bob ross- the joy of painting

8/7/2019 bob ross- the joy of painting

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C O N T A I N SH U N D R E D S O F

'H O W T O 'P H O T O S



IMA'TERIALS2" Brush1" Brush

' " O v a. ~I 8l 'lJ s h'"' Fan B rushiIt:2Script liner- BrushL arge K .n if 'e1 1e ,x 24 Canvasliqu id VIJIlilteTltaniurn WhitePhthaJo GreenPhlha.lo Blue

Sian by c,ov.ering the errUlI"ecaJl 'lll,aswith ,a thtn, even coatofliquu:ll Whi[f!I,! .Ising the 2" t rrush. Use ~on:g horizontal and1oI 'er licals t rokes" workingback a nd 'Io rt h to ass ore an ev,en

d i st rl b ut lo n Mpa ifit 'e m th e [lei nvas, ,[10 nct a,j ow 'Ih i3 LiqUidWhHe [0 d.ry before you begin.

SKY AIN,DWATER

Pru.ssl~n 8 ,1ueMidnight IBlack

D a rk S ,i :e nn aV.an Dy k~ IBrownA,IiZIl,rlnGr imso.nsap GreenCadmium Yellow'fellow OchreInd ian ' \f el lowiBright Red

Brighl Red Use 'liny ctrcular Sirokes 'to add the cloUds,allowing someto ' ' f I ICl 'at~flgtn~ o fi the' canvas. Wi'IIi ju st 1 1'1 01 3topeomer 01 'Ihe el,ean! dry 2" brush, again uS9smail circular

mouons 10 b le 11 1d out the ba ,!,€,0 f l 'h e eTC!u ds and th e Iil '96:'nUyhf t upw.ard to "Uuff"

IMOUNITAINIThe mountain is mada with a mi;du re of Midniglirl'I ' 8la,ck,

Prusslan Blue, VtH1 Dyke Brown and Alizarin Crimsor'l(T oo m uc h A H1:arinCrimson willimak,'9' ycu.Jlrmountatn look:purpls.) Pull the mhflUfQ nul very fla1en your palet te andjust "cut' ; across to load the IOlng edg'eo01'the knife ! ; 'Jol ,nasma.~llroll td paint , Fo rm ' th emounl~.in'ILI$Jin'g firm ,r;lreSiSUre10 p ush tlhe paint Into the canvas, A' I' t his point you sneuldbe r ::oncemed with onh' the IJ,ery'lop edge of your moun-'lain, do not allow 'the paint 'to e.xtend to the base 01 therncuntatn. WMf'I you are sat,isfied wUh nle shape of yourmounts Pi ' l ltop. remove any excess paint wI1ha clean knl-e.

Compl,e'te Hue €loUr,a mountam 'shape b'y u~jl'lg' a deanl.dry 2" brulsh 1'0pull down 1he p,~i I1 t'from the top edge olin em o u nt ~in . a I Io w~In 9 'Ih e coilor to J rl l ~Ii; W I I,h t ill e' L I C lu I d W hiteand become qui "E I lighl as you ncar the ba:si;! of Ihemountain,

The snow onme rnoumaln is made b~Jpulling1lue Tita-nium Vih~'le out v'ery Hat , 0111th,e p a ~ e U 8 and jusl ",cutting"across ' to lo ad th e 1 0n 9' e dg e'of 'Ihe k.nife with a srnarl rail ofp a in 'L To uc n I h e 1 '0!! uj ,e d k n i' le 't c t he t ,o 'P e d 9 ,e 01iii9 C h pe.akand, paying' close anannonte fH'Igles g,I'lde the Ilcaded

'K,nireI j,Qwn the sunny g, ide l in lhies, case, 'the right side) ote a, ch p ea .k , U s e8,0 little pr~suj'le t ha t t h e p ,a i! 1'1i s a ll lo w e dto' lue,ak" The SI1IOWoflHle shadow 5i'.rje of the peaks ('titleleft side) is made tl1e same way usfng a mi)!ttJre of Tita-nium While and PruSls,i,an Blue pU~lled ln the opp'osHe'chrect:ICHl,

o m mae 'Ihe base 0 fthe m e u ntafn b y ts pp~ng I i 9 ' 11 ' 11)1"wi th ac:1,ean. dry 2" brush and t hen genl ,i )!iliflupward. following tbe,9 n 9 le s. t o c r ,e a.t ~t :h a ill u sion of mhl,t

Load the .2" brush 'will a . very small amount 01 Phlhal,o8 ~us, Lapp i 1" 1g I 'ihe'bna t i lesl irm Iy aJga inS~ tih·ill 'P,ii!lath! to us urea n E h'e ndistribu1ion ot pa,in1Ihrough:oot 1hebris1les. Sta,rlatthe top oif tlhe',can~ns m a :lk in g lit tle u rt ss -c rc ss s tr ok es e U ow -ing ~he ector to mill;wi~h the UqlJfd Whitt 's Bindbecome lighter8S you near the horizon.

Wl'thou'l clesning 'the brush, pick up a ,little more PhthaloBlue Bind ~ ~ ry small am-a 1 .1n1' of P f l tfAiii lo G reen. Use I,onghoriz :onta l st rokes ' to ad o Ihe water. holdfng th;e .brush l'Ial

and puHing rrom 'Ihe'outside edgJes o rtho!!!canvaa In tow,ara.sthe center ..Allow thEn canter area 'O fthe' canvas LO remaJ,nQu~teIIg'ht, to c,r~a'le'ihe IlIusjem 01 shimmewing IiglH acrossltUl' water.

Ch;~an Bind drylhe 2" bruah C l n aa,gal,n use nrlss-cross,stroke's '10ble('ld Ihes,ky and long hm'Jizontal slrokesto blend~h,awater area,

For the CICIIJd!S, load the 11;; brush by pulling h in on edjrEiclh:m through ~helitanlum. White .and just a TOUCH ot;

13



fOOTHILLSTo, lhe mountain m xture of Midnight Bl lack. Pruas ian B· IL ie ,

V an Dyke !Bn:lwnsn d Alb~arin Crimson, ,addll1taniurm Whi1'1:!!B,nd a Iittl e' Sap G reen fo 'r 111e ioo,'[hm rn i)i tu re. To. a s rna llponl.QfI otthls new rnlxture, add more Tltanlurn White lor Ii!ilghtl;!lI"wlu€!

LOladthe 1 !' o val brush w ith th ehgl1t8r rnifol.ture 4iI.ndh:oldmglhe b nish lIatagainsithe oaml~. lust tap In the tops 0 11118

smal iloothil l t rees . M's t the base of t tl 'a 'feeS hy t apping with a.c:~Elart,dr y 2'"brush and then gently un upward. .A!~Qwjlnglhismist to separatetha lay rs, load the 0 \ 11ail bwsh witlh tliledar~ermtxtureano add 3 1 '1other range 01hills. Yo u can add ss manylayersot hills 850 y,au like, always allowing me mist 10seaaratea r id 'l. he h U I5 to b ec om e aa rk1 9r ~ s yo u w ork to ! 'Ward .

ElACKGIROUNDLoad Ih e 'f.~ n b rus h w illha mi)(tureot Midnl 'ght Bliar.;k,

prUrssl,anBlue, Sap Green an d Allzann Crimson. To c re at e[ us t 'I hemdlcatlen o f 1 he sm all e ve rg re ,e ns atth e ba se o f Ih E!foot hill I s. hold the brush vtlrtical'ly and just tap downward,D o n't m ak e I,It1Ie rene epos ts: ko oplh~IUPS 01 the ~re astH"Ie'll8i'i To relleel the trees into the W[l le f, use the 2 '" brushto lust g'rab the paint at the bottom 01 .he trees and pulls'lr~;ighl down. 'Gently (three hairs anid some au) brushac ross to give the, B neel iansa wa.tery appea ranee,

Fo r t he w a ,t er lines. add a small am ount 01D,errkSienna 10some liquid Whute on,Y9ur palet'le. f ull t lilis mixture out f lata,nd just "cut" across to load t h , € l19119edge ofthe kni'~e. Pl.Ishthe knife slraighl, i n to the cenvas a l " ' 1 ,duse f irm pre,ssma 10add the water unes. Make sure the wOller doesn't "run ofl"' the-e an ve s, aIwa '{5 keep the'water iines a nd dpplles h Of lzonta 110the lop and boltnrn of the canvas. You can L Is e 3 little:Tita-mum White QI1 at clea .n fan b ush 10 gently 1m upward at tnebase otthe trees to give the impression o rsmall '!re,e.nmks_

Mak.e:a dark md,!(hlre-on your paiet1e of Midni.ghl Black.PrUSS;i '!nBlue, Van Dyke Elrown Alilarin Crim~on ,and SapG ra a n . Load the 2" bru s nl w lltn l 'I:hrs m ixtu ra by p ullin 9 .3 rid..wliggh ng 'I bOUh ,S , jdes 01 the b r ist las I. hmug Ii tne pa in t: tolorrn a chisel edge. Form the li3Irge BiVi!! r rg"ra l l i l1sin the rore-gmuliHj by holding ~Ile brush v,ertlc·alhl and just to!uchrng [h,ecanvas [0 CJ'98b3 ' ttl,a 09't'I't,er HrlGl of the traa. Turn the brusht"iorizon1ail'y and beg'lf'ladding lhe.5ma JJj branches at the top

o the tree by' u,s'ing just o ne c or ne r o-fthe b rus h. Work. m 9from sldeuJ side and fe,rcinglthe bristtee to b~nd downwarn.use morepressure as \Iou near the base of the tree tdlowingt he b ra nc he s t o b 'B oo m e~ar9e.r

To make the lear-trees and busnes, pu III t he 2" brushthrougih the dark mhdUire n one direction 10 round ! ;l, necorner. With 'Ihe rounded c orn er up,much the canvas andgentl y 'Iorceths b n 51tle s to, be IId LJpwa rei w h Id eshapl n g thet rees and bushes

Tree 'trunks are a mIxture of Dark Sienna and Ti'lamumWhite loaded emthle IOfi9 ( g , c g l e , 0 1th'e f);;mre1imd,juslrouchec10 the canvas. II add~d s lll '1'8 Pruasian s rue -to the rruxturel'OIF tha leaf-tme rrunks.) To make! a wider TLJnk, give "h eknife ,a 11~lIIesideways :PIJIIILUse 'the point 01 the k.nife: '0scretcn lin small branches and trunks

Higllhllghl theleaf-tre,~s, I'iInd' busnes b y dIpping lhe 1"brush Into Liquid Wtliltl and pulling I[ 1hr'ough varlous rmx-h..l,i'e,solSap Green. a.!I~the Ve~lows and ( : I . I IUle Bright IRed.Pulll Ihe brusl1 through rhe paint in QI'1,e dlrectlon to roundone corner. with tile rounded eorner IIp,. very g.entlv touchI'h e c a nv as a ndtorcetns brlsties tO I bend l IPw,gj .r c ie s you·!ormind~vidual t ree and bush shapes, HI:glilllfllu the El-vergreerl5w iU '! S ap G re en a nd lbringing th e b ris tle s to a c his ,e li e dg e.

TIh~ grass,), a U'Ia at t h EI bass cr t h.~ r,o reg r o u ndt rees isr na d ieby tu rn IIng the b rus h h odzont Billy, 1ollch in .g lh e e ll! n v asand 99'8io forcing th.e b,rlstles tO I bend upward.

FIINIISHIINIGTOUCHESUse~he kn·ife.wnh Van Dyke' Brown and hom:ontal8lrokes

o add' tit! patn In Ule f.oregrclIJnd. Highlight the path WIth am O c .t ure o f V, an D y k'6 ' B ro wn ,PruSS'lan BIU6 a nd T na nlu mWll~te on Ihe knife , alk:nNlng the paln! to "break", Add s,mallbushes and grassy areea extending O'li'B the edges 0 tlhe'path [I) set 11into UU! palntlng, Use the pcint of the knifa 1 1 5 1

5cratc:tlin amall $Iiclot.sfllild tw~gs,Dip the' llner brush Into painl thinner Slc ,wlly turn the

brush 88 yQt,1 pulilit I:lnrough i,ourslg nature paint (Q clng thebmiXIesto f- orm a sh a rp poi rn U Sin91 very I'Ittle. p j " i1 iSS Ure andjust the polnt of th~' brush. s ign y-our FnHsterpi9ce_ Standiback, and admire, yew have lruly experienced the Joy 0"

Pamtlrig.



51da to 51de sndlore ~ rt'g rh~l' h ris lie 10bend [jIO:Wn warn usamore Pfl;l'5SU rea rs y ou n ea r1 hI:! base "It h~t rEi€!aUOWHl 9 U l@b r en cnes t 0 bee orne Ia~ar.

Title '~\ '·argweliJn'!ru fl Iesa ,Iil a rn i:lfhHe of D ark S ~enl'181an dTitanlum W h Ile h ,) a1 d E!'donthe long edge o! tnt! knile and jIJstt OlJ lc he ~t .o th e c an va s.L oa d t he1 '1G va l b ru sh - wH .h i. 8!ml:dur€:or Sa.pGre!!!n and CadmiumVeHow "Wiggle"lhe brush asyou pull the b'rist~es through tille'paint to form a ehlsel edge.Justtouch Illis higlhligl1t color !O Ihe branches 01 the ever-

greens :wher~ theI~glhl ! , iVQu~dstrike.Contl ll 'lue highl~gnling t lhe backgroundl grassy areas with

varleus mixtures of U 11 l i JYBlllowsand Sap Gr'8li1f1 Of'!' II l l i l-2"brush YOUI can c.rell.te shadow areas under the trees bya H o win'g y !OLJr b ru sh to I pic lo :u p30m e 'O rth e da r r i kbas e co le r sf romlhe t rees,

C:AIUNlQad 1116 koHe wi'lh a small 1'011'01 Van Dyke Brown by

pulling the paint cut nat -on your pale tie and Just "'CLJtI~ng"across. Touch lln,e knih!!to thll;;!canvas a~d llay lnms backedlg,eof the mol'. PayTnhi cl OS€!,attent i! O11to ang lies. pu IIdownthe frorr[ of lhe' fOof . flndthen add Ihe rrDnl~nd the side orth.eeabm, W'Itha mi'xtufea~f Bright R,edSl.ndD3rk Sj,e';m~ontheItn ['·Ie."boll nee" a lilt IB colo r on Ihe f ;ront (I r the root W lith aI

m~xti !m31of Tltarnum WI")lte.Dark Si~rlrla and Yelilow Ochrsh~gl1lligllhttrm trent Q if'Ehli: cabtn, using so IlltHe pres sure thatt he pa~nl "b~eat! .s" Use tne same mlx ture 'NHh 1113.&$White toMghligtlt Ihe s ide o~HH!!t=a 'b in . With l iI ,e pcinto] the knl'!a,scr,atcn in b,oard jncllicabons andtnen remove any exc esspa~r1t IrQm lhe bottom ofl h a buHdling

Use van D y ke Brow n to add 111e HU'Ie shed to th,e sil!je ofthe cabin, Start with the roof, Ihel'1Ihl3'~fO!ilI81nd side. AgBin,add the Bright R'~d a nd D a r: k S ie nn a m lx U.J lre to th e ro ot, th enhlghlight t hef l' o. nt ·or t he shed. Use' t he small knife to hdgh-ligh,'1the side 01 the sMd and "CUlt:-m"th,~ boards. SUIIIILls.iogthe smar'l kmfe and Van D'Ikf1! BroWlli, add the wind'ows.UsJngtth e highHghl: colors (~,UIhe i'alh)W's and sap Green)on lhe 2~"brush. tap in the grassy areaareund the b!;l~gHhecabin.

fOREGR'OUNIDPaymg erose ilt.tentlon ·~othill"l,t1Iy-ot·the~land". continue

wark.lngfofwilrd ~n Ihe pai~llngl will, [h,'ll'9ffiSSy tnighlighH~

Load tJ'lJ'82" brusn to a chisel ed,ge wilh a mi:dme ,ofMu::lni'gl1t EUack i Plrus8ian Blve i:md Sap GrQar!. Form thalarge e ve rg r,e en s In th efOreground by hol idifill,1the bfll.Hlih\lertica IIy and j IISit ouch in 9 Ih e e an vasto c re a te Hle centerlrne oj 'each Iroo. Turn the; brush nlcmlont~)I~y and beginadding t:h~$m.ilI~1branches allhe' top Q 1 fijh'etree by using ~uslone corner or Itle. bmsh WCl! 'k~lr1gkorn side to s ide1l in idforcln-glhe b,risUec5to bend ,downward' . use rnorepressu re asyou near Ihe IbasJlQ! tn.: nee allowm.g the branches 10

become 'arg~r. Continue u61ingl trus dalri -; 'C:DIQrto adg, 1.1"18.1.1!.ndmass itIIlt;h·mba!l.~orthe foreglrouflldtrees, U se Si mtxrureo~ Van Dyke BWWfll and T rta aium W hile o n 1 11 19k .n ifE llojusl~rild~catethe tree trunks, Highhgh'llhe branc,hef.H:1Ithe trees"",i'~hSap Green ~nd Cs:dmliumYellow on Ihe'" oval brush,~u~llo'uc;hmgwhere yOL! think lihe light would st rike.

!Hlghlight I he g ra ss ,V a re aunder t he tr ee s u s.m g v a, rfo usrrnx'tml!!s O 'fall ths Yel~crli' i5:and Sap Green OrJI the 2 '" brush,

F~INIISH1~NIG~TOUCIH!:SU se U il~nns rand \Ian [l yke EIfQWIl on the IIn:e'rbn~s h to ad d

the Ii ny fienc e in the bac kg ro Und The I illr ge loreg ro u n r::l

, (, reneeI s.mad€! with Vaf~D y k . e .Brown onthe long edge oflhehuge knife. Hight ight the riglhtside ot the fe nc e p ests w llth;;lmixture o~Van [JykeBm'wn and! Tl tanl urn Whi~e entha kn~fe .Use liquid White and the hool of UUl kniJ~ 10 "cui-in" Ihef lence w~re . s.

Witn Ihifinsdl p 0 9 1 rn O r '!the liner' brosh, s l . g ~your p8iinUng

1'8



II. U 'U l!crll~trQUI U U k "l :s . ••

1. Tr l_ l!idl~lIw iI"I i :a J l , e -d 1!1I1 t1 l i ! !U Illl1lllndibr lWi t .

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""a T, q id i l lWnwafd' il 'liIh!h I 1 "o,nlbr l~ : ! ih ! 1 l I1J ; I I J I . l ' e

l 'o o 1 h l ll s . ••

4 • •. . U i I ~ nU~ rr:rilJlI~W itillite~p c a r n e r01Ot 2 " l i m m1 .11

m a l e ,lIlilit l l ih aIlYatil.

I. l J _ elii, l i n e r~1"!u l1 i .w i t hI' Ih lnI P,l nt • ..

1 1 1 .nil lin I!:rmb IsIIlnd ••.

