autumn-winter 08/ 09 - national theatre of scotland season brochure

Autumn/Winter 08/09

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Introduction

Welcome to the National Theatre of Scotland’s programme for Autumn/Winter 08/09. It’s one of our most dynamic seasons yet – full of debuts and fi rsts, homecomings and long roads travelled, new partnerships formed and older ones strengthened.

It’s important that when people come to us with an amazing idea, we’re able to listen to them, to build a relationship with them, to give them support and ultimately to make that idea come to life. So much of what we do at the National Theatre of Scotland is about people and our latest brochure aims to refl ect that.

I hope you enjoy reading my commentary on each of the shows throughout this brochure. Every one of our productions started out as a conversation somewhere along the way. We look forward to many more of these conversations, with the artists and audiences of Scotland and beyond.

Vicky Featherstone

Artistic DirectorNational Theatre of Scotland

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“A show that’s proud of Scotland and that

Scotland can be proud of.”

The List on The Emperor’s New Kilt (2008)

“Wee Stories have earned a reputation not

only as the best children’s theatre company

in Scotland, but also as one of the very best

companies in any genre.”

Daily Telegraph on The Emperor’s New Kilt (2008)

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ONE GIANT LEAPCo-created and performed by Andy Cannon, Iain Johnstone and

David Trouton

“One Giant Leap is an extraordinary journey through science and astronomy. It’s a piece of theatre for everyone aged 10 and over about Galileo’s discovery that the Earth is round and how the way we look at our universe has changed since then.

As Andy Cannon, from Wee Stories, puts it: ‘The wonder of space exploration is when you’re in space and you look back and you realise that actually Earth is the wonder.’

Wee Stories are very much in the story-telling tradition. They love just sitting down one-to-one and telling you

a story both emotionally but also through humour and song. I think that audiences leave the theatre after a Wee Stories show very energised and I love that about them.

One Giant Leap will be touring round villages and smaller communities, which is the way Wee Stories like to develop their work. They begin with a smaller version of their show where they try out their ideas and if they know it can work in that context then they’re fearless about how it can work on a bigger scale.”

Vicky Featherstone

National Theatre of Scotland in co-production with Wee Stories

1st September – 11th OctoberTouring

FURTHER INFORMATION

Follow One Giant Leap online at www.nationaltheatrescotland.com – full of facts, fi gures and fun from the Wee Stories tour bus.

Suitable for age 10+

During the tour of One Giant

Leap, the National Theatre of Scotland Learn department will connect with teachers and pupils to create exciting and accessible events and resources. To fi nd out more check page 25.

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365David Harrower WriterVicky Featherstone DirectorGeorgia McGuinness

DesignerSteven Hoggett

Movement DirectorSimon Pittman

Assistant Movement DirectorColin Grenfell

Lighting DesignerAdrienne Quartly

Sound DesignerPaul Buchanan

SongAnne Henderson

Casting DirectorJoe Douglas

Assistant Director

“One of the things about 365

that’s really thrilling is knowing that you’re making a piece of theatre about something that needs to be spoken about.

I read a book about ten years ago called ‘Dark Heart: The Shocking Truth About Hidden Britain’ by Nick Davies, which was about emotional poverty in children. I thought: ‘We need to do something about that in theatre’. But then it just sat there.

It began with a conversation with an amazing woman called Hilary Keenlyside, who was doing business planning with the National Theatre of Scotland’s senior management team. She was asking us all what we individually wanted to achieve, then she asked me what I was going to direct next because I hadn’t directed anything for ages. I said, ‘I’ve got this idea I’ve been wanting to do about young people but it hasn’t formed into anything. Maybe I should do some development on it.’

Hilary, who is also a trustee of Barnardo’s, said: ‘Well, that’s fascinating, because at Barnardo’s did you know that . . .’ and she reeled off some shocking statistics, and described these things called practice fl ats which

is where sixteen year olds go to learn to become an adult.

And that was it. It was like there had been these hundreds of ideas fl oating around and when I saw this tiny little practice fl at on stage I suddenly thought: ‘That’s it! I now know what to focus on. I have a central image for the play to develop from.’

365 is about the moment that a young person who has spent their life in care becomes an adult. If you’ve been in care, the moment you become an adult, which is from age 16 onwards, you’re virtually cut off from any of the support you’ve had in your life.

When these children get the keys to these practice fl ats, of course, fi rst of all it’s a place to have a party and that makes you become the most popular person. But a lot of loneliness goes along with it as well. There’s a lot of learning about how to manage living on your own but there’s also a kind of silence. Which means you’re going to have to face what your past has been – or ignore it.

Ultimately, 365 is about our need for stories.”

Vicky Featherstone

National Theatre of Scotland

in co-production with the Edinburgh International Festival

8th – 27th SeptemberLyric Hammersmith London

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FURTHER INFORMATION

Find out more about 365 online:www.nationaltheatrescotland.com has bonus video interviews with 365 director Vicky Featherstone, writer David Harrower and designer Georgia McGuinness.


Accessible performances:

Lyric Hammersmith

Thu 25 Sep 7.30pm:- Audio DescribedSat 27 Sep 2.30pm:- BSL Interpreted

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“When I started at the National Theatre of Scotland one of the fi rst conversations I had was with Gill Robertson, the Artistic Director of Catherine Wheels Theatre Company, about how we could work together. Something

Wicked This Way Comes is the result of those conversations.

