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Building Your Personal Credibility Through Nonverbal Communication 1 Building Your Personal Credibility Through Nonverbal Communication Prepared Especially for the University Business Institute California State University Fullerton Speakers: Janet Larsen Palmer, Ph.D. Neal Larsen Palmer, Ph.D. “She’s Impressive...” “He’s Sharp…” How do some people simply “come off” so well?

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Page 1: Building Your Personal Credibility Through Nonverbal ...hr.fullerton.edu/documents/professionaldevelopment/... · Knowing how to read truth in other people’s body language

Building Your Personal Credibility Through Nonverbal Communication

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Building Your Personal Credibility Through Nonverbal Communication

Prepared Especially for the

University Business InstituteCalifornia State University Fullerton

Speakers:Janet Larsen Palmer, Ph.D.Neal Larsen Palmer, Ph.D.

“She’s Impressive...”“He’s Sharp…”

How do some people simply “come off” so

well?

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A Person’s Credibility =

Substance x Power x Openness

1916-2009

"But the truth is that accurate communication is really hard, and only a very small number of people

can do it well. … When someone does manage to properly integrate posture and gesture with speech,

we tend to give them TV shows. Oprah is a great example. We also tend to elect them President — like

Reagan and Clinton."Malcolm Gladwell, author of Blink.

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In faceIn face--toto--face situations, face situations, 93% of your impact 93% of your impact

comes through comes through nonverbal channels:nonverbal channels:

55% through body language55% through body language38% through paralanguage38% through paralanguage

Good Communicators Exhibit High Energy

HIGHHIGHENERGY!ENERGY!

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Low Energy

Diminishes Everyone’s Impact

3 Nonverbal Zones

Stability

Mobility

Stability

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Good Communicators are alwaysANCHORED

in a solid speaker’s stance

Balanced Off-Balance

If a person does not stand in a speaker’s stance,

credibility is diminishedby 38%.

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A too-high chin gives the unintended

message of arrogance, remove,

or belligerence

Good communicators are anchored by their

chin and head positions

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What do you “read” in this picture?

Joints of

Strength

Joints of

Weakness

Zone of Mobility

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Two “Classes” of GesturesOpen Gestures Closed Gestures

But what do I do with my

HANDS??

Rule: One hand may not touch the other.

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Find your comfortable “neutral position”

Standing “neutral position”

All but 3 have it right.

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Sitting “neutral position”

Only 1 has it really right.

A good communicator’s hands are expressive and open

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Leaving the solar plexus open builds approachability

People who use open gestures and show their palms comfortably and

frequently are more believable

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Be sure all of your gestures are sincere

Finger-pointing is a negative indicator

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Try not to make fists as you gesture. Fists are usually seen

as hostile or combative.

Crossed arms indicate that a person is closed off

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Crossed arms while smilingcan send a “mixed message”

Steer clear of “The Cowboy” power gesture

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What do you “read” here?

Good communicators try never to have a barrier

between themselves and others

Unfortunate

Got it right!

VeryUnfortunate

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Be especially careful of

making yourself a barrier

Body Barriers for Protection

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“Steepling”creates a barrier and

can send mixed messages

“Steepling” can also mean “I’m thinking it over”

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Clasped hands are power-robbers

How should you sit at a table for maximum impact?

Lean forward, resting forearms on tableKeep arms out of parallelKeep your “solar plexus” open and take up more body space

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Always have both hands visible

Lifting your handsoff the table shows more energy and commitment

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Knee-crossing is not recommended, especially for women

Women should use the “Queen Elizabeth” ankle cross

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High?

or

Low?

What is your level of “Facial Affect?”

You “read” people’s overall level of happiness by whether they talk

through a pleasant expression, even on neutral subjects.

Talking Through a Smile

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The The ““Eyebrow FlashEyebrow Flash””

Elements of Good Eye Contact

Irises in the center of a person’s eyes indicate

honesty and straightforwardness.

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Sideways eye

contact looks coy or

flirtatiousInappropriate Appropriate

To build rapport, focus on the color of a person’s eyes

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Good communicators build their vocal presence through paralanguage

Tips for using your voice to build credibility

Work on your voice quality.

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Tips for using your voice to build credibility

A warm voice invites collaboration.

How to Turn a Boring Message Into a Compelling Message

eally hit key wordseally hit key words

peak in short sentencespeak in short sentences

ause between sentencesause between sentencesause between sentences

olume by 50% olume by 50% -- 100%100%Increase yourIncrease your

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Tips for using your voice as a leader to build credibility

Emphasize key words

“We are REALLY DEDICATED to the SUCCESS of this PROJECT.”

Emphasize key words to avoid a monotone.HR’s POLICY is to VERIFY resumes THOROUGHLY.”

But this…

Not this…

Stressing key words widens your “band of inflection.”

