Six major awards were given on the night – five
Lighting Design Awards, and a single Luminaire
Design Award. A series of student awards were
also presented. Of all the winners, perhaps the
most lauded was the Translational Research
Institute, which has swept awards categories
across the architecture, engineering and lighting
sectors since its completion earlier this year. The
lighting design, developed by Aurecon, Wilson
Architects and Donovan Hill, was based on a
‘hierarchy’ of architectural themes, including a
theme of circular luminance expressed through
the installation of over 900 circular pendant lights.
Other big winners on the night were the Klik
Systems team, who took out the sole Luminaire
Design Award for their TRI T5 Cylindrical Pendant
light; and the main auditorium of the heritage-
listed Brisbane City Hall, which was honoured
with a Lighting Design Award of Commendation.
A team from Design Stage re-imagined the existing
space to highlight architectural features, such as columns,
cornices and friezes, which had been overlooked by
previous lighting design schemes. Having organised the
annual awards dinner over the last five years, 2013 marked
Schreier’s last year at the helm of Queensland lighting’s
night of nights; as the incoming Chapter President, Schreier
will hand over the dinner reins to someone else for 2014.
“It was nice to do my last dinner and have something
go exactly to plan with no hiccups at all through the
night. Room was right, timing was right, MC was spot-on,
food service was great. In terms of running an event, was
probably about as perfect as you could get,” Schreier says.
Pity the fool who has to follow in Schreier’s footsteps
next year. But never fear – Schreier has some succinct
advice for his successor, whoever they may be:
“Give up sleep!”
Magic, mayhemand a night in the clink: inside the 2013 IESANZ Lighting Design Awards
By ClAirE ThoMpSoN C elebration reigned supreme at the 2013 IESANZ Lighting Design and Luminaire Design
Awards, which lit up a host of stunning venues across Australia in November and
December this year. With awards ceremonies in Adelaide, Sydney, Melbourne and Brisbane,
the IES chapter committees were kept extraordinarily busy devising new ways to honour the
lighting sector’s best and brightest. Read on to find out how each chapter chose to celebrate
their awards, and get a sneak peak at some of this year’s most memorable moments.
QuEENSLAND CHAPTER
The Brisbane Entertainment Centre glitters on Queensland Lighting’s night of nights. photo by narelle robinson.
T he 2013 Victorian IESANZ Awards dinner at the
Plaza Ballroom on Melbourne’s Collins Street was
a magical affair, in more ways than one. More than
240 of the Victorian lighting industry’s finest – and
one magician – filled the venue, setting the scene for a
stunning event that showcased Victoria’s prowess as a
creative hub for contemporary lighting design.
The Victorian Chapter has been particularly
progressive with identifying new awards categories that
accurately reflect the achievements of chapter members.
In addition to the Lighting Design Awards the Luminaire
Design Awards and the student awards presented by
many other IESANZ Chapters, the Victorian awards
committee launched the Victorian Lighting Industry
Technical Representative Award (VLiTRA) in 2011 and the
Albert Dresler Daylighting Award in 2012.
VICToRIAN CHAPTER
The Highpoint Shopping Centre project, winner of the Dr Albert Dresler Daylighting Award. photograph by peter bennetts.
56 LIGHTING MAGAZINE | December 2013/January 2014
The VLiTRA honours technical representatives working
within the lighting sector and their achievements in
disseminating lighting technical education and knowledge
among their clientele. Aaron Binion of Lightmoves was
honoured with this year’s VLiTRA for a luminaire presentation
in which he shared his in-depth knowledge of its technical
and aesthetic capabilities with the panel of judges.
“VLiTRA is a recognition that the majority of the
IESANZ members are salespeople, and that we’d like to
see excellence within the industry. We hope that other
chapters and other states will take it up,” says Chapter
President Dave Anderson.