It’s from the novel by Ray Bradbury and we discovered that Ray Bradbury himself had written a stage adaptation of it. That was a real bonus for us, because obviously Ray Bradbury is such an iconic fi gure in literature, and also in fi lm. I feel really thrilled that we’re able to put his own adaptation of the piece on stage.

It’s something Gill’s wanted to turn into a piece of theatre for ages and what’s great is the space within this adaptation for her to weave her Catherine Wheels magic into the story telling.

What I love about the story is the darkness. It’s genuinely scary and really terrifying. It’s set in Middle America, a world which we all have in our cultural DNA. It’s very evocative of that fairground world of clowns and carousels. It’s a world that you can become really obsessed with.

Gill’s productions just ooze this extraordinary confi dence and joyfulness. She always gets a fantastic performance style out of her actors, really front foot forward – so I’m excited about what Something Wicked is going to be like as a piece of theatre.”

Vicky Featherstone

SOMETHING WICKED THIS WAY COMES

Gill Robertson

DirectorKaren Tennent

DesignerPaul Sorley

Lighting Designer

David Paul Jones

ComposerChristine Devaney

ChoreographerJonathan Charles Video Artist

Jonothan Campbell

Aerial Technician/Choreographer

National Theatre of Scotland in co-production with Catherine Wheels

19th September – 1st OctoberTouring

FURTHER INFORMATION

Get into Something Wicked This

Way Comes at www.nationaltheatrescotland.com

Suitable for age 9+


Dundee Rep Theatre

Fri 3 Oct 7pm: - Captioned & Audio DescribedEden Court, Inverness

Sat 11 Oct 7pm:- BSL Int. & Audio DescribedRoyal Lyceum Theatre, Edinburgh

Fri 17 Oct 7pm:- Captioned & Audio DescribedThe Lowry, Salford

Sat 25 Oct 2:30pm:- Captioned & Audio DescribedTramway, Glasgow

Fri 31 Oct 7pm:- Captioned & Audio Described

Connect with Something Wicked

This Way Comes through our series of Learn workshops. For more information see page 24.

Written and adapted by Ray Bradbury

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“ Catherine Wheels Theatre Company is the

high wire act in Scottish children’s theatre.”

Times Educational Supplement

“ World class work for children and

young people.”

The Herald

“ A style of theatre that is frequently more

engaging, imaginative and transformative

than adult theatre.”

Scotland on Sunday

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TRAVERSE DEBUTSCockroach

23rd October – 1st NovemberWritten by Sam Holcroft

Directed by Vicky Featherstone

The Dogstone

6th - 15th November

Written by Kenny Lindsay

Directed by Dominic Hill

Nasty, Brutish and Short

6th - 15th NovemberWritten by Andy Duffy Directed by Dominic Hill

Nobody Will Ever Forgive Us

19th - 27th November

Written by Paul Higgins

Directed by John Tiffany

“When John Tiffany and I started at the National Theatre of Scotland, one of the things we wanted to do was to start developing writers. So earlier in 2008 we had a ‘writers’ jamboree’ and worked with eleven writers, most of whom hadn’t had their work professionally performed. It was an opportunity for us to connect with those writers, to develop their work and to get to know them.

We asked Dominic Hill, Artistic Director of the Traverse, to come and do it with us. By the Thursday of that week, John and Dominic and I had agreed to put on some of the work we had developed. By the Friday we’d worked out how we could stage four of these plays and decided to do them as a co-production between the National Theatre of Scotland and the Traverse.

I think it’s so important to create a culture where people are genuinely fl exible, that even though we’re planning big shows, we always have this space where we can react so quickly.

The fi rst play is called Cockroach, which I’m directing. It’s by a young writer called Sam Holcroft and it’s a story about the brutalisation of war. The play is set in a school and deals with the deterioration of the relationships and the hopes and dreams of the kids in this school.”

Vicky Featherstone

National Theatre of Scotland in co-production with the

Traverse Theatre

23rd October – 29th NovemberTraverse Theatre Edinburgh

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FURTHER INFORMATION

Find out more about the Traverse Debuts season at www.nationaltheatrescotland.com featuring chat with our writers and directors, and more about new writing in Scotland.



Cockroach

Sat 1 Nov 2.30pm:- Audio Described,

BSL Interpreted & Touch Tour

Connect with the Traverse

Debuts season through our National Theatre of Scotland Learn workshops and post show discussions. For more information see page 24.

Sam Holcroft- writer of Cockroach

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Kenny Lindsay - writer of The Dogstone




The Dogstone

6th - 15th November









FURTHER INFORMATION



Nasty, Brutish and Short &

The Dogstone

Sat 15 Nov 2.30pm:- Audio Described,

BSL Interpreted & Touch Tour

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“The two in the middle are shorter plays and Dominic’s directing them both. We’re presenting the plays as a double bill so there will be one before the interval, and one after.

The fi rst one’s called The

Dogstone by Kenny Lindsay and is the story of a father and son. It’s about the comedy and humility and tragedy of their relationship. It’s beautifully written and very poetic.

