buddhist rock cut architecture in india
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BUDDHIST ROCK CUT ARCHITECTURE IN INDIA
The Rock-cut structurespresent the most spectacular piece of ancient Indian art specimen. Most of the rock-cut
structures were related to various religious communities. In the beginning, remarkable Buddhist and Jain monuments
were produced in areas such as Bihar in the east and Maharashtra in the west. Numerous caves were excavated b
the Buddhist monks for praer and residence purposes. !he best examples of this are "haitas and monasteries.
Inside these rock-cut structures monks carved windows and balconies and gates in the shape of huge arch shaped
openings.
#ock-cut architecture occupies a ver important place in the histor of Indian $rchitecture. !he rock-cut architecture
differs from traditional buildings in man was. !he rock-cut art is more similar to sculpture than architecture as
structures were produced b cutting out solid rocks. %ome prominent rock-cut structures of ancient India are "haitas,
&iharas, temples etc.
Buddhist architecture in $ncient India was a good combination of traditional structure and modern concepts of the
time. !he principle contributions made b Buddhist architecture and art of the time were these six. '() a series of
edics inscribed on the rock '*) a number of tumuli or stupa '+) certain monolithic pillars ') several monolithic
accessories to shrine ') the remains of vast palace ') a group of rock cut chambers.($mong them that more
directl affected the course of art of building were the stupas.
Buddhist architecture nowadas can be seen through Stupa, Vihara & Chaityagruha. Stambha andCavesare also of great importance.
Chaityas And Viharas
"haitas and &iharas are those rock-cut structures that were hewn out for Buddhist and Jain monks.
"haitas were places of worship. "haita derived from %anskrit word chita or a sacred spot.!he traditional chaita
was a grove of trees in the middle of which small tumuli of earth had been built up over the ashes or relics of the
Buddha .Buddhist monks instead of wandering and begging for alms started settling down around such chaitas.
Monks in viharas erected stupa along with viharas also called "haita /ruha. !he plan consists of an apsidal ended
hall with closel spaced pillars at each side, forming aisles or ambulatories. $ stupa shrine is placed in the apse,
farthest from the entrance. !he roofs are semicircular in section and ribs represent the original timber members of the
prototpes are cut from the rock. !he fascade normall contains above a low entrance portico, a horseshoe shaped
window filled with rock-cut or wooden tracer which admits light to the interior. whereas
&iharas were residence of monks. &ihara is a simple dwelling for monks and nuns. 0hen it is raining outside. Buddha
prescribed five kinds of abodes for the monks. &i1 &ihara ' monaster). $ddhoga ' 2inneled house), 2asada ' Big
building), 3ammia ' $ttic ) and /uha ' cave). !he term &ihara was generall used in the sense of monaster.
!he Buddhist and Jain monks usuall staed awa from the towns therefore the developed "haitas and &iharas in
the hillside. Most of the "haitas and &iharas were constructed in western India. %ome of the prominent places having
"haitas and &iharas are 4arle, Nashik, Bha5a and 4anheri. !he rugged hills of the 0estern /hats were naturall
suited to the creation of living space in the hillside.
Chaitya place of worship Vihara dwellings ofmonks
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Karla Caves Architecture
Buddhist 4arla "aves are one of the finest examplesof ancient rock cut caves to be found in India. !hemagnificent hall that adorns the main cave reflects thehigh degree of architectural skills of the artisans whocarved the caves on such a beautiful and difficulthillside.
!his complex of Buddhist caves are built on a hillsideand is one of the finest examples of ancient rock cutcaves. /reat windows light up the interiors and thehave the large collection of "haitas or halls. $t theentrance is a recentl built temple, accompanied b apillar from the Buddhist period. !he facade of thetemple has some carved temple screens, with railingornaments and human couples. 6uter and innerscreens form an antechamber to the main cave. !he panels of wooden doors and windows are ex7uisitel decoratedwith intricate sculptures of couples embracing. $t the central doorwa there are sculptures of the Buddha preaching ona lion supported throne along with magnificent carvings of three elephants. 8ifteen pillars adorned with carvings ofelephants, men and women riding separate the narrow aisles from the central arch. !he portico of karla caves iscarved in such a wa so as to give it an appearance of finished wood and has a large horse shoe arch at the centre.
The Caves
#ock cut structures are one of the most
primitive forms of architecture and are found in
man places in India. !he first rock cut temples
are a part of the Buddhist stle of architecture,
which originated in India after the death of
/autam Buddha 9 the founder of Buddhism.
!he large number of cave shrines abandoned at
various stages of construction gives us a hint on
how the were dug out. "aves were created ingroups to provide accommodation to workers as
there were not man resources in this ver
small religious communit.
!he 4arla "ave complex has a number of
"haitas or praer halls which have been
carved in a great precision were for
congregational worship which distinguishes
Buddhism from 3induism. %imilarl carved viharas were dwelling places of monks which consisted of cells cut into
walls around three sides of a hall. !here are no images of Buddha but onl smbolic descriptions. !he caves had
arched entrances and precisel carved interiors.
$5anta caves
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Stupa
0ord stupa is derived from the root stup, meaning to heap
and suggest the mound shape and method of construction
of these editices.
!he initial function of a stupa was the veneration and safe
guarding at the relics of the Buddha. !he evolved into
large hemispherical mounds with features such asthe !orna - /atewa
the &edica - 8ence like enclose
the 3ermika - $ s7uare platform with railings on the
top of the stupa.and "hatraashti - !he parasol or
canop.
%anchi, Barhut, "haukhandi, :eorkothur, :hamek
stupa at %arnath, &aishali, Nalanda, #ambhar are some
of the welknown stupas. %tupas show the diversities in shapes but unit in techni7ue and purposes. !he original
models for stupa were those raised in brick and stone. !he well preserved earl stupas at %anchi and elsewhere show
that the drum and dome were constructed solidl and the capital and umbrella were later added as separate pieces in
stone.
+
!he forms of the later two items happen to be copies of wooden models, so it can be presumed that originallthese parts were in wood onl.
Stambha
!hese are monumental pillars standing free without an structural function
with circular or octagonal shafts. Inscriptions were carved on the shafts.
!he capital which was usuall persepolitan in form was bell shaped and
crowned with animal supporters bearing the Buddhist chakra or wheel of
the law. !he $shoka pillar consists of four components ; $ lotus at the
base, a circular abacus carved with an elephant, a bull, a horse and a lion
separated from one another b a wheel and four lions set back to back over
the abacus. !his capital is the emblem of the #epublic of India.
Buddhist temple architecture
$t the age of Mauranemperor$shoka the greattheMahabodhi
!emplewas built in the form of vihara.
!he Mahabodhi !emple at Bodhgaa 'Buddhagaa), Bihar, since
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