•Bengali cinema is the country’s most prestigious and award winning movie world having internationally famous directors, actors, actresses, cameramen and other technicians.

•In short, Bengali film•Among other regional language movies, Bengali films are the most noteworthy for their rich content and variety in forms. •dom is the leaning field for Hindi and other language movies.

Bengali filmdom has the distinction of producing stalwarts like Satyajit Ray who is counted among the ten top directors of the world.

Besides, Ray, Ritwik Ghatak, Bimal Roy and Mrinal Sen are the other big names in the field of movie direction. They are also counted among the best directors of the world.

While Ray got Oscar for his life time achievement and France’s highest civilian award Legion of Honour and Bharat Ratna by India.

Sen received France’s Commander of Arts and Letters and Russia’s Order of Friendship award. - no other film directors of India have received so far.

The honour journey is still on. The current film directors like Buddhadeb Dasgupta, Gautam Ghsoh, Aparna Sen, Rituparnao Ghosh are also internationally acclaimed film personalities.

Several Bengali movies have won national and international awards. Those include Pather Panchali,

Apur Sansar, Aparajita – an Apu trilogy, Charulata, Simabaddha, Asani Sanket, Aranyer Dinratri, Nayak, Gupi Gaine and Bagha Baine and other films of Satyajit Ray, Meghe Dhaka Tara of Ritwik Ghatak, Calcutta 71, Padatik and other films of Mrinal Sen. Many recent films have also

earned accolades home and abroad.

Hiralal Sen is rated among the India’s first film directors.. Sen was also rated among the country’s pathfinders of AD film making.

Billwamangal was the first Bengali silent movie that came up as early as in 1919, six years after India’s first feature film Raja Harish Chandra , made in Hindi.

The first Bengali Talkie was Dena Paona, an adaptation of Rabindranath Tagore’s story. The film was released in 1931.

Two famous Bengali heros – Pramathes Barua and Deboki Bose – appeared on Bengali silver screen during the early 1930s.

Bengali talkie Chandidas, ditrected by Debaki Bose was released in 1932. In this film sound recording system got its frequency modulation by Mukul Bose.It was a rare breakthrough.

Among the actors, Uttam Kumar is the most popular hero in Bengali film. On his life, Satyajit Ray made his award winning film Nayak.

potential directors in the form of actress-turned director Aparna Sen , Gautam Ghosh, Buddhadeb Dasgupta and Rituparno Ghosh.These new directors have earned national and intenational fame and almost every year they are bring medals for Bengali films.

The history of cinema in Bengal dates back to the 1890s, when the first "bioscopes" were shown in theatres in Kolkata. Within a decade, the first seeds of the industry was sown by Hiralal Sen, considered a stalwart of Victorian era cinema when he set up the Royal Bioscope Company, producing scenes from the stage productions of a number of popular shows at the Star Theatre, Calcutta, Minerva Theatre, Classic Theatre.

Dhirendra Nath Ganguly (Known as D.G) established Indo British Film Co, the first Bengali owned production company, in 1918. However, the first Bengali Feature film, Billwamangal, was produced in 1919.

The Madan Theatres production of Jamai Shashthi was the first Bengali talkie.[

The 'Parallel Cinema' movement began in the Bengali film industry in the 1950s. A long history has been traversed since then, with stalwarts such as Satyajit Ray, Mrinal Sen, Ritwik Ghatak and others having earned international acclaim and securing their place in the history of film.

 

Marathi cinema Marathi cinema refers to films produced in the

Marathi language in the state of Maharashtra, India. Marathi Cinema is one of the oldest industry in Indian Cinema.

In fact the pioneer of cinema in Union of India was Dadasaheb Phalke, who brought the revolution of moving images to India with his first indigenously made silent film Raja Harishchandra in 1913, which is considered by IFFI and NIFD part of Marathi cinema as it was made by a Marathi crew.

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The first Marathi talkie film, Ayodhyecha Raja[1] (produced by Prabhat Films) was released in 1932, just one year after "Alam Ara" the first Hindi talkie film. Marathi cinema has grown in recent years, with two of its films, namely "Shwaas" (2004) and "Harishchandrachi Factory" (2009), being sent as India's official entries for the Oscars. Today the industry is based in Mumbai, Maharashtra, but it sprouted and grew first from Kolhapur and then Pune

Bhojpuri cinema Bhojpuri language films predominantly cater to people

who live in the regions of western Bihar and eastern Uttar Pradesh.

These films also have a large audience in the cities of Delhi and Mumbai due to migration to these metros from the Bhojpuri speaking region. Besides India, there is a large market for these films in other bhojpuri speaking countries of the West Indies, Oceania, and South America.

Bhojpuri language film's history begins in 1962 with the well-received film Ganga Maiyya Tohe Piyari Chadhaibo ("Mother Ganges, I will offer you a yellow sari"), which was directed by Kundan Kumar.