The other play is Nasty, Brutish

and Short and is written by Andy Duffy. He went to see some theatre - he hasn’t told us what - and he thought: ‘That’s rubbish, I can do better than that!’ so he wrote a play. It’s about two vulnerable teenagers and their search for something they can call a family. It’s brutal and modern; quite a tough piece.”

Vicky Featherstone

Andy Duffy - writer of Nasty, Brutish and Short

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“Finally, there’s Nobody Will Ever Forgive Us by the actor Paul Higgins. He was in the original production of Black Watch and played the Writer and Sergeant. John Tiffany, who directed him in Black Watch, will be directing this. It’s the fi rst play Paul’s written and it’s a dark, dark comedy about a Glasgow family and religion.

We’re doing this whole season in the round at the Traverse so that everything is focussed on the writing and the actors. None of them have had their work professionally produced before. It’s a great way for us to present four new pieces together like this as it takes the pressure off one individual piece to be the Big New Play.”

Vicky Featherstone




The Dogstone

6th - 15th November









FURTHER INFORMATION

Find out more about the Traverse Debuts season at www.nationaltheatrescotland.com featuring chat with our writers and directors, and more about new writing in Scotland.




Sat 29 Nov 2.30pm:- Audio Described, BSL Interpreted & Touch Tour

Connect with the Traverse Debuts season through our National Theatre of Scotland Learn workshops and post show discussions. For more information see page 24.

Paul Higgins- writer of Nobody Will Ever Forgive Us

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“Be Near Me is the story of a

priest who goes to Ayrshire in

search of himself. He goes about

it in a slightly immature way

and gets into a compromising

situation with a young man that

he’s been teaching at school.

Then his world collapses as the

community rises up against him.

John Tiffany and I have been

fans both of Ian McDiarmid

and of Andrew O’Hagan for

ages. In fact, since I began

at the National Theatre of

Scotland we’ve been talking

with Andrew O’Hagan about

working together. We had also

been thinking that it would be

absolutely amazing to get Ian

McDiarmid to work in Scotland

again.

Then completely by co-

incidence, Ian McDiarmid, who

had just seen Black Watch,

met John and handed him an

adaptation that he’d quietly

been working on of Andrew

O’Hagan’s novel Be Near Me. He

was very keen for us to read it,

which of course we did, and it

was brilliant. And we gave it to

Andrew and he loved it.

It’s a very emotional, dark, sad

piece but incredibly funny as

well because the priest himself

is quite arrogant and snobby.

He has ideas above his station,

as does his housekeeper. There

are these fantastic humorous

scenes about food and wine and

about how they’re better than

everybody else.

Andrew O’Hagan is one of

Scotland’s great writers. He

writes about Scotland with

such beauty and insight. He’s

obsessed and in love with

Scotland but he also shines his

searchlight onto many things.

Ian McDiarmid is an

extraordinary performer. He ran

the Almeida Theatre in London

for twelve years, and he has

worked continuously in very

high profi le productions. To be

able to bring that experience

back to the stage in Scotland is

absolutely amazing for us.”

Vicky Featherstone

BE NEAR MEBy Andrew O’Hagan

Adapted for the stage by

Ian McDiarmid


National Theatre of Scotland in co-production with the Donmar Warehouse

From 14th January 2009Palace Theatre KilmarnockFrom 22nd January 2009Donmar Warehouse Londonand Touring

FURTHER INFORMATION

Find out more about Be Near Me: www.nationaltheatrescotland.com has bonus features, interviews and more about Andrew O’Hagan and Ian McDiarmid.


Connect with Be Near Me

through our series of National Theatre of Scotland Learn workshops. For more information see page 25.

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Ian McDiarmid at Saltcoats beach, Ayrshire

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DOLLSAdapted from the fi lm by Takeshi Kitano with permission of Offi ce Kitano Inc

Directed by Carrie Cracknell

“Dolls is a very tender, very fragile tale of love and devotion. It’s something that we’ve been developing for a long time with a young director called Carrie Cracknell.

I fi rst met Carrie when I was Artistic Director of Paines Plough, the new writing touring theatre company. She has since become the Artistic Director at the Gate Theatre in London.

Dolls is based on a Japanese fi lm that interweaves three folk tales with this amazingly rich and stunning cinematography. There isn’t much dialogue or spoken language, so it’s all about the visuals. There’s this really strong image of two lovers walking through eternity bound together with a red cord. That’s what drew Carrie to it and made her want to re-imagine the fi lm as a piece of theatre.

Last year Carrie worked on Dolls

for a week at Tramway, and it was incredible how successfully she was able to bring these images to life, and tell the story using the stage as a catwalk on which characters and locations appeared out of nowhere. Carrie’s really interested in the depth of the stage, things coming into view then going back again; it’s very exciting.”

Vicky Featherstone


Workshop in co-production with Hush Productions

28th – 31st January 2009Tramway Glasgow

FURTHER INFORMATION

Go online at www.nationaltheatrescotland.com for bonus features


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BLACK WATCH A National Theatre of Scotland

Production

“We cannot underestimate what the success of Black Watch has done for the National Theatre of Scotland.

Why should people know the name of our Company, if they don’t know us by our work? Now we can say that we’re the Company that did Black

Watch and I think that’s really exciting. It’s right that we should be defi ned through our work.