12. Ti'itltni!lti)UM I i i .flia 'Iwa:va:l l t l f i i l l ' im a t l twllh'lb,tn t f l . 1 , 1 1 1 1 1 0 0 I II P i II 'i m l~Ialh-

IIlglb lion Ihl I !IIl!i'-mdi't&~'t

"'Howf;o"pntlfographs t o r ( ,I l' ispaintingccmtinued ,o n pa ' , g l l l '65



3 . T W IN F A L L S ,

IMATI!,IR.A,LS2" Brush1" Brush

# 8 F a, n B r us h1 t 2 'Scnpt Liner Brushlarge KnifeSmall Knife18 x 24 CanvasLiquid Wh rleLiquid Blae'kThanlum WhileP h t ha i1 '0 '1311ue

Pru s s i ~ U " 1181usMidnight Black

Dark Sienna,Van Dyke BrownA~iz;arinCrimsonSap GmenCadmium vetlowYe-liow Dc h reI In dia n Yell, owBright IRed

BACK'GROUNIDload ~h8 ;2'" brush wilh Phthl'llo Blue, Midnight Black and

AlizarmCrlmson, WiHl ~ust one cornerel LJhebrush, t ouch the

eanvas and pull dow n to sihE l!IJ 'e the d'istant 111111,Allow thebase of UHil rnll te remain ~ery soil and rnialy.L oa d 'Ih e sa me2'; bn.l$h w ith M .dn~gh t B t ao K , va nDyke

Brown and Dark SH~nlrt~. Hold the brush no Izantall'¥' and lapIn the d!ar~,base c o, la r , ofthe ground 8re81 under Ihe dietanlhill, Payclose ausnnon totne "lav-ot-the-tand" and becare-lui not to "kill" the misty ama ,]I' he base 01 the hill Use 'Ihesame b:I"lLiSh1 .0pick up Oadmium YeHow and some Mid!lignt61ack '11'0make Green] and lillghhght' the grcnHid atea stillusi n 9 a tappj ng motion.

Again IJsi'fig Ihe same brush, !'llck up Mldnigllht Black. vanDyki1!Brown. D ark S ienna and.Al12arfnCrimsoni Workingcrward in your painting, l'ap i lF ' !the base color 01 the small

hill I) the ~8fl. High ligh't thlis grassy hi rl w i I'D al~ the YeUowsan d a' touch olf Bng hi' IRed..With TtI~r!I!Jm 'W11it.eon Il1eralnbrush, use s , m E I I B .sW'E!9pin'9, honzontal 'strokes to create e ,s an dy a re a a t th e b as e o t th e h ill. E ."o C.te ndIhe g ra ss y a re a o ve rthe edqas of the sand !Is ing the ' h ighll jght colore 01 1 the 2"brush With S.Glean, dry 2" brushl tap me base or thdls srnanh~1I10diffuse and mist.

TIREE:SThe arna I I e1;lergreens in the t Iac~k.gtround a ra rn ade b~

I'oading the ton bn.ish with a.rnieturs '01Midnight Black, VanDyke Bro' uf i, Sa Green !;lnd Prussian Blue, Hold the brUSh

yerlicaHy' i lr ld i. il ll st t a p d m lv n w et rdto ind'lcate t l' le Sdl"l !f ;)111trees,The very ti ny, dista,FI t rrses i, e ~ b e made by hoi d j r ig 1he brus hV'i:HtlcaJ~yand bendIng the bristles upward,

For larger; more distinct trees, hold the brush veri:lGall~'and jus:!:h)~J'ch Ihe canvaB to create th e center 1,Ineot eachuee. Turn the brush horlzont.ally anc begin ,adding the smallbranc nes artthe top Q fthe Irea by L !$ ,i09 ill 81one GO filer '0 r thebn...ish. Wor'kingIIrQmsl{h;!IQ5~de and l'ordn9 the ttwfs1'lestobend downward. LISE:more pressure as you near the base of

2 1

Star by covering Ihe enure canvas witih a thin, e\H~n coat01 Liqudd White usinglhe 2" brush Use' long' horizontaland'\,[Ierlic:adstrokes.work, lIng back and 'forth teassure an evendistdlbution 0 paint on the canvas. Do n,oI .allowlhe LlquidWhite to dry before you be'gin

SKY AND WATER:Load the 2" brush w'lth a mixture of' Midnigh' .Black and

Phth.allo, 8IU,e, Using Just the corner of the brush and smalle lrcular s trokas , "dance-m" thl is 8IIue' -Gr,ay color ~ntc, ' Ihes, ky leaVIng some ' Jpf llilings, allowing" some of rhe liquidWhi1e to shawlhf'ough ,Add a TOUCH of Ah,zarll'l Cnm5 10!'1

1 0 ' t he s eJ m ebrush and s.bIIIusing ctrcular strokes. add a millecolor to the White areas in rh a :sky Clean Brad dry Ihe 2·'

brush the n I ig hUy ble nd l1h~en ti reSKy area.~d!j some Phthal CI 81ue illn d Mid nj g'ht B Ieel>:1'0 [:he sa rnabrush and luSI use long howizOf'l'EaJstrokes to add the water'10 til"",!:!bottcrn Ihalfaltha canvas.

load UUl 'fan brush wi111Titanium WhJte l.Jslfl,gfilffll1 pn~8-SUire, "bounce-in" rhe cloud shapes rnto 'the sky, Use thek n i1 13to remove any excess paint. WUh acJean, dry 2" brushbol'e'rldt he cloud S \ J s i n 9 [! nss- CfOSS 8 1r o k ,s s, B i ! !I 'n d I h een l iresky' L . J c ( ; ; i n g~Of'lQln on zo nte l s t ro ke s.



the tree allowin.g the branches to' become larger. Us,atnapclnt 01 n~ektlih!lto scralch in small trunk. tndlca.t!QI1S

Use the same daMklr~ ' r rnxture onthe 2, '1brush to extendthe' land area under th ,e :,e \ iergreen ' t rees!:Ina also to lay in tha!and area on IhE! ri gh '! S,jjj9' 01 I he pa in il n g. Th IS WI" be ~heItl 'l :iginnlng ot the warer so, sliJIl!.Isingl 'Ihi:! 2" bl'ush, grab thedark color 10r th~ land a rl d puII st raj9hit down (to createreflectlons) and gitmtly brush.,across. Use a clean, dry 2"brush 10 ~igillight grass~' areas w l1li amixture o f M id n ig h l8 ia c! k, 6 111th I:! YeU QW8,. Da r~,Sien I'ia and 8 r ig I ' l l :H e d .

With 1iitanlulliTJ,White on tne fa n brush. US€!sha l l horizonta,!s-tn:llk as·to ad d Ihe w @t.er's ed :ge to !:he ba seof these hma area s,

The large! leaf -tree and bushes 011 the right are under-painted w l' ll 1 t h E; !'sa me dark rnlxture of Midnigl1t Black. VanD y ke B ro wn , S a p G II'E !'E !na ndPnJ8sMlin Blue Pull nB e 2 " b ru is hI 'hwu'gh th,e mlxlura in one d recuon to round one comerWith the rounded 'comer up, '~ouch lhe canvas fol"tCmg lh~b r l s t ie s t · ( l 'ben d up ward as yo u form 'th,i3't r ea a ild bushes,

U::;8a rni;dulfe 'or-Dark Sienna and Titanium W hit~ on Ih'eIcm g edg'e ·of the k nire 'to m ake Ihl 3 I'ea,f'~hli'!'e HiJn Ii(. Hi .gh Iig iiitt he I re e-s a nd bushes W it h vanous m ix!UlrE!S01 a1IIIhe'V,eIIows,S ap G ire em ,a ndBrjglh~ Red. ' Pu ll t h~ 1" brush In on e duecticnt h fa ugh th e pamt to 'OU r id one CO rnsr. With l:Jhero undedCOin ef up, touch thE1canvas forcing the brlsth3s '10 bendupward. Try ncLto ius'l hit.at random, t n, is is W 'h er e y o!!Ish~~'eeach tree a!nd bush. Working inlayers, bacareiul not to "kill"all ' tne dark base color.

WAT E R : FA L L SL oa d a C !le antl1lnb ru sh w irth amixture o f i L1 q u i. dW hite a nd

TilamUlmW hite Hold thE! brushhorl.zorntaUyan d pull :slraijghtdown as 'IOU spill the Wal!H over Ihe rocks in th.ecenter of thep a L n ti o g .P u sh u p a nd b en d tl1 e b 'ri'sU es: I l tocreab;"I'~lU eslPll"shesa tthe base oflhe ralls U s e s w ee p in g , h,ol'l.zontal strok.esalong'the w atel"s edge and to addnpples to th e w ale r.

LAR:GE, IEV1EAGRE,[NTR,EETo load tlie long edge of the' klllile willl a small mil of Van

D yk e B row n Jm U tiIle pabnt out flatalnd lu st "c ut" (le ro se H ol:dIh e knife vertic'ally an d apply Ihe pa in l' 101M baseorlhe tree,aIlowingillnel runk to becom e m u c hnarrewer as 'you neat 1. heto[p.Highliglu with a mixture IJ fB rig ra R ed . D arkS,enl1aelndTit.anium W hU e on "he Ik .n i fe andJ I L J S Itouched to th a rig ht ,s . d eof the treE!t runk. Add bra. !1Cheswfth Liquid Black on t ile l il1~rbrush.

The,follag,e irS a m~;(tu re o fMidrligiht Black ;;!:f'ildSap Green C I , n

t he t an b ru :: :hH o ld ~ he br us h h or iz on 'l la l" ly,thi:!j,1imetorcing thebrist~ es to bend upward. H~ QhH'ghts ar'tlmade" e sam e w,a'lbya .d din g C ad m iu m Yello w tC lI:h e ·d I~ rk r nlxt ure a lre ed vo n Ih e fe n

brush.

FINISHING TOUCHESYenJca n ad d some 'little graasy spals to Ihe,tops ofthe rooks

in the water us,il'lg thee fan brusih;, a ~ C Iscrn.1Cti lin Slicks andtwigs with th e POin'1 of th knife . A ddvaur signature' with1hinned paint on the liner brush, Good job' Wel l donE1!

FOREGROUNDIWith Vall Dyke Brown on the lang edge aUh,eknHe, extend

tha land' areaacress the water and al cng it s edges Use iii

clean. dry 2" brush .~nd pull tMisdlalr!l:color down to Cr'eat'8 8r E 1 I e c 1 : i ' o ' n :g;e·ntly b r u s h across, H~ghnghrt thns ro ck y Ia .n d a re a

wilh ~ mixlu.re 0 Van DykE!Brown and Tit81llium White. Use issmall roll of pa irH (I n l h,e long ed 9 1 eot the k n ita and bar€llygraze thecanvas as you 51hape Ih e r oc ks in ther wa.oor.- Ussamijxlureo1 Liquid White. "VeUowOc'hre. Ehig,l1t Redla!'ldDark S ~ en n a o n 1h e f an b ru shto high 11~9htthe 9r .a s s , y , a r e a salong'the banks of the water. Ho'iding 'the brusl1 horizonlailiv. push it~nto t ha c a nv a s r or cif 'lg ' th ebriS't~esIe be lild U pw,8 Ird ..Again. p E l ~closeattermon to the lay-of-Ihe-land. allo'lliling U'1egrass to 'exleoo down over the edges et lhe land ,a t HiI'ewater's edqe,

22



3. ,Twin IFans

I. T bm2 "lltrolih,[ ;8I i I I~Ciii!~l!lnIfb I~~I~~h p ! ! 1 < C 8 ' r " ~ ' ,

2' .iIiIltUmM.lrlald l l l l ! !l I lyI ! : a p p l i e d' ' I I I 'Hn,I rl nbnull •..

a .. .I~CtU: P'~lillil nml;lvrdw~lhf l i I I~lnlle, , .

4 , • • , O l In l~ te:nd'lllk~'it 'b1.I! , t ldedwi:tt!iIIII_Ill, ~'l1r1miII~,

I[Wllft( I I I!alliIH, mdhi- 0.'m o s A :d l i 5 U I ~ tlilndIrlll lifill!.

g ,T hii I ~! i M h IIu;Billglml~1

IJl;B~!IIiIIlr"~lfid'li~'l i h l l n t Q

1 ' I .Campl.lllyf ln i ' lhm ilb lc ka ro o l1 dbtlil~8:Ifflilllllgnlll . : 2 .Poil]IIpw1ifd'w JJhllhl r1 1 mrm r'~;m ul!~ Irea. bl'lIiIllbIIIp il lm I!halb [line

a ll d ~ lI ~ h:lIUt~el.

"Hew To" plio:rog'rsphs far this painting crmnnued on page 1 5 5

5. liIIiltaMlhlll~,,Ifill fIIUiIb W ~ 1 I I 1 ' 1 I I 1i I II W, m w . sf~ ' ' I I11 i ' IU t e i: om ~ ~ , cl lh e2" 1I1 i11m.

III.IDr~ ' lIn m1~_IIiiI~.illyp u l ll ll ll d i M n w r f l i !J ! II ll liw tlb 1 1mfm brl i l lh .

15.LiJnd U\egIJiI filiI!! (IIwll l1lh11k'n'II~1



IMATERIAlS2 " B rs r s h P h th a,10 8 ~lUe

1 " B ru sh . P r U 5 s i a , ( 1 IBluef " O va,1 B rush Miidll"l'lgh l' Black:t/'6 Fan Brush Dark S,le'f'!!18~ ,2 S C : ri ,p tl. .i ne r B r 'U S h V an D y ke :B ro wnL ar ge K n i', e Allzarfn CrimsonS m a U K nife Sap Green1 S x 2. 4 Caoll8s CadmiUm YellowLiquid Whit'6 Ye!llowOchr.et~qLlid Glear Indian YellowTi tan iu rn W hite8:rig ht Red

S ta rt b y c ov er in g H ue , e n'lir ,e c an va switl1athln, ' even coa tof' iliQ u id ViJhj'te uS ingt he 2'" b rusn , Use- 10ng t1o rlzo nta Iandv,e~iGal :strokes, wcr:klng ba ck a nd forth to assure an evendilstribuHa<n of pain] onthe canvas. IDonot a Jl ow 'Ih ,e L iq ull dW hile ' to d ry netore you beg in.

S,KYl ,oad t in,e2" brusf wilh ,9 rnixtura O· r Phlha.IQ Blue and Sap

Grel€:i'l, lapping th e brush b,riskly ag,ai,i"Hit.Ih,e palette toassure an even dlfst:ributiQn o rpainl throughaullhre bustles."Danc€! and lWI rt" 'ihe brus h to app Iy I.he colo r to H Ie s,ky,using II.Jneven pressure ' I'or a ,light an d dark m o t U € d ,ellecl.Blend t!n,e'entire ~ky w i U ; 1a clean, dry 2 " brush using l crtss-c ros s s l ro k es B e c aret u I n at 'to' · ov el'b,~ end .

With a.mixture '01PihUlal,o Blue. Sap Green and Midf1ign1

B~a:c:k.underpalni the Wale, using ~ong norizo'ii"Italstrokes.SA' C'' K " I G " R O · · · U I N · ID ', "_ - I _ '_ " . _,_ '_I

W hr te and Midn ig h t 9 1 ! a : c l < !an l:he1l' 'ovs ~b rush II) ad d rol i.age'1 0the 1ru i" bk s , E x pe 1 rQm9n'~with th is bflUs r r. hold it at d iU e nm la n gle s t o a c tu ev e\ ll3 r1 e d e f1 ec ls . A I ,s oLls ,ethis brush to addthe buslhes and! undergrowl:h of" !the background_ Touchs a m e h fg ~ lig h r: sto ~h'esmall jrees a nd b ll lS 1 h, es .with a HUll;!Cadmium ' (,ellow on the brush.

The land! area at Ihe' base' ot t he d il l, ta ln t t reesis appliedus in g asmall roll alVan D yke B row n on t.helong ~dgeorfheIknliie.Gently hfghlight thllS,areaIUsirl'9a m u xt lJ re o f T lt ar uu mWhite and Darl! l ;S iemH'!Jont,nle k,Mlii'e,using y,~ry little Ipre~,~S[,lr~5Q thai the paint "breaks,". Add .g ,littJG'QHIs.s to the landarea by dippi,r'lg lh el'.s m b ru Sh in t, o U Q 11 1idW h i c H ; !an d pulllngi ~tUll l'Ougl1 a ml , rxt l. !!"e ofCaclmllumYeHow, Sa p Green, MidnightBlack and Yellow Ochre. Push the brush slrjiJight into the[!a m "Q s. ro n::in g Ih e bn stla s to be nd lu pw ard , to rn ak eIlitt~e<

grassy "happenIngs",WA,TER:

W~th ,a mil( ' lurEiorl!ql(.lIIdWh~teand Tlta:n~umWhite,an th efan brush, beg,lnadding the background W,ller using hort-rental strok.es, U se downward lj,ttOkS6 't o m a k e t hewater fall,T (I u Ch t ne brush totne c,an\l3.sandfa rce th e Ion1sttes to loondlupward '1:0c re ate th espla~hin9 w ate r a t lh s b,a s'F Jo rth e fa Us

BR_OGIEL oa dt h 'E !km g e dg e of'I 'h,ekn i 'l 'e w il :h as m all r et lof Va n D l lik e

IBrown to ,s h a p e th eb r :fdge acr o . a ! 5 -t tle w.m e r. T h e s rna . 1 i U ! 1 lrightp osts c allbe m ade WIthth e small knife. 'Use a mixl:UIr ' ,9of V an

Dyke BnJ,wn. Dam Sieinf i1 la Jand Ti ta ,n lU 'n' i, Whit e. to addthehdgh~ights, an d U\eil'1l' 'sparl\le'' wnth pur,eTI' ta.nium: White.

T RE ES A ND BUSHES,unde rparntth eIIea , f t rees , and b us h e .s ,w itha d.:alrkmiXUI re

o f Va n D y ke B ro wn , M id ln ig htBlack and S a .p G r ee n. P ull t he1'" brush 'through the mixlure Ifn one di'lrection to round onecomer. Witl1l'he rounded corner up. touch Ihe'canvas tore-Ing the brtsues 'to bend upward as you f orm the t rees ,I ;'! ndbushes o n e ilh er 'skle of 1 he bridg,e.

U56~.m i l xt u r e0 '1pa in t 1h innerandV an Dyke B .m w n a nH ieliner brush to indicate' distantlr9~ Iruilks. Thin the Van Dyke!Brownw~h Liqui'o GI ,ea . rf cwlhco l' o5e r. mored l sth ic ttrunks,D ip the liner b'r,ushinto the liquid Clear tnen tum the'brushas you pull the bristles; thr 'ough the paint formmg a sharppOint

Use .1 . mb::h.!lf'B of IPhlhaJo Blue. Sap Green. Titanium



Use \/.an Dyke Brown on the 2" brush to ~hape and form1 he I,a nd a re as ·a lo ng Ih e w ~u er 's .;!d ge . A t t hl·spollnt, ~IIyOll

a f l .\ l' d o i n gIs O i l J . d ' d l n gl' t h e ' base color. Niot~oe-that the corerextends to ~he bo ttom of -he right s,ide of the canvas.

W~thou t d e;;mi ngUl'~ Ilarge bJlJsh. pull it ~n on e d irectionIhmugha mixture of Van Dyke B ro wn , S a.pOreen and! [larkSienna to round one corner With the rounded corner of 'Ihebrush up. ·touch the canvas 'r'ClrclngI:he bristles to bendupward as you just block-in the basic shapes Q flh~ larger

t re e s . ar u: l b u shas Q'11~he la od Area.Higlhllightsomeo1 the 'trees and bushes (bl.!l:allow thoseln

t he s ha d ow s t o H !m a i! 'l dark I by IPlJlm ngtthe11" b ru st a in o ned irecti on th row 9 h vBIrious m hd ures of 811 the y, S ' U Q ' WS, Sa.pGreensl1d iBl'i'ght Red to round one corner. Whh 1 J h , e ·

r ow n d ·e d c om e r u p, to uc hU n ! ! iea n ' i ta·sfore in g th e b ri 5 11a s t obend u pw a rd.Try 1 1at :to Jus·t:hit at ra nd o m. 1h is is whe re y oushape each Lr·eeand bush Working in I'ayers, be careful notto "kl1l i"a ll th e d ark b as e C QI0 r.

