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Abstract Pronunciation: \ab-�strakt, �ab-�\Function: adjective Etymology: Medieval Latin abstractus, from Latin, past participle of abstrahere to drag away, from abs-, ab- + trahere to pull, drawDate: 14th centur1 a : disassociated from any speci�c instance <an abstract entity> b : di�cult to understand : ABSTRUSE <abstract problems> c : insu�ciently factual : FORMAL <possessed only an abstract right>2 : expressing a quality apart from an object <the word poem is concrete, poetry is abstract>3 a : dealing with a subject in its abstract aspects : THEORETICAL <abstract science> b : IMPERSONAL, DETACHED <the abstract compassion of a surgeon — Time>4 : having only intrinsic form with little or no attempt at pictorial representation or narrative content <abstract painting>AnalyticalPronunciation: \�a-n�-�li-tik\•Variant(s): or an•a•lyt•i•cal \-ti-k�l\•Function: adjective •Etymology: Late Latin analyticus, from Greek analytikos, from analyein•Date: 16011 : of or relating to analysis or analytics; especially : separating something into compo-nent parts or constituent elements2 : being a proposition (as “no bachelor is married”) whose truth is evident from the meaning of the words it contains — compare SYNTHETIC3 : skilled in or using analysis especially in thinking or reasoning <a keenly analytic person>4 : characterized by analysis rather than in�ection <analytic languages>5 : PSYCHOANALYTIC6 : treated or treatable by or using the methods of algebra and calculus7 a of a function of a real variable : capable of being expanded in a Taylor's series in powers of x − h in some neighborhood of the point h b of a function of a complex variable : di�erentiable at every point in some neighborhood of a given pointCarvePronunciation: \�kärv\Function: verb Inflected Form(s): carved; carv•ingEtymology: Middle English kerven, from Old English ceorfan; akin to Old High German kerban to notch, Greek graphein to scratch, writeDate: before 12th centurytransitive verb 1 : to cut with care or precision <carved fretwork>2 : to make or get by or as if by cutting —often

used with out <carve out a career>3 : to cut into pieces or slices <carved the turkey>intransitive verb 1 : to cut up and serve meat2 : to work as a sculptor or engraverComposition•Pronunciation: \�käm-p�-�zi-sh�n\•Function: noun •Etymology: Middle English composicioun, from Anglo-French composicion, from Latin composi-tion-, compositio, from componere•Date: 14th century1 a : the act or process of composing; speci�cally : arrangement into speci�c proportion or relation and especially into artistic form b (1) : the arrangement of type for printing <hand composition> (2) : the production of type or typographic characters (as in photocomposition) arranged for printing2 a : the manner in which something is composed b : general makeup <the changing ethnic composition of the city — Leonard Buder> c : the qualitative and quantitative makeup of a chemical compound3 : mutual settlement or agreement4 : a product of mixing or combining various elements or ingredients5 : an intellectual creation: as a : a piece of writing; especially : a school exercise in the form of a brief essay b : a written piece of music especially of considerable size and complexity 6 : the quality or state of being compound7 : the operation of forming a composite function; also : COMPOSITE FUNCTIONCut•Pronunciation: \�k�t\•Function: verb •Inflected Form(s): cut; cut•ting•Etymology: Middle English cutten•Date: 13th centurytransitive verb 1 a : to penetrate with or as if with an edged instrument b : to hurt the feelings of c : to strike sharply with a cutting e�ect d : to strike (a ball) with a glancing blow that imparts a reverse spin e : to experience the growth of (a tooth) through the gum2 a : TRIM, PARE <cut one's nails> b : to shorten by omissions <cut the manuscript> c : DILUTE, ADULTERATE <cut the whiskey with water> d : to reduce in amount <cut costs>3 a : MOW, REAP <cut hay> b (1) : to divide into parts with an edged tool <cut bread> (2) : FELL, HEW c (1) : to separate or discharge from an organization <cut them from the team> (2) : to single out and isolate <cut a calf out from the herd> d : to turn (as a steering wheel) sharply <the driver cut the wheel hard> e : to go or pass around or about : BYPASS <cut the checkout line>4 a : to divide into segments <cut the cake> b : INTERSECT, CROSS <one line cutting another> c : BREAK, INTERRUPT <cut our supply lines> d (1) :

to divide (a deck of cards) into two portions (2) : to draw (a card) from the deck e : to divide into shares : SPLIT f : ANALYZE, BREAK DOWN <any way you cut it, we won>5 a : to make by or as if by cutting: as (1) : CARVE <cut stone> (2) : to shape by grinding <cut a diamond> (3) : ENGRAVE (4) : to shear or hollow out <cut a groove> b (1) : to sing, play, or act for the recording of <cut an album> <cut a commercial> (2) : to sing or play (as a song or a track) for a studio recording c : to type on a stencil d : EDIT 1b <cut a motion picture>6 a : STOP, CEASE <cut the nonsense> b : to refuse to recognize (an acquaintance) <they cut her dead at the party> c : to absent oneself from (as a class) d : to stop (a motor) by opening a switch e : to stop the filming of (a motion-picture scene)7 a : to engage in (a frolicsome or mischievous action) <on summer nights strange capers are cut under the thin guise of a Christian festival — D. C. Peattie> b : to give the appearance or impression of <cut a �ne �gure>8 : to be able to manage or handle —usually used in negative constructions <can't cut that kind of work anymore>9 a : to yield or accord to another : GIVE <cut me some slack> b : to fill out and sign (a check)intransitive verb 1 a : to function as or as if as an edged tool b : to undergo incision or severance <cheese cuts easily> c : to perform the operation of dividing, severing, incising, or intersecting d : to make a stroke with a whip, sword, or other weapon e : to wound feelings or sensibilities f : to cause constriction or cha�ng g : to be of e�ect, in�uence, or signi�cance <an analysis that cuts deep>2 a (1) : to divide a pack of cards especially in order to decide the deal or settle a bet (2) : to draw a card from the pack b : to divide spoils : SPLIT3 a : to proceed obliquely from a straight course <cut across the yard> b : to move swiftly <a yacht cutting through the water> c : to describe an oblique or diagonal line d : to change sharply in direction : SWERVE e : to make an abrupt transition from one sound or image to another in motion pictures, radio, or television f : to make a sudden transition or imaginative leap <the story cuts to 1917>4 : to stop photographing motion pictures5 : to advance by skipping or bypassing another <cut to the front of the line>— cut a deal : to negotiate an agreement— cut both ways : to have both favorable and unfavorable results or implications— cut corners : to perform some action in the quickest, easiest, or cheapest way— cut ice : to be of importance —usually used in negative constructions <his opinion cuts no ice with me>— cut it : to cut the mustard— cut loose 1 : to free from control or restraint

<cut us loose from the contract>2 : to act without restraint <enjoyed cutting loose at nightclubs>— cut one's teeth : to learn, do, or perform as a beginning or at the start of one's career <an actress who cut her teeth on television>— cut the mustard : to achieve the standard of performance necessary for success— cut to the chase : to get to the pointDi�erentiationPronunciation: \-�ren(t)-shē-�ā-sh�n\Function: noun Date: 18021 : the act or process of di�erentiating2 : development from the one to the many, the simple to the complex, or the homogeneous to the heterogeneous3 a : modi�cation of body parts for performance of particular functions b : the sum of the processes whereby apparently indi�erent or unspecialized cells, tissues, and structures attain their adult form and function4 : the processes by which various rock types are produced from a common magmaDissipatePronunciation: \�di-s�-�pāt\Function: verb Inflected Form(s): dis•si•pat•ed; dis•si•pat•ingEtymology: Latin dissipatus, past participle of dissipare, dissupare, from dis- + supare to throwDate: 15th centurytransitive verb 1 a : to break up and drive off (as a crowd) b : to cause to spread thin or scatter and gradually vanish <one's sympathy is eventually dissipated — Andrew Feinberg> c : to lose (as heat or electricity) irrecoverably2 : to spend or use up wastefully or foolishly <dissipated the family fortune in reckless business ventures>intransitive verb 1 : to break up and scatter or vanish <the clouds soon dissipated> <the team's early momentum has dissipated>2 : to be extravagant or dissolute in the pursuit of pleasure; especially : to drink to excess synonyms see SCATTERFastenPronunciation: \�fa-s�n\Function: verb Inflected Form(s): fas•tened; fas•ten•ing \�fas-niŋ, �fa-s�n-iŋ\Etymology: Middle English fastnen, from Old English fæstnian to make fast; akin to Old High German festinōn to make fast, Old English fæst fastDate: before 12th centurytransitive verb 1 a : to attach especially by pinning, tying, or nailing b : to make fast and secure c : to �x �rmly or securely d : to secure against opening2 : to �x or set steadily <fastened her attention on the main problem>3 : to take a �rm grip with <the dog fastened its teeth in the shoe>4 a : to attach (oneself ) persistently and usually