The Albert Dresler Daylighting Award acknowledges
the importance of effective daylighting in contemporary
lighting design. A joint Grimshaw/Arup project at Melbourne’s
Highpoint Shopping Centre took out the 2013 prize,
with the judges noting the designers’ exceptional use of
daylight modelling, geometry and EFTE materials, as well
as translucent glass skylights and operable louvres that add
points of interest to the daylight experience.
“The quality of the entries improves each year, and this
year is no exception, with greater emphasis on power
saving and greater use of LEDs,” he says.
In fact, more than 50% of the 13 LiDA and 14 LuDA
nominations were recognised with awards on the night.
The winners of the LiDA excellence awards included a
PointOfView installation in the public spaces of the QT
Sydney hotel, and an Electrolight project at the CBRE
Head Office which resulted in a ‘delightfully elastic’
approach to lighting the commercial real estate space
using warm white LEDs.
Victorian Chapter celebrations at the Plaza Ballroom. photograph by richard timbury/Casamento photography
MC magician Matt Hollywood casts a spell on John Aeillo. photograph by richard timbury/ Casamento photography
NEW SouTH WALES CHAPTER
“This is something we’ve really been pushing in Victoria,”
Anderson says.
“There’s a groundswell for daylight and daylight design,
given current climate change, energy prices, all of that sort
of thing. We also see that it’s a way to establish better
relationships with the architectural community.”
Outside of the formal awards presentations, the night’s
entertainment, provided by magician and MC Matt Hollywood,
also proved to be a talking point. As well as overseeing the
evening’s formal proceedings, Hollywood’s roving magic tricks
and a taste for audience participation kept the energy high.
“He did roving magic tricks on tables, but also did the old
pull-people-out-of-the-crowd-and-make a-fool-out-of-them as
well,” Anderson says.
“He dragged Ian Johnson, the teacher of the first year
lighting students, onto the stage, and generally made a fool
out of him. Ian was a great sport. “I think just the general
atmosphere of the night – a lot of people said it was the
best awards dinner they’d been to in quite a few years.”
T he Sydney Convention and Exhibition Centre has been a
winning location for the NSW Chapter IESANZ Awards for
some years now. With expansive views across Darling Harbour,
and enough space between function rooms to encourage a
bit of raucous celebration, it’s easy to see why NSW Chapter
President David Orwin and his events team chose the venue
again for the 2013 celebrations.
While the venue may have been familiar, the night itself
was fresh and fun, thanks largely to the appointment of writer,
comedian and TV host Vince Sorrenti to the MC role. With
his cheeky sense of humour, Sorrenti dragged the 384-strong
audience through a whirlwhind night of prizes, celebrations
and the odd stand-up comedy set.
Orwin chuckles at the memory:
“He was really great. He had everybody in stitches!”
The merriment continued throughout the distribution of
the Lighting Design Awards and Luminaire Design Awards,
in which a range of stunning lighting achievements were
showcased and celebrated. A smaller pool of nominations
this year did nothing to dampen the standard of the entries;
according to Orwin, the quality of lighting and luminaire
design across NSW continues to grow.
Incoming NSW Chapter President Tim Shotbolt congratulates David Orwin on receiving the Richard (Dick) Chappell Memorial Award.
Warren Julian and Adam Cail from the Lighting magazine with Miwook Kang from Aecom (centre) enjoying the NSW IESANZ Chapter celebrations.
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58 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 59
The LuDAs were home to a series of truly innovative products,
including the EYE-ON luminaire, developed by Peter Attfield of SLA
Pty Ltd, which provides a genuine alternative to halogen lamped
spotlights of up to 75 watts; and the KlikLED+ from Klik Systems, a
linear LED lighting structure.
Murray Robson of Haron Robson received the single Life Fellow
Award of the night, in recognition of his significant contribution to
the lighting industry and to the IESANZ.
“Murray has been a National Board director, a past president of
the NSW Chapter and has contributed to the lighting industry in
many ways. He is truly deserving of being upgraded to Life Fellow,”
Orwin says.
