BeadrockRockin’ polymer clay beads mimic chunky stone nuggets in a substantial but lightweight necklace with prehistoric appeal.

designed by Lori Wilkes

MATERIALS13 nugget beads ¾–1½ in. (1.9–3.8 cm) each• 2 oz. polymer clay in each

of 6–8 colors• acrylic paint• aluminum foil• bead curing tray (optional)• cornstarch• flexible stamp• Future floor polish• needle tool• paintbrush• paper towel• pasta machine, dedicated

to the use of polymer clay• 4-in. (10 cm) Plexiglas

square• tissue blade• toaster oven, dedicated

to the use of polymer clay• work surface

necklace 16 in. (41 cm)• 14 6 mm fire-polished

beads• 4 4 mm fire-polished

beads (optional)• clasp• 2 crimp beads• flexible beading wire, .019• crimping pliers• wire cutters

stepbystepTo begin this project, make two millefiori canes in your chosen color schemes (photo a). If you want to make the canes similar to Lori’s, go to BeadAndButton.com to find step-by-step instructions.

Millefiori beads[1] Roll a ball of scrap clay that is approximately 1½ x ¾ in. (3.8 x 1.9 cm). Repeat to make a total of nine balls. The first should be the largest, and the remaining eight should be made in pairs of gradually smaller sizes.[2] With the tissue blade, cut thin slices from the canes.

Apply the slices to cover the raw clay balls (photo b), making matching pairs in pattern and size. [3] Roll each ball with the Plexiglas square until the edges of the cane slices blend together and the seams disappear. Gently press the balls until they are pebble shaped (photo c).

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[4] Using a needle tool, make a hole through each pebble-shaped ball.

Textured beads[1] Condition (Basics) and mix clay to the desired color (I used copper and gold), and roll four balls that are similar in size to the millefiori beads. [2] Dust the flexible stamp with cornstarch. This will allow the stamp to release from the clay easily.[3] Sandwich a clay ball between the folded stamp, and gently press to slightly flatten the clay (photo d). Check if the impression is deep enough. If not, roll the clay again, and repeat. [4] Repeat steps 2 and 3 with the remaining balls.[5] Use a needle tool to make a hole through each stamped and flattened ball.

Baking and finishing[1] Place the clay beads onto a bead curing tray (photo e). Shield the beads with an aluminum foil tent to prevent

a b c d

e f g h

them from scorching. Follow-ing the manufacturer’s instructions, bake the beads in the toaster oven. Allow the beads to cool completely.[2] Paint the textured beads with acrylic paint (photo f). To simulate a copper patina, I used green paint. Use a dampened paper towel to dab most of the paint off the surfaces, leaving the paint in the recessed areas (photo g).[3] Use a paintbrush to apply Future floor polish to the millefiori beads (photo h). Allow them to dry.

Necklace assembly[1] Cut 22 in. (56 cm) of beading wire, and center the largest millefiori bead on it.[2] On each wire end, string a repeating pattern of a 6 mm fire-polished bead and a polymer bead, stringing the polymer beads in approxi-mate order from largest to smallest. End with a 6 mm.[3] Test the fit, and add or remove beads if necessary. I added two 4 mm fire-

polished beads at each end. [4] On each end, string a crimp bead and half of the clasp. Go back through the crimp and the last few beads. Crimp the crimp beads (Basics), and trim the excess wire. w

Lori Wilkes is a jewelry artist who designs and creates one-of-a-kind works of wearable art in her studio in Mount Vernon, Ohio, in the U.S. Lori has worked with polymer for many years. She has taught polymer clay workshops and written articles for national magazines.