objectionably b : to place forcefully : IMPOSE <fastened the blame on the wrong person>intransitive verb 1 : to become fast or �xed2 a : to take a �rm grip or hold b : to focus attentionIntuitive•Pronunciation: \in-�tü-�-tiv, -�tyü-\•Function: adjective •Date: circa 16451 a : known or perceived by intuition : directly apprehended <had an intuitive awareness of his sister's feelings> b : knowable by intuition <intuitive truths> c : based on or agreeing with intuition <intuitive responses> <makes intuitive sense> d : readily learned or understood <software with an intuitive interface>2 : knowing or perceiving by intuition3 : possessing or given to intuition or insight <an intuitive mind>IterationPronunciation: \�i-t�-�rā-sh�n\•Function: noun •Date: 15th century1 : the action or a process of iterating or repeating: as a : a procedure in which repetition of a sequence of operations yields results successively closer to a desired result b : the repetition of a sequence of computer instructions a speci�ed number of times or until a condition is met — compare RECURSION 2 : one execution of a sequence of operations or instructions in an iteration3 : VERSION, INCARNATION <the latest iteration of the operating system>JuxtapositionPronunciation: \�j�k-st�-p�-�zi-sh�n\Function: noun Etymology: Latin juxta near + English position — more at JOUSTDate: 1654: the act or an instance of placing two or more things side by side; also : the state of being so placedO�setPronunciation: \��f-�set\Function: noun Date: circa 15551 a archaic : OUTSET, START b : CESSATION2 a (1) : a short prostrate lateral shoot arising from the base of a plant (2) : a small bulb arising from the base of another bulb b : a lateral or collateral branch (as of a family or race) : OFFSHOOT c : a spur from a range of hills3 a : a horizontal ledge on the face of a wall formed by a diminution of its thickness above b : DISPLACEMENT c : an abrupt change in the dimension or pro�le of an object or the part set o� by such change4 : something that sets o� to advantage or

embellishes something else : FOIL5 : an abrupt bend in an object by which one part is turned aside out of line6 : something that serves to counterbalance or to compensate for something else; especially : either of two balancing ledger items7 a : unintentional transfer of ink (as from a freshly printed sheet) b : a printing process in which an inked impression from a plate is �rst made on a rubber-blanketed cylinder and then transferred to the paper being printedPalimpsest•Pronunciation: \�pa-l�m(p)-�sest, p�-�lim(p)-\•Function: noun •Etymology: Latin palimpsestus, from Greek palimpsēstos scraped again, from palin + psēn to rub, scrape; akin to Sanskrit psāti, babhasti he chews•Date: 18251 : writing material (as a parchment or tablet) used one or more times after earlier writing has been erased2 : something having usually diverse layers or aspects apparent beneath the surface <Canada…is a palimpsest, an overlay of classes and generations — Margaret Atwood>Protrude•Pronunciation: \prō-�trüd\•Function: verb •Inflected Form(s): pro•trud•ed; pro•trud•ing•Etymology: Latin protrudere, from pro- + trudere to thrust — more at THREAT•Date: 1620transitive verb 1 archaic : to thrust forward2 : to cause to projectintransitive verb : to jut out from the surrounding surface or context <a handkerchief protruding from his breast pocket>PuncturePronunciation: \�p�ŋk-ch�r\Function: noun Etymology: Middle English, from Latin punctura, from punctus, past participle of pungereDate: 14th century1 : an act of puncturing2 : a hole, wound, or perforation made by puncturing3 : a minute depressionRecursionPronunciation: \ri-�k�r-zh�n\•Function: noun •Etymology: Late Latin recursion-, recursio, from recurrere•Date: 16161 : RETURN 12 : the determination of a succession of elements (as numbers or functions) by operation on one or more preceding elements according to a rule or formula involving a �nite number of steps3 : a computer programming technique involving the use of a procedure, subroutine, function, or

algorithm that calls itself one or more times until a speci�ed condition is met at which time the rest of each repetition is processed from the last one called to the �rst — compare ITERATIONRepetition•Pronunciation: \�re-p�-�ti-sh�n\•Function: noun •Etymology: Middle English repeticion, from Middle French, from Latin repetition-, repetitio, from repetere to repeat•Date: 15th century1 a : the act or an instance of repeating or being repeated b : a motion or exercise (as a push-up) that is repeated and usually countedTransformation•Pronunciation: \�tran(t)s-f�r-�mā-sh�n, -f�r-\•Function: noun •Date: 15th century1 : an act, process, or instance of transforming or being transformed2 : false hair worn especially by a woman to replace or supplement natural hair3 a (1) : the operation of changing (as by rotation or mapping) one configuration or expression into another in accordance with a mathematical rule; especially : a change of variables or coordinates in which a function of new variables or coordinates is substituted for each original variable or coordinate (2) : the formula that effects a transformation b : FUNCTION 5a c : an operation that converts (as by insertion, deletion, or permutation) one grammatical string (as a sentence) into another; also : a formal statement of such an operation4 : genetic modi�cation of a bacterium by incorporation of free DNA from another bacterial cell; also : genetic modi�cation of a cell by the uptake and incorporation of exogenous DNAShift•Pronunciation: \�shift\•Function: verb •Etymology: Middle English, from Old English sciftan to divide, arrange; akin to Old Norse skipa to arrange, assign•Date: 13th centurytransitive verb 1 : to exchange for or replace by another : CHANGE2 a : to change the place, position, or direction of : MOVE b : to make a change in (place)3 : to change phoneticallyintransitive verb 1 a : to change place or position b : to change direction <the wind shifted> c : to change gears d : to depress the shift key (as on a typewriter)2 a : to assume responsibility <had to shift for themselves> b : to resort to expedients3 a : to go through a change <she shifted in her approach> b : to change one's clothes c : to become changed phoneticallySplice•Pronunciation: \�splīs\

•Function: transitive verb •Inflected Form(s): spliced; splic•ing•Etymology: obsolete Dutch splissen; akin to Middle Dutch splitten to split•Date: circa 15251 a : to unite (as two ropes) by interweaving the strands b : to unite (as lengths of magnetic tape) by overlapping and securing together two ends2 : to unite, link, or insert as if by splicing3 : to combine or insert (as genes) by genetic engineering <spliced a human gene for insulin into a bacterium>— splic•er noun StaplePronunciation: \�stā-p�l\Function: noun Etymology: Middle English stapel post, staple, from Old English stapol post; akin to Middle Dutch stapel step, heap, emporium, Old English steppan to stepDate: 13th century: a usually U-shaped fastener: as a : a metal loop both ends of which are driven into a surface to hold the hook, hasp, or bolt of a lock, secure a rope, or �x a wire in place b : a small wire both ends of which are driven through layers of thin and easily penetrable material (as paper) and usually clinched to hold the layers together c : a usually metal surgical fastener used to hold layers of tissue together (as in the closure of an incision) Subtraction•Pronunciation: \s�b-�trak-sh�n\•Function: noun •Etymology: Middle English subtraccion, from Anglo-French sustraction, subtraction, from Late Latin subtraction-, subtractio, from Latin subtrahere•Date: 15th century: an act, operation, or instance of subtracting: as a : the withdrawing or withholding of a right to which an individual is entitled b : the operation of deducting one number from another SuturePronunciation: \�sü-ch�r\Function: noun Etymology: Middle English, from Anglo-French & Latin; Anglo-French, from Latin sutura seam, suture, from sutus, past participle of suere to sew — more at SEWDate: 15th century1 a : a strand or �ber used to sew parts of the living body; also : a stitch made with a suture b : the act or process of sewing with sutures2 a : a uniting of parts b : the seam or seamlike line along which two things or parts are sewed or united3 a : the line of union in an immovable articulation (as between the bones of the skull); also : such an articulation b : a furrow at the junction of adjacent bodily parts; especially : a line of dehiscence (as on

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SENSIBLE INFILLSENSIBLE INFILLSENSIBLE INFILLSENSIBLE INFILLTHE CONNECTION OF ARTIST,ART, AND GALLERY IS DYNAMIC IN THAT THE ARTIST LIVE, WORK, AND DISPLAY ALL IN THE SAME SPACE.

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Abstract Pronunciation: \ab-�strakt, �ab-�\Function: adjective Etymology: Medieval Latin abstractus, from Latin, past participle of abstrahere to drag away, from abs-, ab- + trahere to pull, drawDate: 14th centur1 a : disassociated from any speci�c instance <an abstract entity> b : di�cult to understand : ABSTRUSE <abstract problems> c : insu�ciently factual : FORMAL <possessed only an abstract right>2 : expressing a quality apart from an object <the word poem is concrete, poetry is abstract>3 a : dealing with a subject in its abstract aspects : THEORETICAL <abstract science> b : IMPERSONAL, DETACHED <the abstract compassion of a surgeon — Time>4 : having only intrinsic form with little or no attempt at pictorial representation or narrative content <abstract painting>AnalyticalPronunciation: \�a-n�-�li-tik\•Variant(s): or an•a•lyt•i•cal \-ti-k�l\•Function: adjective •Etymology: Late Latin analyticus, from Greek analytikos, from analyein•Date: 16011 : of or relating to analysis or analytics; especially : separating something into compo-nent parts or constituent elements2 : being a proposition (as “no bachelor is married”) whose truth is evident from the meaning of the words it contains — compare SYNTHETIC3 : skilled in or using analysis especially in thinking or reasoning <a keenly analytic person>4 : characterized by analysis rather than in�ection <analytic languages>5 : PSYCHOANALYTIC6 : treated or treatable by or using the methods of algebra and calculus7 a of a function of a real variable : capable of being expanded in a Taylor's series in powers of x − h in some neighborhood of the point h b of a function of a complex variable : di�erentiable at every point in some neighborhood of a given pointCarvePronunciation: \�kärv\Function: verb Inflected Form(s): carved; carv•ingEtymology: Middle English kerven, from Old English ceorfan; akin to Old High German kerban to notch, Greek graphein to scratch, writeDate: before 12th centurytransitive verb 1 : to cut with care or precision <carved fretwork>2 : to make or get by or as if by cutting —often