Paying close a!tI~II'iIionto the lay-oHhe-lan.d. add rocksaM stones 1 . 1 0·the hmd arsa with a mixlura 01 Dark SI :E'I"UU'I.and Til8niliOl Whll1,E!loarJed on the long e"::lge of lhs knhe.

You c;a 'nalso use Vai1 Dyk,e BrO'Wnto help shape the rockse nd c re at e !iilha.dlows.:!Ilndlda.rk crevices:

FQr '[he gross g ro win gl o n'he rocks, dip the fan brush intoLiquid 'White and hlp il u n t ovarious mixtures 01 all, the Yel-l o w s ilnd S a p G r e e n . T o u c h tn e s ecctors L - O ' 1 1 1 1 1 1lops Qf 1 h € !

4..Secluded Bridge

r ca:ks. 10creat e lit tle mossy areas along ll1e wat:er's ,edgle.SUII US'll1g a rm:durre of liquid White and li'laniLJn1 While

on the Ian brush. cornpletetha water by s'wlr'llng lta'long!hebase otme rocks and also croot lnQ lime tai ls and splashes aslit mOl/GS forward in tria pain1inQI.

ILARGIE TIR. I!~SFar the large' 'tree trunks, dip !he Ian brush Into Uqtuid

C le a r a n dp u 1 1 1 '1 :th roug h sorne V a1 1D : y ' kB Brown. IH0 :1din g t lh ,ebruish vertically, touch tie top 0 ' he canvas and, pull dOwnalll.aw~ngeach trunk to b ec om e \ I' to Iid erby using more pres-sure as you near the ·lo ilse.

Limbs and br.a :nchs !s a re madewhha rmxture o ,fVa n D y keB.rown and pain! ' thl rmercn the l iner brush. Ag. lf liln I:!rlinglthebristles to a sharp polnt an d use very little press.!JIF'e,

Addll~u~le·Elilc lus ters to th e nranehes with the YelhJw6andSap Green loaded onthe 1" ,ovalbrusn sod genlly touchedt o t he canvas. I f th e p8.~nt·1doesn't want ' to stick to ttJe canvas,try adding iii Ilittle paint thinner to Ihe rnlxtura. fry ' netto"over-'Do"he lealie'S, notice how t '6wtl1ere re.ally are

FIIN~SHI'INGTO U C H E S ,

Use the point oflhe knife to scratch in small sticks and·~YoI'igs,or you c arlUf.U:Ith Im~ad paint on the nnercrush to a ddsrrrall details.

You h av ej u S Ic om pl'e hH j a m as tsrple ee : sig nIt and beproud!

I, UIU i ~t~~I·~r'mll 2 ' . , . ..10p~lnll!1l~i nm l l ~ kVIP~lw'rn~H!uliZ!!II1I:1iIilf1ltr~ 3. Thill 1I11'11r~ruli'lt, IIII~~~ 4 . T l I~d lwml i ra r rdw U . l 1 !'tIle Ii. . •lilJ~:iiiiUIhBI n d h: l~ o o : o II H \! ~'WI l ld1I~dl$IJn i l31~~U . . . Ire~ 1 ~ 11 1 I p a lM t be a fe ~wlilllnfI:Il!10'.' w lUbl .wUh ill I.lblnPllln!.j~ uullllil 1"ll'lIJb l1 !~ , • • t liM ,.•

Pi l i o ldllJbnl.Riilfiiilkt.



, ! !J , .5eetl ,aed Br~dge~ . . . . . . .---,

Ii,... ilftdIII p,lI lInIlIu:!iil,IliliUllFIh el tltl~ P iV~IIII

t I ! l e ~ U o o'!II~Iil~ a ~ dI~rm.II. fu mD p i W tU i jI iI U ~l!I!llrlQ~'rilili 10 ~ e cB l II I g rn E I II D1I t~1~lldill'lin.

1 5 , .Ltr;~l ! l~ fDi i lndbu,~~~UBlfiliilli •.

I ll . U t i' l b e:T I bl 1 ls b • •

9 1 , M o l M j n gi I f i I l JBfII: ~ln l iB l lw f ; tb I h ~f B : l lb r,u st t .

I D ., ~' l1 l f. Pw a rd W l lhI JJ j J1 " b m ~ h ~II l l fJ1l l l1if i l l ld·n i l l ' , b l J ~ I i S .

Ir.Ti lpi i 1 J ' t J 1 I I h 8 ilfa n bru m .•• ~ ,B•...U !h igM1 gh l : I l Id J .h i i ti : 8 f in ; r; _ s :II:IhIJI IBII ; ,~G cfl~~' ~9.Pu l ld l lw n : W : B 1 1 1 f~rfalill. ' 1 1 m .Ih s lin hu~

III jilin I I. Il lI'i fl eIre~i 11'ru~~.8

"How f,o" p.hotograp/ls for this palmi,ng conNnued on page 65



..



- - -

- --- -

2 " B ru s, h1 " S ' r; us n

'#£ Fan Brush"6 Fi Ib ert B ru5 h~'2 Script Une!" BrushL a rg € l K n if eSmalillKnlie1 B .!( 2 4 O an va sUqL~id WhHeBlack GessoTitanium Whrt~

The liOlf"l20n line of 'Ihls seascape is 1~', dOWfl r 'r O m1Mtop Q ,fa.vertical C8 nvas. Cover the area be'low the ,horizonWi'll'! a thin, even coal: 01 .Black Ge:ssQ and allow to (l,rycom ple'Il1!ly.

Ccvar'lhtHif'ea: atlo\l,e the ncrtzcn 'lNitlh a Ihin,'iil~\Ien CO.fl~'1ofL Quid Whit e usmg tne 2 N brush lJ$iI a cisan. dry 2" brush toaf.lp~y1 81mlxtura or P hilla lo , slu ean d A l lz :a ,r ln C rlm s o ,n ~ us tbelow the honzon over the dry IBlack Gesso Be~ow llusLa,vlentler color add ill Glr'een r ruxture of Prussien Blue' and¥, ellow Ochre and across the bottom of the canvas Ill.mixture0 1 Phlhal ,o Blue and Phthalo G.-,ae,n Do not allow any oft.hese col,ma to dry be'h~r~ you c'egin your pa i l' 1l tfng .

SKY'Load ~ cl e,eiIl!:l,dry 2' J b rush w ~th ,91m ixi U r'e 01 Phtha.~ 0 Blilie

Blue and Midnight B lt :lck. Use criss-cross st rokes to appl)l

color at sndorn thn;)ll.IghOl.!t'i'he.skY,Iiil!aving'lhe cloud areasI!Jn~nunl~ed.Clean ,iilnddi'Y 'lt1ebrush [0 b~end an d soften thesky, s 3: flU uS dn g c ns a-e ro ss s tr,o ke 5.

Without cleaning tne bruslh, pict up a mixture (i,fB igh'lR e d a n d M ij dn ig htBr,ad. U.saliilrl'Y'C:lrcular:strokes·to ,add.iustth e c lo uc s ha do wsto the li.ght.areas of the sky. U:seTitaniumWhit" wilh a' ouch o'18rlglht R~d on he 1'.brush to shape ,hI ;!G I O U l C S , stlll using SIf1FI6 l ;111ciruular st/ ok, es. Allow' the lightcloud color 10 me-rgewrth thedarkshadowcolor, U se th ,e to p

P I! lI :h a Jo G r ee n ,Phlha~o Blue

corner of a clean. dlry 2" tlruslhand sma,1Ic ircular s trokes to9'l:?nUybl'endthe clouds , being' very c;,alrefulnot to touch th elOP '8d995 Theil, very,gen'tly I'itl upw,a.rd to I'h,dt

BACKG,R 'OIUNDWATERUse T H an h Jm l W h ii l't eem the mb9rt brush t o r O l, Jg h ly5<ket'ch

the major waveLoadthe tan brush witt! TiltanliltJrnWhite'lo paint 'lh9 water

a lo ng ~ hencrtzon. H old 'Ib ebrusn hori.ronlalilly,gOI :s 'I:ra~ghtlnto Ihe canvas. and make short s;w8'epJng strokesRemember. because the canvas is stilll co-vered with wetpa in t 1 "0 U IN i ~I be a bIe 1 0 c r ea te ! m a n Y 'excrtl n 9arlee t s , in I:h ebackgroun'd water.

To m a ke t Jh e b a c !k gr OL Jlft OWa1l'85 to r swells). again us eTitanlurn Whi,te on the fan brush Paying close at tent lon ·1 0anqles, pa~n1long hodzoll1tallinip.,S aeress ihe canvas With aclean fan brush, grab (he tops of lt1e ttnes and use a sweep.-ing motion to pull thepatrtt black, The BOTTOMSo~ Ihe,hoeswill create [he TOPS o -Jthe walles, Be Velr)1careful ne t to"k lll" all t he dark color between th e swelts.

Prussian BlueMidnighl BlackDark SiennaV,an :D y e B ra wnAlizarin CrimsonC ad mIl um Ve How' fellow OchreBright Red

L AR 'G E WAV IEUse ' the s am e p ro ce du re wil~1 T lta nun n W hH aon the' fa n

brusf '1 0 palnt a Whiu~ Una acros~ the lop of the rnaror waveanda9ain use snort ~weeping strokes 1:0pull badand blend.

The Irans,parency Dr " 'eye" of' the wavl: ! is made by u51ingljhe-tilb e rt bru sh a11 1d a ,",' 'IIxtu re 01Tit,j;!n iu m W h U ew itJ ' tIa sm a IIIamOU!' l1101 C,admium Yellow. "'S,cfu,b'; lhe co lo r into thB:

tnlli"ls,pareru::y.a.lh::~wiFlga litlle of it 0 extend o ut a cr os s th elo p (I f 'the Wit v_ ' .W itlh acl l!iHii. dry mbert brush, r epea I thisnroeedure unt il l ~'OlJ have acl1ie l/ed the desired hghlne'Ss.lise the knife to remove any excess petnt,

U~ just tine top corner of a very cle,sJ!1,dry ,2 "brush togently b~end the ita-jOe"at the W"a\'eI !.Ismg small cjrc.IJ~,aFstrokse. Then, es you move out across I 'he to.p ,of the wave,hold the brush frat and pull down t ,oblend I he' 1'~ghUrans:par-ency color into th e da r~ base O 'ft h , e w a v e.



Pull tile IIghl DYe!'" the top et tne "bni!ake'r" with TitaniumWh Ite on t hie l a 1 11b ru s h, A.galn,bs' very ca re ru ~0 fan Q Ifa5

Load the brrsUlils, o'~Ihe rilben brush 'Wilh, it dar" lavenderrmixture of Phthala B'lue,Allizann Crlms.on and TitaniumWhite. USing small circular motiuos. scrub rnlhe base color01 th~ toarn Clean the; lilbe'rt brush and. with a mixture' ofTuarnurn Wtute and a touch of Cadmiu.lm Yellow highlighl't he 'loam. Use tiny eucuiar pU5h-up strokes just where trrelight Ifvoulostnke. Blend the bottom of , t tnii!Ih~ghlight tolar

ntc the dark shadow color ollhe r'oam using just the lopcorner 0 '1a clean. d Q " y2" brush Be very careful no1 to touchthe top edges 01' the foam highllghl's.

UseTi'lall~um WhlI90n the ran brueh to t;lutimedhesweB If'!

trorn o f II, @ !jarge 'i ,i!i!~\I 'e.Wilh long. sw,eepll1.gstrokes pu H Hileop edge 01 t his line b,ac:k t owards the base 0' Ihe walle to

b l,e nd . " A ng l,e s" a re 1 11 an am e o ttn egame here, l'ry no t totouch th e bottom 'edge 0 "1this, line and be ' .iery carsfvl nct ' todestroy lhe dark at rhs base of thB I~rg'e w~ve,

ROCKS,The major waliiS IS crashi g against a largl~ rock. Use a

rnixture o r Dark. $Ierlml and Van Dyke Brown on I.he longedge. of I: he knllfe to "hulld" Ihis rock I 9j(~Emdang j- tup above

1. S!ii'fI.ILhlIICIII1¥.wbifEhl U iS , t h o: b ~ il fl lm PI i )Ul ionj lB l ln l . ! !d" ,U h I b c ~ G u ~a

:lO

l. U s e ~rll ·IH)n~~ttroh~ t~ 1 J ! ~ I I ! l tth~~nI1ll3l1~k'l!~U~ml ,

Ihe horizon l'II'n'e_H,ignllight the rock wllih a mixture 0]' BrightR ed a,nd paJnt I'h ~nne r Iloaded ont h e ran b r us h Of t he Ii n e rb rush T h ~s Isw h iiir'e yen,! sh ape yo u rroes gll'\I In 9 It a n 9 lesand Ilghl ·and s .hadQw.

Use Tilanium 'Whli te on the len brush ro "swirl" Weller

along Ih base of th,e; larg: e rock. ~1 tlhi5 pcmt you can adds or ne s m alle r r ee ksusingUilEi same-pmo!<i 'dmtl 'w ilh t hesmalllkn ff,e Agti.in I ad d the If'HghI~ g11ts an d a ~80 so m I!! loa m lie Iig: nat W e base or the reel<; using T itam um W hn e on he WIb9rt

Ib'rush,Y·ou ca - add as many ocss ,E I you like working Ilayers as you move forward mtne ;patnling,

Use VaJrI 'OUSmtxtures af I 'he EUu,eg and Tltaruum White O n

thef a n b rush a nd Ihef IIbar l b rush to add wat~r m O\l'II;!m e n I'ann foam action to th e paH11ing, Th,ls IS where YOLI reaHyshape the wlll'ler. Wan::h Ihe angles

F I IN I S H II N " GT'OUCHE:SWith a thtnned mixlm:e D·f Tital1h_UHVVh1le8:110Cadmium

YeU o 'IH o n t he lin efbrush. rugnHght 'Ihe w ater a lcm g thehorlizonan d across the 'lops of the swells and \Y<Jves Also [JSB Ihis-mixture I!) ad d roam pans s and olherhne Ijeli;lilslo Ihe water,

S!gln )'our p-3irltllngl and adrnlre . Trul ly, you havG' €t>ipe-rili?,nced T HE JOY O FPAINTING,I

4 _ "_.11-1Q q d to pllil!llillllS'lird'irwIru ~f U 1melll ~d'li

5 , H r g h ll g _iii~re,3.p~jlldtt l1 0 0clotldiwill~I]" Ibru~1 ' I .



1.. • , III~tI Ib e ru n ~f ud l ~'ri)~d.IhIl l! ~~1 0 0 ~Ihmn;mnlill3lroU~1 ~ ' I J ~ l l n dU ! , ~m l l l 1 ls~. -

1 2 '.• .• ~ ac r e a 1 ~ l h JlfI~i~r Wi i ' o l ' ~ & .P.y ¥ ~r v~,I'G'hl~ ; t le ' ll t l! J lI 1 0 ~ D l m l t s ,

l1 .,. ~ 1 i I~1M j ' m n : l t m h l l1 0 1lhi l 'f ( l a ,1! l ' I1 I I~ ~ : l I !>hI lng lW~~I~

B .Uu lli~ tIIblJ1lirw:tilhllifllwI

' b ~ ~ lo ~ h : a ll ! :l" ! ! I fIh m t l] lI r 1 1 '1 1 1 '1 1 1 1 l.

m aU s. llill:Wllb~l~ru;1l Ill!~c' r~~ In Ih l~HIi~SIl!lr!mf~'rl i lm 01~lIB' i 'M~ll Il l _

'g ,III$1iPl..m ~n~(;;IU~I'I~i l :Felim~e " ,1 1 11 I hl1 ~ 1 1I~m~~_

1 4 . . . [ ne ll b il~ 1 1d w ilh I h~ I ~~ i l l: r. n 'f ' ~ T t I 1 i ej!" b ' r, ! l [~1 t

~ m lLIlt in ll ha ,rll!lli,li'WilleIhl1lgl ie~w n ~ ~ ~ e ! a lmIb ru ~ •••

1 , 5 " m g l ' ll ig M ~U~ .a j lpl l t l l iIIIth ~e l 1 $l iI ln g w a ~ l lwi~-~,a JI8

I m ru h , I In g l! !! ! a r ~~'~r~1I I ! l l ll lUUI1L

~IB.Di l i eDIll 'n!bin b l f U ~ h'fI lI \ ' !ak ,l ir e ~ : h a d ll w : s • • •

1 !.3ffi11l~tfGlI!h'IIlrakui!!llllllI !t • .. r lre t l :!m ~.~blenll!!1d~!Il't~IOI"~l 2liLR~d!$~ ! r e~i~~~~e'~ :1 :m ,. , .l h ~ 1 I~im l h l l g m ! m 2 2 . W l!I :rk inI I~ e n • ..I h e I W , ~ o r f it ll r~ ' I h ~r' I , r u m w ~ t J !Ih ~~II~!~.•. wi thIln~~m~ r allht(!liJIINU,~•• , ~ rUih.

"How 10'" phoh'gr,aptls. for tnis (JElirHlngcomtnued on page ell 31



M AT ER ' I A IL S2" IBrush Pnjs$,ian Blue1" BrlJsh M~dlillght Black1" Oval 8"'U lsh Oar,k Siennaj;t '6'Fan'Brush V an D yke Brown~,2Scnpt liner BrlJ!sn Al'lzBrln CrimsonLarge Knil'f,e Sap Green18 x 24 Canvas Cadmium YeillowUqUlld1White Yel,I(l'INOChreiU:aiilium While lndian YellowPhthakl Blue Bright. Red

Start by coveringl t heenti re C~Hi1VaS w~1h a t,him, e-1r,el1 coat,o r dqu~dWhile usilingthe 2" brush. Use IcIlIlQ horizontal ,andverueet stroke!i, worlking back andIorth to assure an evendi:strltbu1ion of parnt on the canvas. 0- 0 not a llow Ihe ' LiquidW h lib!!to d ry b ef or e'yo u beg hl

S KY A ND'WATERL O o'3 idt h, e 2 " b ru sh w it hH very sm all am ount: ofPhtnalo

Bille and Mldni'ght B~ack, T,tlp U"liebrush~irm~y againstlh~p ale tt e to a ss ure a ne\len diSlribUlkm o rp ain t t hro ug ho ut 't hebristles. SI]lf19lt the to'!' of tJhe CiUi1VaS maiking little criss-cross s trokes al lowing the cotor io mi)(~wi' lh ~heLiquid Whdeand bec o m ,eHghhU SlS ylou n, ea r ' the he m : o n ,

Withou't cleaning th e brush, pick up a, IiUh~more PhthaioSI'ue and Mid'nnght EUacloi,Use ~ol'!gihom:onta,lstrok,esl:oacldthe w at er , h old iin g t he b rt J5 1hflat and pul~ing 1fOrnth,e .QutstCle,edlgl!;!5 o rth e canvas, In 'towards the eentar Allow lhat centerilrea n '111ecanvas to rerna Inquite; light. tOIcreate tlhe Illusion01 ' slh .m rnerl n9' U gh t a cro ss thew,aler.