More than that, for me, Black

Watch has shown the potential of the way the National Theatre

of Scotland has been set up. Enabling artists to follow an idea and to take a risk, then for that idea to grow and turn into a piece of theatre is what the National Theatre of Scotland is about.

With Black Watch we’ve also seen that audiences are hungry to be entertained like that. And we have been so privileged that it has given us the opportunity to reach out to so many new audiences around the world: in Australia, New Zealand, Canada, the USA,Ireland, throughout Scotland and the

rest of the UK. Many of these are people who otherwise may not have come to see a theatre production.

One of the things I feel about Black Watch is that it reminds us how brilliant theatre can be and how much it can matter. Audiences and theatre makers spend a lot of time wishing that to be the case but it often isn’t. With Black Watch we can all say: ‘Yes, we are right to be as passionate as this about our theatre.’”

Vicky Featherstone

Written by Gregory Burke


30th September - 30th NovemberTouring

FURTHER INFORMATION

Go online at www.nationaltheatrescotland.com for bonus features


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Learn in partnership with

Determined to Succeed and ScottishPower Learning

Transform DumfriesPerformance week: 16 Mar 09Directed by Simon Sharkey

In partnership with DumfriesAcademy and Dumfries Council Transform East RenfrewshirePerformance week: 30 Mar 09Directed by Tashi Gore andJess Thorpe

In partnership with BarrheadHigh School and EastRenfrewshire Council Transform FifePerformance week: 23 Mar 09Directed by Ben Harrison andJemima Levick

In partnership with AttFife,Woodmill High School and FifeCouncil.

www.nationaltheatrescotland.com/learn

“Transform is a partnership we set up with local authorities across Scotland. We put a team of artists with different specialisms into a community and they work with schools and different groups to make a piece of theatre.

Each project is unique and innovative and ambitious. We aim to transform not just the area we go into, but also to transform the lives of the people who get involved.

Every time we put on a Transform we learn from it as a Company, and we get better and better. We become more demanding of it artistically, which I think is fantastic because people have more and more to be proud of in terms of the end result.

As the pieces emerge, it’s amazing to see the ownership that the community and the people involved have over it. It’s a really important part of what we do.”

Vicky Featherstone

TRANSFORM: OCTOBER 2008 - MARCH 2009

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“The National Theatre of Scotland

Learn team goes from strength to strength, energising audiences and communities throughout the country.

The Learn department plays a central role in our whole programme. For us it’s about weaving our artistic vision throughout everything we do, whether it’s a large-scale, high- profi le play, a small-scale rural tour, or a community event involving a cast of hundreds.

Along with New Work, the Learn department also allows us to express our commitment to supporting and nurturing creative talent in Scotland.

As well as our programme of Transform events (see page 21) Learn are creating an extensive programme of workshops to allow audiences to connect with our shows (see pages 24–5). Learning materials for schools and colleges will be available on our website.

This autumn, we’re very excited to be welcoming three young theatre makers on to our Emerging Artists programme. They are Brian Ferguson, Gary McNair and Molly Taylor.

They will play a hugely valuable role in assisting on a number of our shows, delivering workshops and creating resources, as well as having the space and guidance to develop their own work.

NATIONAL THEATRE OF SCOTLAND LEARN

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Last year, we had four brilliant Emerging Artists – Jennifer Edgar, Catrin Evans, Liam Hurley and Gareth Nicholls – who will be returning as Creative Partners on this year’s Exchange.

2009 will be our fourth year of Exchange. It’s an initiative which pairs up youth groups from across Scotland who swap ideas and different ways of working, culminating in a week of performances at Macrobert in

Stirling next summer. Exchange has always explored what it means to be ‘young, Scottish and international’. Next year, two European youth theatre groups will be joining to make this our fi rst truly international Exchange.

The way that Learn can involve so many people across the country in such an immediate, personal way is absolutely vital to us.”

Vicky Featherstone

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Something Wicked This Way ComesAn exciting workshop programme to accompany the production, aimed at pupils from P6 to P7 and S1 to S4.

Workshops will focus on how to create atmospheric and dramatic situations using nothing other than imagination. S1 to S4 pupils will also explore the ways in which a novel can be brought to life for the stage.

Workshops are available from 22nd September to 24th October 2008.

Places are limited and will be offered on a ‘fi rst to book’ basis.

Traverse DebutsCockroach

The Dogstone , Nasty, Brutish

and Short


A series of Learn events to accompany all four productions, including workshops and post show discussions.

Workshops are aimed at secondary school pupils, community groups and members of the general public.

PRODUCTION SUPPORT: WORKSHOPS AND RESOURCES

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Be Near MeA series of Learn events to accompany the production, aimed at secondary school pupils and community groups.

The events will explore issues of religion, faith, trust, sectarianism and our responsibility to society.

One Giant LeapWe want to connect with school teachers and pupils to help us create exciting and accessible events and resources to accompany the production and support the school curriculum.

A requirement of becoming involved with this network is that you must have booked a place to see the show.

Places are limited and will be offered on a ‘fi rst to book’ basis.