used with out <carve out a career>3 : to cut into pieces or slices <carved the turkey>intransitive verb 1 : to cut up and serve meat2 : to work as a sculptor or engraverComposition•Pronunciation: \�käm-p�-�zi-sh�n\•Function: noun •Etymology: Middle English composicioun, from Anglo-French composicion, from Latin composi-tion-, compositio, from componere•Date: 14th century1 a : the act or process of composing; speci�cally : arrangement into speci�c proportion or relation and especially into artistic form b (1) : the arrangement of type for printing <hand composition> (2) : the production of type or typographic characters (as in photocomposition) arranged for printing2 a : the manner in which something is composed b : general makeup <the changing ethnic composition of the city — Leonard Buder> c : the qualitative and quantitative makeup of a chemical compound3 : mutual settlement or agreement4 : a product of mixing or combining various elements or ingredients5 : an intellectual creation: as a : a piece of writing; especially : a school exercise in the form of a brief essay b : a written piece of music especially of considerable size and complexity 6 : the quality or state of being compound7 : the operation of forming a composite function; also : COMPOSITE FUNCTIONCut•Pronunciation: \�k�t\•Function: verb •Inflected Form(s): cut; cut•ting•Etymology: Middle English cutten•Date: 13th centurytransitive verb 1 a : to penetrate with or as if with an edged instrument b : to hurt the feelings of c : to strike sharply with a cutting e�ect d : to strike (a ball) with a glancing blow that imparts a reverse spin e : to experience the growth of (a tooth) through the gum2 a : TRIM, PARE <cut one's nails> b : to shorten by omissions <cut the manuscript> c : DILUTE, ADULTERATE <cut the whiskey with water> d : to reduce in amount <cut costs>3 a : MOW, REAP <cut hay> b (1) : to divide into parts with an edged tool <cut bread> (2) : FELL, HEW c (1) : to separate or discharge from an organization <cut them from the team> (2) : to single out and isolate <cut a calf out from the herd> d : to turn (as a steering wheel) sharply <the driver cut the wheel hard> e : to go or pass around or about : BYPASS <cut the checkout line>4 a : to divide into segments <cut the cake> b : INTERSECT, CROSS <one line cutting another> c : BREAK, INTERRUPT <cut our supply lines> d (1) :

to divide (a deck of cards) into two portions (2) : to draw (a card) from the deck e : to divide into shares : SPLIT f : ANALYZE, BREAK DOWN <any way you cut it, we won>5 a : to make by or as if by cutting: as (1) : CARVE <cut stone> (2) : to shape by grinding <cut a diamond> (3) : ENGRAVE (4) : to shear or hollow out <cut a groove> b (1) : to sing, play, or act for the recording of <cut an album> <cut a commercial> (2) : to sing or play (as a song or a track) for a studio recording c : to type on a stencil d : EDIT 1b <cut a motion picture>6 a : STOP, CEASE <cut the nonsense> b : to refuse to recognize (an acquaintance) <they cut her dead at the party> c : to absent oneself from (as a class) d : to stop (a motor) by opening a switch e : to stop the filming of (a motion-picture scene)7 a : to engage in (a frolicsome or mischievous action) <on summer nights strange capers are cut under the thin guise of a Christian festival — D. C. Peattie> b : to give the appearance or impression of <cut a �ne �gure>8 : to be able to manage or handle —usually used in negative constructions <can't cut that kind of work anymore>9 a : to yield or accord to another : GIVE <cut me some slack> b : to fill out and sign (a check)intransitive verb 1 a : to function as or as if as an edged tool b : to undergo incision or severance <cheese cuts easily> c : to perform the operation of dividing, severing, incising, or intersecting d : to make a stroke with a whip, sword, or other weapon e : to wound feelings or sensibilities f : to cause constriction or cha�ng g : to be of e�ect, in�uence, or signi�cance <an analysis that cuts deep>2 a (1) : to divide a pack of cards especially in order to decide the deal or settle a bet (2) : to draw a card from the pack b : to divide spoils : SPLIT3 a : to proceed obliquely from a straight course <cut across the yard> b : to move swiftly <a yacht cutting through the water> c : to describe an oblique or diagonal line d : to change sharply in direction : SWERVE e : to make an abrupt transition from one sound or image to another in motion pictures, radio, or television f : to make a sudden transition or imaginative leap <the story cuts to 1917>4 : to stop photographing motion pictures5 : to advance by skipping or bypassing another <cut to the front of the line>— cut a deal : to negotiate an agreement— cut both ways : to have both favorable and unfavorable results or implications— cut corners : to perform some action in the quickest, easiest, or cheapest way— cut ice : to be of importance —usually used in negative constructions <his opinion cuts no ice with me>— cut it : to cut the mustard— cut loose 1 : to free from control or restraint

<cut us loose from the contract>2 : to act without restraint <enjoyed cutting loose at nightclubs>— cut one's teeth : to learn, do, or perform as a beginning or at the start of one's career <an actress who cut her teeth on television>— cut the mustard : to achieve the standard of performance necessary for success— cut to the chase : to get to the pointDi�erentiationPronunciation: \-�ren(t)-shē-�ā-sh�n\Function: noun Date: 18021 : the act or process of di�erentiating2 : development from the one to the many, the simple to the complex, or the homogeneous to the heterogeneous3 a : modi�cation of body parts for performance of particular functions b : the sum of the processes whereby apparently indi�erent or unspecialized cells, tissues, and structures attain their adult form and function4 : the processes by which various rock types are produced from a common magmaDissipatePronunciation: \�di-s�-�pāt\Function: verb Inflected Form(s): dis•si•pat•ed; dis•si•pat•ingEtymology: Latin dissipatus, past participle of dissipare, dissupare, from dis- + supare to throwDate: 15th centurytransitive verb 1 a : to break up and drive off (as a crowd) b : to cause to spread thin or scatter and gradually vanish <one's sympathy is eventually dissipated — Andrew Feinberg> c : to lose (as heat or electricity) irrecoverably2 : to spend or use up wastefully or foolishly <dissipated the family fortune in reckless business ventures>intransitive verb 1 : to break up and scatter or vanish <the clouds soon dissipated> <the team's early momentum has dissipated>2 : to be extravagant or dissolute in the pursuit of pleasure; especially : to drink to excess synonyms see SCATTERFastenPronunciation: \�fa-s�n\Function: verb Inflected Form(s): fas•tened; fas•ten•ing \�fas-niŋ, �fa-s�n-iŋ\Etymology: Middle English fastnen, from Old English fæstnian to make fast; akin to Old High German festinōn to make fast, Old English fæst fastDate: before 12th centurytransitive verb 1 a : to attach especially by pinning, tying, or nailing b : to make fast and secure c : to �x �rmly or securely d : to secure against opening2 : to �x or set steadily <fastened her attention on the main problem>3 : to take a �rm grip with <the dog fastened its teeth in the shoe>4 a : to attach (oneself ) persistently and usually

objectionably b : to place forcefully : IMPOSE <fastened the blame on the wrong person>intransitive verb 1 : to become fast or �xed2 a : to take a �rm grip or hold b : to focus attentionIntuitive•Pronunciation: \in-�tü-�-tiv, -�tyü-\•Function: adjective •Date: circa 16451 a : known or perceived by intuition : directly apprehended <had an intuitive awareness of his sister's feelings> b : knowable by intuition <intuitive truths> c : based on or agreeing with intuition <intuitive responses> <makes intuitive sense> d : readily learned or understood <software with an intuitive interface>2 : knowing or perceiving by intuition3 : possessing or given to intuition or insight <an intuitive mind>IterationPronunciation: \�i-t�-�rā-sh�n\•Function: noun •Date: 15th century1 : the action or a process of iterating or repeating: as a : a procedure in which repetition of a sequence of operations yields results successively closer to a desired result b : the repetition of a sequence of computer instructions a speci�ed number of times or until a condition is met — compare RECURSION 2 : one execution of a sequence of operations or instructions in an iteration3 : VERSION, INCARNATION <the latest iteration of the operating system>JuxtapositionPronunciation: \�j�k-st�-p�-�zi-sh�n\Function: noun Etymology: Latin juxta near + English position — more at JOUSTDate: 1654: the act or an instance of placing two or more things side by side; also : the state of being so placedO�setPronunciation: \��f-�set\Function: noun Date: circa 15551 a archaic : OUTSET, START b : CESSATION2 a (1) : a short prostrate lateral shoot arising from the base of a plant (2) : a small bulb arising from the base of another bulb b : a lateral or collateral branch (as of a family or race) : OFFSHOOT c : a spur from a range of hills3 a : a horizontal ledge on the face of a wall formed by a diminution of its thickness above b : DISPLACEMENT c : an abrupt change in the dimension or pro�le of an object or the part set o� by such change4 : something that sets o� to advantage or

