bushido-kai kata comparison series analysis and ... somewhat different than the hooked foot crane...

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Meikyõ Meikyõ Meikyõ Meikyõ Meikyõ and and and and and Itosu Rohai 1, 2, 3 Itosu Rohai 1, 2, 3 Itosu Rohai 1, 2, 3 Itosu Rohai 1, 2, 3 Itosu Rohai 1, 2, 3 Seminar support materials from Shihan Tony Annesi, Takeshin Sogo Budo BUSHIDO-KAI SEMINARS c/o 300 Eliot St. #369 Ashland, Mass. [01721] usA (508) 881-4007 Teiji KAZE (France) performs Shotokan Meikyo. Bushido-kai Kata Comparison Series Bushido-kai Kata Comparison Series Bushido-kai Kata Comparison Series Bushido-kai Kata Comparison Series Bushido-kai Kata Comparison Series Analysis and Applications Analysis and Applications Analysis and Applications Analysis and Applications Analysis and Applications Meikyõ Meikyõ Meikyõ Meikyõ Meikyõ and and and and and Itosu Rohai 1, 2, 3 Itosu Rohai 1, 2, 3 Itosu Rohai 1, 2, 3 Itosu Rohai 1, 2, 3 Itosu Rohai 1, 2, 3 NAME:

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Page 1: Bushido-kai Kata Comparison Series Analysis and ... somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. In Itosu Rohai Nidan, a similar but lower stance,

MeikyõMeikyõMeikyõMeikyõMeikyõ

andandandandand

Itosu Rohai 1, 2, 3Itosu Rohai 1, 2, 3Itosu Rohai 1, 2, 3Itosu Rohai 1, 2, 3Itosu Rohai 1, 2, 3

Seminar support materialsfrom Shihan Tony Annesi, Takeshin Sogo Budo

BUSHIDO-KAI SEMINARSc/o 300 Eliot St. #369Ashland, Mass. [01721]usA(508) 881-4007 Teiji KAZE (France) performs Shotokan Meikyo.

Bushido-kai Kata Comparison SeriesBushido-kai Kata Comparison SeriesBushido-kai Kata Comparison SeriesBushido-kai Kata Comparison SeriesBushido-kai Kata Comparison Series

Analysis and ApplicationsAnalysis and ApplicationsAnalysis and ApplicationsAnalysis and ApplicationsAnalysis and Applications

MeikyõMeikyõMeikyõMeikyõMeikyõ

andandandandand

Itosu Rohai 1, 2, 3Itosu Rohai 1, 2, 3Itosu Rohai 1, 2, 3Itosu Rohai 1, 2, 3Itosu Rohai 1, 2, 3

NAME:

Page 2: Bushido-kai Kata Comparison Series Analysis and ... somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. In Itosu Rohai Nidan, a similar but lower stance,

MEIKYÕ & ITOSU ROHAI 1,2,3MEIKYÕ & ITOSU ROHAI 1,2,3MEIKYÕ & ITOSU ROHAI 1,2,3MEIKYÕ & ITOSU ROHAI 1,2,3MEIKYÕ & ITOSU ROHAI 1,2,3Additional Information compiled by Shihan Tony Annesi

History & NameHistory & NameHistory & NameHistory & NameHistory & Name• Meikyo means “Bright or Polished Mirror.”• It is known that Meikyo was devised from Itosu’s earlier kata Rohai nidan; however, parts ofMeikyo clearly refer to parts of Itosu Rohai shodan and sandan as well; so, we believe that Meikyois a re-creation and compilation of all the Itosu Rohai kata. Who is directly responsible for thecreation of the kata is not clear. However, since Funakoshi is credited with renaming the Rohaikata, it is likely that it was he or his son Yoshitaka who produced the Meikyo version.• Itosu’s version of Rohai may have been loosely based on the Tomari-te version of Rohai which isoften referred to as Matsumora Rohai. This kata (Matsumora Rohai) bears only a weak resem-blance to either Meikyo or the Itosu Rohai and has more similarity with Gankaku (Chinto). How-ever, it should be studied both as a contrast with Itosu Rohai and a comparison with Gankaku(this comparison is planned for a future seminar).• Rohai means “Sign or Emblem of a Crane.”• Ironically, crane stances are absent from Meikyo; but, they appear in Itosu Rohai Shodan in aform somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. InItosu Rohai Nidan, a similar but lower stance, the kosa dachi (crossed stance), is used. In ItosuRohai sandan, there are no remnants of the crane stance per se.

GeneralGeneralGeneralGeneralGeneral• The idea of a polished mirror can suggest a recurrence of technique (this happens both in theMeikyo and in the Rohai forms) but can also suggest the idea of working to perfect oneselfthrough repetitious practice of the kata. The mirror is also one of the national treasures of Japan,relating back to its folk tale origin. Finally (and this is my own preference), mirror refers to the"reflective" embusen of the kata (see diagram on next page.)• Meikyo was NAKAYAMA Masatoshi’s favorite kata. Nakayama is reported to have said thatMeikyo is very similar to a folk dance performed to convince the goddess Amaterasu, the goddessof the sun, to come out of the cave she hides in (part of the folk origin of the Japanese people).•In Meikyo, the thr ee repetitions of a 45º angle (L&R) with a block and then a lunge punch wereoriginally all performed with upper blocks, but KANAZAWA Sensei (and Takeshin follows thisexample) performs down, middle forearm, and upper blocks. If we trace this sequence back to itsroots we get mixed results. The Itosu Rohai Nidan has a middle hook block and the Nidan andSandan both have upper blocks followed by lunge punches.