Orwin himself was surprised and delighted to receive the
Richard (Dick) Chappell Memorial Award, an honour that recognises
the lifetime achievements of a career lighting designer. This NSW
Chapter-specific award was launched in 2004 in memory of Dick
Chappell, a highly-respected lighting professional who once held the
position of principal lighting designer at the Sydney Opera House.
“I was completely surprised to receive the Dick Chappell award.
I feel that there were many people more deserving than myself, but
I am pleased to know that some people hold me in such regard.”
The thought of an entire IES Chapter winding
up in gaol on the night of their most
prestigious lighting awards would set most
chapter presidents into a panic. But for Mick
Reidy, who heads up the South Australian/
Northern Territory Chapter of the IES, hauling
the local IES membership into the lock-up for
the 2013 IESANZ Lighting Design Awards was
all part of his master plan.
“The history of our chapter is that we were
on the brink of folding up. We only had about
18 financial members, and most of those people
were talking about cancelling their membership
because nothing was happening,” Reidy says.
Reidy and a new band of lighting misfits
commenced a dramatic operation to turn things
around, committing to showing South Australia
and the Northern Territory that the local
lighting industries, and the IES itself, really had
something to offer.
The 2013 IESANZ Lighting Design Awards, held
on November 30, marked the end of 18 months
of reinvention. The night saw 250 of Adelaide’s
design fraternity roll up for the festivities at none
other than the Old Adelaide Gaol.
“It’s a great location,” says Reidy, who was
part of the design team responsible for an eye-
Tim Shotbolt with Murray Robson after Robson received the Life Fellow Award in recognition ongoing contributions to the lighting industry and to the IESANZ.
SouTH AuSTRALIA/NoRTHERN TERRIToRy CHAPTER
The SA/NT Chapter Committee
designed the lighting scheme
for the 2013 IESANZ Lighting Design Awards
at the Old Adelaide Gaol.
photo courtesy of
John goodridge.
catching lighting installation that lit up the internal
cell blocks and the 10-metre-high stone walls that
enclosed the courtyard outside.
We had two wings in the cell blocks where
people came in and got a look at the projects that
were up for an award. Outside, we had a huge
marquee in the courtyard. The whole place just
had an atmosphere to it, and the effect was
fantastic. It really lent itself to being a great venue.”
Eight Lighting Design Awards were given out,
comprised of six certificates of commendation and
two certificates of excellence. A judging panel of
nine did the honours, working their way through
18 nominations in order to identify those that
showcased truly spectacular achievements in
lighting design.
The event was shared with the Design Institute
of Australia (DIA), home to industrial, interior and
graphic designers, after the IES chapter committee
identified a natural synergy between the two
organisations. The successful pairing not only
contributed to a highly festive event; it also led to
the potential for a host of new members for the
local IES Chapter.
“The DIA really understands what we’re about, and
our focus on design coincided with what they do too
– so much so that we had a few people from the DIA
asking us, ‘How do we join the IES?’” Reidy says.
If frivolity could be considered the barometer
with which to measure the success of the night,
then Reidy and his team certainly achieved what
they set out to do – the entire clean-up crew failed
to show on Sunday morning thanks to the aftermath
of extensive … shall we say … ‘enjoyment’ of the night
before.
“I’m still a bit rough,” Reidy says sheepishly when
he gets on the phone.
“Still a bit rough. But we’ll get there.”
Mick Reidy, Alycia Scannell, Maria Maratos and Chris Scannell at the Old Adelaide Gaol. photo courtesy of paula furlani.
Eve Gladwin, Steve Gladwin and George H celebrate the 2013 IESANZ Awards at the Old Adelaide Gaol. photo courtesy of paula furlani.
Colin Rosenzweig and Anthony Caggiano from the Design Institute of Australia get into the spirit of things at the SA/NT IESANZ Lighting Design Awards. photo courtesy of John goodridge.