embellishes something else : FOIL5 : an abrupt bend in an object by which one part is turned aside out of line6 : something that serves to counterbalance or to compensate for something else; especially : either of two balancing ledger items7 a : unintentional transfer of ink (as from a freshly printed sheet) b : a printing process in which an inked impression from a plate is �rst made on a rubber-blanketed cylinder and then transferred to the paper being printedPalimpsest•Pronunciation: \�pa-l�m(p)-�sest, p�-�lim(p)-\•Function: noun •Etymology: Latin palimpsestus, from Greek palimpsēstos scraped again, from palin + psēn to rub, scrape; akin to Sanskrit psāti, babhasti he chews•Date: 18251 : writing material (as a parchment or tablet) used one or more times after earlier writing has been erased2 : something having usually diverse layers or aspects apparent beneath the surface <Canada…is a palimpsest, an overlay of classes and generations — Margaret Atwood>Protrude•Pronunciation: \prō-�trüd\•Function: verb •Inflected Form(s): pro•trud•ed; pro•trud•ing•Etymology: Latin protrudere, from pro- + trudere to thrust — more at THREAT•Date: 1620transitive verb 1 archaic : to thrust forward2 : to cause to projectintransitive verb : to jut out from the surrounding surface or context <a handkerchief protruding from his breast pocket>PuncturePronunciation: \�p�ŋk-ch�r\Function: noun Etymology: Middle English, from Latin punctura, from punctus, past participle of pungereDate: 14th century1 : an act of puncturing2 : a hole, wound, or perforation made by puncturing3 : a minute depressionRecursionPronunciation: \ri-�k�r-zh�n\•Function: noun •Etymology: Late Latin recursion-, recursio, from recurrere•Date: 16161 : RETURN 12 : the determination of a succession of elements (as numbers or functions) by operation on one or more preceding elements according to a rule or formula involving a �nite number of steps3 : a computer programming technique involving the use of a procedure, subroutine, function, or

algorithm that calls itself one or more times until a speci�ed condition is met at which time the rest of each repetition is processed from the last one called to the �rst — compare ITERATIONRepetition•Pronunciation: \�re-p�-�ti-sh�n\•Function: noun •Etymology: Middle English repeticion, from Middle French, from Latin repetition-, repetitio, from repetere to repeat•Date: 15th century1 a : the act or an instance of repeating or being repeated b : a motion or exercise (as a push-up) that is repeated and usually countedTransformation•Pronunciation: \�tran(t)s-f�r-�mā-sh�n, -f�r-\•Function: noun •Date: 15th century1 : an act, process, or instance of transforming or being transformed2 : false hair worn especially by a woman to replace or supplement natural hair3 a (1) : the operation of changing (as by rotation or mapping) one configuration or expression into another in accordance with a mathematical rule; especially : a change of variables or coordinates in which a function of new variables or coordinates is substituted for each original variable or coordinate (2) : the formula that effects a transformation b : FUNCTION 5a c : an operation that converts (as by insertion, deletion, or permutation) one grammatical string (as a sentence) into another; also : a formal statement of such an operation4 : genetic modi�cation of a bacterium by incorporation of free DNA from another bacterial cell; also : genetic modi�cation of a cell by the uptake and incorporation of exogenous DNAShift•Pronunciation: \�shift\•Function: verb •Etymology: Middle English, from Old English sciftan to divide, arrange; akin to Old Norse skipa to arrange, assign•Date: 13th centurytransitive verb 1 : to exchange for or replace by another : CHANGE2 a : to change the place, position, or direction of : MOVE b : to make a change in (place)3 : to change phoneticallyintransitive verb 1 a : to change place or position b : to change direction <the wind shifted> c : to change gears d : to depress the shift key (as on a typewriter)2 a : to assume responsibility <had to shift for themselves> b : to resort to expedients3 a : to go through a change <she shifted in her approach> b : to change one's clothes c : to become changed phoneticallySplice•Pronunciation: \�splīs\

•Function: transitive verb •Inflected Form(s): spliced; splic•ing•Etymology: obsolete Dutch splissen; akin to Middle Dutch splitten to split•Date: circa 15251 a : to unite (as two ropes) by interweaving the strands b : to unite (as lengths of magnetic tape) by overlapping and securing together two ends2 : to unite, link, or insert as if by splicing3 : to combine or insert (as genes) by genetic engineering <spliced a human gene for insulin into a bacterium>— splic•er noun StaplePronunciation: \�stā-p�l\Function: noun Etymology: Middle English stapel post, staple, from Old English stapol post; akin to Middle Dutch stapel step, heap, emporium, Old English steppan to stepDate: 13th century: a usually U-shaped fastener: as a : a metal loop both ends of which are driven into a surface to hold the hook, hasp, or bolt of a lock, secure a rope, or �x a wire in place b : a small wire both ends of which are driven through layers of thin and easily penetrable material (as paper) and usually clinched to hold the layers together c : a usually metal surgical fastener used to hold layers of tissue together (as in the closure of an incision) Subtraction•Pronunciation: \s�b-�trak-sh�n\•Function: noun •Etymology: Middle English subtraccion, from Anglo-French sustraction, subtraction, from Late Latin subtraction-, subtractio, from Latin subtrahere•Date: 15th century: an act, operation, or instance of subtracting: as a : the withdrawing or withholding of a right to which an individual is entitled b : the operation of deducting one number from another SuturePronunciation: \�sü-ch�r\Function: noun Etymology: Middle English, from Anglo-French & Latin; Anglo-French, from Latin sutura seam, suture, from sutus, past participle of suere to sew — more at SEWDate: 15th century1 a : a strand or �ber used to sew parts of the living body; also : a stitch made with a suture b : the act or process of sewing with sutures2 a : a uniting of parts b : the seam or seamlike line along which two things or parts are sewed or united3 a : the line of union in an immovable articulation (as between the bones of the skull); also : such an articulation b : a furrow at the junction of adjacent bodily parts; especially : a line of dehiscence (as on

SELF-SYNERGISTIC CONSTRUCTINVESTIGATION OF INHERENT SYSTEMS WITHIN A FOUND OBJECT THROUGH DIA-GRAMMATIC MODELING IN 2 DIMENSIONS. CONSTRUCTS ARE THEN REFINED IN 3 DIMENSIONS THROUGH AN ITERATIVE PROCESS THAT LOOKS TO EXTRAPOLATE ON THE INHERENT SPATIAL QUALITIES WITHIN THE CONSTRUCT.

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outoor public viewing space dictated by the caretaker

6 WEEKS15

DIGITAL INTERACTION THE DIGITAL WORLD IS CONTINUING TO DOMINATE OUR SOCIETY TO THE POINT THAT WHAT WAS NOT LONG AGO CONSIDERED CONVENTIONAL IS BECOMING THE UNCONVENTIONAL. HOW PEOPLE ONCE VIEWED TEXT IN BOOKS ARE NOW LOOKING TOWARD DIGITAL TEXT AS A PREFERRED MEDIUM IN GATHERING KNOWLEDGE. MY PROJECT CONFORMS TO THESE CHANGES RATHER THAN REJECTING THE IDEOLOGY OF THE INFORMATION GENERATION.

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outoor public viewing space dictated by the caretaker

The project focuses on a chosen CHARACTER and how this character adapts to the fact that as society changes so does the roles of specific individuals within society. Therefore, the character (portrayed by a NATIVE AMERICAN)assumes the role as the CARETAKER of a digital library who spends his days on his computer constantly updating the servers with more digital text that can be viewed by the public. How the public views this text conforms to preconceived notions when thinking about viewing text on a screen. Any idea that concerns computing information follows a notion of personal space such as in offices with cubicles. The rooms in which the public can privately view images follows this idea with cubicles. However, land envelops the building to create an outdoor public space above the building where images are projected to the public at night. The idea of using land as a juxtaposition between these two very different projection spaces comes from the Native American characters necessity for LAND. Therefore it makes sense that the content of these IMAGES is dictated by the Native American allowing him to EXPRESS himself and display his personality to the public as a way to counteract against HIS

BLEAK CARETAKER RESPONSIBILITIES.

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ZEN TOWERQUESTIONING WHAT A TOWER CAN BE LEAD TO THE DEVELOPMENT OF THE IDEA OF A TOWER THAT ENCLOSES SPACE IN SUCH A WAY THAT INTERACTION WITHIN THE SPACE IS CONVERTED IN THAT ONE DOESN’T PHYSICALLY ELEVATE IN THE TOWER BUT RATHER IS SPIRITUALLY ELEVATED. FURTHERMORE, A CONVENTIONAL OBSERVATION TOWER WOULD BE OBTRUSIVE ON THE SMALL LANDSCAPE OF URBANOVSKY PARK. THEREFORE INSTEAD OF ATTEMPTING TO DOMINATE THE LANDSCAPE, THE DESIGN SHOULD ALLOW THE TOWER TO BLEND IN WITH THE SURROUNDING CONTEXT.

plan

scale: 1’=1/8”N

section

20’x 5” transparent polycarbonate tubes

1” steel rod

2” steel rod

pivoting windows

concrete

wood seating

steel plates

the BEST VIEWS in urbanovsky park are form the GROUND LEVEL and not an elevated point

SENSIBLE INFILLSENSIBLE INFILLSENSIBLE INFILLSENSIBLE INFILLTHE CONNECTION OF ARTIST,ART, AND GALLERY IS DYNAMIC IN THAT THE ARTIST LIVE, WORK, AND DISPLAY ALL IN THE SAME SPACE.

SENSIBLE INFILLTHE CONNECTION OF ARTIST,ART, AND GALLERY IS DYNAMIC IN THAT THE ARTIST LIVE, WORK, AND DISPLAY ALL IN THE SAME SPACE.

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top view of apparatus

used parts

deletion

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living

The core of the building was derived from the negative space of the apparatus. The program was then attached to the core.