For booking forms and further information about these events, please contact:Gillian Gourlay

Learning and Outreach ManagerNational Theatre of Scotland

Atlantic Chambers, 45 Hope Street

Glasgow, G2 6AE

Tel: 0141 227 9011

gillian.gourlay@

nationaltheatrescotland.com

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“The New Work Department is essential in shaping what we do at the National Theatre of Scotland.

New Work is about listening to the extraordinary voices that exist within Scotland, and opening our arms to people outside Scotland who want to work with us. New Work allows us to give these artists the right environment to be able to grow,

and to be able to say important things about who we are, how we live and what we do as a culture.We’re constantly searching for new material to put on in ways which are interesting for contemporary audiences, and New Work does that so very well. This might be from working with playwrights and commissioned scripts through our new Literary Manager, or it may come from other theatre makers through National Theatre of Scotland Workshop.

NATIONAL THEATRE OF SCOTLAND NEW WORK

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We can take a little bit more risk with Workshop

productions. There isn’t the pressure to get a massive audience, to sell hundreds of tickets or tour it round the country. If we had a building, Workshop productions are what we would do in our Studio Theatre.

It’s really important that in an organisation like ours we can still fi nd a place to take these kinds of risks.”

Vicky Featherstone

FURTHER INFORMATION

The National Theatre of Scotland is always scouting for new talent. To fi nd out how you can get involved visit www.nationaltheatrescotland.com/newwork

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SUPPORT US

Great theatre has the power to move, infl uence and transformThe National Theatre of Scotland is building-free. This innovative model means that we are able to perform in a huge variety of theatres, halls and found spaces. Equally importantly, it allows us the freedom to collaborate with a richly diverse mixture of companies, festivals and individuals to fulfi l our key aim of producing world-class theatre for the people of Scotland and beyond.

Whether you are an individual wishing to become a patron or make a donation, or a company seeking sponsorship opportunities, your support is invaluable to our continuing efforts to deliver exceptional work to the widest possible audience.

Corporate PartnersWe wish to develop long-lasting, mutually valuable relationships with a small number of corporate partners. Through these new partnerships we aim to create strategic, innovative, high profi le associations allowing both sides to achieve their objectives.

Individual DonorsBy making a donation to the National Theatre of Scotland you will play a vital role in helping us to develop and deliver exceptional work. You will help to nurture a new generation of theatregoers, bring Scottish excellence to an international stage and create access to a wide range of experiences so that theatre can touch and enhance the lives of all.

Contact usFor information on ways to support us and enjoy a rich and rewarding relationship with Scotland’s national theatre, contact Stella Litchfi eld in the Development Department direct on 0141 227 9236 or email: stella.litchfi [email protected]

AcknowledgementsThe National Theatre of Scotland wishes to thank the following individuals and organisations for their support:

ScottishPower LearningDetermined To Succeed The Robertson Trust Maclay Murray & Spens LLPStewarts & Murdochs Mr Iain More Mr Martin SegalJames Johnston & Company of Elgin LtdAllison Lightbody WaddellJarHair The Greenwall Foundation

Image:BOLT - part of Transform: Inverclyde, supported by ScottishPower Learning and Determined To Succeed.

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ACCESSIBILITY

The National Theatre of Scotland is fully committed to providing access to its performances for everyone, regardless of ability or circumstance. Please take a look at the diary pages for further details relating to each production.

Audio Description Audio Description offers a live commentary for audience members with visual impairment. The description starts about 10 minutes before the show and includes information on the production. The audio describers then provide commentary on the action and visual effects throughout the performance. This information is relayed over an infrared system to individual headsets, which are available free of charge from the venue Box Offi ce. Shows with Audio Described performances:

365, Cockroach, The Dogstone, Nasty, Brutish and Short, Nobody Will Ever Forgive Us, Something Wicked This Way Comes.

BSL Interpreted BSL (British Sign Language) interpretation offers deaf and hearing impaired audience members a live translation of all spoken words and sound effects into sign language. Please mention when you contact the Box Offi ce that you are booking for the BSL interpreted performance so you can be allocated seats with the best view of the signer.Shows with BSL Interpreted performances:

365, Cockroach, The Dogstone, Nasty, Brutish and Short, Nobody Will Ever Forgive Us, Something Wicked This Way Comes.

Touch Tour Touch Tours offer blind and visually impaired members of the audience a chance to orientate themselves with the set and costumes immediately prior to an audio described performance. The Stage Manager will lead these tours. Those wishing to take part in a touch tour should register with the Box Offi ce when booking tickets for the performance.Shows with Touch Tours:

Something Wicked This Way Comes, Cockroach, The Dogstone, Nasty, Brutish and Short, Nobody Will Ever Forgive Us.

Captioned Performances Captioning converts the spoken word into text that provides people with hearing loss access to live performance. In captioning, the words appear on a screen at the same time as they are sung or spoken. Captions also include sound effects and offstage noises. For more information visitwww.stagetext.orgShows with Captioned performances:

Something Wicked This Way Comes, Be Near Me.

For more information you can call or text 0141 227 9238 or email [email protected]

www.nationaltheatrescotland.com contains full details on all accessible performances. The site also links to the websites of many of the venueswe perform in. These sites contain informationon the theatre facilities and methods of booking.

TICKETS FOR ALL ACCESSIBLE PERFORMANCES AND HEADSETS FOR AUDIO DESCRIPTION MUST BE BOOKED IN ADVANCE FROM VENUE BOX OFFICES.