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60 LIGHTING MAGAZINE | December 2013/January 2014 December 2013/January 2014 | LIGHTING MAGAZINE 61
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ECC Lighting & Living – VIC Victoria
ECC Lighting + Living Ltd – NSW New South Wales
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Enlightenz Group Auckland
ENTTEC Pty Ltd Victoria
Gamma Illumination New South Wales
Gamma Illumination South Australia
GM Poles Queensland
Harcroft Lighting – NSW New South Wales
Intralux Australia Pty Ltd Queensland
JHA Consulting Engineers Pty Ltd New South Wales
JSB Lighting Western Australia
JSB Lighting South Australia
JSB Lighting Victoria
JSB Lighting Pty Ltd New South Wales
KKDC New Zealand Ltd Auckland
Klik Systems Australia Pty Limited New South Wales
Klik Systems QLD Queensland
Klik Systems’s agent – H.I Lighting S.A South Australia
Klik Systems’s agent – H.I. Lighting Western Australia
Klik Systems’s agent – Mark Herring Lighting Christchurch
Klik Systems’s Agent – Southern Lighting & Distribution Tasmania
Lighting Australia Pty Ltd New South Wales
Lights Lights Lights Victoria
Lumen8 Architectural Lighting Queensland
Mondoluce Western Australia
Opal Lighting Systems New South Wales
Optic Fibre & LED Lighting Solutions Pty Ltd New South Wales
Orca Solar Lighting Pty Ltd Queensland
Orion Solar Pty Ltd Queensland
QUT Photometric Laboratory Queensland
Solus Lighting Solutions Queensland
Sonic Lighting Victoria
Stramac Pty Ltd New South Wales
Sylvania Lighting Australasia Pty Ltd – SA South Australia
Sylvania Lighting Australasia Pty Ltd – VIC Victoria
Sylvania Lighting Australasia Pty Ltd – WA Western Australia
Sylvania Lighting Australiasia Pty Ltd – NSW New South Wales
Sylvania Lighting Australisia Pty Ltd – QLD Queensland
The Lighting Group New South Wales
TMK Consulting Engineers South Australia
Total Electrical Connection Pty Ltd New South Wales
Tridonic Australia Pty Ltd Victoria
Tridonic Australia Pty Ltd New South Wales
Versalux Pty Ltd – New Zealand North Shore City
Versalux Pty Ltd – NSW New South Wales
Versalux Pty Ltd – QLD Queensland
Versalux Pty Ltd – SA South Australia
Versalux Pty Ltd – VIC Victoria
Vossloh-Schwabe Deutschland GMBH New South Wales
Walter Wadey & Co Pty Ltd New South Wales
Webb Australia Group New South Wales
Webb Australia Group Queensland
Webb Australia Group Victoria
York Precision Plastics New South Wales
FINANCIAL CORPORATE SPONSORS AS OF 19 NOVEMBER 2013
Visiting the world’s second-largest lighting fair
Warren Julian
i e s u p d a t e s + p o s t s
FIGurE 1. This is a view of the registration area. It was constantly crowded with buyers from around the world coming and going over the four days.
FIGurE 2. A “favourite product” – the Tabu Lumen Bluetooth Smart Bulb Plu.
I visited the 15th Hong Kong International Lighting Fair (Autumn Edition) in late October as a guest of the Hong Kong Trade Development Council (HKTDC). I last visited about ten years ago and in that time it has grown into the world’s second-largest, after Light+Build in Frankfurt. The fair is held twice per year although the autumn edition is by far the largest.
The four-day fair had a record 2,360 exhibitors from 38 countries and regions participating, with new exhibitors from Denmark, Israel, Turkey and the UAE taking part.
Fair highlights included the Hall of Aurora which featured more than 470 lighting brands from some 340 exhibitors, including: Fulham, Fumagalli, Neo-Neon, Panasonic, Philips, Seoul Semiconductor and Vossloh-Schwabe. Other featured zones included: LED & Green Lighting, with about 820 exhibitors on hand; Advertising Lighting, presenting display panels, light boxes and neon signs; Smart Lighting & Solutions, offering lighting design service and software, along with lighting management systems and control panels; and the Small-Order Zone, with nearly 140 exhibitors displaying some 1,500 products.