The base of the apparatus becomes the living space for the artist

Each gallery corresponds to an artist living directly above

APPARATUSThe CONCEPT of the building was derived from the initial APPARATUS exploration through a certain biological object. Rel-evant characteristics of this object were extracted and in turn influenced the formal qualities of the building.

entrance

floor plates+circulation

site

poles

shell

transparent

kinetic sculpture

basementscale: 1’= 3/32”

elevator

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cafe

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office

office

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lobby

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elevator elevator

gallery 2

gallery 3

gallery 1

elevator

kitchen

common area

artist 2 living

artist 2 work space

artist 3 living

artist 3 work space

artist 1 living

artist 1 work space

ground floor second floor third floor artist loft

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GB 2 3 4

THE EXHIBITED ART BUILDS ON IDEA OF SUSPENSION FROM THE INITIAL BIOLOGICAL OBJECT. THE MECHANICS OF THE SCULPTURE ARE CONTROLLED BY THE ARTISTS.

BASEMENT

basementscale: 1’= 3/32”

elevator

c

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cafe

storage

office

office

maintenance

lobby

slop

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elevator elevator

gallery 2

gallery 3

gallery 1

elevator

kitchen

common area

artist 2 living

artist 2 work space

artist 3 living

artist 3 work space

artist 1 living

artist 1 work space

ground floor second floor third floor artist loft

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GB 2 3 4CAFE GALLERY GALLERY LIVING

lobby

office

kitchen

gallery 2

gallery 1

artist loft

third floor

second floor

ground floor

basement

section asection b

scale: 1’=

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interiorbatt insulationrigid insulationsteel frameglass panelssteel plate2’x2’ ceramic tile

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kinetic sculpture123456789

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finished floorconcrete slabmetal deckingW10x60 girdersteel frame steel plate2’x2’ ceramictile1’ 6” steel post8” steel post

elevator

lobby cafe

gallery 3

artist 1 work space artist loft

third floor

second floor

ground floor

basement

artist 2 living common area

artist 2 work space

gallery 1

bathroom

section c

scale: 1’= 3/32”

4 WEEKS43

PERFORMATIVE SYNERGYTHE PROJECT IS CENTERED AROUND PERFORMANCE, STARTING WITH THE PERFORMING ARTS SCHOOL AND EXTENDING OUT INTO THE PIAZZA. PROGRAMMATICALLY THE TWO HAVE DIFFERENT NEEDS, BUT ARE LINKED THROUGH MATERIALITY AND PERFORMANCE. THIS NECESSARY SYNERGY BETWEEN THE TWO CREATES A JUXTAPOSITION OF CONTEMPORARY AND CLASSICAL.

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PIAZZA DELLE ERBE

PIAZZA CONNECTION

THE IMPORTANCE OF THE PIAZZA IN VERONA IS BOTH SOCIAL AND ECONOMICAL FOR GATHERING AND EXCHANGING. WITH TWO PROMI-NENT PIAZZAS IN CLOSE PROXI-MATION TO THE PROPOSED SITE, ONE CAN ASSESS WHAT MAKES A PIAZZA WORK.

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influencing outdoor

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INDOOR STAGES

OUTDOOR STAGE

library/rehearsal stage

3 classrooms2 offices1

ADIGE RIVER

public restrooms0

floor plans1

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dressing rooms-1

STEEL STONEGLASS

INTEGRATION OF MATERIALS

SCHOOL OF THE PERFORMING ARTS

ADIGE RIVER

St. anastasia projected area

ST. ANASTASIA

transition area

ROMAN T

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perpendicular view to rom

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stone pattern

grass

primary path

grid deriving the grid through two important historical markers in relation to the site

PIAZZA

ADIGE RIVER

St. anastasia projected area

ST. ANASTASIA

transition area

ROMAN T

HEATR

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perpendicular view to rom

an theatre

stone pattern

grass

primary path

grid deriving the grid through two important historical markers in relation to the site

Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

4 3 2 1

Level 530' - 9"

567

1A7.0

PRE-FINISHED GALVANIZEDSTANDING SEAM METALROOF CONTOURED TO DOME

PRE-FINISHED 22 GA. GI.CAP FLASHING ONTREATED 2X BLOCKING SANDBLASTED

CONCRETE COLUMNSRE: STRUCTURAL

WINDOWS ASSCHEDULED

TYPE AFACE BRICK

ALUMINUMDOORS ASSCHEDULED

ALUMINUMSTOREFRONT ASSCHEDULED

PAINTED STEEL TENSIONRING RE: STRUCTURAL

SANDBLASTEDCONCRETE COLUMNSRE: STRUCTURAL

PRE-FINISHED 22 GA. GI.CAP FLASHING ON

TREATED 2X BLOCKINGSANDBLASTEDCONCRETE COLUMNS

RE: STRUCTURAL

WINDOWS ASSCHEDULED

TYPE AFACE BRICK

PAINTED STEEL TENSIONRING RE: STRUCTURAL

Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

4321

Level 530' - 9"

5 6 7

1A7.0

PRE-FINISHED GALVANIZEDSTANDING SEAM METALROOF CONTOURED TO DOME

PRE-FINISHED 22 GA. GI.CAP FLASHING ONTREATED 2X BLOCKING SANDBLASTED

CONCRETE COLUMNSRE: STRUCTURAL

WINDOWS ASSCHEDULED

TYPE AFACE BRICK

ALUMINUMDOORS ASSCHEDULED

ALUMINUMSTOREFRONT ASSCHEDULED

PAINTED STEEL TENSIONRING RE: STRUCTURAL

SANDBLASTEDCONCRETE COLUMNSRE: STRUCTURAL

PRE-FINISHED 22 GA. GI.CAP FLASHING ON

TREATED 2X BLOCKINGSANDBLASTEDCONCRETE COLUMNS

RE: STRUCTURAL

WINDOWS ASSCHEDULED

TYPE AFACE BRICK

PAINTED STEEL TENSIONRING RE: STRUCTURAL

WINDOWS ASSCHEDULED

TYPE AFACE BRICK

TYPE AFACE BRICK

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Revisions

North/SouthElevations

A6.1

1/8" = 1'-0"1 North

1/8" = 1'-0"2 South5.Sections, Beam 2.23.11

1. Cartoon 1.26.11

2. Grid Columns 2.2.113. Walls 2.9.114. Foundation, Glass 2.16.11

6.Roof, Wall Sections 3.2.117.Check Set 4.13.11

Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

Level 530' - 9"

C.1

AIR GRILLESRE: MECH.

AIR GRILLESRE: MECH.

OPEN OFFICE Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

D.2 E.2

OPEN OFFICE

Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

4321

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5 6 7

1A7.0

PAINTED GYP.BOARD CEILING Class Time

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BuildingSections

A7.0

1/8" = 1'-0"1 Section 1

1/8" = 1'-0"2 Section 2 1/8" = 1'-0"3 Section 3

1/8" = 1'-0"4 Section 4

3. Sections, Beam 2.23.112. Foundation, Glass 2.16.11

4.Roof, Wall Sections 3.2.11

1/8" = 1'-0"5 Copy of East

1/8" = 1'-0"7 Copy of Elevation 1 - c

5.Check Set 4.13.11

1. Cartoon 1.26.11

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CONSTRUCTION DOCUMENTS COURSE THAT REQUIRED THE REPRODUCTION OF AN ALREADY EXISTING BUIDLING IN LUBBOCK IN ORDER TO BETTER UNDERSTAND BUILD-ING INFORMATION MODELING

PROGRAM USED: REVIT

A6.21

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C.1 C.1

4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7"

2' - 6 1/2"

225' - 8 3/4"

5' -

3 21

/32"

4' -

4 3/

8"5'

- 7

5/8"

4' -

4 3/

8"8'

- 3

9/32

"

151'

- 8

15/1

6"

19' - 7 15/32" 69' - 5 17/32" 23' - 1 3/4" 23' - 1 3/4" 69' - 5 17/32" 19' - 7 15/32"

19' - 7 15/32" 69' - 5 17/32" 23' - 1 3/4" 23' - 1 3/4" 69' - 5 17/32" 19' - 7 15/32"

42' -

11

9/32

"27

' - 7

9/3

2"26

' - 1

0 19

/32"

43' -

5 1

1/16

"

42' -

10

5/8"

27' -

6 2

9/32

"27

' - 2

23/

32"

43' -

2 7

/8"

10' -

5 7

/16"

4' -

4 3/

8"5'

- 7

5/8"

4' -

4 3/

8"5'

- 7

5/8"

4' -

4 3/

8"10

' - 8

"

4' - 4 3/8"

5' - 8 5/8"

4' - 4 3/8"

5' - 6 21/32"

4' - 4 3/8"

5' - 7 29/32"

4' - 4 3/8"2' - 11 31/32"

1' - 5 7/16"

3' -

8"6'

- 4

3/8"

4' -

3 13

/16"

5' -

10"

3' -

11 7

/32"

6' -

4 3/

8"3'

- 8"

4' - 4 3/8"

5' - 8 7/8"

4' - 4 3/8"2' - 10 3/32"

1' - 6 13/32"

10' -

8 9

/16"

4' -

4 3/

8"5'

- 7

5/8"

4' -

4 3/

8"5'

- 7

5/8"

4' -

4 3/

8"10

' - 9

9/1

6"

2' - 6 1/2"4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8"5' - 5 25/32"

5' -

4 9/

32"4

' - 4

3/8

"5' -

7 3

1/32

"4' -

4 3

/8"

8' -

0 11

/16"

5' -

4 9/

32"4

' - 4

3/8

"5' -

7 3

1/32

"4' -

4 3

/8"

8' -

0 11

/16"