29

130708.indd 29130708.indd 29 26/8/08 14:52:1526/8/08 14:52:15

DIAR

YKe

y:

- Ca

ptio

ned

Perfo

rman

ce

- Sig

ned

/ BSL

Inte

rpre

ted

- A

udio

Des

crib

ed Pe

rform

ance

- Tou

ch To

urs

Red

Loca

tion

- Sco

ttish

Venu

eBl

ue Lo

catio

n - U

K Ve

nue (

outs

ide S

cotla

nd)

Gree

n Lo

catio

n - I

nter

natio

nal V

enue

Mon

th W

eekd

ay W

eeke

nd

SEPTEMBER

Sep:

Mon

1O

ne G

iant

Lea

pSc

allo

way

Hall

Shet

land

7.30p

m

Tue

2O

ne G

iant

Lea

pSc

allo

way

Hall

Shet

land

10.3

0am

(sch

ools)

Wed

3 O

ne G

iant

Lea

pBr

ae H

all

Shet

land

7.30p

m

Thu

4O

ne G

iant

Lea

pBr

ae H

all

Shet

land

10.3

0am

(sch

ools)

&

7.30p

m

Sat 6

One

Gia

nt L

eap

Orkn

ey A

rts

Thea

treKi

rkwa

ll2.

30pm

Mon

836

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

Tue

936

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

One

Gia

nt L

eap

Lyth

Arts

Ce

ntre

by W

ick7.3

0pm

Wed

1036

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

One

Gia

nt L

eap

Lyth

Arts

Ce

ntre

by W

ick7.3

0pm

Thu

1136

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

One

Gia

nt L

eap

Mac

Phai

l Th

eatre

Ulla

pool

7.30p

m

Fri 1

236

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

Fri 1

2th

One

Gia

nt L

eap

Mal

laig

&

Mor

ar

Com

mun

ity

Cent

re

Mal

laig

7.30p

m

Sat 1

336

5Ly

ric

Ham

mer

smith

Lond

on2.

30pm

& 7.

30pm

Mon

1536

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

Tue

1636

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

Wed

17

365

Lyric

Ha

mm

ersm

ithLo

ndon

1.30

pm &

7.30

pm

One

Gia

nt L

eap

Caol

Co

mm

unity

Ce

ntre

Fort

Will

iam

7.30p

m

Thu

1836

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

One

Gia

nt L

eap

Dorn

ie H

all

Dorn

ie8p

m

Fri 1

936

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

One

Gia

nt L

eap

Sabh

al M

òr

Osta

igSk

ye7.3

0pm

Som

ethi

ng W

icke

d

This

Way

Com

es

Plat

form

East

erho

use

7pm

(pre

view

)

Sat 2

036

5Ly

ric

Ham

mer

smith

Lond

on2.

30pm

& 7.

30pm

One

Gia

nt L

eap

Bade

noch

Ce

ntre

King

ussie

8pm

Mon

2236

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

Tue

2336

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

One

Gia

nt L

eap

Eden

Cour

tIn

vern

ess

7.30p

m

Wed

2436

5Ly

ric

Ham

mer

smith

Lond

on1.

30pm

& 7.

30pm

One

Gia

nt L

eap

Arts

Cent

reIn

verg

ordo

n7p

m

Thu

2536

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

One

Gia

nt L

eap

Vict

oria

Hal

lCr

omar

ty7.3

0pm

Fri 2

636

5Ly

ric

Ham

mer

smith

Lond

on7.3

0pm

One

Gia

nt L

eap

Com

mun

ity

Thea

treFo

rtros

e7.3

0pm

Sat 2

736

5Ly

ric

Ham

mer

smith

Lond

on2.

30pm

7.3

0pm

One

Gia

nt L

eap

Univ

ersa

l Hal

lFi

ndho

rn7.3

0pm

Som

ethi

ng W

icke

d

This

Way

Com

es

Byre

Thea

treSt

And

rews

2pm

(Pre

view

)

Tue

30O

ne G

iant

Lea

pW

ebst

er

Thea

treAr

broa

th10

.15a

m &

1.30

pm

30

130708.indd 30130708.indd 30 25/8/08 17:54:1125/8/08 17:54:11

OCTOBER

Oct:

Wed

1O

ne G

iant

Lea

pBe

ttrid

ge

Cent

reNe

wton

hill

7pm

Bla

ck W

atch

RDS

Dubl

in8.

15pm

Som

ethi

ng W

icke

d

This

Way

Com

es

Dund

ee R

ep

Thea

treDu

ndee

7pm

Thu

2B

lack

Wat

chRD

SDu

blin

8.15

pm

O

ne G

iant

Lea

pTu

llyne

ssle

&

Forb

es H

all

Alfo

rd7.3

0pm

Som

ethi

ng W

icke

d

This

Way

Com

es

Dund

ee R

ep

Thea

treDu

ndee

10am

& 7p

m

Fri 3

Bla

ck W

atch

RDS

Dubl

in8.

