between sensuous and making-sense-of · 2019. 5. 8. · rocky encounters in the sacro bosco of...
TRANSCRIPT
CONTENTS
OPEN ARTS JOURNAL, ISSUE 7, SUMMER 2019 www.openartsjournal.orgISSN 2050-3679
BETWEEN SENSUOUS AND MAKING-SENSE-OF: AN INTRODUCTION Tilo Reifenstein
STRIKING TEXTURES, SENSUOUS SURFACES IN PHOTOGRAPHY AND FILMGabriele Jutz
DANCING WITH IMAGES: EMBODIED PHOTOGRAPHIC VIEWING Ellen Handy
ROCKY ENCOUNTERS IN THE SACRO BOSCO OF BOMARZO Thalia Allington-Wood
CARBON MONOCHROME: MANUEL DELANDA AND THE NONORGANIC LIFE OF AFFECT Alan Boardman
OUTSIDE THE SPECTRUM: POIETIC ENCOUNTERS OF LIGHT-MATTER Sara Buoso
CONTINUED OVERLEAF
Edited by Tilo Reifenstein and Liz Mitchell
BETWEEN SENSUOUS AND MAKING-SENSE-OF
Banner image: Photogram of maggots, larvae and flies on bacteria culture in Edgar Lissel’s Bakterium – Vanitas from his Bakterium-series (1999–2001). (Courtesy Edgar Lissel)
OPEN ARTS JOURNAL, ISSUE 2, WINTER 2013–2014 www.openartsjournal.orgISSN 2050-3679OPEN ARTS JOURNAL, ISSUE 7, SUMMER 2019 www.openartsjournal.orgISSN 2050-3679
CONTENTS (CONTINUED)
WHEN WORDS FALTER Sara Davies
ROCAILLE ORNAMENTAL AGENCY AND THE DISSOLUTION OF SELF IN THE ROCOCO ENVIRONMENTJulie Boivin
PAPERCHASETilo Reifenstein
Images in this issue are intended for personal use only. Every effort has been made to contact copyright holders. If any have been inadvertently overlooked the editors will be pleased to make the necessary arrangements at the first opportunity.
OPEN ARTS JOURNAL, ISSUE 7, SUMMER 2019 www.openartsjournal.orgISSN 2050-3679
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ISSN 1246-8258 — 16 € (France)
Critiqued’art 52Actualité internationale de la littératurecritique sur l’art contemporainPrintemps/Eté 2019
Critiqued’art 52The International Review of Contempo-rary Art CriticismSpring/Sum-mer 2019
52
Crit
ique
d’a
rtAr
chiv
es d
e la
cri
tique
d’a
rt
ISSN 1246-8258 — 16 € (France)
Critiqued’art 52Actualité internationale de la littératurecritique sur l’art contemporainPrintemps/Eté 2019
Critiqued’art 52The International Review of Contempo-rary Art CriticismSpring/Sum-mer 2019
Critique d’art 52The International Review of Contemporary Art CriticismSpring/Summer 2019
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