Clean and dry UU! 2" brush and ag ain uee crrss-erossstrokes to blend Ihe sky and long honzcntal strokes to blendt he Wa "I JI H a r ea ,

Load 'Itile 1" brush will1 III mixture of 8r1ght Fled and Mld'~nighl' El la 'e lk Usebn~1 circular s'ln:)kes t : oadd the dark sh(l,d-ows ofth e cI o uc s, m ea n a riddry the 1" brush a nd IPu I~;t in on edirection IhrO(.Lghthe Tltartiern White with jlus't a tClUcllof

8rlght Red. Use t iruycircular a lrokes to add the cleuds (overl 'he da , rk a reas ,),a,Uowi!'!!;]"some to '~oar' :rlght,aff lhe ca:n..,as.WIth ~ust ' the top corner ohhe elean, ( llty 2" brush. again U~~

small circular motions toble-ne! ~heShadows m ro the I'ighla re a ·s ( tr y n o t t o c :l 'e 's tr ,o yt hetop e dg e~ o f y ou r c to ud sja n«Hum g'ently m tupward to '''flu'lf'

MOUNTAIN

The' mountain 16 made WI1ha :rnlxlure of V an Dyke Brown,Prusslan BI'ue and Ali l9r in 'Crimson Load the long edge QIthe knife with a smell fOoll0'1 pal 1"1"1.by pulling 'the mixturQ outf~aton yo,Ulrpalette and just "euttlnq" across. Use f irm pres-sure 'to pus h ilh~ pa ~.ntinto 'l:h:Eicanvas. sha p ong iIJst 'Ihe topedge of t he m o un ta in .

Use oi lclean, dr y 2" brush to grab the paint from U ' U II .O p o fthe mountaln ;f!nd pull down to complete the entire shape,

The color will al: .!tomaHcaHy miX wUh the Liquid White andbecome lighter near t he base. cre.aHl19 the UlUIS!Of'l of mis t.

Highlight lhe mourrtam With various mixtures aI TitaniumWhite and ill touch 01Midnighl Black Again. pull ' ~ h t : !paintou t V > e ' r yfllcUo n. y ou r p al'6 tt e a nd jus t" c u t " a cr os s t o llo ad , t helong edge 01 the knife with a. small roll of pl(3!.int.Sine€!I,he~ightls c D ming Iro rnIhe f,ight v-e,ry-genUytouch th e Iloadedknile to Ihl!Hightsldelol th e top o'fthe pe,i1lks.As you gi lide Ihek.nih::ldown the s,l,des of11ile Ipeaks, use so 1',iUlepressure that1he painl is :snowed 10·'break".

The shadows a re a p pl[ed 'tot h e leU si des ,of Ihe peakJiusing!a mixture of Titanium WI; Iit :e ,Phthalo Blue and Mid-

nighl IBlaclkTo complete yO,ut moun1ain, usea clean, dry 2" brush] tolap and diffuse the- bese 'lflo~lowi,ng the anglesl and thengently ut upward to mist

B A C K G , R O U N DThe small evergr 'eens are ' made by IQadinglthe fan brIJ5Ih

with a mixture ol PrulSsl'cmBllIe,Van Dyke Brown, ~UdnlghtBlack, Alizarin Crimson and Sap Green. Hold Ihe brush

JJ



'liert ical.ll~yand J lUst touc h the c an vas to create thecan t a r IUneof the tree" Tu m theoms h ho r i :zcmt a ~ 1Yj],ndllb,eg~nadd in g ,th esmall brancnes iU the top or the I~rap.byusing just one comer0 1, th e b ru sh . Working from side to side andrcrcii19 U'i11itmslles to b e n d ' ( l ow nW i E !rd l, use mo r~ p m ss ,u re a syou ne a I"

t h ~ ba se 0 r the l ree aII Iow in 91the bra ncnes to b ee o rn e 1 8rger_Use a r ntxture of Titamum Whne and Dark Sienna onths

knHe ~of:l!d0 1 nee I run ks. or y au ,~n 1lISB lhe poi nt of the k I'll~Ieto ju st s c l I" at c:h im l ru n k ln dlcat ~()II1~-

To. hI'gh Illgh t the t me·s, I D ; ; 3 , c !the 11"Qva~bru s h with a. m 1 . ' 1 ( -turf! of M~dn~ghtBlack SindCadm ium Yellow to m!3IKea darkGr,een. GenUy toucn the color to t h , E !ri'ght~ldie~ 01 thebranches being very carefu~ net 10 "ki ll" a ll cfyour dark basecolor, These t rees .5hall ld renla~n very dar k

Add Dark 8ien!l a to Ihe everg ', re 'en mi: :or :turea Iild load th e 2"[Hush by pu m n 9it in e m e d illrect Ion IlhrOll'gh the pa iI'll toroun done e erner, W it 1 1th e rou nded corne rUlp. to lin:ht h ecanvas forcing ' the bris tles to bend upwam as YOUI fo rm ttn cbackgrQund! treesane bushes, Turn th e brush over ande)(te.rid some o t th is calor tnto tne wa.t.!.?rtor later rel:'lections ..l1 em e m D e l',1 8lit fees ca st tall Ire ll ec t l o n s,.arn allt rO O :$i3 Jnd

bU5he:sc~sLsmal, l l' "eHec1iof 'l 's , Withlac~eaFli.dry:?" bu.!sh, pullldow-non the lr'eHe·c:ti0 f'IS a nd~ he n g.9nrt Iy b ru sh iJ.Cross to g ~\I'ea .wBi t€ ll ry appearance .

~ lg hllli9 h it t h'E l t re es a nd b us he s w it h\liU!IOUS mixtures 01

'fe~~owOchre' •. Sdghl Red and Dark 8.1enna.iD lI:lIhe1" brushm to pa~nl t h if 'l lne r thenpull ~l lin OfH~' dire(:l~OI1 th~ough lh epal nI to rem rl d (I n e corner WHhthe fCHmdied corner up,tcuchibe cl.:U1vasforcmg th~ bri~Ues to Oelld upward Trynat to jusU'1lt if .I~ra nd om : th is~s wh,erreyou shapeeaci1t!' '" t 'l '' a!andbush. Worll :ing ln lay,ars. be CBJE!'iul net 10' "Idll" atltna~al 'k base color. rum the brU5ihover and rellect these high-ltgi'll CO~OI'S Intotha water, Ag,ain,use a c lean, dry 2" brush to

viery genUy pu r'lthe renee tlon is down and brush across,Use Van l J .yke Brown O n I'h,ekn i fe to add t:he 181neareaunder the b(lckgwund rrees and bushes HJghlJ9Iht willh ar :n ~x tu re o f Va n D y 'k e'Brown andTltanlum WI,itJeUSing veryhnle pressure, allowing ttl€! paint to "bre'ak" \i!ery much asyou high~ighted llhe mounta~n_"Pop-i! '1"80111<9 liWe gr~s~,ya re as td on g th e' ba nk ~susing, t ihe Yell~owOchre' , 8r ig~1 Redand [Jark Sienna mixture on Ihe fan erush, Push '~he b rlJs!hs lr tilig h t ~nl0 Ul e cal~vas. rc~fGing the b riisUesto beml upwa rd .

"Cut~if"!" the wate r ~~nas usIng a.small roII 0'11 fQu i d Whl'teon ~helong edge olthe k~ifa,

IFORI!:G'PUJUNOIUse the da. rlk Ilre~ rml)dlJte~V~n Dyke IB,rowriI, Mid.nig!ht

Black, PrussJan Bh.l€, A~lzarln Crimson and Sap Gr68o) onI~le 2" brUSh to rn'ilike Hll€ ~oregrcund trees: and bushes, PIIJIIthe brush In one direct ion thrQugh Uli! ! p S i , i n tto round eneeerne r. H e h 1 t h. e r ou n d ee !c orn er u ~ illn Id to ue n th e ca II va::;;,.fQrc,~ngrthe bri,sUes.lo.bend upward as you bl,ockin theilarg~foreg 1"0u n d tree a n d c 'us h,es ,

Use 8 mixture o~Van DyikE!'Brown an d Dark SIenna on thetanbrush to pull-rn Ihe hugli'i! Iree trunk. Holchng Ihe brushver tica lly, s tart a .t f rle top 01 t .nt€!CaJl1'113!i,and ;;:Illllowthe trunk tobecorne w'lder near ths base .b y tlsing ~v,:lre pres.su.nl'_ Use'th: eknUe with a mi)!tU'Ff~ of lJark Sienna. Tuamum Wh~te ,~nd8,r ighl Red 1 .0touch h~9h~~ghtslo Ihe right side o~ the trunkand IbnHIlGhe-5, -

Use various mlxturas 01 aliithe Yellows. Dark Sienna andBr~gl1t R:edllo higl,lllg,ht the U €h9aod bushes. Dip t .ne1" brushinto 'P8iin~thinner an o pu U it In one dkecHon I hn :: rll gh 111 8psints 10 round one COiFnBf_ Wilh the rounded COlmer up,fo r ce t !1 te b nsttes to b en d up-ward 85 y -outor m the iesves 0 nt n ,e ~1'00 . : llndlcrea h3'Ino 1'Iiid u a. l b u s h es . B e c a ,r et u I n ot t o c ov era II 0 f t he dalf"~ base GO lor

U S !!!a rn jx tu re o f Va n D y ke 8 r, ow na ln d T ita rn um W n il-e or1the knlfeto add th e palhln theloregrcundl. 'Be sure to adds om e II1 tU e b us he v t hiW ilQ 's a r ou ndthe edgles of your p~Hh 10

se t It dow n rm othe pal n ti ng .

FiINI,IS.HIIINI,GTOUCHE.SU se Ih e p(li~lt or the' Kf'i~fE!10scratch in addilicmal 5ticks

an d twilgs. lt1'f'=r!s ~ gn y o ur pailnl:ingr, Stand back a n d a d rr ur e!



1 6 .,Autumn Woods

~.C,j!i8'~fII!nlrolr;la;

. r l B : l i i S e ~iij p ~ lm ' I fi llSIl ' l l ·

i! T h~~1 ' I~dI I W ~ ~ ~ I l rf G l rl h i lcllil:l~,sI~11I,~lildw1 1 1 1 1 ! J er lo nu 'n .

3 . ! HImhl'l~hll~ O l a ll~ lie ~ w i U n I h~ I"'bMh,.,

7 . U s ,i nll l ~ nv li ll ieIprQ-lure. pull downwarill IIII!n1 J ~ 1 lr,. ,~~ .~ •

0 , • •• 1 0m~le n l a h n ~ l iand iill~dliW~o n thm O U n i a l n ,

4 1 , Jilin b l l n d ' l l d w j l ht~~,I~~ Dr nl i r(J r Ihl !"' bIiUS~,

Q .P1J .5 i I ld!lI'mW!Mw ll h I II !! 'tillinllf' m rn n a~'nl~n!~~ to pajl1~tb l i le'~J'!len~

1 3 . P u ;bu~WJUdl t i ' 11h Ih~rDMh".

r4.. . III Cft'II'tl!llil! o o ! ! l , c I n ~~ndlm J S h~h 'p ~ . I P D ~ hIl ' l I l~1ltJ1~dilwli!'jud ~llJ3trnlt~~~lpl!'r!!Fl F e n e D I ~ O n S .

5 , U se U 1ie ~nllj'~ 1 0 p a I 'n tI h~ b uill m a llir l~ ~ ~n~ ' h ~ P i l l ~ ',.

1 U , T r e e l ID l i il :$i81~m~il~w1 1h l h ilknIIIB.

15. PIlII Urill~'hld' :G~,n.'IljjMIIUil'S'i,I~l~r~ai~uUttriool/i,

"How To" ptmtog.r,aphs fo r th is 1'fJ,inting canUnued ,on pag,ff),(37

6•.•• l~BfIbland diIlw~-w n~ withdie':I!~hem.

II. 'Ill] I~ 111 ' ;1 '811

Inll9 tiil uud_.

1 1 & .L I D ~ , B r 'i tD i Sa r~I~ ;w I I Iwlt l1Ui , i l 'nlf i i



- - --

- - - -- -

MA,TE1RIIALS,2" Brush#6 F~lii1Brush

.ft.,'"Scr ipt Liner Brus ,hLatge Kl1lifa18 x 2,4 Canvas,Liquid 'WhiteTllaniurn Whi'te

St~.rt by covering Ihe enu re canvas with a 1hin, even COIQl"

01 1Uquid Vl/hlte using I:he 2" brush U se long h,ori'lont~1' an dv e rt l, ci Jl s tr ok es , w o ri o: in g b ac k .and '~orth flO a ss ur e' a n e ve nd~slribn.nlon 01 psint on m ecanvas , Do not allov} the UqLJ~dWhite '10 dry before: you begirt.

PhthaJo ,BIueM'idnighl'H'lack

Dark SiennaVan Dyke BJowfIAliz8ldn CrimsonBright :Red

BACKGROUIND' WAlERTO', rnake tnetrczen lake altha b<ls ,eof l lhe hill s, use 'Ihe 2"

brush wi,th Tltanium White'. Decide where you would like

your l'ilI~eto be; ho,la the bn.ish Ual !:1g.aiflslthe cainvas andpu!il down with s'horl st rok'9$ Then, use horucntat strokeswith more Titani'Uill Wh lite, UselhlGknife to IiiddJa Ii'LlI.eG ,f~hePhlha.lo Btu'e-MI'dnight Slack; rnixlu rl!:!arid ecnun ue 1: 0brus1hacross to sotten.

BACKGR"OUND' TA!ESLoad Ihe 2" brushwilh a Lavendar mix.lure of TItanium

WhIte. Anzar tnCr~mson anc ,phth1!l~C1 BlluEl.MQvlng h')twardin Ute pain'ling and pa,ying close ,altenlian 1 :0the, 'lay-or-lJhe'~Ia;;nd.addthesmaH h m iii lro nt 01Ihe frozen Ilake,

use Va 1 1 Dyke Brow n and Dar It .Sienna 'C 'U'IIhe ian brus h [0

make Ibegrassy areas, Ho~dthe brush hor~2onttally and push rtlinto the cenvas, 'lor'Clingl'he bnstb:!5to bend upward. You cancreate all sortsot r.We'"Mappenin'gs;," but, pay close allernlio!1 toa ng le s. U se T ita niu m W h i'IAwith a touch ofBright R ed on tlhef a n b ru sh to ap pIy snow a J1d h ign II!;l'ht:sto ya ur i i tt leIii I I C a n! !·hlHy follow Ih e shape oT Ih e h ill a nddon't be concerned Uyoupull !n a ~iltle 01' tne Brown COiOf, il will create shadowetreets, Tty i 1Ci 'Lto oC:lmpl,el.elycover the Lavender base ector.

U68 the IiiIner bru sh a,no \ I . a ,n Dyke Brow n '1.0 m ak e lhesmallleaUeS$ trees, Dip the oru:slhmto pain't 'thinner a nd t ur nthe ha n,d Ie a3 yo U pu II~th 1'Q,L1ghth e pa. int, fm c In9 t he ; b r ls tl esto asharp potnt. BeSI.m31::oload illlet ol palm into '1hebrisdes.U se Vlery liU I',e ' pre ssu re a sYOUfOlfl1l t he Ir €le m Jf1 !k e: a ndbranches. You CBI1 start from t he 'lop' of t he t, runi! l: ,s andbranches working towardsHu:l base, or start trorn Ihe lbaseand work (puttowards the uas, Expefiment find out whicihmethod woriks best ' ror yo u, Yo lJ can also use th is samete!::nniq'LJEttoadd the tm y fe nc e u nd er the ress

fOAE'G"R 'QUND'U!:Ie'the same' Lave'nder mixture en !lie,2" bf!.Jshlto shape

t tq e srna i, 1hill h'l tha r or'&g~QU rid. WHh Van Dyke Brown and

37

SK,YLosdthe 2'·Ibrus,h 1N1111Ali2arin Crimson, lapping lilimly

,a,gaJnst 'lI1e p a~ ett € t o a os s\ .J reiii" even distribu'~lDn of pakdthroughouiihe brlstlee, Hoidlng the brush horizontaUy andIle,i:jvi1 '1g 5,o,mea m as un pa ioted, m ;a k ,6 '1011g. sweeping h cr tzon-tal s t r o k a sof Pin k inthe' sky. A lso u sehorizontal & 1r ak e s t o a d da I in l 'E !P ink10 t he b o tt om hait o r !h e canvas wh 'e il 'ethe snowand wa,ter will be Without cieanling the brush, pick up a litHeMklni 9 1 1 1 'BJack witih i !o jst a touc h of Ph'!halo B Iua A g a u'1 l. U !5 !i" gsweeping, horizontal: slrokes" add ihls color to the unpaintedames in "tile s 'k y a n d a ls o a ,d e!am Ue to th e 'ground a re a ( )'Ithepainting. U s e' a clean, dry 2 " b r!J S ih t o b le nd t he e rr nr e c an va s,

B A C K G I R O U N D 'HI L.lS

WHihoul <ch!'!'i"Ill~"g'Your 2" lorus!h, pick up a very sm.alllamount '0'1M ld!i'Hght Black an d P'hthalo 81 IJ,e.To shape ' themost dlist:am hill. use just one corner 01 'lh8 brl)sh totouchU"ile ( : ,!1111V;: ISand pull down. This hil l shoukl be verv light inv a t ue !butd a r:ker att h s hJP~ha n at bne'baUorn U se a clea rt,

dry 2" brush to tap and d,Uuse 'Ihe base of the Inlll, creatingthe B,Ius lo n 01 m Ist. ,S y,add Ing more pa In~ toyou r itnu:sh i e a (:hir~:mgeof hI lls can be madedariker as you work forward Workhl ~ayefS , ta.pphng and m istll"L9a s } ,'D U g o



DarkS!! f ; N " ! ! n a .on Ihe fa!'ll b rush, -add them O ! J : jt d i srarn 9ras s ,yarea to tnl ! ishill. Again. use T l i t an iumWhite wi ' tha lltue BrighlRed on I:he I{ln eruanto pull iii!Iha snow 8 1 the base oflh:egr,ass. Add th e ' sma l ll t reesand lance a n d Uny S t P C k . 5an dIwigs, wlth the iiiiUH brushand thiinned \I,an Dyk,e iBrowlii.,Cornpiela this hilil in B t 8 t g 9 1 5 ! , f i n i s i 1 i n g!he rnesl distant 8 r € . r l J Sbetere mc n l ' if i iQ Iiorward.

The large tree in the ~oregfOlJlnd ts rr1B.dewHh Van DykeBrow n and thek,n ir!;l .Pu III~the p~unt QuIf I, at on lll e p a I e u eand

Just "cut" across to load the iDng edg~ oflhe knife with asm.l:!iIro U of p8int . 81.8f l ~t the bass olthe U,S€!and <1!Uow~hetrunk ·~ndbranches to become smauer 21:5 you near the trps.

'a , , .[J) ,l i lrml , UJ l IhI ! bg~ :l!I8 : r 11 l hI~!dbl l ' i'~ oG U a J le a

fIIill~8!m ll!i:r . .

USE!a l',hInlled m ixtu re of D3 f i t : .Sh:mn~ o! ' !nd T n ~ 1 I C I~!" Jm VVruteonthe uner brush la l h~glilllgli'ttne trun'k and CJ"le,~t'ethe a:ppear-ance of bariC U;\lethlnned V an Dyke Brown On Ihe'5amebrus h tn a.ddt h ~ sm a II ~~rn bs and b ranehe s. W Ith Va n D yke8ro,wn 0 1 ' 11thE! 'tan O(iUSI1,you can formtlr ls bottom of I:hetrul1kthen ad d SOf 'FUJSllOW 10 tile base 01 N'Ie tree w.~~hTil1lni~mWhite.

I FI N IIS H I IN G I 1 F OU C H E S iAddlrtional sucss ane tW igs ano ~ong g l r1 i !SS~ 'canbe

a .dded using the ~~n,e-r brusnanc \/' .an,Dlfke Brown, Now, ,ai'llyou need is a SI9r1at!ljre~

2" 'liip,lllliljljiillfWlilrdwil l It~~ :2 "l ) fw $ ~ I O l l 1 a ~ 1 ld l s N mJllmlmiills.