Other VersionsOther VersionsOther VersionsOther VersionsOther Versions• Generally, only Shotokan practices Meikyo; but, Itosu Rohai is practiced by other styles, notablyShito-ryu.

References:References:References:References:References:• KANAZAWA, Hirokazu, Shotokan Karate International Kata (Vol. 1), 1981.• MABUNI, Kenei, Karate-do Traditionnel Shitô-ryu, SEDIREP, 1995.• MORRIS, Vince & Aiden TRIMBLE, Karate Kata and Applications (Vol 4 ) Stanley Paul Pub., 1991.• NAKAYAMA, Masatoshi, Best Karate (Vol. 11), Kodansha International, 1989.• REDMOND, Rob, Shotokan Planet Website (http://www.24fightingchickens.com).• SAKAGAMI, Ryusho, Karate-do Kata Taikan, Japan Publications, 1978.

BUSHIDO-KAI SEMINARS, c/o 300 Eliot St., Ashland, Mass. [01721] 508 881-4007

www.bushido-kai.net

Page 3: Bushido-kai Kata Comparison Series Analysis and ... somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. In Itosu Rohai Nidan, a similar but lower stance,

Roland Habersetzer (France) performs Shotokan Meikyo

MEIKYOMEIKYOMEIKYOMEIKYOMEIKYO

(Shining Mirror)(Shining Mirror)(Shining Mirror)(Shining Mirror)(Shining Mirror)

The embusen of Meikyo is unusual. It is a diamond witha stem and two smaller "wings."One half also "reflects" the other.

"theoretical"embusen >>>

Page 4: Bushido-kai Kata Comparison Series Analysis and ... somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. In Itosu Rohai Nidan, a similar but lower stance,
Page 5: Bushido-kai Kata Comparison Series Analysis and ... somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. In Itosu Rohai Nidan, a similar but lower stance,

NOTE:This illustrated outline of the kata comes from KARATE-DO NO SHOSAI

(The Details of Karate-do) Volume 4: Nidan by Tony Annesi (Available through BUSHIDO-KAI BUDOYA, this manual includes 9 other forms, suggested

bunkai, as well as Takeshin Nidan sparring and kicking requirements.)

Illustrations for Itosu Rohai 1, 2 and 3 (following) were based on photographs fromKarate-do Kata Taikan by Ryusho Sakagami (Japan Publications) and were adjusted to conform to

the method of kata execution used in Takeshin Karate-do.

www.bushido-kai.net

Page 6: Bushido-kai Kata Comparison Series Analysis and ... somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. In Itosu Rohai Nidan, a similar but lower stance,

Itosu-ha ROHAIItosu-ha ROHAIItosu-ha ROHAIItosu-ha ROHAIItosu-ha ROHAI

ShodanShodanShodanShodanShodan

(Itosu-version(Itosu-version(Itosu-version(Itosu-version(Itosu-version

SIGN of the HERONSIGN of the HERONSIGN of the HERONSIGN of the HERONSIGN of the HERON

First Level)First Level)First Level)First Level)First Level)

O 1

2

3 4 5 6

Kenei MABUNI (son of Kenwa MABUNI)performs Itosu Rohai Shodan, from the French publication

Karate-do Traditionnel Shitô-ryu

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Page 8: Bushido-kai Kata Comparison Series Analysis and ... somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. In Itosu Rohai Nidan, a similar but lower stance,

Itosu-ha ROHAI NidanItosu-ha ROHAI NidanItosu-ha ROHAI NidanItosu-ha ROHAI NidanItosu-ha ROHAI Nidan

(Itosu-version(Itosu-version(Itosu-version(Itosu-version(Itosu-version

SIGN of the HERONSIGN of the HERONSIGN of the HERONSIGN of the HERONSIGN of the HERON

Second Level)Second Level)Second Level)Second Level)Second Level)

O

1 2

3 4 5 6

Kenei MABUNI (son of Kenwa MABUNI)performs Itosu Rohai Nidan, from the French publication

Karate-do Traditionnel Shitô-ryu

Page 9: Bushido-kai Kata Comparison Series Analysis and ... somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. In Itosu Rohai Nidan, a similar but lower stance,

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Page 10: Bushido-kai Kata Comparison Series Analysis and ... somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. In Itosu Rohai Nidan, a similar but lower stance,

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Page 11: Bushido-kai Kata Comparison Series Analysis and ... somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. In Itosu Rohai Nidan, a similar but lower stance,

Itosu-ha ROHAIItosu-ha ROHAIItosu-ha ROHAIItosu-ha ROHAIItosu-ha ROHAI

SandanSandanSandanSandanSandan

(Itosu-version(Itosu-version(Itosu-version(Itosu-version(Itosu-version

SIGN of the HERONSIGN of the HERONSIGN of the HERONSIGN of the HERONSIGN of the HERON

Third Level)Third Level)Third Level)Third Level)Third Level)

O 1 2 3 4

5 6 7 8 9

Kenei MABUNI (son of Kenwa MABUNI)performs Itosu Rohai Sandan, from the French publication

Karate-do Traditionnel Shitô-ryu

Page 12: Bushido-kai Kata Comparison Series Analysis and ... somewhat different than the hooked foot crane stance of Matsumora Rohai or Gankaku. In Itosu Rohai Nidan, a similar but lower stance,

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