Thousands attended each day mainly buyers but I also saw a few designers checking product trends (Figure 1). It is a good idea to visit over a number of days or half days to overcome fair fatigue. It is easy to go outside and to take in the view of Hong Kong Harbour away from the bustle indoors. Even in the bright sunshine, the harbour seems glare-free compared with the brightness of thousands of retrofit LED “bulbs”. In fact, finding non-LED products requires a concerted effort but they still exist and I think that I eventually saw the complete range of current light sources.
My Favourite Lighting Products Award 2013 was introduced this year, showcasing innovative lighting offerings, chosen by fair buyers. As an example,
December 2013/January 2014 | LIGHTING MAGAZINE 6362 LIGHTING MAGAZINE | December 2013/January 2014
24–27 February
Prolight + Sound Guangzhouwww.prolightsound-guangzhou.com
GuANGZhou, ChiNA
30 March – 4 April
Light + Buildinglight-building.messefrankfurt.com
FrANkFurT, GErMANy
3–4 April
LumeNet 2014 (for PhD students)www.li.tu-berlin.de/lumenet2014
BErliN, GErMANy
23–26 April
CIE 2014 Lighting Quality and Energy Efficiencymalaysia2014.cie.co.at/
kuAlA luMpur, MAlAySiA
23 May – 9 June
Vivid Sydneywww.vividsydney.com
SydNEy
28–30 May
SPARC DesignSydney Exhibition Centre
GlEBE iSlANd NSW, AuSTrAliA
29–31 May
PALM Expo 2014www.palmexpo.in
MuMBAi, iNdiA
1–5 June
Lightfair International (LFI)www.lightfair.com
lAS VEGAS, uSA
9–12 June
Guangzhou International Lighting Exhibitionwww.light.messefrankfurt.com.cn
GuANGZhou, ChiNA
3–5 September
Shanghai International Lighting Fairwww.messefrankfurt.com.cn
ShANGhAi, ChiNA
18–21 September
Light India 2014www.light-india.in/
NEW dElhi, iNdiA
16–18 October
IALD Enlighten Americas 2014www.iald.org
SAN diEGo, uSA
Events Calendar
one of the three winners in the Decorative Household Lighting category was the Tabu Lumen Bluetooth Smart Bulb Plus (AVC Technology (International) Limited) that “combines the practical utility of a standard white bulb and the fun of multi-colored light. Everything can be controlled easily from a proprietary application on our mobile smart phone”, as can be seen in Figure 2.
There were timely seminars each day. Topics included Lighting Market Across the Globe, LED Lighting Regulations and Standards, E-tailing Strategy for Lighting Products and the Hong Kong Quality LED seminar. A Buyer Forum, Business Opportunity in Global Markets, was held with buyers from Chile, the Middle East and Russia participating. One of the most popular panel discussions, 10 things they don’t tell you about LEDs, started off with presentations (of thinly disguised advertising) from senior staff from three manufacturers but soon became electric when the moderator, Ray Molony, Editor of Lux Review, asked Philip’s Solid State R&D Director why he believed it was exciting that LEDs mean that strawberries ripen faster when what the world wants to know is how LEDs actually perform and how to solve the huge glare problems. Then the discussion became realistic rather than aspirational. I can’t report it in detail here but the gist was that some thought that the present stage of development is OK (near enough is close enough) while others thought that the evolution will result in products with system efficacies, CRIs and lives similar to T5 tubular fluorescent products! The panel discussion was great, once control passed to the audience and a provocative moderator.
Overall, the fair was excellent and is well worth an annual visit, especially if you are a buyer but also for others involved in lighting, to see the emerging trends in products, mainly for the mass market, as well as niche products for the professional market.
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