7 , ItJ IP! .! l1cnillrmu; t~! I~~I.I~hl rlil~tc~~.If!'iJ!lI~ I~t~ Ilr P O I ' ! d ,

4 .U $ 1 i! I fw I lI P' f lmrneifQ I 1 1 l ij :T ' b ru sh , . •

D , T h ~r ~r.u\'!hI ~ ' " ~ .I!IJp a ln l I I~ 1 t .! ', 1M i lL



7. Wiinle r SoUlude

Ig _~u~h IIIl'Wirdwlnblher ;a l lb ru sh , ..

1 4 . W o ~ t I niaViln, o ~ m ~ l~ ~ l il li e :m a ! l ~~il~I;s! l l lhl l l111 r 1 S L

" IS . U:BI ! I I i i!l i ne rbn i sbIDpall ' l ' l'tnG p H I . Itri:~k1 1 m !ilW lg l .

HI,f bI ! ~~II~IIu·s~lI.,

IS. UI6- 1h !Z' bMi l t!~pPJ~t(Jl~rlo rIh~~eil l~ m ;

ro o ,Iii lI~lnt 'I~'Im ilIntrunt 0 1 ' I b lI FJl i I I l

tRt-

l'I.lIlsl1' t I le l l !1Ibrl l iZ: l1lut : lu l i lIIP ~~I! b l l l la i i i!hI mru~ In!ll~

1 6 . P t U S h ~ Dm ~pli l l i '8 :rdl i l i i'1~ht m l l I B I ~br~m L••

n S! ru01Ine 1 J 1 I I b t : ;anIIddldwl'lih1m :Hne, MIiI.

112Trw pIIIJ l1l!1I,,'Ii~ItheOlll~r:IIrlRih100ule 'd" ,Ulh ~ i li i llp a l l l L

1 3 _ F e n l~ e~031 lIirWl!will i11 '19IIn e r ~rush I Bn rd a O l inPilot

1 ~.. , .' to ,I i iIdg f i !~ S 1 0t m a r m r ll m ll 1 lu n dl h il ll s. P i~ ~ I ~ ~ ~illlinltJI J f I1II I1A~lter.

~~,i5Iljlll!II'IIWllnl'I-ln!J'IIUd!liian~ ';(IlIrlmut~'llIr!Ji!Ili s ~ l Impl l l ll l .



8 . , G O L ' D E , NS U N S E T

Ti,tanlU'ffi WhihilS t ar t w i'lhi \ i .c an va s t ha thas been ( :,ov€ i red wi tha.thd.n,,I!!lten

coat ' cd E l la 'O I KGas 50 a rid a I ~a we d 'I()d ry 0 0m pl 'a teIyIn the center of the vertical, dry 18hu:k canvas . use th e 2"

b rush to a poplY iii hug;s' arsao! Ifi d i8 n 'Ve 1 ll 'o w. A b o V 'e I heIndian Yello,w, add some AI"iz,8ir~nCrimson and iI'cr055 th etop or -the canvas, Phthaio Blue. IBelow the lnntan Yellow.

COVe'fth e canvas wUlha thin. even coat of Van Dyke Brown_100 not auow thesa colors to dry beklire you begin.

S KYLQad a clean, dry 2" bru5'h w~th T H an iu m W h ile _ S tE lH 1, in g

ius I.abQ'ile lhehe r j. zo n a n dwork ing up t ow a .r d s t hetop ofl hIII

~:anvS2, begin making criss-cross struke's tn the ~,Jky.Notic€!haw the White paint works with the under colors: yow skyshrnrld be Yellow ,!litthe noriaon .then IPink and tinally EI~u'ealthe top, If your sky is not IIghl enoug1h you can add moreTitanium White, bU'I ' b e sure your brush '5 claan ami di)'.Now, sorlly blend Ihe entlra sky with ,6 . clean, ,dry 2'" brush.

MA.THFlIAIL.S, 2" B n Js h1" Round 18,rusn,HJSFar 'l l B.rushIF2ScrIpt Llnsr BrushLar,ge Knii le1 8.) i 2 4 C an va sLiquld Whi1eBlac ,k Ge-sso

Phthalc,811.1eDark SiennaV a I!lI iDyk'9B row~Aliza.r,in Crimso:nCadmium VellowYellilow O G : h r eIlndUanYeillow8dghl Fhild

H~g in ~1 i. ;! lh tthe t rees with '131rious mixlurs s,0 fell t hQ!Ya l ie wsand B rig ht R ed o :n ' Ih eI r , o . u n db lrush . Use ' tnew,p conuuofthebru~h to ju~'t touch the' hI'ghIig IiH Hc ) 'I: hebasi,o s,na,pe.s."I f 'hI 5;,15

wh~re yo u beg IIn Ierm Ing md ~vidual tre 1 36 and bushes: try not10' [ust hit a;t random. Work in layer'S and be careful not to"ki ll" a li i tne dark ,base color

Begin adding tha snow-covered ground area under thedistanl trees wi'l l l '1lTlitaniulIl1I/ll ihitflO n 'ihe ra n brush. Us,ehorl:l:on'tal, s we ep in g s tr ok es .p a . Yin g C h J' S 'Ba U e !1 tio n t otn ,ela y ;- of ·- 'I he -I an o . a U o wi n9 t he W h ile'10 p ic k up , " hewl!tcal,or8 1 1read~ on the canvas.

W'ATERAdd lihe water with Titanium White ontlile 2"lbrush. Ha'l'd

l'hIil'brush flataga inst tile canvas snd ptill stra ight clown tccreat.e the retlectkms, {Nlo.tlcehow the White pain'. milt9S

wi, th l 'hecolor al ready onthe ca n, ' I IQS.} Gently brusn, across tog iv e y ou r r· efie ct lo ns a w a.t ery a pp ~r ,~ nc eContinue add'ing snow around: 'the edges of · t , I '1 'E!water

using 'Ihulium Whliteon the Ian brush. "Cul=in" the waterlines, ,u ' s i l1gIi smal~ ro n o'f l iqUid White 0 1 1the long B'dg'B'0 '1~ he k l'llif ~1 _A s y ou e xn :e f'ld th e S n Qv iH :: ov er ed g ro un d a re a, t ot~ e b o tto m [D' Itne t ;2!1n va s, y oU ca n em ph a S ~ ; t e l ttle s 11 . 8dowarea s by ' a d id inQ a HUle Ph tha10 811'u'l1l0 I' A I Iz a r- in C ri m s o n,

L A J P I, G E T R IE E SWith V~n Dy'ke Brown and Dark Siei1na on tha round

brus'h, underpalnt the cluster 01large trees usmg a lapPIf'lgmotion. Th,€!tree trunks Are' Vo E i ' l nDyke' Brown and IDarkSiennaon the' an brush. Irl'~ld Ul'ebrU~1l Yert ica il ly and.starling {U Ihetop ,of the canvas, pullIdown,.A11,o,wthe t rlJnlk5110become w'ldernear ihe base it;y ap,~lying mma pressure on the brush. Loadthe :Iong edge O 'f the kfili' le with a mildure of Titanium White,D i I! rk 8 iIi!nna and S ri9h t R ed -Holdt he ki ll I : fevetl:icaUyBndJli,i~droueh high Illgihts,to the ri9h t snd~ of the Ifun ks.

US,f )th ~nne d V an D y k e Brown on the uner b rush to add 'I h el imbs and branches. I lnderpalnt 1he le,al clust ers , on the

B A C K G R O U N I Dload the 1" round brush by t apping iii into a rnhlture of Van

Dyke Brawn il,r'ldC a rl< S i en na . U n d re rp c ;; !li ntt he s m a ll t re e s a n dbus -he8a h : > n g JTI~ lefH) rlzonby iW i ltta,ppJ ng In th~ b~s Ie S!hapes"

Diplhe' ltner brush mto paJtnlIhinnlM find lurn Ih e handleas 'Yo ll lpull the brush through Van ID!/~IeBrownlor~ing thebnstlas to Come to a sharlP point. US€1lhe loaded brush tolus,t Indicate the' d ls l: c m t t re e t ru nk s .



neW! W I h Van Dye IB ro w ln e m1M 1 'I round lborllsh tr~lliJsthlpP'lngl, With ~ clean, IFOWld brush, genit ly h~ghllght th eleaves s ~I . I Iusing th m~:dUfes of Yellows an 8r'ignl niil'd.

U sa TI 81"I'IUm W hite on lIIe an lush m o ad snoW'to' ne,baseol 'IM'~ trees. Wi'lh Vafl D)lk'e Brown arid D a rk S !e nm J !onne Jan bruslh, 'I L Ican add small grauy arnsa il l th now

Ha,ldmg Ihe bnJJsh nomlOn ally, pu rl 15ualglht: Into I'he

I. U~II~r ~U~II"OA: U J ' it _ "

In! , IIDI.

-

- - - -

3, r. t llhll1 1 ~ 1 1111 I ; p o1111

t ip pe d 1 11 1wlll l lJ laf lOOI l

blMh

B 1 1. 00 tb~ ta a ~iIIlh ••niu i ,11r l6e i iIIjlllh llq lid _ UI L "tul·111wail

c ' nvas D nd'I'O!CI- me bnsU- s to bendl up ard Pull a litl'll Df!Ills calor into he snow 10 cre.a'Ee shoe !! .)w an!I

FI NIISH~NGTOIUCHIE~SU'!i8 ~hmn~o VlIHl Dyk,e Brown on I'he liner brush to add

long gr3S!!i8S, small sUr:fl.s and h\ll[lS A dd a ~'lgnatlJr~ and''feu will n~ve had THE JOY OF PJ,,\lNITI GI

5 . . IUindl~'Dl llnI1 l inrnI nm k l I IIti l l I ! I !~kgfIJLLnd

1D G IliIlD !tU n~I;~'I mUIImllil tIIU IiRl-

1 m .~ S n Q w I tp ! l l l 1 l l 1 d' I ! '~lhIh ~f i l lbrllilt AllIin 111111illP O f l ) l I 1 L

~~, f~tlNu In111 : 1 I Jl I

l'II'IiI nli'u .ill'll' thll lIn IiIru<dIi.. _



n. Tr~'~IImbs iIr~!~ ~ In l l! d w i l1 1 ,t~e Ul ' ! e rI bu s b h ij df l~ W U ll l d 1 fnpa i l lL

1 9 . '.ntghD:al l l 'wJ'! l it J ' !egI'm!!llllll1:ftI_ , n U 81 "

' 1 4 "T I1 1 r r; lu n d b ru ~ h l isuse~. ,

l~" Itli l : I!pIn~ II" rhi !Il't1!~ P 8 ! j 'a i ' u&I~ t l e n ll i ~ 1 II I I II O O l v l~I!lillld11~11

2 0 . , • •l~elliiI~jJ~rlnc:~et''''lll~'l bt Inlr b r U S ih a n ~,B1'1IInplIl,nI.

2 1 . l ie d 1 !3 i~ 'a :s 1 ( 1 U l~brrlillll:iheby t app1111 ;wllhI ~e ll lp c om e f '0 1Ih ~R u n t: ! b ru = h .

~'6.Pull ' l lu .p w lr :d w ,l Ih, h f llI nb ro o :l 1 • •

Z l S U ~k~,~Ol~ I w l g s,r8Irarlill~ wUhlhll~m~r~!b

1 1 . .. . la , pi lm' g r ,m ,l:r~'1i i rJ l 1 t i e r m ~ ' I iI i "

2 3 ,' fmll 'pilia d n , Q I s h 1 ii l l~O O ' W'1 l 1 ' l n I1 l I t d .V la w I M a 'p ainI-Iilg 1I~llllirSWllfill 1 l l i ll e n ! O II I lJhl!!DII:i'~1.

' 18 . P~IU rd:Oli!illW,3Ir'~wlllli1lhol~II bflll~1I I,i]PI.nllrlj~ Irunh.• _,



9 . M O U N T A IN ' D V A ,L-

--- ----

s te ve 's ; a pp aa r an c ie sDill IBO."5'pf\Dgram~ h8'V"e become a very[popular a,d~dIUo,nto T H1E JO V O F

PAINFrI NG,Se l1 'ea . N : " t ooJlydoe~" '1 ;1d i~phl'"a n e ll !tr,aof,'dllnary a.bU~U '~t , 1 )pa in t (h la . ..linlg'Ilrained 81U1~k n ee o t 'I he m " ~ te r . •b u1 :h ls 'Q O (H : Ilook.s" ,charmlE Ind wit hai¥'Gi!IMld!e,him a ~'a'lIorile81 mO"g I!dudenl!5acr,os ,s'Che-coontry. Havingmolls-.lemd thllstechnique err paintingat a " " S I I l 'e al ri ly a g le "!I I1 .5IiIO'w o n d: er '. ha lS.e:'1e, has, bec',omeillne 0 "' Ihe most IPDpulalli"IBobI R o s sIln,tmdors.

S te ve R os s,

SKY'Load l.he,2" brush byt3pp~.ng the 01isUe's f~rlml:tmlo some

AII.z:,arinCnmson Mpkahodizonti:ll crrss-crcss.srrokee In thesky [est above where the honzon will be on l.he veflic9i,1

canvas , IReflecl: some ot thiS Pin~ cclor into t~'le water byuSing hor tzontal s lrok,es in Ihl' :! c ente r o ·fthe canvas b~IQWthe llC!ri~on, Reload the brush with a mixture of Aiiz.aril1lCrimson. Phl :l1alo Blue 8i l1dMidnight Black Stil l usmg CrI!35'"

C'fO~8. slrokes, cover tlh~ l"emaJ~nder01' the sky, Add Ph1tmlaBlue 1 0 t Jh 'es am e b ru sh and us e horizontal SlrO,k'9S 10cam-plete the water, plJllllO'gfrom Ih B o IS-IdE!I;!oge'scttne canvasallow i r! 9 ~he c en terto r er na t n q lJ ~ t e11'1 '9ht. \f!IjU II. i f J Ic I 'ean ,d Qf2"IbrU~5h,blend the enUre carnVBrS.

Use Tilaniuli! WI ~h~'wilh a touch of Al'lzarltn Cnmson onthe fan brush tc make t ihec fQuds ,. Wl th l[ust one corner or theb rush us in Q l Uny e ire Ij Ia rS V O kili 'S:.r0 rrn (;:1cud sh a pest hif!l ar e

mos'tl!y IIa l 0 n the bette m and 'I u Ity 0 n to p. Blend the ct ou dswitn iustt he top comer 01' a clean, dry 2" brush Again, uS€!

small c~rcul,ars!foka8 ba,ng very caretul nol to tOlJt:Ohthel:ope dg .B S o f Ih eclouds. Gently lift upward to Uuff.

MATER I A,L.S2" B rush PruS $ian B lue1 1

• Brush Mj,dl1ight Black·116Fan Brush Dark Sienna.ft2 Scnlpt Liner BruSh Van Dyke 8.rowl1large Kl1!ife A~h;:arilil Crimson18 X .24 Can\las Sap GreenLiquid White Cadmfum 'fellow16 x 24 Con· Tact PapEr V'ellowOchre:TII.anium Whi1e hidiarl YellowPhlhalo Blue Bright Red

S ta r lby co !ielri n 9 1h e enti re ea nvs s 'I Vi~'haehee jve-b,ac ke dpl'8.S1ic ts ich as C.on-Tac Pape'r) from which you haverem oved a 141x: : 2 0center oval.

Cover t lhe I :! !l tpo$ed srea 01 [he c allv ~~ w llt ha thin. evencoat of Llquid Wh Ita usmg the 2" brush, Use long horiWOhlil1.E!ndVer1lCall 's trokes , work. ling back. and Ierth to assure ane'lten dlstrtbutlon of painl on the c an va s. D o f'lO't al~owtheU qurd W hi'le todry belor,e y,ou begl,ln.

MOUNTAIN'The rnountain l rnade:willh a m i xt ur e oJ A l iz a rl l1 l C n m S O I r 1 .

IPhthalo Blue and Mldrllgh1 Black. Load the long edg~ 01 thBknifewitht a.srna IIIroll! 01 paint by pullif19 Itle mixture out fia t01 1 your paIat ! i3 'and just "c utt m s" a cre s s , U se fi jrrn p re s s u r eto push the pa, lint mto l :hecanvas , shaping ius' l Iha lop edgeof' the rnountajn

Use a clean, dry 2···PfUS,hto,grab 'Ihe palnt Iramlhe tcp orthe rnountam and pull down to comprete Ihe e,ntir,e shapeT h ,e c o lo r wltlllt;lulOrna'lically mix with the :LIClUidWi1ite andbecome hg'hler near t ihebase' creat ing I :he I llusion (l·f mist,

Highlight rhe mountsln with a mlxture of Tuarnurn Whileand 1l I touch of AII.zarir) Crimson. AgEu,r\pulll the paint outvery f lat on your pale tte and just "cul" across In load Ihe long,edge 0'1 the knife wilh 8 small rotl of parnt, SI f1C!~ t:n'9'light is

ilI5



rocneu.sLQ~d lhe 2" brush by tar: lpmQllhe bris lles in to a rnlxture 0 1 '

Sap Green, Phthalo Blue and Mldfll~ghl Black. Holdir19 illebrus,h honzontatly, [ust UIiPintnebasic foo1hiII.shapes. Witha clean. dry1 p, br 1,8h, grab lust the top edge:s ofthe 'lh ll ls andmoake quarter-men upwa.rd strokes, This 'will g~ve thelr np re ss io n c ,tI'~nytress 11' ' '1th e dtssance Use 'tn e same bru5,hto lap and dilfu.se the basEl! o r ~'he hfHs, creaUng a , mistyappearance, Add a closer range-01 hills, a ii itis' darker inector. using the sametecnntque,

Thlt! land att he base nftha foolh IUSis made wit h 9 mixtureor van Dy'ke Brcrwn ~nd Midnighl Bl1ac,k u8ir!g' t he i !I :. n i' le .P~y~ng close al'lenll0l'11 to angles , highlight Vintha mnxtUJf€lofVan !Dyke Brown, Midnig t Black and lila fUm \\Itute.Agam, use the knire with so IlUle pressure that the painl:"b re af(.s ". You c an a dd s om e s m all b us he s t ot h o e :b a nk s u s in gthe delfk fOQtn~Hmixture on the 1" brush, tcuchinq the Calia

vas and be,ndlng the brist les upward. Highlightsare made byadding CadlilllUITl Yellow 0'11{II' the dark uass color, U se thepoint of the knife 10 sc atch in smalf sticks and twigs,

U se the 2" brush to grab just Ul13verybottom or th e d ark

land Color and pull down. crealing l"eW3cIJons in trle waterGenlly brush across to give the rafleChonsa wateryappearance

With liqUid VVhtte and ,8 1touch of Mldnigllt Black loaded00 the long edge of th,!'!knife, "cut-m" the' water lines andrlppie-s.

The small evergreens in the background are made Wllh amUi(hue of P h t h 1 8 111 ( 1Blue. Midnigh1 Blac , Van Dyke Brown,and Sap Green toaded on the lan brush. Hold he brush

verllica~~y and jWM toucn the canvas 10 ereate th e center lineo,ftile tree, Tum the brush hor~lontalll'y a.ndbegin addillg th es.mall branches a 'i the lop ' of t he t re e by u 's ing justCUll!!Gomerof the brush Working from side 'to side arid 'l<iJ:rc:flngthebrtsna s to be nd dow nw ard, use m orepressure as 'VClUnearHu! base at the bee ~lIa'wmg the branches to become larqer.Use th~ polrn of the Imile to scratch in trunk ind,icailions. AddCadfl1ilum YeUow to the same brush and just touch somehlghhgh'ls, to. Ihe nghl 5,lde 0'1Ihe branches

FOREGR,OUIND'AI this polnl VOll can remove , the Con-nlJ :: t Paper rrom the

canvas Already, you h:t.l '!Jea very ,erfectnl"e painUng, or yo ucsn add the lar,geln~€s in the foreground.