15pm

O

ne G

iant

Lea

pPu

blic

Hall

New

Deer

7.30p

m

Som

ethi

ng W

icke

d

This

Way

Com

es

Dund

ee R

ep

Thea

treDu

ndee

7pm

Sat 4

Bla

ck W

atch

RDS

Dubl

in3p

m &

8.1

5pm

One

Gia

nt L

eap

John

shav

en

Villa

ge H

all

John

shav

en7.3

0pm

Som

ethi

ng W

icke

d

This

Way

Com

es

Dund

ee R

ep

Thea

treDu

ndee

2.30

pm &

7pm

Sun

5B

lack

Wat

chRD

SDu

blin

3pm

Tue

7So

met

hing

Wic

ked

This

Way

Com

es

Mac

Robe

rt Ar

ts Ce

ntre

Stirl

ing

7pm

Wed

8O

ne G

iant

Lea

pRo

thes

Hal

lsGl

enro

thes

7.30p

m

Thu

9B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m(p

revi

ew)

Fri 1

0B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk3p

m &

8pm

One

Gia

nt L

eap

Volu

ntee

r Hal

lDu

ns10

.30a

m (s

choo

ls)

& 1.

30pm

(sch

ools)

Sat 1

1B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Sat 1

1O

ne G

iant

Lea

pCo

ldin

gham

Ha

llCo

ldin

gham

7.30p

m

Som

ethi

ng W

icke

d

This

Way

Com

es

Eden

Cour

tIn

vern

ess

7pm

Sun

12B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk2p

m &

7pm

Tue

14B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Wed

15N

o pe

rfor

man

ce

Som

ethi

ng W

icke

d

This

Way

Com

es

Lyce

um

Thea

treEd

inbu

rgh

7pm

Thu

16B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Som

ethi

ng W

icke

d

This

Way

Com

es

Lyce

um

Thea

treEd

inbu

rgh

10am

& 7p

m

Fri 1

7B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk3p

m &

8pm

Som

ethi

ng W

icke

d

This

Way

Com

es

Lyce

um

Thea

treEd

inbu

rgh

7pm

Sat 1

8B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Som

ethi

ng W

icke

d

This

Way

Com

es

Lyce

um

Thea

treEd

inbu

rgh

2.30

pm &

7pm

Sun

19B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk2p

m &

7pm

Tue

21B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Wed

22B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Thu

23B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Cock

roac

hTra

vers

e Th

eatre

Edin

burg

h8p

m (P

revi

ew)

Som

ethi

ng W

icke

d

This

Way

Com

es

Lowr

y Ce

ntre

Salfo

rd7p

m

Fri 2

4B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk3p

m &

8pm

Cock

roac

hTra

vers

e Th

eatre

Edin

burg

h8p

m

Som

ethi

ng W

icke

d

This

Way

Com

es

Lowr

y Ce

ntre

Salfo

rd7p

m

Sat 2

5B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Cock

roac

hTra

vers

e Th

eatre

Edin

burg

h8p

m

Som

ethi

ng W

icke

d

This

Way

Com

es

Lowr

y Ce

ntre

Salfo

rd2.

30pm

&

7pm

Sun

26B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk2p

m &

7pm

Tue

28B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Cock

roac

hTra

vers

e Th

eatre

Edin

burg

h8p

m

Wed

29

Bla

ck W

atch

St A

nn’s

War

ehou

se

New

York

8pm

Cock

roac

hTra

vers

e Th

eatre

Edin

burg

h8p

m

Som

ethi

ng W

icke

d

This

Way

Com

es

Tram

way

Glas

gow

7pm

Thu

30B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Cock

roac

hTra

vers

e Th

eatre

Edin

burg

h8p

m

Som

ethi

ng W

icke

d

This

Way

Com

es

Tram

way

Glas

gow

10am

& 7p

m

Fri 3

1B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk3p

m &

8pm

Cock

roac

hTra

vers

e Th

eatre

Edin

burg

h8p

m

Som

ethi

ng W

icke

d

This

Way

Com

es

Tram

way

Glas

gow

7pm

NOVEMBER

Nov:

Sat 1

Bla

ck W

atch

St A

nn’s

War

ehou

se

New

York

8pm

Cock

roac

hTra

vers

eEd

inbu

rgh

230

pm

Tue

11B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Nas

ty, B

ruti

sh &

Shor

t +

Trave

rse

Thea

treEd

inbu

rgh

8pm

Thu

20B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Nob

ody

Wil

l Eve

r

Forg

ive

Us

Trave

rse

Thea

treEd

inbu

rgh

8pm

130708.indd 31130708.indd 31 26/8/08 14:52:3226/8/08 14:52:32

BER

War

ehou

se

Cock

roac

hTra

vers

e Th

eatre

Edin

burg

h2.