5' - 5 25/32"4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8" 5' - 7 5/8" 4' - 4 3/8"2' - 6 1/2"

10' -

9 9

/16"

4' -

4 3/

8"5'

- 7

5/8"

4' -

4 3/

8"5'

- 7

5/8"

4' -

4 3/

8"10

' - 8

9/1

6"

2' - 10 3/32"4' - 4 3/8"

5' - 8 7/8"

4' - 4 3/8"

1' - 6 13/32"

3' -

8"6'

- 4

3/8"

3' -

11 7

/32"

5' -

10"

4' -

3 13

/16"

6' -

4 3/

8"3'

- 8"

2' - 11 31/32"4' - 4 3/8"

5' - 7 29/32"

4' - 4 3/8"

5' - 6 21/32"

4' - 4 3/8"

5' - 8 5/8"

4' - 4 3/8"

1' - 5 7/16"

10' -

8"

4' -

4 3/

8"5'

- 7

5/8"

4' -

4 3/

8"5'

- 7

5/8"

4' -

4 3/

8"10

' - 5

7/1

6"

2' - 6 1/2"4' - 4 3/8"

5' - 7 5/8"

4' - 4 3/8"

5' - 7 5/8"

4' - 4 3/8"

5' - 7 5/8"

4' - 4 3/8"

5' - 7 5/8"

4' - 4 3/8"

5' - 7 5/8"

4' - 4 3/8"

5' - 7 5/8"

4' - 4 3/8"

5' - 7 5/8"

4' - 4 3/8"

5' - 7 5/8"

4' - 4 3/8"

5' - 6 1/32"

5' -

3 21

/32"

4' -

4 3/

8"5'

- 7

5/8"

4' -

4 3/

8"8'

- 1

5/8"

AL-1

AL-1

AL-1

AL-1

AL-1AL-1

AL-1AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1AL-1

AL-1AL-1

AL-1AL-1

AL-1AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1AL-1

AL-1AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1AL-1

AL-1AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-1

AL-2AL-3

AL-4

AL-4

AL-5AL-6

AL-2

AL-3

AL-4

AL-4

AL-5

AL-6

AL-2

AL-3

AL-4

AL-4

AL-5AL-6

AL-2AL-3

AL-4

AL-4

AL-5

AL-6

OPEN OFFICE

BREAKROOM

WOMEN

MEN

JANITOR

CO

MM

./ELE

C.

ROTUNDA

LOBBY

OPEN OFFICE

BREAKROOM

MEN

JANITOR

CO

MM

./ELE

C.

LOBBY

OPEN OFFICE OPEN OFFICE

WOMEN

A3.1

3

5

9

13

14

12

11

10

2

17

21

22

20

19

18

4

8

3

16

6

7

1

15

-

1.) THE CONTRACTOR ANDSUBCONTRACTOR SHALLTHOROUGHLY FAMILIARIZETHEMSELVES WITH THECONTRACT DOCUMENTS ANDSHALL IMMEDIATELY REPORT ALLQUESTIONABLE CONDITIONS TOTHE ARCHITECT BEFORESTARTING THE WORK.2.) REFER TO CIVIL, STRUCTURAL,MECHANICAL, ELECTRICAL ANDPLUMBING DRAWINGS FORADDITIONAL INFORMATION.3.) COORDINATE ALL PORTIONS OFTHE WORK.4.) REFER TO CIVIL DRAWINGSFOR THE ACTUAL FINISH FLOORGRADE ELEVATION WHICH ISSHOWN AS ELEV.= 100'-0" ON THEARCHITECTURAL DRAWINGS.

GENERAL NOTES:

Class Time

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No. Description Date

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9407

Des

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MW

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ck, T

exas

ZACH GRZYBOWSKI

Lubb

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Chr

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rsity

Revisions

Floor Plans

A2.1 1/8" = 1'-0"1 Floor Plan

N

5.Sections, Beam 2.23.11

1. Cartoon 1.26.112. Grid Columns 2.2.113. Walls 2.9.114. Foundation, Glass 2.16.11

6.Interior Schedules7.General

3.23.114.6.11

8.Check Set 4.13.11

Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

Level 530' - 9"

C.1

AIR GRILLESRE: MECH.

AIR GRILLESRE: MECH.

OPEN OFFICE Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

D.2 E.2

OPEN OFFICE

Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

4321

Level 530' - 9"

5 6 7

1A7.0

PAINTED GYP.BOARD CEILING Class Time

Date

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No. Description Date

ZG

5601

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as 7

9407

Des

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d by

MW

M A

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ZACH GRZYBOWSKI

Lubb

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Chr

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rsity

Revisions

BuildingSections

A7.0

1/8" = 1'-0"1 Section 1

1/8" = 1'-0"2 Section 2 1/8" = 1'-0"3 Section 3

1/8" = 1'-0"4 Section 4

3. Sections, Beam 2.23.112. Foundation, Glass 2.16.11

4.Roof, Wall Sections 3.2.11

1/8" = 1'-0"5 Copy of East

1/8" = 1'-0"7 Copy of Elevation 1 - c

5.Check Set 4.13.11

1. Cartoon 1.26.11

Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

4 3 2 1

Level 530' - 9"

567

1A7.0

PRE-FINISHED GALVANIZEDSTANDING SEAM METALROOF CONTOURED TO DOME

PRE-FINISHED 22 GA. GI.CAP FLASHING ONTREATED 2X BLOCKING SANDBLASTED

CONCRETE COLUMNSRE: STRUCTURAL

WINDOWS ASSCHEDULED

TYPE AFACE BRICK

ALUMINUMDOORS ASSCHEDULED

ALUMINUMSTOREFRONT ASSCHEDULED

PAINTED STEEL TENSIONRING RE: STRUCTURAL

SANDBLASTEDCONCRETE COLUMNSRE: STRUCTURAL

PRE-FINISHED 22 GA. GI.CAP FLASHING ON

TREATED 2X BLOCKINGSANDBLASTEDCONCRETE COLUMNS

RE: STRUCTURAL

WINDOWS ASSCHEDULED

TYPE AFACE BRICK

PAINTED STEEL TENSIONRING RE: STRUCTURAL

Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

4321

Level 530' - 9"

5 6 7

1A7.0

PRE-FINISHED GALVANIZEDSTANDING SEAM METALROOF CONTOURED TO DOME

PRE-FINISHED 22 GA. GI.CAP FLASHING ONTREATED 2X BLOCKING SANDBLASTED

CONCRETE COLUMNSRE: STRUCTURAL

WINDOWS ASSCHEDULED

TYPE AFACE BRICK

ALUMINUMDOORS ASSCHEDULED

ALUMINUMSTOREFRONT ASSCHEDULED

PAINTED STEEL TENSIONRING RE: STRUCTURAL

SANDBLASTEDCONCRETE COLUMNSRE: STRUCTURAL

PRE-FINISHED 22 GA. GI.CAP FLASHING ON

TREATED 2X BLOCKINGSANDBLASTEDCONCRETE COLUMNS

RE: STRUCTURAL

WINDOWS ASSCHEDULED

TYPE AFACE BRICK

PAINTED STEEL TENSIONRING RE: STRUCTURAL

WINDOWS ASSCHEDULED

TYPE AFACE BRICK

TYPE AFACE BRICK

Class Time

Date

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No. Description Date

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9407

Des

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MW

M A

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ZACH GRZYBOWSKI

Lubb

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Chr

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rsity

Revisions

North/SouthElevations

A6.1

1/8" = 1'-0"1 North

1/8" = 1'-0"2 South5.Sections, Beam 2.23.11

1. Cartoon 1.26.11

2. Grid Columns 2.2.113. Walls 2.9.114. Foundation, Glass 2.16.11

6.Roof, Wall Sections 3.2.117.Check Set 4.13.11

Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

7

"TYVEK" VAPOR BARRIERON 1/2" GYP SHEATHING

FACE BRICK TYPE "A"WITH BRICK TIES AT16" O.C. E.W.

CONT. THRU WALL FLASHINGWITH 1/4" 45 DEG. DRIP EXT.AND TUBE TYPE WEEPHOLESAT 24" O.C.R-19 BATT INSULATION

WITH VAPOR BARRIERTO INTERIOR FACE

5/8" GYP BOARDON 6" METAL STUDSAT 16" O.C.

BASE AS SCHED.

FLOOR FINISH AS SCHED.

CONCRETE SLAB

RADIANT FLOOR TUBING

2" RIGID CLOSED CELLINSULATION AS SPEC.

VAPOR BARRIER ASSPEC.

FILL CAVITY BELOWTHRU WALLFLASHINGWITH GROUT

CONT. THRU WALLFLASHING WITH 1/4"45 DEG. DRIP EXT.AND TUBE TYPEWEEPHOLESAT 24" O.C.

FINISH GRADE VARIES

SEALENT ON CONT.EXP. JT. MATERIAL

FACE BRICK TYPE "B"SOLDIER COURSES

ALUM STOREFRONTAS SPEC

FACE BRICK TYPE "A"WITH BRICK TIES AT16" O.C. E.W. BEYOND

PARAPET FLASHINGAS SPEC EXTEND UPWALL AND LAP OVERWD BLKING AND UNDERMETAL COPING

5/8" TREATED CDXPLYWD ON 1/2" GYPSHEATHING

4" FIBER CANT CONT

ROOFING AS SPECON R-22 RIGID INSULMECH ATTACH TOMETAL DECK

Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

A.1

A9.04

A9.03

A9.02

R-19 BATT INSULATIONWITH VAPOR BARRIERTO INTERIOR FACE

5/8" GYP BOARDON 6" METAL STUDSAT 16" O.C.