To rnaka l:he bl rchtrees, load the long e'dge o ,f 1h,Giknifewilh a small mil 0'1 Van Dyk:e Brawn. Holding the knif.e-vertically, start al the top 0'1 t he cansas to form Ihe t.runkshapes. Ba sure to allow Ihe trunsa to become wider .95 youne a r Ih' e base, Use .9 1mixture o~ Van Dyke e,rOWi1. Phtnalo 'Blue and Tltanium White on the kn ira to j ust touch and nullIhe hrgf1<li91hls to th.e r tghl s ide 'O fthe trunks limbs. and

branches are added wilh t,hlnililed Van Dyk.e Brown on theliner brushThe, I landar 'ea a tthe base o, ft he t ree is made u sin g t he -2"

brush and a mixture 01 Prusslan Blue, \lam Dyke Brown andSap Green, 1 ",ol.lch the canvas a nd b en d the bristlea lipwSWj'

as you block ~nI:hebushes at the bas, e o f he ires Alloy, 'th~sla n d' a re a ttl extend outside your o ' '' '' 'a i , I '-hghiigntthe bushesby pulillng tne t" brush Or the 2" brush lihrollgh varulUsmixtures 0 allthe Yellows: an d 8riglhl Red Tnuch the canvasandterce Ihe bnsties to bend l lpward 35,you shape eachmdi\l idr. la l bush. Be carefulnOLlo "kil l" a ll 0 1 1your dark. basecolor,

coming 'rom 'Ihe right very gently touchthe le'oded k1'1ile to' the r ighl Side 01tht l! top .of the' peaks. As yOU! glide the ,io;n1fedown the stces of tha peaks, use so Ht1le pres·s:ure t hal'l thepa in t j :sa l lo 'WoEldto "break".

The st~adows are appllsd to the leU sides of Ihs peaksuSing various, rruxturss of T Itanlurn While wilh Pntnalo 18,lu!?,Prusslan BillS. Ali;;:.arin Crims\)o, D ark S ien na andMidnigh'lBlaCk

To c :o m : p ~e 'r eyom m o un ta in , ~ s,e aclean. dr y 2 " b ru sh totZlP and diffuse the base ~folqowingl the angle.s) Bind l"tli~ngen1tly 11ftupward to mist.

IF.It~US H'IN IGTOUCIHE:SUse 'Ihe poml of the knite or the liner brustt to add addt-

ttorlal small is,ticks a n di t wi gs . Don't Torge!to sign yourpailliingi

46



L Cll lt i tr'!h,n l' !J vu w lL h ~ t m -' In l P~,PIBl 'ljbi~h ~~'11nr iIlI~~1'eu~~I m'lh.~~nlillr.

1, . .ltl~n,bl,~d1~~W~W~nI~I th 11u:r 1~! 'U. ' lh

14. PI lI I I~.lr\ilg.hld~w.n,~lItrnn~~fIliil~. : t i llflllikil

mHll ' c : i I . inn2 .

~'-1lI~~hrizw nbl~r~SiS.jjrIlUii~rdK~~; . ,

II., . ~[I '~mlJn! ~ '~olL1 mhi'llIflelit~'!!hI bilSlt

15.fuih1!P'.a,ni'w~n~U 1 i 1 ~ ~ .Im~2hII I~r~I~!l

IIras:!:VIiIt'~fi"

3..•. to liY IlIlIle~,aiSrlll~Vi l O O Iw 3 l t & r.$~ 3 p ~ ~ .

4 , nB I lQl 'n .crIl~ lilI?~I rn~ril!~I~ uawlt~ !lllltniI l 1 I r1 l11aR: .

5 . B le nd ~ ~e~oIllll!1!li!!alBh~ I m u d w l d ll J1 l ll 1 1 p ~n m e r l m lU le:r I~ruihr.

ll.. .. l I l l l 'ml i l l I l l I lW!If ' i i l lco:r~!oo13 ~ ~ It 1 : 1 I1 : II 1 ,! ! ,iIIu~.

9 J (n l! e u se dr ll r m l lm ~ -H g h ~ im d~~~~do,w:.i,A n g I .e s~ni Im ~ rlal'lt

1 0 . W i l ti l1 1 1 12 " br:iJ3h. llipt~~~liI!HllltiJ!l r n m u n la l il ! , • •

' ~ : m ,u, , 'Ihmkn Ij \~~!:I~~eJjIIft 'n~1I~1I1dWi l il il l • • _ _

n ... 10 ~'~uHlI~W~'[efn~nw h i rl ! r '! 'I U 'e .l !IJ!lI~~ UI'~ i~ ~dmul

1 2 . T h ~1 "h f~ :h l il I11I~~

!rnl! i l l jnitl1e1( ]~ I~rn r ; i !

l B. F m -I ' ; I l l ' I ' I gUJI I1S ,~ u d ' r lJ:lUi'~ wil l i l l~~'brush tIIm~r'"

G L l .b e l tl mb t il r e , I I Im ~ i 1 : ~ .~hl! ~IIIUillr n t O U l l l i l l i i i l

; li ar p (I ; . •• "

~3. L a n ~ : a r l l8 s a i r ~Qd~l ru i l~ i . m l ln m h l e ~ w i l M i J ~tn i l e . .

~ 1 9 .'Min Ih!b~wJl~!:!IIil1lt!JIIIII,!"lin~~e~+•..



M A TEFI:IAlS2" Brush TI tan t u r nWh 'ItefiB F a inBrI.:Isl1l F'nthelo Bille#6 FiIbei rt BnJ 'sh Mid n i9ta tBlackf;!2 S cript Liner !Brush iJar S ienn,aLarg,e Kni'l,e Vo n Dy,ke BrownSmall Knife Alizarin GnmsonHI )II; 24 Canvas Cadmium Vellc.l 'WUQuid While Yellow 'OchreLlQll.w;,ilClear Brigiht Red

The hodzon mIhls p&in1inG' is,abcut n~" down from lhetop of U1e Ci1flV,E!S,G ov er th e'a re a s bo ve the naruen wllth i:I

thin" even. coat at Llqutd Whne. Cover t he canvas below tnenortzon with a l.hi'll,even coal'[o rliquid Cl,ear Do not allowt hese Lq'qulds to dry before y,ou lbegUl.

SIKYLoad the 2" brush WII'th ,S i v'9ry small amounl or Csdmium

Ve,llowa n d u se c rt se -c rc s e strokes to ' create a Q 'lo win th ecenter of t'he'skv, ll"ie color shouid blend with the LiquidV!fhi te and become quite hght as, you near the top of thecanvas. W,th out clean in 9 the brush, IPle k . up oso m e YeH owOchre and, still! us,inglcr~SS-CfiQ8S5trok.~'S, apply to Ihe left81de oHh,~ "fsUaw Inth e cente r et the sky, St I~I not clea n Ingt he b r u sh l , an d . st ill u s!n .Qc rls s- e ro ss s 1r ak es , a dd 8rdght Red'10the Ie'll side 01 the Y,ellloll l(Ochreand across the cafil'fas.a bo ve th e n on ao n. G en 11 1yblend a li O U h e s e co lO N ltoge'lher.

With a clean, dry 2" brush. usecrtss-cross stro es to addTitamurn VVhlte1a the upperlet t port ton (I the C~'l,dmjumYellow glow. HoldUm o,rus,1ltlat aqalnst t he canvas a.nd'useI,ong dh:igonaLsl.roike'sto pullthe While down and acroseme!j,ky,,c,r,eatin g sun ray's.

A d d 1 :liI e aJ o ud !! , w llt h, ' ;I, mJi;tt)ureor' AI~afin Grimson illndPhthai 0 BIue ( li la ' !: :' Iean, dry 2 '"brush. Uset Iny 'c ' ir 'ClJllar stro k~swtlliljus t t he top c o m e r o f t h e brush . IE nen d t he c I o ud ls 'W it h ' th ecorner of a r.~eanbrush, still USIng small clreutar strokes Veryg9ti1tly 8of~" the entllre sky INith horiwntal strokes.

U 5< e r no r eAh z at r~n crjrnscn ,iIn ,d P Ihtha I!o 13hJf. l 01"11111Ii! bru sh'lo r! h e'C lose r, d a r ka r e te IJ 'd s ~ I o ng~:hB edges. U se 1h e sa r nami,1!;1U1r, eon ti1elan b ru Bh f.o r~h,esmalll borlzcntel "'floote'r's".rhen blend,

BACI(.GROUNDUse paint thlnner and PhthallQ Blue 0 11 h e f il be rt brush "fa

roughly Sk'e'l!;;hI:!he 'large wave and the shoreline'.load the ~.' brush with a 'da ,rk mixhJI'''e01 Alizarin CrImson

and Phthalo Blue. UB6 Inng hoM'onted s'lrokee below I:hanonzcnto add the back,grol!.lndwa;hu, Then, us e this gamem ~xturste iust b Ioc k in th e base of ~he W , E i I 'l J ean Cith,e w a t e rneneat h 'ttle ' Iarg e w av e. B ev e r y C~ re fu I,n ot t o P i: !in t ' Ih e" " e ' y, e "0'1 'the wa v e, Thl s area she u Ie!r,em a i n ~ight and IJ InlPili~nted.6ecauseyou !lr,ewo(ldng O'\jI 'ElrUquid G~eaw.I'hecororshouldremain quit e dark and not become dnuted as ~twould Ii you

were using Liquid White.U s e P,h th a lQ B lu e a n d A l iz :: ar i!1 C r im s o nto J l . IS , t"serub-m'

t he s ha pe o rt ne headlands In I:he distance. N o t llc e t ne c lo se rh eB dla nd ismuch darkElF in \ l8 Iu13.

F or 1 heb a .c k g, ro u nd w a te r;load the Ia n b rU s h w it hT11a~nl urn WI11t,e-_Hold the brush norizo.nta"U:i and use shari:horizD int a~ strok.es lo add hi 9 1 -1tIg h l.~t,o tJhe watsr ato ng ' lheh Q rtzo I'll a iiid ar c Und t h e ,b,~s·i?!el f tne h ea d la nd s.

~!lmwitlh nUmiuOll While on 'Ihe!\ln brush, make thillSwelh,behmdthe large wave with long bortzc nt at llnes. A lso ~ dd aIln~QfWhiif.!'lQolhei.op€!'dge Of Ihe major wave. Tocompl,~tet he d is ta nt s we lls ,I O o rwav~es)USe' th e fa n brush 1 0 g r ab the

tap edges of the White unes and use a gentl 'y sweepilngstroke to pull the ~Int back find! blend. paying very closeattention to ang1les. Tryn01 to touch the bott om edges Q 'ttheWhi'l:e lines and try notto "ktll" all the dark base collarb e t y o , ; , E l ' a F l Iha : s w a l l s .

L A R GIE W,A 'V EVii;! the same rmxture ollPhtlhado Blue and Alizarin Crim-

so n on a cla an fa n b ru sh'~Q underpalnt 1 h e b , re a ke r ( th e w a t' !! !r

~Q



era.~hrng ov~r thetraraparencv). FolloW ths baslc angle BS

you curve the stro GS Olier I:h :e to p 01the bre.;;:l,io:;arWltl, ~clean tan brush Rod Til8111Ulm Whil@. highlight he bre'a:ker:again, follow [he b~SK angle,

Te scrneTltanlum While, add a touch cd Cadmium Veil owScrub this mdXILllr~into 1h~ oval "eye'" 01 the wave W I h the--fllbElrt brush. Eli :1end a I lt llo of the color Out ACfOS$ the lop ofthe wtlv,e, Use ~u5t Ihe top I:;OUHH of a clean. dry 2" brush andsmall circular strokes to blend the "eye' . Ho,ld Ihe brush r~aLagl31nst the canvas and pull down 10 blend 11'1 entire waveThis , is wllefte y~;mcres te I 'heshapeol tne wave, sowatch lhe!illlgdes of 'lila water.

Und,erpa,lnl Ihe loam (10 cr€~.!'t,eIhe $ladu\'"S} Wllh a ITiIX-

ILJiffi of Phtl1alQ Blue and AlrzaJrln Crimson on '[he I iI berlbrush With tiny errcular snakes. Hlglhlight ~he foam with IliaTltanfum White-Cs:drniiJm WtllOW mixture. U S e " he r Iberlbrt.J!lI,hlLa make small, CIrcul~u "PUSh-lLIp·1 strokea Jusl whereI l1 e h .g t ll w o ul d s ln k 'e a Jo n g'the tapedgesal'the toam.U s e : aclean, dry fffbert bn.lsh and Ihe lop comer 0" tha 2'1 hruah togently blend wgeH,er the base Q,t the highl'lghts mto "heshacows oi the loam,

stili watc.hlng YOLlf fjJflg~es, lorrn 'the foam paH.enu5 ihatelf) snaps lhe waye wrth Titan! urn Whllte and Phth,alo Blue

on I :he hlber l brush.

F O'R IE GR OU N OReflect the SKY colors onto' he IN , et s an d u S'in g 'Ih e 2 " b ru sh

Pulll dawn wlthl CadmIum '(al'tew dwectly under Hie i:mglhffi60t

S C I

. ; ; trea.then add "' e~I Qw Ochre on either slde, Ihen Bqghl Red.Dark Slenndi and valrl Dyke Brown on the very edges 01 i'hecanvas Where Ihe oeac IsqUitedark. Willi a clean 2" brUS.h

add a ~IttleTitanium WhrtBO!-j-fm e C a d ru iu r' lI Ye ll 'o wBle'l1dthee n l ir e b -a aetI area with ' !/ f !r tk;a lstrokes "h ,en gen 't~ybrush a er o s s

use sweeping no zonta~ slrokes.w['lh Tilanlum ~VhlteandPhlh-alo BJ u80n 1 1 hIan bnrsn le add lh~ loam patterns tothed8rk water in front 01the la rg e w a ve .

Add the sand In tha lower ngl11 cornerol the painl' ng WIUl

the f an brusn and Di1IJrkSlanrH'! , \ Ian Dyke Brown and Tlt a-m u m W n li't e.

Use 'the liner brush wirh I hinn!:!d as rk p,amt to add a Imeu nd er 1 11 13w a le !" o nthe beach. U se the lighl Blul1!mixturetoadd ether wa I:er II nasQ 1 1i :!he s E lln oR OCKS A N D ,$,T 'O NE.S

Form he racks on l!he beach WI h Vall'l Dyke Brown OF! t'lenlle. Use I he 2" brush 10 pull down a lrtlle of ttl is .dark color

t to r e( lle t: ;1t he r oc ks o nhe w e '! s a nd ) and then gel1lly brushacross, Highlight he IOC :3 with I e sm<:ll'l .nile and a rrux-tllreof Tilaruurn WhIte, Ph1halo IBlueand Val"'ll!J;yk€,Brawn.

FIIN~:SHIIN'GTOUCHIESAdd rippl@s ercune the base 01 Ihe reeks. thin lines, of

Ilgnlt, and ether Hne detailS! and ·'Sipark.h~$" using fhinnijrjmixtUI"'e$on the liner bru~'h fry th 1 5 se as ca pe ' u 5, ng othercnlers. such as Phthalo Gre€!n and Pruss l<lf i, Blue

Be sure to add yom s~gi'la~ur'fll

4,•.. il'i! ~tl!d IIIlUil!ll'th~!k,. AIMiI)' ~~II;h ~Ullld!w H I JtlIii!~lIbl! !1lbr l l l f i.m ~I l I i I l i l ilP! l i !1 ,



II IThlillp ~ n ~ !Iir~~f1iln~W \ 1 ~ eI ~ ! I 1 , ad ~w \l lh l il la f il n ~ ru ri h.IIn~lle!lim '!Ie , ~~.. ~vf i l ; i l l1 i l .

liS•..• 'tbIU) b'tindl!d hlll:!lC!rwil t !IIlI!!m~ClImer~11~~'2 "~rwh,

Il, . , . ~ IP p l'f1 a oInnlllll~ir III d ~ rkplr~1lcNlIW III,r" ~ml~:~l11lr.o ! r t~no' t l il 'fIi!I!lBwith B. ~n l U i !1 w a ~ ~ O O i ! lP i l~~nl ~ d e 9 .. •Ih~ob le ~ d e ~ b il e ~tilI lh ! !lainIIrwm , i!llllIh!he I~!l~ru~ _, . ~relb lite I n!!~gll ~elweln

1ht1 lmf ;Drw~ ' \ I '~~ ,

11L~I i1I '~ l l lb l l f lbMl'I rc5~~dtm m ub II ~fh~tril!n~i ! re ! )1~:~e ,~ l lhmwl~e , .

~Z. .. . ' Ih~i tee!t~II~-~ue~:1,31m I~ bIOOi~~dlw U h 'Ih e :tIIpo o r ~ ' C ' fiI 1lm e'Z '1Ifij~1l.

~IB . i l' h~~i~III" tl'rlu,~II,1~l!d~dwllh ~1~l tnl ru in~ ,I! u~!ell'' hl f 1 1 0 11~'I~II_

IT , F Qlm1~~IUlun'i m \ l d e 'iI~l,hI~ lillll1~rlllru&_~.

Ia .S h : H l o w ~ l~ l ~ ~ erll~m~r'~

~ a lm t e d . .•1 4 ,.. . ,:IIIC~ l g ~ 'I I !g h t ~ w l lh( ~ e c l im eillflh i lm ~ > D f I ,b rv d lJ . . , •

lB . P !;! U ~ ~ m ~1 Ii ! I r :n~~1I1o J '~!:OJ'~ 1 . i r : ~ l U Md DW ~ . , • •

~ 1 1 i ." • •' ttl,,!!~r.r~n. to( !! : iI " ~ i ll ' 1 1 h ~mUEicnl l ( l1W l l1 f ! O l r U In l ll !' !l il l~ U 1 ' ~~ill'rcr !"O 'mr~~! ; k ~

51



1 1 1 .

MATERIALS2" BrUsh Prusslan elu~#6 Fall Brush Midmgh'l 6i8C'k#2 SCript Llner Bru,:sh Darif( Sienna

large Knife V!\lrl' Dyke BrownSinal! Knih.l Al iZ"f l r lCrimson

B x 2"4,Canvas Sap GreenLIquid iJII11lte Cadmium YellowMasktng Tape Yellow OchreT~1an1iumWli"Jdte Indian'vell,QwPhlhs 10 Blue Bnghl R'ed

S'lar1 by masking-off portt cns of the canvas. Co\ l' er ,8 . 2.~bon::ter around lhe parimaliilr 01'thliilcarwas with tapa.Thenaddlw-o vertlcClIIs tr ipe of tape to cl\ il ide the canvas Into threeportions"

COlo!e!rt.h€ enlilra canvas w ith a Ihl n'even coat o f U qU id

White lislng Ihoe,2'; brustt. Use long onzontar and verticalstrokes, working beck an d forth to assure 8, even (Jlslri:bu-lion 01 p8h 'i tem the' canvas , Do not al low the lriq :Uld White 0

dry before- you begm,

9KIW ith Ahl.~ 6 n Cri rn s on a n1i '1! ! !2 " b ru sh , be!_g ' in m ak in9 c r'$ is-

cross ~trok'E',.sJust above the horlr:z:onto create ill Pink gllow inth e ,S lky,WiHDou[claaning th e bru sh , p ie l!;ILip a rn l> : lu l'E!01R h t haJo B ILit! and Mi d ni' gh t 6 .1aek, S ta r t a 11'1e t op of th e ea r i va l Swi'thcriss-cross stro k es a nd c a v lH '1 1'1e rsma inder 0 '1 t h e s ky.A d d M id n ig h l B , I, B CKt oths s am e b ru sh8.rl,(2u se lo n gIlorizo,nlal!stJrok.esto c over tne lower portion ofll1e canvas, bel,ow I'hehorlzon 'Blend 'the e n U r e. c s r w a s w it h,a ,c le an , d ry 2 "brush.