30pm

8p

m

Som

ethi

ng W

icke

d

This

Way

Com

es

Tram

way

Glas

gow

7pm

Sun

2B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk2p

m &

7pm

Mon

3N

o pe

rfor

man

ce

Tue

4B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Wed

5B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Thu

6B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Nas

ty, B

ruti

sh

& S

hort

+ T

he

Dog

ston

e

Trave

rse

Thea

treEd

inbu

rgh

8pm

(Pre

view

)

Fri 7

Bla

ck W

atch

St A

nn’s

War

ehou

se

New

York

3pm

& 8

pm

Nas

ty, B

ruti

sh

& S

hort

+ T

he

Dog

ston

e

Trave

rse

Thea

treEd

inbu

rgh

8pm

Sat 8

Bla

ck W

atch

St A

nn’s

War

ehou

se

New

York

8pm

Nas

ty, B

ruti

sh &

Shor

t +

The

Dog

ston

e

Trave

rse

Thea

treEd

inbu

rgh

8pm

Sun

9B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk2p

m &

7pm

Nas

ty, B

ruti

sh &

Shor

t +

The

Dog

ston

e

Trave

rse

Thea

treEd

inbu

rgh

8pm

Wed

12B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Nas

ty, B

ruti

sh &

Shor

t +

The

Dog

ston

e

Trave

rse

Thea

treEd

inbu

rgh

8pm

Thu

13B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Nas

ty, B

ruti

sh &

Shor

t +

The

Dog

ston

e

Trave

rse

Thea

treEd

inbu

rgh

8pm

Fri 1

4B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk3p

m &

8pm

Nas

ty, B

ruti

sh &

Shor

t +

The

Dog

ston

e

Trave

rse

Thea

treEd

inbu

rgh

8pm

Sat 1

5B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Nas

ty, B

ruti

sh &

Shor

t +

The

Dog

ston

e

Trave

rse

Thea

treEd

inbu

rgh

2.30

pm

8pm

Sun

16B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk2p

m

Tue

18B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Wed

19B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Nob

ody

Wil

l Eve

r

Forg

ive

Us

Trave

rse

Thea

tre

Edin

burg

h8p

m (P

revi

ew)

Nob

ody

Wil

l Eve

r

Forg

ive

Us

Trave

rse

Thea

treEd

inbu

rgh

8pm

Fri 2

1B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Nob

ody

Wil

l Eve

r

Forg

ive

Us

Trave

rse

Thea

tre

Edin

burg

h8p

m

Sat 2

2B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Sun

23B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk2p

m &

7pm

Mon

24N

obod

y W

ill E

ver

Forg

ive

Us

Trave

rse

Thea

tre

Edin

burg

h8p

m

Tue

25B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Nob

ody

Wil

l Eve

r

Forg

ive

Us

Trave

rse

Thea

tre

Edin

burg

h8p

m

Wed

26B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk8p

m

Nob

ody

Wil

l Eve

r

Forg

ive

Us

Trave

rse

Thea

tre

Edin

burg

h8p

m

Thu

27N

obod

y W

ill E

ver

Forg

ive

Us

Trave

rse

Thea

tre

Edin

burg

h8p

m

Fri 2

8B

lack

Wat

chSt

Ann

’s W

areh

ouse

Ne

w Yo

rk3p

m &

8pm

Nob

ody

Wil

l Eve

r

Forg

ive

Us

Trave

rse

Thea

tre

Edin

burg

h8p

m

Sat 2

9N

obod

y W

ill E

ver

Forg

ive

Us

Trave

rse

Thea

tre

Edin

burg

h2.

30pm

8p

m

JANUARY

Jan

2009

:

Wed

14B

e N

ear

Me

Pala

ce

Thea

tre

Kilm

arno

cktb

c (Pr

evie

w)

Thu

15B

e N

ear

Me

Pala

ce

Thea

treKi

lmar

nock

tbc (

Prev

iew)

Fri 1

6 B

e N

ear

Me

Pala

ce

Thea

treKi

lmar

nock

tbc

Sat 1

7 B

e N

ear

Me

Pala

ce

Thea

treKi

lmar

nock

tbc

Thu

22B

e N

ear

Me

Donm

arLo

ndon

7.30p

m (P

revi

ew)

Fri 2

3B

e N

ear

Me

Donm

arLo

ndon

7.30p

m (P

revi

ew)

Sat 2

4B

e N

ear

Me

Donm

arLo

ndon

7.30p

m (P

revi

ew)

Mon

26B

e N

ear

Me

Donm

arLo

ndon

7.30p

m (P

revi

ew)

Tue

27B

e N

ear

Me

Donm

arLo

ndon

7.30p

m

Wed

28

Be

Nea

r M

eDo

nmar

Lond

on7.3

0pm

Dol

lsTra

mwa

yGl

asgo

w8p

m (P

revi

ew)

Thu

29B

e N

ear

Me

Donm

arLo

ndon

7.30p

m

Dol

lsTra

mwa

yGl

asgo

w2p

m &

8pm

Fri 3

0B

e N

ear

Me

Donm

arLo

ndon

7.30p

m

Dol

lsTra

mwa

yGl

asgo

w2p

m &

8pm

Sat 3

1B

e N

ear

Me

Donm

arLo

ndon

7.30p

m

Dol

lsTra

mwa

yGl

asgo

w2p

m &

8pm

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Info

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subj

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ange

. For

furth

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ur d

ates

–

see

www.

natio

nalth

eatre

scot

land

.com

for d

etai

ls.

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Phot

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edit

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Intr

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Page

2-3

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Page

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FIND

UP-

TO-D

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FORM

ATIO

N FO

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L OUR

SHOW

S AT W

WW.

NATIO

NALT

HEAT

RESC

OTLA

ND.C

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130708.indd 33130708.indd 33 25/8/08 17:54:1225/8/08 17:54:12


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autumn-winter 08/ 09 - national theatre of scotland season brochure

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