FACE BRICK TYPE "A"WITH BRICK TIES AT16" O.C. E.W. BEYOND

PARAPET FLASHINGAS SPEC EXTEND UPWALL AND LAP OVERWD BLKING AND UNDERMETAL COPING

5/8" TREATED CDXPLYWD ON 1/2" GYPSHEATHING

4" FIBER CANT CONTROOFING AS SPECON R-22 RIGID INSULMECH ATTACH TOMETAL DECK

BASE AS SCHED.

FLOOR FINISH AS SCHED.

CONCRETE SLABRADIANT FLOOR TUBING

2" RIGID CLOSED CELLINSULATION AS SPEC.

VAPOR BARRIER ASSPEC.

FILL CAVITY BELOWTHRU WALLFLASHINGWITH GROUT

CONT. THRU WALLFLASHING WITH 1/4"45 DEG. DRIP EXT.AND TUBE TYPEWEEPHOLESAT 24" O.C.

FINISH GRADE VARIES

SEALENT ON CONT.EXP. JT. MATERIAL

FACE BRICK TYPE "B"SOLDIER COURSES

CONT. THRU WALL FLASHINGWITH 1/4" 45 DEG. DRIP EXT.AND TUBE TYPE WEEPHOLESAT 24" O.C.

CONT SEALENT

PAINTED CONT SURFACE MOUNTED22 GA. GI. COUNTERFLASHING

3 COURSES OF3 5/8" CMU

TYVEK VAPOR BARRIERON 1/2" GYP SHEATHING

SANDBLASTED CONCRETECOLUMNS AND BEAMS

PAINTED EXTERIOR GYP BOARDSOFFIT WITH CONT. 1" SOFFITVENT AT EDGES

Finish Floor0' - 0"

Level 213' - 4"

Level 316' - 8"

Level 420' - 0"

A9.01

PRE FINISHED ARCHITECTURALSTANDING SEAM METAL ROOFAS SPEC ON ROOF MEMBRANEAS SPEC ON 5/8" FIRE TREATEDCDX PLYWOOD ONM CURVEDSTRUCTURAL METAL STUDS

8"X8" PRE-FINISHEDMETAL GUTTER

PRIMED AND PAINTED STEELTENSION RING

SANDBLASTED CONCRETECOLUMNS

REVEAL TYPICAL ATALL ROTUNDA COLUMNS

ROOFING AS SPECON R-22 RIGID INSUL.MECH. ATTACH TOMETAL DECK

SOUND ATTENUATIONBATT INSULATION

5/8" GYP BOARD ONBOTH SIDES OF 4"METAL STUDSAT 16" O.C.

STEEL TUBE

FLOOR FINISHAS SCHED.

CONCRETE SLAB

RADIANT FLOORTUBING

2" RIGID CLOSED CELLINSULATION AS SPEC.

VAPOR BARRIERAS SPEC.

BASE AS SCHED.

5/8" GYP BOARDON METAL STUDJOISTS

5/8" GYP BOARDON METAL STUDJOISTS

FORTACRETE STRUCTURALPANELS ON METAL STUDJOISTS

42" HIGH 3 5/8" METALSTUD AT 16" O.C.GUARDRAIL

OPEN CELL FOAMINSULATION AS SPEC.

LAY-IN CEILING

Class Time

Date

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4.13.2011

No. Description Date

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9407

Des

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M A

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ZACH GRZYBOWSKI

Lubb

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Chr

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Revisions

Wall Sections

A8.0 3/4" = 1'-0"1 Section 5 3/4" = 1'-0"2 Section 6

3/4" = 1'-0"3 Section 7

3.Roof, Wall Sections 3.2.11

3.Sections, Beam 2.23.111.Cartoon 1.26.11

6.Check Set 4.13.115. Interior,Schedules 3.23.114. RCP, Details 3.9.11

D.2

B.2

4

43

3

2

2

1

1

A.2

E.2

D.1

B.1

5

5

6

6

7

7

A.1

E.1

C.1 C.1

W16X26

W16X26

W16

X26

W16X26

W14X22

W18X35

W16

X26

W14

X22

W14X22

W10X30W10X22

W12

X14

W16

X26

W12

X14 W16X26

W16X26

W14X22

W14X22

W14

X22

W16

X26

W18X35

W14X22

W14X22

W16X26

W16

X26

W16X26

W16X26

W14X22

W14X22

W14

X22

W16

X26

W18X35

W14X22

W14X22

W16X26

W16

X26

W12

X14

W16

X26

W12

X14

W10X30 W10X22

W16X26

W16X26

W14X22

W14

X22

W16

X26

W18X35

W14X22

W16X26

W16

X26

600S162 600S162

600S162600S162

ENTRY CANOPY

HSS10X4X5/16TENSION RING

ENTRY CANOPY

225' - 8 3/4"

19' - 7 15/32" 69' - 5 17/32" 23' - 1 3/4" 23' - 1 3/4" 69' - 5 17/32" 19' - 7 15/32"

19' - 7 15/32" 69' - 5 17/32" 23' - 1 3/4" 23' - 1 3/4" 69' - 5 17/32" 19' - 7 15/32"

137'

- 6

1/32

"

43' -

6 1

7/32

"26

' - 1

0 1/

16"

27' -

8 3

/16"

42' -

10

25/3

2"

43' -

3"

26' -

10

19/3

2"27

' - 2

29/

32"

42' -

10

23/3

2"

HSS10X4X5/16

HSS10X4X5/16

StructuralFraming_rotunda

19-26K6 JOISTS

8-10KI JOISTS

8-10KI JOISTS

16 SP. AT 5'-0"

19-26K6 JOISTS

16 SP. AT 5'-0"

15-26K6 JOISTS

12 SP. AT 5'-0"

15-26K6 JOISTS

12 SP. AT 5'-0"

8-10KI JOISTS

8-10KI JOISTS

Class Time

Date

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4.13.2011

No. Description Date

ZG

5601

19t

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; Lub

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9407

Des

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d by

MW

M A

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ZACH GRZYBOWSKI

Lubb

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Chr

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Revisions

Framing Plan

A5.2

1.Roof, Wall Sections 3.2.11

1/8" = 1'-0"1 Framing plan N

3.Check Set 4.13.112.RCP, Details 3.9.11

D.2

B.2

4

43

3

2

2

1

1

A.2

E.2

D.1

B.1

5

5

6

6

7

7

A.1

E.1

PAINTED GYP BOARDCEILING AND BEAMSURROUNDS IN ROTUNDA

PAINTED EXTERIOR GYPBOARD CEILING SOFFITE

PLASTER CEILING OVERSHOWER AREA

PLASTER CEILING OVERSHOWER AREA

PAINTED EXTERIOR GYPBOARD CEILING SOFFITE

PAINTED EXTERIOR GYPBOARD CEILING SOFFITE

PAINTED EXTERIOR GYPBOARD CEILING SOFFITE

PAINTED GYP BOARDCEILING AND BEAM

SURROUNDS IN ROTUNDA

A.F.F.8' - 0"

A.F.F.8' - 0"

A.F.F.8' - 0"

A.F.F.8' - 0"

A.F.F.8' - 0"

A.F.F.8' - 0"

A.F.F.8' - 0"

A.F.F.8' - 0"

EXPOSED: REFERENCE FRAMING EXPOSED: REFERENCE FRAMING

C.1 C.1

EXPOSED: REFERENCE FRAMING EXPOSED: REFERENCE FRAMING

OPEN OFFICE

BREAKROOM

WOMEN

MEN

JANITOR

CO

MM

./ELE

C.

ROTUNDA

LOBBY

OPEN OFFICE

BREAKROOM

MEN

JANITOR

CO

MM

./ELE

C.

LOBBY

OPEN OFFICE OPEN OFFICE

WOMEN

2' X 2' LAY-IN SUSPENDEDTYPE I TILE CEILING

2' X 4' LAY-IN LIGHT FIXTURERE: ELEC.

LIGHT FIXTURERE: ELEC.

RECESSED LT. FIX.RE: ELEC

HVAC SUPPLY AIR GRILLERE: MECH

PAINTED GYP BOARD CEILING/SOFFIT UNLESS OTHERWISE NOTED

HVAC RETURN AIR GRILLERE: MECH.

CEILING LEGEND

Class Time

Date

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4.13.2011

No. Description Date

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9407

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ZACH GRZYBOWSKI

Lubb

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Chr

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Revisions

ReflectedCeiling Plan

A4.0 1/8" = 1'-0"1 Reflected Ceiling Plan

N

3.Check Set 4.13.112. RCP, Details 3.9.111. Cartoon 1.26.11

FRAM

ING

PLA

N

REFL

ECTE

D C

EILI

NG

PLA

N

TEAM BASED DEISGN PROJECT THAT NEEDED TO INCORPORATE STRUCTURE, PLUMBING, MECHANICAL, ELECTRICAL, AND BUIDLING ENVELOPE SYSTEMS.