Tih e clc ud s. a re T it an iu m W h it 'l: ! on a c le a n 2 " b l'U s h , U s elUsttn e top came r 0 I th e' brus h an o s m all e ir e u lla r s t ro k es ~ CIa dd:~hecloud shapoo, Very l ighl ly blend will1 a clean, large bwsh.

MIOU,N'TAINT h e m o u nt ar nIS made' wrth a rruxture a t Mldmght II3'a.ck.

va n D~jl\e Brown, P ru s s'a n B lu e ,E ll 1I dA l iz a ri n C r im s o n .Loa.d

the 1;01'19ooge 0 1 Ihe k . n H E i !with 8 small roll af pailnt by pullingIn'9'mp)(hneout t la t on your palet te and lust " C i L I 11 ' i n g "across,Use firm pressunll' to push n,e PQ~n! lnto the carli/,as, !ShapiriliQ[usr lha top edge ,or Ihe mounlahl_

US! ; !a clean, d ry , 2" o ru ,s h~o g ra b th epalrntl 'rom 'Ihe to p ofthe mountain and p Ll11d ow n 1 0 e o m p le raIhe 8 I 'l l i r'e shape.The color wi l l 8.ulo.matlcal 'ly rntx ""v4ththe Liquid Whit e and

become Illght&rneal" the base, creatlnq ' Ihe il lus ion 01 mist.'Belolre clearnnq your brus • use the accumuleteri pa nt Or!the bristles to add the scrt mcuntain inme distance,

Highdlght the mcuntaln wah Titanium WhHe,Ag,B~n.pullIhs paln'lout very rla·ton Y'OlJfpalette and [ust "cut '1'IIcrOS5 to 'load ih e lia ng e dg e' o f' t 1ieklln'e- wHh a small re m O '~p,0i~nt.51n ee i1 helight is .coming from th,!!!~19hL \rEW~ genII)' touchIIH~'oaded knife 10' th e right Side of the top o 'f 'he pea,ks. .Asyou gl ide the ' I<me d,Q'Wf1Ihe sldea of ' he peakS, L J S f . iso l ime

,~H~8S.lHP. Ihal [he pa m l 18 allowed to "break' .The shadowaare applledl to the lett sides ,01 thepeaksusing ill, rnlxlura or Tltaru 11m WI,; te PrUSSUll n B,IJu,a,nd Mid-nrghl Black

To complete your mounratn, use a clean, d'ry 2" brush totap and dllfus I'he base ~foilowlng 'O lea I 1 g 1 e 5 o land t h e n'g:antlyII Mupward '0 m i'st:

B " A C K G R O U N : OLoad the 2" b ua h wil1181 m i'itture or Cadrni ..r rn YEI 'lorw.Sap

Green a nd M ld nlg h'l 8 I,B Ck . H ord in g t he b ru sh h o,r iz on la lly ,lust lap in Ihe ,ground areas iiiI rha base olthe mountain,lpaying close attenucn to th e lay-a - ne- land

The small evergreens, in Ihe backqround are made byjOBdmg the fan brush wilh a mlxlurs 01 V an Dyke Brown.Prussian B II~ e. M ld'l1 lghl Black an d Sap Green, 'Hold th ebrush vertJ callv B,nd ju s I touch the C.F.l rl 'I JAS 10 crE:!aie I.heC'Ii!~I'efli"eOo"Ih'9lrae Turntna b ru sh h o m :c m t aU y a nd beg'lfI!addll"lg the small branches at Ihe tap of t'h,~ tree by using J 1 u s tone corner of Ihe brushWorking lr or n s k:I '1 iI1 0 s id e a ndton:~irlg the bristles to bend downward, use more-pressure it:;;

59



Y 'Ou near the base of the Ifee aillowin 9 I!19 b ral"lche--s tob < ec o m e ll ar 'g e r H o ldthe brush ~rtll:;al'lyand use downward51 mke's to ju st m c nc at e 'Ih e~tefy d lsta nt, ti n y' t re es . U se th epCint:ol' th,e knife to seratch in Ihet~eE! trunks. A,ddCa,dmlumYeu,Qw to ' tin:! same brush ~for a lighter value) and touchhighlights tothe I"I'gh'lsides, of the branches Go easy l'hsl:I t:!r ee s s ho uld r em a in lo I'e ryd ar k,

Continue u si11 9 Ih e 2 " b J riU shwi li n v a r lQ'US m i:d u r es ; o f a .n [h E!Vellows,sap G re en a .n dBrigl'U R ed ((I ta p In thegr~.::;:sy a re a o f

th e e nt i r a p a intingl A II() Wth e b r us h t opIC k up so m eor t he d a .r kh,aB;co l ow .c:rea'tllng s ha d a 'w s a n d a n g100.WI) rk ·in lar~elCsas youform thli!! la nd c om o urs rh are :. ae r" ld I Qt he e e tt o m 0' ' Ihe carwas.

B ra wn , a dd '[h ed,oor and the w indow . U se'nUt! ki1i'1e·tornnH)vea ny e xc es s p ain t fro m th e b et to m o 11 he b u illd lrt g W rlhIhe kni",!::!',t ou c h a I nU l :eT l ta n iu rnWlli'le to ' ' the very ~dge5 of the rootio"spark l!e". Tap R ht1h!l'g ra s.s y a re a a rc und th e ba SE !,o rthe' ,caibif'IF O R E G R O U N D

Loa,d I:he fan brus h wl itn va n Dylo:e Ehow I! a PId Dark5, 1e n n a , IIB8 s ho rt h or iz o11ta I s trokes to add thepath. Watchthe perspective (t'he path snoutd ge t Wide as ,'~ comesc l :ose r) nea r thebo tl cm on e c a nv as A d d Tlt Elin lU m W h lh !i'[O[hiil bruah to highllg:iht the path, then usa the 2" brushta !:ladg ra ssy a re as a lo ng th e e dg ec s.

U se a mixture .o( Van D yke B rown and D ark S iennaon th efSfl brush to puu-l n the la .rge'j raE!Iruolk iII the h:uegroundHo;lding I:hebrush vedically, starlat th e 10p 01 ,[ihe can'V2!Sandallow Ih e t runkto become w id 'e r n ea r t hebass by using morepressure. fBe sure to giveyou'f Ul3:9 an arm J . A . d dthe small 'limbs tmd branches with a mll)(tUIl'l!of Ipaint I'hiriln~rollnd~lanD y ke B ra W l! o nth e hnor brush. U s e t.hlnnedTitarlYumW h i 1 ' 1 : i!ont he u ne rb ru sh to IO ue l,highlights t o th e rig ht S id e o f th e t ru nk .

U se th e 2 " b ru sh t :o a. ddthe gras sy a rea T!al ll ebaseo1lhe lreeand Var'! D y ke B row n on the I~nSf [m u sh t eadd a s m ail I f en ce inI 'he na .ck .g round . 10 l1ggra~esand smail!sticks and t\yigs.

F'IIN~SHING TOUCHESRe;movlethe maskill181iapefromlhe c arw as a nd Voila!, a

TFtIPL= VIIEW Si'Qo and enjoy!

C,ABIINUSi l, '1t he k nHe to remO'V'ethe pal nt from l"ieC,IDInlias inlhe b as I e

e na pe o f1h e c a bi n . .L o ad lt he k n ii ew j lh a s m a ll r ol'l0 '1Va n D y keBmwfI, by pulling the pamt out fl,al on your pa, leU:eandjLJst" c ut tin g l" a c ro s s. Te u ch t naknife 10'lha canve.s end 1 6 1 ) 11111iheb ac k e ag le .a l the root ~ y N t 1 9 1Close' aUentli:mt o angi le s . pulldownflhe fr'Ol1t(lllhe' r oo f a n d t h en i :H : lC lI tt Jefrontand the sldaolthe cabin. W~th a mll1<tLlf l: !of 8dghl R ed 8lorlDarkSfrBrin~ on lhe

kni'le."bounte"a liIIlecolcron the front 01 t he r oo . Highligh'l th ef ron~ of the . •ab il fl w i th .i3Iml)!I 'ure ofTfr tanium'N h lt e a ndMkJfli9hl~Black. us,lng so Ii'Ule pressure '1111alt.he paint 'breaks", use thesam e mi! litu F e ~wH h le se W h ~ te )o n th e s ma ll itnrreto h ig h~.ghlIh Side o f t il e cabin. S tm u si ng t h e s l'! 1I al llknile and Van D yke

11. Triple' View

2, :~'rhS'IlUlU,SInl~1 .,eI i .&id • • •

4 ,C l o ll ds a n i I I1 l di' .lI h 1 1 11~f I .Pl i l! r lm ri l i l iher Ihrush,ltIell blslldtil,



!Ii T h . t !. 1 ! ~ iG A l I J U l lI ilI n ~ A i 1V J !! lI s p ~ 11 i I tB dw l lhIhllk f l ll e : • . .

111 h e rg r e~ Jl s a ralIlildteb V p w h il~ 'md Q ' ! 'i ' n IW B f ~wl'~1IiI~c o r n e ro rIh e ~~IIbrush .

~I. l~pl dID'!'Iin'"iifi~ w l l l l' l: l i1 J h i l l!!J!uiS 'h10I~rlal!

i:IIi;UII'II If!!!:ali~ple:s_

e , . . .h l l ' l i n l l l l g l l l l u h l l .3 n m~ h ~ o o w ~ o nIhlilillintil:lo.b s i n OiI~'f I l ' l l leI'm!:l'ur~,

12 . W II I' I Il l~2 "' b r u s h .ta pIr 'C m 1 1 1mire os o utw a rd .. ,

13. , . 1111m8tftllh~ b11'1ulI~er tb ~~"'lli"g,rb,IiS,AlI l lw ' Ih ltI b r u = h!Dplsku p ~t~l!!~h~' ~~efee ool ' ilr.

1'm .P ro l i f f i l !S~ j l l f l l a l ' ~ l e l l :S ;I Q J I I dII!PI"'n~lhl &all i ll .

"How To" pr1OtDg'rap,hf ' i fo r ('hIS pa~l1hngcominued on page iThll

9 1 ,l a lP I II( G O I h l ll l , 11 :; 1 l 1 ;l iIh i l2' "ibrush .

R C b ii fi im l ~ 1& , :1 1 1 1IBIal 1MI;;m~••.



~ I.r



2 N brush pun slnlvght down andthen genii'll brush acrcss.rogiv@ U " ! @ . 'r~IIi!!Glio!lg s,watery uppaarance

With Liqulld While cn Ihe long edge 0' the knllfe'. add thesnow-covered edges to me waler under ths dlstanl trees. Useve!r'f :S~WI1 strokes, with a cleant' nrusn. to VEl)' I lg llt ly put t uplila I:O IPe dg e o f,th e l iq ufd W I" ! i'! e 111i s s h o o ldC reate t he 1 III usio nor m ist and Iiny tr!J(tks fiT U M ~b ss e o r rh e Irea.s CUT~ijn the WBlerunes again uSing! liquid White on rn e long edge of lne kl'1~re

The small , tl '~ergreens ~nthe backgmlmd ara made b~ load

mg the lan brush wlth<:I

rnrxture 01Viilrl Dyl-a! Browll, PruSSlliH1Blue, MIdnlQI1t BIackand AUz.arl n en rnson. Ho rd the b i l 'U151m

Illilllu;;ally 8nd ]u st lo uc h Ihi3'csrwas to f;r€8Jtoil'1116earlier 1·lne01lhe tre-e. Turn [he brusl"l hQ! 'lzofl la!l~ and be-glf i i ;Hjdmg lhesmall branches al the ' lO p(lnhe tree by using just one corner 01Ul!:!brush Working f rom 5~de~t) side ar(j forcing l~l,i9bnStiesto

be nd d o w n w 0" 3rd ,u ~ ~ m ej"f press u re as vou nea rt h e b as e 0 II h eIrefl allow ing II, H 1:;1ranches 10 b&comE'!fliHg~r To uc h t li Jg h l1g~l'ts10 Ihe rlight srces o,f the branches wfth a rmxrure 01 L~qJ.jidWh Ite. Tllanlurn ~"JhUeand Phlhal·o 81ue on Ihe Ian tJrlJ~lM.DOIn merdo, IllesB trues :shouJd remain very dark

lJ5E- a rruxture OTTitan Iurn Wh~le and F'rU5i5i!31nBille em the1" brush

'0ibJ,oc,kin I he bas.c ,l=;hapi?etrhs small bushes

u nd e r t he E !' !, !I ergr e- ent re e s, E x te n dthrs base CQI'C'lF m to H11;l

wmlm lor the ratlactlons. Use 81 dean dry .2" brush 10 p~1ItlOWrllh!!! r-erlechons and gently brUS~1 acruss Aod srrow tohigh Ilghl th'e bushes, Dlp!he 1" brush into Ltq uid Whit e anidthen pul l l tlnena dkecHol1 mm~lgh the Trt8JFliIJOl While (wnh:;t t j r' IY touch0 1 t h 'E !8r rg l1 t Ree l}1 .0ro un d o ne c orn er. W I ~ h Un !founded corner oflile bmsh pomting up, lorr:9 Ihe O~fSUr:5toband upw~rd as yo u higllhglll the bushes Agai~1< 11") 'nol todestroy the dark base color Reme-mber' you need ciark In

order to sho1!\! l~ghT Turn thf l brush Over and refreclthehIg~'~lghlsmto the dark water Pull! downr;lru:l very genllybrush across wlllh a clean dry .2" brush.

the ~ronl. and side- of lhe cabi n LJ:: .ea m rx iu F eotlltanl umWhi!i!! ~md Diini-l SUi!rHl,aito hlghligl11 I h p -~rOr1~o r rn a cahln,lI'$lng so little- pressure t ha 1 t h'e p ain t 'breaks' . U : S E !1 he $ a m emixture wil l i less White 10 I'lighllghlihe :iiide of the- cabin.Add a l it tl e O·OOTw tlh V O J rl D y kl : '!Brawn on Iht! sm; : : lUkFlih~

With angl l.!: ' : ; ;' IQ crealG me laY-QT-the--land, LISleTrtarn urnWhile em Ihp. knillli to adri the s.now 10 Ihe base of Ihe eabln.Pop rn a few more lrtt te byshe5Wllhlile1" brush US!! !liquidtNhBe and Ihe knile 10 ·'cu[·Ii1" IhB waler unes

FO R I E :I G ,IR : O U N O !!El~()ckIn I'he foreg round am ;;!wilh a d.-:ark base ector '01

p~ US~li!l n BJua -and T~"Ej,(m.unWflil~ ()rl Itlilii2" Orush U selICllJ!dWhl~e and Titan] urn Wolle on the 1" brush to fnghllghlanriCfealfl nndi~irhJfI~hushsh ..pes The-anow-covered groundarea IS. lTtade with "Trtaruurn WtHte and ttH:! knifE!

U:;;e iI mlxtureol Vanl[JykQ IBrcwn and Dark Slenni3i on thefan brush Ia pUlII-! n U'e large IU'le H unk HOld ing IhE brushVe-rt lcally, s ta r ta t the top 01the can ! ; i 'CI5~l1dallcwthe tru nt-;tobecome 'Adder neal the base by using more pressu re. YoUC;~f1 touch hlgh' ilghl5 to Ihe LEfT sides pi t h o E !tn.!rl~ andbranches with a mixture 01 Tltf;mi'um White and Pnjsslill"IBlue e m Ihe ,kr!lil~ Add UH!8~1!flll hri\l.n~hes w~llllhlnned V a llDyke Brown on the liner brUSh,

[ F 'I N i l S H~NIGTOUC!HESU se the point ottne knife- 10 scratch u-, . : : ;m~11stiCks 1:'md

twigs Or use thinned V,9.0 D-yke Brown on t t1el iner brush, IIhope you '~npepencedTHE JD,( OF PAINTING

CAB~INLoad !he J<.nllew~lh a small roll 0 'Van Dyke Brown bv

~wlling IhE:"!paint tH.J~ f~at 011 your pa~eUF1!and ~UlS~ '"CuW~gS i C r O ' S 5 .Tau,!: h Ihe kn~le to the c a n v a s and Ia-y In the baCi~Erdge iJf~llf.:imol PEliYlo g ciO;'ie BHl1Int Im~ to angl18S, pull dawnHU! f rpnf o·f t i le roof and tt )en ~dc '5'10W with str.:;!l!ghl Ttla-m u m W l1 r't sUse V.Jn Dyke Brown on lhc small kndc-t o add



' I, S I ~ r l :~l Ih l l!il1imi'll~11! l~l i I!fIafltew lU 1 I~1~ liJ'iu:lh.

7 , U l gl ll I~fI~13n~ !I i I i I i !dl!W~~Fi Ih ~m.llulJt~II[lI~~~~l l I \ t ed~n~th ~R I ! I 1 r 1 .

11 .U iJ Ihl ~d 'o t,~iI ' ieI k ! lt l lJ l ' • • .

2. 1.1618:~rjl~cro~

S 1h l' l; i~ S. •

J . 1~IJiIIrlilll!h~" lI r1 . (! u ~ I 'V · l m ltlL~~'Dr!!r.!IU~I~l!\iil[ l1~1!I .

4 . U l9 :~linl~er[(jPl1l l l l!1 I !1Insid l lo r i g J f I ~ 1 ~ 1 n : 1 ! .

S . l i !p i h ' ~ i b l1 ~ eo l1J l~m C ~ l nI~I!'I'~Ith Ule.Z"·lu~lh" .•

]: .3 1, • • ,!4 l"1l~J:.In~ !NllllrH/uiI~whJ l l ! i s lr!!lI~Umls Il!d1111 l ( !I!ll!l~t

S o .'f~i! 'Ii~s~~Iliilfilll·U I I I ~I~a~~Ii m :a IlEwil~th ~k n i1 'B • ••

! Q. T ~p IIUI'II.wll1~wi! ih'Un l 1 · b l l' cm1111

i n d ll ~ a lf l i ll :! l I~ O IIril!l:::l:~lall~.

~5. A1r~~llt' IAJfit~b y p u n I lf lg,~!raI g b ld'G¥m,Ut~1la~rQi5,

",How To" photograph.s fn t this plJimfng c.onOn'uled Ion page 69

1 0 . • • .•~h~1 i l1~11~l Id ' i ldI I ,OOAi ' i I 1 I ,

W4rcwJ; t J \ J'Ih~2" bf1l,~~.

II . ,~ull~'lIm~1 11!tiE1 l 1 e ~Il ifl l( lr!i1ir,BI~lldlllfl l1l . l lru!ilI

II~ii03S,W~rfWll'IlI1llJI'~·~ 1 D . n : K ,

111 5 .PII.~hlijw lrd ~it~~I·~ rtl~tl'lI~Ih i Q ~ 1 ~ g M,b l : J i ! ioero .



3



, 3 . L A I K , E S I I I I D EC A B I N

:2 " 8,rushf' Brush1 1 "!R:ound Brush# 6 F an B rush#2 ' Sc:ript U ner BFU6,h

la.rge KnU~S m 8 11 ] K o il e18 K24 CamlasU qu id W ih iteTHaniurn WhitePhtha .lo 8 i'LJe

Start by cO'lol'eri:hg IheBflliira CB.!"IV8Swith B lh ln , even coato't LIquid Wh'rte using line 2" brush, Use ~ong nOflZOfYtai al'l!j\ I,er t~cals lfCikes. working back ana ' forth to assure anevendFstribuUOrl of paint onjhe c~n\l'as Do not snow Ina UqujdW h U e to dry b 'e fo n' v aII Jbe . g I n .