Tips for using your voice to build credibility

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Definitive

Downward inflection is always better than “UPTALK.”

Tentative

Short sentences reduce “uptalk”

People who

speak slightly louder than

normal are seen as more

intelligent and confident

People who

speak slightly louder than

normal are seen as more

intelligent and confident

Tips for using your voice to build credibility

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Tips for using your voice to build credibility

Pause to let the audience “get” your thoughts

“Universities are addressing the funding shortage in creative ways.”

“One successful approach is…”

<PAUSE>

People should speak slightly faster than normal, but keep articulation clear

We speak at 150-160 wpm.

We can hear 750-800 wpm.

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Tips for using your voice to build credibility

Avoid fillers and hedgesAvoid fillers and hedges

“I don’t know if this is the right time or

not, but…”“Well…”

“Kinda”“Maybe…Sorta”

“Um, uh…

“Perhaps”

“Like”

“Ya know”

The nonverbal “winning edge” is:Using body language to enhance your credibility

ANDKnowing how to read truth

in other people’s body language.

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How To Read PeopleBetween Their “Lines”

Highly Developed Professionalsare Good “People-Readers”

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Keen Observation SkillsAre Most Vital

When the Other Personis Managing

His or Her Message

When “Deception Detection” Works

Con artists can even foolthe “experts”… for a time.

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This is the only foolproof way totell if someone is lying.

The Concept of “Leaking”People with a conscience will always reveal tension and discomfort when

they aren’t being fully truthful.

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What People Can Control When Communicating Face-to-Face

1. Words2. Facial expressions3. Eye contact4. Hand gestures (emblems and illustrators)

5. Pacifying gestures6. Whole body cues7. Feet8. Micro-expressions (including eye-covering)9. Emblem “tells”10. Pupil dilation

/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\

\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/

(In Diminishing Order):

Control Level 10:WORDS

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Control Level 9:FACIAL EXPRESSIONS

The most common facial expression is the

Control Level 9:FACIAL EXPRESSIONS

Paris Hilton Eric SchmidtCEO of Google

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Control Level 8:EYE CONTACT PATTERNS

Control Level 7:HAND GESTURES

Sacha Baron Cohenas “Borat”

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Control Level 6 (relatively unconscious):PACIFYING GESTURES

Control Level 5 (relatively unconscious):

WHOLE BODY CUES

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Control Level 4 (relatively unconscious):

ANGLE OF FEET

Is she really in the picture?

Control Level 3 (always unconscious):MICRO-EXPRESSIONS

Former NY Governor Eliot Spitzer: Contempt/DisgustMrs. Spitzer: Classic Sadness

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The Seven Universal Emotions• Happiness• Sadness• Surprise• Fear• Anger• Contempt• Disgust

Micro-expressions are always composed of one or more of these.

Classic Happiness

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Classic Sadness

Classic Surprise

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Classic Fear

Classic Anger

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Classic Contempt

Classic Disgust

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Control Level 2 (always unconscious):

EMBLEM “TELLS”

Control Level 1 (always unconscious):

PUPIL DILATION

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Control Level 1 (always unconscious):

PUPIL DILATION

Definitive Book of Body Language by Allan & Barbara Pease, p. 167

Which picture do you find more attractive?

Detecting DissonanceFirst, Always Find a Baseline

Katie Couric

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What Body Cues to Look For…

Keeping Something In:Mouth-Covering

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Keeping Something In:Mouth-Covering

Keeping Something In:Mouth-Covering

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Feeling “On-the-Spot”:Nose-Touching

Feeling “On-the-Spot”:Nose-Touching

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Feeling “On-the-Spot”:Nose-Touching

Keeping Something Out:Eye-Covering

–J. Navarro, What Every Body is Saying, (2008), p. 177

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Keeping Something Out: Eye-Covering

Keeping Something Out: Eye-Covering

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Keeping Something Out: Heavy Blinking

Signifying Self-Consciousness:Pacifying Gestures (Preening)

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Signifying Self-Consciousness:Pacifying Gestures

Signifying Self-Consciousness:Pacifying Gestures

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Signifying Self-Consciousness:Pacifying Gestures

–J. Navarro, What Every Body is Saying, (2008), p. 49

Angle of FeetShowing Exclusion/Inclusion

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Leg Twitching

– J. Navarro, What Every Body is Saying, (2008), p. 79

Body Facing/Leaning

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Barriers: Self-Inflicted

Barriers that Pacify

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Barriers that Exclude

Micro-Expressions

A sneer fleetingly signifies disrespect or disdain. It says, “I care little for you or your thoughts.”

–J. Navarro, What Every Body is Saying, (2008), p. 192

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Micro-Expressions

TITLE???

“What you arethunders so loudlythat I can not hear

what you sayto the contrary.”~ Ralph Waldo Emerson