PROGRAM USED: archiCAD

OFFICE SPACE LIVING SPACE LOBBY OFFICE MAIL ROOM LOADING DOCK RESTAURANT/BAR

TOTAL SITE

20,000 SQFT4,000 SQFT1,500 SQFT500 SQFT300 SQFT700 SQFT4,000 SQFT

31,OOO SQFT

14,400 SQFTLOC

ATI

ON

: LU

BB

OC

K T

X

PR

OG

RA

M: O

FFIC

ES +

LIV

ING

PA

RTN

ERS

: MIC

HA

EL O

BO

T +

JO

HN

GA

RC

IA

ALLEYSITE

SIGNAGE

SIG

NAG

E

ALLEY

LOADING

SOLID FILL CELLS 8” CMU

PROPERTY LINE

GROUND FLOOR PLAN1/8” = 1’

4 HR. FIRE RATING

2” EIFS

MAIL ROOM

ENLARGED PLAN CALLOUT

MAINENTRANCE

COFFEEEXPRESS

LOUNGE

RESTROOMS

F

D

C

B

A

1 2 3 5 7 8 9 10 12

G

H

I

J

61

F

20,000 SQFT4,000 SQFT1,500 SQFT500 SQFT300 SQFT700 SQFT4,000 SQFT

31,OOO SQFT

14,400 SQFT

the design decision to push the building into the back corner of the site allowed the front to be open to the busy street corner allowing the interaction between the building and the public

ELECTRIC TRAY

BATHROOMS

CURTAIN WALL

6"

13'-6"

11'-0"

1'-0"

1'-3 3/4"

1'-4 1/2"

12

x 67/

8"

=21'

1

2

3

4

5

6

7

8

9

01

11

12

13

14

15

16

17

18

19

20

21

22 x 6 9/16" = 12'

1 2 3 4 5 6 7 8 9 01

11

2131415161718191021222

22 x 6 9/16" = 12'

1 2 3 4 5 6 7 8 9 01

11

2131415161718191021222

22 x 6 9/16" = 12'

1 2 3 4 5 6 7 8 9 01

11

2131415161718191021222

22 x 6 9/16" = 12'

12345678901

11

12 13 14 15 16 17 18 19 20 21 22

22 x 6 9/16" = 12'

12345678901

11

12 13 14 15 16 17 18 19 20 21 22

22 x 6 9/16" = 12'

12345678901

11

12 13 14 15 16 17 18 19 20 21 22

22 x 6 9/16" = 12'

12345678901

11

12 13 14 15 16 17 18 19 20 21 22

4’-5”4’-5”

OFFICE SPACE

OFFICE SPACE

VERTICAL

TRANSITION

ELECTRICAL

CLOSET

4TH-7TH FLOOR PLAN1/8” = 1’

OFFICE SPACE

CAT WALK

RES

TRO

OM

S

F

D

C

B

A

1 2 3 5 7 8 9 10

G

H

I

J

61

F

42

x7

" =

41'

1

2

3

4

5

6

7

8

9

10

11

21

13

14

15

16

17

18

19

20

21

22

23

24

F

D

C

B

A

1 2 3 5 7 8 9 10

G

H

I

J

61

F

LIVING SPACE

RESTROOM

RESTROOM

LIVING SPACE

HAL

L SP

ACE

VERTICAL TRANSITION

LIVING SPACE

2ND-3RD LEVEL FLOOR PLAN1/8” = 1’

LOBB

Y SP

ACE

LOBB

Y SP

ACE

RES

TRO

OM

CLO

SET

SPAC

E

CLOSET SPACE

CLO

SET

SPAC

E

ELECTRIC TRAY

BATHROOMS

CURTAIN WALL

6"

13'-6"

11'-0"

1'-0"

1'-3 3/4"

1'-4 1/2"

SECTION PERSPECTVE_living area

12'-4"

11'-6"

11'-6"

4'-11"

3'-0"

2'-0"

3'-0"2'-0"

2'-0"

13'-6"

13'-6"

13'-6"

13'-6"

6"

11'-6"

11'-6"

11'-6"

12'-0"

11'-6"

2'-0"

1'-4"

1'-8 1/2"

8"8"

13'-6"

03

03

03

03

03

03

03

03

04

04

04

04

03

05

03

05

03

04

04

F

E

D

C

B

A

1 2 3 4 5 7 8 9 10 11 12

G

H

I

J

K

6

BAR

24

x 7"

= 1

4'-0

"

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

24 x 7" = 14'-0"

1 2 3 4 5 6 7 8 9 10 11

12

131415161718192021222324

24 x 7" = 14'-0"

1 2 3 4 5 6 7 8 9 10 11

12

131415161718192021222324

24 x 7" = 14'-0"

1234567891011

12

13 14 15 16 17 18 19 20 21 22 23 24

24 x 7" = 14'-0"

1234567891011

12

13 14 15 16 17 18 19 20 21 22 23 24

24 x 7" = 14'-0"

1234567891011

12

13 14 15 16 17 18 19 20 21 22 23 24

24 x 7" = 14'-0"

1234567891011

12

13 14 15 16 17 18 19 20 21 22 23 24

24 x 7" = 14'-0"

1234567891011

12

13 14 15 16 17 18 19 20 21 22 23 24

24 x 7" = 14'-0"

1234567891011

12

13 14 15 16 17 18 19 20 21 22 23 24

24 x 7" = 14'-0"

1 2 3 4 5 6 7 8 9 10 11

12

131415161718192021222324

24 x 7" = 14'-0"

1 2 3 4 5 6 7 8 9 10 11

12

131415161718192021222324

24 x 7" = 14'-0"

1 2 3 4 5 6 7 8 9 10 11

12

131415161718192021222324

24 x 7" = 14'-0"

1 2 3 4 5 6 7 8 9 10 11

12

131415161718192021222324

24

x 7"

= 1

4'-0

"

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

21

x 6

3/4"

= 1

2'-0

"

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22 x 6 1/2" = 12'-0"

1 2 3 4 5 6 7 8 9 10

11

1213141516171819202122

22 x 6 1/2" = 12'-0"

1 2 3 4 5 6 7 8 9 10

11

1213141516171819202122

22 x 6 1/2" = 12'-0"

1 2 3 4 5 6 7 8 9 10

11

1213141516171819202122

22 x 6 1/2" = 12'-0"

12345678910

11

12 13 14 15 16 17 18 19 20 21 22

22 x 6 1/2" = 12'-0"

12345678910

11

12 13 14 15 16 17 18 19 20 21 22

22 x 6 1/2" = 12'-0"

12345678910

11

12 13 14 15 16 17 18 19 20 21 22

22 x 6 1/2" = 12'-0"

12345678910

11

12 13 14 15 16 17 18 19 20 21 22

FRESHEXHAUST

B G 2-3 4-7

COOLING TOWER

CHIMNEY

1’x 8”

1’x 8”

1’ 6”x 1’ 6”

BOILER

FRESH AIR INTAKE

EXHAUST OUTAKE

3’x3’ DUCTS

CHILLING UNIT

CROSS-BRACED BOXTRUSS SYSTEMS FOR LATERAL LOADSW 7 5/8”X 3 3/16”

CANTLEVER OVERHANG STRUCTUREW 16”X 7”

CANTLEVER STILT SUPPORTSW 24”X 12 3/4”

ALL EXTERIOR COLLUMNSW 12”X 8”

ALL INTERIORCOLLUMNS10” X10” HSS

6” SLAB CONSIST OF 3” STEEL DECKING

BEAM SYSTEMTHROUGHOUT ENTIRESTRUCTUREW 10” X 8”

ROOF IS TAR WITH GRAVEL OVER SEVERALA WATER PROOFMEMBRANE

MECHANICALsystem

STRUCTURALsystem

12'-4"

11'-6"

11'-6"

4'-11"

3'-0"

2'-0"

3'-0"2'-0"

2'-0"

13'-6"

13'-6"

13'-6"

13'-6"

6"

11'-6"

11'-6"

11'-6"

12'-0"

11'-6"

2'-0"

1'-4"

1'-8 1/2"

8"8"

13'-6"

03

03

03

03

03

03

03

03

04

04

04

04

03

05

03

05

03

04

04

F

E

D

C

B

A

1 2 3 4 5 7 8 9 10 11 12

G

H

I

J

K

6

BAR

2

21

11

1

1

labs/studios

classrooms

4

4

3

3

3

3

meet up rooms

part storage

6

6

6

6

55 lecture room

administration/office

77 gallery/bar

9999

8

8

store

restroom

2

1 labs/studios

classrooms

4

3 meet up rooms

part storage

6

5 lecture room

administration/office

7 gallery/bar

9

8 store

restroom

beginner

intermediate

advanced

circuit board

urban skin

LOC

ATI

ON

: BR

OO

KLY

N, N

Y

PR

OG

RA

M: R

OB

OT

WO

RK

SH

OP

CO

MP

ETIT

ION

the project is an ideas competition established by the website suckerpunchdaily participated by myself and a partner.

PA

RTN

ERS

: QU

OC

TR

AN

system

studios

classrooms

meet up rooms

3 2 1a systematic approach was taken in order to deter-mine the injecton of the main prgrammatic spaces {sudios/classrooms/meet up rooms}

the unique urban context of brooklyn allowed for an interesting juxtaposition of materiality and form. the influence of technology and robotics through circiut boards is implemented into the form of the main programmatic spaces, while the urban context manifested itself onto the skin and facades of the lower program spaces

basic horiontal layout spanning site

pinched and stretched for verticality and prominence over surrounding con-text

divided in two

top seperated into 3 parts

bottom pulled down to accomo-date program needs

hole punched though middle to allow transitions between rooms

stairs attached to exterior in-fluenced by fire escapes prominent in the urban con-text

gallery

store

lecture hall

restooms +

part storage

admin.

studios

meeting rooms

classrooms

transitions