,SKY ,ANIID'W,ATEIRt.oad tt'le .2 ' "brush "".ttl it VOf'ysma~lamoul'HQfa ml" ture.et

Phth8lio 81ue a no M id m g. lh t B ,I ,s ,c k "tappilnQ' t he b ri sUes firmlyagainst Ihe paletle 10 assure an ~""!imdistrjbulion or pa i nlthroughout St~rt at the lop ottne canvas m;:!klfi!g hUle criss-cross sl t oke s a How l n g the co lorto m iXVII Ith t he ,LJquid Wltnlieand] become lighter as you near the nCHlze·l1.leave someopen areas in the sky wh ere the c ID udswil l be add,ed.

. W ' il h ou i elsa,ning n~ehrush, pic~ up a litU~ m o re P hH lIa loBIIIliIe,Use hOrizontal, strekeste add t,tie waler,hold~ng lhebrus h flat an d pullIi1 "1Q .~rom the outs ide oolges ot the em nvas inW'W8fCS Ihe cente l' . AHowan 8reatc th ,B rlgtuoi fhe cer1ltE!~ orthe canvas: t1f : lre,ma~n ~UJite h g M t c r, ea .t in gthe ldIu:sion ofs him m e r ir ng I lg rllaCtO;S.Sith e WBi'ler.

(:I'6anacnd dJ Y the 2" bru s n land M~ in use erl S6-crosssire kiS!Sto bolendt h e sk: ,y.and longl 1 '1o ri z on ta I s 't ro k!~ s t o b I e n ,d Ith e 'Waler a.rea:.

For the clouds, load me 1" brush by pullhng It I'r'! onedJrection t 'hlr"Oughlhe Titanium W h ilt e w it h iuS'! a touch 01'

Pruss~ar'l BlueMidnight Blad:Dark SiennaV~.nDyke 8row:nA~~z:arlinCr~f:nSOi!l

&alP GreenCadmium Yeltow'(e~low OchreInOI.9IlnYelllowBnghl Red

ISrig hi Red. Use t~ny cl roula rs t ro k es 'tID adel the c~cuds,all(l;w~n9lS0me 10 "UOI:II" (igh[ ol' l the: ca.r1vas,With Ju.s,ttlheto p c orn e ror ~he c:~ea!1 ,d r jl 2 "1 :1fllJ6·h,,8g itin u c e esms,II 'd f ' (:U I,Elfmotions to Ib~en: ,dout the base o~the clou~sand then gently~iftup wa rd IQ "flu W '

BA:CKGiF10UNIDloadllh et' r ou nd ! br us hby tapp Ing ~t vrno Ill,rn i:dure ' 0 f 'IBn

D y k e B r ow n , : D a lr k S i ,e n n, a:a n d P ru ss la .n S II U ~" U n de rp a lln ,ithes ms H t r'8 es : a n d bush 8S 81Cling~ ~ eh orizQ r! b:y firrtdy ' t , ap lPing inthe basic shapes, I fyou start Warikingl,atthe ba,seol e~ch tree,th e color wil l BUIOfl ' lI ,Uicall ' ,Vg:~tH:ghteras you near t he t .o ,p .ReUe:ct someo~ t nls d :a rk b as e,color inle the watelF,

D ip the ii Mlr btu sh ir1 ito p ,a.in 1 : lhhnne(~n rf tu rn th,ehland ~e 'as you pu II Ihe tHU\$n I'Ihro I" J9 h Van Dyke IB ro wn fo rein9 thebllisnes to com e toiii S ha ~p po int LJse:Uile lloadoo tl'l·!l.!sh to

~usl inujUcaleltiadishun trsetrunks. _r~Ig h l l 9 h t thet rees with Ya lr i o u rs mixtu res ofS a p G r&en. aIIthe 'VeU ow s an d8nghl fie,!:!Olf1lth e sa me round brush. Uselhe l.op corner of Ihe bru,sl1h) [ us t t ouchthe hirghlights to theIblals~cs.hapes, Thil:5,is w he l'le y ou l"oogilnk)F"ming fnd! \ddua l[fees and bushes; lry nor lojust 1'l~1at random. Wmk .Il'11la}llarsand be careful not to "IUIIII"al l the dark base ccter.Bs sure 1 .0

i1.ddl tlIiese h~g'hllght C:O~O(Sito your da.l'k refile'cUom, Use aclean. dry 2" brush t > o lP u~ 1d ow n I I, €!renections i il rnd thengeri 'Uy bru :s1 '1ae I "O S S •

Add Va n Dyk e B ro~ n, Da r k 8i~ 11n a and Pru~ si;arl IS!ue tot he e :.a m e: 2'· b ru sh an d l!'nderpa~ rr1the en t il r eia n O Ia ~ a t~ thlB,

IbQUiO:moItl '1leearreas, Use th e l.!lirglebrush to pull dow n't~isdark bsse eoter and brusbecross to creatstne waleI ' underth e iE lr na I I! la ln d p r o ~ e ct j a n s ,

C.ABliNAdd a cabin to one of the small IlfInc! p ro je c 1i of '! S . l iO la dt,ne

I lo og e dg e Q fU 'i$ k nifewi:tli ; : !Ismall l] roll ofV; ;mD y ke B ro w !'!by 'lPui~lng the pa~nt out nat en your palleUe and jUist "c;uWng"tlCI'(H.S. T ouch the ' k.nH e10 th a canvasand la y n1 1 t h ,e : b a c k

51



,lit tle press ure t hat ~he paint "breaks", Use' the tan brush toad d ~iW:e-grass y edges ' 1 : 0the . pa th ,

The banks along ~hewaLef's,etJ.g8 !nemadelwilh VainDyk-';liIBU'(lWrJa n d l1 h ol i!sm ~11 1knl'le,Ihen highlighted wHh amixtl..Jr!!lO'I'Van D~!keBrown and Titanium Whi1e. Use Liquid White ontn l9 'knlife to "cut-in" H'le waler linea and npples.

adgl:! 'of the' roof, raYi~g close attention 10 angles, pul ll l downIhle fron'l o , 11 : h eroot 3ndthen ad!dthe frDri,tand111~side o-fthacat l' in . With a m~, :( lur,e0"1Bnghi Hed. Dar,k Sienna and Tl ta-niurn Wih rte on the krnt e, "bounce" a lit tle ector IOn It'Ie frontof 1hmroot, With 'Titanium Whil{l and Midnigh' Black (Oi'1 th esmall knifa). h. g:hiilgl1t Ihe trorn 0'1 the catnn u5,ing so lrtt lep re ss ur e t ha tt he painl: "breaks". Us,ethe samemLl!:tun"ew H hless Whit e to hllghlight the sidii! or U,e cabin. Maik,!;the doorand windows witlh the small knife and Van tlyke Brown.

Then, do a "house-ectomy" {rem.ove' t Jheexcess painl~l'om,tha bottom of the bulJding'). Add a httle path wltn Van Dyke6rowrI;;:!ndlhe'smal'l "'nUe.

Use lha highl' ighrl colors (sl! t he Yellows wH.h MidnightBh:U:kto make" Groon I on the fan b'f'l.JIsh.The grassy areaamund 1h~ base ot Ihe c.flbin is made by hollding 'the brushh or i.z on ta Hy a ndforcing the bristle's to b en d upward a-s~'.outoucn the canvas,

LA,FI:GI! 1iFII IEEU:S;'i;!~ mixlilH&oIVal1 D yk e B row nand D ark .S renn aon th e

fan brush to pult-m the large tree trunks ..Holding Ihe bruShvertJcally, start at Ihe' lop of ' I he canvas and allow t he l ru nk :s100beco mew ider near th e base by us Ing m o re p re ss u re , W U :ht rnrmed Van Dyke 18ro~m On the liner brush. yOll ceo add thesmaller ttrrrbs and branches, Then, use a mixture Of DarkSienna, ntanium White and Brlghl Red ~.Q touch hllghlrghls1' 0 t :h~f ight s ide o r·the trunk 'and branches

iJnde'rpainl lhe leal clusters onthe trees with the roundbrushaJnd ,aomi:xture or Van Dyke lE!r,awn, Dark Si'~Hm8 andPirussiern Blue Hi9hliglrt Ihe leaves by adoling CadmiumYellow to the same brush.

FOREG,ROUNDWork.lnglin ~ay,el"San d ,pa.Ylingerose attentlon to the la.y-of-

tne-lann, cont lnue using "1i1i! fa" brush IQ add gra$s to theland area . .AI thesarne lime, use norizonl:a,1stroses to makethe 'Ilalrge'p ath w~ th Va nDyke Brown 011'Ihek n H e. W, a lc h~O'LJfperspective, Ihe path ~l1ould 'gel wider a .sit n e , 1 ; H C Sthe bottomof Ihe canvas. Highl ight wi th a m i xl ur e at Titanium White,Van Dyke Brown ,i3ilfHIa touch ol Bright Red, applied w-i~hso

1, U ~" ~rl~Hl'icU,l'Iro:k~~...

FIINISIHIII INIGT ' O U C H E SU se th e point o : fnneknife to scratch tn long g l r a , s s E ! san d

other smal l details. Sa sure te !F!MI' I,amber to8~gn your m a s -terplece Alld also remember thai, on thi's ,day, ~~ou truly did,have T H E JO YOlr: PA l N T I IN C 3 1

J n~ b,~lo:d G , ~ d ~ h 'I P il lS.m !I m l d! 1 ! !I [ th I ~r I l r ' t l l ih .

4.Uillhilwpiilim!'/' .ollt~e':rIJM~...



5. l' ~~ ~m~~~n'I~.~IIBn~1q! J r ~ . ~ ~ ~ l ( Iu d l ! : .tlil~'"!1I1~ndIJlI~1l l ; i J 'e~.kV,

1 0. W Hh 1Il~2 " brus! l1i .t :ai~d o w i 1 M t l 1 r ~ • . •

1.2 .Pr~! lr~ss~lla l ~U!ps1 l ~ 1 l 1 : II~i J l a lA ttb ee i l~ l lI . .

Ii,T ~ ~ l J a w ~ I i I 'l r ,d l " " U ~ 1 I I ~ 11 ] .11 0 0bm 3n ~ ml~le! ~IMirt III'~ili~!rush !~llllPI~.

1 3 . P rn ~ i ll Pw, a~ F dhi !II~ Inlll

~~rl,lIlm~h til piil t l l lg~aiS'l¥:9If!llS:,

11'1.nlll ~Iltlf:!lb;lUI~~ '[0

~! i I~1 l1' I!h~t l l~ l l 'I l l1 I l r !J m 11 l ! l i t. ! !~ 1 Ib 1 1! l •• ,

7 . Vi S e ''I ~ ~I I f I I ;e ' fbru~h...

8 , . , • I e p a'~ nl U i l~~$ ~ I l I b ~ h l 1 k ~ ; ro w " i il l1 n l : E I: l.I I ~ ~ ' ~ ·ngl~~liare ~ t ~ p n ~ ~W iith 'l!!~nJIif~dllrum.

8 , IPu I I Iu f r a i gh l~WII.l~1l1l~ C f ( l = $ . l a > t ' l l l ii l enftootl~1t.lr nl ll ~ w n c r "

H i. J • In i i ! lI I it ! ! 1 3 1111m ~ 11 Ib as rm l 1 1 l1 l.~~Ul1l.

H I , L ~ lI d1IIran um(l\l f ;n l i l lw I 1 ! hI lm l ~mllifl ,

11, U:8i~Ut~f5ij~, o'f tb ~ ~n~fI,~,fIi!d ~~wU h1J1!I1J ; ] 'dWih~~~,



1 8, • . ~ ~ ~ t lU rH n l' w ~ !~ ri lin ~~ w ~~ reli M 1 m ~ 1\ I j~1ier "" ;1 ,P L ' l l h l l l w m ' l i l l 1till!! Z O . L I! lt r: br u ~ I O it ~ ~o 1mllli fn i l rusl1~ . 11pa in n r~1!I w il li 1 1 1in ~ ~ ~n I 1 (1

trul1l~~~. ~ul~l~l imbs .

Continued from pags 15-Paifl,'I.ilnlg 1. irowl!lriili'lgl Fi ' ea lk : s

21 .~lPl'~ u.AwudI I J I I1"~rll!l~ III I I l l1 m ~ IgIllbIlS~O!l/IHI~.

t! '2.'I'~~knl'!il'I~ U p eo ~tol '! I~ kl I !! II I hIgh 'Um l l~ ~ . ~~ro l!!lll , ..

n L l r 1 [ J IIVJl:r ·

~lre~fI~lm~d~wlt~11 h ~2" 'brwb

H I. N Ih I J P w ~ n 1'IIIlI 'Hfi'1'~8Z" b m a~ •

:: n L~!IjI~~ .~I'll.I ~ ~ p e ~h iwT,~h I l t ll l lI~ p~~m~ro 1 1~ ~ r lJ l! ln ~ ~ r Y $ h,

22 .n 1 1p~ l 'nUII~r1B( l IC , I I 'I ! ll l>on l ~y~~~s l gJ 1 l il ~ w r nt~ h iIlnl!~e~.

2 3 . ' Yn ~ iI 'p a l n , U ~ ! ! Ji~ n m l l c o o l; J ll ~ 1 1 !I a n dn!:ad~f[lr ~:liigfl~Ii.J11l.

:n l T ~ .1 1l ru l l l ! :~, ~r ~ P 'J i l' d e ~ W[t~~~e~ ! I i 11 ! 1



1 1 4P'l'iIlg'l'II:s~'1III11~ ' M P $i1,qil Ill l l l lf!1,llheI:~blll,

~ S , L argll !itEr-

gi '~nS aremadtwI 'U ' i1 0 0 '2 "Iml~~.

H t ,. I~ ft h llg lhIIm h t c d .PB ,yliliirtl~Ii r alttlnllllllII I 2 1 ] 1Dili i iJ l1t'en Ii! p m : "Ih e I~r~~rlll~l a o f ' f l 1 ~ dI w ith Iii!~l if!u

b l1n 'h .Contmued ttom p a , g r 9 23-Pailnting 3 . Tw inF, a U , E i

1 1 , T l 1 n l r w n l c u l lIdhd 111 m1t.1~tnil8.

lit Ills In!!hl8l !I flih~Imtr"I m l diii!Wllh 1 iIqul'c WhU~.te l" CU I- IF I" _ ~ r~ o o lh 8 ~ ~R C ~.

' ~ s -IFg re mrllilridtilrial IfII!1~1l1!! lInW I d ! t her b r i :l $ ~ . . •

~ . 'fi!r I p a il 1 rl 1 l1 gthr l iUldl l l I ! l!dellllivI !Igrtlillre Iii bI i INi i l J l l l l l tc -

l '1 • • r!f l~ 11~mst U itr!!all 3 nIm;IJi::i!'~[W J~Inlllcll~n'iU n m uI ' h e lI i l nd l~ n u ,

. ,B ,II!J:sCI~e m ifil ~paln l ' ~ : I~ml l ·, lgl l l ! !!!In Ih ~ rllch, P, a ~I!liJlIlilltelrlO~ 10! l I Igte:s .

"How To" ph%gr tlp ns to r Uns pa,,"'dmg continued (l'n p .ag,e66

~ g ,P 'l l :5 hr~ M r d ~[m '

U mI'm I lru sh .

65



,2 '~"Pul l ldCW!lWllr~ '!!Iilt ~' tb~hill I Jn ~ h t 1 m~eDIL'eiI~ ~~ti!'r'.al,ls,

2 4 L l n ~lru ~k:!llfl~ m a d ' ,wilih 2 :1 !~F o rhjlWI~ m!lllilirll! M F ur te !a ,c V I~,e n lue nn~h!knirl.IMn IIm bnFI8l~ddiHI Ifii·8!,~w:b !!~wardwUh rlllU.~lI3hu~",anllHnn 1·wiliihn U l l ' I ' r1! r 'hnl&h. 1 ~ 1 ! I~rt l : l~1 l 1 J 1 ' I ! ! I f - b l i u s l J .

ContinuBd from pag,e 27~IPahlt~nlg 4,.S'eli~ufl:E!c:IIIBriCige

2 1 1 U [le r bfU~~I loa~ '~wi!~~~ IillP~fi'u!~rtBI~l i r o r b ~ ,

: 2 1 . H I ~ ~ I I ~ h l l [ l ~liII~fmtu~fi1~D ' V I ~ I~rQ:lb.

~l P D ~ hII~~anl w l l i !f J \ i~l:3nbru~h

:?1 .A~I~f O u rrtlnil~ihll1';tlIOO~~s.~~gU I 'I ~ y m ~r ~]1iiIIter·~lr1lt1lh IlIIm~~elI~.

Contm.IJed trom page 31-Painlting 5. 'Ocean IBr~eze



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2 3- • •1 ~~"'Ill'ling'I , neI f I~SIcI l t l iBhl,alr~~~111 '1 ' 1

Cominu,ed trotn page 35-Pain'lling 6. ,Autumn WOloa,s

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2 1 •..• 1 m pa ,l nt lh e'lbi lia tm ~n~ bnh !Ill~ Iii!Ihllla rearl1tm~,

2 ' B , , . '~,Ii~ I l I n~ r~J !1Ull 'a!rIIru:;:~ma"lh lus!dr~rr l ll ~ d i ir tl i 11'~'rk

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,'.u~ O .•. • ID lf lB lu llynr flVll ' [ h I ! 21 . 1l '~1l 1irui i t8 :If! 2Z.nlllD3ltAUl1lillorC O I iII ~1 Pij m Ii i l e _ p D s eY ilu r a ~i! m d t l lgbUm~ I .! I~ brw ,1 l I I I1 l !31 te 'l i lc l i -~'iI~ p ~ ~ nl-lllm , 'iiII1 1 t'im e~ 1 1 11 1 1 !i. v i CIIJ ~ ~tre lIIm ~ ~ .co nn no ea tro mp a g f ! 1 '51-Painting 10,. Ocean Sunset

2 3 . P l! iS b u p w a r dwl'rnI I i i i i2"Ib rush1 .11P~~iitI:iUSOO~ln I~~'rmJqil'llood,

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24 T hl~unl~ue 1fl31n UngI~rndly Im~,lglI, E~p~rlln~nt~'iI~ ~Itlm~h\ l l J l l :F i . .

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conunuea from page S9-P,ainrtlng 12. Wllnler FrOlst,

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1 B . , S l l ~ ' W I ii , a ; V ' l I d iIn w 'H :h 1 9f. Z · bF U I S hl u s e d1 I~ nillll.A n g l ~ S iin! ~!fY !q gIiIn l IlheIn l l l a lbushIm~or l : l rn l R l n a l ) : l l S :I ~ Ih ~!1J~~ ;d ' i { l : ! j nd ,

"How To" p '1Ofclgrapns tor this pS'inflng r:;onlinued on page 70

I I I P U :lhI I p , w l IJ i I w i l l I!h I !I-b I! JlII, .



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2 3 .lo o IY i dlf I I II 11 ManP I b l le ll w l ll 1 l 1 MlinKm:r.Lf 's ,n,andI I I h i ll~~iIiL

2 4 . T M sb iS l I lU(u l ;I f t lJ r ! l w l " t «!SCe l ! i1 ' ! :is IIUIWr e i m ¥Il lr,tJlllr ~ . 1 ! J n H l l l r i .



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