Throughout the following decades, films were produced only in fits and starts. Films such as Bidesiya ("Foreigner," 1963, directed by S. N. Tripathi) and Ganga ("Ganges," 1965, directed by Kundan Kumar) were profitable and popular, but in general Bhojpuri films were not commonly produced in the 1960s and 1970s

The industry experienced a revival in 2001 with the super hit Saiyyan Hamar ("My Sweetheart," directed by Mohan Prasad), which shot the hero of that film, Ravi Kissan, to superstardom.

Although a smaller industry compared to other Indian film industries, the extremely rapid success of their films has led to dramatic increases in Bhojpuri cinema's visibility, and the industry now supports an awards show and a trade magazine, Bhojpuri City

  Oriya Film

The Oriya Film Industry refers to the Bhubaneswar and Cuttack based Oriya language film industry. Sometimes called Ollywood a portmanteau of the words Oriya and Hollywood, although the origins of the name are disputed.

The first Oriya talkie Sita Bibaha was made by Mohan Sunder Deb Goswami in 1936.

Prashanta Nanda started the revolution in the Oriya film industry by not only securing a huge audience but also bringing in a newness in the his presentation. His movies heralded in the golden era of the Oriya commercial industry by bringing in freshness to Oriya movies.

Then the 1st color film was made by Nagen Ray and photographed by a Pune Film Institute trained cinematographer Mr. Surendra Sahu titled " Gapa Hele Be Sata"- meaning although its a story, its true.

But the golden phase of Oriya Cinema was 1984 when two Oriya films 'Maya Miriga' and 'Dhare Alua' was showcased in 'Indian Panorama' and Nirad Mohapatra's 'Maya Miriga' was invited for the 'Critics Week' in Cannes.

The film received 'Best Third World Film'award at Mannheim Film Festival, Jury Award at Hawaii and was shown at London Film Festival

Punjabi cinema K.D. Mehra made the first Punjabi film Sheila (also

known as Pind di Kudi). Baby Noor Jehan was introduced as an actress and singer in this film.

Sheila was made in Calcutta and released in Lahore, the capital of Punjab; it ran very successfully and was a hit across the province. Due to the success of this first film many more producers started making Punjabi films. As of 2009, Punjabi cinema has produced between 900 and 1,000 movies.

The average number of releases per year in the 1970s was nine; in the 1980s, eight; and in the 1990s, six. In 1995, the number of films released was 11; it plummeted to seven in 1996 and touched a low of five in 1997. Since 2000s the Punjabi cinema has seen a revival with more releases every year featuring bigger budgets, home grown stars as well as bollywood actors of Punjabi descent taking part.

Assamese cinema The Assamese language film industry traces its

origins works s of revolutionary visionary Rupkonwar Jyotiprasad Agarwala, who was also a distinguished poet, playwright, composer and freedom fighter.

He was instrumental in the production of the first Assamese film Joymatiin 1935, under the banner of Critrakala Movietone.

Although the beginning of the 21st century has seen Bollywood-style Assamese movies hitting the screen, the industry has not been able to compete in the market, significantly overshadowed by the larger industries such as Bollywood.

Konkani cinema Konkani language films are mainly produced in Goa.

It is one of the smallest film industries in India with just 4 films produced in 2009.

Konkani language is spoken mainly in the states of Goa, Maharashtra and Karnataka and to a smaller extent in Kerala.

The first full length Konkani film was Mogacho Anvddo, released on April 24, 1950, and was produced and directed by Jerry Braganza, a native of Mapusa, under the banner of Etica Pictures.Hence, 24 April is celebrated as Konkani Film Day.

Gujarati cinema

The film industry of Gujarat started its journey in 1932. Since then Gujarati films immensely contributed to Indian cinema.

Gujarati cinema has gained popularity among the regional film industry in India. Gujarati cinema is always based on scripts from mythology to history and social to political.

They include relationship- and family-oriented subjects with human aspirations and deal with Indian family culture.

The first Gujarati movie, Narasinh Mehta, was released in the year 1932 and was directed by Nanubhai Vakil.

The film starred Mohanlala, Marutirao, Master Manhar, and Miss Mehtab. It was of the `Saint film` genre and was based on the life of the saint Narasinh Mehta who observed a creed that was followed centuries later by Mahatma Gandhi.

The years 1948, 1950, 1968, 1971 moved in a wide variety of dimensions. The Gujarati movies such as Kariyavar, directed by Chaturbhuj Doshi,

The first cinemascope film of Gujarati cinema was Sonbaini Chundadi, directed by Girish Manukant released in 1976. Besides these,

Bhavni Bhavai released in 1980 was directed by Ketan Mehta. It boasted superlative performances, fine camerawork and won two awards: National Award for Best Feature Film on National Integration and an award at the NantesThree Continents Festival in France.

In 1992, Hun Hunshi Hunshilal, directed by Sanjiv Shah was sought to be post-modern.

Gujarati films were further enriched by the brilliant performances of the film personalities. Anupama, Upendra Trivedi, Arvind Trivedi,naresh kanodia(Gujarati superstar),sneh lata(great Gujarati actress).